73 10 1498 https://finearts.uvic.ca/music/archive/files/original/18f13a5390484518df7f7fb37105bed3.pdf 54094ad1805451627c4321f5aba01d75 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA Wind Symphony Steven J. Capaldo, Conductor { The Naden Band of the Royal Canadian Navy Conductors: Chief Petty Officer Second Class Brayden Wise, CD Petty Officer First Class Ben Van Slyke, CD Something Old, Something New Friday, February 8, 2019 • 8 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $20 / Seniors: $15 / Students & UVic alumni: $10 �PROGRAM Ecstatic Fanfare Steven Bryant (b. 1972) CPO 2 Brayden Wise, conductor An Outdoor Overture Aaron Copland (1900–1990) PO 1 Ben Van Slyke, conductor Symphony No. 6 for Band, Op. 69 I. Adagio–Allegro II. Adagio sostenuto III. Allegretto IV. Vivace Vincent Persichetti (1915–1987) Steven J. Capaldo, conductor I NT E R M I S S I O N Esprit de Corps Robert Jager (b. 1939) PO 1 Ben Van Slyke, conductor Night Light Cait Nishimura (b. 1991) CPO 2 Brayden Wise, conductor Concerto for Euphonium, Winds & Percussion “Summer of 2008” I. Changing Weather II. Wondrous Starry Night III. Festivals Jason Gordon, euphonium Steven J. Capaldo, conductor David Gillingham (b. 1947) �We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. PROGRAM NOTES Ecstatic Fanfare (2012) Steven Bryant Ecstatic Fanfare by Steven Bryant is based on the first movement of the composer’s piece Ecstatic Waters. An idea was hatched between the composer and his wife, conducter Verena Mösenbichler-Bryant, that “…it might be fun to take the heroic tutti music from that earlier work and turn it into a short fanfare ‘someday.’ ” Composed in somewhat of a frenzy over a period of three days in May 2012, this piece was brought from conception to fruition in an incredibly short timeframe, with the new piece premiering just three short weeks later. — CPO 2 Brayden Wise An Outdoor Overture (1938) Aaron Copland In Copland’s own words, An Outdoor Overture owes its existence to the persuasive powers of Alexander Richter, head of the music department of the High School of Music and Art in New York City. “He had witnessed a performance of my high school opera, The Second Hurricane, and made up his mind that I was the man to write a work for his school orchestra. I liked the idea of the High School of Music and Art — that gifted students could prepare for their careers in the arts at such a school without sacrificing a general education. Richter won me over when he explained that his work would be the opener in a campaign the school planned to undertake with the slogan: ‘American Music for American Youth’. I found this so irresistible that I interrupted my orchestration for Billy the Kid in the fall of 1938 to write the piece… When I played the piano sketch for him, Richter remarked that it seemed to have an open-air quality. Together we hit on the title An Outdoor Overture.” The piece was dedicated to the High School of Music and Art and premiered in December 1938. The piece starts in a large and grandiose manner with a theme that is immediately developed as a long solo for the trumpet. A short bridge passage in the woodwinds leads imperceptibly to the first theme of the allegro section, characterized by repeated notes. Shortly afterwards, these same repeated notes, played broadly, give us a second, snappy march-like theme, developed in �a canon form. There is an abrupt pause, a sudden decrescendo, and the third, lyric theme appears, first in the flute, then the clarinet, and finally up through the rest of the band. Repeated notes on the bassoon seem to lead the piece in the direction of the opening allegro. Instead, a fourth and final theme evolves another march theme, but this time less snappy, and with more serious implications. There is a build-up to the opening grandiose introduction again, continuing with the trumpet solo melody and followed by a short bridge section. The piece ends with a climactic combination of all the themes in the same grandiose style as the beginning. — PO 2 Steve Donegan Symphony No. 6 for Band, Op. 69 Vincent Persichetti Vincent Persichetti’s Symphony No. 6 for Band, Op. 69 was commissioned and premiered by Clark Mitze and the Washington University Band at the MENC Convention in St. Louis on April 16, 1956. According to the composer, it could have been titled “Symphony for Winds,” following, as it did, his Symphony No. 5, For Strings. Persichetti, however, did not wish to avoid the word “band,” which he felt no longer had the connotation of a poor quality of music. In the autumn 1964 Journal of Band Research, he wrote, “Band music is virtually the only kind of music in America today (outside the ‘pop’ field) which can be introduced, accepted, put to immediate and wide use, and become a staple of the literature in a short time.” According to Jeffrey Renshaw, “The Symphony for Band… was in many ways such a departure from the established concepts of band works that it influenced the attitudes of generations of composers.” © University of Alabama, Birmingham Esprit de Corps (1984) Robert Jager Born in Binghampton, New York, Robert Jager was arranger/composer for the U.S. Navy Armed Forces School of Music from 1962 to 1965. After completing his studies and graduating from the University of Michigan in 1968, he went on to be the lecturer in composition and directing at Old Dominion University in Norfolk, Virginia. In 1971, he became a professor at Tennessee Technological University in Cookeville, Tennessee and toured the United States, Canada, Europe and Japan as an active composer, conductor and lecturer until his retirement in 2001. �The term Esprit de Corps is widely used throughout many armed forces organizations to denote a feeling of pride, fellowship, and common loyalty shared by its members. With this in mind, Jager wrote this piece, based on The Marines’ Hymn, as a tribute to the band and members of the United States Marine Corps. Full of energy and drama, the piece shows off the virtuosity and musical spirit of the Marine Corps Band and its conductor at the time Colonel John R. Bourgeois. Bourgeois was a dramatic and spirited conductor who was widely known to perform pieces quite fast and as such, the piece is marked “Tempo di Bourgeois” right off the top because Jager believed a simple marking of “very bright” wouldn’t quite do it justice. — PO 2 Steve Donegan Night Light (2011, revised 2019) Cait Nishimura Composer Cait Nishimura began Night Light as “…a few simple themes that represented [her] childhood experience of fearing the dark and feeling comforted by the soft glow of night lights. These ideas evolved over time into a musical story that depicts the experience of being awake in the night while the surrounding world is at rest — an experience full of moments of tension and softness, pain and joy, and darkness and light.” Warm, lush textures in the opening passages give way to a lively, active middle section, where the insomniac’s mind truly comes alive, ending with what might be best described as a tranquil dream state. — CPO 2 Brayden Wise Concerto for Euphonium, Winds & Percussion “Summer of 2008” (2008) David Gillingham Commissioned by a consortium of groups in the United States with euphonium player Jason D. Ham, the work is scored in three movements and has become a cornerstone of the solo repertoire for euphonium and wind band. Based on the composer’s experiences over the summer of 2008, the concerto unfolds through various themes and rhythmic motifs that recur throughout the work, connecting each movement with familiar musical ideas. The free flowing first movement pairs rubato-style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham’s signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance. © David Gillingham and Steven Capaldo �UVIC WIND SYMPHONY Conductor Dr. Steven J. Capaldo PICCOLO/FLUTE Jessica Shaw FLUTE Charlie Mason* Taya Haldane Breanna Morissette Connie Goetz OBOE Janie Sinn* Theresa Mothersill BASSOON Wilson Kyne* Lee Whitehorne CLARINET Alec Kan* Kyle Lancaster Meghan Parker Katherine Forster Samuel He BASS CLARINET Alina Liang CONTRABASS CLARINET Zachary Smith ALTO SAXOPHONE Matt Fichter* Karsten Brewka TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Michelle Melnicky FRENCH HORN Sarah Mullane* Allie Bertholm Drake Lovett Brooke Clansey Joshua Ward TRUMPET Marianne Ing* Ryan Lau Ekaterina Della Vedova Izzy Spencer Abha-Marie Parmar Wayland Shepard TROMBONE Will Quinn* Heidi Worrall Erin Marsh Ben Pakosz EUPHONIUM Jason Gordon* Liam Mulligan TUBA Aiden Fentiman* Scott Gordon Jacob Tkachuk PERCUSSION Lachlan Barry* Cashton MacGillivray Jesse Johnson * Principal �NADEN BAND OF THE ROYAL CANADIAN NAVY Director of Music and Commanding Officer Lieutenant (Navy) Catherine Norris, CD Chief Petty Officer Second Class Brayden Wise, CD FLUTE/PICCOLO PO 1 Ginette Gibeault LS Laura Andrew OBOE PO 2 Katrina Bligh BASSOON PO 2 Robyn Jutras CLARINET PO 2 Marielle Audet PO 2 Rebecca Hissen PO 2 Mélanie Paré TROMBONE PO 2 Alon Soraya PO 2 Michel Wade PO 2 Shawn Wright BASS TROMBONE LS Zack Everett EUPHONIUM PO 2 Bob Fearnley TUBA PO 2 Tim Keels PO 2 Winston Hind SAXOPHONE PO 1 Jeff Cooper PO 2 David P. Gagnon PO 2 Barrie Sorensen PO 2 Roy Styffe ELECTRIC GUITAR PO 2 Stephen MacDonald FRENCH HORN PO 2 Jean Potash PO 2 Allison Zaichkowski PIANO PO 2 Olivier Néron-Bilodeau TRUMPET PO 1 Benjamin Van Slyke PO 2 Alastair Chaplin PO 2 Steve Donegan PO 2 Greg Sly PO 2 Miguel Valdes De La Hoz STRING/ELECTRIC BASS PO 2 Ross Macdonald PERCUSSION PO 2 Richard Lang PO 2 Robert Stevens LS Kyle Reyes LS Simeon Weststeijn �BIOGRAPHIES Dr. Steven J. Capaldo, conductor Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Currently the Wind Symphony Conductor and Conducting & Music Education Visiting Professor at the UVic, Dr. Capaldo has previously held positions in Music Education at the University of Wollongong, was a member of the Conducting Faculty at the Sydney Conservatorium of Music as Conductor of the Sydney University Wind Orchestra, the Conductor of the UNSW Wind Symphony, and was formerly a Music Education & Conducting Professor at the University of Victoria. Completing DMA and Master of Performance degrees in conducting and an undergraduate degree in music education, Dr. Capaldo has established a longstanding history supporting, mentoring and engaging in community music and music education settings. An active writer, Dr. Capaldo composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and concerts and his works have been performed by groups in Australia, Canada, Japan and the United States, and recorded on Klavier records (US). Dr. Capaldo has been an Assistant Producer for eight Klavier Records, became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 Eurovision Song Contest. Dr. Capaldo is highly-active and in-demand as a conductor, clinician and adjudicator having worked at local, state/provincial, national and international levels. Committed to providing professional learning opportunities for music educators and conductors, Dr. Capaldo has been a conducting clinician at the 2016 & 2018 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Queensland Conducting Camp and an Associate Instructor for the New South Wales Conducting School. Chief Petty Officer Second Class Brayden Wise, Band Chief & conductor Chief Petty Officer 2nd Class Brayden Wise was born and raised in Vernon, BC. He joined the Canadian Armed Forces in 1996 as a member of the Band of the 15th Field Regiment, Royal Canadian Artillery, in Vancouver, BC. While in Vancouver, CPO 2 Wise attended Capilano University’s Jazz Studies Programme, concentrating on double bass performance. During his tenure in the Reserves, CPO 2 Wise was employed in a variety of tasks within the Band including Library, Transport and Sound Reinforcement, in addition to leading small jazz, pop and rock groups. He took on employment outside the Musician occupation, working as a clerk at Canadian Forces Recruiting Centre Vancouver, as well as being employed as the Chief Clerk of 6 Field Squadron, 39 Combat Engineer Regiment, in North Vancouver, BC. He transferred to the Regular Force as a Musician in 2006 and was posted to The Central Band of the Canadian Armed �Forces in Ottawa, ON, where he worked as a bassist, Drum Major, and Bandleader for the pop/rock ensemble. In 2011, he returned to the Army, was promoted to WO and posted to the Royal Canadian Artillery Band in Edmonton, AB, where he served as Operations Manager and Quartermaster for the Band, as well as leading ensembles as both a player and conductor/bandleader. CPO 2 Wise was promoted to his present rank and posted to the Naden Band in 2015. In his spare time, CPO 2 Wise enjoys playing hockey, cycling, running, attempting to golf, and is an avid home brewer. He resides in Victoria with his three children. Petty Officer First Class Ben Van Slyke, conductor Petty Officer First Class Ben Van Slyke was born in Vancouver and started music at an early age. In 1995, at the age of 17, he enrolled in the Canadian Armed Forces (CAF) Reserves as a musician in the Band of the 15th Field Regiment Royal Canadian Artillery. During his time in the reserves, he studied at the CAF School of Music and performed the changing of the guard in Ottawa with the Ceremonial Guard. In 1998 Ben embarked on contract with Norwegian Cruise lines where he met his wife Angela. He spent 6 years living and working in the United States as a theatre and touring musician. In 2005, Ben returned to Canada to join the CAF as a regular force musician with his first posting to the Stadacona Band in Halifax, NS. In his 14 years in the regular force he has been fortunate to work with four of six Canadian regular force bands and some of the best musicians in the country. Jason Gordon, euphonium Jason Gordon began playing euphonium at the age of eleven. He chose the euphonium because A) he believed it was a tuba and B) in middle school he was not big enough to play a tuba. Since then, Jason’s instrumental proficiency, height, and musical knowledge has increased greatly. Currently, he studies under Paul Beauchesne at the University of Victoria where he is a third year Music Education Major. Since 2013 Jason has been participating in ensembles and music festivals. This includes the BC Provincial Honour Band, Sidney Concert Band, Meridiem Wind Ensemble, Sine Cura Jazz Combo, Greater Victoria Youth Orchestra, UVic Trombone Choir, UVic Wind Symphony and the Dennis Wick Canadian Wind Orchestra. While part of the Denis Wick Ensemble in 2016 he was given the Most Outstanding Brass Musician Award. Jason has also participated in the Victoria, Provincial, and National music festivals. In 2018, he spent a week in New Brunswick competing in the Canadian Nationals placing third in the Brass Category. When not performing Jason is an active member in the Music Education community. He regularly works with students to help support and grow music on the Island. Jason is very grateful for the endless support of past and present teachers, friends and family. �NEXT CONCERT UVIC WIND SYMPHONY FRIDAY, MARCH 29 | 8 PM Something Borrowed, Something Blue Steven Capaldo, conductor The second of a two-part concert series and the final performance of the UVic Wind Symphony for their 2018/19 season, this eclectic program features works that have borrowed from other composers or are inspired by jazz and Latin music. With special guest soloists Merrie Klazek (trumpet) and trumpet great Jens Lindemann, the concert finale includes a concerto for wind symphony and jazz quartet featuring Wendell Clanton on alto saxophone. With works by Shostakovich, Hindemith, Gershwin, Mackey and world premieres by UVic composition student Deborah Baynes and Esquimalt High School student Julian Glover — both commissioned by the UVic Wind Symphony — this concert presents some of the most innovative and exciting wind ensemble pieces written for the genre. �UPCOMING AT THE SCHOOL OF MUSIC SATURDAY, FEBRUARY 9 | 2:30 PM (By donation) Saxophone Ensemble Recital Featuring students from the studio of Wendell Clanton. Phillip T. Young Recital Hall SATURDAY, FEBRUARY 9 | 8 PM (Pre-concert talk at 7 PM) ($10-$20) Faculty Chamber Music Series Experience the magic that happens when UVic performance faculty join on stage to make music together. This concert will feature works by Vaughan Williams, SaintSaëns, Mozart, and more performed by the Lafayette String Quartet, trumpeter Merrie Klazek, tenor Benjamin Butterfield, and many others. Phillip T. Young Recital Hall TUESDAY, FEBRUARY 12 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall WEDNESDAY, FEBRUARY 13 | 12:30 PM (Free) Lieder at Lunch: Fliederlieder (Songs About Lilacs) An exploration of the German Lied (song) repertoire with soprano Sharon Krebs and pianist Harald Krebs, with guest clarinettist Shawn Earle. Bring your lunch! Rm. B037, MacLaurin Building, B-Wing THURSDAY, FEBRUARY 14 | 8 PM (By donation) Viola Studio Recital Featuring students from the studio of Joanna Hood. Phillip T. Young Recital Hall FRIDAY, FEBRUARY 15 | 12:30 PM (By donation) Fridaymusic A concert of new works by School of Music composition students. Phillip T. Young Recital Hall To receive our season brochure & monthly newsletter by email, contact: concert@uvic.ca � uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020819_WindSymphony/020819_WindSymphony_1.wav">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 8, 2019 Contributor An entity responsible for making contributions to the resource Steven J. Capaldo https://finearts.uvic.ca/music/archive/files/original/c335b4e27ed80c8a9c0c140293c56028.pdf aa7de427b204a6ca2cbd3d64d7afef1f PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CHAMBER MUSIC SERIES Russell Bajer, oboe Shawn Earle, clarinet Alana Despins, horn Jenny Gunter, bassoon Merrie Klazek, trumpet Alex Olsen, bass Arthur Rowe & Bruce Vogt, piano Benjamin Butterfield, tenor & The Lafayette String Quartet Ann Elliott-Goldschmid & Sharon Stanis, violins Joanna Hood, viola Pamela Highbaugh Aloni, cello We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, February 9, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $25 / Seniors: $20 / Students & UVic alumni: $10 �PROGRAM Quintet in E-flat Major, K. 452 for Piano and Winds Largo – Allegro moderato Larghetto Allegretto W. A. Mozart (1756–1791) Russell Bajer, oboe Shawn Earle, clarinet Alana Despins, horn Jenny Gunter, bassoon Arthur Rowe, piano Ralph Vaughan Williams (1872–1958) Merciless Beauty Your eyen two So hath your beauty Since I from love Ann Elliott-Goldschmid & Sharon Stanis, violins Pamela Highbaugh Aloni, cello Benjamin Butterfield, tenor Septet in E-flat Major, Op. 65 Préambule Menuet Intermède Gavotte et Final Camille Saint-Saëns (1835–1921) Lafayette String Quartet Alex Olsen, bass Merrie Klazek, trumpet Bruce Vogt, piano I NT E R M I S S I O N Concession open in the lounge Quintet in B Minor, Op. 115 Allegro Adagio Andantino – Presto non asssai, ma con sentimento Con moto Lafayette String Quartet Shawn Earle, clarinet Johannes Brahms (1833–1897) �TEXT Merciless Beauty by Ralph Vaughan Williams Text by Geoffrey Chaucer I.Your eyen two Your eyën two will slay me suddenly: I may the beauty of them not sustene, So woundeth it throughout my hertë ken. And but your word will helen hastily My hertës woundë, while that it is green, Your eyën two will slay me suddenly: I may the beauty of them not sustene, Upon my troth I say to you faithfully, That ye be my life and death the queen, For with my death the truthë shall be seen: Your eyën two will slay me suddenly: I may the beauty of them not sustene, So woundeth it throughout my hertë kene. II. So hath your beauty So hath your beauty from your hertë chased Pity, that me ne availeth not to plain: For Daunger halt your mercy in his chain. Guiltless my death thus have ye me purchased; I say you sooth, me needeth not to feign: So hath your beauty from your hertë chased Pity, that me ne availeth not to plain. Alas! That nature hath in you compassed So great beauty, that no man may attain To mercy, though he stervë for the pain! So hath your beauty from your hertë chased Pity, that me ne availeth not to plain: For Daunger halt your mercy in his chain. III. Since I from love Since I from Love escapëd am so fat, I never think to ben in his prison lean; Since I am free, I count him not a bean. He may answer, and sayë this or that; I do not force, I speak right as I mean: Since I from Love escapëd am so fat, I never think to ben in his prison lean; Love hath my name y-strike out of his sclat, And he is strike out of my bookës clean For evermore; there is none other mean. Since I from Love escapëd am so fat, I never think to ben in his prison lean; Since I am free, I count him not a bean. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_03.mp3https://finearts.uvic.ca/music/archive/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_04.mp3https://finearts.uvic.ca/music/archive/uploads/faculty/020919-FacultyConcert/020919-facultyConcert_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Concert Series Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 9, 2019 https://finearts.uvic.ca/music/archive/files/original/134e585416a2e4ec01a73ccec45dc248.pdf a9e5b3f3a2d2145df77aa99eb109e11e PDF Text Text ACKNOWLEDGEMENTS The Class of 2019 acknowledges with utmost gratitude the contributions of Ms Skye Eriksen and Mr Connor Stairs who have rehearsed and performed with their respective quartets and the Saxophone Ensemble in support of their peers. Their dedication and contributions confirm, yet again, their integrity and selfless service to others. – Thank you! Year 1 Alex Tiller Music Education Candidate Ayari Kasukawa Performance Stream Ben Mendes Performance Stream Year 2 Baylie Adams Performance Candidate Year 3 Karsten Brewka Performance Todd Morgan Performance Year 4 Kayla Izon Music Education Matt Fichter Music Education Michelle Melnicky Music Education Michael Vielguth Composition SAXOPHONE ENSEMBLE RECITAL Saturday February 9th 2:30 pm Phillip T. Young Recital Hall School of Music University of Victoria �QUARTET SOBREMESA QUARTET VISE S A T B S A T B Michelle Melnicky Matt Fichter Todd Morgan Karsten Brewka Mountain Roads by David Maslanka 1. Overture & 4. Chorale PETIT QUATUOR S A T B Baylie Adams Ayari Kasukawa Alex Tiller Ben Mendes Michael Vielguth Connor Stairs Skye Eriksen Kayla Izon Quatuor for Saxophones by Guy Lacour 1 Elegie & 3 Rondo Final Intermission 15 minutes THE UNIVERSITY OF VICTORIA SAXOPHONE ENSEMBLE Three Preludes by George Gershwin Cascades by Scott Joplin Conducted by Michelle Melnicky DUO MORGAN-BREWKA Fugue #10 by J.S. Bach Conducted by Skye Eriksen Karsten Brewka & Todd Morgan Tachycardia by Marc Mellits Cuban Overture by George Gershwin Conducted by Matt Fichter � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020919-SaxStudioRecital/020919-SaxStudioRecital_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saxophone Ensemble Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 9, 2019 https://finearts.uvic.ca/music/archive/files/original/7e835bebf0a319a01cdd356085f904f8.pdf 40d632734d98f0b7f00bd1c72532cc0f PDF Text Text VIOLA STUDIO RECITAL Students from the studio of Joanna Hood. THURSDAY, FEBRUARY 14, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Suite No. 3 Prélude Allemande Courante Sarabande Bourrée Bourrée Gigue J. S. Bach (1685–1750) Felix Alanis, viola Shorter Pieces for Viola and Piano Chinese Puzzle Passacaglia on an Old English Tune Rebecca Clarke (1886–1979) Amanda Steinemann, viola Michelle Hoskin, piano Capriccio No. 9 (op. posth) for solo viola Ilya Ivanov, viola Suite No. 3 Prélude Bourrée Bourrée Gigue Henri Vieuxtemps (1820–1881) J. S. Bach Judith Gaston, viola Concertstück for viola and piano Seth McMillan, viola Michelle Hoskin, piano INTERMISSION Georges Enescu (1881–1955) �Romanze Op. 85 Gary Sun, viola Michelle Hoskin, piano Max Bruch (18381920) Robert Schumann (1810–1856) Märchenbilder Op. 113 Nicht schnell Lebhaft Rasch Langsam, mit melancholischem Andruck Maki Yamagata, viola Rosabel Choi, piano Presidium and Allegro Logan McNeil, viola Michelle Hoskin, piano Sonata for solo viola, Op. 25, No. 1 Breit. Viertel Sehr frisch und straff. (Viertel) Sehr langsam Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache Fritz Kreisler (1875–1962) Paul Hindemith (1895–1963) Felix Alanis, viola We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. UPCOMING EVENTS FRIDAY, FEBRUARY 15 | 12:30 PM (By donation) Fridaymusic A concert of new works by UVic School of Music composition students. Phillip T. Young Recital Hall SUNDAY, FEBRUARY 24 | 2:30 PM (By donation) Piano Studio Recital Featuring UVic School of Music piano students from the studio of Arthur Rowe. Phillip T. Young Recital Hall MONDAY, FEBRUARY 25 | 8 PM (Free) Degree Recital: Heidi Worrall, trombone (BMus) Heidi Worrall presents her Bachelor of Music graduating recital for trombone performance. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021419-ViolaRecital/Audio%201_01.wav">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 14, 2019 Contributor An entity responsible for making contributions to the resource Students from the studio of Joanna Hood https://finearts.uvic.ca/music/archive/files/original/e02da6e632b1e63e6801eca1c48b40ef.pdf be28f0b469f71696f9afc973e365047a PDF Text Text PIANO STUDIO RECITAL Piano students from the studio of Arthur Rowe SUNDAY, FEBRUARY 24, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Sonata in B-flat Major, Op. 22 Allegro con brio Ludwig van Beethoven (1770-1827) Bella Zeng Island Spell John Ireland (1879-1962) Wendy Feng Sonata in A Minor, K. 311 Allegro con spirito W.A. Mozart (1756-1791) Julia Polissky The Lark Mikhail Glinka (1837-1910) Arr. M. Balakirev Vincy Ip Prelude and Fugue in E-flat Major, BWV 876 J.S. Bach (1685-1750) Yuta Takahashi Danzas Argentinas Danza del viejo boyero Danza de la moza damosa Alberto Ginastera (1916-1983) Coco Chen Étude in F Minor, Op. 25, No. 2 Frédéric Chopin (1810-1849) Franz Schubert (1797-1827) Impromptu No. 4 in A-flat Major, D.899 Zach Qiu Scherzo No. 1 in B Minor, Op. 20 Frédéric Chopin Alice Yu — INTERMISSION — �Variations sérieuses, Op. 54 Felix Mendelssohn (1809-1847) Liam Pistor Scènes d’enfants I. Cris dans la rue II. Jeux sur la plage 1 III. Jeux sur la plage 2 IV. Jeux sur la plage 3 V. Jeunes filles au jardin Frederico Mompou (1893-1987) Tres piezas para piano Manuel Ponce (1882-1948) Jorge Carrizales Fantasie in C Major, D. 760 (Der Wanderer) Allegro con fuoco ma non troppo Adagio Presto Allegro Franz Schubert Jonathan Li � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022419-PianoRecitalRowe/022419-PianoRecitalRowe_11.mp3">track11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 24, 2019 Contributor An entity responsible for making contributions to the resource Piano students from the studio of Arthur Rowe https://finearts.uvic.ca/music/archive/files/original/c6ab2a2c9032bb40bb98556ec536283f.pdf 9afae155a69f7ccbfdff5cfe2e7f1467 PDF Text Text G RADUATE R ECITAL Emily Morse, Flute With Charlotte Hale, Piano Tuesday Feb. 26, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Une Flûte Soupire Nocturne Mel Bonis (1858 – 1937) Lili Boulanger (1893 – 1918) Mel Bonis (1858 – 1937) Pièce Air Vaudois Mel Bonis (1858 – 1937) Sonate Mel Bonis (1858 – 1937) Movement I: Andantino con moto Movement II: Scherzo-Vivace Movement III: Adagio Movement IV: Finale-Moderato Emily Morse is from the class of Dr. Suzanne Snizek This recital is presented in partial fulfillment of the requirements for the Master of Music (Musicology with Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_5.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 26, 2019 Contributor An entity responsible for making contributions to the resource Emily Morse Charlotte Hale https://finearts.uvic.ca/music/archive/files/original/604e7b7cbe852b3ff6d2d312387d4776.pdf 514664a67d6513bf3e776a922540968a PDF Text Text Annual Solo Bach Competition & Concert Wednesday, February 27, 2019 • 6:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by Donation Featuring School of Music students performing works by Johann Sebastian Bach. Judges: Kay Cochran, Paula Kiffner Violin Partita No.2 in D minor, BWV 1004 Cello Suite No.3 BWV 1009 Allemanda Corrente Sarabanda Giga Prélude Allemande Courante Sarabande Bourrée I & II Gigue Ross Ling, violin Seth McMillan, viola Partita No.1 in B minor, BWV 1002 Sonata No.2 in A minor, BWV 1003 Allemande Courante Sarabande Tempo di Borea Fuga Jeanel Liang, violin Iryna Peleshchyshyn, violin �Violin Partita No.2 in D minor, BWV 1004 Cello Suite No.2 in D minor, BWV 1008 Allemanda Corrente Sarabanda Giga Prelude Allemande Courante Sarabande Minuet I and II Gigue Dana Wenzel, violin Bryan Lin, cello Cello Suite No.1 in G major, BWV 1007 Cello Suite No.3 in C major, BWV 1009 Prelude Allemande Courante Sarabande Minuet I and II Gigue Prélude Allemande Courante Sarabande Bourrée I and II Gigue Liam Epp, cello Felix Alanis, viola Cast Your Votes! Following this evening’s program, please step into the foyer for 5-10 minutes to cast your ballot and allow judges to confer. Ballots will be counted and results given to the judges. Audience will be invited back into the recital hall for the Presentation of Awards. The winner will receive an honorarium in the amount collected from this evening’s donations. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_1.wav">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_2.wav">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_3.wav">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_4.wav">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_5.wav">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_6.wav">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_7.wav">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022719-SoloBachCompetition/022719-SoloBachCompetition_8.wav">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annual Solo Bach Competition & Concert Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 27, 2019 Contributor An entity responsible for making contributions to the resource Featuring School of Music students performing works by Johann Sebastian Bach https://finearts.uvic.ca/music/archive/files/original/e085feec4bf9b8dd9e2aa43f9f5f9452.pdf 26997d00c64467857e885f0a5ba6bfdb PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria March 1, 2019 • 12:30 p.m. Featuring School of Music voice students Frauenliebe und Leben Op. 42 I. Seit ich ihn gesehen II. Er, der Herrlichste von allen Chelse Kutyn, soprano Emily Markwart, piano Robert Schumann (1810–1856) Songs of Travel Ralph Vaughan Williams I. The Vagabond (1872–1958) II. Let Beauty Awake III. The Roadside Fire Alana Hayes, mezzo-soprano Kinza Tyrrell, piano 4 Songs Op. 51 I. Ich sagete nicht Cassidy Stahr, mezzo-soprano Kinza Tyrrell, piano Claude Debussy (1862–1918) Kyron Basu, baritone Aya Robertson, piano Reynaldo Hahn (1874–1947) Apparition Jaime Kozak, soprano Kinza Tyrrell, piano À Chloris Rivolgete a lui lo sguardo K584 Amy Beach (1867–1944) Xuguang Zhang, baritone Kinza Tyrrell, piano Wolfgang Amadeus Mozart (1756–1791) Let us Garlands Bring Op. 18 III. Fear no more the heat o’ the sun Gerald Finzi (1901–1956) Kyron Basu, baritone Aya Robertson, piano Green Finch and Linnet Bird (From Sweeney Todd) Holly Melville, soprano Kinza Tyrrell, piano A Bar on the Piccola Marina Spencer VanDellen, tenor Kyron Basu, baritone Kinza Tyrrell, piano Stephan Sondheim (b.1930) Noël Coward (arr. John Greer) (1899–1973) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030119-FridayMusic/030119-FridayMusic_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 1, 2019 Contributor An entity responsible for making contributions to the resource Featuring School of Music voice students https://finearts.uvic.ca/music/archive/files/original/aaaeb7d41506ee37a3cb10d771a87a4a.pdf 0191a5a6f81fca8329d9b80623f89f21 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello With Yariv Aloni, viola & Bruce Vogt, piano We acknowledge that the land on which we gather is the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, March 2, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $25 / Seniors: $20 / Students & UVic alumni: $10 �PROGRAM Quintet in E-flat Major, KV. 614 Allegro di molto Andante Menuetto: Allegretto Allegro Wolfgang Amadeus Mozart (1756–1791) Yariv Aloni, viola Quartet in A-flat Major, Op. 118 Andante Allegretto furioso Adagio Allegretto Dmitri Shostakovich (1906–1975) I NT E R M I S S I O N Concession open in the lounge Quintet in E-flat Major, Op. 44 Allegro brillante In modo d’una Marcia: Un poco largamente Scherzo: Molto vivace Allegro, ma non troppo Bruce Vogt, piano Robert Schumann (1810–1856) �BIOGRAPHIES Lafayette String Quartet How do you compress a full 32 years together into a single comprehensive biography? The members of the LSQ are Artists-in-Residence at the University of Victoria where they teach violin, viola, cello and coach chamber music to some of Canada’s finest young string players. They are active in the Victoria community working with young people in the GVYO, connecting with the strings program in the public schools, performing in Pacific Baroque, hosting Quartet Fest West and continuing their annual Health Awareness Forum every fall.They are frequently sought-after to adjudicate in local, provincial and national music festivals. All of this while maintaining an active touring schedule with concerts this year taking them to Mexico, the Unites States, the Yukon, Saskatchewan, BC and Ontario. They have performed all over North America and Europe and are always met with critical acclaim. Their various quartet projects, often in partnership with esteemed colleagues, have included the Complete Beethoven Cycle, the Second Viennese School, Bartók’s Legacy and the Complete Cycle of Shostakovich String Quartets. Upcoming projects include performing the complete viola quintets of Mozart (with Yariv Aloni, 2019), and Beethoven’s Legacy (2020) honouring one of their favourite composer’s 250th anniversary by exploring the friendships and influences that lead to the Beethoven Quartet phenomenon. The LSQ and colleagues will delve into how these remarkable quartets changed the course of musical history and continues to change it even today. Yariv Aloni, viola Beloved colleague Yariv Aloni is one of Victoria’s most artistically involved musicians. A wonderful conductor as well as violist, Aloni is the Artistic Director of the Victoria Chamber Orchestra, the Greater Victoria Youth Orchestra, principal guest conductor of the West Coast Symphony Orchestra in Vancouver and has recently been appointed Artistic Director of the Sooke Philharmonic. As the violist of both the Penderecki String Quartet and the Aviv Piano Quartet, he has performed in many concert halls around the world. A regular guest with the Vetta Ensemble, he continues to perform in various combinations at numerous chamber music concerts, festivals and recital series all over Canada. Aloni will be performing the complete Mozart viola quintets with the Lafayette String Quartet this year. Bruce Vogt Canadian pianist Bruce Vogt was born in Southern Ontario but for the past 36 years has lived and worked in Victoria, BC and has taught at the University of Victoria as Professor of Piano. As a soloist he has appeared regularly in concerts within Canada and he tours yearly in many countries throughout Europe and Asia. His repertoire encompasses music from the sixteenth century to the present. In addition to having a special affinity for the music of Franz Liszt, he has both performed on period instruments and commissioned and premiered a number of new works. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030219-LSQ/030219-Lsq_01.wav">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030219-LSQ/030219-Lsq_02.wav">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030219-LSQ/030219-Lsq_03.wav">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 2, 2019 Contributor An entity responsible for making contributions to the resource Lafayette String Quartet https://finearts.uvic.ca/music/archive/files/original/c014b8169d5c6c1bba3972b4aff78572.pdf 3fd84c1161e110eaf017852ff061c9c7 PDF Text Text CELLO STUDIO RECITAL Students from the studio of Pamela Highbaugh Aloni SUNDAY, MARCH 3, 2019 | 2:30 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Suite No. 1 in G Major, BWV 1007 for unaccompanied cello Prelude Courante Liam Epp, cello Johann Sebastian Bach (1685-1750) Sonata No. 4 in C Major, Op. 102, No. 1 Andante – Allegro vivace Ludwig van Beethoven (1770-1827) Chloe Kersen, cello Michelle Hoskins, piano Three Short Studies for Solo Cello Allegro Aggitato Elizabeth Skola Davis (b. 1965) Claire Dresselhuis, cello Sonata in E Minor for Cello and Piano, Op. 38 Allegro non troppo Johannes Brahms (1833-1897) Bryan Lin, cello Bella Zeng, piano INTERMISSION Suite No. 6 in D Major, BWV 1012 for unaccompanied cello Prelude Johann Sebastian Bach Manuel Cruz, cello Song Without Words in D Major, Op. 109 Felix Mendelssohn (1809-1847) Tara Raja, cello Yannick McKoy, piano Concerto No. 1 in E-flat Major, Op. 107 Moderato Cadenza–Attacca Shiun Kim, cello Charlotte Hale, piano Suite No. 4 in E-flat Major, BWV 1010 for unaccompanied cello Prelude Gigue Dmitri Shostakovich (1906-1975) Johann Sebastian Bach Claire Dresselhuis, cello We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-CelloStudioRecitaL/030319-CelloStudioRecital_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cello Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2019 Contributor An entity responsible for making contributions to the resource Students from the studio of Pamela Highbaugh Aloni