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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 9, 2018 • 12:30 p.m.
Featuring School of Music string students
Violin Partita No. 2 in D Minor, BWV 1004							 Johann Sebastian Bach		
	I. Allemande	 	
(1685 – 1750)
	II. Courante
Sin Lung Ling, violin
Viola Concerto, Sz. 120				
	I. Moderato	
		
		

	
		
				
Maki Yamagata, viola
Forte Zhang, piano

String Quartet Op. 77, No. II in F Major			
	
	
I. Allegro moderato							
Dana Wenzel, violin
Bennett Chiu, violin
Amanda Steinemann, viola
Tara Rajah, cello

		

Béla Bartók		
(1881 - 1945)	

	

			
		

Joseph Haydn
(1732 – 1809)

Bass Concerto No. 2 in B Minor	
		
	
		
Giovanni Bottesini		
	II. Andante											 (1821 – 1889)
Rachel Burtman, double bass
Justin Qin, piano
Cello Concerto No. 1 in E-flat Major, Op. 107
	
			
	I. Allegretto					
					
Claire Dresselhuis, cello
Ethan Hill, piano
Quartet in E Minor for Four Violins
	
		
		
	I. Allegro espressivo					
			
Cleo Yong, violin I
Claire Sparrow-Clarke, violin II
Leonardo Maekawa, violin III
Jas Schweitzer, violin IV

Dmitri Shostakovich		
(1906 – 1975)

	

	

Jakob Dont
(1815 - 1888)

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, NOVEMBER 9 | 8 PM | Admission by donation
UVic Voice Ensemble: Along the Field
With Members of the UVic Wind Symphony
Dr. Kinza Tyrrell, piano
Dr. Steven Capaldo, conductor
A performance of music and readings to commemorate the centenary of the end of World War I, including A Shropshire
Lad by English poet Alfred Edward Housman, Berlin Requiem by Kurt Weill, as well as works by Charles Ives, Francis Poulenc,
and Vaughan Williams.
Phillip T. Young Recital Hall
NOVEMBER 15 &amp; 17
Orion Series in Fine Arts: Mitsuko Shirai, mezzo-soprano	
Mitsuko Shirai, UVic 2018 honorary doctorate recipient, is known as the “First Lady of the German Lied.” She is acclaimed
worldwide for her extraordinary performances and recordings of songs by Franz Schubert, Robert Schumann, Hugo Wolf,
and others.
	
	
	

Career Talk: THURSDAY, NOVEMBER 15 | 4–6 PM | Free admission
Shirai talks to UVic voice students about her career.
Rm. B037, MacLaurin Building, B-Wing

	
	
	
	
	

Voice Masterclass: SATURDAY, NOVEMBER 17 | 3–5 PM | Free admission
Lieder by Robert Schumann
In this masterclass, Shirai works with singers Alana Hayes and Kyron Basu (graduate students, UVic Musicology with 		
Performance program) and pianist Harald Krebs on two Robert Schumann song cycles (opp. 35 and 135).
Phillip T. Young Recital Hall

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Along the
Field
UVic Voice Ensemble
under the direction of Benjamin Butterfield
and Kinza Tyrrell (piano)

&amp;

Members of the UVic Wind Symphony
Steven Capaldo, conductor

We acknowledge that the land on which we gather is the
traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

Friday, November 9, 2018 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
We respectfully request that there be no applause
during or at the end of this evening’s concert.
Das Berliner Requiem					
Kurt Weill
	
Text by Bertolt Brecht
	
Grosser Dankchoral				
	
Ballade “vom ertrunkenen Mädchen” – Kieran Foss, Jordan Rettich, Kyron Basu
	
Marterl “Hier ruht die Jungfrau” – Kieran Foss
	
Erste Bericht über den unbekannten Soldaten – Nolan Kehler
	
Zweiter Bericht über den unbekannten Soldaten – Xuguang Zhang
	
Grosser Dankchoral				
Tenor – Carson Moore, Grady Forsberg, Kieran Foss
Baritone – Xuguang Zhang, Jordan Rettich, Nolan Kehler
Bass – Rowan McWilliams, Kyron Basu, Ian Culling
Three Songs of the War					
	
	
They are there 		
Ian Culling
	
In Flanders Fields 		
Jordan Rettich
	
Tom sails away 		
Kyron Basu

Charles Ives

I NT E R M I S S I O N
Concession open in the lounge.

Along the Field					
Ralph Vaughan Williams
Text by Alfred Edward Housman
				
	
We’ll to the woods no more 	
	
Along the field 		
	
The half moon 		
	
In the morning 		
	
The sigh that heaves 	
	Good-bye 		
	
Fancy’s knell		
	
With rue my heart is laden 	

Voice		
Laura Giffen 	
Holly Melville 	
Alana Hayes	
Gwen Jamieson	
Kyla Fradette	
Natasha Gosling
Chelsea Kutyn 	
Desiree Hall 	

Violin
Lucy Toews	
Jeanel Liang	
Dana Wenzel	
Serena Bódi	
Iryna Peleshchyshyn	
Jasmine Mather	
Amy-Lynne Toth	
Talia Sinclair		

4e Tableau (Finale)*					
from Dialogues des Carmélites

Francis Poulenc

Carmélites
Irina Kim, Jaime Kozak, Desiree Hall, Natasha Gosling, Holly Melville,
Kyla Fradette, Chelsea Kutyn
Katherine Allen, Gwen Jamieson, Liv Duffin, Victoria Zielke

con’t

�Choeur
Abby Schuliger, Kaylene Chan
Julia Hensley, Laura Giffen
Carson Moore, Nolan Kehler, Kieran Foss, Grady Forsberg
Xuguang Zhang, Jordan Rettich, Kyron Basu, Rowan McWilliams, Ian Culling
			Blanche		
			
Soeur Constance	
			
Mère Jeanne	
			
Soeur Mathilde	
			
Carmélite	

Abby Schuliger
Ai Horton
Alana Hayes
Cassidy Stahr
Sophia Friesen

PIANO

Kinza Tyrrell &amp; Aya Robertson*

UVIC WIND SYMPHONY
Steven Capaldo, conductor

			
Clarinet 1 	
Alec Kan
			
Clarinet 2 	
Kyle Lancaster
			
Alto Sax 1 	
Matt Fichter
			
Alto Sax 2 	
Michael Vielguth
			
Bassoon 1 	
Rio Lagos Davison
			
Bassoon 2 	
Wilson Kyne
			
French Horn 1 	 Sarah Mullane
			
French Horn 2 	 Brooke Clansey
			
Trumpet 1 	
Ben Parker
			
Trumpet 2 	
Ekaterina Della Vedova
			
Trombone 1 	
Will Quinn
			Trombone 2 	
Heidi Worrall
			Percussion 	
Lachlan Barry
			Guitar 		Joshua Amendt
			Banjo 		Fraser Gibson
			Harmonium 	
Aya Robertson

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Members of the UVic Wind Symphony &#13;
Steven Capaldo (conductor)</text>
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                    <text>School of Music

UVIC

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Jazz
Ensemble
Live Music for Silent Film:
Battleship Potemkin (1925)
Directed by Sergei Eisenstein
Score composed, improvised and performed
by the 2018 UVic Jazz Ensemble

Saturday, November 17, 2018 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults $20 / Seniors $15 / Students &amp; UVic alumni $10

�UVIC JAZZ ENSEMBLE
DIRECTOR Patrick Boyle
TEACHING ASSISTANT Joshua Amendt-Moylan
SAXOPHONE
Baylie Adams
Karsten Brewka
Evan Chorney
Matthew Gannon
Adam Jasieniuk
Todd Timothy Morgan
Lasse Schmidt
Michael Vielguth

TRUMPET
Anthony Shackell

TROMBONE
Espen Lyngberg
Sophia Olim
Ben Pakosz
Darius Pomeroy
Will Quinn
Nathaniel Roberts

GUITAR
Dante Andre-Kahan

FLUTE
Taya Haldane
PIANO
Owen Chernickhowsky
Will Lynch

BASS
Rachel Burtman
Isley Owens
DRUMS
Cole Burns

The UVic Jazz Ensemble wishes to thank the faculty and staff of
the UVic School of Music for their continued support and inspiration.
We respectfully acknowledge that the land on which we gather is the
traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

�UPCOMING EVENTS
SUNDAY, NOVEMBER 18 | 2 PM (By donation)
Piano Studio Recital
A concert featuring piano students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
TUESDAY, NOVEMBER 20 | 12:30 PM (By donation)
Tuesdaymusic: Flute Studio Recital
A concert featuring flute students from the studio of Suzanne Snizek.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 23 | 12:30 PM (By donation)
Fridaymusic
A concert of varied repertoire featuring School of Music voice students.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 23 | 8 PM ($10-$20)
UVic Wind Symphony: Here and There
Steven Capaldo, conductor
A concert exploring the energy and soul of our planet
through compositions about earth, air, sea and spirit.
The Farquhar at UVic, University Centre
SATURDAY, NOVEMBER 24 | 1-3 PM (Free)
Clarinet Masterclass with Shawn Earle
Join an open clarinet masterclass with Shawn Earle, clarinet instructor at UVic, featuring
performances by clarinet majors from the School of Music. All are invited to attend.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 25 | 7 PM (By donation)
UVic Vocal Jazz Ensemble: Fall Showcase
Twilight: Between the Blues &amp; Bebop
Wendell Clanton, director
Expect a fun-filled evening featuring original arrangements and timeless classics
performed by studio groups and combos.
Phillip T. Young Recital Hall

To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

Visit our calendar of events at: uvic.ca/music/events

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                    <text>PIANO STUDIO RECITAL
	 Students from the studio of May Ling Kwok

	

SUNDAY, NOVEMBER 18, 2018 | 2 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation	
	

	
	

PROGRAM

	

	

Sonatina	in	F	Major,	Op.	168,	No.	1,	“Rondo”	
Song	of	the	Cavalry,	Op.	27,	No.	29	
	 	
Happy	Time	Jazz		
	
	
	
	

	

	

Waldszenen,	Op.82											 	
	
	
No.	7:	Vogel	als	Prophet	(Bird	as	Prophet)	
	

	
	

										Robert	Schumann	(1810–1856)	
	
	
	

Jasmine	Zhang	

	
	

Étude-tableau	in	G	Minor,	Op.	33,	No.	8	
	
	
	

15	Hungarian	Peasant	Songs,	Sz.	71	 	
	
Four	Old	Tunes	
	
Scherzo	
	
Ballad	(Theme	with	variations)	
	
Old	Dance	Tunes	

	

	

					Sergei	Rachmaninoff	(1873–1943)	

Felix	Zhang	
	

	

		

								Béla	Bartók	(1881–1945)	

	

					

	

Sergei	Prokofiev	(1891–1953)		

	

Lucas	Hung	

	
	

Concerto	in	A	Minor,	Op.	54	 	
I.	Allegro	Affettuoso	

	

Sonata	in	A	Minor,	Op.	28	

	

	

							Robert	Schumann		

	

Johnathan	Devey	

	
	
	

	
			Anton	Diabelli	(1781–1858)	
										Dmitri	Kabalevsky	(1904–1987)	
	
													Martha	Mier	(b.	1936)	

Filbert	Zhang	

	

	

	
	
	

	

	

	

	

Carey	Wang	

	

—	INTERMISSION	—	

�Sonata	in	C	Major,	Hob.	XVI/35	
I.	Allegro	
II.	Adagio	
III.	Allegro	molto	

	

	

	

	
	
	
	
	
	
	
Piano	Concerto	No.	1	in	E-flat	Major		
II.	Quasi	adagio	
III.	Allegro	vivace	
	
	
	

	

	

				Joseph	Haydn	(1732–1809)	

	
Boyana	Makedonska*	

	
	
Sonata	in	A	Major,	Op.	2,	No.	2	
	
I.	Allegro	vivace	
	
Impromptu	in	F-sharp	Major,	Op.	36	
	
	
	
Sonata	in	F	Major,	Op.	46	
	
I.	Allegro	

	

		

	

	
	
	
	
Nancy	Lin*	
	

	

											L.	van	Beethoven	(1770–1827)	
														Frédéric	Chopin	(1810–1849)	
	
	
	
	
	
	

	

																					Dmitri	Kabalevsky		

	

										Franz	Liszt	(1811–1886)	

	
Ryan	Qu*	
	

	

	
Ya	Ping	Huang*	

*	Students	from	the	School	of	Music,	University	of	Victoria	

	

	

	
	
	
	
	
	
	
	
	
We	acknowledge	that	the	land	on	which	we	gather	is	the		
traditional	territory	of	the	W̱SÁNEĆ	(Saanich),	Lkwungen	(Songhees)	
and	Wyomilth	(Esquimalt)	peoples	of	the	Coast	Salish	Nation.	

	

	

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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 20, 2018 • 12:30 p.m.
Featuring School of Music flute students from the studio of Suzanne Snizek.
	

Maya for two flutes and piano

Breanna Morrissette and Connie Goetz
Charlotte Hale, piano
Sonata No. 3 in D Major for two flutes, from 6 Sonatas, Op. 2 	
	
III. Largo 	

Ian Clarke
(b. 1964)

G. P. Telemann
(1681–1767)

Paige Thompson and Connie Goetz
Concerto in G Major for two flutes	
Domenico Cimaroso
	
II. 	(1749–1801)
Taya Haldane and Charlie Mason
Canonic Sonatina for two flutes
	
I. Munter	

	

Paul Hindemith
(1895–1963)
Emily Morse and Ada Qian

Andante and Rondo for two flutes, Op. 25	
Andante: Jamie Crystal and Jessica Shaw
Rondo: Rhiannon Jones and Jasmine Riseley
Charlotte Hale, piano
UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, NOVEMBER 23 | 12:30 PM (By donation)
Fridaymusic
A concert of varied repertoire featuring School of Music voice students.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 23 | 8 PM ($10-$20)
UVic Wind Symphony: Here and There
Steven Capaldo, conductor
A concert exploring the energy and soul of our planet
through compositions about earth, air, sea and spirit.
The Farquhar at UVic, University Centre
SATURDAY, NOVEMBER 24 | 1-3 PM (Free)
Clarinet Masterclass with Shawn Earle
Join an open clarinet masterclass with Shawn Earle, clarinet instructor at UVic, featuring
performances by clarinet majors from the School of Music. All are invited to attend.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 25 | 7 PM (By donation)
UVic Vocal Jazz Ensemble: Fall Showcase
Twilight: Between the Blues &amp; Bebop
Wendell Clanton, director
Expect a fun-filled evening featuring original arrangements and timeless classics
performed by studio groups and combos.
Phillip T. Young Recital Hall

Albert Franz Doppler
(1821–1893)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�Wind Symphony
UNIVERSITY OF VICTORIA

Here &amp; There
Steven Capaldo, Conductor

We acknowledge that the land on which we gather is the
traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

Friday, November 23, 2018 • 8 p.m.
The Farquhar at UVic

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
David Maslanka
(1943–2017)

Mother Earth	
Redwood	

Ryan George
(b. 1978)

Only Light	

Aaron Perrine
(b. 1979)
James Barnes
(b. 1949)

Invocation and Toccata 	

I NT E R M I S S I O N

Symphonies of Gaia 	

Jayce John Ogren
(b. 1979)

City Trees 	

Michael Markowski
(b. 1986)

Sea Songs 	

Ralph Vaughan Williams
(1872–1958)

Machu Picchu - City in the Sky	

Satoshi Yagisawa
(b. 1975)

�PROGRAM NOTES
Mother Earth (2003)
David Maslanka
Mother Earth was composed for the South Dearborn High School Band of
Aurora, Indiana, Brian Silvey, conductor. The commission was for a threeminute fanfare piece. Each piece takes on a reason for being all its own,
and Mother Earth is no exception. It became an urgent message from Our
Mother to treat her more kindly! My reading at the time of writing this music
was For a Future to be Possible by the Vietnamese monk and teacher, Thich
Nhat Hanh. He believes that the only way forward is to be extremely alive
and aware in our present moment, to become awake to the needs of our
beloved planet, and to respond to it as a living entity. Music making allows
us to come immediately awake. It is an instant connection to the powerful
wellspring of our creativity, and opens our minds to the solution of any number of problems, including that of our damaged environment. My little piece
does not solve the problem! But it is a living call to the wide-awake life, and it
continues to be performed by young people around the world.
© David Maslanka
Redwood (2010)
Ryan George
Commissioned by the Collins Hill High School Band
When the Collins Hill High School Band approached me about writing
a piece for their head band director, who was set to retire at the end of
the year, they wanted something that spoke not only to this man’s love of
music but also to his love for the great outdoors. I was reminded then of
the times growing up when my family and I would go camping in Sequoia
National Park and we would set up our tents among the giant redwood
trees that grow in that region of California. These trees command attention
with their immense stature, their size the result of years gone by and storms
weathered. And yet they exude a peaceful and subtle tranquillity. This idea of
“Powerful Tranquillity” became the cornerstone that this lyrical tone poem
was created.
© Ryan George

�Only Light (2015)
Aaron Perrine
Commissioned by the University of Iowa Symphony Band (Dr. Richard Mark Heidel, Director)

The melodic material for Only Light originally came from Beneath a Canvas
of Green, a recently composed large-scale work of mine written for wind
ensemble. At the time, I was not quite comfortable with how this music fit
within the larger work (it passed by much too quickly), and I knew it was
something I would eventually like to revisit.
During the next few years, I was moved by two friends’ display of strength
and courage through adversity. Through these experiences, I was reminded
of how delicate life is, and how things can change at a moment’s notice.
Reflecting upon these events inspired me to expand and ultimately finish this
previously composed music. Only Light is meant to convey a sense of hope
and healing.
© Aaron Perrine
Invocation and Toccata (1980)
James Barnes
Written in three distinct sections, Invocation and Toccata opens with an
evocative and powerful calling of primitive spirits that leads to poignant solos
by both the oboe and the euphonium. The second section is a dance —
fiery and passionate at times — exploring the playfulness of mixed rhythms
and feels, melodic and harmonic interplay between brass, woodwind and
percussion, with lines weaving in and out to create a rich web of colour and
texture. After a free-time section that begins with a strong 5/4 bass groove,
the dominant low brass reassert the powerful invocation and the work culminates in a fast and strong finale signally the end of the ritual.
© Steven Capaldo

�Symphonies of Gaia (2001)
Jayce John Ogren
The title Symphonies of Gaia uses language of the ancient Greeks. Symphonies refers not to an established genre or form, but simply means “a sounding together.” Gaia is the Titan goddess of the earth in Greek mythology, and
has since become a universal symbol for ecological stewardship and wisdom.
My most sincere hope is that Symphonies of Gaia will, in some form, inspirit
others to understand and take action against the environment crises we now
so desperately face.
© Jayce John Ogren
When I first heard Symphonies of Gaia, it was performed by the St. Olaf
Wind Ensemble conducted by the composer. The faculty conductor of this
fine ensemble, Dr. Timothy Mahr, is a first-rate composer himself, and was
also the composition teacher of the composer, Jayce Ogren. I am sure that
the excellent craftsmanship of this work was directly influenced by Dr. Mahr.
I found this work to be mesmerizing and I was immediately drawn into the
emotion of the piece. Quite frankly, I wish I had written the piece! Consequently, I felt that this piece should launch the premiere of the Gillingham
Signature Series.
Symphonies of Gaia is the essence of musical integrity. It expresses some very
deep feelings by the composer. The scoring is extremely creative and the
craftsmanship is first rate. So much is said in the relatively short duration of
the work. It is music on a high level that will challenge and inspire. Here is a
work that will sustain itself in the repertoire for years to come.
© David R. Gillingham
City Trees (2012)
Michael Markowski
I had just moved from Arizona to New York City when I began sketching
the first fragments of City Trees. After being born, growing up, and living in
the desert for 25 years of my life, moving to New York so suddenly was and
continues to be one of the most challenging things I’ve ever done. I think it
has also been one of the bravest. I left my friends, my family, and my ridiculously cheap rent all without much planning.
Every time I walk down a street in New York, I notice the trees shackled by
the sidewalk. Some have little fences around them, many have trash nestled
up next to their exposed roots, and others have grown so big and become
so strong that they have broken right through the concrete pavement. As I

�pass beneath them, they all seem to wave their leafy pom-poms in the wind,
a thousand leaves applauding, cheering me on as if I had just returned from
the moon.
These trees have learned how to brave the concrete jungle, and it gave me
solace knowing that they had flourished in such a challenging environment.
Over time, the impossibilities of the city have become familiar, and although
I continue to learn new lessons everyday, I’ve slowly begun to assimilate,
finding my way around, discovering new places, and making friends while still
keeping close with those who aren’t close by. The music in City Trees began
to take on a growing sense of perseverance, embodied by the expansive
melodies that sweep over the pensive, rhythmic undercurrent.
For me, City Trees is a reflection of the bravery that it often takes to venture into new worlds, embrace other cultures, and lovingly encourage new
ideas. I am deeply honored to dedicate this piece to the Lesbian and Gay
Band Association. Although I may never completely understand the unique
challenges my friends have faced and had to overcome, I am inspired by the
overwhelming courage that has been so firmly planted for 30 years and that
continues to grow, perhaps slowly, but always stronger.
© Michael Markowski
Sea Songs (1924)
Ralph Vaughan Williams
British composer Ralph Vaughan Williams was encouraged from an early age
to study music and learned the piano, violin, and viola while also expressing
an early interest in composing. In 1897 he studied composition with Max
Bruch in Berlin and in 1908 with Maurice Ravel in Paris. National pride led
him to take an interest in the folk songs of England, and along with composers such as Gustav Holst and Percy Grainger, Vaughan Williams began
transcribing English folk songs that he later used as the basis for many of
his compositions. He was one of the foremost activists in the movement to
collect this folk music, focusing on Norfolk, Sussex, and Essex where he collected more than 800 tunes.
Sea Songs was composed in 1924, just one year after his popular English Folk
Song Suite, the first work he composed for band and in which he incorporated nine folk songs. In Sea Songs, Vaughan Williams created a simpler,
one-movement work in a march style. He incorporated three songs into this
work: Princess Royal, Admiral Benbow, and Portsmouth. The work was composed for the Royal Military School of Music at Kneller Hall.
© US Marine Band

�Machu Picchu - City in the Sky (2004)
Satoshi Yagisawa
Explaining the significance of Machu Picchu begins with remembering the Incan empire at its zenith, and their tragic encounter with the Spanish conquistadors. The great 16th century empire that unified most of Andean South
America had as its capital the golden city of Cuzco. Irresistible to Francisco
Pizarro, in 1533 he also destroyed Cuzco’s Sun Temple, shrine of the founding deity of the Incan civilization. While that act symbolized the end of the
empire, 378 years later an archaeologist rediscovered “Machu Picchu”, a
glorious mountaintop Incan city that had escaped the attention of the invaders. Finding the last remaining Sun Temple of a great city inspired the belief
that perhaps the royal lineage stole away to this holy place during Pizarro’s
conquest. Three principal ideas dominate the piece: I) the shimmering golden
city of Cuzco set in the dramatic scenery of the Andes, 2) the destructiveness of violent invasion, and 3) the re-emergence of Incan glory as the City
in the Sky again reached for the sun.
© Satoshi Yagisawa

UVIC WIND SYMPHONY
UPCOMING CONCERTS
FRIDAY, FEBRUARY 8 | 8 PM
Something Old, Something New...
Steven Capaldo, conductor
With guests the Naden Band of the Royal Canadian Navy
This first concert of a two-part concert series presents a modern twist on the
traditional approach to concert programming of an overture, a symphony, a
march and a concerto through new and classic works for wind ensemble.
Pre-concert talk in Senate Chambers at 7pm with conductor Steven Capaldo.

FRIDAY, MARCH 29 | 8 PM
Something Borrowed, Something Blue
Steven Capaldo, conductor
The second concert in this two-part concert series features a contemporary program highlighting guest soloists performing works inspired and influenced by jazz
and Latin music. This final performance of the season includes Canadian premieres
and some of the most innovative and exciting wind ensemble pieces written for
the genre. Don’t miss it!

�UVIC WIND SYMPHONY
WOODWINDS
Piccolo/Flute
Jessica Shaw
Flute
Charlie Mason*
Taya Haldane
Breanna Morissette
Connie Goetz
Oboe
Janie Sinn*
Theresa Mothersill

Calgary, AB	
Sylvan Lake, AB	
Terrace, BC	
Calgary, AB	
Port Coquitlam, BC	
	
Vancouver, BC	
Vancouver, BC

BRASS
French Horn
Sarah Mullane*
Brooke Clansey
Allie Bertholm
Joshua Ward

Calgary, AB
Powell River, BC
Chilliwack, BC
Kelowna, BC

Trumpet
Marianne Ing*
Ben Parker
Ekaterina Della Vedova
Izzy Spencer
Jordan Smale
Abha Parmar

North Vancouver, BC
Victoria, BC
New Westminster, BC
Victoria, BC
Victoria, BC
Calgary, AB

Trombone
Will Quinn*
Heidi Worrall
Erin Marsh
Ben Pakosz

Calgary, AB
Victoria, BC
Campbell River, BC
Nanaimo, BC

English Horn
Theresa Mothersill

	
Vancouver, BC

Bassoon
Wilson Kyne*
Lee Whitehorne

Victoria, BC	
Chilliwack, BC	

Clarinet
Alec Kan*
Alicia Joinson
Kyle Lancaster
Meghan Parker
Katherine Forster
Samuel He

	
Taipei, TAIWAN	
Victoria, BC	
Victoria, BC	
Victoria, BC	
Victoria, BC	
Victoria, BC	

Euphonium
Jason Gordon*
Liam Mulligan

Victoria, BC
Kelowna, BC

Bass Clarinet
Alina Liang

Tuba
Aiden Fentiman*
Scott Gordon
Jacob Tkachuk

100 Mile House, BC
Victoria, BC
Red Deer, AB

Coquitlam, BC

PIANO
Xheni Sinaj

Tirana, ALBANIA	

PERCUSSION
Lachlan Barry*
Susan Main
Jesse Johnson
Allyssa Haigh
Jennifer Fiorin
DJ Lochead

Calgary, AB
Ottawa, ON
Portland, USA
Nanaimo, BC
Langford, BC
Chilliwack, BC

Contrabass Clarinet 	
Zachary Smith
Cranbrook, BC	
Alto Saxophone
Matt Fichter*
Michael Vielguth
Karsten Brewka

	
Kamloops, BC	
Calgary, AB	
Victoria, BC	

Tenor Saxophone
Ayari Kasukawa
Ibaraki, JAPAN
Baritone Sax
Michelle Melnicky

	
Vancouver, BC	
	
	

* Principal

�DR. STEVEN J. CAPALDO CONDUCTOR

D.M.A., M.Perf., B.Ed.(Mus.), A.Mus.A.(Distinction)
Dr. Steven Capaldo has distinguished himself as one of the most respected music educators,
wind conductors and conductor educators in Australia, earning academic and musical recognition internationally.
Currently the Wind Symphony Conductor and Conducting &amp; Music Education Visiting
Professor at the University of Victoria, Dr. Capaldo has previously held positions in Music
Education at the University of Wollongong, was a member of the Conducting Faculty at the
Sydney Conservatorium of Music as Conductor of the Sydney University Wind Orchestra, the
Conductor of the UNSW Wind Symphony, and was formerly a Music Education &amp; Conducting professor at the University of Victoria where he was the founding conductor of the Don
Wright Symphonic Winds and taught undergraduate and postgraduate courses in Conducting
and Music Education.
Completing a DMA in Wind Conducting at UNLV, a Master of Performance (Orchestral
and Choral Conducting) at the University of Sydney (Conservatorium of Music), a Bachelor
of Education (Music) at the University of Melbourne, and an AMusA on Saxophone (with
Distinction), Dr. Capaldo has diverse experience working with symphony orchestras, wind
orchestras and chamber ensembles. He has established a longstanding history supporting,
mentoring and engaging in community music and music education settings as well as premiering dozens of works including many commissioned works in the wind ensemble genre and is a
passionate advocate for new music and supporting new and local composers.
An active writer, Dr. Capaldo composes, arranges and transcribes music for wind orchestras,
symphony orchestras, festivals and concerts and his works have been performed by groups
in Australia, Canada, Japan and the United States, and recorded on Klavier records (US). He
has been listed as a composer in the book The Band Down Under (by Michael Burch-Pesses)
and he has been a finalist in international composition competitions. An Assistant Producer
and Co-Editor for eight Klavier Records, Dr. Capaldo became a full voting member for the US
Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 International Eurovision Song Contest.
He has received critical praise for his ensembles and many awards for his academic &amp; teaching
achievements including the 2018 Outstanding Contribution to Teaching and Learning Award
(UOW). As an academic, he has published in journals and presented at Australian and international conferences in music education, conducting, and music technology.
Dr. Capaldo is highly-active as a conductor, clinician and adjudicator having worked at local,
state/provincial, national and international levels. He has adjudicated at MusicFest (Canada’s
National Music Festival), the Australian International Music Festival, Chief Conductor of the
British Columbia Honor Wind Ensemble (2007) and other honor groups, conducted concerts
with the Civic Orchestra of Victoria (Canada), and was a regular guest conductor with the
Wollongong Community Orchestra. Providing professional learning opportunities for music
educators and conductors, Dr. Capaldo has been a conducting clinician at the 2016 Australian
National Band and Orchestra Conference (ANBOC), the Chief Conducting clinician for the
2017 Qld ABODA Conducting School and an Associate clinician for the 2016, 2017 &amp; 2018
NSW ABODA Conducting School. In 2018, Dr. Capaldo was an ANBOC conducting clinician
and conducted the Qld State Honours Ensemble at ANBOC.

�A seasonal celebration presented by the

University of Victoria Choirs

Gloria
Over 250 singers from the
University of Victoria’s
Chorus, Chamber Singers,
&amp; Vocal Jazz Ensemble
with guests
the UVic Brass Ensemble

S AT
DEC

1

2 0 1 8

7 PM
Doors at
6:15 PM

Christ Church Cathedral
Admission by donation

UVIC

Plan to arrive early. This annual event fills to capacity.

www.uvic.ca/music/events
www.christchurchcathedral.bc.ca

�UPCOMING EVENTS
SATURDAY, NOVEMBER 24 | 1-3 PM (Free)
Clarinet Masterclass with Shawn Earle
Join an open clarinet masterclass with Shawn Earle, clarinet instructor at UVic,
featuring performances by clarinet majors from the School of Music.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 25 | 7 PM (By donation)
UVic Vocal Jazz Ensemble: Fall Showcase
Twilight: Between the Blues &amp; Bebop
Wendell Clanton, director
Expect a fun-filled evening featuring original arrangements and timeless classics
performed by studio groups and combos.
Phillip T. Young Recital Hall
TUESDAY, NOVEMBER 27 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring UVic School of Music students.
Phillip T. Young Recital Hall
WEDNESDAY, NOVEMBER 28 | 8 PM (By donation)
String Chamber Concert
A concert featuring UVic School of Music string students from the
chamber music class of the Lafayette String Quartet.
Phillip T. Young Recital Hall
THURSDAY, NOVEMBER 29 | 8 PM ($10-$20)
Don Wright Symphonic Winds: Life, Legends &amp; Loss
Michael Keddy, conductor
An evening of concert band repertoire performed by student musicians
from all across the UVic campus. Works include One Life Beautiful by Giroux,
Sorcery Suite by Barnes, Loch Lomond by Ticheli, and more.
The Farquhar at UVic, University Centre
FRIDAY, NOVEMBER 30 | 12:30 PM (By donation)
Fridaymusic
A concert of new works by School of Music composition students.
Phillip T. Young Recital Hall
To receive monthly updates about School of Music events by email, contact: concert@uvic.ca

uvic.ca/music/events

�</text>
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                    <text>Twilight: Between the Blues &amp; BeBop
UVic Vocal Jazz Autumn Showcase
7pm November 25, 2018, PTY Recital Hall, University of Victoria School of Music
Wendell A. Clanton, Director

1. Lindsey Bellman

6. Cassidy Stahr

Jump For Joy (1941)

A Sunday Kind of Love (1946)

by Duke Ellington, arranged by L.
Bellman.

by Barbara Belle, Anita Leonard, Stan
Rhodes, &amp; Louis Prima, arranged by C.
Stahr.

2. Claire Dresselhuis
Night And Day (1932)
by Cole Porter, arranged by Claire
Dresselhuis.

3. The Show Choir
Like A Lover (1967)
English lyrics by M. and A. Bergman;
O Cantador (Portuguese) by Dori
Caymmi &amp; Nelson Motta, arranged by
The Show Choir — featuring Carter,
Arianna &amp; Addie.

You Go To My Head (1938)
by J. Fred Coots, arranged by W.
Clanton — featuring Lindsay &amp; Robert,
Katherine &amp; John, Liam &amp; Jo.

I Don’t Know Why (I Just Do) (1931)
by Fred E. Ahlert with lyrics by Roy Turk
— featuring Kaylene.

4. Clayton Dowdell
Take the "A" Train (1939)
by Billy Strayhorn, arranged by C.
Dowdell.

5. Spotlight Combo Scarlet
Cooler Than Me (2009, 2010)
by Mike Posner adapted by Groove For
Thought — featuring Ken.

7. Spotlight Combo Red
Pass Me The Jazz (2009)
by Anders Endenroth for The Real
Group — featuring Clayton.

8. Signature Studio Group
Manhattan Transfer Medley

Birdland (1977) by Joe Zawinul, lyrics
by Jon Hendricks; Spice of Life (1983)
by Derek Bramble &amp; Rod Temperton;
Tuxedo Junction (1939) by Erskine
Hawkins, Bill Johnson &amp; Julian Dash
with lyrics by Buddy Feyne, arranged by
Jerry Nowak — featuring Allie &amp; Ross,
Emily &amp; Chris, and Claire.

Smile (1936)
Inspired by Tosca (Puccini); music by
Charlie Chapman, lyrics (1954) by John
Turner &amp; Geoffrey Parsons, arranged by
Groove For Thought.

&amp;
UVic Vocal Jazz...
... gratefully acknowledges the assistance of
our instrumentalists, technical assistants,
administrative team—ensemble managers
and
section
leaders—without
whose
enthusiasm and organizational skill our
shows wouldn’t be possible nor as much
fun.

— Intermission —
Concession in the Lounge!

Visit us at: uvicvocaljazz.blogspot.com

�Twilight: Between the Blues &amp; BeBop
UVic Vocal Jazz Autumn Showcase
7pm November 25, 2018, PTY Recital Hall, University of Victoria School of Music
Wendell A. Clanton, Director

UVic Show Choir
Soprano
Katherine Allen
Arianna Loy
Hana Mason
Laura Schack
Sonja Skagestad
Charis Tazumi
Addie Vasant
Matisse Edgar-Yoshihara
Sandra Zhou

Signature
Studio Group

Instrumentalists

Soprano

Matt Fichter

Lindsey Bellman
Piano
Jaime Kozak

Kaylene Chan
Isabelle Burnip-Gerhardt
Connie Goetz
Lindsay Gilroy
Maddie Meech
Laura Smith
Jo Spry
Brittnie Spriel
Olivia Wheeler*

Saxophone
Alto

Allie Bertholm*

Bass

Wendell Clanton
Sound Crew
Michael Vielguth
Clayton Dowdell

Claire Dresselhuis

Tenor
Clayton Dowdell
Ken Kosmick
Benedict Mendes

Wisteria
String Quartet
Violin
Amy-Lynne Toth
Jasmine Mather

Tenor
Evan Chorney
Carter Doyle
John Siewert
Anderson Wang

Michelle Melnicky

Cassidy Stahr*

Emily Axford
Alto

Guitar

Bass
Chris Clarke
Jordan Rettich
Ross Sutherland

Viola
Maki Yamagata
Cello
Claire Dresselhuis

Robert Chamberland
Liam Nelson
Elliot Rosin
Ghendun Suzuki
Adam Swartz
* Ensemble Managers	

Visit us at: uvicvocaljazz.blogspot.com

�</text>
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                    <text>School of
Music

Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria

November 27, 2018 • 12:30 p.m.
Featuring School of Music students
Tango-Études pour flûte seule					
				
	
IV. No. 4		
									

Astor Piazzolla		
(1921 – 1992)

Jasmine Riseley, Flute
Divertimento IV	
								
Wolfgang Amadeus Mozart
	
I. Allegro											 	(1756 – 1791)
						Meghan Parker, Clarinet
					
Katherine Forster, Clarinet
						Paige Thompson, Flute	
Divertimento in D Major, K. 136
	
Wolfgang Amadeus Mozart		
	
I. Allegro											 	 (1756 – 1791)
	
II. Andante
	
III. Presto										
						Emma Dunbar, Violin
Serena Marie Bodi, Violin
Judith Gaston, Viola
Rachel Burtman, Double Bass
String Quartet in F Major, M.35
		
	 Maurice Ravel		
	
I. Allegro Moderato - tres doux						 		 	(1875 – 1937)
Iryna Peleshchyshyn, Violin
Noah Mellemstrand, Violin
Logan McNeil, Viola
Liam Epp, Cello
For Children			
	
		
Béla Bartók		
	I. Allegretto											 (1881 – 1945)
	
II. Play
	
III. Round Dance
	
IV. Allegretto
	
V. The Highway Robber										
					Abha-Marie Pabanon Parmar, Trumpet
Wayland Shepard, Trumpet
Tyrell Loster Peitzsche, Horn
Ben Pakosz, Trombone
Tachycardia			
											
Todd Morgan, Saxophone
Karsten Brewka, Saxophone
Sonata in B-flat Major, K. 292
	
		
	
I. Allegro		
							
	
					Rio Lagos Davidson, Bassoon
						 Wilson Kyne, Bassoon

	

		

	

	

Marc Mellits		
(b. 1966)

Wolfgang Amadeus Mozart		
(1756 – 1791)

Prelude and Fugue in C-sharp Major, BWV 848							 Johann Sebastian Bach
											
(1685 – 1750)
Liam Pistor, Piano

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, November 23 | 12:30 PM | Admission by donation
Friday Music
A concert of varied repertoire featuring the UVic School of Music voice students.
Phillip T. Young Recital Hall

�</text>
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                    <text>STRING CHAMBER CONCERT
Students from the studios of the Lafayette String Quartet
WEDNESDAY, NOVEMBER 28, 2018 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Quartet for Four Violins in E Minor, Op. 42
	
I. Allegro espressivo 	
	
II. Allegro assai

		

Jakob Dont
(1815-1888)

Cleo Yong
Claire Sparrow-Clarke
Leonardo Maekawa
Jas Schweitzer

String Quartet No. 6 in F Minor, Op. 80 			
	
I. Allegro vivace assai 	

Felix Mendelssohn
(1809-1947)

Dana Wenzel, violin
Bennett Chiu, violin
Amanda Steinemann, viola
Tara Rajah, cello
String Quartet in F Major 			
	
I. Allegro moderato—Trés doux 	
	
II. Assez vif—Trés rythmé

Maurice Ravel
(1875-1937)
Iryna Peleshchyshyn, violin
Noah Mellemstrand, violin
Logan McNeil, viola
Liam Epp, cello

String Quartet No.10, Op.118
			
Dmitri Shostakovich
	I. Andante											 (1906-1975)
	
II. Allegretto Furioso
Wisteria String Quartet:
Amy-Lynne Toth, violin
Jasmine Mather, violin
Maki Yamagata, viola
Claire Dresselhuis, cello
INTERMISSION

�Divertimento in F Major, K. 138					
W. A. Mozart
	
I. Allegro	
(1756-1791)
	II. Andante											
	
III. Presto
Emma Dunbar, violin
Serena Marie Bodi, violin
Judith Gaston, viola
Rachel Burtman, double bass
String Quartet No. 1 in B Minor, Op. 50
	
I. Allegro 	

	

Sergei Prokofiev
(1891-1953)
Ross Ling, violin
Lucy Toews, violin
Gary Sun, viola
Chloe Kersen, cello
Ernő Dohnányi
(1877-1960)

Serenade in C Major, Op. 10, for string trio		
	
I. Marcia: Allegro 	
	
II. Romanza: Adagio non troppo
	
III. Scherzo: Vivace
Julien Haynes, violin
Jaling Kersen, viola
Bryan Lin, cello
String Quartet No. 10 in E-flat Major, Op. 74 (Harp)
	
III. Presto 	
	
IV. Allegretto con variazione

	

Ludwig van Beethoven
(1770-1827)

Jeanel Liang, violin
Talia Sinclair, violin
Seth McMillan, viola
Shiun Kim, cello

We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich),
Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

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                    <text>School of
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fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 30, 2018 • 12:30 p.m.
Featuring School of Music composition students

Opening a window to see across an open plain a view of		
						
the impending storm (apocalypse); returning inward					
	
	
Alex Klassen		
	
Alex Klassen, cello
Richard Charter, piano
USQUE				
	
				
		
		
				
		
Ethan Hill, piano
Moving Still			
	
						

Ethan Hill		

			
			
		
Brandon Bronson, vibraphone
Rachel Burtman, double bass

Timo Pehkonen		

Free	
		
	
		
				
									

Cashton McGillivray		

Raga Concrète
				

	 							
					
Richard Charter, sitar, sequencer, and amplified teapot

Three Moments are Fleeting
		
					

String Trio in Three Short Movements
						

	

					

Richard Charter		

Joseph Chiu		

Emily Morse, flute
	
			
Cleo Yong, violin
Lucy Toews, viola
Tara Rajah, cello

		
	

Amanda Steinemann

UPCOMING AT THE SCHOOL OF MUSIC
Friday, NOVEMBER 30 | 8 PM (1S10-20)
UVic Orchestra
Ajtony Csaba, conductor,Ya Ping Huang, piano (UVic Concerto Competition Winner)
Bedrich Smetana – Overture from The Bartered Bride	
Maurice Ravel – Ma mère l’Oye (Mother Goose)
Richard Wagner – Overture from Parsifal
Franz Liszt – Piano Concerto No. 1 in E-flat Major, with Ya Ping Huang, piano
The Farquhar at UVic, University Center
SATURDAY, DECEMBER 1 | 7 PM (By donation)
UVic Wind Symphony: Now and Then
More than 250 voices from the University of Victoria choirs join in harmony for this popular seasonal concert. Get into the holiday spirit
with the UVic Chorus, Chamber Singers, and Vocal Jazz Ensemble joined by the UVic Brass Ensemble, directed by Adam Con, Susan
Young, and Wendell Clanton.
Christ Church Cathedral (930 Burdett Ave, Quadra St. at Rockland Ave)

	

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