70 10 1498 https://finearts.uvic.ca/music/archive/files/original/e5c7619ce376b22d1e2d1d2c307b2c00.pdf 9a10e7dd05e1ad5bd879ee56c9c85b0e PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA GUEST CONCERT An Afternoon in Paris Stéphane Lemelin piano Axel Strauss violin With Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Sunday, November 17, 2019 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Regular: $25 / Seniors: $20 / Students & UVic alumni: $10 �PROGRAM We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Lili Boulanger (1893–1918) Deux Morceaux 1. Nocturne 2. Cortège Gabriel Fauré (1845–1924) Violin Sonata No. 1 in A Major, Op. 13 Allegro molto Andante Allegro vivo Allegro quasi presto I NT E R M I S S I O N Concession open in the lounge Ernest Chausson (1855–1899) Concert in D Major for violin, piano and string quartet, Op. 21 Décidé Sicilienne Grave Très animé �BIOGRAPHIES Pianist Stéphane Lemelin is well-known to audiences throughout Canada and regularly tours in the United States, Europe and Asia as a soloist and chamber musician. His repertory is vast, with a predilection for the German Classical and Romantic literature and a particular affinity for French music, as evidenced by his more than 25 recordings, which include works by Fauré, Saint-Saëns, Debussy, Poulenc and Roussel. Lemelin is director of the French music series Découvertes 1890-1939 on the Atma Classique label, dedicated to the rediscovery of neglected early twentieth-century French repertoire and for which he has recorded works by Samazeuilh, Ropartz, Migot, Dupont, Dubois, Rhené-Bâton, Rosenthal, Alder, Lekeu and others. Lemelin studied with Yvonne Hubert in Montreal, Karl-Ulrich Schnabel in New York, and received both Bachelor’s and Master’s degrees from the Peabody Conservatory as a student of Leon Fleisher. He holds the Doctor of Musical Arts degree from Yale University, where his teachers were Boris Berman and Claude Frank. He taught at the University of Alberta for more than ten years and at the University of Ottawa from 2001-2013. While there, he served as Director of the School of Music from 2007-2012. He was appointed Professor of Piano and Chair of the Department of Performance at the Schulich School of Music of McGill University in 2014. A dedicated pedagogue, he has been invited to give masterclasses around the world. Equally passionate about teaching and performing, German violinist Axel Strauss joined the faculty of the Schulich School of Music of McGill University in 2012. Prior to moving to Montreal he served as Professor of Violin and Chamber Music at the San Francisco Conservatory of Music. Strauss won the international Naumburg Violin Award in New York in 1998. Later that same year he made his American debut at the Library of Congress in Washington DC and his New York debut at Alice Tully Hall. Since then he has given recitals in major US cities, including Boston, Chicago, Cleveland, Los Angeles and San Francisco. As a soloist with orchestras, Strauss has performed in Budapest, Hamburg, New York, Seoul, Shanghai, Bucharest, San Francisco and Cincinnati, among others. He has collaborated with conductors such as Maxim Shostakovitch, Rico Saccani, Joseph Silverstein, and Alasdair Neale. Mr. Strauss has also served as guest concertmaster of the Berlin Philharmonic as well as the Montreal Symphony Orchestra. His recordings include the Brahms violin concerto (BPOlive), Mendelssohn’s Songs without Words, the 24 Caprices by Pierre Rode, the last three violin concertos by Rodolphe Kreutzer and the complete works for violin and piano by George Enescu (Naxos). Amadeus Press has issued a DVD featuring Axel Strauss in concert at Steinway Hall in New York City. Strauss studied at the Music Academies of Lübeck and Rostock with Petru Munteanu. In 1996 he began working with the late Dorothy DeLay at The Juilliard School and became her teaching assistant in 1998. He has also worked with such artists as Itzhak Perlman, Felix Galimir, and Ruggiero Ricci, and at the Marlboro Music Festival with Richard Goode, Mitsuko Uchida and Andras Schiff. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_3.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_3.mp3">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - An Afternoon in Paris Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 17, 2019 Contributor An entity responsible for making contributions to the resource Stéphane Lemelin, piano Axel Strauss, violin With Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_8.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_9.mp3">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_10.mp3">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_11.mp3">Track 11<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_12.mp3">Track 12<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_13.mp3">Track 13<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_14.mp3">Track 14<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_15.mp3">Track 15<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_16.mp3">Track 16<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120519-TrumpetStudioRecital/120519-TrumpetStudioRecital_17.mp3">Track 17</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 5, 2019 Contributor An entity responsible for making contributions to the resource Marianne Ing, Trumpet Talk Kim, Trumpet Abha Parmar, Trumpet Ben Parker, Trumpet Ekaterina Della Vedova, Trumpet Ryan Lau, Trumpet Xheni Sinaj, Piano Bella Zeng, Piano Mark Barr, Trumpet Luc Faris, Piano Alicia Ellis, Trumpet Nick Koep, Piano Evan McEwan, Trumpet Brendan Wong, Trumpet Hongkyung Kim, Piano Merrie Klazek, Trumpet Sydney Hoffman, Trumpet Evan Overman, Trumpet https://finearts.uvic.ca/music/archive/files/original/12202cb5610d3b4e0eb3dd368815109b.pdf 31c0ff14badf11f34df887b2c7544502 PDF Text Text CELLO STUDIO RECITAL Students from the studio of Pamela Highbaugh Aloni WEDNESDAY, DECEMBER 4, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Requiem for Three Cellos and Piano, Op. 66 Andante sostenuto Bryan Lin, Aline Gilbert-Thévard, Liam Epp, cellos Michelle Hoskin, piano Concerto in G Major, WV. 480 for Cello and Orchestra Allegro Stefan Shandro, cello Jany Lu, piano Suite No. 4 in E-flat Major, BWV 1010 Allemande Gigue David Popper (1843-1913) Luigi Boccherini (1743-1805) J. S. Bach (1685-1750) Aline Gilbert-Thévard, cello Cello Concerto in D Minor Prelude – Lento – Allegro maestoso Édouard Lalo (1823-1892) Liam Epp, cello Michelle Hoskin, piano Quintet No. 2 in A Major, Op. 81 Allegro, ma non tanto Iryna Peleschchyshyn, violin Noah Mellemstrand, violin Logan McNeil, viola Liam Epp, cello Michelle Hoskin, piano I NT E R M I S S I O N Antonín Dvořák (1841-1904) �J. S. Bach Suite No. 5 in C Minor, BWV 1011 Prelude Allemande Bryan Lin, cello Max Bruch (1838-1920) Kol Nidrei, Op. 47 Aline Gilbert-Thévard, cello Grisha Krivchenia, piano Cello Sonata in D Minor, Op. 40 Allegro non troppo Allegro Bryan Lin, cello Allie Cortens, piano La Muerte del Ángel (written for the Boston Cello Quartet) Allegro fugato – Meno Mosso Dmitri Shostakovich (1906-1975) Astor Piazzolla (1921-1992) Arr. Blaise Dejardin Aline Thévard-Gilbert, cello Liam Epp, cello Bryan Lin, cello Pamela Highbaugh Aloni, cello UPCOMING AT THE SCHOOL OF MUSIC THURSDAY, DECEMBER 5 | 7 PM (By donation) Trumpet Studio Recital Featuring UVic School of Music trumpet students from the studio of Merrie Klazek. Phillip T. Young Recital Hall SUNDAY, DECEMBER 8 | 7 PM (By donation) A Holiday “Cellobration” Hosted by Pamela Highbaugh Aloni, the evening brings together UVic cello students, alumni and cellists from the community to make music and share their common enjoyment of the cello. Inspired by dear late colleague Gail O’Riordan, the evening will include performances by community cello ensembles plus the opportunity for everyone to join at the end in music to ring in the holiday season. All proceeds will benefit the Gail O’Riordan Memorial Fund. Phillip T. Young Recital Hall SATURDAY, DECEMBER 14 | 1–3 PM (By donation) 41st Annual TubaChristmas The euphonious tones of massed, low-brass instruments can be heard once again when more than 100 tuba and euphonium players from across the region unite for one of Victoria’s favourite holiday traditions. Donations will be accepted for the Times Colonist Christmas Fund, a charity that assists the people most in need in the Greater-Victoria community. Market Square (560 Johnson St.) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_8.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120419-CelloStudioRecital/120419-CelloStudioRecital_9.mp3">Track 9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cello Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 4, 2019 Contributor An entity responsible for making contributions to the resource Bryan Lin, cello Aline Gilbert-Thévard, cello Liam Epp, cello Michelle Hoskin, piano Stefan Shandro, cello Jany Lu, piano Iryna Peleschchyshyn, violin Noah Mellemstrand, violin Logan McNeil, viola Grisha Krivchenia, piano Allie Cortens, piano Pamela Highbaugh Aloni, cello https://finearts.uvic.ca/music/archive/files/original/fc73424a94d84373ba45767663d6c038.pdf 96b3787ea3c5b1b5a5e6ec241440e842 PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria December 3, 2019 • 12:30 p.m. Johann Sebastian Bach (1685–1750) Cello Suite No. 4 in E-flat Major, BWV 1010 II. Allemande VII. Gigue Aline Gilbert-Thévard, cello A Reedy Double I. Andante Cantabile Anna Betuzzi, oboe Janie Sinn, oboe Heinz Holliger (b. 1939) Divertimento I. Allegro ma non troppo Ayari Kasukawa, saxophone Amber Dayton, piano Histoire du Tango I. Bordel, 1900 Alex Tiller, saxophone Christopher Dlouhy, piano Roger Boutry (1932–2019) Violin Concerto No. 1 in D Major, Op. 19 I. Andantino Iryna Peleshchyshyn, violin Michelle Hoskin, piano Clarinet Sonata No. 2, Op. 120 I. Allegro Amabile II. Allegro Appasionato Alex Chernata, clarinet Yousef Shadian, piano UPCOMING AT THE SCHOOL OF MUSIC WEDNESDAY, DECEMBER 4 | 8 PM (By donation) Cello Studio Recital Featuring UVic School of Music cello students from the studio of Pamela Highbaugh Aloni. Phillip T. Young Recital Hall THURSDAY, DECEMBER 5 | 7 PM (By donation) Trumpet Studio Recital Featuring UVic School of Music trumpet students from the studio of Merrie Klazek. Phillip T. Young Recital Hall Ástor Piazolla (1921–1992) Sergei Prokofiev (1891–1953) Johannes Brahms (1833–1897) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/120319-TuesdayMusic/120319-TuesdayMusic_6.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 3, 2019 Contributor An entity responsible for making contributions to the resource Aline Gilbert-Thévard, cello Anna Betuzzi, oboe Janie Sinn, oboe Ayari Kasukawa, saxophone Amber Dayton, piano Alex Tiller, saxophone Christopher Dlouhy, piano Iryna Peleshchyshyn, violin Michelle Hoskin, piano Alex Chernata, clarinet Yousef Shadian, piano Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112919-FridayMusic/112919-FridayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112919-FridayMusic/112919-FridayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112919-FridayMusic/112919-FridayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112919-FridayMusic/112919-FridayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112919-FridayMusic/112919-FridayMusic_5.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 29, 2019 Contributor An entity responsible for making contributions to the resource UVic Percussion Studio https://finearts.uvic.ca/music/archive/files/original/70f85dee88643ab17c7878196f3c3afd.pdf b1c2383d819333a10c16dd3f63cd06fb PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA ORION SERIES IN FINE ARTS CARL PETERSSON PIANO We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Wednesday, November 27, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Frédéric Chopin Grand Valse Brillante, Op. 18 Scherzo in B minor, Op. 20 Prelude in D-flat major “Raindrop” Op. 28, No. 15 Niccolò Paganini/Franz Liszt Paganini étude No. 5 [caprice No. 9] in E major “La chasse” Paganini étude No. 6 [caprice No. 24] in A minor “Theme and Variations” Einar Englund Introduzione & Toccata I NT E R M I S S I O N Concession open in the lounge Sergei Rachmaninoff Prelude in C-sharp minor Op. 3, No. 2 Polchinelle Op. 3, No. 4 Isaac Albéniz Iberia, Book 1 1. Evocation 2. El Puerto 3. Corpus Christi en Sevilla Franz Liszt Hungarian Rhapsody No. 2 in C-sharp minor �BIOGRAPHY Born in 1981 in Lund, Sweden, Carl Petersson began playing the piano at the age of 15. He studied at the Royal Danish Academy of Music in Copenhagen with José Ribera, and during this time partook in numerous international masterclasses. Petersson was awarded the Tel-Hai International Piano Master Classes scholarship four years in succession, studying with Pnina Salzman, Viktor Derevianko and Emanuel Krasovsky. Petersson continues to perform internationally, and has appeared at venues such as the Glenn Gould Studio at the CBC Centre, Toronto, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, New York. He has collaborated with conductors JoAnn Falletta, Kerry Stratton, Jiří Stárek and Niklas Willén, and with orchestras such as the Buffalo Philharmonic Orchestra, the Kraków Philharmonic, and the Czech National Symphony Orchestra. He has participated in international music festivals including Music and Beyond, Canada, the International Chopin Festival in Antonin, Poland and the Beethoven Festival in Teplice. In 2013 Petersson received his PhD from the Academy of Music in Kraków, where he assisted Mariola Cieniawa’s class. In 2008 he released an acclaimed recording of von Flotow piano concertos with the Pilsen Philharmonic on Sterling Records, recorded Godowsky’s Java Suite in 2011, and the cello and piano duets of Offenbach and von Flotow in 2012. During his Canadian tour, he made a live recording of Grieg’s Piano Concerto at CBC Radio, releasing an album of the composer’s piano concertos, including Helge Evju’s reimagined version of his unfinished piano concerto, in 2015. In 2016, Petersson released his second album for Grand Piano of world premiere recordings by Per Nørgård, the 2016 Siemens Music Prize winner (GP717). As a lecturer, Petersson has been invited to, among others, the Royal Swedish Academy of Music,Tel Aviv University, the Hong Kong Academy for Performing Arts, and the University of Ottawa and the New England Conservatory which have joint programs with Harvard University. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_8.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_9.mp3">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_10.mp3">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112719-OrionCPetersson/112719-OrionCPetersson_11.mp3">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series - Carl Petersson Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2019 Contributor An entity responsible for making contributions to the resource Carl Petersson, Piano https://finearts.uvic.ca/music/archive/files/original/79d5853ebf055067576b3915ef1195eb.pdf dc795cda42c31a20f7a7ccebc0ca12fa PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 26, 2019 • 12:30 p.m. Le Vent a Travers les Ruins Yuko Uebayashi (b. 1962) Breanna Morrissette, flute Sonatina for Flute and Piano Eldin Burton (1913-1979) Charlotte Mason, flute Charlotte Hale, piano Suite pour flûte seule I. Caprice II. Pavane III. Saltarelle IV. Allemande V. Menuet VI. Marche Rhiannon Jones, flute Sonatine for Flute and Piano Jean Françaix (1912–1997) Henri Dutilleux (1916–2013) Ada Qian, flute Charlotte Hale, piano Cello Concerto in D minor I. Prelude, Lento - Allegro maestoso Édouard Lalo (1823–1892) Liam Epp, cello Michelle Hoskin, piano UPCOMING AT THE SCHOOL OF MUSIC WEDNESDAY, NOVEMBER 27 | 8:00 PM (Free Admission) Orion Series in Fine Arts: Guest Concert Carl Petersson, piano Performing solo piano works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz. Born in 1981 in Lund, Sweden, Petersson began playing the piano at age 15. With an international performance career, he has appeared at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, New York and has collaborated with orchestras including the Buffalo Philharmonic Orchestra, the Kraków Philharmonic and the Czech National Symphony Orchestra. In 2013 Petersson received his PhD from the Academy of Music in Kraków. As a lecturer, he has been invited as a guest speaker to the Royal Swedish Academy of Music, Tel Aviv University, the Hong Kong Academy for Performing Arts, the University of Ottawa and the New England Conservatory, among others. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 28 | 8:00 PM ($10-$20) Don Wright Symphonic Winds: Out of This World Michael Keddy, conductor Students from across campus join together to perform music representative of the human fascination and connection with all things “extraterrestrial.” The Farquhar at UVic, University Centre � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112619-Tuesdaymusic/112619-Tuesdaymusic_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112619-Tuesdaymusic/112619-Tuesdaymusic_02.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112619-Tuesdaymusic/112619-Tuesdaymusic_03.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112619-Tuesdaymusic/112619-Tuesdaymusic_04.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112619-Tuesdaymusic/112619-Tuesdaymusic_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 26, 2019 Contributor An entity responsible for making contributions to the resource Breanna Morrissette, Flute Charlotte Mason, Flute Charlotte Hale, Piano Rhiannon Jones, Flute Ada Qian, Flute Liam Epp, Cello Michelle Hoskin, Piano https://finearts.uvic.ca/music/archive/files/original/46f02395b8d429f6c93ef19586b4e288.pdf 64ed265da1443bb902e6586b7d00bb73 PDF Text Text UVic Vocal Jazz Autumn Showcase 2019 7pm Sunday November 24 / Phillip T. Young Recital Hall Admission by Donation 1. 2. 3. 4. 5. 6. 7. 8. The Way You Look Tonight Wednesday Group Begin The Beguine Wednesday Group Georgia Clay When I Get Low I Get High Allie Bluesette Spotlight Combo II Nature Boy Monday Group Words Spotlight Combo I Since You’ve Been Gone Monday Group Intermission – Concession open in the lounge 9. Sous le Ciel de Paris Cassidy with Noah 10. Call Me Wednesday Group 11. Cry Me A River Lindsey 12. A Child Is Born Monday Group uvicvocaljazz.blogspot.ca �UVic Vocal Jazz Autumn Showcase 2019 13. Take On Me Monday Group Aaron Ruddell Allie Bertholm Andrew Wolf Anton Sokalski Ben Mendes Brendan Ciccone Brittnie Spriel Cassidy Stahr Clay Dowdell Chris Clarke Connie Goetz Davey Bastin-Decaste Dilly Cooner Fionalee Lustado Ila Zbarsky Ken Kosowick Katherine Allen Lindsey Bellman Megan Handley Noah Mellemstrand Odyn Mulder Patrick Schjelderup Sophie Groves Victoria Jackson Special Guests James Waddell Rachel Burtman – Bass Wendell Clanton, Director Noah Mellemstrand – Violin Allie Bertholm – Trumpet UVic Vocal Jazz thanks… Kristy Farkas Cassidy Stahr Connie Goetz Allie Bertholm Clay Dowdell Concert Manager Monday Group Manager Wednesday Group Manager Liaison Technical Assistant …for their outstanding service! Spring Showcase 7pm Sunday March 22nd uvicvocaljazz.blogspot.ca � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_02.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_03.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_04.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_05.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_06.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_07.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_08.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_09.mp3">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_10.mp3">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_11.mp3">Track 11<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_12.mp3">Track 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vocal Jazz Fall Showcase Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 24, 2019 Contributor An entity responsible for making contributions to the resource Aaron Ruddell Allie Bertholm Andrew Wolf Anton Sokalski Ben Mendes Brendan Ciccone Brittnie Spriel Cassidy Stahr Clay Dowdell Chris Clarke Connie Goetz Davey Bastin-Decaste Dilly Cooner Fionalee Lustado Ila Zbarsky Ken Kosowick Katherine Allen Lindsey Bellman Megan Handley Noah Mellemstrand Odyn Mulder Patrick Schjelderup Sophie Groves Victoria Jackson Special Guests James Waddell Rachel Burtman – Bass Noah Mellemstrand – Violin Allie Bertholm – Trumpet Director - Wendell Clanton https://finearts.uvic.ca/music/archive/files/original/2420fdf305aa71f97599b07995cbc24f.pdf 9933817eb47e50cf72cff9c8c2341e95 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA S ON I C L A B Ajtony Csaba, conductor We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Saturday, November 23, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Soundpainting Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, fute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Extremes - I (1987) David Leisner Katherine Forster, clarinet Connie Goetz, flute Matthew Graumans, guitar Ko-Lho (1966) Giacinto Scelsi Charlotte Mason, flute Kyle Lancaster, clarinet HELLO (2014) Lecture and demonstration Alexander Schubert HELLO is an audio-visual piece in which the projection serves as a score to be interpreted by the ensemble. The video consists of gestures per-formed by the composer in his living room. The piece is in eight movements and is an invitation into the personal world of Alexander Schubert. Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, flute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Cashton McGilvray, percussion �UPCOMING EVENTS SUNDAY, NOVEMBER 24 | 7 PM (By donation) UVic Vocal Jazz Ensemble: Fall Showcase Wendell Clanton, director Expect a fun-filled evening featuring original arrangements and timeless classics performed by Vocal Jazz studio groups and combos. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 26 | 12:30 PM (By donation) Tuesdaymusic Enjoy a program of solo and chamber music in a variety of genres, from baroque to contemporary, performed by UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY. NOVEMBER 27 | 8 PM (Free admission) Orion Series in Fine Arts Guest Concert Carl Petersson, piano Swedish pianist Carl Petersson performs solo works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz. With an international performance career, Petersson has appeared at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, and has collaborated with orchestras including the Buffalo Philharmonic, the Kraków Philharmonic and the Czech National Symphony Orchestra. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 28 | 8 PM ($10-$20) Don Wright Symphonic Winds: Out of This World Michael Keddy, conductor Students from across campus join together to perform music representative of the human fascination and connection with all things “extraterrestrial.” The Farquhar at UVic, University Centre FRIDAY, NOVEMBER 29 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert with the UVic Percussion Ensemble directed by Bill Linwood. Phillip T. Young Recital Hall SATURDAY, NOVEMBER 30 | 3:30 PM (By donation) UVic Choirs: ‘Tis the Season More than 250 voices from UVic’s choirs join in harmony for this popular seasonal concert. Get into the holiday spirit with the UVic Chorus, Chamber Singers, and Vocal Jazz Ensemble plus UVic brass, Christ Church organist Mark McDonald and a cappella ensemble Fifth Street. Christ Church Cathedral (Quadra St. at Rockland Ave.) To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information and tickets at: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonic Lab Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 23, 2019 Contributor An entity responsible for making contributions to the resource Ajtony Csaba, conductor Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, fute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Matthew Graumans, guitar Kyle Lancaster, clarinet Cashton McGilvray, percussion Alexander Schubert https://finearts.uvic.ca/music/archive/files/original/f46e527a625674eed1b3c8227aac3647.pdf e8f9cc008bac3dfb499d64571e31e22c PDF Text Text School of Music UVIC MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA Time and Space Steven Capaldo, conductor We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Friday, November 22, 2019 • 8 p.m. The Farquhar at UVic University Centre, University of Victoria Regular $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM Luminescence David Biendenbender (b.1984) Dusk Steven Bryant (b. 1972) An Original Suite Gordon Jacob (1895–1984) Dream Machine Katherine Bergman (b. 1985) I NT E R M I S S I O N I.S.S. Flyover Poetic Intermezzo Peter Meechan (b. 1980) James Barnes (b. 1949) A King’s Supremacy Kit Turnbull (b. 1969) Outlander Julie Giroux (b. 1961) �PROGRAM NOTES Luminescence (2009) by David Biendenbender Luminescence is based on fragments from the melody Break Forth O Beauteous Heavenly Light, which was written by Johann Schop (ca. 1590–1664) and subsequently harmonized in several settings by Johann Sebastian Bach. Break Forth O Beauteous Heavenly Light was first known as “Ermuntre dich, mein schwacher Geist” (Rouse thyself, my weak spirit), and was published in Lepzig in 1641 in Johann Rist’s Himmlische Lieder (Heavenly or Celestial Songs), where the tune appeared in triple meter along with text by Rist. Bach probably found an altered version of the tune in Johann Cruger’s Praxis Pietatis Melica (1647) and subsequently harmonized it in various settings. This particular setting is from the second cantata of his Christmas Oratorio from 1737. The original melody had a different character in its original form, as it was more closely related to Renaissance musical style. By the time Bach harmonized the tune in the 18th century, musical preferences had shifted: the rhythm of the melody was made more consistent, the tempo became slower, and the harmony and counterpoint was more complex. This setting is still sung in modern churches at Christmas and is commonly known as Break Forth O Beauteous Heavenly Light. David Biedenbender is a composer, conductor, performer, educator, and interdisciplinary collaborator. David’s music has been described as “simply beautiful” [twincities.com], “striking” and “brilliantly crafted” [Times Argus] and is noted for its “rhythmic intensity” [NewMusicBox] and “stirring harmonies” [Boston Classical Review]. He has written music for the concert stage as well as for dance and multimedia collaborations, and his work is often influenced by his diverse musical experiences in rock and jazz bands as an electric bassist, in wind, jazz, and New Orleans-style brass bands as a euphonium, bass trombone, and tuba player, and by his study of Indian Carnatic music. His present creative interests include working with everyone from classically trained musicians to improvisers, acoustic chamber music to large ensembles, and interactive electronic interfaces to live brain data. © David Biedenbender Dusk (2004) by Steven Bryant This simple, chorale-like work captures the reflective calm of dusk, paradoxically illuminated by the fiery hues of sunset. I’m always struck by the dual nature of this experience, as if witnessing an event of epic proportions silently occurring in slow motion. Dusk is intended as a short, passionate evocation of this moment of dramatic stillness. �Steven Bryant’s music is chiselled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skilfully-crafted works that enthral listeners and performers alike. Winner of the ABA Ostwald award and three-time winner of the NBA Revelli Award, Bryant’s music for wind ensemble has reshaped the genre. A prolific composer, his substantial catalogue of music is regularly performed throughout the world. Recently, his Ecstatic Waters was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. © Steven Bryant An Original Suite (1928) by Gordon Jacob An Original Suite is considered standard wind repertoire. Its very title shows its significance: when it was first published (by Boosey), the publisher added ‘Original’ to the title, presumably to distinguish it from the many popular music and orchestral arrangements that dominated the wind band repertoire at the time. The suite does indeed use original material throughout, making it a close cousin to Holst’s First Suite in E-flat, though one that arrived nearly 20 years later. Gordon Percival Septimus Jacob was a 20th century British composer. Along with Gustav Holst and Ralph Vaughan Williams, he is known as an early champion of the wind band and a skilled composer in the medium. His other wind works include a Symphony (AD 78), the William Byrd Suite, and a chamber suite called Old Wine in New Bottles, as well as several arrangements of other composers’ work. © Andy Pease Dream Machine (2016) by Katherine Bergman The meaning behind Dream Machine is two-fold. In one sense, the title suggests the brain is a “dream machine,” generating odd, otherworldly landscapes when neural activity reaches a certain state. Simultaneously, it refers to a physical art piece designed by artist Brion Gysin called the “Dreamachine.” The Dreamachine is a phonograph-driven stroboscope described as “the first art object to be seen with the eyes closed” and is intended to affect the viewer’s brain alpha wave activity. Whether the “machine” is the sculpture, the brain, the music itself, or all of the above is open to interpretation. Dream Machine was commissioned in recognition of Dr. James Patrick Miller’s appointment as conductor of the Gustavus Wind Orchestra, with sincere gratitude for the support of the Douglas Nimmo Endowment. �Katherine Bergman is a Minnesota-based composer who draws on literature, environmentalism, and found materials to create music that has been described as hypnotic and visceral. She has received commissions and performances from leading ensembles throughout the United States, including the U.S. Coast Guard Band, Encore Wind Ensemble, Gustavus Wind Orchestra, Zeitgeist, Seen/Heard Trio, the Minnesota Percussion Trio,The Dream Songs Project, and many others. Her works have been presented at the North American Saxophone Alliance Biennial Conference, the College Band Directors National Association Conference, and The Upper Midwest Chamber Winds Symposium, and her compositions have received support from the Minnesota State Arts Board, the Jerome Foundation, and the Metro Regional Arts Council. Katherine holds a master’s degree from the University of Northern Iowa School of Music, where she studied composition with Jonathan Schwabe and Alan Schmitz. She earned a bachelor’s degree in music from Gustavus Adolphus College in Saint Peter, Minnesota with composition instructors including Michele Gillman and Steve Wright. She has studied extensively with Mary Ellen Childs, and has received individual instruction from Samuel Adler. Recent and upcoming projects include new works for Hub New Music, Nautilus MusicTheater, and a new work for wind ensemble commissioned by a consortium of university and high school bands. Katherine is Co-Founder and Artistic Co-Director of Spitting Image, a composer collective that brings together composers, listeners, and performers to strengthen the Twin Cities contemporary music community. © Katherine Bergman I.S.S. Flyover (2012) by Peter Meechan I.S.S. Flyover was written in August 2012, when the International Space Station (I.S.S.) was visible in the sky over my home town of Manchester, UK.This is not an uncommon occurrence (www.heavens-above.com is a useful tool to help you find when the orbit of the I.S.S. passes over), but what was unique about this particular pass was that there would be astronauts carrying out repair work on the outside of the station. The idea that something that seemed to pass so quick in the skies above us juxtaposed with what must have seemed a slow, dangerous journey for the astronaut is what lead me to write this piece. The opening passage is a fast, ostinato driven section; the speed and energy that the I.S.S. is perceived from earth.The middle section is desolate and sparse; the astronauts looking down on earth as they slowly orbit around the globe, the loneliness of space. The final section is a return to the original material— this time with even more momentum and drive, provided by the percussion. �I.S.S. Flyover was commissioned by a Canadian consortium of the University of Saskatchewan, Brandon University, the University of Calgary, Harmonie Laval, Memorial University of Newfoundland, the University of Prince Edward Island, the University of Toronto and Anthony Reimer, Calgary, Alberta. The work is dedicated to Darrin Oehlerking who organised the commission consortium. The music of Canadian-based British composer Peter Meechan is performed throughout the world. His music has been commissioned, recorded, broadcast and performed by some of the world’s leading wind orchestras, brass bands, conductors and soloists, including: “The President’s Own” United States Marine Band, Dallas Symphony Orchestra, Bramwell Tovey, Black Dyke Brass Band, Dunshan Symphonic Wind Orchestra, The Band of the Coldstream Guards, RNCM Wind Orchestra, Steven Mead, Jens Lindemann, Ryan Anthony, Les Neish, Linda Merrick, the BBC Concert Orchestra, Edmonton Symphony Orchestra, Rex Richardson, Jacques Mauger and many more. He holds an undergraduate degree from the Royal Northern College of Music, a Master of Arts degree and a PhD (composition), both from the University of Salford. © Peter Meechan Poetic Intermezzo (1985) by James Barnes James Barnes studied composition and music theory at the University of Kansas, earning a Bachelor of Music degree in 1974, and Master of Music degree in 1975. He studied conducting privately with Zuohuang Chen. Professor Barnes is member of both the History and Theory-Composition faculties at the University of Kansas, where he teaches orchestration, arranging and composition courses as well as wind band history and repertoire courses. At KU, he served as an assistant, and later, as associate director of bands for 27 years. His numerous publications for concert band and orchestra are extensively performed at Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center in Washington, DC. Barnes has twice received the coveted American Bandmasters Association Ostwald Award for outstanding contemporary wind band music. He has been the recipient of numerous ASCAP Awards for composers of serious music, the Kappa Kappa Psi Distinguished Service to Music Medal, the Bohumil Makovsky Award for Outstanding College Band Conductors, along with numerous other honors and grants. He has three commercial recordings of his music with the world-famous Tokyo Kosei Wind Orchestra. More recently, he completed a recording of his works with the Koninklijke Militaire Kapel (The Queen’s Royal Military Band) in Holland. He has also been commissioned to compose works for all five of the major military bands in Washington, DC. �Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States, Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers (ASCAP), the American Bandmasters Association and numerous other professional organizations and societies. © Wind Repertory Project A King’s Supremacy (2016) by Kit Turnbull In 1534, the English parliament signed into law the Act of Supremacy, recognising Henry VIII as the “Supreme Head of the Church of England.” This was followed in February 1535 by The Suppression of Religious Houses Act, and a series of subsequent Parliamentary Acts that allowed the king bracket through his vicar general, Thomas Cromwell, to disband Catholic Monasteries, Priories, Friaries, and Convents across England, Ireland and Wales. There were approximately 900 religious houses in England and 2% of the total population was in religious orders at that time. The Act of Supremacy required an oath of loyalty from English subjects, recognising the King’s marriage to Anne Boleyn. The refusal of many in religious orders to acknowledge this led to their brutal deaths and executions, with Henry’s army dispatched to ensure the confiscation of all property and wealth held by their houses. Amongst the religious houses destroyed were the great Cistercian Abbeys of Yorkshire. Once the monks and treasures had been removed, the buildings were left to fall into a state of disrepair, with many being dismantled or partially destroyed to supply stone for other buildings. Today, these Abbeys, like so many others, are preserved as tourist sites and the remaining ruins leave you in no doubt as to the original splendour of these religious houses. Kit Turnbull began his musical career as a keyboard player in a rock band before joining Her Majesty’s Royal Marines Band Service in 1991 as a bassoonist. From 1997 he studied composition with Martin Ellerby at the London College of Music where he subsequently became a course leader and composition tutor. He is currently Composition and Arranging tutor to the Royal Air Force Music Services. A recipient of the Silver Medal of the Worshipful Company of Musicians in 1998, he has since completed numerous commissions that have been performed, broadcast and recorded all over the world. © Kit Turnbull �Outlander (2010) by Julie Giroux Outlander is a musical odyssey which explores emotions and states in the extreme; fear, total isolation, violence, pain, hope, relief and in the end, tears of joy and triumph. Full of textures and dynamic contrasts this work is extremely descriptive with the help of extensive melodic percussion and piano parts. The percussion and piano pads create a wonderful pallet which at times is dark and foreboding, even primal. Other times it helps creates a melodic texture that is sadly beautiful. Outlander explores what it is to be both human and alien with an orchestration and form that is totally freestyle. This work reflects the futuristic musical journey of a young heroine named Nanami who has recently graduated from the Space Academy. Her first mission into space turns into a catastrophic event forcing everyone on the ship to abandon via personal escape pods. Nanami unfortunately gets sucked into a worm hole and comes out millions of miles away from home. Low on fuel and supplies Nanami lands on a planet with oxygen and carbonbased life forms where she is an alien, captured and treated with hostility at best. Her only saving grace? On this planet, all of the creatures can hear her thoughts and she can hear theirs. The dominant race of this planet does not share this gift. Nanami uses this talent to her advantage and with the help of these creatures escapes, flies back through the worm hole and returns safely to earth. Giroux began composing commercially in 1984. She was hired by Oscar winning composer Bill Conti as an orchestrator, her first project with Conti being “North & South” the mini-series. With over 100 film, television and video game credits, Giroux collaborated with dozens of film composers, producers, and celebrities including Samuel Goldwyn, Martin Scorsese, Clint Eastwood, Madonna, Liza Minnelli, Celine Dion, Paula Abdul, Michael Jackson, Paul Newman, Harry Connick Jr. and many others. Projects she has worked on have been nominated for Oscars, Emmys, Grammys and Golden Globe awards. She has won individual Emmy Awards in the field of “Outstanding Individual Achievement in Music Direction.” When she won her first Emmy Award, Giroux was the first woman and youngest person to ever win that award. Giroux has been a true force in a male-dominated field and has accrued many previously male-only awards. She is a member of ASCAP, The Film Musicians Fund, Kappa Kappa PSI, Tau Beta Sigma and a member of the American Bandmasters Association. She is a recipient of the Distinguished Service to Music Medal Award,The Emmy Awards, and was the first female composer inducted into the American Bandmasters Association in 2009. © Julie Giroux �UVIC WIND SYMPHONY PICCOLO Connie Goetz FLUTE Lisa Matsugu* Vicky Zheng Connie Goetz Breanna Morrissette Andrea Kim OBOE Janie Sinn* Kiara Hosie Ethan Slogotski ENGLISH HORN Janie Sinn BASSOON Rio Lagos Davison* Devin Hawthorne CLARINET Chensi Liu* Ben Litzcke Katherine Forster Nishant Amatya Emileigh Pearson Meghan Parker Devin Owpaluk Channing Mar BASS CLARINET Braeden Miles Melissa Holyhead-Miles CONTRABASS CLARINET Lee Whitehorne SOPRANO SAXOPHONE Karsten Brewka EUPHONIUM Liam Mulligan* Aidan Bernard ALTO SAXOPHONE Karsten Brewka* Todd Morgan Alex Tiller Tessa Belhomme-Orders TUBA Scott Gordon* Aidan Fentiman TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Baylie Adams FRENCH HORN Emily Axford* Joshua Ward Maia Copley Thomas Hurley Brooke Clansey TRUMPET Tark Kim* Ekaterina Della Vedova Alicia Ellis Abha-Marie Parmar Brendan Wong Mark Barr TROMBONE Marina Antoniou* Will Quinn Tyler Schmit BASS TROMBONE Odyn Mulder PERCUSSION Simeon Weststeijn* Jesse Johnson Allyssa Haigh Colin Malloy TIMPANI Cashton McGillivray PIANO Yousef Shudian GRADUATE ASSISTANT Marina Antoniou STAGE MANAGER Liam Mulligan Yousef Shudian LIBRARIAN Nima Kolmohammadi Connie Goetz * Principal �Dr. Steven J. Capaldo, conductor Dr. Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Dr. Capaldo is currently an Associate Professor of Music Education & Conducting and Wind Symphony Conductor at the University of Victoria. He has previously held positions in Music Education at the University of Wollongong (Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony. An active writer, Dr. Capaldo composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and concerts and his works have been performed by groups in Australia, Canada, Japan and the United States, and recorded on Klavier records (US). He has been listed as a composer in the book The Band Down Under, a finalist in several international composition competitions and published with Brolga Music Australia. An Assistant Producer for eight Klavier Records CD, Dr. Capaldo became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 Eurovision Song Contest. Dr. Capaldo is highly-active and in-demand as a conductor, clinician and adjudicator having worked at local, state/provincial, national and international levels including MusicFest and Chief Conductor of the British Columbia Honor Wind Ensemble. Committed to providing professional learning opportunities for music educators and conductors, Dr. Capaldo has been a conducting clinician at the 2017 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp and an Associate Instructor for the 2016, 2017 & 2018 NSW ABODA Conducting Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and presented at the Australian National Band and Orchestra Conference. �UPCOMING EVENTS SATURDAY, NOVEMBER 23 | 8 PM (By donation) Sonic Lab Ajtony Csaba, director Come for an audiovisual experience with UVic’s contemporary music ensemble. This concert features works by Giacinto Scelsi, Alexander Schubert, Michael Beil and David Leisner as well as improvisations by the ensemble. Phillip T. Young Recital Hall SUNDAY, NOVEMBER 24 | 7 PM (By donation) UVic Vocal Jazz Ensemble: Fall Showcase Wendell Clanton, director Expect a fun-filled evening featuring original arrangements and timeless classics performed by Vocal Jazz studio groups and combos. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 26 | 12:30 PM (By donation) Tuesdaymusic Enjoy a program of solo and chamber music in a variety of genres, from baroque to contemporary, performed by UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY. NOVEMBER 27 | 8 PM (Free admission) Orion Series in Fine Arts Guest Concert Carl Petersson, piano Swedish pianist Carl Petersson performs solo works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz. With an international performance career, Petersson has appeared at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, and has collaborated with orchestras including the Buffalo Philharmonic, the Kraków Philharmonic and the Czech National Symphony Orchestra. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 28 | 8 PM ($10-$20) Don Wright Symphonic Winds: Out of This World Michael Keddy, conductor Students from across campus join together to perform music representative of the human fascination and connection with all things “extraterrestrial.” The Farquhar at UVic, University Centre To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information and tickets at: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-WindSymphony/112219-WindSymphony_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-WindSymphony/112219-WindSymphony_2.mp3">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Concert - Time and Space Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 22, 2019 Contributor An entity responsible for making contributions to the resource PICOLLO Connie Goetz FLUTE Lisa Matsugu* Vicky Zheng Connie Goetz Breanna Morrissette Andrea Kim OBOE Janie Sinn* Kiara Hosie Ethan Slogotski ENGLISH HORN Janie Sinn BASSOON Rio Lagos Davison* Devin Hawthorne CLARINET Chensi Liu* Ben Litzcke Katherine Forster Nishant Amatya Emileigh Pearson Meghan Parker Devin Owpaluk Channing Mar BASS CLARINET Braeden Miles Melissa Holyhead-Miles CONTRABASS CLARINET Lee Whitehorne SOPRANO SAXOPHONE Karsten Brewka ALTO SAXOPHONE Karsten Brewka* Todd Morgan Alex Tiller Tessa Belhomme-Orders TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Baylie Adams FRENCH HORN Emily Axford* Joshua Ward Maia Copley Thomas Hurley Brooke Clansey TRUMPET Tark Kim* Ekaterina Della Vedova Alicia Ellis Abha-Marie Parmar Brendan Wong Mark Barr TROMBONE Marina Antoniou* Will Quinn Tyler Schmit BASS TROMBONE Odyn Mulder EUPHONIUM Liam Mulligan* Aidan Bernard TUBA Scott Gordon* Aidan Fentiman PERCUSSION Simeon Weststeijn* Jesse Johnson Allyssa Haigh Colin Malloy TIMPANI Cashton McGillivray PIANO Yousef Shudian GRADUATE ASSISTANT Marina Antoniou STAGE MANAGER Liam Mulligan Yousef Shudian LIBRARIAN Nima Kolmohammadi Connie Goetz * Principal