7 10 1498 https://finearts.uvic.ca/music/archive/files/original/7315448cded157f51f171b2d82a281b6.pdf cb3b013c1b24aefb4070216fea9ab3b6 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall • University of Victoria January 21, 2014 - 12:30 p.m. Four Songs of Shipwreck and Concord Nalini Bissoon Stephen Barradell, bass baritone Steven Jeon, cello Colin Holser, piano William Exner, triangle Nolan Krell, narrator Behind the mirror Alfons Fear Keenan Mittag-Degala, vibraphone Sea Anemone Liam Gibson Liam Gibson, piano Prelude and Fugue No. 5 in D major, BWV 874 Johann Sebastian Bach (1685 - 1750) Hungarian Rhapsody No. 11, S.244/11 Louise Hung, piano UPCOMING EVENTS Wednesday, January 22, 12:30 p.m (Free admission) LIEDER AT LUNCH WITH SHARON & HARALD KREBS An exploration of the German Lied repertoire with Sharon and Harald Krebs. The Hollywood Elegies of Hanns Eisler and Bertolt Brecht. Maclaurin B037 Wednesday, January 22, 8:00 p.m. (Free admission) GRADUATING RECITAL: SARAH TRADEWELL,VIOLA Violist Sarah Tradewell presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall, Rm B125 Friday, January 24, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music string students. Phillip T. Young Recital Hall, Rm B125 Saturday, January 25, 11:00am - 1:00pm (Free admission) THE DIGITAL CONCERT HALL: THE BERLIN PHILHARMONIC Live broadcast from the Berlin Philharmonic’s Digital Concert Hall. Zubin Mehta, conductor & Rudolf Buchbinder, piano Saturday, January 25, 2:30 p.m. (Admission by donation) SAXOPHONE CLASS RECITAL Students from the studio of Wendell Clanton Phillip T. Young Recital Hall, Rm B125 Franz Liszt (1811 - 1886) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012114-Tuesdaymusic/012114-TuesdayMusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012114-Tuesdaymusic/012114-TuesdayMusic_02.mp3">track2</a> Note: due to technical fault, the second and third works on the program are incomplete. Please contact musiarch@uvic.ca. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource January 21, 2014 https://finearts.uvic.ca/music/archive/files/original/03b6899ff0da8b442cd8b99e347f4310.pdf 589b8b4e4234e261842932638c8f05ba PDF Text Text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� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012214-GradRecital/012214-GradRecital-01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012214-GradRecital/012214-GradRecital-02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012214-GradRecital/012214-GradRecital-03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012214-GradRecital/012214-GradRecital-04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012214-GradRecital/012214-GradRecital-05.mp3">encore</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Sarah Tradewell, viola Creator An entity primarily responsible for making the resource Jamie Bracke Date A point or period of time associated with an event in the lifecycle of the resource January 22, 2014 https://finearts.uvic.ca/music/archive/files/original/f9b56799cdd3d9b764a9199bd5cf2c3b.pdf 53870d25581049c0df7feb8dfeae29ef PDF Text Text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Title A name given to the resource Graduation Recital - Sydney Tetarenko, clarinet Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource February 27, 2013 https://finearts.uvic.ca/music/archive/files/original/5fa80ddf3c7a4307ae10420113c7029a.pdf c804e88729c3a043001fa13aa6691aee PDF Text Text UVIC VOCAL JAZZ SPRING SHOWCASE MoODS OF MARCH PT Young Recital Hall • 8pm Sunday, March 24, 2013 Admission by Donation Child Is Born by Richard Rodgers featuring Andrea Paddock & Josh Lovell Danielle Olmstead Andrea Paddock Renn Bibeau Olivia Selig - Manager Monique De Plessis Marta Lefsrud Sarah Tradewell Claire Butterfield Josh Lovell Stephen Fong Doug Nelson Nick Allen Taylor Caswell Matt Foster Baby Driver Wendell Clanton - Director featuring Sarah Tradewell & Stephanie Taralson He Beeped When He Shoulda Bopped by Dizzy Gillespie, arranged by Michelle Weir Detour featuring Matt Foster Nature Boy Renn Bibeau & Patrick Boyle, guitar Lady Is A Tramp by Darmon Meader featuring Nick Allen & Gabriel Lagos Gabriel Lagos - piano Stephanie Taralson - piano TEN MINUTE INTERMISSION Someone To Watch Over Me featuring Danielle Olmstead Won’t You Be My Neighbor by Fred Rogers featuring Andrea, Claire, Taylor, Stephen & Sarah On A Clear Day featuring Monique De Plessis & Taylor Caswell Sky Kim - drums Rob Philips - drums Jordan Asch - guitar Brendan McGuigan - bass Stephen Fong - trumpet Paul Spelt - alto saxo. Wendell Clanton - tenor saxo. Scott McInnes - trombone �Come visit us at: uvicvocaljazz.blogspot.ca & facebook A special note of thanks to the dedicated students of Kirk McNally who provided technological support. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Vocal Jazz Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vocal Jazz Showcase - Moods of March Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 24, 2013 https://finearts.uvic.ca/music/archive/files/original/656d696d4839e499a5f77bcf1527f8a5.pdf 9895d8609626898ed59e5baf1de632c8 PDF Text Text UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Guitar Works ALEXANDER DUNN, GUITAR WITH STEVEN PRICE, BARITONE SUSAN YOUNG, MEZZO-SOPRANO PATRICIA KOSTEK, CLARINETS JAY SCHREIBER, PERCUSSION ALEX REMPEL, BASS BRIAN DESJARLAIS, STEFAN MAIER, GRAEME CRUICKSHANK, GUITARS Friday, March 15, 2013, 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 �P R O G R A M Ghosts (1987 rev. 2013)† Tim Brady (b.1951) The Ghosts of Alhambra (Spanish Songbook I) (2010)† George Crumb (b.1929) Alba (Dawn) Las Seis Cuerdas (The Six Strings) Danza (Dance) Paisaje (Landscape) !Ay! (Ay!) Malagueña (Malagueña) Memento (Memento) I n t e r m i s s i o n (Beverages and snacks available at the concession located in the lounge) Dark Angels (1971)† The Drowning Brothers Dark Angels Dead Fires Poema Mistico* † Canadian premiere * written for Alexander Dunn Peter Maxwell Davies (b.1934) Liova Bueno (b. 1979) �PROGRAM NOTES Tim Brady: Ghosts Ghosts�GSRXVEWXW�XLI�IEVXL]�WSYRH�SJ�XLI�KYMXEV�UYEVXIX�EKEMRWX�E�¾SEXMRK��HMWIQbodied electronic part which bridges the work’s sections. It begins straightaway with both elements, giving way to an extended solo against a fading electronic spectre. Sustained guitar chords give way to a lively section of overlapping rhythms and then a gentle duo of rippling accompaniment against an expressive melody in octaves. Another extended solo leads to another lively section of overlapping melodic QSXMZIW��KEMRMRK�QSQIRXYQ��SRP]�XS�EFVYTXP]�IRH�[MXL�XLI�½REP�ETTIEVERGI�SJ�E� slowly fading electronic apparition. The composer writes: In 1987 I wrote Ghosts for the English Guitar Quartet. I liked the guitar music, but it had a tape part which I never liked, then I lost the tape, then I forgot about the piece altogether. In 2011 Alexander Dunn contacted me asking about the piece so I thought - “OK, I’ll give it a second chance”. With very minor revisions the guitar parts fell back into place and I was able to create a new, very simple tape part (just a single electric guitar with some electronics), which acts as a musical shadow, or a “ghost”, of the live quartet. Many thanks to Alexander for his tenacity and help in bringing this piece back to life. George Crumb: The Ghosts of Alhambra (Spanish Songbook I) - poems by Federico Garcia Lorca (ca. 1921) The Ghosts of Alhambra is a seven-song cycle on poems of Lorca - a poet that Crumb has continually returned to. Striking images of dawn bells, a guitar entrapping WSYPW��KLSWXP]�HERGMRK�½KYVIW��E�HIWSPEXI�PERHWGETI��(IEXL�JVIUYIRXMRK�XLI�XEZIVR�� ERH�E�[MWXJYP�VI¾IGXMSR�SR�SRI´W�TEWWMRK�EVI�TVSRSYRGIH�MR�'VYQF´W�MRMQMXEFPI�ERH� immediately recognizable voice. Color, rhythm, and musical patterns form the basis of his style that traverses and enhances the stark beauty and darkly layered meanings in Lorca. The interplay of instruments is given as masterly a treatment as the persona of the poet and composer, embodied in the baritone voice, is both intimate and profound. From an interview with the composer: “I have a piano in my studio, and my desk is opposite that; between them, there’s a rotating chair. Sometimes, I’ll compose at the piano, but often I’ll go for three or four days without touching it.” He does not use any compositional software, professing a dislike for sounds meant to imitate real instruments. “I might improvise at the piano to feel my way into a piece, but I suppose everyone does that.” Because he does not use any software or simulaXMSR��E�[SVO´W�TVIQMIV�MW�VIEPP]�XLI�½VWX�GLERGI�LI´PP�LEZI�XS�LIEV�MX��±-�LEZI�ER�MRXYMXMZI� sense of what the piece will sound like as I’m composing it; I hear it in my inner ear, so to speak, but when it’s done, I’m always moving onto the next project, so it’s as if -´Q�LIEVMRK�MX�ERI[�[LIR�MX´W�TIVJSVQIH�²�-R�E�FPSK�[VMXXIR�EJXIV�XLI�½VWX�VILIEVWEP� for Ghosts of Alhambra��'VYQF�[EW�±MR�XMROIVMRK�QSHI��0MXXPI�½\IW�LIVI�ERH�XLIVI�� XVIQSPSW�MR�XLI�½VWX�QSZIQIRX�ZMFVETLSRI�TEVX��E�RI[�TMXGL�WXVYGXYVI�JSV�XLI� bottleneck guitar in #5, etc …” His sketchbooks contain a fair number of what he NSGYPEVP]�GEPPW�±QMW½VIW�²�XS�[LMGL�LI�QE]�SV�QE]�RSX�VIXYVR�EX�WSQI�TSMRX��±8LIVI� have been many miscalculations along the way. I usually know what something should WSYRH�PMOI��EW�-�ORS[�E�PSX�SJ�½RI�MRWXVYQIRXEPMWXW��ERH�XLI]´ZI�WLS[R�QI�RYQIVSYW� new sounds over the years.” �1. Alba ¡Campanas de Córdoba en la madrugada! ¡Campanas de amanecer en Granada! Os sienten todas las muchachas. Las niñas de España de pie menudo y temblorosas faldas, UYI�LER�PPIREHS�HI�PYGIW� � las encrucijadas. ¡Oh, campanas de Córdoba en la madrugada! ¡Y oh, campanas de amanecer en Granada! Dawn Bells of Córdoba In the early hours! Bells of dawn In Granada! They hear you, all the girls Young girls of Spain with tiny feet and trembling skirts [LS�½PPIH�XLI�GVSWWVSEHW with lights. Oh, bells of Córdoba In the early hours! And oh, bells of dawn In Granada! 2. Las Seis Cuerdas La guitarra hace llorar a los sueños. El sollozo de las almas perdidas se escapa por su boca redonda. Y como la tarántula teje una gran estrella para cazar suspiros, UYI�¾SXER�IR�WY�RIKVS�� aljibe de madera. The Six Strings The guitar makes dreams weep. The sobs of lost souls escape through its round mouth. And like the tarantula it weaves a great star to trap the sighs, ¾SEXMRK�MR�MXW�FPEGO wooden cistern. � 3. Danza En la noche del huerto seis gitanas vestidas de blanco bailan. En la noche del huerto, coronadas con rosas de papel y biznagas. Dance In the night of the garden, six gypsy women, dance in white. In the night of the garden, crowned with paper roses and jasmine. En la noche del huerto sus dientes de nácar escriben la sombra quemada. Y en la noche del huerto sus sombras se alargan, y llegan hasta el cielo moradas. In the night of the garden, their teeth – mother-of-pearl – inscribe the burnt darkness. And in the night of the gardens, their shadows grow long and purple as they reach the sky. �4. Paisaje )P�GEQTS�� de olivos se abre y se cierra como un abanico. Sobre el olivar hay un cielo hundido y una lluvia oscura de luceros fríos. Tiembla junco y penumbra a la orilla del río. Se riza el aire gris. Los olivos, están cargados de gritos. 9RE�FERHEHE�� de pájaros cautivos, que mueven sus larguísimas colas en lo sombrío. Landscape 8LI�½IPH�� of olive trees opens and closes like a fan. Above the olive grove a foundering sky and a dark rain of cold stars. Bullrush and penumbra tremble at the river’s edge. The gray air ripples. The olive trees are laden with cries. %�¾SGO of captive birds, moving their long long tails in the gloom. 5. !Ay! El grito deja en el viento una sombra de ciprés. !Ay! The shout leaves a cypress shadow on the wind. �(INEHQI�IR�IWXI�GEQTS�� llorando.) Todo se ha roto en el mundo. No queda más que el silencio. �(INEHQI�IR�IWXI�GEQTS�� llorando.) �0IEZI�QI�MR�XLMW�½IPH� crying.) Everything has broken in the world. Nothing but silence remains. �0IEZI�QI�MR�XLMW�½IPH� crying.) El horizonte sin luz IWXj�QSVHMHS�HI�LSKYIVEW�� The lightless horizon MW�FMXXIR�F]�FSR½VIW� (Ya os he dicho que me dejéis IR�IWXI�GEQTS�� llorando.) (I have already told you XS�PIEZI�QI�MR�XLMW�½IPH�� crying.) 6. Malagueña La muerte entra y sale de la taberna. Malagueña Death goes in and out of the tavern. Pasan caballos negros y gente siniestra por los hondos caminos de la guitarra. Black horses and sinister people pass along the sunken roads of the guitar. �Y hay un olor a sal y a sangre de hembra, en los nardos febriles de la marina. There’s an odor of salt and female blood in the feverish spikenard along the shore. La muerte entra y sale, y sale y entra la muerte de la taberna. Death goes in and out, out and in of the tavern goes death. 7. Memento Cuando yo me muera, enterradme con mi guitarra bajo la arena. Memento Whenever I die, bury me with my guitar beneath the sand. Cuando yo me muera, entre los naranjos y la hierbabuena. Whenever I die, among orange trees and mint. Cuando yo me muera, enterradme si queries en una veleta. Whenever I die, bury me if you wish in a weathervane. ¡Cuando yo me muera! Whenever I die! Peter Maxwell Davies: Dark Angels - poems by George Mackay Brown (from Fisherman with Ploughs, 1971) The composer writes: “The valley where I live, in a remote island off the north coast SJ�7GSXPERH��WMRGI�:MOMRK�XMQIW�E�XLVMZMRK�GVSJXMRK�?JEVQMRK�PERHLSPHMRKA�ERH�½WLMRK� GSQQYRMX]��MW�EPP�RS[�FYX�HIWIVXIH��8LI�MWPERHIVW�KVEHYEPP]�PIJX�XLVSYKL�XLI�½VWX�LEPJ� of this [20th] century, the contrasts between their own hard life and the comparatively easy life of the Scottish cities being too cruel. A few crofts were worked till UYMXI�VIGIRXP]��FYX�XLIVI�[IVI�IZIV�JI[IV�]SYRKIV�TISTPI��ERH�XLI�½REP�FPS[�JSV�XLI� community was the drowning of the last two children – brothers – in the mid-50’s. They made a raft and sailed it on the burn [watercourse] where it widens before joining the sea, far away from all possibility of rescue. Their death was a sign to the inhabitants remaining, who, with the exception of one farmer who is still there, left what they could only see as a doomed place, and the school, shop, crofts, byres, fell into disrepair, open to the birds and sheep. The two poems I have set by George 1EGOE]�&VS[R�GSRGIVR�XLIWI�IZIRXW��XLI�½VWX��³(VS[RMRK�&VSXLIVW´��VIPEXIW�XLI� GMVGYQWXERGI�[LMGL�PIH�XS�XLI�½REP�I\SHYW��ERH�XLI�WIGSRH��³(IEH�*MVIW´��MW�E�PMXER]� SJ�XLI�HIWIVXIH�GVSJXW��8LI�XMXPI�SJ�XLI�KYMXEV�WSPS�WITEVEXMRK�XLI�X[S�WIXXMRKW��³(EVO� Angels’, which I gave to the whole work, refers to the silent brooding hills around the deserted valley. The work is imbued with the sound of the island, where, at one SJ�XLI�HIWIVXIH�GVSJXW�PMWXIH�MR�³(IEH�*MVIW´��XLI�½VI�FYVRW�EKEMR�MR�XLI�LIEVXL��ERH� the ground is once more fertile.” �The Drowning Brothers The boy said (his arm a long white stone) ±8LI�FYVR�MW�E�½WL�MR�E�RIX�SJ�JIRGIW©� The burn is a glancing shuttle”….. A crofter turned a homing rudder. Corn, a prodigal stood in the door of the sun Arrayed in harvest patches. The crofter beached. The ripe hands of the wind Throttled his haddocks. ,I�WLSYXIH�XLI�[SQIR�JVSQ�PSSQ�ERH�½VI� The brother said (his thigh a struck glean) ³8LI�FYVR�MW�E�PEVO�MR�E�GEKI��8LI�WMPZIV�XSRKYI� Yearns on and out….’ The burn thrills between hills and beach all day. Pigeons fretted in the stubble. Women stooped to the sheaves with bronze throats. 8LI�½VWX�FS]�WEMH��LEPJ�QEVFPI�LEPJ�¾IWL ³8LI�XMROIV�FYVR�LYVVMIW�JVSQ�½IPH�XS�½IPH� He begs for small things. Heather to cornstalk to seaweed he burbles gossip. He spreads his pack at every stone, Torrents of sapphire and lace, Among the reeds a swath of green silk….’ An oat, a can, a straw left the slow valley Ikey slouched by the stubble edge &ERMWLIH�XLEX�HE]�[MXL�PEVOW��VEXW��½WLIVQER� The brother said (his throat a sculpted psalm) ³8LI�FYVR�MW�SYV�ERKIP��,I�TVEMWIW�� ,I�½PPW�SYV�TEMPW� ,I�¾EQIW�MR�XLI�JEGI�SJ�XLI�HVMROMRK�FIEWXW� ,I�GEVVMIW�XLI�ZEPPI]�½PXL Out to the seven brightnesses of the bay. He has turned a key. Quick, now, follow the cold one. They will drag us back to their old sweat and dung….’ Those hills, The Ward and Moorfea, brooded upon them, Dark angels. The tractor throbbed with one urgent image, bread. Heavy with images, the statues drowned. �Dead Fires At Burnmouth the door hangs from a broken hinge %RH�XLI�½VI�MW�SYX� The windows of Shore empty sockets And the hearth coldness. At Bunertoon the small drains are choked. Thrushes sing in the chimney Stars shine through roofbeams of Scar. 2S�¾EQI�MW�RIIHIH To warm ghost and nettle and rat. Greenhill is sunk into a new bog. No kneeling women Blows red wind through squares of ancient turf. The Moss is a tumble of stones. That one black stone -W�XLI�SRI�[LIVI�LIEVXL�½VI�[EW�VSSXIH� At Crawnest the sunken hearth Was an altar for priests of legend, Old seamen from the clippers with silken beards. The three-toed pot at the wall of Park Is lost to woman’s cunning. %�WPS[�½VI�SJ�VYWX�IEXW�XLVSYKL�XLI�GSPH�MVSR� The sheep drift through Reumin all winter. Sheep and snow &PERGL�¾IIXMRKP]�XLI�FPEGO�WXSRI� From that sacred stone the children of the valley Drifted lovewards And out of labour to the lettered kirkyard stone. 8LI�½VI�FIEX�PMOI�E�LIEVX�MR�IEGL�LSYWI *VSQ�XLI�½VWX�GSVRIVWXSRI� Till they led through a sagging lintel the last old one. 8LI�TSSV�ERH�XLI�KSSH�½VIW�EVI�EPP�UYIRGLIH� Now cold angel, keep the valley From the bedlam and the cinders of A Black Pentecost. �Liova Bueno: Poema Mistico Poema Mistico is a kind of lyric poem that moves between serene meditation and severe action. Each instrument is given an opportunity to explore its particular quiet ruminations and violent episodes: hushed ostinato rhythms and calm melodies are SJXIR�ERXEKSRM^IH�MRXS�JYV]��SRP]�XS�EFEXI�EKEMR�MRXS�VI¾IGXMSR��&SVR�JVSQ�E�KIVQMREP� musical idea, the single-movement work “explores the facets of mysticism,” explains Bueno, a recent School of Music alumnus. “Calm and meditative moments are interspersed with sections of rhythmic intensity, creating a sound world which alternates between both the gentle and the wild energies of mystical and spiritual discovery and experience.” – Program notes by Alexander Dunn �UPCOMING EVENTS Saturday, March 16, 8:00 p.m. ($15 & $10) UVic Jazz Orchestra Patrick Boyle, director An eclectic evening of standards and originals featuring jazz students from the UVic School of Music. Phillip T. Young Recital Hall Sunday, March 17, 2:30 p.m. (Admission by donation) Cello Class Recital Students from the studio of Pamela Highbaugh Aloni Phillip T. Young Recital Hall Friday, March 22, 8:00 p.m. (Admission by donation) Guitar Class Recital Students from the studio of Dr. Alexander Dunn Phillip T. Young Recital Hall Friday, March 22, 8:00 p.m. ($14 & $10) Don Wright Symphonic Winds Lord of the Rings Michael Keddy, conductor With guest, The Greater Victoria Concert Band University Centre Farquhar Auditorium Saturday, March 23, 12:30 p.m. (Admission by donation) Tuba & Euphonium Class Recital Students from the studio of Eugene Dowling Phillip T. Young Recital Hall Sunday, March 24, 8:00 p.m. (Admission by donation) Vocal Jazz Spring Showcase Moods of March Wendell Clanton, director Featuring charts by New York Voices, Burton Lane, Eric Clapton, Michelle Weir, Arlen & Capote, Darmon Meader and more! Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca �[[[�½RIEVXW�YZMG�GE�QYWMG�IZIRXW � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031513-FacultyRecital/031513-FacultyRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031513-FacultyRecital/031513-FacultyRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031513-FacultyRecital/031513-FacultyRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031513-FacultyRecital/031513-FacultyRecital_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Guitar Works, Alexander Dunn, guitar Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2013 Contributor An entity responsible for making contributions to the resource Alexander Dunn, guitar; Steven Price, baritone; Susan Young, mezzo-soprano; Patricia Kostek, clarinets; Jay Schreiber, percussion; Alex Rempel, Bass; Brian Desjarlais, Stefan Maier, Graeme Cruickshank, guitars https://finearts.uvic.ca/music/archive/files/original/9e3db206677ca6760f378052f786dd84.pdf db001189dd2dd1e75e7bd3e0cdb9129a PDF Text Text & '&(&)&*&(&$&+& & Justin Boechler presents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thaca is a drama for the night. It follows the "life" of the night, personified in the protagonist (played by Anna Shill). In writing the piece it was my goal to re-contextualize the cycle of night and day from a rational or even mythical basis into a purely human perspective. For this reason the piece begins at nightfall, with the birth of a naive and fearful night who is dominated by the day (portrayed by Iain Gillis). Over the course of the drama night comes to dominate the stage, reaching her apex before beginning her inevitable descent and death. The title and relationship the piece shares to the Homeric tale of Ulysses was used as a narrative archetype upon which to project the character of night, a hero caught in the grip of forces beyond her control and set upon a journey beset with adversity, tragedy and triumph. ! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030312-GradRecital/030312-GradRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/030312-GradRecital/030312-GradRecital_02.mp3">track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Justin Boechler, composer Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2012 https://finearts.uvic.ca/music/archive/files/original/adcd1ac7e1860df647f3b484e69e4071.pdf 1cc0d1879ed456be801f19a567b859b3 PDF Text Text fridaymusic Phillip T. Young Recital Hall • University of Victoria � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012414-Fridaymusic/012414-FridayMusic_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource January 24, 2014 https://finearts.uvic.ca/music/archive/files/original/4838401873e51c519ae29be6696ddc0a.pdf 31bb72092955fe83cb33d05222be9d8b PDF Text Text University of Victoria School of Music 2014 SAXOPHONE CLASS RECITAL 2:30pm Saturday January 25, 2014 Phillip T. Young Recital Hall Admission by Donation The Saxophone Students and Instructor acknowledge with much gratitude the vital contributions of the pianists from the School of Music. The Saxophonists The Pianists The Compositions The Composers 1. 2. 3. 4. 5. 6. Gabriel Lagos Vanessa Lee James Zhang Michael Lee Aaron Pang Frances Armstrong-Douglas Tableaux de Provence: I., II., III. & IV. Escapades: I. Closing In Sonate: II. Tomasi Concerto: I. Andante et Allegro Scaramouche: I. Vif Sonata: I. Paule Maurice John Williams Jean Absil Henri Tomasi Darius Milhaud Lawson Lunde Austin Nicholl Julian Malinowski Adam Jasieniuk Sean Maynard Steven Cramaro Matthew Bell INTERMISSION 7. Zachary Smith 8. Lee Whitehorne 9. Calistra Nair 10. Paul Spelt Solomon Cheung Laura Altenmueller Thomas Nicholson Suite #1: Courante, Menuet I. & II. Sonata: I. & II. Sonate: II. Noël From New York: IV Broadway Night J.S. Bach Alec Wilder Fernande Decruck Roberto Molinelli At the conclusion of the concert, all performers are requested to convene on stage for a class photograph. Reception to follow at University Heights Boston Pizza �University of Victoria School of Music SAXOPHONE CLASS OF WENDELL CLANTON The Saxophonists Class Major or Interest Hometown Austin Nicholl Julian Malinowski Adam Jasieniuk Sean Maynard Steven Cramaro Matthew Bell Zachary Smith Lee Whitehorne Calistra Nair Paul Spelt 3rd Year 2nd Year 1st Year 3rd Year 1st Year 2nd Year 2nd Year 4th Year 4th Year 4th Year Comprehensive Comprehensive Composition Performance Education Education Composition Comprehensive Education Education Kamloops Calgary Saskatoon Victoria Powell River Vancouver Cranbrook Chilliwack Calgary Victoria 2014 RECITALS Nair Maynard Nicholl Spelt February 16th, 4pm April 12th, 4pm April 13th, 4pm April 13th, 6pm 2014 Alumni News Mike Cavaletto, B.Mus.Ed. Music Educator, Sir Charles Tupper Secondary, Vancouver. Alexandra Miller, B.Mus. (UVic), PhD. (Wollongong), Australia. Michelle Dyler, B.Mus.Ed. (UVic). Music Educator, Alberni District Secondary School. Stephen Lewis, B.Mus.(UVic), M.Mus.(UofA), DMA (Cand.,U. of Illinois). Alexander Richards, B.Mus. (UVic), M.Mus.(UofMinn.), DMA (Cand.,N. Texas State). Andrew Greenwood, B.Mus. (UVic), B.Mus.(Humber), M.Mus. (Cand.,U. of T.). Bradley Justason, B.Mus. (UVic). Post-degree studies in Education (UVic). Visit Us Online http://uvicsaxophone.blogspot.ca/ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-SaxClassRecital/012514-SaxophoneClassRecital_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saxophone Class Recital Creator An entity primarily responsible for making the resource Will MacLellan Date A point or period of time associated with an event in the lifecycle of the resource January 25, 2014 https://finearts.uvic.ca/music/archive/files/original/3b565b577504a3a54c525a6decb46786.pdf 400ef13de848a4e516d847245e77664f PDF Text Text Voice Showcase Program University of Victoria Voice Department presents Broadway and . . . What? Fugue for Tin Horns, from Guys and Dolls Frank Loesser Josh Lovell, Cody Froese & Tristan Chalcraft Louise Hung, piano Vanilla Ice Cream, from She loves me! Harnick/Bock Sophie Cullen Thomas Nicholson, piano Sull’aria, from Le nozze di Figaro W. A. Mozart Lindsay Suddaby & Elizabeth Gerow Allannah Montgomery, piano Underneath the abject willow Featuring voice students from the studios of Benjamin Butterfield, Anne Grimm & Susan Young Benjamin Britten Margaret Lingas & Natasha Penfield Louise Hung, piano Vary the song, from The rakes progress Igor Stravinsky Adam Dyjach Frances Armstrong, piano Embroidery Aria, from Peter Grimes Benjamin Britten Dominique Ryser Shane Beech, piano Les Roses d’Ispahan Saturday, January 25, 2014, 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by Donation www.finearts.uvic.ca/music/events Chelsey Ternes Do not go my love Dawn Yuan Fleur jetee Marlena Kurek Susan Young, piano Intermission Gabriel Fauré Richard Hageman Gabriel Fauré �Housatonic at Stockbridge Finding peace Charles Ives Nick Allen Josh Herret, piano Zach Smith Zach Smith, Kenji Lee, Kassandra Schantz & Brittney Jette Habe deine Lust an dem Herren from Kleine geistliche Konzerte Heinrich Schütz Andrea Paddock & Eve Richardson Charlotte Hale, piano Oh quante volte from I Capuleti e i Montecchi Vincenzo Bellini Olivia Selig Stephanie Taralson, piano Light in the Piazza, from Light in the Piazza Adam Guettel Rebecca Thackray Frances Armstrong, piano When did I fall in love, from Fiorello! Harnick/Bock Heather MacLeod Braden Young, piano Some things are meant to be from Little Women � Dickstein/Howland Christina Dennehy & Ariel Boughen Frances Armstrong, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-10.mp3">track10</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-11.mp3">track11</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-12.mp3">track12</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-13.mp3">track13</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-14.mp3">track14</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-15.mp3">track15</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-16.mp3">track16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice Showcase - Broadway and...What? Creator An entity primarily responsible for making the resource Jamie Bracke Date A point or period of time associated with an event in the lifecycle of the resource January 25, 2014 https://finearts.uvic.ca/music/archive/files/original/97313f310a8bf64322bdc10950452c48.pdf cfce712dcf15ed9bc85de16c9e822ebc PDF Text Text Clarinet Class Recital P r o g r a m Solo de Concours (1899) James Yi, clarinet Seira Hayakashi, piano Suite for Solo Clarinet (1965) 1. Adagio–Allegro–Adagio 2. Adagio 3. Moderato, maestoso Students from the studio of Patricia Kostek André Messager (1853–1929) Hugh Aitken (1924–2012) Erin Onyschtschuk, clarinet Romanze Marie Elisabeth von Sachsen-Meiningen (1853–1923) Samuel He, clarinet Sarah Tsao, piano Clarinet Sonata (1939) 1. Mäßig bewegt Paul Hindemith (1895–1963) Marcella Barz, clarinet Eric Manning, piano Hommage à Manuel de Falla Mark Kim, clarinet Sunday, January 26, 2014, 1:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation www.finearts.uvic.ca/music/events Three Pieces for Solo Clarinet I. Sempre e molto tranquillo Kylie Flower, bass clarinet III. Sempre forte Matthew Kaufman, clarinet Béla Kovács (b. 1937) Igor Stravinsky (1882–1971) �Dance Preludes for clarinet and piano I. Allegro molto IV. Andante V. Allego molto Sunny Chu, clarinet Louise Hung, piano Witold Lutoslawski (1913–1994) Sonata Op. 167 for Clarinet and Piano (1921) I. Allegretto Camille Saint-Saëns (1835–1921) William Constable, clarinet Liam Gibson, piano Sarabande et Allegro (1929) Jynelle Grigg, clarinet Gloria Grohovac, piano Sonata for Clarinet and Piano (1962) I. AllegroTristament Gabriel Grovlez (1879–1944) Francis Poulenc (1899–1963) Paul Gilchrist, clarinet Laura Altenmueller, piano Five Bagatelles, Op. 23 for Clarinet and Piano (1945) I. Prelude Dominic Thibault, clarinet James Yi, piano Gerald Finzi (1901–1956) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet Class Recital - students from the studio of Patricia Kostek Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource January 26, 2014