67 10 1498 https://finearts.uvic.ca/music/archive/files/original/06682173abcab8e4fcfef40b47413ca5.pdf 4e77d14cc21fa29743b4e9ef8e162c9d PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents REConnected Daniel Tones, percussion (BMus ‘00) & Owen Underhill, piano (BMus ‘75) We acknowledge that the land on which we gather is the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, January 13, 2018 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM To the Earth (1985) Frederic Rzewski (b. 1938) A/Symmetry Ritual (2018) (World premiere) I. Prologue with Metal and Wood II. Melodies and Shakers III. Drums and Rattles IV. Piccolo Ocarina and Bowed Flexatone V. Animal Farm VI. Bass Ocarina and Slide Whistle VII. Frame Drum and Ratchet VIII. Slow March and Soliloquy with Bells IX. Epilogue Owen Underhill (b. 1954) Invisible Cities (1982) Linda Catlin Smith (b. 1957) I NT E R M I S S I O N Songs without Words II (1999) III (2015) IV (2017) Owen Underhill Cloud over Water (2009) Owen Underhill Temazcal (1984) Javier Alvarez (b. 1956) �PROGRAM NOTES To the Earth (1985) Frederic Rzewski (b. 1938) for speaker and flower pots Frederic Rzewski’s To the Earth is a composition of immense weight built upon simple, sincere sound sources.Written for four flower pots and spoken voice, it is a soliloquy which re-examines the impact of humankind on our planet. The text, “To Gaia, mother of all”, is one of thirty-three Homeric hymns written in praise of the pantheon of Greek gods. In Rzewski’s setting, the text is used to establish an intimate connection between the speaker, the audience, and the Earth itself. In addition to one’s delivery of the text, intensity is created by the densification of rhythmic material through metric modulation. The work’s initial calm is quickly juxtaposed with the industrial onslaught of rhythm and colour on the terra cotta or “baked earth” pots. A/Symmetry Ritual (2018) Owen Underhill (b. 1954) A/Symmetry Ritual is composed especially for the duo with Daniel Tones and our performance as part of the 50th anniversary of the University of Victoria’s School of Music. In nine parts, it utilizes a variety of percussion instruments including frame drum and bongos, alto melodica, bells, whistles, ocarinas, toys and noisemakers.The work plays with symmetries and asymmetries, beginning with both players offstage, progressively moving to meet in the middle and then gradually moving apart again. This piece is in part a response to the brilliant and iconic Olympia composed by Rudolf Komorous in 1964. Olympia, which I performed with Christopher Butterfield most recently in Victoria on the Komorous 85th birthday concert and in the Ostrava Music Days Festival in the Czech Republic this past summer, is a palindromic work which incorporates some of the same instruments such as melodica, flexatone, and bird calls. — Owen Underhill Invisible Cities (1982) Linda Catlin Smith (b. 1957) for solo vibraphone Linda Catlin Smith’s Invisible Cities describes the vibraphone from different points of view, much like Calvino’s book of the same name describes a single city from various perspectives. Calvino’s work presents a dialogue between Kubla Khan and Marco Polo through which the explorer describes the splendor of Khan’s expansive empire. Khan is unaware that Marco Polo’s stories are, in fact, recollections and imaginings of the explorer’s home, Venice. In Catlin Smith’s composition, connections in melodic and harmonic material are presented, obscured, and again realized through subtle changes in colour, texture, and density. �Songs without Words (1998, 1999, 2015, 2017) Owen Underhill for vibraphone and piano The intimacy of creating songs without words has always appealed to me. I have now composed four songs without words for vibraphone and piano.The ringing sonorities and attacks of mallet on metal bars and hammer on piano strings create both a contrast and a rich combined resonance. The works are meant to have an immediacy and freshness, naturally evolving and exploratory and improvisational in character. The first two Songs without Words, dating from 1998 and 1999, were written in a single day, thinking of how frescoes are created before the paint becomes dry.The third and fourth songs were written for Daniel Tones and myself to play as part of our duo collaboration. They maintain some of the same poetic, expressive qualities of the first two while extending the language and dialogue between instruments in new ways. — Owen Underhill Cloud over Water (2009) Owen Underhill for solo vibraphone The vibraphone has always seemed to me an instrument of purity, of clear lines and resounding metallic chords. With this in mind, as I began thinking about the piece, I went to the opening exhibit of the new Art Gallery of Ontario.There, I was drawn to a large and striking ‘painting’ by Paterson Ewen entitled Cloud over Water. Although referencing landscape tradition, Ewen’s work, consisting of acrylic on galvanized steel and gouged plywood, has a supernatural quality with a tiny white cloud in a large abstract textured sky over a multicolored flat sea. I did not have any representation of this piece that I took away with me, but the simple figurative title which I have borrowed, and the magical approach to figure over ground served as a helpful starting point for my composition. In my vibraphone piece, chords and musical objects float over a slowly moving surface, the vertical and the horizontal interact naturally and freely as the composition evolves. — Owen Underhill Temazcal (1984) Javier Alvarez (b. 1956) for maracas and digital audio The title of this work stems from the Nahuatl (ancient Aztec) word literally meaning “water that burns”. The maracas’ material throughout Temazcal is drawn from traditional rhythmic patterns found in most Latin-American musics, namely those from the Caribbean region, southeastern Mexico, Cuba, Central America and the flatlands of Colombia and Venezuela. In these musics in general, the maracas are used in a purely accompanimental manner as part of small instrumental ensembles. The only exception is, perhaps, that of the Venezuelan flatlands, where the role of the maracas surpasses that of mere cadence and accent punctuation to become a soloistic instrument in its own right. It was from this instance that I imagined a piece where the player would have to master short patterns and combine them with great virtuosity to construct larger and complex rhythmic structures which could then be juxtaposed, superimposed and set against similar passages on tape, thus creating a dense polyrhythmic web. This would eventually �disintegrate clearing the way for a traditional accompanimental style of playing in a sound world reminiscent of the maracas’ more usual environment. The sound sources on tape include harp, a folk guitar and double bass pizzicatti for the tape’s attacks, the transformation of bamboo rods being struck together for the rhythmic passages and rattling sounds created with the maracas themselves for other gestures. The tape was realized at the Electronic Music Studio at the Royal College of Music during the last months of 1983. — Javier Alvarez BIOGRAPHIES DANIEL TONES Daniel Tones is an award-winning percussionist equally committed to fostering creative development in young musicians. He has performed with internationally recognized artists Bob Becker, Aiyun Huang, Morris Palter, and Steve Schick, given concerts across Canada, the United States, Asia, and the United Kingdom, and has been broadcast nationally on radio and television. He studied with Salvador Ferreras, Russell Hartenberger, and John Rudolph, and was the first person to receive a doctorate in percussion performance from a Canadian university. Daniel is widely recognized for his work as a contemporary percussionist in the fields of solo and chamber ensemble performance. Recent highlights include tours in Canada, the United Kingdom, and the United States, performances at Birmingham’s BEAST FEaST, the Vancouver New Music Festival, the Ojai Festival, and the Banff Summer Arts Festival, recitals in major international venues such as the Barbican’s Milton Court Concert Hall in London, England, and guest appearances with the TorQ percussion quartet. Global drumming traditions first drew Daniel to percussion. He studied frame drumming, West African drumming and dance, Balinese gamelan, and Cuban percussion with master musicians, and performed professionally in salsa ensembles for over 10 years. As a graduate student he developed a passion for orchestral music, and performed for ten seasons as the Principal Percussionist of the Kamloops Symphony Orchestra. He has also performed with the Toronto, Vancouver, and Victoria symphonies, the CBC Vancouver Radio Orchestra, and the Vancouver Opera. Daniel teaches at Kwantlen Polytechnic University and leads Vancouver’s Contemporary Percussion Intensive. He is a Yamaha artist-educator and Sabian endorser, and provides workshops regularly to students throughout Metro Vancouver. In recent years he was the Percussion Coach for the Canadian Wind Orchestra and the National Youth Band of Canada. Dr. Tones is the recipient of fellowships from the University of Toronto, the Government of Ontario, and the University of British Columbia, and individual grants or awards from the British Columbia Arts Council, the Canada Council for the Arts, the Vancouver Foundation, the Fund for the Arts on the North Shore, and the SOCAN Foundation. �OWEN UNDERHILL Owen Underhill lives in Vancouver, Canada where he is active as a composer, conductor, artistic director and faculty member in the School for the Contemporary Arts at Simon Fraser University. As a composer, Underhill writes for diverse combinations including orchestra, voice and choir, a wide variety of chamber music, and music for dance. Among his recent compositions are his String Quartet No. 5 – Land and Water premiered by the Borealis Quartet in March 2017, his Cello Concerto premiered by Ariel Barnes and the Turning Point Ensemble in June 2016 and performed in 2017 at the Ostrava Days Music Festival in the Czech Republic, and Gossamer Thread – Yousi Shu for solo sheng, strings and percussion premiered by the Vancouver Intercultural Orchestra in April 2016. His music has many different expressions and has been described as dense and interesting, colourful, lyrical in inspiration, exuberant and witty, subtle, and thoughtful. His compositions are on several recordings including his disc Still Image on the Centrediscs label. His Canzone di Petra received the Outstanding Classical Composition award at the 2007 Western Canadian Music Awards, and a number of his other compositions have been nominated for Western Canadian Music and Juno awards. As a conductor, Underhill is a member of the Turning Point Ensemble, one of Canada’s most distinctive and accomplished large-size chamber ensembles. Underhill has been especially active in contemporary music and music of the early twentieth century and has conducted over 250 premieres by Canadian and international composers. He has considerable experience in innovative interdisciplinary collaborations and has served as music director for opera, and projects with dance, live synchronized film and moving image. In addition to Turning Point Ensemble, he has conducted a variety of other orchestras and ensembles including the National Arts Centre Orchestra, the CBC Radio Orchestra, Vancouver Intercultural Orchestra, and at the Ostrava New Music Days Festival in 2017. With Turning Point Ensemble, he has recorded six discs including Thirst, nominated for Best Classical Recording at the 2016 Western Canadian Music Awards. Active as a programmer and promoter of contemporary music, Underhill was Artistic Director of Vancouver New Music from 1987 to 2000. He has been active as an arts advocate and supporter of Canadian music organizations, and has been active for many years with the Canadian Music Centre, serving as the President from 2010-2014. Underhill has been an SFU faculty member in the multidisciplinary School for the Contemporary Arts since 1981, teaching music composition and conducting, and has served as Director of the School and as Dean Pro Tem of the Faculty of Communication, Art and Technology. In 2017, the B.C. Region of the Canadian Music Centre presented him with a Lifetime Achievement Award for extraordinary contributions to Canadian music. �UPCOMING EVENTS SUNDAY, JANUARY 21 | 8 PM ($10-$25) Faculty Concert Series Lafayette + Saguenay String Quartets A program of string octets by Gade and Mendelssohn, with a special premiere of an octet by Airat Ichmouratov written for the Lafayette and Saguenay Quartets in celebration of Canada’s 150th Anniversary. Phillip T. Young Recital Hall Monday, January 22 | 8 PM (Free) Orion Series in Fine Arts Stephanie Chua, piano (BMus ‘01) & Véronique Mathieu, violin New Music for Piano & Violin Stephanie Chua is a much sought-after collaborative pianist devoted to performing contemporary music. Canadian violinist Véronique Mathieu is winner of the 2012 Eckhardt-Gramatté Contemporary Music Competition and three-time winner of the Canada Council Bank of Instruments Competition. Chua and Mathieu recently released their debut CD on Centrediscs/Naxos, featuring over 100 years of Canadian duos. This concert includes a selection of those works as well as compositions by UVic School of Music alumni Cassandra Miller, Christopher Butterfield, Fuhong Shi and Anna Hostman. Phillip T. Young Recital Hall FRIDAY, JANUARY 26 | 12:15 PM (Free) West Coast Student Composers Symposium The West Coast Student Composers Symposium is an annual meeting of student composers from the University of British Columbia, Simon Fraser University, and UVic. Three concerts will take place during the afternoon, featuring composers and performers from each institution. Concert Schedule: UVic: 12:15-1:15 PM | UBC: 1:30-2:30 PM | SFU: 2:45-3:45 PM Phillip T. Young Recital Hall To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Concert Series - REConnected Creator An entity primarily responsible for making the resource Kaitie Sly Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2018 Contributor An entity responsible for making contributions to the resource Daniel Tones Owen Underhill https://finearts.uvic.ca/music/archive/files/original/85efe212be8414c9b542a30d39cc1db6.pdf f5aa28c2be345c93e8f8f4e31e1f9130 PDF Text Text PIANO STUDIO RECITAL Students from the studio of Eva Solar-Kinderman SATURDAY, JANUARY 20, 2018 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM French Suite in B Minor, BWV 814 J.S. Bach Courante, Sarabande (1685–1750) Emily Markwart Sonata in F Major, K. 332 W.A. Mozart Allegro assai (1756–1791) Katie Lundin Nocturne in B-flat Minor, op. 9, no. 1 Nocturne in E-flat Major, op. 9, no. 2 S. Rachmaninoff (1873–1943) Emily Liu F. Chopin (1810–1849) Esther Lee Prelude in G Minor, op. 32, no. 5 Annika Sauser Nocturne in C Minor, op. 48, no. 1 Emily Markwart F. Chopin El Puerto from the Iberia Suite I. Albéniz (1860–1909) J. P. Rameau (1683–1764) Tony Bae — INTERMISSION — Les cyclopes from Pièces de clavecin Ian Sirias Sonata in D Major, op. 28 L. van Beethoven Allegro (1770-1827) Andante Scherzo: Allegro vivace Rondo: Allegro ma non troppo Dustin Anderson Please join us for a reception in the lobby following the concert. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Trevor N. Date A point or period of time associated with an event in the lifecycle of the resource January 20, 2018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020718-GradRecitalCruz/020718-Manuel_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020718-GradRecitalCruz/020718-Manuel_02.mp3">track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - M. Cruz, cello Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource February 7, 2018 Contributor An entity responsible for making contributions to the resource Manuel Cruz https://finearts.uvic.ca/music/archive/files/original/75eb6603a0e100c6fea1e4f8967f9dd6.pdf cb9422b84db1c67ee2281c0107c53357 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents Music Not Written By Men Amy Horvey, trumpet (BMus ‘02) with Douglas Hensley, theorbo We respectfully acknowledge that the land on which we gather is the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, March 3, 2018 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Sino alla morte (1659) Barbara Strozzi arr. Amy Horvey (2018) Douglas Hensley, theorbo Música invisible para trompeta (2005) I. Sfumato II. Chiaroscuro III. Anamorphosis Interview (2007) Cecilia Arditto Anna Höstman PROGRAM NOTES Barbara Strozzi, also called Barbara Valle, (1619–1677), was an Italian virtuoso singer and composer of vocal music, one of only a few women in the 17th century to publish their own compositions. Her cantata Sino alla morte vows eternal love, asserting that its fires cannot be extinguished. In today’s programme, Amy Horvey and Douglas Hensley perform a recreation of the piece for modern trumpet—a homage to Strozzi which endeavors to enrich the nascent repertoire of solo works for trumpet by women composers. Música invisible is the fourth part of an accumulative project by Argentinian composer Cecilia Arditto, based on the exploration of sound potential and extended techniques for a diverse group of solo instruments—explorations which the composer hopes will inspire new methods of listening. The project’s iteration for trumpet is a musical representation of painting techniques from the works of Leonardo da Vinci, using quotes from the painter’s notebooks as well as from Italian opera in a sound tapestry both witty and mysterious. Anna Höstman’s Interview is, similarly, a musical portrait of Edna White (1892–1992), an American classical and vaudeville trumpet player, bandleader, and composer. A child prodigy, she led one of the first successful all-female bands, and was the first trumpet player to give a recital at Carnegie Hall. Höstman’s composition addresses her near-forgotten history in a series of vignettes based on snippets of memory: short quotes from an interview recorded in White’s later life. �BIOGRAPHIES AMY HORVEY, TRUMPET Amy Horvey is inspired to wear many hats as a 21st century trumpet player. She is active as a creator/interpreter of new and experimental music, as a performer of modern orchestral music, and as a researcher of the baroque trumpet. A champion of Canadian contemporary music, she has performed with Nouvel Ensemble Moderne and Arraymusic and has commissioned works by Nicole Lizee, Cassandra Miller, and Christopher Butterfield, among many others. She has recorded three albums: Interview, Catchment, and Mille Bayous. As guest director of the Montreal ensemble Novarumori she led Still Listening: A Tribute to Pauline Oliveros at the 2017 Suoni per Popolo Festival. Her solo projects have been featured in festivals across Canada, and in the Netherlands, Lithuania, Italy, and the US. On the orchestral stage, Horvey has appeared as a soloist with the Montreal Symphony Orchestra and the National Arts Center Orchestra, in whose trumpet sections she also regularly plays, working with many of the world’s greatest conductors including Pierre Boulez, Zubin Mehta, and Roger Norrington. Her research and experimentation with early instruments has resulted in performances with Arion Baroque Orchestra, Ensemble Caprice, Studio de musique ancienne de Montréal, and Les Violons du Roy. She is very thankful to the Canada Council for the Arts, Conseil des arts et lettres du Québec, Saskatchewan Arts Board, SSHRC Graduate Scholarship and the National Arts Center Richard Lee Young Artist Chair for their support. DOUGLAS HENSLEY, THEORBO Douglas Hensley is an eclectic and versatile musician who has served with the Victoria Symphony on guitar, lute, mandolin, and banjo. As co-founder and codirector of the Continuum Consort, he explores a repertoire from 12th century Cantigas de Santa Maria to 21st century works written for the ensemble (including commissions funded by the BC Arts Council and the Canada Council), on a variety of plucked string instruments. The Continuum Consort was invited to perform in Korea in the fall of 2006 and the summer of 2007, and was the first Canadian ensemble to perform at the Pan Music Festival in Seoul. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-OrionHorvey/030318-AmyHorveyTrumpet_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-OrionHorvey/030318-AmyHorveyTrumpet_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-OrionHorvey/030318-AmyHorveyTrumpet_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series - A. Horvey, trumpet Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2018 Contributor An entity responsible for making contributions to the resource Amy Harvey Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Percussion Concert Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource April 5, 2018 Contributor An entity responsible for making contributions to the resource Nicholas Tsang Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020318-FacultyChamberConcert/020318-FacultyChamberConcert_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Concert Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource February 3, 2018 https://finearts.uvic.ca/music/archive/files/original/c6ebdcd6526922a88ae0a524a5cf342e.pdf ebc1ed165166c4848c751af1f2c352f3 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC SONIC LAB Ajtony Csaba, director We respectfully acknowledge that the land on which we gather is the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, March 17, 2018 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Down by the Salley Gardens UVic’s experimental music ensemble presents a sonic adventure: a dialogue between old and new, acoustic and electronic sounds, based on W.B. Yeats’ An Old Song Re-Sung (a.k.a. Down by the Salley Gardens) in a setting from Britten. ENSEMBLE Charmaine Tai, flute Jamie Pambrun, flute Monica Mun, flute Jessica Wagner, voice Ethan Hill, piano Simeon Weststijn, percussion Sean Kiley, sound & electronics Ajtony Csaba, director W. B.Yeats: An Old Song Re-Sung Down by the salley gardens my love and I did meet; She passed the salley gardens with little snow-white feet. She bid me take love easy, as the leaves grow on the tree; But I, being young and foolish, with her would not agree. In a field by the river my love and I did stand, And on my leaning shoulder she laid her snow-white hand. She bid me take life easy, as the grass grows on the weirs; But I was young and foolish, and now am full of tears. https://www.poetryfoundation.org/poems/50311/down-by-the-salley-gardens The Collected Poems of W.B. Yeats, (London, Wordsworth Editions) 1994, page 16 �UPCOMING EVENTS SUNDAY, MARCH 18 | 2:30 PM (Free) Thank-You Concert The School of Music says Thank-You to our concert-goers, the community, and supporters with a delightful afternoon of music featuring some of the School of Music’s most exceptional students. Reception to follow. Phillip T. Young Recital Hall TUESDAY, MARCH 20 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall WEDNESDAY, MARCH 21 | 8 PM (By donation) Student Composers Concert Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall FRIDAY, MARCH 23 | 12:30 PM (By donation) Fridaymusic Featuring UVic School of Music guitar students in a concert of varied repertoire. Phillip T. Young Recital Hall FRIDAY, MARCH 23 | 8 PM ($10-$20) UVic Wind Symphony: Finale Dr. Gerald King, conductor Patricia Kostek, clarinet Dr. Gerald King has conducted the UVic Wind Symphony for the past 29 years. This will be his final concert as maestro with the ensemble before his retirement. This special program includes works significant to the Wind Symphony and Dr. King over the years including Lux Aurumque by Eric Whitacre, LOL by Robert Buckley, Airat Ichmouratov’s Fantasia on Klezmer Themes, and more. University Centre Farquhar Auditorium To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events Donate Now 50 For 50 years the UVic School of Music has been nurturing musicians with the richest musical experience on the West Coast. This could not have been possible without the generous contributions from our loyal patrons and the incredible support of our community. Support the 50th anniversary season with a donation and be a part of our legacy. Let’s ensure that this anniversary season delights audiences and students for decades to come. To make a donation online, visit finearts.uvic.ca/music/calendar/50thsupport/ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031718-SonicLab/031718soniclab.mp3">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonic Lab Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource March 17, 2018 Contributor An entity responsible for making contributions to the resource Ajtony Csaba https://finearts.uvic.ca/music/archive/files/original/fec9e12130dbb8fc5604af8b7074fe07.pdf fff14a94cadf9999d849c9db449971ce PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Thank-you Concert This concert is presented in appreciation of our concert-goers, the community and those who support School of Music scholarships and bursaries. - - - - - - Please join us for a reception in the lobby following the concert. We respectfully acknowledge that the land on which we gather is the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Sunday, March 18, 2018 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission �Program “De Torrente” from Dixit Dominus George Frideric Handel (1685–1759) Ai Horton, soprano Kyla Fradette, soprano Ethan Hill, piano Tenors and basses from the voice department Fantasiestücke, Op. 12 Des Abends Aufschwung Robert Schumann (1810–1856) Liam Pistor, piano Kleine Kammermusik für Fünf Bläser, Op. 24, No. 2 iii. Ruhig und einfach iv. Schnelle Viertel v. Sehr lebhaft Paul Hindemith (1895–1963) Alanna Kazdan, flute Anna Betuzzi, oboe Collin Lloyd, horn Jesse Dwyer, bassoon Alina Liang, clarinet Cello Suite No. 1 in G Major, BWV 1007 Prelude Gigue Jason Gordon, euphonium J. S. Bach (1685–1750) �Quatuor pour Saxophones i.Ouverture Brillante ii.Doloroso iv.Andante Pierre Max Dubois (1930–1995) Sobremesa Quartet Michelle Melnicky, soprano saxophone Matt Fichter, alto saxophone Todd Morgan, tenor saxophone Karsten Brewka, baritone saxophone Sonata in D Minor for Cello and Piano Claude Debussy Prologue: Lent, sostenuto e molto risoluto (1862–1918) Finale: Animé, léger et nerveux Claire Dresselhuis, cello Abigail Takenaka, piano Tango Suite for Two Guitars Astor Piazzolla iii. Allegro (1921–1992) Simon Farintosh, Isaiah Brabazon, guitars Cañambú Eduardo Gamboa (b. 1960) Chroma String Quartet Felix Alanis, violin Carlos Quijano, violin Ilya Ivanov, viola Manuel Cruz, cello � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031818-ThankYouConcert/031818-ThankYouConcert_8.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thank You Concert Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource March 18, 2018 https://finearts.uvic.ca/music/archive/files/original/1312a09400b0f077a1d5c3d10512860b.pdf 87bd33d859fc404993a4b553598432a0 PDF Text Text 50 YEARS TRUMPET STUDIO RECITAL Students from the studio of Merrie Klazek FRIDAY, MARCH 30, 2018 | 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Fugue Felix Mendelssohn (1809–1847) Erika Richards, Jamey Meyer, Tark Kim, Ryan Lau, Izzy Spencer, Jordan Smale, trumpets Sonatine Erika Richards, trumpet Erin Zipper, piano Bohuslav Martinů (1890–1959) Andante and Allegro Jamey Meyer, trumpet Erin Zipper, piano Guy Ropartz (1864–1955) Psalm from Two Portraits Jordan Smale, trumpet Erin Zipper, piano Joseph Turrin (b. 1949) Concert Etude Izzy Spencer, trumpet Joy Keeler, piano Andante et Allegretto Ryan Lau, trumpet Erin Zipper, piano Alexander Goedicke (1877–1957) Guillaume Balay (1871–1943) SHORT INTERMISSION Sonata in D Major, Z.850 Henry Purcell 1. (1659–1695) Fantasie in E-flat Sonata for Trumpet and Piano 1. Joseph Edouard Barat (1882–1963) Halsey Stevens (1908–1989) Tark Kim, trumpet Erin Zipper, piano We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_8.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033018-TrumpetStudioRecital/033018-TrumpetStudioRecital_9.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet Studio Recital Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_8.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_9.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041218-Mus407/041218-Mus407Concert_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mus 407 Concert Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource April 12, 2018