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                    <text>School of
Music

Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
February 11, 2020 • 12:30 p.m.

Balada Mexicana	
								
										

Manuel Ponce		
(1882–1948)

Jorge Flores Carrizales, piano
Love in the Dictionary	
							
								

Celius Dougherty		
(1902–1986)

Chelsea Kutyn, soprano
Emily Markwart, piano

	

Canticle IV: “The Journey of the Magi”, Op. 86						
									
	
			
Taylor Fawcett, tenor
Carson Moore, countertenor
Louis Dillon, baritone
Grisha Krivchenia, piano
	

Benjamin Britten	
(1913–1976)

	

Etude No. 5 for Solo Flute, Allegretto

Isang Yun
(1917–1995)

Ada Qian, flute
	

Cynthia Folio
(b.1954)

Wind Quintet in A-flat Major, Op. 14
	
	
II. Adagio											
	
III. Minuet (in Canon)

Gustav Holst
(1874–1934)

One for Four for Flute Quartet
Rhiannon Jones, flute
Huaqian Zeng, flute
Jessica Shaw, flute
Lisa Matsugu, flute

Nic Murker, flute
Kiara Hosie, oboe
Nishant Amatya, clarinet
Devin Hawthorne, bassoon
Tyrell Loster Peitzsche, horn

UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, FEBRUARY 12 | 8 PM (Free admission)
Degree Recital: Ada Qian, flute (BMus)
Ada Qian presents her Bachelor of Music graduating recital for flute performance.
Phillip T. Young Recital Hall
THURSDAY, FEBRUARY 13 | 8 PM (By donation)
Piano Studio Recital
Featuring UVic School of Music piano students from the studio of Eva Solar-Kinderman.
Phillip T. Young Recital Hall

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                <text>Ila Zbarsky</text>
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                <text>Jorge Flores Carrizales, piano&#13;
Chelsea Kutyn, soprano&#13;
Emily Markwart, piano&#13;
Taylor Fawcett, tenor&#13;
Carson Moore, countertenor&#13;
Louis Dillon, baritone&#13;
Grisha Krivchenia, piano&#13;
Ada Qian, flute&#13;
Rhiannon Jones, flute&#13;
Huaqian Zeng, flute&#13;
Jessica Shaw, flute&#13;
Lisa Matsugu, flute&#13;
Nic Murker, flute&#13;
Kiara Hosie, oboe&#13;
Nishant Amatya, clarinet&#13;
Devin Hawthorne, bassoon&#13;
Tyrell Loster Peitzsche, horn</text>
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                    <text>DEGREE RECITAL
Bryan Lin, cello
Allie Cortens, piano
Monday, February 10, 2020, 8 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Cello Suite No. 5 in C minor, BWV 1011
Prelude
Allemande
Courante
Sarabande
Gavotte I – Gavotte II
Gigue

Johann Sebastian Bach
(1685-1750)

Bryan Lin, cello
Pampeana No. 2 Rhapsody for Cello and Piano, op21

Alberto Ginastera
(1916-1983)

Allie Cortens, piano

— INTERMISSION —
Cello Sonata in D minor, op40
Allegro non troppo
Allegro
Largo
Allegro

Dmitri Shostakovich
(1906-1975)

Allie Cortens, piano

Bryan Lin is from the class of Professor, Pamela Highbaugh Aloni
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the lounge.
Please silence all cell phones.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/021020-BMusCelloRecital/021020-BMusCelloRecital_01_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/021020-BMusCelloRecital/021020-BmusCelloRecital_02.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/021020-BMusCelloRecital/021020-BMusCelloRecital_01_03.mp3"&gt;Track 3&lt;/a&gt;</text>
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Allie Cortens, Piano</text>
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                    <text>PIANO CLASS RECITAL
Piano students from the studio of Arthur Rowe
Sunday, February 9, 2020 | 2:30 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Impromptu No. 2 in E-flat Major, D.899
Allegro
Julia Polissky

F. Schubert
(1797-1828)

Sonata No. 3 in B Minor, Op. 58
Scherzo: Molto vivace

F. Chopin
(1810-1849)

Yuta Takahashi

Prelude in A-flat Major, Op. 28, No. 17
Coco Chen
Días de mar y río (1997)
Jorge Carrizales
Sonata No. 3
Grisha Krivchenia

F. Chopin
(1810-1849)

A. Márquez
(b. 1951)

G. Krivchenia
(b. 1979)

Vingt Regards sur l’Enfant-Jésus
XI. Première communion de la Vierge

O. Messiaen
(1908-1992)

Preludes Book 1
Les sons et les parfums tournent dans l'air du soir

C. Debussy
(1862-1918)

Jinyeong Cho
—INTERMISSION—
Sonata in E-flat Major, Hob.XVI:52
Allegro
Adagio
Finale: Presto

J. Haydn
(1732-1809)
Bella Zeng

Harmonies poétiques et religieuses
Benediction de Dieu dans la solitude
Xheni Sinaj

F. Liszt
(1811-1886)

Fantasie Op. 17
Durchaus phantastisch und leidenschaftlich vorzutragen
Mäßig. Durchaus energisch
Jonathan Li

R. Schumann
(1810-1856)

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_02.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_03.mp3"&gt;Track 3&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_04.mp3"&gt;Track 4&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_05.mp3"&gt;Track 5&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_06.mp3"&gt;Track 6&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_07.mp3"&gt;Track 7&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_08.mp3"&gt;Track 8&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020920-RowePianoStudio/020920-RowePianoStudio_09.mp3"&gt;Track 9&lt;/a&gt;</text>
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                <text>Julia Polissky&#13;
Yuta Takahashi&#13;
Coco Chen&#13;
Jorge Carrizales&#13;
Grisha Krivchenia&#13;
Jinyeong Cho&#13;
Bella Zeng &#13;
Xheni Sinaj&#13;
Jonathan Li</text>
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                    <text>Saxophone Class Ensemble Recital
2pm Saturday February 8th 2020
Phillip T. Young Recital Hall
School of Music, University of Victoria
Students from the class of Wendell Clanton
We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands
and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue
to this day.
Andante et Scherzo (1938)
by Eugene Bozza (1905-1991)
Quartet Green
Alex Tiller, soprano
Melissa Holyhead-Miles, alto
Ethan Slogotski, tenor
Cole Davis, baritone
Quatuor de Saxophones (1962)
by Claude Pascal (1921-2017)
I.
Anime
II.
Choral
III.
Mouvement de Valse
IV.
Vif
Quartet TASK
Ayari Kasukawa, soprano
Todd Morgan, alto
Sean Maynard, tenor
Karsten Brewka, baritone
Prélude et Rondo Françaix, Op. 89
by Pierre Vellones (1889-1939)
revision by Jacques Desloges
Soleil Quatuor
Baylie Adams, soprano
Tessa Belhomme, alto
Alex Tiller, tenor
Ben Mendes, baritone

�INTERMISSION

University of Victoria Saxophone Ensemble
Ave Verum (1791)
W.A. Mozart (1756-1791), arranged by Ronald C. Dishinger
Menuetto from Sonata Notturna K. 239
W.A. Mozart (1756-1791), adapted by Serge Dalle Luche
Stabat Mater (1736)
Giovanni Battista Pergolesi (1710- 1736), arranged by Daniel Christian
Concerto No 1 - La Primavera (Spring) from The Four Seasons (published in 1725)
A. Vivaldi (1678-1741), arranged by Eddie Jennings
Baylie Adams, soprano
Ayari Kasukawa, soprano
Todd Morgan, alto
Tessa Belhomme, alto
Melissa Holyhead-Miles, alto
Alex Tiller, tenor
Cole Davis, tenor
Karsten Brewka, baritone
Benedict Mendes, baritone

The Saxophone Class acknowledges with respect and appreciation the contributions of…
alumnus Sean Maynard, B.Mus.,
Alex Tiller (soprano &amp; tenor) and Ethan Slogotski
whose exemplary participation in one or an additional quartet
has enabled the formation and sustainability of their respective ensembles.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_02.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_03.mp3"&gt;Track 3&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_04.mp3"&gt;Track 4&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_05.mp3"&gt;Track 5&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_06.mp3"&gt;Track 6&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/020820-SaxophoneEnsembleRecital/020820-SaxophoneEnsembleRecital_07.mp3"&gt;Track 7&lt;/a&gt;</text>
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                <text>Alex Tiller, soprano&#13;
Melissa Holyhead-Miles, alto&#13;
Ethan Slogotski, tenor&#13;
Cole Davis, baritone&#13;
Ayari Kasukawa, soprano&#13;
Todd Morgan, alto&#13;
Sean Maynard, tenor&#13;
Karsten Brewka, baritone&#13;
Baylie Adams, soprano&#13;
Tessa Belhomme, alto&#13;
Alex Tiller, tenor&#13;
Ben Mendes, baritone&#13;
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

ANNE GRIMM
SOPRANO

&amp;
BRUCE VOGT
PIANO

We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Saturday, February 8, 2020 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Banalités (1940)	
	
i. Chanson d’Orkenise	
	
ii. Hôtel
	
iii. Voyage à Paris
Two Songs	
	
i. Mad About the Boy (1932)	
	
ii. If Love Were All (1929)

Francis Poulenc
(1899-1963)

Noël Coward
(1899-1973)

	
Aspects of Love: Three songs	
Richard Rodgers/Lorenz Hart
	
i. I Wish I Were In Love Again (1937) 	
(1902-1979/1895-1943)
	
ii. You Took Advantage of Me (1928)
	
iii. Bewitched, Bothered and Bewildered (1940)
I NT E R M I S S I O N
Concession open in the lounge

The Owl and the Pussycat (1966)	

Igor Stravinsky
(1882-1971)

Four “Mignon” Songs (1890)	
Hugo Wolf
	
i. Kennst du das Land (Do you know the land)	
(1860-1903)
	
ii. Nur wer die Sehnsucht kennt (Only those who know longing)
	
iii. Heiss mich nicht reden (Let me not speak)
	
iv. So lasst mich scheinen (So let me remain)
Surabaya-Johnny (1929)		

Kurt Weill
(1900-1950)

Three Songs	
	
i. Marieke (1961)	
	
ii. Brussels (Bruxelles) (1962)
	
iii. Fils de (1967)

Jacques Brel
(1929-1978)

�UVIC SCHOOL OF MUSIC

UPCOMING EVENTS
SUNDAY, FEBRUARY 9 | 2:30 PM (By donation)
Piano Studio Recital
Featuring students from the studio of Arthur Rowe.
Phillip T. Young Recital Hall
TUESDAY, FEBRUARY 11 | 12:30 PM (By donation)
Tuesdaymusic
Enjoy a program of solo and chamber music in a variety of genres, from baroque to
contemporary, performed by School of Music students.
Phillip T. Young Recital Hall
THURSDAY, FEBRUARY 13 | 8 PM (By donation)
Piano Studio Recital
Featuring students from the studio of Eva Solar-Kinderman.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 14 | 12:30 PM (By donation)
Fridaymusic
Take an afternoon break to enjoy a concert of varied repertoire
featuring School of Music voice students.
Phillip T. Young Recital Hall
SUNDAY, FEBRUARY 23 | 8 PM (By donation)
Guest Concert : Viano String Quartet
Formed in 2015 at the Colburn Conservatory of Music in Los Angeles, the
prize-winning Viano String Quartet has already proved itself one of North
America’s most exciting young groups. This program will include Haydn’s String
Quartet Op. 74, No. 1 and Dvořák’s Quartet in A-flat Major, Op. 105.
Phillip T. Young Recital Hall
To receive monthly updates about School of Music events by email,
contact concert@uvic.ca.
More information at uvic.ca/music/events

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                <text>Ila Zbarsky</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA

Wind Symphony
Steven J. Capaldo, Conductor

{

The Naden Band of the
Royal Canadian Navy
Lieutenant (Navy) Catherine Norris, conductor

Sea &amp; Song
Friday, February 7, 2020 • 8 p.m.

The Farquhar at UVic
University of Victoria
Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
Lt (N) Catherine Norris, conductor
James Swearingen
(b. 1947)

Seagate Overture	

David Bedford
(1937-2011)

Sun Paints Rainbows on the Vast Waves	

Franco Cesarini
(b. 1961)

Blue Horizons	
	
1. Luminescent Creatures	
	
2. Leviathan against Kraken
	
3. The Blue Whale
I NT E R M I S S I O N

Steven Capaldo, conductor
Eternal Father, Strong To Save	

Claude Thomas Smith
(1932-1987)

Liquid Compass 	

Alex Shapiro
(b. 1962)

Concerto No. 1 for Marimba and Symphonic Band	
	
1. Saudação (Greetings)	
	
2. Lamento (Lament)
	
3. Dança (Dance)
	
4. Despedida (Farewell)

Ney Rosauro
(b. 1952)

Jesse Johnson, marimba
UVic Wind Symphony Concerto Competition winner
We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

�PROGRAM NOTES
Seagate Overture (1988)
James Swearingen
James Swearingen is an American composer and arranger.The music he writes
is part of a small genre played in American high school band classes as Concert Literature, generally two- to six-minute-long pieces played for high school
band concerts. He is a recipient of several ASCAP awards.
Swearingen is also a guest conductor, adjudicator and educational clinician in
the US and internationally. With over 600 published works, he has written
band compositions and arrangements in a variety of musical forms and styles.
Many of his pieces, including 81 commissioned works, have been chosen for
contest and festival lists. He is a recipient of several ASCAP awards for published compositions and in 1992 was selected as an Accomplished Graduate
of the Fine and Performing Arts from Bowling Green State University. Most
recently, he received the 2002 Community Music Educator Award given annually by the Columbus Symphony Orchestra.
© Wikipedia
Sun Paints Rainbows on the Vast Waves (1982)
David Bedford
The title comes from a jotting in Coleridge’s notebook during the period
when he was working on The Rime of the Ancient Mariner and is a reference
to a passage which the poet had read in the Philosophical Transactions of the
Royal Society. This was a letter from a Father Bourzes, of which the pertinent
paragraph reads:
“I shall add an Observation more concerning Marine Rainbows, which I observed after a great Tempest off of the Cape of Good Hope.The Sea was then
very much tossed, and the Wind carrying off the Tops of the Waves made a kind
of Rain, in which the Rays of the Sun painted the Colours of a Rainbow.” (Italics
and capitals in original.)
It is this evocative description that provided the stimulus for this composition
and influences the feeling and atmosphere of its sound-world.
© David Bedford

�Blue Horizons (2002)
Franco Cesarini
This three-movement work explores the fascinating world of the ocean and
all the creatures that inhabit it. In the first movement, Luminescent Creatures,
the composer describes the environment of the sea at a depth of more than
1000 meters where there is no light, where the ocean looks like an ink stain.
The sperm whale and the giant octopus are the subject of the second movement. The title of the third movement, The Blue Whale, refers to the biggest
living being on earth, the beautiful blue whale. A play on words concerning the
term “blue” relates to the danger that oceans and their inhabitants constantly
have to face because of biological and industrial waste that is thrown into the
ocean, which has left many creatures on the verge of extinction.
© Franco Cesarini
Eternal Father, Strong To Save (1975)
Claude Thomas Smith
Rich in harmony, dynamics, and thematic interplay, Eternal Father, Strong To Save
is based on the missionary hymn of the same name composed in 1860 by
William Whiting (1825-1878), which was adopted as the official hymn of the
U.S. Navy. This famous hymn tune, normally in a major key, is written here in
a minor key before the works moves to the Allegro Vivace section. The hymn
tune is put through its paces including several variations and two fugatos (one
for the woodwinds and one for brass). A short transition to the now wellknown setting for French horn quartet gives us warm and traditional setting of
the original hymn tune.The full wind band then enters with the hymn, followed
by a return to the original fanfare and a dramatic finale.
© San Luis Obispo Wind Ensemble, Barnhouse Publications
&amp; Steven Capaldo
Liquid Compass (2014)
Alex Shapiro
Liquid Compass is a tone poem that takes the musicians and the audience on
a watery journey spanning the mystical and the triumphant. Commemorating
the 140th anniversary of Carthage College’s wind band, the piece migrates to
different places, but never loses its bearings in pursuit of a musical true north.

�The spiritual power of the sea is ever-present, in layers of unique sounds heard
in the audio track, and duplicated by the musicians. The effect is a physical
surround-sound of texture, as metal bowls capture slow, resonant drips of
water, and flutists breathe other-worldly intonations. The piece, like the school
that commissioned it, continues to push forward while observing that which
has come before. Because one can’t celebrate history, without reflecting on
the waters over which time and experience have passed.
© Alex Shapiro

Concerto No. 1 for Marimba and Symphonic Band, Op. 12 (1986)
Ney Rosauro
The Concerto for Marimba and Orchestra was written in June and July of
1986 in Brasilia and is dedicated to the composer’s son Marcelo. The work
was originally written for marimba and string orchestra but has also a piano
reduction and versions with accompaniment of percussion ensemble and
symphonic band (wind ensemble).
The concerto contains four movements which follow the fast-slow-fast pattern, with the medium tempo third movement inserted before the vigorous
finale. Some Brazilian motifs and jazz elements are used throughout the piece,
which contains strong rhythmic patterns and catchy melodies. The marimba
leads the thematic material throughout much the piece, and as a result, the
marimba part of certain movements can be performed solo, without orchestral accompaniment. The solo part explores the many possibilities of modern four-mallet technique, and according to reviews from Percussive Notes
magazine “the concerto is superbly written for the unique timbre and virtuoso
technical qualities of the marimba.”
© Ney Rosauro website

�UVIC WIND SYMPHONY
Conductor
Dr. Steven J. Capaldo
PICCOLO
Connie Goetz
FLUTE
Lisa Matusgu*
Vicky Zheng
Connie Goetz
Breanna Morrissette
Andrea Kim
OBOE
Janie Sinn*
Kiara Hosie
Ethan Slogotski
ENGLISH HORN
Janie Sinn
BASSOON
Rio Lagos Davison*
Devin Hawthorne
CLARINET
Channing Mar*
Ben Litzcke
Katherine Forster
Nishant Amatya
Emileigh Pearson
Meghan Parker
Kyle Lancaster
BASS CLARINET
Melissa Holyhead Miles
Braeden Miles
CONTRABASS CLARINET
Lee Whitehorne

ALTO SAXOPHONE
Karsten Brewka*
Alex Tiller
Tessa Belhomme-Orders
Ayari Kasukawa
TENOR SAXOPHONE
Todd Morgan
BARITONE SAXOPHONE
Baylie Adams
FRENCH HORN
Emily Axford*
Gillian Ramage
Maia Copley
Brooke Clansey
Thomas Hurley
TRUMPET
Tark Kim*
Ekaterina Della Vedova
Alicia Ellis
Abha-Marie Parmar
Brendan Wong
Mark Barr

TROMBONE
Marina Antoniou*
Charlotte Cruse
Tyler Schmitt
BASS TROMBONE
Odyn Mulder
EUPHONIUM
Liam Mulligan*
Aidan Bernard
Jason Gordon
TUBA
Scott Gordon*
Aidan Fentiman
PERCUSSION
Simeon Weststeijn*
Jesse Johnson
Luc Faris
TIMPANI
Cashton McGillivray

* Principal

�NADEN BAND OF THE ROYAL CANADIAN NAVY
Director of Music and Commanding Officer Lieutenant (Navy)
Catherine Norris
FLUTE
PO 1 Ginette Gibeault
LS Laura Andrew
OBOE
A/SLt Jeremi Pinsonneault
CLARINET
PO 2 Rebecca Hissen
PO 2 Mélanie Paré
LS Laura Engsig

TROMBONE
PO 2 Alon Soraya
PO 2 Michel Wade
PO 2 Annemieke Vanderkraay
LS Zack Everett
EUPHONIUM
PO 2 Robert Fearnley
TUBA
PO 2 Winston Hind

BASSOON
PO 2 Robyn Jutras

PIANO
PO 2 Olivier Néron-Bilodeau

SAXOPHONE
PO 1 Jeff Cooper
PO 1 David P. Gagnon
PO 2 Barrie Sorensen
PO 2 Roy Styffe

GUITAR
PO 2 Stephen MacDonald

FRENCH HORN
PO 2 Allison Zaichkowski
Bdr Kristin Ranshaw

PERCUSSION
PO 2 Steve MacDonald
PO 2 Robert Stevens
LS Kyle Reyes
LS Simeon Weststeijn

TRUMPET
PO 2 Steve Champ
PO 2 Alastair Chaplin
PO 2 Steven Donegan
PO 2 Greg Sly
PO 2 Miguel Valdes De La Hoz

BASS
PO 2 Ross Macdonald

�BIOGRAPHIES
Dr. Steven J. Capaldo, conductor
Dr. Steven Capaldo has distinguished himself as one of the most respected
music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally.
Dr. Capaldo is currently an Associate Professor of Music Education &amp; Conducting and Wind Symphony Conductor at the University of Victoria. He has
previously held positions in Music Education at the University of Wollongong
(Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony.
An active writer, Dr. Capaldo composes, arranges and transcribes music for
wind orchestras, symphony orchestras, festivals and concerts and his works
have been performed by groups in Australia, Canada, Japan and the United
States, and recorded on Klavier records (US). He has been listed as a composer in the book The Band Down Under, a finalist in several international
composition competitions and published with Brolga Music Australia.
An Assistant Producer for eight Klavier Records CD, Dr. Capaldo became a
full voting member for the US Grammy Awards in 2010 and was Chair of the
Australian Jury Panel for the 2017 Eurovision Song Contest.
Dr. Capaldo is highly-active and in-demand as a conductor, clinician and adjudicator having worked at local, state/provincial, national and international levels including MusicFest and Chief Conductor of the British Columbia Honor
Wind Ensemble. Committed to providing professional learning opportunities
for music educators and conductors, Dr. Capaldo has been a conducting clinician at the 2017 Australian National Band and Orchestra Conference, the
Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp and
an Associate Instructor for the 2016, 2017 &amp; 2018 NSW ABODA Conducting
Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and
presented at the Australian National Band and Orchestra Conference.

�Lieutenant (Navy) Catherine Norris
Commanding Officer &amp; Director of Music
Lt (N) Catherine Norris began her military career in 1999 playing flute and
piccolo with The Ceremonial Guard Band, a band she would continue to return to the following six summers. While completing a Bachelor of Music at
the University of Ottawa and a Masters of Music at McGill University she
served in the Primary Reserves with the Governor General’s Foot Guards
Band and then la Musique 34e Groupe-brigade du Canada.
Lt (N) Norris successfully auditioned for the Regular Force, component transferring in 2005 and was posted to the Royal Canadian Artillery (RCA) Band
in Edmonton, AB. She served for seven years with the RCA Band performing
and parading as a flautist and working in Public Affairs, Stores and Finance.
She was promoted to Warrant Officer in 2012 and selected to attend QL7
training at CFB Borden. Immediately after course she was posted to the Royal
Military College of Canada in Kingston, ON as Bandmaster where she enjoyed
working with staff of all elements and trades, mentoring the Naval and Officer
Cadets and conducting the college’s Brass and Reed Band, Stage Band and
Choir.
In 2015, Lt (N) Norris was promoted to Master Warrant Officer for a brief
time before saying good-bye to the Army, receiving another “promotion” to
Chief Petty Officer 2nd Class and a posting as Band Chief to The Stadacona
Band of the Royal Canadian Navy. Working with Stad Band she got to tour all
over Nova Scotia, attend the Highland Military Tattoo in Scotland as well as
the awesome experience of conducting the Massed Bands of the Royal Nova
Scotia International Tattoo for our National Anthem.
Lt (N) Norris accepted her commission in July 2017, was promoted to her
current rank and posted to CFB Borden for Music Officer training.
Lt (N) Norris met her husband, Marc Shepard, in 2005 while they were both
posted to CFB Edmonton and were very happy to welcome their first child
in December.

�NEXT CONCERT
UVIC WIND SYMPHONY
FRIDAY, MARCH 27 | 8 PM
Real to Reel
Steven Capaldo, conductor
The final concert of the UVic Wind Symphony’s 2019/20 season features exciting music by Erich Korngold, John Williams and William Walton in an eclectic program of works by composers who have crossed
over between stage and film. As well as these great works, we’re proud
to present the world premiere of three works written for our concert:
two works by UVic students Luc Faris (A Conversation with the Stars)
and Liam Mulligan (Mother Nature), and Artemis Falls, an electroacoustic work commissioned from Australian composer Dale Keaveny. The
concert will culminate in an epic finale with Eric Whitacre’s Ghost Train
featuring School of Music pianist/composer Grisha Krivchenia.

�UVIC SCHOOL OF MUSIC

UPCOMING EVENTS
SATURDAY, FEBRUARY 8 | 2 PM (By donation)
Saxophone Ensemble Recital
Featuring students from the studio of Wendell Clanton.
Phillip T. Young Recital Hall
SATURDAY, FEBRUARY 8 | 8 PM (By donation)
Faculty Concert Series
Anne Grimm, soprano &amp; Bruce Vogt, piano
Join for a delightful evening of lieder, melodie, cabaret and showtunes featuring
works by Hugo Wolf, Igor Stravinsky, Francis Poulenc, Kurt Weill, Jacques Brel,
Noël Coward, and Rodgers and Hart.
Phillip T. Young Recital Hall
SUNDAY, FEBRUARY 9 | 2:30 PM (By donation)
Piano Studio Recital
Featuring students from the studio of Arthur Rowe.
Phillip T. Young Recital Hall
TUESDAY, FEBRUARY 11 | 12:30 PM (By donation)
Tuesdaymusic
Enjoy a program of solo and chamber music in a variety of genres, from baroque to
contemporary, performed by School of Music students.
Phillip T. Young Recital Hall
THURSDAY, FEBRUARY 13 | 8 PM (By donation)
Piano Studio Recital
Featuring students from the studio of Eva Solar-Kinderman.
Phillip T. Young Recital Hall

To receive monthly updates about School of Music events by email,
contact concert@uvic.ca.
More information at uvic.ca/music/events

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                <text>UVic Wind Symphony&#13;
Conductor: Dr. Steven J. Capaldo&#13;
&#13;
PICCOLO&#13;
Connie Goetz&#13;
&#13;
FLUTE&#13;
Lisa Matusgu*&#13;
Vicky Zheng&#13;
Connie Goetz&#13;
Breanna Morrissette&#13;
Andrea Kim&#13;
&#13;
OBOE&#13;
Janie Sinn*&#13;
Kiara Hosie&#13;
Ethan Slogotski&#13;
&#13;
ENGLISH HORN&#13;
Janie Sinn&#13;
&#13;
BASSOON&#13;
Rio Lagos Davison*&#13;
Devin Hawthorne&#13;
&#13;
CLARINET&#13;
Channing Mar*&#13;
Ben Litzcke&#13;
Katherine Forster&#13;
Nishant Amatya&#13;
Emileigh Pearson&#13;
Meghan Parker&#13;
Kyle Lancaster&#13;
&#13;
ALTO SAXOPHONE&#13;
Karsten Brewka*&#13;
Alex Tiller&#13;
Tessa Belhomme-Orders&#13;
Ayari Kasukawa&#13;
&#13;
TENOR SAXOPHONE&#13;
Todd Morgan&#13;
&#13;
BARITONE SAXOPHONE&#13;
Baylie Adams&#13;
&#13;
FRENCH HORN&#13;
Emily Axford*&#13;
Gillian Ramage&#13;
Maia Copley&#13;
Brooke Clansey&#13;
Thomas Hurley&#13;
&#13;
TRUMPET&#13;
Tark Kim*&#13;
Ekaterina Della Vedova&#13;
Alicia Ellis&#13;
Abha-Marie Parmar&#13;
Brendan Wong&#13;
Mark Barr&#13;
&#13;
TROMBONE&#13;
Marina Antoniou*&#13;
Charlotte Cruse&#13;
Tyler Schmitt&#13;
&#13;
BASS TROMBONE&#13;
Odyn Mulder&#13;
&#13;
EUPHONIUM&#13;
Liam Mulligan*&#13;
Aidan Bernard&#13;
Jason Gordon&#13;
&#13;
TUBA&#13;
Scott Gordon*&#13;
Aidan Fentiman&#13;
&#13;
PERCUSSION&#13;
Simeon Weststeijn*&#13;
Jesse Johnson&#13;
Luc Faris&#13;
&#13;
TIMPANI&#13;
Cashton McGillivray&#13;
&#13;
The Naden Band of the Royal Canadian Navy&#13;
Director of Music and Commanding Officer Lieutenant (Navy): Catherine Norris&#13;
FLUTE&#13;
PO 1 Ginette Gibeault, LS Laura Andrew&#13;
&#13;
OBOE&#13;
A/SLt Jeremi Pinsonneault&#13;
&#13;
CLARINET&#13;
PO 2 Rebecca Hissen&#13;
PO 2 Mélanie Paré&#13;
LS Laura Engsig &#13;
&#13;
BASSOON&#13;
PO 2 Robyn Jutras&#13;
&#13;
SAXOPHONE&#13;
PO 1 Jeff Cooper&#13;
PO 1 David P. Gagnon&#13;
PO 2 Barrie Sorensen&#13;
PO 2 Roy Styffe&#13;
&#13;
FRENCH HORN&#13;
PO 2 Allison Zaichkowski&#13;
Bdr Kristin Ranshaw&#13;
&#13;
TRUMPET&#13;
PO 2 Steve Champ&#13;
PO 2 Alastair Chaplin&#13;
PO 2 Steven Donegan&#13;
PO 2 Greg Sly&#13;
PO 2 Miguel Valdes De La Hoz&#13;
&#13;
TROMBONE&#13;
PO 2 Alon Soraya&#13;
PO 2 Michel Wade&#13;
PO 2 Annemieke Vanderkraay&#13;
LS Zack Everett&#13;
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EUPHONIUM&#13;
PO 2 Robert Fearnley&#13;
&#13;
TUBA&#13;
PO 2 Winston Hind&#13;
&#13;
PIANO&#13;
PO 2 Olivier Néron-Bilodeau&#13;
&#13;
GUITAR&#13;
PO 2 Stephen MacDonald&#13;
&#13;
BASS&#13;
PO 2 Ross Macdonald&#13;
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PERCUSSION&#13;
PO 2 Steve MacDonald&#13;
PO 2 Robert Stevens&#13;
LS Kyle Reyes&#13;
LS Simeon Weststeijn</text>
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                    <text>School of
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fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 7, 2020 • 12:30 p.m.
Featuring School of Music students
Johann Sebastian Bach
(1685–1750)

Prelude and Fugue in D Major, BWV 850					
		 	
	
Amber Dayton, piano
Piano Sonata No. 2 in D Minor, Op. 14				
	
I. Allegro, ma non troppo - Più mosso - Tempo primo 				

		

Sergei Prokofiev
(1891–1953)

Alice Bi, piano
Días de Mar y Río 			
	
			
								
		
Jorge Flores Carrizales, piano

Arturo Márquez
(b.1950)

Trillium	
		
	
		
											
Lisa Matsugu, flute

Elizabeth Brown
(b.1953)

Poem for Flute
	 		
						
Etude-Caprice in G Minor, Op. 18
	
I. Moderato					

Isaac Page
(b.1996)

					
Emily Morse, flute
	
			
Lea Fetterman, violin
Libby Wyse, violin

		

	

	

Henri Wieniawski
(1835–1880)

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, FEBRUARY 7 | 1:30 PM (Free admission)
Orion Series in Fine Arts
Brass Masterclass: Laurie Matiation, horn
Guest artist, Laurie Matiation, coaches a masterclass with UVic School of Music brass students. All are welcome to attend.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 7 | 8 PM ($10-$20)
UVic Wind Symphony: Sea and Song
With the Naden Band of the Royal Canadian Navy
Steven Capaldo &amp; Lt(N) Catherine Norris, conductors
Now into its 7th year, the UVic Wind Symphony continues its unique collaboration with the Naden Band of the Royal Canadian Navy
with a concert featuring music inspired by “Sea and Song.”
Winner of the 2019 UVic Wind Symphony Concerto Competition, Jesse Johnson, will take centre stage for Ney Rosauro’s Concerto for
Marimba and Wind Ensemble. Other works on the program include Franco Cesarini’s Blue Horizons, The Sun Paints Rainbows Over the
Vast Waves by David Bedford, Alex Shapiro’s electroacoustic work Liquid Compass, and the classic Claude T. Smith fantasy Eternal Father,
Strong to Save, based on the traditional British mariner’s hymn of the same name.
Celebrating its 80th anniversary, The Naden Band of the Royal Canadian Navy is one of six regular force military bands of the Canadian
Forces and serves as the official musical unit of the Canadian Forces Maritime Forces Pacific Command (MARPAC). Many School of Music
alumni have gone on to perform with Canadian Military ensembles including the Naden Band.
Proceeds from the concert will benefit the Naden Band of Maritime Forces Pacific Scholarship in Music Performance, awarded annually
to second- and third-year School of Music students who demonstrate excellence in brass, woodwind and percussion performance.
The Farquhar at UVic, University Centre

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Alice Bi, piano&#13;
Jorge Flores Carrizales, piano&#13;
Lisa Matsugu, flute&#13;
Emily Morse, flute&#13;
Lea Fetterman, violin&#13;
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

ORION SERIES IN FINE ARTS

LAURIE MATIATION
HORN

With
MERRIE KLAZEK TRUMPET
SCOTT MACINNES TROMBONE
XHENI SINAJ PIANO

We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Thursday, February 6, 2020 • 12:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission

�PROGRAM
Bagatelle for Horn and Piano 	

Nocturno, Op. 7 for Horn and Piano	

Trio for Brass 	

Hermann Neuling
(1897-1967)
Franz Strauss
(1822-1905)
Vaclav Nelhybel
(1919-1996)

BIOGRAPHY
Originally from Brandon, Manitoba, Laurie Matiation is currently Artistic Director of the Academy and Advanced Program at Mount Royal University Conservatory — a unique program specifically designed for students who wish to
work on their performance skills and self-confidence.
Laurie is also a passionate teacher, and believes that all can achieve their goals
and dreams with proper guidance, inspiration and support. She conducts
workshops and clinics, and is one of the founding members of HornFest, an
annual horn workshop which is celebrating it’s 10th anniversary in 2020. She
is teacher of horn at Mount Royal University Conservatory and the University
of Calgary.
Laurie began her professional career in 1978 as second horn of the Atlantic
Symphony Orchestra, and joined the Calgary Philharmonic Orchestra in 1983.
In June of 2019, Laurie retired from the CPO after 41 years of service in the
orchestra business. She is excited about her next musical journey and adventure, and will continue to support and be an advocate for the arts community
and music education in the schools.
In her down time, Laurie enjoys gardening, cooking, camping and spending
quality time with family.

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

UPCOMING EVENTS

THURSDAY, FEBRUARY 6 | 8 PM ($10-$25)
Faculty Concert Series: Lafayette String Quartet
Joseph Haydn — Quartet in C Major, Op. 54, No. 2
Ruth Crawford Seeger — String Quartet 1931
Ludwig van Beethoven — Quartet in F Major, Op. 59, No. 1
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 7 | 12:30 PM (By donation)
Fridaymusic
A concert of varied repertoire and instruments featuring School of Music students.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 7 | 1:30-2:30 PM (Free)
Orion Series in Fine Arts
Brass Masterclass with Laurie Matiation
Guest artist, Laurie Matiation, coaches School of Music brass students.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 7 | 12:30 PM (By donation)
Fridaymusic
A concert of varied repertoire and instruments featuring School of Music students.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 7 | 8 PM ($10-$20)
UVic Wind Symphony &amp; the Naden Band of the Royal Canadian Navy
Sea and Song
Steven Capaldo &amp; Lt(N) Catherine Norris, conductors
Performing Ney Rosauro’s Concerto for Marimba and Wind Ensemble with Jesse
Johnson—winner of the 2019 UVic Wind Symphony Concerto Competition—
plus works by Franco Cesarini, David Bedford, Alex Shapiro, and Claude T. Smith.
The Farquhar at UVic, University Centre
To receive monthly updates about School of Music events by email,
contact concert@uvic.ca.
More information at uvic.ca/music/events

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                <text>Laurie Matiation, Horn&#13;
Merrie Klazek, Trumpet&#13;
Scott MacInnes, Trombone&#13;
Xheni Sinaj, Piano</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

Lafayette String
Quartet
Featuring
ANN ELLIOTT GOLDSCHMID VIOLIN
SHARON STANIS VIOLIN
JOANNA HOOD VIOLA
PAMELA HIGHBAUGH-ALONI CELLO

We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Thursday, February 6, 2020 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Quartet in C Major, Op. 54, No. 2		
Franz Joseph Haydn
	
Vivace	 					
(1732-1809)
	
Adagio
	Menuetto: Allegretto
	Finale: Adagio, Presto, Adagio
String Quartet 1931				
Ruth Crawford Seeger
	
Rubato assai	 				
(1901-1953)
	
Leggiero: tempo giusto
	Andante
	
Allegro possibile

I NT E R M I S S I O N
Concession open in the lounge

Quartet in F Major, Op. 59, No. 1		
Ludwig van Beethoven
	
Allegro	 					
(1770-1827)
	
Allegretto vivace e sempre scherzando
	
Adagio molto e mesto
	
Thème russe: Allegro

�THE LAFAYETTE STRING QUARTET
How does one compress 33 years into a single biography? The members of the Lafayette String Quartet are Artists-in-Residence at the
University of Victoria where they teach violin, viola, cello and coach
chamber music to some of Canada’s finest young string players. They
are active in the Victoria community working with the Greater Victoria
Youth Orchestra, connecting with the string programs in public schools,
performing in Pacific Baroque, hosting Quartet Fest West and continuing their Health Awareness Forum every fall.They are frequently sought
after to adjudicate in local, provincial and national music festivals —
all of this while maintaining an active touring schedule with concerts
this year taking them to the Yukon, BC, Ontario and the United States.
They have performed all over North America and Europe to critical
acclaim. Their various quartet projects, often in partnership with esteemed colleagues, have included the Complete Beethoven Cycle, the
Second Viennese School, Bartók’s Legacy and the Complete Cycle of
Shostakovich String Quartets. This October the LSQ has been invited
to perform the Shostakovich Cycle at the Banff Centre. Other upcoming projects include Beethoven’s Legacy (2020), honoring one of their
favorite composer’s 250th anniversary by exploring the friendships and
influences that lead to the Beethoven Quartet phenomenon. The LSQ
and colleagues will delve into how these remarkable quartets changed
the course of musical history and continues to change it even today.

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                <text>Ann Elliott Goldschmid, Violin&#13;
Sharon Stanis, Violin&#13;
Joanna Hood, Viola&#13;
Pamela Highbaugh-Aloni, Cello</text>
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