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                    <text>DEGREE RECITAL
Julien Haynes, violin
Monica Pfau, piano
Wednesday, November 4, 2020, 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Deux Morceaux

Lili Boulanger
(1893-1918)

1. Nocturne
2. Cortege
Monica Pfau, piano
Violin Concerto in D Major, Op. 61

L.v. Beethoven
(1770-1827)

1. Allegro non troppo
Monica Pfau, piano
— INTERMISSION —

Sonata No. 1 in G minor, BWV 1001
1.
2.
3.
4.

J.S Bach
(1685-1750)

Adagio
Fuga
Siciliana
Presto

The Devil’s Trill
1.
2.
3.
4.

Giuseppe Tartini
(1692-1770)

Larghetto ma non troppo
Allegro moderato
Andante
Allegro assai
Monica Pfau, piano

Julien would like to acknowledge the Lafayette String Quartet for their mentorship and support, all
School of Music professors and faculty, his colleagues and classmates, and especially his professor Ann
Elliott-Goldschmid and Gerald Stanick for years of transformative lessons.
This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program.
Julien Haynes is from the class of Professor Ann Elliott-Goldschmid.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/110420-JHaynesViolin/110420-JHaynesViolin3_1_5.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/110420-JHaynesViolin/110420-JHaynesViolin3_1_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/110420-JHaynesViolin/110420-JHaynesViolin3_1_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/110420-JHaynesViolin/110420-JHaynesViolin3_1_44.mp3"&gt;Track 4&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Julian Haynes, violin&#13;
Monica Pfau, piano</text>
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                    <text>VIOLIN STUDIO RECITAL

UVIC

Students from the studio of Ann Elliott-Goldschmid
FRIDAY OCTOBER 30, 2020 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Partita No. 3 in E Major
	
I. Preludio	

Johann Sebastian Bach
(1685-1750)

				
Lea Fetterman, violin

Nigun (Improvisation) from the Baal Shem (Three Pictures of Chassidic Life)	
	
Jade Chu, violin
Kinza Tyrrell, piano
Partita No. 2 in D Minor
	
I. Allemande

J. S. Bach

								
Megan Bibby, violin

Fritz Kreisler
(1875-1962)

Sicilienne and Rigaudon (in the Style of Francoeur)	
				
Gabriel Cayer, violin
Kinza Tyrrell
Concerto No. 2 in G minor Op. 63 				
	
I. Allegro Moderato					
Talia Sinclair, Violin
Kinza Tyrrell, Piano
Sonata No. 1 in G minor, BWV 1001
	
1. Adagio

Sonata No. 3 in C Major
	
IV. Allegro assai

Ernest Bloch
(1880-1959)

		

Sergei Prokofiev
(1891-1953)

						

J. S. Bach

Julien Haynes, violin

								

J. S. Bach

Libby Wyse, violin

Concerto No. 5 in A major						
	
I. Adagio, Allegro aperto 						
Dana Wenzel, violin
Chris Dhouly, piano

Wolfgang Amadeus Mozart
(1756-1791)

Partita No. 1 in B minor, BWV 1002							
	
I. Allemanda-Double

J. S. Bach

Bennett Chu, violin
Partita No. 2 in D minor, BWV 1004
						
	
V. Ciaccona
Iryna Peleshchyshyn, violin

J. S. Bach

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_06.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_07.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_08.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_09.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103020_ViolinStudioRecital/103020-ViolinStudioRecital_10.mp3"&gt;Track 10&lt;/a&gt;</text>
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                <text>Lea Fetterman, violin&#13;
Jade Chu, violin&#13;
Kinza Tyrrell, piano&#13;
Megan Bibby, violin&#13;
Gabriel Cayer, violin&#13;
Talia Sinclair,Violin&#13;
Julien Haynes, violin&#13;
Libby Wyse, violin&#13;
Dana Wenzel, violin&#13;
Chris Dhouly, piano&#13;
Bennett Chu, violin&#13;
Iryna Peleshchyshyn, violin</text>
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                    <text>VOICE STUDIO RECITAL

UVIC

Students from the School of Music voice studios
TUESDAY, DECEMBER 1, 2020 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Music for a While		

An die Musik			

Sihana Dorfsman, soprano*

Paige McKay, soprano
Jenny Sunderland, piano

The Dream Valley 		

Fêtes galantes 		

Clayton Butler, tenor*

Eva Smith, mezzo-soprano*

Fleur Jetée			
Morgen			

Andrew Wolf, tenor*

Au bord de l’eau 		

C				

Carter Martin, tenor
Simi Luttrell, piano

Gwen Jamieson, soprano*

Henry Purcell

Franz Schubert

Roger Quilter

Reynaldo Hahn

Gabriel Fauré
Richard Strauss

Gabriel Fauré

Francis Poulenc

“In uomini,” from Cosi fan Tutti			
						
Abby Corpus, soprano*

W.A. Mozart

“L’ho perduta,” from The Marriage of Figaro	
						
Grace Vermette, soprano*

W.A. Mozart

Elizabeth Raum

“Hall of doors,” from The Garden of Alice	
Kyla Fradette, soprano*
“Questa o quella,” from Rigoletto	 	

Giuseppe Verdi
Spencer VanDellen, tenor
Chris Dlouhy, piano
*Kinza Tyrrell, piano

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              <text>Track 1&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_06.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_7.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_8.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_9.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_10.mp3"&gt;Track 10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_11.mp3"&gt;Track 11&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/120120-VoiceStudio/120120-VoiceStudio_1_12.mp3"&gt;Track 12&lt;/a&gt;</text>
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                <text>Sihana Dorfsman, soprano&#13;
Paige McKay, soprano&#13;
Jenny Sunderland, piano&#13;
Clayton Butler, tenor&#13;
Eva Smith, mezzo-soprano&#13;
Andrew Wolf, tenor&#13;
Carter Martin, tenor&#13;
Simi Luttrell, piano&#13;
Gwen Jamieson, soprano&#13;
Abby Corpus, soprano&#13;
Grace Vermette, soprano&#13;
Kyla Fradette, soprano&#13;
Spencer VanDellen, tenor&#13;
Chris Dlouhy, piano&#13;
Kinza Tyrrell, Piano</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 27, 2020 • 12:30 p.m.

Arpeggione Sonata, D. 821						
		
Franz Schubert		
	
Allegro moderato	 (1797–1828)
Viola Concerto 	
	
Andante comodo		

William Walton
(1902–1983)
Maki Yamagata, viola
Kinza Tyrrell, piano

Prelude No. 7: La terrasse des audiences du clair de lune 	
		

Claude Debussy
(1862–1918)

Kay Kuang, piano

Fantaisie sur “Il pleut, Il pleut bergère”	
		
	
Sylvanna Wilkinson, saxophone
Emma Kaiser, piano

Black &amp; Blue	
		

Paul-Arigcole Genin
(1832–1903)

Barry Cockroft
(b. 1972)
Cole Davis, alto saxophone

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112720-FridayMusic/112720-FridayMusic_1.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112720-FridayMusic/112720-FridayMusic_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112720-FridayMusic/112720-FridayMusic_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112720-FridayMusic/112720-FridayMusic_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112720-FridayMusic/112720-FridayMusic_5.mp3"&gt;Track 5&lt;/a&gt;</text>
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                <text>Maki Yamagata, viola&#13;
Kinza Tyrrell, piano&#13;
Kay Kuang, piano&#13;
Sylvanna Wilkinson, saxophone&#13;
Emma Kaiser, piano&#13;
Cole Davis, alto saxophone</text>
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Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 20, 2020 • 12:30 p.m.

Elegie in C minor, Op. 24	 						
		
	
	
Caitlyn Liu, cello
Simi Luttrell, piano

Gabriel Fauré
(1845–1924)

Caprice en forme de valse 	
			

Paul Bonneau
(1918–1995)
Ayari Kasukawa, alto saxophone

Capriccio, Op. 55 in C minor 	
	
Lento, con molta expressione	

Henri Vieuxtemps
(1820–1881)
Johann Sebastian Bach
(1685–1750)

Cello Suite No. 2 in D minor, BWV 1008	
	Prelude	
	
Minuet
Maki Yamagata, viola
Concerto Grosso in D minor, Op. 3, No. 11	
	
Largo – Allegro	
UVic Cello Class Ensemble:
Enrico Tuazon, Bryan Lin, Caitlyn Liu,
Aline Gilbert-Thévard, Liam McDonald-Horak,
Liam Epp, Nicole Phanichphant,
&amp; Pamela Highbaugh Aloni

Antonio Vivaldi (1678–1741)
Arr. by Laszlo Varga

�</text>
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                <text>Caitlyn Liu, cello&#13;
Simi Luttrell, piano&#13;
Ayari Kasukawa, alto saxophone&#13;
Maki Yamagata, viola&#13;
UVic Cello Class Ensemble:&#13;
Enrico Tuazon&#13;
Bryan Lin&#13;
Caitlyn Liu&#13;
Aline Gilbert-Thévard&#13;
Liam McDonald-Horak&#13;
Liam Epp&#13;
Nicole Phanichphant&#13;
Pamela Highbaugh Aloni</text>
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                    <text>UVIC

STRING CHAMBER MUSIC
Students from the School of Music string studios
MONDAY NOVEMBER 16, 2020 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Sonata in D Major
	
Soave 	
	
Andante
	Vivace

George Philipp Telemann
(1681-1767)

	

Keren Xu, baroque flute
Gabriel Cayer, baroque violin
Jake Cullings, double bass
Zin Cho, harpsichord

Sonata for Flute, Viola and Harp
	
Pastorale 	

Claude Debussy
(1892-1918)

	
Ada Qian, flute
McKenna Jennings, harp
Maki Yamagata, viola

Sonate No. 5
	
Gavotte: Andante grazioso 	
Sonate No. 2
	Allegro	

Jean-Marie Laclair
(1697-1764)

	
	
Jade Chu, violin
Keelyn Chu, violin

String Quartet No. 2 in D Minor
	
Allegro Moderato 	

Alexander Borodin
(1833-1887)

	
Libby Wyse, violin
Megan Bibby, violin
Julian Glover, viola
Caitlyn Liu, cello

String Quartet in G Major, Op. 77, No. 1
	
Allegro Moderato 	

	

Franz Joseph Haydn
(1732-1809)

Rebecca Reader-Lee, violin
Emily Fenske, violin
Andrew Loe, viola
Liam McDonald-Horak, cello
String Quartet No. 3

	
Iryna Peleshchyshyn, violin
Claire Sparrow-Clarke, violin
Aline Gilbert-Thévard, cello
Judith Gaston, viola
B R I E F I NT E R M I S S I O N

Elizabeth Maconchy
(1907-1994)

�PROGRAM (CON’T)
String Quartet Op. 76, No. 2 in D Minor

Joseph Haydn
(1732-1809)

	

Carl Fung, violin
Lea Fetterman, violin
Philip Manning, viola
Enrico Tuazon, cello
	

String Quartet No. 4 in E Minor, Op. 44, No. 2
	
Allegro assai appassionato 	

Felix Mendelssohn
(1809-1847)

Jas Schweitzer, violin
Noah Mellemstrand, violin
Amanda Steinemann, viola
Nicole Phanichphant, cello
	

Children’s Album, Op. 39
	
Morning Prayer 	
	
Winter Morning
	
Playing Hobby-Horses
	Mama
	
March of the Wooden Soldiers

Piotr Ilyich Tchaikovsky (1840-1893)
Arr. Rostislav Dubinsky

Dana Wenzel, violin
Cleo Yong, violin
Kyran Klazek-Schryer, viola
Liam Epp, cello
	

Quartet No. 7 in F-sharp Minor, Op. 108
	
I. Allegretto 	
	
II. Lento
	
III. Allegro­—Allegretto
Talia Sinclair, violin
Bennett Chiu, violin
Danielle Tsao, viola
Bryan Lin, cello

School of Music

Dmitri Shostakovich
(1906-1975)

�</text>
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                <text>Keren Xu, baroque flute&#13;
Gabriel Cayer, baroque violin&#13;
Jake Cullings, double bass&#13;
Zin Cho, harpsichord&#13;
Ada Qian, flute&#13;
McKenna Jennings, harp&#13;
Maki Yamagata, viola&#13;
Jade Chu, violin&#13;
Keelyn Chu, violin&#13;
Libby Wyse, violin&#13;
Megan Bibby, violin&#13;
Julian Glover, viola&#13;
Caitlyn Liu, cello&#13;
Rebecca Reader-Lee, violin&#13;
Emily Fenske, violin&#13;
Andrew Loe, viola&#13;
Liam McDonald-Horak, cello&#13;
Iryna Peleshchyshyn, violin&#13;
Claire Sparrow-Clarke, violin&#13;
Aline Gilbert-Thévard, cello&#13;
Judith Gaston, viola&#13;
Carl Fung, violin&#13;
Lea Fetterman, violin&#13;
Philip Manning, viola&#13;
Enrico Tuazon, cello&#13;
Jas Schweitzer, violin&#13;
Noah Mellemstrand, violin&#13;
Amanda Steinemann, viola&#13;
Nicole Phanichphant, cello&#13;
Dana Wenzel, violin&#13;
Cleo Yong, violin&#13;
Kyran Klazek-Schryer, viola&#13;
Liam Epp, cello&#13;
Talia Sinclair, violin&#13;
Bennett Chiu, violin&#13;
Danielle Tsao, viola&#13;
Bryan Lin, cello</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 13, 2020 • 12:30 p.m.

Guitar Sonata No. 3							
	
III. Rondo	
	
	
Matthew Graumans, guitar
Cello Suite No. 2 in D Minor, BWV 1008 	
	Prelude	
	Minuet
Maki Yamagata, viola
Davidsbündlertänze, Op. 6 	
	Lebhaft	
	Innig
	
Mit Humor
	Ungeduldig
	Frisch
	Lebhaft

Wenzeslaus Matiegka
(1773–1830)

Johann Sebastian Bach
(1685–1750)

Robert Schumann
(1810–1856)

Boyana Makedonska, piano
Fantasie in F-sharp Minor, Op. 28 (“Sonate écossaise”) 	
	
I. Con moto agitato—Andante—Con moto agitato		

Felix Mendelssohn
(1809–1847)

Lucas Hung, piano
Frédéric Chopin
(1810–1849)

Impromptu No. 3 in G-flat Major, D. 899	
	
	
Jizelle Balea, piano
Pour le piano	
	
I. Prélude

Claude Debussy
(1862–1918)

	
Eóghan Bostock, piano

	
“Where’er You Walk” from Semele HWV 58	
	
Carter Martin, tenor
Simi Luttrell, piano

George Frideric Handel
(1685–1759)

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                <text>Matthew Graumans, guitar&#13;
Maki Yamagata, viola&#13;
Boyana Makedonska, piano&#13;
Lucas Hung, piano&#13;
Jizelle Balea, piano&#13;
Eóghan Bostock, piano&#13;
Carter Martin, tenor&#13;
Simi Luttrell, piano&#13;
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Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 6, 2020 • 12:30 p.m.

Capriccio Op. 55 in C minor	
						
	
Lento, con molta expressione	 	
	
Maki Yamagata, viola
Partita No. 2 in D minor 	
	Allemande	
	Giga

Henri Vieuxtemps
(1820–1881)

Johann Sebastian Bach
(1685–1750)
Philip Manning, violin

Suite No. 4 in E-flat major, BWV 1010 	
	
Prelude		

J. S. Bach
Bryan Lin, cello

Partita No. 2 in D minor, BWV 1004 	
	
V. Ciaccona		

J. S. Bach
Iryna Peleshchyshyn, violin

Die Schöne Müllerin	
	
Wohin?, Halt!

Franz Schubert
(1797–1828)

	
Kieran Foss, tenor
Kinza Tyrrell, piano

Ivor Gurney
(1890–1937)

Five Elizabethan Songs	
	
IV. Sleep
	
Tim Carter tenor
Kinza Tyrrell, piano
	

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                <text>Maki Yamagata, viola&#13;
Philip Manning, violin&#13;
Bryan Lin, cello&#13;
Iryna Peleshchyshyn, violin&#13;
Kieran Foss, tenor&#13;
Tim Carter, tenor&#13;
Kinza Tyrrell, piano&#13;
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                    <text>VIOLIN STUDIO RECITAL

UVIC

Students from the studio of Sharon Stanis
SATURDAY, NOVEMBER 21, 2020 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Sonata No. 1 in G Minor, BWV 1001	
	
I. Adagio 	
	
II. Fuga. Allegro
Leonardo Maekawa, violin

J. S. Bach
(1685-1750)

Sonata No. 3 in C Major, BWV 1005	
	
III. Largo
	
Noah Mellemstrand, violin

J. S. Bach

Isaac Albéniz (1860-1909)
Arr. Mischa Elman (1891-1967)

Tango	
Keelyn Chu, violin
Mela Cheung, piano
Tempo di Minuetto in the style of Pugnani	
Emily Fenske, violin
Bailey Lehmann, piano
Concerto No. 1 in G Minor, Op. 26	
	
II. Adagio	

Partita No. 3 in E Major, BWV 1006	
	
VI: Gigue

Cleo Yong, violin
Kinza Tyrrell, piano

Fritz Kreisler
(1875-1962)

Max Bruch
(1838-1920)

J. S. Bach
Jas Schweitzer, violin

Nocturne for Violin and Piano 	
Jas Schweitzer, violin
Lucas Hung, piano
Malagueña, Op. 21	
Claire Sparrow-Clarke, violin
Kayla Nguyen, piano
Sonata No. 9 in A Major (“Kreutzer”), Op. 47	
	
II. Andante con variazioni 	
Carl Fung, violin
Jinyeoung Cho, piano

Lili Boulanger
(1893-1918)

Pablo de Sarasate
(1844-1908)

Ludwig van Beethoven
(1770-1827)

�</text>
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                <text>Leonardo Maekawa, violin&#13;
Noah Mellemstrand, violin&#13;
Keelyn Chu, violin&#13;
Mela Cheung, piano&#13;
Emily Fenske, violin&#13;
Bailey Lehmann, piano&#13;
Cleo Yong, violin&#13;
Kinza Tyrrell, piano&#13;
Jas Schweitzer, violin&#13;
Lucas Hung, piano&#13;
Claire Sparrow-Clarke, violin&#13;
Kayla Nguyen, piano&#13;
Carl Fung, violin&#13;
Jinyeoung Cho, piano</text>
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                    <text>GRADUATE RECITAL

ECHOES OF MEXICO
National Airs

Jorge Eduardo Flores Carrizales
Piano

30 March 2020, 20:00
Phillip T. Young Recital Hall,
MacLaurin Building
Admission by donation

�Mural Dream of a Sunday Afternoon in Alameda Central, 1946-1947. Diego Rivera

Introduction

Echoes of Mexico is an anthology of works by Mexican composers that synthesizes

more than a century of the history of piano music in the country. The variety of styles
presented in this program takes us from Porfirio Díaz's pre-revolutionary Eurocentric
Mexico, to a country in search of a national identity, and finally to the variety of modern
styles of the present.
Tonight's program invites you to travel through the diverse landscapes of Mexico, giving
you not only a musical perspective, but also broader cultural experience.

Biography
Jorge Eduardo Flores Carrizales was born in Nuevo Laredo,
Mexico. At the age of seventeen Jorge met the pianist Sergio
Peña with whom he started to study music. Seven months after
initiating his piano lessons, Jorge performed his first piano
recital at the Ted Sadlowski music hall. In 2010, and after the
passing of Sergio Peña, Jorge was given a special award to
pursue a formal music education in the interior of Mexico. In
2016, Jorge obtained a Bachelor of Music with honours from the
University of Guanajuato, where he studied with Elena Podzharova. During his career,
Jorge has given recitals in Mexico, Canada, and the United States. He is currently about to
graduate from the Master’s program in piano performance at the University of Victoria,
where he studies under Arthur Rowe.

�Program
(Translation of the titles in program notes)
Días de Mar y Río

Arturo Márquez
(b. 1950)

Estampas Marítimas
I.
II.
III.

Eduardo Hernández Moncada
(1899 – 1995)

Jugando en la playa
Crepúsculo
Son de Huapango

Muros Verdes

José Pablo Moncayo
(1912 – 1958)

Páramo Pétreo

Federico Ibarra
(b. 1946)

Balada Mexicana

Manuel María Ponce
(1882 – 1948)
~ INTERMISSION ~

Paisajes

Frederic Mompou
(1893 – 1987)
I.
II.
III.

La fuente y la campana
El lago
Carros de Galicia

Danzas para Piano
III.
V.
VI.

La guacamaya pinta
La Güarecita
Los Muleros

Las Frías Montañas

Ecos de México

Domingo Lobato
(1920 – 2012)

Mario Ruíz Armengol
(1914 – 2002)

Julio Ituarte
(1845 – 1905)

�Program notes
Days of Sea and River (1997) Días de Mar y Río
Born in a small town near the northwest coast of Mexico called Álamos, Arturo Márquez´s music
reflects a bucolic joy, and a sensual understanding of rhythm, harmony, and melody influenced
by his greatest passion: Danzón. Days of Sea and River is an impression of the memories of the
hot wind, the burning sun, and the water flowing at the banks of Mayo River in the Gulf of
California.

Maritime Estampes (1969) Estampas Marítimas
These contrasting miniatures take place in the port of San Juan de Ulúa, Veracruz. Hernández
Moncada, an irremediable jarocho, describes his music as regionalist rather than nationalist.
Playing on the beach uses impressionist harmonies combined with folkloric rhythms. The
taciturn Twilight is a dissonant semi-vernacular chant. Huapango emulates the characteristic
accompaniment of the jarocha harp, interrupted by the singing voice of a town caller.

Green Walls (1951) Muros Verdes
Inspired in the nurseries of Coyoacán Mexico City, Green Walls was a gift for pianist Clara
Rodríguez del Campo to celebrate her graduation from the National School of Music.
Internationally known for his Huapango, a work with nationalistic qualities commissioned by
Carlos Chávez, Moncayo preferred to see himself as an ordinary Mexican who was born and
raised in Mexico, with a style and a language defined by this fact.

Rocky Wasteland (2006) Pàramo Pétreo
Bleak and dry, this work portrays the fictional Comala, an ethereal town in Pedro Páramo, a novel
written by Juan Rulfo. The main theme is constructed around a mysterious interval, with a very
simple accompaniment gradually progressing through variations of rage and desolation. This
work was commissioned by Ana Cervantes for her album Solo Rumores, to commemorate Rulfo’s
life.

Mexican Ballade (1918) Balada Mexicana
At a time when salon music was still the norm after the regimen of Porfirio Diaz, Ponce parted
with the tradition of writing glamorous music for the elites. Written just a few years after the
revolution, this ballad encases two vernacular tunes: The Peach (sung in the northern troops of
Pancho Villa), and Remember Me (sung in the heart of Mexico). The expanded harmony and a
complex structure distinguish Mexican Ballade from the compositions made before the
revolution.

�Landscapes (1942-1960) Paisajes
The intimacy of Landscapes is oneiric. Mompou defines himself as a man of few words and a
musician of few notes. His music is the voice of silence. The Fountain and the Bell (1942), inspired
in the cathedral of Barcelona, was composed after the return to his homeland after a twentyyear exile. The Lake (1947) is an impression of the aroma and sensation of the water in Montjuic
Park. Cars of Galicia (1960) glimpses the evolution of a new and modern language.
Dances for Piano (1965) Danzas para Piano
Lobato's impressionist influence, combined with the use of Hispanic and Creole elements, give
his work a regional identity. Six Dances for Piano is a programmatic work alluding to animals,
places, people, professions, instruments, and more. The Coloruful Macaw (III) is an allegro in the
Huapango style that transports us to the jungle of the Chimalpas, home of the beautiful bird. The
bucolic Güarecita (V) portrays a Purépecha woman in her traditional dress in Uruápan. The Mule
Drivers (VI) has a lively rhythm to represent the Spanish profession inherited from the conquest
of caring for and carrying mules to transport items.
The Cold Mountains (1964) Las Frías Montañas
A prolific composer and popular musician, Armengol builds his sound with soft harmonies, formal
structure, and Latin American rhythms. The Cold Mountains is not set in a specific location;
however, it could have been inspired by the inactive and snowy volcano of Puebla known as
Iztaccíhuatl. Local Mixtec mythology tells that Princess Iztaccíhuatl died of love when she learned
that Popocatépetl was killed in the Oaxaca war. The warrior, who actually had not died, returns
to search for his beloved only to find her corpse. He takes Iztaccihuatl up the mountain to seek
the favor of the gods, who immortalize her by turning her into a snowy volcano, at the same time
that they turn him into an active volcano near her.
Echoes of Mexico (1880) Ecos de México
From a privileged family during the Porfiriato, Julio Ituarte received a formidable academic and
musical education. However, in Echoes of Mexico (Capriccio concertante) the apparently
opposite of the Mexican bourgeoisie with the tunes of the poor people of the town is reconciled.
Ituarte’s use of vernacular songs like El Guajito, El Palomo Miahuateco, Las Mananitas, El
Murciélago, and El Butaquito, allowed to the elites to revive in a recital hall what they used to
hear in their childhood from the mouth of their wet nurses and servants. Being one of the first
composers to fuse these elements into a defined concertante style, Ituarte was considered by
Ponce as the true precursor of the nationalist movement, appearing in the pages of history
among the greatest Mexican musicians.
	

�Jorge is from the class of Prof. Arthur Rowe
This recital is presented in partial fulfillment of the requirements
for the Master of Music in piano performance program.

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                <text>Jorge Eduardo Flores Carrizales, Piano</text>
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