60 10 1498 https://finearts.uvic.ca/music/archive/files/original/9ca8efb5d1ced1253f674df186bfefdd.pdf a8b35c250997b71395d2d1420ee0025f PDF Text Text GRADUATE RECITAL Ilya Gotchev, violin Forte Zhang, piano Thursday, April 19, 2018, 1.30 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Serenade after Plato’s Symposium Leonard Bernstein (1918–1990) I. Phaedrus; Pausanias (Lento; Allegro marcato) II. Aristophanes (Allegretto) III. Eryximachus (Presto) IV. Agathon (Adagio) V. Socrates; Alcibiades (Molto tenuto; Allegro molto vivace) Graceful Ghost William Bolcom (b. 1938) Program notes Leonard Bernstein “Bernstein? He was always such an exhibitionist; a playboy. I suppose it's rather sad - a little like when the great clown Grock died!” These words were spoken by a famous European conductor immediately following Bernstein’s death. Conductor, composer, pianist, political activist, teacher, beloved the world over, this quote shows what a controversial and complicated figure he was. There is no doubt however, that he remains one of the greatest musicians of the 20th century. Leonard Bernstein grew up in Lawrence, Massachusetts and started playing the piano at the age of ten. He attended Harvard, nevertheless, while there, partly due to his enormous interest in philosophy, he took as few music courses as possible. After completing his studies at the Curtis Institute and finding it impossible to get a stable job in either Philadelphia or Boston, Bernstein moved to New York where he achieved his major breakthrough. Strongly influenced by Fritz Reiner and Serge Koussevitzky, he took advantage of Bruno Walter’s illness and subbed for him conducting the New York Philharmonic with great success. While renowned over the world as a conductor, Bernstein always saw himself primarily as a composer. He was extremely prolific and the vast majority of his music contained literary allusions. The “Serenade” after Plato’s Symposium was one of the many successes for Bernstein during the decade of the 50’s along with “Wonderful Town”, “On the Waterfront” and “West Side Story". Please silence all electronic devices. �“Serenade” after Plato's Symposium The “Serenade” was commissioned by the Koussevitzky Foundation. Bernstein composed it in 1954 and considered it his best work. The premiere took place in September of the same year in Venice, Italy with Isaac Stern on the violin and Bernstein conducting the Israel Philharmonic. Like “The Symposium”, the “Serenade" is a series of related statements in praise of love. I. Lento, Allegro. Phaedrus opens the symposium with a lyrical fugato-like theme in the solo violin, often using the interval of the augmented fourth which later would appear in another love story work - “West Side Story”. Pausanias continues by describing the duality of lover and beloved. This is expressed in a classic Sonata-Allegro form, based on the material of the opening. II. Allegretto. In the second movement the comedian Aristophanes doesn't play the role of a clown, but instead that of a bedtime story-teller. The company is captivated by the fabulous tale about the origins of the deeply-rooted desire in every human being towards their other half. The atmosphere is calm and much of the material comes from the grace notes of the first movement. III. Presto. The physician Eryximathus speaks of bodily harmony using a scientific model. This very short fugato scherzo is based on mystery and humour. IV. Adagio. This is the most intimate and introspective speech where Agathon embraces all aspects of Love's power, charms and functions. This movement is based on a simple three-part song. V. Molto lento; Allegro molto vivace. Socrates describes his visit to the Philosopher and Priestess Diotima, quoting her discourse on the demonology of love. His speech is of a greater weight and could be seen as a development of the reprise of the middle section of Agathon’s movement, suggesting a hidden Sonata form. At the end Socrates is interrupted by Alcibiades’ band of drunken ushers in the Allegro, which is an extended Rondo ranging from agitation to joyful celebration in jazz style. William Bolcom The winner of several prizes, renowned American composer and pianist William Bolcom composed Graceful Ghost as one of three “ghost rags” for piano in the early 1970’s. Written in memory of his father, it is now considered his most famous work. Full of flowing syncopation, elegant melodies, and gentle minor harmonies, it is not the typical ragtime piece. While indeed graceful in spirit and moderate in tempo, it has a wistful longing and class that sets it apart. Program notes by Ilya Gotchev Ilya Gotchev is a member of the Chroma String Quartet, and is from the class of Professor Ann Elliott-Goldschmid This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Graduate Recital - Ilya Gotchev, violin Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource April 19, 2018 Contributor An entity responsible for making contributions to the resource Ilya Gotchev, violin https://finearts.uvic.ca/music/archive/files/original/2385a9bac751f4271d304371bc6b7158.pdf f5b0503cb0cff69e942b92f01652ef28 PDF Text Text DEGREE RECITAL Jasmine Mather, Violin Braden Young, Erin Crabb Zipper, Aya Roberston: Piano Sunday, April 29th 2018, 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Partita No.2 in D minor, BWV 1004 Johann Sebastian Bach I. Allemande (1685-1750) II.Courante Violin Sonata No. 3 Johannes Brahms I. Allegro (1833-1897) II. Adagio III. Un poco presto e con sentimento IV. Presto agitato Braden Young, piano — INTERMISSION — Sonata for Solo Violin, Op.27, No.2 Eugène Ysaÿe I. Obsession (1958-1931) II. Malinconia III. Danse des Ombres IV. Les Furies Violin Concerto, Op. 64 Felix Mendelssohn I. Allegro molto appassionato (1809-1847) Erin Crabb Zipper, piano Jasmine Mather is from the class of Professor, Sharon Stanis This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Degree Recital - Jasmine Mather, violin Creator An entity primarily responsible for making the resource Colin Malloy Date A point or period of time associated with an event in the lifecycle of the resource April 29, 2018 Contributor An entity responsible for making contributions to the resource Jasmine Mather https://finearts.uvic.ca/music/archive/files/original/7af430f38a4b74b1ee8146b209736d6a.pdf ae1e8a9c112b311237f97f8921bdf4d8 PDF Text Text Graduating Recital Aimi Howden, Piano Thursday, April 26th, 2018 3:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Prelude and Fugue No. 3 in C-sharp major from WTC II, BWV 872 Sonata No. 3 in C major, Op. 2 No. 3 I. Allegro con brio II. Adagio III. Scherzo IV. Allegro assai J.S. Bach (1685-1750) Ludwig van Beethoven (1770-1827) Mephisto Waltz No. 1, S.514 Franz Liszt (1811-1886) — INTERMISSION — Étude No. 11 pour les arpèges composés Concert Étude No. 2, “Reverie” Claude Debussy (1862-1918) Nikolai Kapustin (b. 1937) Le Tombeau de Couperin I. Prélude II. Fugue III. Forlane IV. Rigaudon V. Menuet VI. Toccata Maurice Ravel (1875-1937) Aimi Howden is from the class of Professor May Ling Kwok This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042618-GradRecital_Howden/042618-HowdenRecital_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduating Recital - Aimi Howden, Piano Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource April 26, 2018 Contributor An entity responsible for making contributions to the resource Aimi Howden https://finearts.uvic.ca/music/archive/files/original/59f6d92301a4b03e698bf1b4368ad963.pdf 4be1d6edc020e8a7f316425ffa44b492 PDF Text Text ! ! ! ! ! ! ! ! ! DEGREE RECITAL! ! ! ! ! ! ! ! ! ! Simon Farintosh, guitar ! ! ! ! ! ! ! ! ! ! ! ! ! Simon is from the class of Dr. Alexander Dunn This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Wednesday, April 25th, 2018, 8pm Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �! ! Two Fantasies! ! ! XII. No Hubo Remedio (There was no Remedy)! Presented here is a woman being carried to her execution by the Spanish Inquisition. Her morose expression starkly contrasts the grotesque and virulent faces of the mob, as well as those of the stern authority figures behind her. CastelnuovoTedesco captures the dreary essence of this scene by composing a set of variations on the Latin hymn Dies irae, which translates to “Day of Wrath.”! John Dowland was an English composer, lutenist, and singer of the Renaissance period. Little is known about his early years, but he is generally thought to have been born in London in 1563. His compositions for solo lute fit comfortably within the guitar idiom, and comprise an essential part of the instrument’s repertoire today. ! ! Dowland’s Fantasia in D Minor, P. 5, is highly improvisatory in nature, providing a concept of what his own improvisations may have sounded like. His Fantasia in G Major, P. 73 was particularly innovative in its employment of the ‘tremolo’ technique frequently used by modern guitarists.! ! ! Los Caprichos de Goya, op. 195! ! Mario Castelnuovo-Tedesco was a Jewish-Italian composer and pianist, best known as one of the most prominent 20th-century guitar composers. He fled fascist Italy in 1939, immigrating to the United States where he became a celebrated film composer working for Metro-Goldwyn-Mayer in Hollywood. His set of 24 Caprichos de Goya for Guitar, op. 195, is a musical reimagining of Spanish painter Francisco Goya’s Los Caprichos. Goya’s Caprichos are a set of 80 etchings created between 1797 and 1799, offering a bitingly satirical perspective on late 18th-century Spanish society. Each print is critical in its own way, condemning the decline of rationality, superstition, and fear of witchcraft, smearing upper class members of society such as doctors and the clergy. CastelnuovoTedesco’s 24 Caprichos are a facet of his own imagination and artistic ability, and are not strictly programmatic with Goya’s work.! XVI. ¡Bravísimo! (Bravo!)! In this etching, a monkey is seen performing for an audience, in which a large donkey sits at the forefront. Although a striking image, it is meant to symbolize poor taste and misunderstanding of the arts. Goya frequently used the donkey to symbolize members of the upper class such as doctors, politicians, and the clergy. In listening to this piece, one may imagine the percussive and senseless noise of the monkey swatting at a backwards guitar.! ! ! XVIII. El Sueño de la Razón Produce Monstruos (The Sleep of Reason Creates Monsters)! One of the most analyzed of all Goya’s works, this etching is generally considered to be a self portrait. Depicted is an artist asleep at his desk, flanked by sinister-looking owls, bats, and a lynx with pointed ears. The “sleep of reason” refers to the abandonment of science and fact, a phenomenon Castelnuovo-Tedesco himself was familiar with, and which ultimately led him to flee his own country.! ! II. Tal para Qual (Two of a Kind)! This etching depicts an aristocratic couple flirting ostentatiously in a public setting. In the background, two impoverished old women look on judgementally. The inscription “Two of a Kind” suggests that both partners are equally to blame for their indecent display. ! ! ! XX. Obsequio a el Maestro (Gift to the Master)! Depicted here is a gathering of fawning disciples offering their teacher a newborn child. Rather than conveying their depravity in his music, CastelnuovoTedesco presents a gift to his own teachers by weaving quotations from their works throughout the piece.! �!! ! ! ! XXIII. ¡Linda Maestra! (Pretty Teacher!)! A hideous witch and her pupil hurdle through the air on a broomstick. Jarring trills in the upper register harken to Berlioz’s The Witch’s Sabbath, and the galloping 6/8 meter conjures images of a whirlwind ride upon a witch’s broom.! !! !! Lute Suite in E Minor, BWV 996! ! Undoubtedly the most lauded composer of the Baroque period, J.S. Bach provided a foundation to the repertoire of many instruments, including the guitar. Although he never wrote for the guitar, much of his output for unaccompanied instruments has been successfully transcribed and performed by guitarists. ! ! Bach’s Lute Suite in E Minor, BWV 996, along with his other compositions written for solo lute, were likely intended for a keyboard instrument called the Lautenwerck. Also called a lute-harpsichord, this instrument was constructed with a rounded wooden body and gut strings rather than metal strings. The resulting sound was mellower and softer than that of a traditional harpsichord, allowing impeccable mimicry of the baroque lute. The instrument did not have the same technical constraints as a lute, allowing Bach to attain a lute-like tone without the actual physical limitations. As a result, the Lute Suite in E Minor, BWV 996 contains passages that would be impossible to play on a lute. ! !! ! Sonata for Guitar, op. 47! Alberto Ginastera was a prominent Argentinian composer of the 20th century. Much of his music is rooted in Nationalist traditions, incorporating elements of Argentine folk music in varying degrees of abstraction.! ! Ginastera’s Sonata for Guitar, op. 47 is the only work he wrote for the instrument. It is written in the standard four-movement sonata form, and incorporates the use of many extended techniques. The first movement is built on two alternating characters: those of vehement exhortation and careful lyricism. The second movement is a driving Scherzo, capitalizing on the instrument’s ability to create special effects. The third is lyrical and entirely unmeasured, containing the qualities of a serenade. The fourth movement is a violent culmination of the previous three movements, providing little respite and employing a persuasive strumming technique that is common to Argentine folk music.! !! Simon would like to thank Dr. Alexander Dunn for his incomparable mentorship, as well as his friends and family for their enduring support. PROGRAM! Two Fantasies! ! ! ! ! Fantasia in D Minor, P. 5 ! ! Fantasia in G Major, P. 73 ! ! ! John Dowland (1563-1626)! ! ! ! ! ! ! ! ! Los Caprichos de Goya, op. 195 Mario Castelnuovo-Tedesco (1895-1968) II. Tal para Qual (Two of a Kind)! XII. No Hubo Remedio (There was no Remedy)! XVI. ¡Bravísimo! (Bravo!)! XVIII. El Sueño de la Razón Produce Monstruos (The Sleep of ! Reason Creates Monsters)! XX. Obsequio a el Maestro (Gift to the Master)! XXIII. ¡Linda Maestra! (Pretty Teacher!)! ! ! ! — INTERMISSION —! ! ! ! ! ! ! Lute Suite in E Minor, BWV 996 I. Preludium-Presto! II. Allemande! III. Courante! IV. Sarabande! V. Bourree! VI. Gigue! ! ! ! ! Sonata for Guitar, op. 47! ! I. Escordio! II. Scherzo! III. Canto! IV. Finale! ! Johann Sebastian Bach (1685-1750) ! ! Alberto Ginastera (1916-1983)! ! ! ! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Degree Recital - Simon Farintosh, Guitar Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource April 25, 2018 Contributor An entity responsible for making contributions to the resource Simon Farintosh Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Degree Recital - Isaiah Brabazon, Guitar Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource April 27, 2018 Contributor An entity responsible for making contributions to the resource Isaiah Brabazon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/042518-KimRecital/042518-CKimRecital_1.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042518-KimRecital/042518-CKimRecital_2.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042518-KimRecital/042518-CKimRecital_3.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042518-KimRecital/042518-CKimRecital_4.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042518-KimRecital/042518-CKimRecital_5.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Chloe Kim, violin Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource April 25th, 2018 Contributor An entity responsible for making contributions to the resource Chloe Kim https://finearts.uvic.ca/music/archive/files/original/f806f78ebe96e79ebf4a5069d3d0fdae.pdf 4b74f0b426b2aa2c963ed30b738ccb15 PDF Text Text DEGREE RECITAL Yixin Xiong, Piano 24th, April, 2018, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission Piano Sonata Op.2 No.3 in C major Ludwig Van Beethoven (1770-1827) I. II. III. IV. Allegro Adagio Scherzo Allegro assai Impromptu, D.935, No.2 in A flat major Franz Schubert (1797-1828) Three Concert Études S.144 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 Franz Liszt (1811-1886) No. 2 (La Lagierezza) Chopin Étude, Op.25, No.11 Frédéric Chopin (1810-1849) — INTERMISSION — Piano Sonata Op.22, No.1 Alberto Ginastera (1916-1983) I. II. III. IV. Allegro marcato Presto misterioso gio molto appasionato Ruvido ed ostinato Caprice Espagnole, Op.37 Moritz Moszkowski (1854-1925) Yixin Xiong is from the class of Professor, Arthur Rowe. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_1.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_2.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_3.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_4.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_5.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-XiongRecital/042418-XiongRecital_6.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Yixin Xiong, piano Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource April 24, 2018 Contributor An entity responsible for making contributions to the resource Yixin Xiong https://finearts.uvic.ca/music/archive/files/original/615d3f84eca51786e338ee800a73f51c.pdf 70f590f1b639a61cf3a175432f071e86 PDF Text Text Graduating Recital Iris Hung, piano Tuesday, April 24, 2018 3pm Phillip T. Young Recital Hall, MacLaurin B Building Free admission PROGRAM Prelude and Fugue No. 14 in F-sharp minor from WTC II, BWV 883 J. S. Bach I. Andante grazioso (1685-1750) Sonata No. 11 in A major, K. 331 W. A. Mozart I. Andante grazioso (1756-1791) II. Menuetto III. Alla turca Sonata No. 12 in A-flat major, Op. 26 L.v. Beethoven I. Andante con variazioni (1770-1827) II. Scherzo: Allegro molto III. Marcia funebre sulla morte d'un eroe: Maestoso andante IV. Allegro — INTERMISSION — 15 Hungarian Peasant Songs Sz. 71, BB 79 B. Bartók Four Old Sorrowful Songs (1881-1945) Scherzo Ballade Old Dance Tunes Étude No. 7 pour les degrés chromatiques C. Debussy I. Allegramente (1862-1918) Scherzo No. 4 in E major, Op. 54 F. Chopin I. Allegramente (1810-1949) Iris Hung is from the studio of Professor May Ling Kwok This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-HungRecital/042418-HungRecital_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduating Recital - Iris Hung, piano Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource April 24, 2018 Contributor An entity responsible for making contributions to the resource Iris Hung https://finearts.uvic.ca/music/archive/files/original/cd47abef5c9bb6bef15d460b9dcd1f2d.pdf 3abec2cefaec646d0af9fe1bb3d87dc3 PDF Text Text GRADUATE RECITAL Simeon Weststeijn, Percussion Aya Robertson, Piano Tristan Holleufer, Percussion Tuesday, April 24, 2018, 12:30PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Inspirations Diabolique Rickey Tagawa 1) Introduction (b. 1947) 2) Dance 3) Adagio – Tarantella 4) Cadenza 5) Perpetual Motion Tornado Groundwater Violin Partita No. 3 in E Major, BWV 1006 III. Gavotte en Rondeau Mitch Markovich (b. 1944) Jaelem Bhate (b. 1993) Johann Sebastian Bach (1685 – 1750) — INTERMISSION — Ragtime Xylophone Medley The Whistler Chromatic Foxtrot Whodunnit? George Hamilton Green arr. Simeon Weststeijn (1893- 1970) Aya Robertson, Piano Tristan Holleufer, Percussion Gordon Goodwin (b. 1954) Simeon Weststeijn is from the class of Professor, Mr. Bill Linwood This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/042418-WeststeijnRecital/042418-WeststeijnRecital_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Simeon Weststeijn, percussion Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource April 24, 2018 Contributor An entity responsible for making contributions to the resource Simeon Weststeijn https://finearts.uvic.ca/music/archive/files/original/a14472ddd24d9a9d670c5335acb2da39.pdf c1334f1011efe67c1d6f2d19feeb9b94 PDF Text Text DEGREE RECITAL Alec Faris, Piano April 16 2018, 8PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Images, Book I Claude Debussy I: Reflets dans l’eau (1862-1918) II: Hommage à Rameau III: Mouvement Nocturnes, Op. 62 Frederic Chopin No 1 in B Major (1810-1849) No. 2 in E Major Preludes, Op. 23 Sergei Rachmaninov No. 4 in D Major (1873-1943) No. 2 in B flat Major — INTERMISSION — Klavierstücke, Op. 118 Johannes Brahms No 1: Intermezzo in A Minor (1833-1897) No 2: Intermezzo in A Major No 5: Romanze in F Major No 6: Intermezzo in E Flat Minor Années de pèlerinage Franz Liszt Première année: Suisse: Au bord d’une source (1811-1886) Troisième année: Les jeux d’eaux à la Villa d’Este Alec Faris is from the class of Professor Bruce Vogt This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/041618-FarisRecital/041618-FarisRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/041618-FarisRecital/041618-FarisRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/041618-FarisRecital/041618-FarisRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/041618-FarisRecital/041618-FarisRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/041618-FarisRecital/041618-FarisRecital_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Alec Faris, piano Creator An entity primarily responsible for making the resource Hector Perez Date A point or period of time associated with an event in the lifecycle of the resource April 16, 2018 Contributor An entity responsible for making contributions to the resource Alec Faris