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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 26, 2021 • 12:30 p.m.

Sonata for Flute,Viola and Harp				
	
II. Interlude. Tempo di minuetto	
	
III. Final. Allegro moderato ma risoluto	

	

		

Claude Debussy
(1862–1918)

Ada Qian, flute
Maki Yamagata, viola
McKenna Jennings, harp
Violin Partita No. 3 in E Major, BWV 1006 	
	
III. Gavotte en Rondeau	
	
IV. Meniet I	
	
V. Menuett II

Johann Sebastian Bach
(1685–1750)

Lea Fetterman, violin
Deep Flowers 	
	
	
	

Evan Chambers
(b. 1963)
Baylie Adams, alto saxophone

Lyric Quartet	
	
I. The Sentimental One		
	
II. The Quiet One (based on Inca melody)
	
III. The Jovial One
Ayari Kasukawa, soprano saxophone
Baylie Adams, alto saxophone
Alex Tiller, tenor saxophone
Cole Davis, baritone saxophone

William Grant Still (1833–1897)
Arr. by Volkmann

�</text>
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                <text>Ila Zbarsky</text>
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                <text>Ada Qian, flute&#13;
Maki Yamagata, viola&#13;
McKenna Jennings, harp&#13;
Lea Fetterman, violin&#13;
Baylie Adams, alto saxophone&#13;
Ayari Kasukawa, soprano saxophone&#13;
Baylie Adams, alto saxophone&#13;
Alex Tiller, tenor saxophone&#13;
Cole Davis, baritone saxophone</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_1.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_5.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_6.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_7.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_8.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_9.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022421-Bach_Competition/022421-Bach_Competition_10.mp3"&gt;Track 10&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                    <text>UVIC

CLARINET STUDIO RECITAL
Students from the studio of Connie Gitlin.
TUESDAY, FEBRUARY 23, 2021 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Adagio from Clarinet Quintet, Op. 23

	
Kate Hansen, clarinet
Jany Lu, piano

Ronda Alla Turca 				
Danica Smith, clarinet
Jany Lu, piano
Sonata 				
	
Adagio-Allegro Moderato 	

Katherine Forster, clarinet
Nancy Lin, piano

Romance 				
Tarantella, Op. 63, no. 41 			
Sarah Carey, clarinet
Jany Lu, piano
Fantasy Pieces, Op. 43 			
	
Allegro Vivace 	
	Ballade

Sonata, Op. 38 				
	
Allegro Moderato 	

Heinrich Baermann
(1784–1847)

Wolfgang Amadeus Mozart
(1756–1791)

Felix Mendelssohn
(1809–1847)

Edward German (1862–1936)
Carl Baermann (1810–1885)

Niels Wilhelm Gade
(1817–1890)
Kyle Lancaster, clarinet
Jany Lu, piano

Meghan Parker, clarinet
Jany Lu, piano

Allegro 					
Nishant Amatya, clarinet
Jany Lu, piano
Arlequin for Solo Clarinet 			
Rachel Cooper, clarinet
Concertino, Op. 26 				
Tenzin Clegg, clarinet
Jany Lu, piano

Felix Draeseke
(1835–1913)

Johann Sebastian Bach
(1685–1750)

Louis Cahuzac
(1880–1960)

Carl Maria von Weber
(1786–1826)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_1.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_5.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_6.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_7.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_8.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_9.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022321-ClarinetStudio/022321-ClarinetStudio_1_10.mp3"&gt;Track 10&lt;/a&gt;</text>
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                <text>Kate Hansen, clarinet&#13;
Jany Lu, piano&#13;
Danica Smith, clarinet&#13;
Katherine Forster, clarinet&#13;
Nancy Lin, piano&#13;
Sarah Carey, clarinet&#13;
Kyle Lancaster, clarinet&#13;
Meghan Parker, clarinet&#13;
Nishant Amatya, clarinet&#13;
Rachel Cooper, clarinet&#13;
Tenzin Clegg, clarinet</text>
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                    <text>DEGREE RECITAL
Keren Xu, flute
Kyla Fradette, voice
Monday, February 22, 2021, 7:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sonata (Appassionata), Op. 140
Sigfrid Karg-Elert
(1877-1933)

Plainsong
Robert Aitken
(b. 1939)

— INTERMISSION —
Deux poèmes du Ronsard, Op. 26
Albert Roussel
(1869-1937)
I. Rossignol mon mignon
II. Ciel, air et vent
Kyla Fradette, voice

Partita in A minor for flute solo
J.S. Bach
(1685-1750)
I. Allemande
II. Corrente
III. Sarabande
IV. Bourèe Anglaise

Keren Xu is from the class of Dr. Suzanne Snizek.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

�I.

Rossignol mon mignon

(French)

(English)

Rossignol mon mignon, qui dans cette saulaie

Fair nightingale, flitting as you will

Vas seul de branche en branche à ton gré

From branch to branch of the willows, alone,

voletant,

Singing as I would that I could sing

Degoisant à l'envie de moi qui vais chantant

She sho must always be in my mouth.

Celle qui faut toujours que dans la bouche j'aie.
We both sigh. Your sweet voice tries
Nous soupirons tous deux; ta douce voix s'essaie

To sound the love of one who loves you so,

De flechir celle-là, qui te va tourmentant,

And I sadly regret the beauty

Et moi, je suis aussi cette-là regrettant

Who has so sounded my heart.

Qui m'a fait dans le coeur une si aigre plaie.
There is one difference between us, nightingale,
Toutefois, Rossignol, nous différons d'un point

Although we both have the same music.

C'est que tu es aimé, et je ne le suis point,

You are loved, and I am not.

Bien que tous deux ayons les Musiques pareilles:
Your love yields before the sweet sounds you
Car tu fléchis t'amie au doux bruit de tes sons,

make,

Mais la mienne qui prend à dépit mes chansons

But mine scorns my songs and covers her ears

Pour ne les écouter se bouche les oreilles.

So as not to hear them.

II.

Ciel, air et vents

(French)

(English)

Ciel, air et vents, plains et monts découverts,

Sky, air and winds, naked hills and plains,

Tertres vineux et forêts verdoyantes,

Vine-covered mounds and green forests,

Rivages tors et sources ondoyantes,

Twisting banks and flowing springs,

Taillis rasés et vous, bocages verts,

Fallen thickets, green woods,

Antres moussus à demi-front ouverts,

Mossy caves half-concealed,

Prés, boutons, fleurs et herbes rousoyantes,

Fields, buds, flowers, warming grasses,

Coteaux vineux et plages blondoyantes,

Viney slopes and pale beaches,

Et vous rochers, écoliers de mes vers!

And you, rocks, schooled by my verses,

Puisqu'au partir, rongé de soin et d'ire,

Because when parting, full of care and anger,

A ce bel œil adieu je n'ai su dire,

I could not say adieu to this fair eye

Qui près et loin me détient en émoi,

Which stirs me whether near of far,

Je vous suppli', ciel, air, vents, monts et plaines,

I beg you, sky, air, winds, mountains and plains,

Taillis, forêts, rivages et fontaines

Thickets, forests, banks and springs,

Antres, prés, fleurs, dites-le-lui pour moi.

Caves fields, flowers, tell her for me.

�</text>
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Kyla Fradette. voice</text>
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                    <text>DEGREE RECITAL
Gwendolyn Jamieson, voice
Emily Markwart, piano
Wednesday, March 17, 2021, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Tre Ariette
Il fervido desiderio
Dolente imagine di fille mia
Vaga luna che inargenti

Vincenzo Bellini
(1801 - 1835)

Voi Avete un Cor Fedele

W.A. Mozart
(1756 - 1791)

Il est doux, il est bon
From Hérodiade

Jules Massenet
(1842 - 1912)

La vie antérieure

Henri Duparc
(1848 - 1933)

C

Francis Poulenc
(1899 - 1963)

Die Nacht
Freundliche Vision
Ruhe, Meine Seele
Zueignung

Richard Strauss
(1864 - 1949)

Emily Markwart, piano

— INTERMISSION —
The Fatal Hour
Bess of Bedlam

Henry Purcell
(1659 - 1695)

Six Elizabethan Songs
Spring
Sleep
Winter
Dirge
Diaphenia
Hymn

Dominck Argento
(1927 - 2019)

Emily Markwart, piano

Gwendolyn Jamieson is from the class of Kyron Basu.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Vocal Performance program.

�TRANSLATIONS
Il fervido desiderio

Il est doux, il est bon

When will that day come
When I will again see
What the lover so desires?

He whose speech erases all pain
The prophet is here!
It’s towards him that I go.

When will that day come
When I will take you into my bosom,
Beautiful flame of love, my soul?

He is sweet, he is good.
His words are serene.
He speaks: all are silent: lightest on the plain,
The attentive breeze goes by without sound.

Dolente imagine di fille mia

Ah! When is he coming back?
When can I hear him?
I suffered, I was alone and then my heart calmed itself
In listening to his voice, melodious and tender,
My heart calmed itself.

Sorrowful image of Phyllis,
Why do you sit so wretched next to me?
What more do you want? My tears
I have poured on your ashes until now.

Beloved prophet, can I live without you?
Are you afraid that forgetting sacred vows
I could turn to another’s face?
Shadow of Phyllis, rest peacefully;
The old passion can never be extinguished.

It’s there! In the desert, where the stunned crowd followed
In his footsteps. Where he found me one day,
Abandoned child, and opened his arms to me!
He is sweet etc.

Vaga luna che inargenti
Soft moon, whose silver
Lights these shore and these flowers
And inspires the language
Of love in the elements;
It is you alone who testifies
Of my fervent desire,
And to her who loves me
Counts my heartbeats and sighs.
Just tell her that distance
Cannot soothe my grief,
That if I have hope,
It is only in the future.
Just tell her that day and night
I count the hours of sadness,
That flattering hope
Comforts me in love.

La vie anterieure
For a long time I lived under vast porticos
Which marine suns stained with thousands of fires
And that their huge pillars, straight and majestic,
Made similar at night to basalt grottoes.
The waters, in rolling images of the skies
Mingled in a solemn and mystical fashion
The all-powerful chords of their rich music
With the colours of sunset reflected in our eyes
It’s there! It’s there that I lived, in calm voluptuousness.
In the midst of azure, of waves, of splendors
And naked slaves, all infused with odors
Who refreshed my brow with palm leaves
And whose only concern was to deepen
The dolorous secret that caused me to languish.

C
Voi Avete un Cor Fedele
You have a faithful heart,
As a passionate lover:
But once you are my avowed husband,
What will you do?
Will you change?
Say then, what will it be?
Will you stay faithful?
Ah! I do not believe that.
I already foresee,
You may make a fool of me.
Not yet,
Not now,
I shall not trust you.

I have crossed the Bridges of Cé
It’s there that everything started
A song from time gone by
Speaks of a wounded knight
Of a rose on the road
And an unlaced bodice
Of the castle of an insane Duke
And of swans in the moat
Of the field where an eternal fiancée
Comes to dance.
And I drank like iced milk
The long tale of falsified glory.
The Loire carries my thoughts
And also upside-down cars
And disused weapons
And badly-concealed tears.
Oh my France, oh my forsaken.
I have crossed the Bridges of Cé

�Die Nacht
Out of the woods comes the night,
From the trees it creeps quietly.
It glances around in a wide circle- Look out!
All the light of this world,
All flowers, all colour, it will extinguish
And steal the sheaves of wheat from the field.
It takes everything that we hold dear,
The silver out of the stream, the gold from the
church’s dome.
The bushes are plundered,
Now draw near to me, soul to soul,
For I fear the night will take you too.

Freundliche Vision
I didn’t dream it while asleep,
I saw it in front of me in broad daylight:
A meadow full of daisies.
Deep in the greenery, a white house
With shining statues in the garden
And I went there with one who loves me,
With a peaceful soul in the cool
Of this white house, in which peace
Waits full of beauty for us to come.
And I went there with one who loves me
In beautiful peace.

Ruhe meine Seele
Not a quiet breeze stirs, the woods sleep
peacefully.
Through the dark branches steals the brilliant
sunshine.
Peace, peace, my soul. Your storms grew wild.
You raged and shook like a breaking wave!
These times are chaotic, bringing the heart and
mind torment.
Peace, peace, my soul, and forget, and forget,
what troubles you.

Zueignung
Yes, you know, dear soul,
How I suffer to be far from you.
Love makes the heart sick,
Thank you!
Once, I, who drank deeply of freedom,
Held up high the amethyst cup,
And you blessed the drink.
Thank you!
And you banished the evil
So that I, like never before,
Holy, sank holy onto your heart.
Thank you!
Translations by Gwendolyn Jamieson

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                <text>Soprani:&#13;
Abby Corpus, Melissa Irvine, Annalysa Tylor, Paige McKay, Lindsay Kolke, Sihana Dorfsman&#13;
&#13;
Mezzi:&#13;
Eva Smith, Olivia Jackson, Carson Moore&#13;
&#13;
Tenori:&#13;
Spencer VanDellen, Anton Sokalski, Andrew Wolf, Grady Frosberg. Clayton Butler, Leif Bradshaw&#13;
&#13;
Bassi:&#13;
Arwen Culling, Rowan McWilliams</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 12, 2021 • 12:30 p.m.

Morning Song				
		
	

Fantasie in F-sharp Minor, Op. 28 	
	
II. Allegro con moto		
	
III. Presto	

Sonata in D for violin and piano 	
	
I. Allegretto quasi andante	
	
II. Scherzo – Vivace

	

		

J. Scott Irvine
(b. 1953)

Mark Barr, trumpet
Kyle Bates, trumpet
Tyrell Loster Peitszche, horn
Liam Mulligan, trombone
Loraine Brisebois, tuba

Felix Mendelssohn
(1809–1847)
Lucas Hung, piano

Hans Gál
(1890–1987)
Lea Fetterman, violin
Zin Cho, piano

Clarinet Sonata in No. 1 in F Minor, Op. 120, No. 1	
	I. Allegro appassionato			
	
II. Andante un poco adagio
Alex Chernata, clarinet
Jany Lu, piano

Johannes Brahms
(1833–1897)

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                <text>Mark Barr, trumpet&#13;
Kyle Bates, trumpet&#13;
Tyrell Loster Peitszche, horn&#13;
Liam Mulligan, trombone&#13;
Loraine Brisebois, tuba&#13;
Lucas Hung, piano&#13;
Lea Fetterman, violin&#13;
Zin Cho, piano&#13;
Alex Chernata, clarinet&#13;
Jany Lu, piano</text>
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