6
10
1498
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817fa886cf69588213cdc9af38a8fbed
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fridaymusic
Phillip T. Young Recital Hall • University of Victoria
Featuring School of Music composition students
November 29, 2013 - 12:30 p.m.
so I’m not some kind of mystical healer
Dave Riedstra
Elizabeth Clarke, piano
Music for Oboe, Rototoms, Celesta, and Double Bass
David Foley
Teigan Cosgrove, oboe
Aaron Mattock, rototoms
Janet Sit, celesta
Dave Riedstra, double bass
Finding Peace
Zach Smith
Britney Jette, soprano
Kassandra Schantz, alto
Kenji Lee, tenor
Zach Smith, bass
Benedictus
Maria Eduarda Martins
Prelude (“the second”)
Simon Mackie
Jiten Beairsto, violin
Matt Antal, viola
Ella Hopwood, cello
Simon Mackie, piano
UPCOMING EVENTS
Saturday, November 30, 8:00 p.m. ($17.50 & $13.50)
UNIVERSITY OF VICTORIA CHORUS & ORCHESTRA
Meeresstille (Calm Sea)
Ajtony Csaba, conductor
Susan Young, chorus director
Performing:
Beethoven – Egmont-Ouverture
Beethoven – Meeresstille und Glückliche Fahrt
Grondahl – Concerto for Trombone, featuring soloist Liam Caveney, UVic Concerto Competition winner
Shostakovich – Festive Ouverture
Messiaen – Chant du Deportes
Poulenc – Gloria
University Centre Farquhar Auditorium
Sunday, December 1, 2:30 p.m. ($12 advance / $15 at the door)
UNIVERSITY OF VICTORIA PHILOMELA WOMEN’S CHOIR
Susan Young, conductor
Reception and sale to follow concert.
St. Aidan’s United Church (3703 St. Aidan’s)
�
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Fridaymusic
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Will MacLellan
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November 29, 2013
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�
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Fridaymusic
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Fridaymusic
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Kirk McNally
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April 5, 2013
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5948478f65a0cad6235f80b118e24af5
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Chamber
Singers
Program
UNIVERSITY OF VICTORIA
Christmas Narratives
Nativity Madrigals
Daniel Pinkham
Guardian Owl
Get Up! Said Mary
What did the Baby give the Kings?
After the Taming
The Sunne of Grace
Leonard Enns
Hand by Hand We shule Us take
Jesu, swete Sone dere [Marlena Kurek, mezzo soprano]
I have set My Hert so hie [Olivia Selig, soprano]
In Excelsis Gloria [Margaret Lingas, soprano]
eeeeeeeeee
Intermission
Garry Froese, conductor
Barry Tan, accompanist
Guest artist:
Annabelle Stanley, harp
Oratorio de Noël/Christmas Oratorio, Op. 12 Camille Saint-Saëns
Recitative: Et pastores errant [Margaret Lingas, soprano; Claire Butterfield,
Chorus: Gloria in altissimis Deo
Air: Expectans [Lindsay Suddaby, mezzo-soprano]
Air & Chorus: Domine, ego credidi [Tristan Chalcraft, tenor]
Benedictus [Olivia Selig, soprano; Nick Allen, baritone]
Chorus: Quare fremuerunt gentes?
Trio: Tecum principium [Meaghan Miller, soprano; Tristan Chalcraft, tenor;
Monday, December 2, 2013, 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
LL
alto; Tristan Chalcraft, tenor; Xuguang Zhang, baritone]
Quartet: Alleluia. Laudate, coeli [Meaghan Miller, soprano; Kristina Misener,
Sean Quicke, baritone]
mezzo-soprano; Claire Butterfield, alto; Kenji Lee, baritone]
Chorus: Tollite hostias
�CHAMBER SINGERS PERSONNEL, FALL 2013
SOPRANO
I Margaret Lingas
I Meaghan Miller
I Olivia Selig
I Dawn Yuan
II Natasha Penfield
II Lindsay Suddaby
ALTO
I Claire Butterfield
I Jenna Grossman
I Kristina Misener
I Kassandra Schantz
II Julia Albano-Crockford
II Marlena Kurek
II Stephanie Taralson
TENOR
I Tristan Chalcraft
I Matthew Ceasar
II Cody Froese
II Sam Simons
BARITONE
Nick Allen
Kenji Lee
Erik Leisinger
Sean Quicke
Xuguang Zhang
Zulfikar Natheo
BASS
Ashton Connor
Richard Bailey
www.finearts.uvic.ca/music/events
�
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Chamber Singers
Description
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This 24-member mixed ensemble performs both standard and lesser-known choral repertoire from a wide spectrum of composers and styles. Performing with the highest level of musicianship, choir members have extensive choral experience, strong sight-reading skills and a thirst for exploring and sharing their musical expertise.
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Chamber Singers <em>- Christmas Narratives</em>
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Dylan Powell
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December 2, 2013
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Dr. Garry Froese, conductor; Barry Tan, accompanist; Annabelle Stanley, harp
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Music
&
Protest
MUS 421/532 Lecture-Recital
Strange Fruit
Lyrics and music by Abel Meeropol (1903-1986)
Lecture presented by Diana Doublet
Andrea Paddock, Voice
Stefani Yap, piano
Intermission
Retreat!
Music by Nolan Krell (b.1991)
Brian Desjarlais, guitar
Two Songs by Tom Waits (b.1949)
Lecture presented by Ryan Hemphill
Dr. Suzanne Snizek, Instructor
Improvisations on ‘Une Jeune Fillette’
Text and melody, anonymous
Arranged by K. Bozhinov
Kiiri Michelsen, soprano
Konstantin Bozhinov, lute ‘Le Jeune Fillette‘
Program
Adagio from ‘The Limpid Stream’
Jackie Kreke, euphonium
Stefani Yap, piano
Fifty years from now
April 27 1945
Dmitri Shostakovich
(1906-1975)
Music and lyrics: Janet Sit (b.1981)
Lecture presented by Janet Sit
Andrea Paddock, voice
Brian Desjarlais, guitar
Karl Amadeus Hartmann (1905-1963)
Lecture and music (first movement) presented by
Stefani Yap, piano
Bottom Feeder
Music by Dave Riedstra (b.1989)
Lecture presented by Dave Riedstra
Eve Richardson, voice
Julia Kimberley and Seán Maynard, saxophones
Tuesday, December 3, 2013, 8:00 p.m.
The Artistry of Janelle Monae (b.1985)
Lecture presented by Matthew Blockberger,
Trevor Hoy, and Julia Kimberley
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission
www.finearts.uvic.ca/music/events
�Text from Bottom Feeder
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am I then that he was said that there was if he was are in captain the before you are in Brooklyn
you show will the right New York let to be said that here was no and so the was gentleman the
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was and left is at be in it is surmised that escaped the taken before eleven fifty fined clerk of
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gave his is it vegan to say an opportunity friends Friday to evening admire the hat him cheese
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limited to party Mr. Ruff a up Post reporter up Mr. Ruff hunted last and night learned him from
that the described by party Senator Conover party Ruff the Post your taking photo people that
the represented asking for a friend post the by being present missed we you as were actually
on the way back we and by I oh my god given really Conover time damned fine have I would a
there had I all alone wouldn’t Ruff Mister asked the logic of this my love I it of concisely argument
expressed is sufficient Permanente and Anthem Blue to most Cross said I’ve been too depressed
too cower most the of sheets daring sad to deserve to go to the doctor to out about just to
find out films which at awards won at Banff at fests mountain snowy will but it’s zero close to
stay will degrees C press the perhaps Sunday deny will the that Post senator Conover presented
a hat with day the a take all to moment let’s that has court at police the yesterday realized Twitter White was John charged its with true purpose all achieving an time in high point possessing
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this for wedding a pizza note a him gave and breakfast making because dollars twelve three at in
months payment a try new want I brunch if the first thing out of your fucking mouth SF in when
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gross really caterpillars me are the in I toothpaste hate this morning tix bought just Raffi for may
in two thousand fourteen Vancouver who not sure cops caught red handed at Montebello guys
made I guys just guys metal fork plastic fork out a of danced we all night the to best day ever
lame I’m so so much have I for we can assume incitement is standard operating procedure hair
off it pull wish I daring that was don’t worry even is better you thank the skeptics are mad at me
for talking about diversity are movie believe even better never better than never Beliebers are
the of ads rape threats and garden variety misogyny
Fifty years from now
Music: J. Sit
Lyrics: J. Sit
Walkin’ ‘long the piers and looking, I
(I) saw the ferry twenty-three going by,
The raindrops were building streams with my tears,
Thinking, “Soon, my darling, you will be here.”
But then you went away, on the first of July,
You said you were afraid our freedoms might die,
You got on the plane with your mother and your bags,
I had no voice, no choice, alone and sad.
CHORUS
Well, time has marched on and so have I,
The orchid trees grow to touch the sky,
When the winds, they got rough, it didn’t take long,
I made news friends, hundred thousand (strong) –
I don’t need you back here anymore,
‘Cause things ain’t the same like they were before,
You weren’t there, in the rain, on Hennessy Road,
I know who I am, and you’ll never know.
----Walkin’ pass the shops on Nathan, I
(I) see news signs I don’t recognize,
The radios are singing different tunes,
Washing over me like the coming monsoons.
Fifty years from now, can it still be the same?
Will it be enough to protect us, if only in name?
Our fathers keep on lying, obscuring the truth,
One country, two systems, oh, where is the proof?
Obscuring the truth…we’ll show you our proof…
�
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Class Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120313-ClassRecital/120313-MusicAndProtest-09.mp3">track9</a>
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Class Recital <em>- MUS421/532 Music&Protest</em>
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Bryan Lilly
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December 3, 2013
-
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Tuesdaymusic
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Tuesdaymusic
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Bryan Lilly
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December 3, 2013
-
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_02_talk.mp3">talk</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120813-TubaChristmas/120813-TubaChristmas_10.mp3">track10 (sing-along)</a>
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Tuba Christmas Reprise
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Sondra Moyls
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December 8, 2013
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UNIVERSITY OF VICTORIA
Faculty
chamber music
series
Song of the Earth:
A Week with Gustav Mahler
The School of Music pays tribute to the celebrated
late-Romantic Austrian composer, Gustav Mahler
Saturday, January 11, 2014, 8:00 p.m.
Pre-concert talk at 7:30 p.m. with Harald Krebs
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $17.50 / Students & seniors: $13.50
�Program
Das Lied von der Erde
1.
2.
3.
4.
5.
6.
Gustav Mahler (1860–1911)
arr. Arnold Schönberg / Rainer Riehn
Das Trinklied vom Jammer der Erde
Der Einsame im Herbst
Von der Jugend
Von der Schönheit
Der Trunkene im Frühling
Der Abschied
Suzanne Snizek, flute & piccolo
Alexandra Pohran Dawkins, oboe & English horn
Patricia Kostek, clarinet & bass clarinet
Jenny Gunter, bassoon
Alana Despins, horn
Michelle Mares, piano
Harald Krebs, harmonium & celeste
Aaron Mattock & Alexei Paish, percussion
Ann Elliott-Goldschmid & Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
Alex Olsen, double bass
Benjamin Butterfield, tenor
Nathaniel Watson, baritone
Ajtony Csaba, conductor (Der Abschied)
�P r o g ra m N ot e s
1907 was a difficult year for Gustav Mahler. In July, his daughter Maria died of scarlet
fever. Soon thereafter, Mahler was diagnosed with a dangerous heart condition. Furthermore, he felt compelled to give up his longstanding directorship of the Vienna
Court Opera because, in his own words, “he could no longer endure the rabble.”
On the one hand, he was happy to be rid of the tensions that the position brought
with it, but on the other, he missed it and became nervous and irritable.
Although Mahler’s creative capacities lay fallow during 1907, the events of this year
left their mark on his major composition of the following year—Das Lied von der
Erde. In October 1907, the poet Hans Bethge published a volume of poems based
on works by Li Po and other Chinese poets, entitled The Chinese Flute. It is uncertain
when this volume came into Mahler’s hands, but during 1908 he began to draft settings of seven of Bethge’s poems and to forge them into a unique song-symphony
composed of six songs or movements (the final song sets two related poems).
Mahler prepared versions of the work for voices and piano and for voices and orchestra; the voices were to be alto and tenor in alternation, with the alto potentially
replaced by baritone. The version to be performed tonight is an arrangement (begun
by Arnold Schoenberg in 1921, and completed in the 1980s by the German composer Rainer Riehn) for chamber ensemble, including piano, harmonium and celeste.
Since the scoring of Mahler’s full orchestral version is for the most part delicate and
economical, an arrangement for smaller ensemble works exceedingly well.
The poems Mahler selected focus on various significant aspects of life, and, not
surprisingly, given Mahler’s recent experiences, on death. In the first song, entitled
“Drinking Song of the Sorrow of the Earth,” we three times hear the refrain “Dark is
life, [dark] is death,” and at the shattering climax we are confronted with the horrifying image of an ape crouched on a grave, howling out into the night. Mahler’s music
for this text, however, possesses a triumphant élan that suggests the surmounting of
the darkness of death. In the melancholy second song, “The Lonely Man in Autumn,”
autumnal images such as mist, frost, wind, and withered leaves are juxtaposed with
allusions to fatigue and the need for comfort and love. The third, fourth, and fifth
songs, “Of Youth,” “Of Beauty,” and “The Drunkard in Springtime,” are lighter in
mood, both poetically and musically. The poem that underlies “Of Youth” refers to
a group of friends drinking, chatting, and writing verses; the music is dominated by
flowing eighth notes tracing the pentatonic scale. “Of Beauty” relates an encounter
between a group of beautiful maidens and a horde of macho horsemen. The maidens’ charms are evoked by gentle, graceful music that again features the pentatonic
scale, whereas the brief intrusion of the men is represented by appropriately loud
and forceful music of a martial character. The “Drunkard in Springtime” spends his life
drinking,
�singing, and sleeping, caring nothing for the passing of time. Mahler’s music recaptures
the bacchantic energy of the first song without, however, returning to its tragic quality.
The sixth and final song, “The Farewell,” is as long as the others put together. The
first of the two poems that Mahler selected for this song describes a man waiting for
his friend in the beauty of evenfall. In the second poem, the friend has come but, in
search of rest for his lonely heart, is about to depart again on a long journey. There
is no doubt that this is the journey of death—but here, in contrast to the first song,
death is represented in a gentle, transcendent light. The close of Mahler’s music, suffused with ethereal arpeggios from the celeste, creates the effect of looking down at
the beauty of the world from an increasing distance as the final journey into eternity
begins.
Mahler was concerned about the effect of this work on the public; he asked his
student Bruno Walter (who was destined to conduct the premiere of Das Lied in
1911, after Mahler’s death) whether listeners wouldn’t go out and commit suicide
after hearing it. May our listeners’ reactions after tonight’s performance rather be like
those of Schoenberg and Webern after playing through the score (as described in a
letter from Webern to Berg): “We could not speak”!
Harald Krebs
�B i o g ra p h i e s
Benjamin Butterfield, tenor
Regarded by the Washington Post as a tenor who sings “…with taste, authority and
agility…”, Benjamin Butterfield has performed across North America, throughout
Europe and in Asia. Recent highlights have included Haydn’s Die Schopfung with the
Orchestra of St. Lukes at Carnegie Hall, Mendelssohn’s Elijah at the Kennedy Center
and Mozart arias and duets with the American Classical Orchestra at Lincoln Center
in New York. Upcoming engagements include Mozart’s Requiem with the Augusta
Symphony, Bach’s B minor Mass with the Bach Choir of Bethlehem and touring with
pianist Arthur Rowe to the Nasher Sculpture Center in Dallas performing Janacek’s
The diary of one who disappeared. Mr. Butterfield has recorded for Analekta, Dorion,
CBC, Koch and Timpani.
Nathaniel Watson, baritone
Baritone Nathaniel Watson is a versatile artist who has performed successfully in a
wide variety of musical styles. Originally from Boston, Mr. Watson attended the Eastman School of Music and Yale University. Career highlights have included performing
in Der Freischütz with the New York Philharmonic under Sir Colin Davis, Beethoven’s
Ninth Symphony under Kurt Masur, and in Carnegie Hall with Sir Roger Norrington.
He has appeared with the Boston Early Music Festival, Tanglewood and at the
Utrecht Festival in Holland, as well as being featured in the Salzburg Festival production of Weill’s Mahagonny. Recent seasons have included performances of Bach’s
Christmas Oratorio with Nicholas McGegan and the Philharmonia Baroque Orchestra;
Messiah with the National Symphony at the Kennedy Center; Mahler’s 8th Symphony with Orchestre symphonique de Québec; and Handel’s Semele with Pacific
Opera Victoria. He is featured in recordings of the Bach Passions: the St. Matthew
with American Bach Soloists (San Francisco), and the St. John with Arion Baroque
Orchestra (Montreal).
�Upcoming Events
Sunday, January 12, 2:30 p.m. ($17.50 & $13.50)
Faculty Concert Series: Eugene Dowling, tuba
With Michelle Mares, piano and the Pinnacle Brass Quintet
A mostly Canadian concert with works by Barbara York, Elizabeth Raum, Oskar Morawetz,
David L. MacIntyre, Murray Adaskin, André Previn and Malcolm Arnold.
Phillip T. Young Recital Hall
Tuesday, January 14, 8:00 p.m. (Admission by donation)
VIOLA CLASS RECITAL
Students from the studio of Joanna Hood perform works by
Bach, Brahms, Doheny, and Prokofiev.
Phillip T. Young Recital Hall
Wednesday, January 22, 12:30 p.m. (Free admission)
LIEDER AT LUNCH: Hollywood Elegies
An exploration of the German Lied repertoire with Sharon and Harald Krebs.
The Hollywood Elegies of Hanns Eisler and Bertolt Brecht. Bring your lunch!
Rm. B037, MacLaurin Building B-Wing
Saturday, January 25, 2:30 p.m. (Admission by donation)
SAXOPHONE CLASS RECITAL
Students from the studio of Wendell Clanton.
Phillip T. Young Recital Hall
Saturday, January 25, 8:00 p.m. (Admission by donation)
VOICE SHOWCASE
Students from the studios of Benjamin Butterfield, Susan Young and Anne Grimm.
Phillip T. Young Recital Hall
Sunday, January 26, 1:00 p.m. (Admission by donation)
CLARINET CLASS RECITAL
Students from the studio of Patrician Kostek.
Phillip T. Young Recital Hall
�
�
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca
www.finearts.uvic.ca/music/events
�
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Faculty Concert Series
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<a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011114-FacultyChamberMusicSeries/011114-FacultyChamber-0.mp3">track6</a>
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Faculty Chamber Music Series
Creator
An entity primarily responsible for making the resource
Jamie Bracke
Date
A point or period of time associated with an event in the lifecycle of the resource
January 11, 2014
Contributor
An entity responsible for making contributions to the resource
Suzanne Snizek, flute & piccolo; Alexandra Pohran Dawkins, oboe & English horn; Patricia Kostek, clarinet & bass clarinet; Jenny Gunter, bassoon; Alana Despins, horn; Michelle Mares, piano; Harald Krebs, harmonium & celeste; Aaron Mattock & Alexei Paish, percussion; Ann Elliott-Goldschmid & Sharon Stanis, violin; Joanna Hood, viola Pamela Highbaugh Aloni, cello Alex Olsen, double bass; Benjamin Butterfield, tenor; Nathaniel Watson, baritone; Ajtony Csaba, conductor (Der Abschied)
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https://finearts.uvic.ca/music/archive/files/original/e0801322f1acb6696cbc7d28348746b5.pdf
74f1b273f223be9bc1c223c5d934b83f
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Text
P R O G RA M
UNIVERSITY OF VICTORIA
FACULTY
CONCERT SERIES
A Mostly Canadian Recital
How Beautiful (2009)
(Isaiah 52:7; Written in memory of Eli Reuben Brown)
Sonata for Tuba and Piano
Allegro
Adagio
Allegro non troppo—Allegro molto
Tribute
EUGENE DOWLING, tuba
With
MICHELLE MARES, piano
&
THE PINNACLE BRASS QUINTET
John Ellis and Matthew McCrady, trumpets
Dan Moses, horn
Scott MacInnes, trombone
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $17.50 / Students & seniors: $13.50
Oskar Morawetz
(1917–2007)
Elizabeth Raum
(b. 1945)
(In memory of John Griffiths)
Sonata for Tuba and Piano
Moderato
Expressively
Energico
David L. McIntyre
(b. 1950)
Intermission
(Beverages and snacks available at the
concession located in the lounge)
Contrabajeando
Music for Brass Quintet (1977)
Sunday, January 12, 2014 at 2:30 p.m.
Barbara York
(b. 1949)
Astor Piazzolla (1921–1992)
arr. Joe Burgstaller
Murray Adaskin
(1906–2002)
Quintet No. 1
Victor Ewald
Moderato—Più mosso
(1860–1935)
Adagio non troppo lento—Allegro vivace—Adagio
Allegro moderato
�
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Faculty Concert Series
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_02.mp3">talk</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_03.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_04.mp3">talk</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_05.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_06.mp3">talk</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_07.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_08.mp3">talk</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_09.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_10.mp3">talk</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_11.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_12.mp3">talk<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_13.mp3">track7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011214-FacultyRecital/011214-EugeneDowling_14.mp3">talk</a>
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Faculty Recital - Eugene Dowling, tuba
Creator
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Sondra Moyls
Date
A point or period of time associated with an event in the lifecycle of the resource
January 12, 2014
Contributor
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Eugene Dowling, tuba; Michelle Mares, piano; The Pinnacle Brass Quintet: John Ellis and Matthew McCrady, trumpets; Dan Moses, horn; Scott MacInnes, trombone
-
https://finearts.uvic.ca/music/archive/files/original/0213941959005389375579cecdd3fd37.pdf
a905aa2b90616af14ca7a6c6b1c33e19
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Text
Viola Class
Recit
al
'PEVMRIX�7SREXE�2S����3T�����2S���
I. Allegro amabile
II. Allegro appassionato
Matt Antal, viola
Kailey Cann, piano
I n t e r m i s s i o n
Students from the studio of Joanna Hood
Program
Cello Suite No. 1
I. Prelude
'IPPS�7YMXI�2S���MR�)�¾EX�1ENSV��&;:�����
Prelude
J. S. Bach
(ERGI�SJ�XLI�/RMKLXW��from Romeo and Juliet
Fahlon Smith, viola
Sarah Tradewell, viola
Suite No. II in D minor
I. Prelude
Calvin Yang, viola
Johann Sebastian Bach
(1685–1750)
Prologue pour alto seul
Johannes Brahms
(1833–1897)
Gérard Grisey
(1946–1998)
Calvin Yang, viola
Carol Zhang, piano
����7IVKIM�4VSOS½IZ�
(1891–1953)
7SREXE�3T������2S�����������
Fantasie
Thema mit Variationen
Finale mit Variationen
Paul Hindemith
(1895–1963)
Sarah Tradewell, viola
Spencer Davis, piano
J. S. Bach
Matt Antal, viola
7SREXE�JSV�:MSPE�ERH�4MERS
Impetuoso
Joshua Gomberoff, viola
Matty Poon, piano
Rebecca Clarke
(1886–1979)
8YIWHE]��.ERYEV]����������T�Q�
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
[[[�½RIEVXW�YZMG�GE�QYWMG�IZIRXW
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Class Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011414-ViolaClassRecital/011414-ViolaClassRecital-08.mp3">track8</a>
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Viola Class Recital - <em>students from the studio of Joanna Hood</em>
Creator
An entity primarily responsible for making the resource
Jamie Bracke
Date
A point or period of time associated with an event in the lifecycle of the resource
January 14, 2014
-
https://finearts.uvic.ca/music/archive/files/original/c460fc07328738a8291eb850e855ed66.pdf
467de63e559fdb029d19754d7761e5af
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fridaymusic
3KLOOLS�7��<RXQJ�5HFLWDO�+DOO��8QLYHUVLW\�RI�9LFWRULD
January 17, 2014 - 12:30 p.m.
7SREXE�2S����MR�)�¾EX�QENSV��3T����
�
�
�
�������Ludwig van Beethoven
(1770-1827)
1. Allegro molto e con brio
2. Largo, con gran espressione
3. Allegro
4. Rondo: Poco allegretto e grazioso
Louise Hung, piano
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�
�
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�
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�Paul Hindemith
(1895-1963)
1. Fantasie
2. Thema (mit Variationen)
3. Finale (mit Variationen)
Sarah Tradewell, viola
Spencer Davis, piano
94'31-2+�):)287
Tuesday, January 21, 12:30 p.m. (Admission by donation)
89)7(%=197-'
Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Wednesday, January 22, 12:30 p.m. (Free admission)
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An exploration of the German Lied repertoire with Sharon and Harald Krebs. The Hollywood Elegies of Hanns Eisler
and Bertolt Brecht.
Maclaurin B037
Wednesday, January 22, 8:00 p.m. (Free admission)
+6%(9%8-2+�6)'-8%0���7%6%,�86%();)00��:-30%
Violist Sarah Tradewell presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
Friday, January 24, 12:30 pm. (Admission by donation)
*6-(%=197-'�
Featuring School of Music string students.
Phillip T. Young Recital Hall
Saturday, January 25, 11:00 a.m. (Free admission)
8,)�(-+-8%0�'32')68�,%00��8,)�&)60-2�4,-0,%6132-'�
Live broadcast from the Berlin Philharmonic’s Digital Concert Hall.
Semyon Bychkov, conductor
Zubin Mehta, conductor
Rudolf Buchbinder, piano
On the program:
Anton Webern – Six Pieces for Orchestra Op. 6b
Ludwig van Beethoven – 4MERS�'SRGIVXS�2S����MR�)�¾EX�QENSV�±)QTIVSV²
Richard Strauss – Ein Heldenleben
Maclaurin B037
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Fridaymusic
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/011714-Fridaymusic/011714-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011714-Fridaymusic/011714-FridayMusic_02.mp3">track2</a>
Dublin Core
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Fridaymusic
Creator
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Will MacLellan
Date
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January 17, 2014