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                    <text>GUITAR STUDIO RECITAL

UVIC

Students from the studio of Alexander Dunn.
FRIDAY, MARCH 12, 2021 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Kleines Intermezzo for 3 Guitars			
	Allegretto 	

Ferdinand Rebay
(1880-1953)

Morgan Sheeley, Nathaniel Ritter, Jordyn Hutchings
Estudio Inconcluso				 	
Nathaniel Ritter
An Malvina, Op. 13, No. 1 				
Adam Baines
Ukrainian Folk Song 					
The Sailor’s Fate 	
Matt Graumans
Fantaisie Op. 4 					
Morgan Sheeley

Agustin Barrios
(1885-1944)

Johann Kaspar Mertz
(1806-1856)

Nikita Koshkin
(b. 1956)

Wenzel Matiegka
(1773-1830)

I NT E R M I S S I O N

Preludium, Op. 46, No. 8					
Allegretto, Op. 46, No. 3	
Fantasiestück, Op. 48, No. 8
Christopher Bork
Koyunbaba Op. 19			
	
I. Moderato	
	
II. Mosso

Rudolf Leberl
(1884-1952)

Carlo Domeniconi
(b. 1947)

	
Matt Graumans

Fantasia sobre motivos de La Traviata		
Jordyn Hutchings
Kleine Serenade for Horn &amp; Guitar 			
	Preludium
	Epilogue
Christopher Bork
Gillian Rammage horn

Julian Arcas
(1832-1882)

Ferdinand Rebay

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                <text>Morgan Sheeley&#13;
Nathaniel Ritter&#13;
Jordyn Hutchings&#13;
Adam Baines&#13;
Matt Graumans&#13;
Christopher Bork&#13;
Gillian Rammage horn</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 12, 2021 • 12:30 p.m.

Partita No. 3 in E Major, BWV 1006			
	
	
VI. Bourrée		
	
VII. Gigue	
Lea Fetterman, violin

		

Sonata for Alto Saxophone and Piano, Op. 19	
	
Movement 1 	
Rhyse Batstone, alto saxophone
Yousef Shadian, piano
Ballade No. 3 in A-flat Major, Op. 47	
	
	

Duos for Flutes Op. 34	
	
1. Andante sostenuto 	
	
II. Allegro risoluto
	
III. Moderato

Isabel Stanyer, piano

Johann Sebastian Bach
(1685–1750)

Paul Creston
(1906–1985)

Frédéric Chopin
(1810–1849)

Robert Muczynski
(1929–2010)
Breanna Morrissette, flute
Jessica Shaw, flute

Out of Doors, Sz. 81	
	
I. With Drums and Pipes - Pasante	
	
II. Barcarolla - Adante
	
III. Musettes - Moderato
	
IV. The Night’s Music - Lento - (Un poco) più andante
Zin Cho, piano

Béla Bartók
(1881–1945)

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                <text>Lea Fetterman, violin&#13;
Rhyse Batstone, alto saxophone&#13;
Yousef Shadian, piano&#13;
Isabel Stanyer, piano&#13;
Breanna Morrissette, flute&#13;
Jessica Shaw, flute&#13;
Zin Cho, piano</text>
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                    <text>VIOLA STUDIO RECITAL

UVIC

Students from the studio of Joanna Hood.

WEDNESDAY, MARCH 10, 2021 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
J. S. Bach
(1685–1750)

Suite in E-flat Major 			
	
II. Allemande 	
	
III. Courante

Judith Gaston, viola

Concerto in G Minor 				
	
Appassionato — Moderato	

Julian Glover, viola
Kay Kuang, piano

Viola Concerto No.1 in D Major 		
	
I. Allegro	
	
II. Andante moderato
Maki Yamagata, viola
Kinza Tyrrell, piano

Cecil Forsyth
(1870–1941)

Carl Stamitz
(1745–1801)

I NT E R M I S S I O N

Viola sonata						
	
Impetuoso 	

Andrew Loe, viola
Kinza Tyrrell, piano

A Prayer for Peace In a Time of War			
	Andante	
Andrew Loe, viola
Shirley Sun, piano
Sonata para viola y piano
	
I. Allegro moderato 	
	
II. Lento

		
Amanda Steinemann, viola
Jorge Eduardo Flores Carrizales, piano

Rebecca Clarke
(1886–1979)

Anthony Doheny
(b. 1938)

José Pablo Moncayo
(1912–1958)

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                <text>Judith Gaston, viola&#13;
Julian Glover, viola&#13;
Kay Kuang, piano&#13;
Maki Yamagata, viola&#13;
Kinza Tyrrell, piano&#13;
Andrew Loe, viola&#13;
Shirley Sun, piano&#13;
Amanda Steinemann, viola&#13;
Jorge Eduardo Flores Carrizales, piano</text>
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                    <text>DEGREE RECITAL
Julia Hensley, soprano
Kinza Tyrrell, piano
Jizelle Balae, piano
Carson Moore, voice
Monday, March 8, 2021 | 7 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Chanson Triste

Henri Duparc
(1848-1933)

Rejoice Greatly
From Messiah

G. F. Handel
(1685-1759)

Banalités

Francis Poulenc
(1899-1963)

Chanson d’Orkenise
Hôtel
Fagnes de Wallonie
Voyage à Paris
Sanglots
Ich Folge Dir Gleichfalls
From St. John Passion

J. S. Bach
(1685-1750)
Kinza Tyrrell, piano

Abschiedslied Der Zugvögel
Carson Moore, voice
Jizelle Balae, piano
Eccomi, in lieta vesta
From I Capuleti e I Montecchi

Felix Mendelssohn
(1809-1847)

Vincenzo Bellini
(1430-1516)
— INTERMISSION —

�Ach Ich Fuhl’s
From Die Zauberflöte

W. A. Mozart
(1756-1791)

Quia Respexit
From Magnificat

J. S. Bach
(1685-1750)

Oh Mio Babbino Caro
From Gianni Schicchi

G. Puccini
(1858-1924)

Lascia Ch’io Pianga
From Rinaldo

G. F. Handel
(1685-1759)

Terra e Mare

G. Puccini

Sogno D’or
Jizelle Balae, piano
Always

Julia Hensley
(b. 1998)

Take it Down
Blue Skies
Julia Hensley, piano

Julia Hensley is from the studio of Isaiah Bell.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.

�</text>
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Kinza Tyrrell, piano&#13;
Jizelle Balae, piano&#13;
Carson Moore, voice</text>
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                    <text>UVIC

SAXOPHONE ENSEMBLE
RECITAL
Students from the studio of Wendell Clanton

SATURDAY, MARCH 6, 2021 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Premier Quatuor (1857) 	
	
I. Andante and Allegro 	
	
II. Adagio sostenuto
	
III. Allegro vivace
	
IV. Allegretto

Jean-Baptiste Singelée
(1812–1875)

Quartet T’zum
Sylvanna Wilkinson, soprano
Emerson Jong, alto
Bethanie Tran, tenor
Rhys Batstone, baritone
J. S. Bach
(1685–1750)

Sarabande No. 2 in A minor 	

Orlando Gibbons
Arr. by Frederick L. Hemke (1935–2019)

Fantazia 	

Quartet Lemolo
Madison Wang, soprano
Meghan Pimm, alto
Hannah Stanwood, tenor
Melissa Holyhead-Miles, baritone
Quatuor pour 4 Saxophones, Op. 109 (1932)	
	
I. Allegro, Piu mosso 	
	
II. Canzona variée
	
Thema – Andante
	
1ère variation – mème mouvement
	
2me variation – con anima

Alexander Glazunov
(1865–1936)

Quartet Cantabile
Ayari Kasukawa, soprano
Baylie Adams, alto
Alex Tiller, tenor
Cole Davis, baritone
B R I E F I NT E R M I S S I O N

Arr. by Karen Street &amp; Nigel Wood

Skye Boat Song 	
UVic Saxophone Ensemble

�</text>
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                <text>Ila Zbarsky</text>
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                <text>Quar tet T’zum&#13;
Sylvanna Wilkinson, soprano &#13;
Emerson Jong, alto&#13;
Bethanie Tran, tenor&#13;
Rhys Batstone, baritone&#13;
&#13;
Quartet Lemolo&#13;
Madison Wang, soprano&#13;
Meghan Pimm, alto&#13;
Hannah Stanwood, tenor&#13;
Melissa Holyhead-Miles, baritone&#13;
&#13;
Quartet Cantabile&#13;
Ayari Kasukawa, soprano&#13;
Baylie Adams, alto&#13;
Alex Tiller, tenor&#13;
Cole Davis, baritone&#13;
&#13;
UVic Saxophone Ensemble</text>
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                    <text>UVIC

PIANO STUDIO RECITAL
Students from the studio of May Ling Kwok.
SATURDAY, MARCH 6, 2021 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Muzio Clementi
(1752-1832)

Sonata in F-sharp Minor, Op. 25, No. 5 	
	
I. Piuttosto allegro con espressione			

Felix Mendelssohn
(1809-1847)

Fantasie in F-sharp Minor, Op. 28 	
	
II. Allegro con moto	
	III. Presto							
Lucas Hung
Sonata in A Minor, D. 845	
	
II. Andante Poco moto	

Franz Schubert
(1797-1828)

				

Sonata No. 2 in G Major 	
	
I. MaBig schnell 	

Paul Hindemith
(1895-1963)

Jizelle Balae

Suite, Op.14								
Preludes, Book I 	
	
I. Danseuses de Delphes 	
	
V. Lers collines d’Anacapri				

Béla Bartók
(1881-1945)
Claude Debusssy
(1862-1918)

Johnathan Devey
Hommage a Rameau from Image, Book 1, L. 110

	

Claude Debussy

Ryan Qu
Sonata in D Minor, Op. 31, No. 2 	
	
III. Allegretto						
Fantasiestücke, Op. 12 	
	
VI. Fabel				
	
VII. Traumes Wirren	

L. van Beethoven
(1770-1827)
Robert Schumann
(1810-1856)

Nancy Lin

Davidsbündlertänze, Book 2, Op. 6				
Boyana Makedonska

Robert Schumann

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                <text>Ila Zbarsky</text>
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            <elementTextContainer>
              <elementText elementTextId="5824">
                <text>Lucas Hung&#13;
Jizelle Balae&#13;
Johnathan Devey&#13;
Ryan Qu&#13;
Nancy Lin&#13;
Boyana Makedonska</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 5, 2021 • 12:30 p.m.

Kuku			
		
	

	

		

4’33” No. 2	
		

Piano Sonata No. 2 in G Major	
	
I. Mäßig schnell	

Ayari Kasukawa, soprano saxophone

Leonardo Maekawa, violin

Jizelle Balae, piano

Barry Cockcroft
(b. 1972)

John Cage
(1912–1992)

Paul Hindemith
(1895–1963)

Robert Schumann
(1810–1856)

Davidsbündlertänze Op. 6	
	
Balladenmäßig – Sehr rasch 	
	Einfach
	
Mit Humor
	
Wild und lustig
	
Zart und singend
	Frisch
	
Mit gutem Humor
	
Wie aus der Ferne; Nicht schnell
Boyana Makedonska, piano
Sonata in D for Violin &amp; Piano	
	
III. Largo con espressione—Allegro poco sostenuto, ma con fuoco	
	
Lea Fetterman, violin
Zin Cho, piano

Hans Gál
(1890–1987)

�</text>
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            <elementText elementTextId="5819">
              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030521-FridayMusic/030521-FridayMusic_1.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030521-FridayMusic/030521-FridayMusic_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030521-FridayMusic/030521-FridayMusic_1_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030521-FridayMusic/030521-FridayMusic_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030521-FridayMusic/030521-FridayMusic_5.mp3"&gt;Track 5&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>March 3, 2021</text>
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                <text>Ayari Kasukawa, soprano saxophone&#13;
Leonardo Maekawa, violin&#13;
Jizelle Balae, piano&#13;
Boyana Makedonska, piano&#13;
Lea Fetterman, violin&#13;
Zin Cho, piano</text>
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                    <text>DEGREE RECITAL
Sophia Friesen, soprano
Jono Devey, piano
Emily Markwart, piano
Talia Sinclair, violin
Olivia Duffin, soprano
Olivia Jackson, mezzo-soprano
Spencer VanDellen, tenor
Wednesday, March 3, 2021 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building

PROGRAM
Gloria in D Major, RV 589
3. Laudamus Te

Antonio Vivaldi
(1678 – 1741)
Jono Devey, piano
Olivia Duffin, soprano

Don Quixote, Z.578
9. From rosy bow’rs

Henry Purcell
(1659 – 1695)
Emily Markwart, piano

Mädchenblumen, Op. 22
1. Kornblumen
2. Mohnblumen
3. Epheu
4. Wasserrose

Richard Strauss
(1864 – 1949)

Jono Devey, piano
Irish Country Songs
Dobbin’s Flowery Vale
The Bard of Armagh
Shule Agra
The Leprehaun

Herbert Hughes
(1882 – 1937)

Talia Sinclair, violin

— INTERMISSION —
Three Songs, Op. 21
1. Chanson d’amour
2. Extase
3. Elle et moi

Amy Beach
(1867 – 1944)

Jono Devey, piano

�Nanna’s Lied

Kurt Weill
(1900 – 1950)
Emily Markwart, piano

Street Scene
What Good Would The Moon Be?
Emily Markwart, piano
We’ll Go Away Together
Emily Markwart, piano
Spencer VanDellen, tenor

Kurt Weill
(1900 – 1950)

Flight

Craig Carnelia
(b. 1949)
Emily Markwart, piano
Olivia Jackson, mezzo-soprano

Wicked

Stephen Schwartz
(b. 1948)

For Good
Emily Markwart, piano
Olivia Duffin, soprano

TRANSLATIONS
Gloria in D Major, RV 589
3. Laudamus Te (We Praise You)
We praise you,
We bless you,
We worship you,
We glorify you.

1.

Mohnblumen (Poppies)

They are poppies, those round,
Red-blooming, healthy ones
That bloom and bake in the summer
And are always in a cheery mood,
Good and happy as a king,
Their souls never tired of dancing;

Mädchenblumen (Maiden Flowers)
1.

Kornblumen (Cornflowers)

Cornflowers I call these figures
That gently, with blue eyes,
Preside quietly and modestly,
Placidly drinking the dew of peace.
From their own pure souls,
Communicating with everything that is near,
unconscious of the precious sensitivity
That they have received from the hand of God.
You feel so good among them as if you were going
through a field of crops
Through which the breath of evening blew,
Full of pious quietude and full mildness.

They weep beneath their smiles
And seem born only
To tease the cornflowers;
Yet nevertheless,
The softest, best hearts often hide
Among the climbing ivy of jests;
God knows one would wish to
Suffocate them with kisses
Were one not so afraid
That, embracing the hoyden,
She would spring up into a full blaze
And go up in flames.
2.

Epheu (Ivy)

But ivy is what I call that maiden
With soft words,
With the simple, bright hair,
Gently waving brown about her,

�With brown, soulful doe’s eyes,
Who so often stands in tears,
In her tears simply irresistible;
Without strength and self-consciousness,
Unadorned with secret blossoms,
Yet with an inexhaustible, deep
True inner sentience
That under her own power she can
never yank herself up by the roots;
Such are born to twine
Lovingly about another life:
Upon her first love
She rests her entire life’s fate,
For she is counted among those rare flowers,
Those that only blossom once.
3.

Wasserrose (Waterlily)

Do you know the flower, the fantastic
Waterlily, celebrated in myth?
On a slim, ethereal stem bobs
Its translucent, colorless head;
It blooms by reedy pools on groves,
Protected by the swan, who circles it in solitary vigil;
It opens only in the moonlight
With which it shares its silver glimmer:
Thus, does it bloom, the magical sister of the stars,
Idolized for its dreamy, dark tendrils
Which by the edge of the pool can be seen from afar,
Never reaching what it yearns for.
Waterlily, so do I call the slim
Maiden with night-dark locks and alabaster cheeks,
With deep foreboding thoughts showing in her eyes
As if they were ghosts imprisoned on Earth.
When she speaks, it is like the silvery rushing of
water;
When she is silent, it is the pregnant silence of the
moonlit night.
She seems to have exchanged radiant expressions
with the stars,
Whose language, of the same nature, she has grown
accustomed to.

Irish Country Songs
Shule Agra (Go, My Love)
Is go dté tú, mo mhúirnin, slán
(And may you go, my love, safely)
Three Songs, Op. 21
1. Chanson d’amour (Love Song)
Dawn is born, and your door is still closed!
Sweet one, why do you sleep on?
When the rose awakens
Why won’t you rise as well?
O my beloved,
Listen close
To the lover who sings
And cries too!
All of nature knocks at your blessed door.
The dawn says: I am the day!
The bird sings: I am the harmony!
And my heart says: I am love!
O my beloved,
Listen close
To the lover who sings
And cries too!
Lady and Angel, I love you,
God who for you has made me
Has made my love for your soul,
And my eyes for your beauty!
O my beloved,
Listen close
To the lover who sings
And cries too!
French text: Victor Hugo (1802-1885)
Translation: S. Friesen

2. Extase (Extasy)

You can never grow weary of gazing in those eyes
Fringed with silky, long lashes,
And you believe, as if blessedly, terrifyingly
bewitched,
Whatever the Romantics have dreamed about the
elves

I stood alone, near the seas, under a night of stars,
Not a cloud in the heavens, no sails stood upon the
seas.
My eyes plunged further than the world,
further than the real world.
And the woods, and the mountains, and all of nature
Seemed to question in a confused murmur
The waves of the sea, the fires of heaven.

German text: Felix Dahn (1834-1912)
Translation copyright © by Emily Ezust,
from the LiederNet Archive – https://www.lieder.net/

And the golden stars, in their infinite legions,
With high voice, with low voice, with a thousand
harmonies,

�Replied, bowing their crowns of fire;
And the blue waves, which nothing could govern or
stop,
cried, in the curling foam of their crest:
It’s the Lord, the Lord God!
French text: Victor Hugo (1802-1885)
Translation: S. Friesen

3. Elle et moi (Her and I)
The spring of a thousand colours,
The seductive flame with it’s dancing spark,
The privets of the fields with their white flowers,
With the sweetest of odours,
It’s her ! Ah ! It’s her !
The swallow who flies before Spring,
The young fawn who attaches himself to the privets
of the fields.
Ah! Pulled by her flower, her beautiful flower;
The moth who without fear of the flame will burn his
wings.
Ah! Tis I.
French text: Félix Bovet (1824-1903)
Translation: S. Friesen

Nanna’s Lied (Nanna’s Song)
Gentlemen, with 17 years of age under my belt
I came up on the Love Market,
and I have learned much.
Much of it gave evil,
yet that was the game,
but I have a lot to be blamed for.
(When all is said and done, I'm only a human being,
too.)

Thanks be to God that it all goes by so
quickly,
the love as well as the grief, too.
Where are the tears of yesterday evening?
Where are the snows of yesteryear?
As one goes through the years
it is easier in the Love Market, to be sure,
and you embrace the multitudes there.
But feelings
become astonishingly cool
when one doesn't ration them.
(When all is said and done, each reserve must come
to an end.)
Thanks be to God that it all goes by so
quickly,
the love as well as the grief, too.
Where are the tears of yesterday evening?
Where are the snows of yesteryear?
And even when one learns the trade really well
in the Fairground of Love:
to change desire into small change
is never easy.
Now, it is achieved.
Yet meanwhile, one grows older, as well.
(When all is said and done, one can't stay 17
forever.)
Thanks be to God that it all goes by so
quickly,
the love as well as the grief, too.
Where are the tears of yesterday evening?
Where are the snows of yesteryear?
German text: Bertolt Brecht
Translation copyright by © 2004 by Sean Phillip Mabrey,
from the LiederNet Archive – https://www.lieder.net/

Sophia would like to take this opportunity to thank all those who have helped her to become the artist
she is today. Special thanks of course go out to her family and dearest friends who have been so
generous with their support and love. She could not have grown so much without the help from all the
wonderful musicians here at UVic; both students and faculty. She would also like to particularly thank
Anne Grimm and Susan Young for their guidance and tutelage these last four years. Thank you for
watching! I look forward to seeing you at the next performance (whenever that may be…)!
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Sophia Friesen is from the class of Anne Grimm.

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_1.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_2.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_3.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_4.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_5.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_1_6.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_07.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_08.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_09.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_10.mp3"&gt;Track 10&lt;/a&gt;</text>
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                <text>March 3, 2021</text>
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                <text>Sophia Friesen, soprano&#13;
Jono Devey, piano&#13;
Emily Markwart, piano&#13;
Talia Sinclair, violin&#13;
Olivia Duffin, soprano&#13;
Olivia Jackson, mezzo-soprano&#13;
Spencer VanDellen, tenor</text>
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                    <text>GRADUATE RECITAL
Ada Qian, flute
Maki Yamagata, viola
McKenna Jennings, harp
Tuesday, March 2, 2021 | 12:30 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Partita in A Minor for Solo Flute
Allemande
Courante
Sarabande
Bourrée Anglaise

J.S. Bach
(1685-1750)

Passacaglia for Solo Flute Op. 48, No. 2

Ernst von Dohnányi
(1877-1960)

Sonata for Flute, Viola and Harp
Pastorale
Interlude
Finale

Claude Debussy
(1892-1918)

Ada Qian, flute
Maki Yamagata, viola
McKenna Jennings, harp

Ada Qian is from the class of Dr. Suzanne Snizek.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030221-QianFluteRecital/030221-QianFluteRecital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030221-QianFluteRecital/030221-QianFluteRecital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030221-QianFluteRecital/030221-QianFluteRecital_03.mp3"&gt;Track 3&lt;/a&gt;</text>
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Maki Yamagata, viola&#13;
McKenna Jennings, harp</text>
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                    <text>UVIC

PIANO STUDIO RECITAL
Students from the studio of Arthur Rowe.
SATURDAY, FEBRUARY 27, 2021 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Sonata in A Major, D. 664							
	
Allegro moderato	 						
Kayla Nguyen

Rhapsody in B Minor, Op. 79, No. 1			
			
									
Bailey Lehmann

Franz Schubert
(1797–1828)

Johannes Brahms
(1833–1897)

Prelude in E Minor, Op. 28, No. 4						
							
Nick Selig

Frédéric Chopin
(1810–1849)

Ballade in G Minor, Op. 23, No. 1						
										
Kay Kuang

Frédéric Chopin

Sonatina in C Major (1959)						
	
Allegro									
Theo Kim
						
	
			
Café 1930									
									
Lucia Chan

Aram Khachaturian
(1903–1978)

Out of Doors Suite								
	
With drums and pipes (Pesante)					
	
Barcarolle (Andante)
	
Musettes (Moderato)
	
The Night’s Music (Lento, piu andante)

Béla Bartók
(1881–1945)

Jinyeong Cho

Astor Piazzola
(1921–1992)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_06.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022721-RowePianoRecital/022721-RowePianoRecital_07.mp3"&gt;Track 7&lt;/a&gt;</text>
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                <text>Kayla Nguyen&#13;
Bailey Lehmann&#13;
Nick Selig&#13;
Kay Kuang&#13;
Theo Kim&#13;
Lucia Chan&#13;
Jinyeong Cho</text>
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