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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 10, 2017 • 12:30 p.m.
Featuring School of Music woodwind students
Three Shanties for Wind Quintet 					
			
Malcom Arnold
	I. Allegro con Brio (“Boney”)									 (1921 - 2006)
	II. Allegro vivace (“Drunken Sailor”)
Jessica Shaw, flute
Janie Sinn, oboe
Channing Mar, clarinet
Wilson Kyne, bassoon
Drake Lovett, horn
Saxophone Quartet, Op. 109
	 					
Alexander Glazunov
	I. Première partie						
			
(1865 - 1936)
Michelle Melnicky, soprano saxophone
Matt Fichter, alto saxophone
Todd Morgan, tenor saxophone
Karsten Brewka, baritone saxophone
Wind Quintet, Op. 10 				
	
	
			

			
Alanna Kazdan, flute
Anna Betuzzi, oboe
Alina Liang, clarinet
Collin Lloyd, horn
Jesse Dwyer, bassoon

		

	 	
			

Pavell Haas		
(1899 - 1944)	

Fúvósötös			
	
	
				
	
Endre Szervánszky		
	IV. Allegro vivace										 (1911 - 1977)
Rhiannon Jones, flute
Theresa Mothersill, oboe
Alyshia Joinson, clarinet
Rio Davison, bassoon
Gillian Ramage, horn
Bist du bei mir (“If Thou Be Near”), BWV 508

			

J. S. Bach
(1685 - 1750)
arr. Himie Voxman

Allison Tipan, flute
Taya Haldane, flute
Charlotte Mason, flute
Breanna Morrissette, flute

Trio in C Major, Op. 87
				
Ludwig van Beethoven		
	I. Allegro											 (1770 - 1827)	
Anna Betuzzi, oboe I
Janie Sinn, oboe II
Theresa Mothersill, english horn
Tango Etude No 3
				
							
Todd Morgan, alto saxophone
Emily Markwart, piano

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, NOVEMBER 10 | 8 PM | Admission by donation
Sonic Lab: It’s tricky...
Ajtony Csaba, conductor
UVic’s new music ensemble performs music by Vivier, Schoenberg,
Messiaen, Stravinsky, Aperghis, and Czernowin.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 17 | 12:30 PM | Admission by donation
Fridaymusic
Featuring the UVic School of Music percussion students in a concert
of varied repertoire.
Phillip T. Young Recital Hall

	

Astor Piazzolla		
(1921 - 1992)

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                    <text>School of Music

50

YEARS

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

GUEST CONCERT

GRIT + GRACE
Tracy Dahl, soprano

Monica Huisman, soprano
Minna Rose Chung, cello
Laura Loewen, piano

This concert is presented on the traditional territory of the
WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt)
peoples of the Coast Salish Nation.

Thursday, November 9, 2017 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
G. F. Handel (1685–1759)

Credete al mio dolore		
Come Scoglio from Così fan tutte 	

W. A. Mozart (1756–1791)
J. S. Bach (1685–1750)

Prelude No. 1	
Ständchen 	
Ich wollt’ ein Sträußlein binden
Allerseelen
Säusle, liebe Mirte!
Zueignung

Richard Strauss (1864–1949)

Aria
Antonín Dvořák (1841–1904)

Gypsy Songs Nos. 1, 2, 3, 4 and 7 	

I NT E R M I S S I O N

Bacchianas No. 5 	

Heitor Villa-Lobos (1887–1959)

Pantomime 	
Pierrot
Il pleure dans mon coeur
Green

Claude Debussy (1862–1918)

Heitor Villa-Lobos

Black Swan	
Four Songs 	
	
II. Stones
	
III. Shelter

André Previn (b. 1929)

Vocalise
I’ve got Faust 	
Hi, Sooky, Ho, Sooky

John Greer (b. 1954)

O mio babbino caro from Gianni Schicchi
Je veux vivre 	
Sull’aria from Le Nozze di Figaro 	

Giacomo Puccini (1858–1924)

Charles-François Gounod (1818–1893)
W. A. Mozart

�BIOGRAPHIES
Canada’s premiere coloratura soprano Tracy Dahl has appeared throughout her career with
such opera houses as Teatro alla Scala (Milan), Théâtre du Châtelet (Paris), the Metropolitan
Opera (NY), San Francisco Opera, Houston Grand Opera, Santa Fe Opera, Canadian Opera
Company, Calgary Opera and her native Manitoba Opera. She is frequently heard in concert
with leading orchestras at home and around the world and also enjoys the more intimate
setting of art song recitals. Frequent and favourite roles are Lucia in Lucia di Lammermoor, Marie
in the Daughter of the Regiment, Cunegonde in Candide, Adele in Die Fledermaus, Norina in Don
Pasquale and Madame Mao in Nixon in China, the last of these roles having been recorded on
the Naxos label. In 2017, she was awarded the Order of Canada for her performing career and
for her work mentoring as a teacher to the next generation of singers.
Dutch-Canadian soprano, Monica Huisman has delighted audiences from Amsterdam’s
Concertgebouw to Guatemala City and has soared on the stages of Vancouver Opera,
Calgary Opera, Edmonton Opera, Pacific Opera Victoria, The Netherlands Opera, Manitoba
Opera, Opera Ontario and Saskatoon Opera in productions of Carmen, Marriage of Figaro,
Cosi Fan Tutte, Falstaff, Don Giovanni, Cunning Little Vixen, La Bohème, Magic Flute, Hansel und
Gretel and Lakmé. Equally at home in concert repertoire Ms. Huisman has thrilled audiences
with the National Arts Centre Orchestra, Toronto Symphony, Vancouver Symphony, Winnipeg
Symphony Orchestra, Saskatoon Symphony, among others. Most recently, she returned to the
Vancouver Symphony for Beethoven’s Symphony No. 9 with Bramwell Tovey—as well as with
the Regina Symphony—and Messiah with the WSO. She is currently on the vocal faculty at the
University of Manitoba’s Marcel A. Desautels Faculty of Music.
Korean-American cellist Minna Rose Chung is Associate Professor at the University of
Manitoba- Desautels Faculty of Music and performs internationally as recitalist and cellist of the
Desautels Piano Trio. In 2014 Dr. Chung was awarded the University of Manitoba’s Rh Award
for Outstanding Contributions to Scholarship and Research in the Creative Works. For the past
four years Dr. Chung has been immersed in co-authoring a critical pedagogy method book
entitled CelloMind published through Ovation Press, Chicago. Skilled in both orchestral and
chamber repertoire, Minna regularly performs as a member of the Munich Symphony Orchestra
and is a core member of the Manitoba Chamber Orchestra. Minna Rose is also a returning
guest artist, teacher, and chamber musician to several international music festivals, including the
historic Meadowmount School of Music in New York. Dr. Chung earned her Bachelor of Music
in Cello Performance at Oberlin Conservatory, Masters of Music at Northwestern University,
and Doctor of Musical Arts at SUNY Stony Brook University.
Winnipeg collaborative pianist Laura Loewen has appeared in concerts throughout North
America and in Europe, Asia and South America. She is a professor of Collaborative Piano and
the Vocal Coach at the University of Manitoba’s Marcel A. Desautels Faculty of Music and is on
the faculties of the NUOVA opera training program in Edmonton, Alberta and VISI. Dr. Loewen
has performed extensively with singers, instrumentalists and chamber ensembles and has
appeared in concert with artists such as Charles Castleman, Wendy Nielsen, Kimberly Barber,
Jasper Wood, Eugene Rousseau, and William Bennett. Loewen and duo partner, saxophonist
Allen Harrington, have been performing together for the last seven years throughout North
America and in Europe, Asia, and South America. Ms. Loewen holds a Doctorate of Musical
Arts degree in Accompanying/Coaching from the University of Minnesota and spent two
summers at the Music Academy of the West studying vocal accompanying with Warren Jones,
and worked with Martin Katz and Graham Johnson at SongFest ’98.

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              <text>Notes: Ständchen was not performed. The other four Strauss songs were split into separate tracks (4-7). The Debussy songs (tr. 11) were performed in reverse order from the program.&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_01.mp3"&gt;Track01&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_02.mp3"&gt;Track02&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_03.mp3"&gt;Track03&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_04.mp3"&gt;Track04&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_05.mp3"&gt;Track05&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_06.mp3"&gt;Track06&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_07.mp3"&gt;Track07&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_08.mp3"&gt;Track08&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_09.mp3"&gt;Track09&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_10.mp3"&gt;Track10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_11.mp3"&gt;Track11&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_12.mp3"&gt;Track12&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_13.mp3"&gt;Track13&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_14.mp3"&gt;Track14&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_15.mp3"&gt;Track15&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_16.mp3"&gt;Track16&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_17.mp3"&gt;Track17&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_18.mp3"&gt;Track18&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_19.mp3"&gt;Track19&lt;/a&gt;</text>
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                <text>Kaitie Sly</text>
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                <text>Tracy Dahl, soprano&#13;
Monica Huisman, soprano&#13;
Minna Rose Chung, cello&#13;
Laura Loewen, piano</text>
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                    <text>School of Music

50

YEARS

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

SONIC
LAB
Ajtony Csaba, director

This concert is presented on the traditional territory of the
WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt)
peoples of the Coast Salish Nation.

Friday, November 10, 2017 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Arnold Schoenberg

Der Dandy, Der Kranke Mond from Pierrot Lunaire, Op. 21

(Three times Seven Poems from Albert Giraud’s ‘Pierrot lunaire’)
Jessica Wagner, voice
Charmaine Tai, flute
Samuel He, clarinet
Ethan Hill, piano
Claude Vivier

Pulau Dewata (1977)
Simeon Weststeijn, vibraphone
Jamie Pambrun, flute
Ethan Hill, Ajtony Csaba, keyboards
Olivier Messiaen

Paysage, La Maison from Poèmes pour Mi (1936)
Claude Vivier / lyrics: Novalis

Hymnen an die Nacht (1976)
Jessica Wagner, voice
Ethan Hill, piano
Chaya Czernowin

While Liquid Amber I (for 3 piccolos) (2000)
Charmaine Tai, piccolo
Monica Mun, piccolo
Jamie Pambrun, piccolo
Igor Stravinsky

Sonata for Two Pianos (1943-44)
II. Theme with Variations
III. Allegretto

Ethan Hill, Ajtony Csaba, piano

�UPCOMING EVENTS
FRIDAY, NOVEMBER 17 | 12:30 PM (By donation)
Fridaymusic
Featuring the UVic School of Music percussion students.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 17 | 8 PM (By donation)
Guitar Studio Recital
Guitar students from the studio of Dr. Alexander Dunn.
Phillip T. Young Recital Hall
SATURDAY, NOVEMBER 18 | 8 PM (By donation)
Trinitas Chamber Ensemble: Currents of the Third Stream
Michelle Cheramy, flute. Phil Roberts, piano, Nathan Cook, cello
A program of contemporary chamber music that dips its toes into the world of jazz. Featuring
works by Nikolai Kapustin, Astor Piazzola and Lowell Liebermann.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 19 | 2 PM (By donation)
Piano Studio Recital
Piano students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 19 | 7 PM (By donation)
UVic Vocal Jazz Ensemble: Fall Showcase: Night-Blooming Jasmine
Wendell Clanton, director
Songs of rescue and romance performed by studio groups and combos.
Phillip T. Young Recital Hall
TUESDAY, NOVEMBER 21 | 12:30 PM (By donation)
Tuesdaymusic
A concert of varied repertoire and instruments
Phillip T. Young Recital Hall

To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

Donate
Now

50

For 50 years the UVic School of Music has been nurturing musicians
with the richest musical experience on the West Coast. This could not
have been possible without the generous contributions from our loyal
patrons and the incredible support of our community.
Support the 50th anniversary season with a donation and be a
part of our legacy. Let’s ensure that this anniversary season delights
audiences and students for decades to come.
To make a donation online, visit
finearts.uvic.ca/music/calendar/50thsupport/

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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 17, 2017 • 12:30 p.m.
Featuring School of Music percussion students
from the studio of Bill Linwood
Paul Smadbeck

Rhythm Song		
Lu Zexuan, marimba
Etude in A-flat major 	

Clair Omar Musser
Brandon Bronson, marimba

Partita for Violin in D minor 	
	Sarabande

J. S. Bach
Josh Mulingbayan, marimba
Cashton MacGillvray

Drop the Bass in Miami	
Cashton MacGillvray, marimba

Casey Cangelosi

Viscosity	
Simeon Westseijn, marimba

Mitch Markovich

Tornado 	
Simeon Westseijn, snare drum

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, NOVEMBER 17 | 8 PM (By donation)
Guitar Studio Recital
UVic School of Music guitar students from the studio of Dr. Alexander Dunn.
Phillip T. Young Recital Hall
SATURDAY, NOVEMBER 18 | 8 PM (By donation)
Guest Concert | Trinitas Chamber Ensemble: Currents of the Third Stream
Michelle Cheramy, flute | Phil Roberts, piano | Nathan Cook, cello
A program of contemporary chamber music that dips its toes into the world of jazz.
Featuring works by Nikolai Kapustin, Astor Piazzola and Lowell Liebermann.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 19 | 2 PM (By donation)
Piano Studio Recital
Featuring UVic School of Music piano students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall

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                    <text>GUITAR STUDIO RECITAL
Guitar students from the studio of Dr. Alexander Dunn
Friday, December 17, 2017, 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Adagio in E-flat, WoO 43b

Ludwig van Beethoven
(1770–1827)
Isaiah Brabazon, guitar
Matt Sabo, piano

Suite BWV 995
Prelude – tres viste

J.S. Bach
(1685–1750)
Isaiah Brabazon, guitar

Andante Op. 20, No. 9
Rondo Op. 20, No. 18

Wenzel Matiegka
(1773–1830)
Dante Andre-Kahan, guitar

Suite BWV 1012
Prelude
Allemande
Courante
Sarabande
Gavotte 1-2
Gigue

J.S. Bach

Josh Hu, guitar

�Suite Transcendent
Open Landscape
Grande Cathedrale

Allan Willcocks
(1869–1956)

Isaiah Brabazon, Josh Hu, Fraser Gibson, Brodie Keating, guitars
— INTERMISSION —
Fantasia para un Gentilhombre
Villano y Ricercar, Españoleta y Fanfare de la Caballería de Napoles

Joaquin Rodrigo
(1901–1999)

Josh Hu, guitar
Cathy Yang, piano
La Catedral
Preludio saudade
Andante religioso
Allegro solemne

Agustin Barrios
(1885–1944)

Fraser Gibson, guitar
Suite BWV 996
Präludium — presto
Allemande
Courante
Sarabande
Bourrée
Gigue

J.S. Bach

Simon Farintosh, guitar

The Victoria Guitar Society presents
International Competition Winner
Xavier Jara
Friday Nov. 24, 7:30 pm
Phillip T. Young Recital Hall
$20 &amp; $15
Tickets available online: http://victoriaguitarsociety.ca/current-season/
at the door, and at the following locations:
Long &amp; McQuade,
Ivy’s Bookshop,
Good Earth Cafe (Oak Bay)

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                    <text>School of Music

50

YEARS

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

GUEST CONCERT

TRINITAS CHAMBER
ENSEMBLE
Currents of the Third Stream
Michelle Cheramy, flute
Nathan Cook, cello
Philip Roberts, piano

This concert is presented on the traditional territory of the
WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt)
peoples of the Coast Salish Nation.
This concert is made possible in part by funding from the
Office of the Vice President (Research), Memorial University.

Saturday, November 18, 2017 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Trio for flute, cello and piano, Op. 86 (1988)		
	I. Allegro molto			
	
II. Andante
	
III. Allegro giocoso

Tango Etude No. 4 for flute and cello	
							

Invierno Porteño from Cuatro Estaciones Porteñas		

Nikolai Kapustin
(b. 1937)

Astor Piazzolla
(1921–1992)
arr. N. Cook

Astor Piazzolla
arr. J. Bragato

I NT E R M I S S I O N

Trio No. 1 for flute, cello and piano, Op. 83	
	
I. Allegro 	
	
II. Moderato
	
III. Largo
	
IV. Presto

Lowell Liebermann
(b. 1961)

Trinitas Chamber Ensemble
Born from a desire to explore the fringes of standard classical chamber music and to
present engaging, off-beat performances, Trinitas is Eastern Canada’s premiere flute/
cello/piano chamber ensemble. Taking its name from the Latin word for “three,” the
group consists of three outstanding musicians with a shared vision and infectious
onstage chemistry. Accomplished soloists in their own right, the members of Trinitas
have performed around the world, including St Petersburg (Russia), Llangollen (Wales),
Uberlândia (Brazil), and Tegucigalpa (Honduras).Trinitas gave its premiere performance
in Toronto in June of 2015, and since then this ensemble has inspired rave audience
reaction at venues in Washington DC, Ontario, Alberta, and Newfoundland.

�BIOGRAPHIES
Flutist Michelle Cheramy has been hailed as a “...fine blend of artistry and bravura”
(Edmonton Journal) and recognized for the beauty of her sound, the fluidity of her playing and
her interpretive skills in repertoire from the 18th to 21st centuries. Michelle has appeared in
recitals and as soloist with orchestras in Canada, the United States and Russia and has been
featured in numerous radio broadcasts, including nationally on CBC Radio’s Symphony Hall, In
Performance, Two New Hours and The Signal. A rare combination of outstanding scholar and
performer, Michelle is past winner of the Canadian Concerto Competition, prize-winner in the
Montreal Symphony competition, and winner of the National Flute Association’s annual research
competition for her dissertation on the late work of André Jolivet. While her performance work
now focuses primarily on solo and chamber projects, past orchestral appointments include
second flute/piccolo positions with both the Thunder Bay and Augusta Symphony orchestras.
Michelle holds degrees from the University of British Columbia (B.Mus.), Indiana University
(M.M.) and Rice University (D.M.A.) where she was a student of Camille Churchfield, Peter
Lloyd and Leone Buyse. She is currently professor of music at Memorial University in St. John’s,
Newfoundland where she mentors a lively studio of undergraduate and graduate students in a
broad range of programs.
Cellist Nathan Cook has been praised for his “authoritative yet relaxed” playing, his “sweet
and pliant” sound, and “the combination of vigour and beauty” in his interpretation (Houston
Chronicle). Nathan’s diverse performing career has included serving as co-artistic director of
and cellist for the early music-focussed group Hot Earth Ensemble, as well as commissioning
and premiering brand new works by award-winning Canadian composers such as Karim AlZand, Andrew Staniland, Andrew P. MacDonald and Clifford Crawley. Nathan has served as
principal cellist of the Houston Chamber Orchestra and the Newfoundland Symphony, and
has performed and taught throughout North and South America at festivals in New York,
Iowa, Chile, Brazil, Honduras, and Mexico. Nathan hails from Appleton, Wisconsin and holds
Master’s and Doctoral degrees in cello performance from the Shepherd School of Music at Rice
University in Houston, Texas where he studied with Norman Fischer. He is currently associate
professor of music at Memorial University of Newfoundland in Canada where he serves as
coordinator of the chamber music program of the School of Music.
Pianist Phil Roberts currently resides in St. John’s, Newfoundland and is co-founder and coartistic director of PlayPianoNL, an organization dedicated to promoting pianists, performance,
and collaboration in Newfoundland and Labrador (www.PlayPianoNL.ca). Phil has served as
visiting assistant professor of piano for the School of Music at Memorial University, as accompanist
and vocal coach for the instrumental and vocal faculties at Memorial, and as a much sought-after
collaborative colleague in the larger St. John’s community. His solo and collaborative work has
taken him across Canada and to the U.S. and Europe, where his impressively broad performance
skills have allowed him to enjoy work in the genres of jazz, opera and musical theatre as well as
classical solo and chamber music. His playing has been recognized with several awards, including
the Gold Medal at the Llangollen International Musical Eistenfodd in Wales, and the Royal BankDebut Atlantic Award for Musical Excellence. Phil is an alumnus of Memorial University and the
University of Montreal, where he completed his D.M.A. with Marc Durand.

�</text>
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                    <text>PIANO STUDIO RECITAL
Piano students from the studio of May Ling Kwok.
SUNDAY, NOVEMBER 19, 2017 | 2 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Prelude and Fugue in F minor, Book I, BWV 857
Étude in G-flat major, Op. 10, No. 5

J.S. Bach (1685–1750)
Frédéric Chopin (1810–1849)

Ryan Qu
Sonata in E major, Op. 14, No. 1
I. Allegro

L. van Beethoven (1770–1827)
Nancy Lin*

Rhapsody in B minor, Op. 79, No. 1

Johannes Brahms (1833–1897)
Joy Keeler*

Étude No. 11, Pour les arpèges composés
Étude No. 2, Op. 40 “Reverie”

Claude Debussy (1862–1918)
Nikolai Kapustin (b. 1937)

Aimi Howden*

— INTERMISSION —

�The Lark

Mikhail Glinka (1804–1857)
Transcribed by Mily Balakirev
L. van Beethoven

Piano Concerto in C major, Op. 15
I. Alllegro con brio
Carey Wang
Sonata No. 8 in A minor, K. 310
I. Allegro maestoso
II. Andante cantabile con expressione

W. A. Mozart (1756–1791)

Boyana Makedonska*
Sonata in G-sharp minor “Sonata Fantasy”, Op. 19
I. Andante
II. Presto
Ya Ping Huang*

Alexander Scriabin (1871–1915)

Sonata No. 12 in A-flat major, Op. 26
I. Andante con Variazioni

L. van Beethoven
Iris Hung*

* Students from the School of Music, University of Victoria

UPCOMING EVENTS
SUNDAY, NOVEMBER 19 | 7 PM (By donation)
UVic Vocal Jazz Ensemble: Fall Showcase: Night-Blooming Jasmine
Wendell Clanton, director
Singing songs of rescue and romance performed by studio groups and combos.
Phillip T. Young Recital Hall

TUESDAY, NOVEMBER 21 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students.
Phillip T. Young Recital Hall

THURSDAY, NOVEMBER 23 | 6-9 PM (Free)
Guest Masterclass: Xavier Jara, guitar
Guitar Foundation of America International Competition Winner.
Rm. B016, MacLaurin Building, B-Wing

To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events/

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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 21, 2017 • 12:30 p.m.
Syrinx							
			
			
Clade Debussy
	
												 (1862 - 1918)
Charlotte Mason, flute
Three Preludes for Unaccompanied, Op. 18							
Robert Muczynski		
	I. Allegro							 				 (1929 - 2010)
	II. Andante molto
Jasmine Riseley, flute
Improvisation et Caprice
		
	
	
Eugène Bozza		
								 					 (1905 - 1991)
Connor Stairs, alto saxophone
Fünf Airs für zwei Klarinetten
	
		
	I. Allegro	 									
	II. Allegro
Kyle Lancaster, clarinet
Katherine Forster, clarinet

Anonymous		
(1713 - unknown)

		

W. A. Mozart		
(1756 - 1791)	

Violin Concerto No. 3 in G Major, K. 216
	
III. Rondeau: Allegro							

	

	

Lucy Toews, violin
Anna Betuzzi, piano

Violin Concerto No. 1 in A Minor, Op. 77 							 Dmitri Shostakovich		
	I. Nocture: Moderato						 				 (1906 - 1975)
Talia Sinclair, violin
Syd Bulman-Fleming, piano
String Quartet No. 2, Op. 51									
Johannes Brahms		
	I. Quasi Minuetto, moderato						 			 (1833 - 1897)
Ilya Gotchev, violin
Carlos Quijano, violin
Felix Alanis, viola
Manuel Cruz, cello

UPCOMING AT THE SCHOOL OF MUSIC
THURSDAY, NOVEMBER 23 | 6-9 PM | Free admission
GUEST MASTERCLASS: Xavier Jara, guitar
Guitar Foundation of America International Competition Winner
Rm. B016, MacLaurin Building, B-Wing
FRIDAY, NOVEMBER 24 | 12:30 PM | Admission by donation
FRIDAYMUSIC
Featuring new works by UVic School of Music composition students.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 24 | 8 PM | Regular $20 / Seniors $15 / Students &amp; UVic Alumni $10
UVic WIND SYMPHONY
Dr. Michael Keddy, conductor
The UVic Wind Symphony performs music that reflects a
connection between visual arts and music. UVic School of Music
trombone instructor Scott MacInnes will perform as soloist with
the ensemble in Red Sky at Night, a piece that was composed
for him in 2010 by Nicholas Francis.
University Centre Farquhar Auditorium

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                  <text>Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition.</text>
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Benjamin Butterfield, tenor&#13;
Ajtony Csaba, conductor</text>
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