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                    <text>DEGREE RECITAL
Boyana Makedonska, piano
Wednesday, April 21, 2021, 7pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Davidsbündlertänze Op. 6
Lebhaft
Innig
Mit Humor
Ungeduldig
Einfach
Sehr rasch
Nicht schnell
Frisch
Lebhaft
Balladenmäßig - Sehr rasch
Einfach
Mit Humor
Wild und lustig
Zart und singend
Frisch
Mit gutem Humor
Wie aus der Ferne
Nicht schnell

Robert Schumann
(1810 – 1856)

— INTERMISSION —

Partita No. 1 in B-flat Major, BWV 825
I. Praeludium
II. Allemande
III. Corrente
IV. Sarabande
V. Menuet I
VI. Menuet II
VII. Gigue

Johann Sebastian Bach
(1685 – 1750)

Piano Sonata No. 27 in E Minor, Op. 90
I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
II. Nicht zu geschwind und sehr singbar vorgetragen

Ludwig van Beethoven
(1770 – 1827)

Miroirs
II. Oiseaux tristes
IV. Alborada del garcioso

Boyana Makedonska is from the class of Professor May Ling Kwok.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

Maurice Ravel
(1875 – 1937)

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                    <text>DEGREE RECITAL
Kyla Fradette, soprano
Boyana Makedonska, piano
Alex Chen, piano
Keren Xu, flute
April 19, 2021, 7:00PM
Phillip T. Young Recital Hall, MacLaurin Building

PROGRAM
Five Selections by Ellen Mandel
in Just-spring
i am a little church
To an Isle in the Water
Nobody wears a yellow flower
sweet spring

Ellen Mandel
(b. 1957)

Boyana Makedonska, piano
Deux poèmes de Ronsard
I.
Rossignol, mon mignon
II.
Ciel, aer et vents

Albert Roussel
(1869–1937)

Keren Xu, flute
Aus Liebe will mein Heiland sterben
from Matthäuspassion, BWV 244

J. S. Bach
(1685–1750)
Keren Xu, flute
Alex Chen, piano

Scene III: “Hall of Doors”
from The Garden of Alice

Elizabeth Raum
(b. 1945)
Alex Chen, piano

— INTERMISSION —
Da tempeste il legno infranto
from Giulio Cesare, HWV 17

G. F. Handel
(1685–1759)
Alex Chen, piano

Romance de Mignon

Henri Duparc
(1848–1933)
Boyana Makedonska, piano

Sechs Lieder, Op. 48
I.
Gruß
II.
Dereinst, Gedanke mein
III.
Lauf der Welt
IV.
Die verschwiegene Nachtigall
V.
Zur Rosenzeit
VI.
Ein Traum
Boyana Makedonska, piano

Kyla Fradette is from the class of Professor Benjamin Butterfield.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Voice Performance program.

Edvard Grieg
(1843–1907)

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Boyana Makedonska, piano &#13;
Alex Chen, piano &#13;
Keren Xu, flute</text>
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                    <text>GRADUATE RECITAL
Zin Cho, piano
April 15, 2021 l 7PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Württemberg Sonata No. 1 in A minor, Wq. 49
1.Moderato
2. Andante
3. Allegro assai

Carl Philipp Emanuel Bach
(1714-1788)

Préludes, Livre 1
2. Voiles

Claude Debussy
(1862-1918)

Out of Doors, Sz. 81
1. With Drums and Pipes – Pesante
2. Barcarolla – Andante
3. Musettes – Moderato
4. The Night's Music – Lento – (Un poco) più andante
5. The Chase – Presto

Béla Bartók
(1881-1945)

— INTERMISSION —

25 Variations and Fugue on a Theme by Handel, Op. 24

Zin Cho is from the class of Professor Arthur Rowe.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

Johannes Brahms
(1833-1897)

�Program Notes
C.P.E. BACH
The Six Württemberg sonatas were dedicated to the grand duke of Württemberg, (later the Stuttgart
employer of Jommelli). Sonata no. 1 was written in 1742 while Bach was court musician for Frederick The
Great in Berlin. The sonatas are expressive, chromatic and dramatic, fitting the 'new' style of composition.
Carl Phillip Emmanuel Bach has been called one of the first composers of the classical era.
1. Moderato - This short movement creates tension with its rolled chords and is punctuated by triplets
that add restlessness to the music. The movement consists of two repeated sections, as is the case with
early classical era sonatas.
2. Andante - This starts with a gentle opening mood in the parallel key of A major. This movement seems
like a dialogue between friends in the salon.
3. Allegro assai - The last movement returns to the minor key and is highlighted by runs in the right hand
as the left hand changes the harmony. This movement is also in two sections that are to be repeated.
Debussy
Voiles is the second piece in the first set of twelve preludes (Book 1), which was published in 1910. All of
the preludes have descriptive titles. These are only given at the end of the piece. Debussy described his
impressions of what he saw and read such as, sculpture, legend, literature. The title of the piece may be
translated to English as either veils or sails. Usually, it is explained as a sailing ship on the sea, but I try to
interpret the veil trembling in the breeze. consists of pentatonic and whole-tone scales.
Bartok
The Out of Doors Suite was composed when Bartok was writing in his mature style. The piece was written
in 1926 from July to August at a time when a number of his other important piano works were written.
The movements describe the scenery and sounds “out of doors”, and as a character piece, each movement
has its own descriptive title. Bartok was editing pieces by F. Couperin and Scarlatti around that time and
primarily, he was working on F. Couperin Volumes in 1924. Couperin called his pieces an Ordre, which
meant a kind of Suite. The main difference between from other composer’s Suites was that each
movement has a title in Couperin's work. Bartok was influenced by Couperin's Ordre when he composed
Out of Doors. Moreover, he accommodated the arch form in this piece. Thus it is made of E-G-A-G-E,
according to the central tone in each number. Out of Doors was created when Bartok experimented with
his groundbreaking research of folk music. We can see that he kept his ideas about the new sound, folk
music, while simultaneously keeping the classical form.
No.1 “With Drums and Pipes” imitates the sound of drums and pipes, which used to accompany dance
music. Also, it could describe the old instruments, tambourine and galoubet. Hence, we can feel the
contradiction between the percussive sound and the more melodic sound from the wind instrument.
No. 2 “Barcarolle” imagines a rocking boat with rhythmic flexibility. Also, it depicts some moods like
depression from the chromatic and minor scales. Personally, I could feel some loneliness, such as there is
no destination and direction in our lives.

�No. 3 “Musettes” was influenced by the bagpipe. Hungarians have a superstitious belief that the bagpipe
has a devil's character, so we could imagine that this character is illustrated by the tone clusters.
No.4 “Night's Music” is a nocturne dedicated to Bartok's wife, Ditta. He loved nature and was fond of
going out to walk at night. Thus, it depicts the natural sound that he used to listen to while he took a stroll
at night, such as birds, cicadas, and the particular Hungarian frog called Uka.
No.5 “The Chase” is 'hunting music,' hunting music is an old genre; there are Italian 'Caccia' in the 14th
century, England' Catch' in the Middle Ages. The form of this piece could be a variation. The first theme
keeps recurring throughout this piece, altered the rhythm, ostinato, dynamic and main melody.
Brahms
The Variations and Fugue on a Theme by Handel, Op. 24, was composed in 1861. This work is dedicated
to a "beloved friend," Clara Schumann. It was presented to her on her 42nd birthday, September 13. It
consists of a set of twenty-five variations and a concluding fugue, all based on a theme from Handel's
Harpsichord Suite No. 1 in B♭ major, HWV 434. Brahms’ interests in earlier music were well known,
particularly his attraction with the magnificent compositional achievements of the Baroque era. He
maintained the harmonic architecture of the original. For instance, in the theme, Brahms called it the
"neutral ground." The aria and bass line are simple, as are the harmonic progressions. The aria begins by
ascending a simple fourth—Bb C D Eb—which will become the final fugue basis. In keeping with his
conservative historical tendency, Brahms not only follows tradition in changing to the minor mode for
several of his variations but also presents his theme in the form of musical genres of times past, many of
them famous in the Baroque era: the siciliana (Variation 19) - based on the manner of Francois Couperin,
canon (Variation 6), musette (Variation 22)- it's small bagpipe with a smooth sound that was popular in
the French court during the 18th century-, and the culminating fugue. The fugue is based on two
ascending melodic 2nds taken from the opening phrase of the variation theme. This fugue is worked
through in the authentic Baroque manner, using inversion of the fugue subject and augmentation of
its 16th notes into 8ths, as the primary contrapuntal devices applied.

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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
April 9, 2021 • 12:30 p.m.
UVic School of Music Collegium
Joanna Hood, coach

Württemberg Sonata in A minor Wq. 49, No. 1		
	
I. Moderato		
	
	
Zin Cho, harpsichord

	

		

C.P.E. Bach
(1714–1788)

Georg Teleman
(1681–1767)

Fantasia No. 9 for Solo Violin	
	
I. Allegro molto moderato	
	
II. Adagio
	
III. Allegro scherzando
Gabriel Laurence Cayer, baroque violin
Flute sonata No.1 in D Major, Op. 91	
	
1. Sicilienne	
	
II. Gayement
	
III. Gracieusement
	
IV. Gayement
Keren Xu, baroque flute
Zin Cho, harpsichord
Trio Sonata in G Major, Op. 5, No. 4	
	
1. Allegro 	
	
II. A tempo ordinario – Allegro, non presto – Adagio
	
III. Passacaille
	
IV. Gigue (Presto)
	
Joanna Hood, baroque viola
Keren Xu, baroque flute
Gabriel Laurence Cayer, baroque violin
Jacob Culling, viola da gamba
Zin Cho, harpsichord

J.B. Boismortier
(1689–1755)

George Frideric Handel
(1685–1759)

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                <text>Zin Cho, harpsichord&#13;
Gabriel Laurence Cayer, baroque violin&#13;
Keren Xu, baroque flute&#13;
Jacob Culling, viola da gamba&#13;
Joanna Hood, baroque viola</text>
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                    <text>DEGREE RECITAL
Ben Parker, trumpet
Kinza Tyrrell, piano
Baylie Adams, saxophone
Thursday, April 8, 2021, 7pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Cloud, the Grave Stone in the Sky

Rica Narimoto
(b. 1969)

Sonata for Trumpet and Piano
Sarabande
Intermède
Spiritual

Jean Hubeau
(1917-1992)

Kinza Tyrrell, piano

— INTERMISSION —
Tromba

Ulysses Kay
(1917-1995)

Prologue
Nocturne
Mobile
Kinza Tyrrell, piano

Point Pelee

Howard Cable
(1920-2016)
Kinza Tyrell, piano

Duo Sonata “Wisdom of our Fathers”
I Work Hard And Stay True
In All Things I Give Thanks
Play So Others May Dance

Barbara York
(b. 1949)

Baylie Adams, trumpet
Kinza Tyrrell, piano

Ben Parker is from the class of Professor Merrie Klazek.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

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Kinza Tyrrell, piano&#13;
Baylie Adams, saxophone</text>
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                    <text>DEGREE RECITAL
Carl Kar-Lok Fung, violin
Zin Cho, piano
Wednesday, April 7th, 2021, 8PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
First Rhapsodie

Béla Bartók
(1881-1945)
Zin Cho, piano

Concerto in D Major, Op. 35
I. Allegro Moderato

Pyotr Ilyich Tchaikovsky
(1840-1893)
Zin Cho, piano

— INTERMISSION —

Violin Sonata No. 9, in A Major Op. 47 (Kreutzer)
I. Adagio Sostenuto – Presto
II. Andante con Variazioni
III. Presto

Zin Cho, piano

Carl Fung is from the class of Professor Sharon Stanis.
This recital is presented in partial fulfillment of the requirements
for the Masters of Music (performance) program.

Ludwig Van Beethoven
(1770-1827)

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Zin Cho, piano</text>
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                    <text>GRADUATE RECITAL
Nikolai Ovchinnikov, accordion
Kinza Tyrrell, piano
Tuesday, April, 6th, 2021, 12:30 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Carnevale

R. Ruggieri
(b. 1965)
arr. N. Ovchinnikov

Medley de Brel

J. Richard
(b. 1980)

Hijo de la Luna

S. Osokin
(b. 1981)

L’enfant Démon

J. Richard
(b. 1980)

Extrait d’Opale Concerto

R. Galliano
(b. 1950)

Suite

F. Angelis
(b. 1962)

I. B.B. (Brel-Bach)
II. Soliloque
III. Asia-Flashes

Goldberg Variations (Aria and the 1st variation)

J.S. Bach
(1685-1750)

Polonaise Op. 40, No. 1 in A Major (“Military”)

F. Chopin
(1810-1849)

Petite Suite Française
I. Prélude
II. Aubade
III. Espiégle
IV. Interlude
V. Waltz

R. Galliano
(b. 1950)

Kinza Tyrrell, piano

Nikolai Ovchinnikov is from the class of Professor Jelena Milojevic.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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Kinza Tyrrell, piano</text>
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                    <text>GRADUATE RECITAL
Maki Yamagata, viola
Kinza Tyrrell, piano
Thursday, April, 1st, 2021, 7:30PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Cadenza for Solo Viola

Krzystof Penderecki
(1933–2020)

Arpeggione Sonata D. 821
Allegro Moderato
Adagio
Allegretto

Franz Schubert
(1797–1719)

Kinza Tyrrell, piano

— INTERMISSION —
Viola Sonata
Impetuoso
Vivace
Adagio

Rebecca Clarke
(1886–1979)

Kinza Tyrrell, piano

Maki Yamagata is from the class of Professor Joanna Hood.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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Kinza Tyrrell, piano</text>
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                    <text>DEGREE RECITAL
Baylie Kristina Adams, saxophone
Yousef Shadian, piano
Wednesday, March 31, 2021, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Deep Flowers

Evan Chambers
(b. 1963)

Ballade

Henri Tomasi
(1901-1971)

Romance

William Grant Still
(1895-1978)

— INTERMISSION —

Concertino da Camera
I. Allegro con moto

Fantaisie Brilliante sur des airs de Carmen

Baylie Adams is from the class of Professor Wendell Clanton.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

Jaques Ibert
(1890- 1962)

François Borne
(1840-1920)

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Yousef Shadian, piano</text>
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                    <text>UVIC

STRING CHAMBER MUSIC

Students from the School of Music string studios.

TUESDAY, MARCH 30, 2021 | 12:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Samuel Barber
(1910-1981)

String Quartet in B minor, Op. 11
		
	
I. Molto allegro e appassionato 	
	
II. Molto adagio
	
III. Molto allegro (come prima) – Presto
Iryna Peleshchyshyn, violin
Claire Sparrow-Clarke, violin
Judith Gaston, viola
Aline Gilbert-Thévard, cello

Dmitri Shostakovich
(1906-1975)

From 5 Pieces For 2 Violins And Piano		
	
I. Prelude 	
	
II. Gavotte
	
IV. Waltz
Keelyn Chu, violin
Jade Chu, violin
Eóghan Bostock, piano
Quartet No. 4 in C Major, K. 157		
	
I. Allegro 	
	
II. Andante
	
III. Presto

	

Wolfgang Amadeus Mozart
(1756-1791)

Rebecca Reader-Lee, violin
Emily Fenske, violin
Andrew Loe, viola
Liam McDonald-Horak, cello
String Quartet No. 2 in A minor, Op. 51			
	
I. Allegro non troppo 	
Carl Fung, violin
Lea Fetterman, violin
Philip Manning, viola
Jose Enrico R. Tuazon, cello

Johannes Brahms
(1833-1897)

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_04.wav"&gt;Track 4&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Iryna Peleshchyshyn, violin&#13;
Claire Sparrow-Clarke, violin&#13;
Judith Gaston, viola&#13;
Aline Gilbert-Thévard, cello&#13;
Keelyn Chu, violin&#13;
Jade Chu, violin&#13;
Eóghan Bostock, piano&#13;
Rebecca Reader-Lee, violin &#13;
Emily Fenske, violin&#13;
Andrew Loe, viola &#13;
Liam McDonald-Horak, cello&#13;
Carl Fung, violin&#13;
Lea Fetterman, violin &#13;
Philip Manning, viola &#13;
Jose Enrico R.Tuazon, cello</text>
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