55 10 1498 https://finearts.uvic.ca/music/archive/files/original/d7b135d00220b10370e0571a83b69500.pdf 6e6280cee32040f993371e50ad9cb16b PDF Text Text VIOLIN STUDIO RECITAL UVIC Students from the studio of Sharon Stanis. SUNDAY, NOVEMBER 7, 2021 | 2:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria PROGRAM Joseph Haydn (1732–1809) String Trio in G Major, Op. 53, No. 1 I. Allegretto e innocente Claire Sparrow-Clarke, violin Helen Young, viola Jayda Thor, cello J. S. Bach (1685–1750) Sonata in A minor, BWV 1003 IV. Allegro Noah Mellemstrand, violin Caprice No. 1, “Die Kranke und die Uhr” Joyce Tsai, violin S.C. Eckhardt-Gramatté (1899–1974) S.C. Eckhardt-Gramatté Caprice No. 7, “Le départ d’un train” Claire Sparrow-Clarke, violin Franz Schubert (1797–1828) Sonatina No. 1 in D Major, Op.137 I. Allego molto Joyce Tsai, violin Claudia Mok, piano W. A. Mozart (1756–1791) Concerto No. 3 in G Major, K. 216 I. Allegro Emily Fenske, violin Bailey Lehmann, piano We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital6_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital6_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital6_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital6_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110721-ViolinRecital/110721-ViolinRecital6_6.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Recital - Students from the studio of Sharon Stanis Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 7 2021 Contributor An entity responsible for making contributions to the resource Claire Sparrow-Clarke, violin Helen Young, viola Jayda Thor, cello Noah Mellemstrand, violin Joyce Tsai, violin Claire Sparrow-Clarke, violin Joyce Tsai, violin Claudia Mok, piano Emily Fenske, violin Bailey Lehmann, piano https://finearts.uvic.ca/music/archive/files/original/deae2ec8c05e502ad4b26b01ea120576.pdf c4391082dc29fad700367c313efec88d PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 9, 2021 • 12:30 p.m. 32 Variations on an Original Theme in C minor, WoO 80 Ludwig van Beethoven (1770–1827) Lucas Hung, piano Four Macedonian Pieces 1. Zajdi, zajdi Miroslav Tadic (b. 1959) Hao Guo, alto flute Morgan Sheeley, guitar Quatour pour Saxophone II. Adante Sylvan Wilkinson, soprano saxophone Madison Wang, alto saxophone Bethanie Tran, tenor saxophone Xavier Marican, baritone saxophone Alfred Desenclos (1912–1971) Andante et Scherzetto 1. Andante II. Scherzetto Kayleigh Francis, soprano saxophone Meghan Pimm, alto saxophone Connor Baumann, tenor saxophone Isaiah Doyle, baritone saxophone Pierre Lantier (1910–1998) Fugue en la mineur I. Fugue dotted quarter = 84 J. S. Bach (1685–1750) Brock Meades, double bass Jacob Sterling, double bass Jody Johnson, double bass Cello Suite No. 3 in C major 1. Prelude J. S. Bach Helen Young, viola UPCOMING AT THE SCHOOL OF MUSIC WEDNESDAY, NOVEMBER 10 - 13 AUDIO+ Workshop AUDIO+ is a three-day hybrid (in-person and live streamed) workshop gathering established audio engineer-scholars, students and young graduates, music producers and studio professionals, artists and others to build a community that engages in a critical dialogue on overcoming gender-, race- and class-based discrimination in the field of music production and audio engineering. MONDAY, NOVEMBER 15 | 7:30 PM Clarinet Studio Recital A concert featuring UVic School of Music clarinet students from the studios of Connie Gitlin and Melissa Goodchild. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 16 | 12 PM UVic’s 5 Days of Action: Amplifying voices: Integrating underrepresented identities in music Starting with the 5 Days of Action, UVic’s Music Student Association (MSA) presents the first in a series of events highlighting marginalized voices and bringing awareness to EDI-related challenges that musicians and musical institutions are facing. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211109-TuesdayMusic/20211109-TuesdayMusic_6.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 9 2021 Contributor An entity responsible for making contributions to the resource Lucas Hung, piano Hao Guo, alto flute Morgan Sheeley, guitar Sylvan Wilkinson, soprano saxophone Madison Wang, alto saxophone Bethanie Tran, tenor saxophone Xavier Marican, baritone saxophone Kayleigh Francis, soprano saxophone Meghan Pimm, alto saxophone Connor Baumann, tenor saxophone Isaiah Doyle, baritone saxophone Brock Meades, double bass Jacob Sterling, double bass Jody Johnson, double bass Helen Young, viola https://finearts.uvic.ca/music/archive/files/original/998d3f2173c8cd74f830108fc6d61547.pdf 3562ad315b7d7616fec0b5591ac855b4 https://finearts.uvic.ca/music/archive/files/original/fc3b89b5ea020561d66dc921baf04f17.pdf 3562ad315b7d7616fec0b5591ac855b4 Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert7.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert8.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert9.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/121021-105Concert/121021-105Concert13.wav">Track 13</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music 105 Festive Seasonal Concert Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource January 10 2021 Contributor An entity responsible for making contributions to the resource Baylee Shields, voice Kenning Tran, guitar Simi Luttrell, piano Kyran Klazek-Schryer, violin Craig Matterson, piano Lucas Hung, piano Timilu Fast, piano Kay Kuang, piano Megan Bibby, violin Aline Gilbert-Thévard, 'cello Tenzin Clegg, clarinet Beth Tran, piano Kate Hansen, clarinet Ethan Patrick, guitar Matthew McKenzie, bass Colwyn Lewis, double bass Asa Mayeux, guitar Theo Davis, piano Sonia Ng, violin Olivia Jackson, voice Luc Faris, piano Marc Micu, trumpet Carling Riley, horn Jayda Thor, ‘cello Composers: Lucas Cosmo Chris Stewart Sonia Ng Soleil Carrillo Fey Trolitsch Carling Riley Tobo Vergara Ulloa Liam Baird Asa Mayeux Adam Baines Baylee Shields Koshi Thompson Evan Wright https://finearts.uvic.ca/music/archive/files/original/31a34c670a7c6598260f28b1b0c92840.pdf 3e393493b1ec26b394f3cce4e381af3c PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria December 3, 2021 • 12:30 p.m. UVic Sonic Lab Suite for flute and clarinet, Movements I and II (1953) Giacinto Scelsi Michelle Wolfenden, flute Sarah Carey, clarinet UVic Percussion Ensemble October Mountain Op. 135 in five movements (1942/53) Alan Hovhaness Liv Carlson, marimba Harbour Nolan, glockenspiel, marimba II Terra Bernabeu, tenor drum, timpani II Sara Varro, bass drum, gong Quinn Wood, tam-tam Ethan Page, timpani Frogs for solo marimba (1978) Keiko Abe Liv Carlson, marimba Etude in C Major for solo marimba (1948) Clair Omar Musser Lachlan Barry, marimba Toccata for Percussion Instruments in three movements (1942) Carlos Chavez Liv Carlson, small Indian drum, glockenspiel Ethan Page, snare drum, tenor drum, xylophone Thomas Evoy, snare drum, suspended cymbal Quinn Wood, tenor drum, maracas, claves, small gong Harbour Nolan, bass drum, tam-tam Lachlan Barry, timpani, medium gong UPCOMING AT THE SCHOOL OF MUSIC SUNDAY, DECEMBER 5 | 2:30 PM (By donation) Trumpet Studio Recital: Trumpets Around the Tree Don’t miss this 4th annual seasonal treat, featuring the UVic trumpet studio under the direction of Professor Merrie Klazek. With ensembles small and large, this glorious celebration of the instrument of angels will feature some favorite traditional Christmas carols, as well as jazzy holiday favorites and music to celebrate Hannukah and Kwanza. Phillip T. Young Recital Hall SUNDAY, DECEMBER 5 | 7 PM (By donation) A Holiday Cellobration UVic cello professor Pamela Highbaugh Aloni brings together UVic cello students, alumni and community members in a concert to ring in the holiday season. This concert will also feature the premiere of a newly commissioned work for cello ensemble by School of Music alumnus Hollas Longton (BMus ‘09), with poems by Frances Litman, supported by The Gail O’Riordan Climate and the Arts Legacy Fund. Donations will benefit UVic and community cello projects. RSVP is required to attend in person. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120321_Fridaymusic_Percussion/120321_Fridaymusic_Percussion_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120321_Fridaymusic_Percussion/120321_Fridaymusic_Percussion_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120321_Fridaymusic_Percussion/120321_Fridaymusic_Percussion_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120321_Fridaymusic_Percussion/120321_Fridaymusic_Percussion_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120321_Fridaymusic_Percussion/120321_Fridaymusic_Percussion_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 3 2021 Contributor An entity responsible for making contributions to the resource Michelle Wolfenden, flute Sarah Carey, clarinet Liv Carlson, marimba Harbour Nolan, glockenspiel, marimba II Terra Bernabeu, tenor drum, timpani II Sara Varro, bass drum, gong Quinn Wood, tam-tam Ethan Page, timpani Lachlan Barry, marimba Liv Carlson, small Indian drum, glockenspiel Ethan Page, snare drum, tenor drum, xylophone Thomas Evoy, snare drum, suspended cymbal Quinn Wood, tenor drum, maracas, claves, small gong Harbour Nolan, bass drum, tam-tam Lachlan Barry, timpani, medium gong https://finearts.uvic.ca/music/archive/files/original/7c8960e52d60f32d5b7fa57440f00527.pdf 9071702ebb6fc2e82401a068468c0060 PDF Text Text TRUMPETS AROUND THE TREE STUDIO HOLIDAY RECITAL Trumpet students from the studio of professor Merrie Klazek Sunday December 5th, 2021 | 2:30pm Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM A Secular Christmas Medley arr. James Olcott Luke Thomas, Kyle Bates, Ben Parker, Ekaterina Della Vedova, Abha Marie Parmar, Marc Micu, Alicia Ellis, Brendan Wong, Lucas Facca, Koshi Thompson, Elena Surridge, Heidi Goetz, Mark Barr, Sydney Hoffman – trumpet Merrie Klazek – conductor Ave Maria Gustav Holst (1874-1934) Ben Parker, Kyle Bates, Koshi Thompson, Elena Surridge, Mark Barr, Alicia Ellis, Luke Thomas, Heidi Goetz – trumpets Merrie Klazek – conductor Trepak Variations on a Russian Folk Song Tchaikovsky/Glinka Ekaterina Della Vedova, Abha Marie Parmar, Sydney Hoffman Marc Micu, Brendan Wong, Lucas Facca - trumpet Merrie Klazek – conductor Angels we have Heard of High arr. Winkler/MacInnes Ben Parker, Heidi Goetz, Ekaterina Della Vedova, Lucas Facca, Abha Marie Parmar, Sydney Hoffman - trumpet Merrie Klazek – conductor Ma ‘Oz Tsur – Traditional Hannukah arr. Robert Fraser Luke Thomas, Elena Surridge, Kyle Bates, Koshi Thompson – trumpet Merrie Klazek – conductor The Christmas Song Mel Torme, arr. J. Olcott Mark Barr, Merrie Klazek, Brendan Wong, Marc Micu, Alicia Ellis – trumpet Ekaterina Della Vedova – conductor A Game of Carols Fraser Ramin Djawadi/trad. arr.Robert Marc Micu, Lucas Facca, Kyle Bates, Heidi Goetz, Elena Surridge - trumpet Merrie Klazek – conductor Gaudete (from Piae Cantiones 1582) arr. Robert Fraser Ben Parker, , Brendan Wong, Mark Barr, Luke Thomas - trumpet Merrie Klazek – conductor The Wexford Carol arr. Robert Fraser Merrie Klazek, Abha Marie Parmar, Alicia Ellis, Ekaterina Della Vedova, Sydney Hoffman – trumpet Heidi Goetz – conductor A Formal Christmas Medley arr. James Olcott Mark Barr, Merrie Klazek, Heidi Goetz, Koshi Thompson, Brendan Wong, Elena Surridge, Ben Parker, Marc Micu, Sydney Hoffman, Ekaterina Della Vedova, Lucas Facca, Abha Marie Parmar, Kyle Bates, Luke Thomas – trumpet Alicia Ellis – conductor � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_08.mp3">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_09.mp3">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_10.mp3">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120521_TrumpetRecital/120521_TrumpetRecital_11.mp3">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpets Around the Tree Studio Holiday Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 5 2021 https://finearts.uvic.ca/music/archive/files/original/03633d95c6311b64f6e21f4aa92db094.pdf 7bb10e2f4ae02df366183e615a65efd7 PDF Text Text UVIC CELLO STUDIO RECITAL Featuring students from the studio of Pamela Highbaugh Aloni WEDNESDAY, DECEMBER 1, 2021 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Sonata for Cello and Piano, Op.1, No. 3 in G Major Grave Martin Berteau (1708–1771) Liam McDonald-Horak, cello Pamela Highbaugh Aloni, continuo Suite No. 2 in D Minor, BWV 1008 Allemande Courante Jayda Thor, cello J. S. Bach (1685–1750) High School of Cello Playing, Op. 73 Allegro Appassionato David Popper (1843–1913) Nicole Phanichphant, cello Suite No. 6 in D Major, BWV 1012 Prelude Courante J. S. Bach Enrico Tuazon, cello Suite No. 2 in D Minor, BWV 1008 Prelude Sarabande Sandra Espinola, cello J. S. Bach Sonata for Cello and Piano in D Minor, Op. 40 Allegro non troppo Aline Gilbert-Thévard, cello Isabel Stanyer, piano Dmitri Shostakovich (1906–1975) Concerto No. 1 in A Minor, Op. 33 Allegro non troppo Caitlyn Liu, cello Gloria Miao, piano Camille Saint-Saëns (1835–1892) Quartet No. 2 in A Minor, Op. 35 Variations on a Theme of Piotr Tchaikovsky: Moderato Phillip Manning, violin Julien Haynes, viola Jose Enrico Tuazon, cello Sandra Espinola, cello Anton Arensky (1861–1906) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120121_CelloRecital/120121_CelloRecital_08.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cello Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 1 2021 Contributor An entity responsible for making contributions to the resource Liam McDonald-Horak, cello Pamela Highbaugh Aloni, continuo Jayda Thor, cello Nicole Phanichphant, cello Enrico Tuazon, cello Sandra Espinola, cello Aline Gilbert-Thévard, cello Isabel Stanyer, piano Caitlyn Liu, cello Gloria Miao, piano Phillip Manning, violin Julien Haynes, viola Jose Enrico Tuazon, cello Sandra Espinola, cello https://finearts.uvic.ca/music/archive/files/original/820d921ece2ee69d8182d541f4251f6b.pdf 39e8a5efd43d955dfe3a735f15044368 PDF Text Text TROMBONE STUDIO RECITAL UVIC Students from the studio of Scott MacInnes WEDNESDAY, NOVEMBER 24, 2021 | 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Harlequin Arietta from “A Little Theatre Buffo” Fenix Trolitsch, trombone Midnight Serenade Arianna Hall, trombone Ryan Qu, piano Songs of the Sun II. Valleys and Mist Tyler Schmit, trombone Joanne Wood, piano Dona Nobis Pacem Amaya Sydor, bass trombone 215 Scott MacInnes, trombone Jan Freidlin (b. 1944) Edgar H. Zobel (1883-1969) Eric Ewazen (b. 1954) arr. David Fetter (b. 1938) Scott MacInnes (b. 1981) arr. Scott MacInnes Heyr Himna Smiður Scott MacInnes, alto trombone Tyler Schmit, Fenix Trolitsch, Arianna Hall, trombone Ryan Qu, Amaya Sydor, bass trombone � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112421-TromboneStudioRecital/112421-TromboneStudioRecital_06.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trombone Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 24 2021 Contributor An entity responsible for making contributions to the resource Fenix Trolitsch, trombone Arianna Hall, trombone Ryan Qu, piano Tyler Schmit, trombone Joanne Wood, piano Amaya Sydor, bass trombone Scott MacInnes, trombone Scott MacInnes, alto trombone Tyler Schmit, Fenix Trolitsch, Arianna Hall, trombone Ryan Qu, Amaya Sydor, bass trombone https://finearts.uvic.ca/music/archive/files/original/7e335bfc9e26719618703539b547f8ff.pdf f0528abb7cbe4b640287af98cecc9187 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA Wind Symphony (RE)PLAY STEVEN J. CAPALDO CONDUCTOR BEN LITZCKE MMUS STUDENT CONDUCTOR We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. FRIDAY, NOVEMBER 26, 2021 • 7:30 PM The Farquhar at UVic, University of Victoria Adults: $24 / Seniors: $18 / Students & UVic alumni: $12 �PROGRAM U V IC W IN D S Y M P H O N Y Steven Capaldo, conductor American Salute (1943) Morton Gould (1913-1996) Transcribed by Philip J. Lang Sheltering Sky (2012) John Mackey (b. 1973) Conducted by Master of Music Conducting student Ben Litzcke Autobahn (2008) Ryan George (b. 1978) Courtly Airs and Dances (1995) i. ii. iii. iv. v. vi. Intrada Basse Danse (France) Pavane (England) Saltarello (Italy) Sarabande (Spain) Allemande (Germany) Ron Nelson (b. 1929) I NT E R M I S S I O N Tempered Steel (1998) Charles Rochester Young (b. 1965) Derecho* (2021) Liam Catarina* (b. 1999) * UVic Composition student – World premiere performance Lichtweg/Lightway (2017) Four Seasons of Japan (2019) 1. 2. 3. 4. Autumn – The Maple Road Winter – Snow Mountains Spring – Cherry Blossom Summer – Fireworks Jennifer Jolley (b. 1981) Satoshi Yagisawa (b. 1975) �PROGRAM NOTES American Salute (1943) Morton Gould (1919-1996) Originally written for orchestra, American Salute has become a favorite of the concert band repertoire. Using the familiar tune When Johnny Comes Marching Home as the sole melodic resource, Morton Gould demonstrates his skill in thematic development, creating a brilliant fantasy on a single tune. Written in 1942 in the early days of World War II, it was composed at the request of a government radio program producer who wanted a “salute to America.” The composer insisted that he had no idea that the work was destined to become a classic: “It was years before I knew it was a classic setting. What amazes me is that critics say it is a minor masterpiece, a gem. To me, it was just a setting. I was doing a million of those things.” A million may be an exaggeration, but not by much. The pace of Gould’s schedule in those days was astounding. By his own account he composed and scored American Salute in less than eight hours, starting at 6 p.m. the evening before it was due (with copyists standing by), and finishing at 2 a.m. Although the ink couldn’t have been dry, the score and parts were on the stand in time for rehearsal the next morning and ready for broadcast that evening. © US Marine Band Sheltering Sky (2012) John Mackey (b. 1973) Conducted by Master of Music Conducting student Ben Litzcke Sheltering Sky has a folksong-like quality – intended by the composer – and through this an immediate sense of familiarity emerges. Certainly, the wind band repertoire has a long and proud tradition of weaving folk songs into its identity, from the days of Holst and Vaughan Williams to modern treatments by such figures as Donald Grantham and Frank Ticheli. Where these composers incorporated extant melodies into their works, Mackey takes a play from Percy Grainger. Grainger’s Colonial Song seemingly sets a beautiful folksong melody in an enchanting way (so enchanting, in fact, that he reworked the tune into two other pieces: Australian Up-Country Tune and The Gum-Suckers March). In reality, however, Grainger’s melody was entirely original – his own concoction to express how he felt about his native Australia. Likewise, although the melodies of Sheltering Sky have a recognizable quality (hints of the contours and colours of Danny Boy and Shenandoah are perceptible), the tunes themselves are original to the work, imparting a sense of hazy distance as though they were from a half-remembered dream. © Jake Wallace (ed. Steven Capaldo) �Autobahn (2008) Ryan George (b. 1978) Snaking through central Europe is a unique highway system called the Autobahn. What makes this highway special is the absence of speed limits. Your only hindrance is the performance ability of the vehicle you’re driving. In writing this piece I wanted to focus less on the idea of speed and more on the freedom and exhilaration that one feels while driving on a road with no limitations. In the beginning of the work fast cars whiz by (as imitated by the slide-gliss in the trombone) as the "driver" begins to accelerate onto the highway. Driving fast is a real thrill until they run into traffic. Honking horns and police sirens add to the frustration. The traffic eventually clears though, and the driver puts the pedal to the metal and cruises off into the European countryside. The work is dedicated to the students of the Glenn C. Jones Middle School Honor Band and their director, Dr. Tonya Millsap, whose ideas where the driving force behind this piece. And also, a special thanks goes to Jake Marbury who gave us the title for the work. © Ryan George Courtly Airs and Dance (1995) Ron Nelson (b. 1929) Courtly Airs and Dances is a suite of Renaissance dances which were characteristic to five European countries during the 1500s. Three of the dances (Basse Dance, Pavane, and Allemande) are meant to emulate the music of Claude Gervaise by drawing on the style of his music as well as the characteristics of other compositions from that period. The festival opens with a fanfare-like Intrada followed by the Basse Danse (France), Pavane (England), Saltarello (Italy), Sarabande (Spain), and Allemande (Germany). © Ron Nelson Tempered Steel (1998) Charles Rochester Young (b. 1965) As we grow stronger and more resilient through hardship, we become “tempered”. Tempered Steel is a celebration of our triumph over these unavoidable hardships and obstacles that we regularly face. It rejoices in the tenacious and unrelenting resolve that is part of us all. As the title implies, the metallic sonorities of the wind band are continually explored and developed throughout the work, while the “tempest” is a symmetric hexachord (six-note scale) that is exposed and developed through a variety of juxtaposed gestures and themes. Tempered Steel was "forged" in 1997 as the first work to be commissioned by the Big 12 Band Directors Association. It was premiered by the Baylor University Wind Ensemble at the College Band Directors National Association convention in Kansas City, Missouri, that year. © Charles Rochester Young Derecho (2021) Liam Catarina (b. 1999) �City, Missouri, that year. © Charles Rochester Young Derecho (2021) Liam Catarina (b. 1999) Growing up surrounded by nature, you learn to appreciate and respect its facilities. There's something that's always intrigued me about how the earth is responsible for the greatest beauty and the most terrifying destruction at the same time; the very oceans, ground, and wind that we fawn over can devastate us at any moment. Equal parts predictable and unpredictable, I've spent the last 3 years finding a way to capture that. Feel the breeze slowly pick up, move this way and that, until the rumble of the Derecho—a tropical storm—begins to creep in. The warning sirens blare, but the storm is already upon us. A final thunderclap, and everything goes dark. Witness the beauty of destruction. © Liam Catarina Lichtweg/Lightway (2017) Jennifer Jolley (b. 1981) Lichtweg/Lightway is a wind ensemble pieced based on the Keith Sonnier’s light installation in Connecting Level 03 in Terminal 1 at the Munich Airport. Bright fluorescent neon lights line the walls of a typical airport walkway to both guide travellers to where they are going and to help them cope with the stress of being in transit. In this piece I musically portray the rhythmic placement of red and blue light emanating from this neon installation by creating a constant eighth-note ostinato that is heard throughout the piece. Just as the panes of glass, mirrors, and aluminum sheets refract and scatter the colorful neon light, this ostinato is diffused amongst the different colors in the ensemble. © Jennifer Jolley Four Seasons of Japan (2019) Satoshi Yagisawa (1975-) Commissioned by Roosevelt High School Symphonic Band (Hawaii, USA). Director Gregg Abe and students are very interested in everything Japanese, from culture and beautiful scenery to Japan's remarkable band scene. Thus, they commissioned a new piece based on the theme Four Seasons in Japan. In Japan, the school year starts in April. But other countries usually begin in fall, so this piece is written in the order of "Fall - Winter - Spring - Summer". It offers a viewpoint of "the four seasons as observed from outside Japan". The composer wishes for others to be more familiar with his country and hopes for foreign and Japanese bands to deepen engagement through fine literature and exciting performance. © Unknown �Dr. Steven J. Capaldo D.M.A., M.Perf., B.Ed.(Mus.), A.Mus.A.(Distinction) Dr. Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Currently, he is an Associate Professor of Music Education & Conducting, Wind Symphony Conductor and Co-Head of Music Education at the University of Victoria. Steven has previously held positions in Music Education at the University of Wollongong (Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony. Completing a DMA in Wind Conducting at UNLV, a Master of Performance (Orchestral and Choral Conducting) at the University of Sydney, a Bachelor of Education (Music) at the University of Melbourne, and an AMusA on Saxophone (with Distinction), he has extensive experience working with symphony orchestras, wind orchestras, and chamber ensembles. An active writer, Steven composes, arranges and transcribes music for large ensembles, festivals and concerts. His works have been performed by groups in Australia, Canada, Japan, and the United States, recorded on Klavier records (US), and published with Brolga Music and Murphy Music Press. He has been listed as a composer in the book The Band Down Under and has been a finalist in several international composition competitions. An Assistant Producer and Co-Editor for eight Klavier Records CD, Steven became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 International Eurovision Song Contest. In-demand as a conductor, clinician and adjudicator, Steven has worked at local, state/provincial, national and international levels (including Canada’s MusicFest), and as Conductor of the British Columbia Honor Wind Ensemble. Committed to providing professional learning opportunities for music educators and conductors, Steven has been a conducting clinician for the Canadian Armed Forces, the 2017 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp, and an Associate Conducting Instructor for the 2016, 2017 & 2018 NSW ABODA Conducting Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and presented at the Australian National Band and Orchestra Conference. Ben Litzcke B.Mus. Ben decided to study music after playing in the BC Honor Wind Ensemble conducted by Dr. Capaldo in 2007. Completing his BMus on clarinet at UVic in 2013, Ben has spent the intervening years playing and conducting in several community bands around Greater Victoria. Ben is thrilled to be working with the Wind Symphony as the first student in the new Master of Music (Conducting) program and looking forward to the rest of the year! �UVIC WIND SYMPHONY Conductor Dr. Steven J. Capaldo FLUTE Connie Goetz* Ainsley Mercer Daisy Ji Lauren Djelbak (Picc.) Paige Thompson Cleary Manning OBOE Kiara Hosie* Andrew Montgomery (C.A.) BASSOON Holly Edquist* CLARINET Maeve Calhoun∞ Kate Hansen¶ Nishant Amatya§ Meghan Parker Sarah Carey Kayla Oerlemans Emileigh Pearson Connor Pickles Danica Smith Shawn Brescia BASS CLARINET Chris Ollinger SAXOPHONES Cole Davis* Tessa Bell Sylvan Wilkinson Xavier Marican HORN Rachel Lock* Shannon Stewart Tyrell Loster¶ Allie Bertholm TRUMPET Alicia Ellis* Kat Della Vedova¶ Heidi Goetz Luke Thomas Kyle Bates Elena Surridge TROMBONE Tyler Schmit* FeyTrolitsch Ariana Hall Ryan Qu Amaya Sydor EUPHONIUM Liam Catarina* Sarah Higginson Senora Dunford TUBA Aaron Kruger* Loraine Marshall Scott Gordon PERCUSSION Liven Carlson* Lachlan Barry Jesse Johnson Harbour Nolan Ethan Page Quinn Wood STRING BASS Dylan Syrnyk* WIND SYMPHONY ASSISTANT Ben Litzcke MUSIC LIBRARIAN Qian Yiwen (Ada) STAGE MANAGERS Liam Catarina Aaron Kruger * Principal and Section Leader ∞ Principal § Section Leader ¶ Associate Principal � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112621-UVicWindSymph(RE)PLAY/112621-WindSymphony(RE)Play_08.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Victoria Wind Symphony - (RE)PLAY Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 26 2021 Contributor An entity responsible for making contributions to the resource Dr. Steven J. Capaldo, Conductor Ben Litzcke, MMUS Student Conductor FLUTE Connie Goetz* Ainsley Mercer Daisy Ji Lauren Djelbak (Picc.) Paige Thompson Cleary Manning OBOE Kiara Hosie* Andrew Montgomery (C.A.) BASSOON Holly Edquist* CLARINET Maeve Calhoun∞ Kate Hansen¶ Nishant Amatya§ Meghan Parker Sarah Carey Kayla Oerlemans Emileigh Pearson Connor Pickles Danica Smith Shawn Brescia BASS CLARINET Chris Ollinger SAXOPHONES Cole Davis* Tessa Bell Sylvan Wilkinson Xavier Marican HORN Rachel Lock* Shannon Stewar Tyrell Loster¶ Allie Bertholm TRUMPET Alicia Ellis* Kat Della Vedova¶ Heidi Goetz Luke Thomas Kyle Bates Elena Surridge TROMBONE Tyler Schmit* Fey Trolitsch Ariana Hall Ryan Qu Amaya Sydor EUPHONIUM Liam Catarina* Sarah Higginson Senora Dunford TUBA Aaron Kruger* Loraine Marshall Scott Gordon PERCUSSION Liven Carlson* Lachlan Barry Jesse Johnson Harbour Nolan Ethan Page Quinn Wood STRING BASS Dylan Syrnyk* WIND SYMPHONY ASSISTANT Ben Litzcke MUSIC LIBRARIAN Qian Yiwen (Ada) STAGE MANAGERS Liam Catarina Aaron Kruger * Principal and Section Leader ∞ Principal § Section Leader ¶ Associate Principal https://finearts.uvic.ca/music/archive/files/original/4a953efe0b0f7efeadcf5e11f00b8660.pdf 5a56da31fdf2556a2d29872f72e4afc6 PDF Text Text UVIC UVic’s 5 Days of Action: 365 Days of Commitment MUSIC WE LOVE: APPRECIATING A WIDER SPECTRUM OF FLUTE REPERTOIRE Featuring School of Music flute students from the studio of Suzanne Snizek WEDNESDAY, NOVEMBER 17, 2021 | 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Le Vent au Travers les Ruines Ainsley Mercer, flute Tango études Nos. 4 and 5 Lauren Debeljak, flute Sori Ada Qian, flute Bati l’gani Qinyue Zheng, flute Thomas Evoy, percussion El Bachiana Connie Goetz, flute Poem Ada Qian, flute Zadji from “Four Macedonian Pieces” Hao Guo, alto flute Morgan Sheeley, guitar Yuko Uebayashi (b.1958) Astor Piazolla (1921-1992) Isang Yun (1917-1995) Meira Warschauer (b. 1949) Raimundo Pineda (b. 1965) Chang Ji Jen (b.1945) Miroslav Tadić (b. 1959) WELCOME Thank you for joining us today! I am the professor of flute at the School of Music at the University of Victoria, where I also teach an interdisciplinary course called “Issues in Suppressed Music” (MUS391). My own research as a teacher, scholar and performer over the past decade has frequently focussed on introducing (or re-introducing) excellent music that was suppressed for racist reasons by the Third Reich. Despite the many years that have passed since 1945, the immense cultural damage wrought by that political regime persists. My awareness of the enormity of that historical case of deliberate suppression has fueled an intentional expansion of my own contemporary repertory—an intention that has deepened to become one of my primary objectives as an artist. Opening the doors to more diverse programming not only enriches the musical soundscape and cultural environment. It benefits everyone: composer, performer, audience and larger society. We hope that today’s concert might celebrate diversity, stimulate our own awareness as artists and programmers, and serve as an enjoyable introduction to this “music we love,” created by outstanding but lesser-known composers. Thank you so much for attending this concert! Dr. Suzanne Snizek, Associate Professor of Music �PROGRAM NOTES Born in Kyoto, Japan, Yuko Uebayashi (b.1958) is a distinctive and accomplished female composer of our time. Her music (described as “Debussy and Ravel meet in Nippon”) often express imagery, symbolism and stories from her life. Based in Paris since 1998, Uebayashi has experienced both Japanese and Parisian cultures, and her music reflects that unique blend. Le Vent A Traverse les Ruines (“The breeze around the ruins”) premiered on Uebayashi’s French tour with Jean-Michel Damase and Nobutaka Shimizu (the piece being written for the latter). You are invited to immerse yourself in the musical imagery of a peaceful and airy breeze passing through the immortal ruins of an ancient monastery. – Ainsley Mercer (first-year BMus student) Originally from Argentina, Astor Piazolla (1921-1992) began his musical career on the bandoneon, a traditional South American accordion-like instrument. Early in his career, Piazzolla struggled to find success and recognition as a composer. He played in a number of tango orchestras as well as formed his own tango bands. It was around the time he studied with renowned composer, conductor and teacher Nadia Boulanger that he found his signature “Tango Nuevo” style. Encouraged by Boulanger, he fused traditional tango with classical and jazz musical elements and created the new style known as “Tango Nuevo.” His work began to be recognized and was both praised and ridiculed. His music caused controversy amongst some more traditional tango musicians and appreciators, although his innovations were also admired. His unique perception of the tango ultimately influenced many composers and performers and greatly expanded the Tango genre. – Lauren Debeljak (first-year BMus student) Korean born German composer Isang Yun (1917-1995) was a highly regarded and innovative composer who wrote many challenging and expressive works for the flute. Sori is characteristic of his highly ornamental and virtuosic style which employs numerous extended techniques. Sori, meaning “sound,” explores the expressive range of the flute, from the most delicate whisper to the raging force of the extreme high register. It is truly a musical and emotional tour de force for solo flutists. Meira Warshauer (b. 1949) is a female composer from the United States. Her music has been performed in the Americas, Europe, Asia and the Middle East. Warschauer’s music often expresses a love for the earth and universal spiritual themes as embodied in Judaism. By playing this work I hope to show people that female composers’ work has equal expressive potential and strong musical power as well. I have come into my garden, my sister bride. I have gathered my myrrh with my spices. I have eaten my honeycomb with my honey. I have drunk my wine with milk. Eat, friends, Drink and be drunk, beloved ones. —Song of Songs Ch. 5, vs.1 (Translation by the composer) Bati l’Gani (“I come into my garden”) is inspired by the above poetic text from the Song of Songs. It can be performed by solo flute or flute with improvised gentle percussion sounds, e.g., wind chimes to simulate a breeze in the garden before it rains or finger cymbals to highlight interesting musical points. One thing I love about this piece is that it leads us into a whole new world where we can forget dreadful things and the pressures from our daily life. The melody flows out of the flute, entrances your mind and then eventually slips away, along with any unpleasant moods. – Qinyue Zheng (first-year MMus student) Raimundo Pineda (b. 1965) is a Venezuelan flutist, composer and conductor, who was instructed by the Venezuelan maestro Jose Antonio Naranjo. El Bachiano is based on the traditional dance called the Joporo, which can be described as a fast waltz. The piece is filled with melodic twists and turns in a style that serves as a reminder to the complexity of J. S. Bach’s compositions, while also including vital South American rhythms reflecting the composer’s origins. Pineda dedicated this piece to Naranjo, who encouraged him to embrace traditional Venezuelan music as an inseparable part of his musical identity. – Connie Goetz (fourth-year Musical Arts student) Chi-jen Chang (b.1945) is a Taiwanese composer and conductor. After graduating from Mannes College of Music in 1973, Chang was the only Taiwanese musician selected for the International Herbert von Karajan Conducting Competition. Chang later served as the director of National Taiwan Symphony Orchestra from 1975 to 1978. Inspired by a traditional Chinese bamboo flute piece named Zhe Gu Fei (鹧鸪飞), Chang’s ‘Poem for Flute Solo’ is a two-movement work intertwined with elements of Chinese traditional music and poetry. The first movement is based on a poem by Tang Dynasty (618 to 907 ACE) poet Chang Jian. This movement is subtitled “Birds are alive with mountain light, and the mind of man is touched by the peace of a lake” (山光悦鸟性，潭影空人心). The second poem is from Qing Dynasty (1636-1912) poet Zheng Ban Qiao, with the subtitle: “Only the sound of flute is endless, flying through the sky over the river”(唯有笛声拦不住，飞满江天). I am happy to perform this piece and introduce aspects of Chinese traditional music and culture, which is greatly underrepresented in classical music concert programming in North America. – Ada Qian (second-year MMus student) Miroslav Tadić (b. 1959) is a Serbian guitarist, composer, improviser and music educator. Zajdi is the first movement from a larger work. It is inspired by an extremely popular Macedonian folk song that explores universal themes of human mortality: the passage of time and the imminence of old age. The guitarist is invited in the musical score to make free variations and improvise accompaniment to an embellished melody played by the flute. I enjoy the freedom of this music and the way in which it engages the audience’s imagination. The combination of alto Flute and guitar also promotes a peaceful feeling, a gentle sonic landscape that encourages us to forget about our daily worries and concerns. – Hao Guo (first-year MMus student) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_07.mp3">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music we love: Appreciating a wider spectrum of flute repertoire Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 17 2021 Contributor An entity responsible for making contributions to the resource Ainsley Mercer, flute Lauren Debeljak, flute Ada Qian, flute Qinyue Zheng, flute Thomas Evoy, percussion Connie Goetz, flute Hao Guo, alto flute Morgan Sheeley, guitar https://finearts.uvic.ca/music/archive/files/original/3707c0029d8889beb95b367e4394ebfe.pdf 1af5d005e9764c52234165378e4a512c PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA The UVic Music Student Association (MSA) presents Amplifying Voices: Integrating Underrepresented Identities in Music We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Tuesday, November 16, 2021 • 12 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Petite Suite de Concert Samuel Coleridge-Taylor I. Le Caprice de Nannette (1875-1912) Members of the University of Victoria Symphony Orchestra Cleo Yong, conductor Megan Bibby, Noah Mellemstrand, Dana Wenzel, Jas Schweitzer, Catherine Hume, Eoghan Bostock, violin Amanda Steinemann, viola Jayda Thor, cello Hao Guo, flute Kaitlyn Cumberland, oboe Tenzin Clegg, clarinet Siobhan Golonka, bassoon Carling Riley, Tyrell Loster Peitzsche, horn Mark Barr, trumpet Scott Gordon, tuba Ajtony Csaba, Moming Zhang, piano Mysterious Morning III Ayari Kasukawa, soprano saxophone Okukoowoola Kw’Ekkondeere (Horn Call) Tyrell Loster Peitzsche, french horn Fuminori Tanada (b. 1961) Justinian Tamusuza (b. 1951) Petals on the Palette of Vincent Zihan Zhao III. A Courtesan Engraved (UVic music student) Ran Bi (Alice), piano ‘Cation Marc Micu, melodica Jono Devey, keyboard Brendan Wong, bass guitar Jesse Johnson, drums Marc Micu (UVic music student) SHORT INTERVAL Panel discussion: Building a New Standard: The Future of Music Programming Hosted by Lucas Hung �PROGRAM NOTES Petite Suite de Concert (1898) Samuel Coleridge-Taylor Samuel Coleridge-Taylor was born to a white Englishwomen and a black doctor from Sierra Leone; he identified himself as Anglo-African. He grew up in Croydon and later London, UK, and became one of the most virtuoso orchestrators and composers of the fin de siècle in London. A classmate of Vaughan Williams and Holst, and a protégé of Elgar, Coleridge-Taylor had been published early on by Novello. He became professor of composition at London Trinity College of Music and Guildhall School of Music; his contemporaries often compared him to Mahler. Coleridge-Taylor came to international recognition with the trilogy of cantatas Hiawatha’s Wedding Feast, based on Longfellow’s poem Song of Hiawatha. Hiawatha/Haiëñ’wa’th/ is a historic pre-colonial First Nation Iroquois leader; Coleridge-Taylor regarded him as a personal role model; he even named his son after him. Inspired by the 19th-century Volksmusik-movement, Coleridge-Taylor engaged in the systematic collection, transcription and publication of African, African-American and Anglo-African folksong. Much of the music known today as “traditional spiritual” traces back to his piano arrangements of the collected material. Coleridge-Taylor noted that he is seeking to draw on African traditional music and do “What Brahms has done for the Hungarian folk-music, Dvořák for the Bohemian, and Grieg for the Norwegian [music].” His success in England transpired to the United States and contributed considerably to the empowerment of African American artists. Mysterious Morning III Fuminori Tanada I would like to acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory the university stands and the Songhees, Esquimalt and W̱SÁNEĆ peoples whose historical relationships with the land continue to this day. As an international student from a foreign country living in BC for the past 7 years, I recognize that I am fortunate and honored to live in this beautiful land as a visitor. Throughout my high school days in Okanagan and for the last 4 years of university in Victoria, I have had the honor of listening and meeting people from Indigenous communities on many occasions. Fuminori Tanada (b.1961), a Japanese born composer, composed Mysterious Morning III which is a Japanese inspired piece. As a 3rd part of his Mysterious Morning series: Mysterious Morning I (solo harp), Mysterious Morning II (saxophone quartet), and Mysterious Morning IV (2 harps and ensemble), the piece was commissioned by French saxophone virtuoso Claude Delangle in 1996. The work explores different colors, timbres, and improvisation-like freedom that soprano saxophone has to offer with a wide range of extended techniques such as growling, flutter tongue, multiphonics, and use of quarter tones. The composition was influenced by the recordings of American jazz saxophonist Charlie Parker and the works of Gérard Grisey and Tristan Murail, both French composers who are known for acoustic phenomena and spectral music. The composer once stated “that the reference to Charlie Parker is �less of a stylistic influence and more an attempt to imitate the saxophonist’s improvisatory freedom and expansion of playing techniques.” As a musician with Japanese heritage, I feel a deep connection with the work. I believe it is extremely important to include as many works by underrepresented identities as possible. I hope this concert will help broaden people’s views and perceptions. – Ayari Kasukawa Okukoowoola Kw’Ekkondeere (Horn Call) Justinian Tamusuza I would like to acknowledge and respect the lək̓ʷəŋən, Songhees, Esquimalt and W̱SÁNEĆ peoples whose land we stand on today. I want to recognize that I, a member of the Syilx (Okanagan) people, am a guest on this land. Okukoowoola Kw’Ekkondeere is by Justinian Tamusuza, an African composer from Uganda. He blends western classical and Ugandan traditional styles, incorporating traditional African folk elements into European music. I think this piece will bring another culture that is not represented often. – Tyrell Loster Peitzsche Petals on the Palette of Vincent: III. A Courtesan Engraved Zihan Zhao I acknowledge and respect the Lekwungen peoples on whose traditional territory I am currently living in. I recognize that I come to this land from a foreign country as a first-generation visitor. Most art histories always divide the world into the east and the west, as opposites to each other. However, I continually found they are influencing each other. The Japanese Ukiyo-e had a significant impact on Van Gogh, just as how Asian music influenced western music of that period. My piece uses soundscapes to depict paintings of Van Gogh. Especially in the movement, A Courtesan Engraved, the pentatonic sounding is used in a most evident way to serve as a tone color leading to a familiar sensation of east Asia. – Zihan Zhao ‘Cation Marc Micu Transferring to UVic for the first time two months ago on this unceded and unsurrendered territory taught me a lot more than what I thought about Indigenous land, and I am extremely fortunate to be on a land that is not only shared with the lək̓ʷəŋən peoples, but a land that encompasses a welcoming and respectful learning environment. ‘Cation is a jazz pop song I created during the heatwave back in late June, 2021. I was incredibly frustrated with the heat and the lack of creativity I had, so my sister told me to record myself singing something random, so I did. I transcribed it the next day, and here we are. This piece is dedicated to my Douglas College combo band for not only being open with my creativity to play this first, but accepting me for being me with open arms, and caring about making great music. – Marc Micu �PANELLIST BIOGRAPHIES Dr. Steven J. Capaldo Associate Professor, Music Education, Wind Symphony, Conducting DMA, MPerf, BEd (Mus), AMusA(Distinction) Dr. Steven Capaldo was born and raised on the traditional land of the Braiakaulung people of the Gunai/Kurnai nation in the south-east of Australia. First coming to Victoria in 2004 as an Assistant Professor of Music Education at UVic, he returned to Australia four years later and worked in music education and conducting positions at universities in Wollongong and Sydney. Coming back to Victoria in 2018, Steven is now an Associate Professor of Music Education & Conducting, Wind Symphony Conductor and Co-Head of Music Education at the University of Victoria. Steven has extensive conducting experience working with symphony orchestras, wind orchestras and chamber ensembles. As an active writer, Steven composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and concerts and his works have been performed by groups in Australia, Canada, Japan and the United States, recorded on Klavier records (US) and published with Brolga Music and Murphy Music Press. An Assistant Producer and Co-Editor for eight Klavier Records CDs, Steven became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 International Eurovision Song Contest. Distinguishing himself as one of the most respected music educators, wind conductors and conductor educators in Australia, Steven has earned academic and musical recognition locally, nationally and internationally. Steven is in-demand as a conductor, clinician and adjudicator, and is committed to providing professional learning opportunities for music educators and conductors in educational settings. Kenji Fusé Principal Violist, Victoria Symphony Kenji Fuse holds the position of Principal Viola with the Victoria Symphony and is a member of the Musicians Union CFM local #247. Kenji has twice served on the Negotiation Committee of the Victoria Symphony Musicians Association, and spent almost a decade as the Victoria Symphony’s delegate for OCSM, the Organization of Canadian Symphony Musicians. Kenji values music education in the community and is the viola coach for the Greater Victoria Youth Orchestra. He taught in several public school music programs until they were controversially canceled during the first year of Covid. [The chair of School District #61 resigned in disgrace over this, under allegations of racism by local Sooke Indigenous spokesperson Carey Newman.] A strong advocate for green energy, Kenji co-founded the Island Biodiesel Co-op in 2006, which has helped displace hundreds of thousands of kilograms of fossil carbon, by making and selling renewable fuel to its membership, made from restaurants’ waste cooking oil. This has kept energy dollars in the local community and has effectively boycotted that money from the Canadian oil cartels. �Kenji supports resistance to colonialization through consensus and solidarity building efforts, like the labour and cooperative movements. He believes that the current focus on identity issues is a tool of colonialization and anathema to the eradication of colonialization, instead fostering and propagating the narcissism that is at the root of colonialization. Kenji’s proudest moment is telling his father not to apologize, each time he wiped up his father’s feces after soiling himself while dying of cancer two years ago. As a mentor said to him, ‘Kenji, it is an honour to take care of your dying parents.’ Rebecca Hass Director of Community Engagement, Pacific Opera Victoria Rebecca Hass is a woman of many creative passions. A certified Life Coach and meditation instructor, she has been a mentor and resource for performing artists  seeking balance and career support since 2007. A graduate of Wilfrid Laurier University with an Honours Bachelor in Music performance and the Canadian Opera Company Ensemble, Rebecca, a mezzo-soprano, devoted much of the last thirty years to a professional singing career. Rebecca is well-known in Canada as a resource for artist-centered health and wellness workshops. She has been a regular staff member for the last 5 years at the Canadian Opera Company Ensemble and has been a guest clinician with Manitoba and Calgary Opera and Pacific Opera Victoria, as well as the Universities of British Columbia, Toronto, Manitoba, Ottawa, Victoria and Wilfrid Laurier. For over 10 years she has been on staff with the summer programs of Opera Nuova, St. Andrews By the Sea Opera Workshop and most recently, with Highlands Opera. A writer and broadcaster, she has been a regular guest host of Saturday Afternoon at the Opera and documentary maker on CBC Radio One and Two. Currently she is the Director of Community Engagement for Pacific Opera and was awarded the Creative Builder Award for 2021 for her work behind the scenes to support artists and art making. Her newest programming includes the Civic Engagement young artist training program and curating the Residency program for new work. A proud Métis, and carries two names, Manginoweh (Anishinaabe-Big Voice) and Huputh-Uksupe (Nu-chah-nulth, Grandmother Moon woman), Rebecca is currently producing a theatre piece that bridges her European and Indigenous ancestry musically with songs in English and Anishnaabemowen, titled Manaadjia, and is a member of the drum group ANSWER. Rebecca lives in Victoria with her family and rescue pooch, Rye Rye. Lindani Khoza UVic Student (BA), BIPOC Community Coordinator at CFUV 101.9 FM As an artist and musician, I am passionate about the roles music and the arts play in our society. I am a firm believer in arts education, believing that creative minds are at the forefront of all innovation. I’ve been part of several creative and artistic ventures, and I’ve held several representative and leadership positions. I want to use my experience as a young African to help build the communities that build the youth. As a result I have chosen to �study business and have a vision to merge knowledge of business strategies with my knowledge in the arts to develop and transform the entertainment industry in Africa. I have led and been part of several initiatives in music and the arts. Between 2015 and 2019, I led and performed with the Waterford Kamhlaba Marimba band. Notable performances include performing for His Majesty King Msawti III and former Eswatini Prime Minister Barnabas Sibusiso Dlamini. Along with this, I have been part of several theatre productions, have participated as part of the cast and crew. As a music producer, I produced several pieces with several artists, having won an award for ‘Song of the Year’ in the 2018 MTN Swama’s. Dr. Anthony Tan Assistant Professor, Composition ARCT, BMus (Calgary), MMus (McGill), Meisterklasse (Hochschule für Musik Carl Maria von Weber, Dresden), PhD (McGill) Composer, pianist, and electronic musician Anthony Tan draws artistic influence from conceptual metaphors, an attention to the psychophysical experiences of sound, and a reflection on music’s cultural context. Anthony completed his PhD and MMus from McGill University, the Meisterklasse from the Hochschule für Musik Carl Maria von Weber, Dresden, Germany, and BMus from the University of Calgary. In 2016-17, Anthony was a fellow at the Radcliffe Institute for Advanced Study, Harvard University (RI’17). His teachers include Mark Andre, Franz Martin Olbrisch, John Rea, Stephen McAdams, Clemens Gadenstätter, Sean Ferguson, Chris Paul Harman, David Eagle, Allan Gordon Bell, and Hope Lee. He has presented his music at major festivals including soundON (USA), Warsaw Autumn (Poland), Kontraklang (Germany), Tonlagen (Hellerau, Germany), Imatronic (ZKM, Germany), SMC Sound and Music Computing Conference (2014, Sweden), 2013 NYC electroacoustic festival (USA), ICMC - International Computer Music Conference (2009 Montreal, and 2010 New York), Matrix ‘10, ‘11, and ‘15 at the Experimental Studio (Germany), Domain Forget (Quebec), the IRCAM Computer Music workshops at Centre Acanthes (France), the National Arts Centre Composer’s Program (Canada) and the Academie Internationale de Composition du BlancMesnil (France). Commissioned by numerous international ensembles, Anthony has collaborated with Ensemble Recherche, the Dresden Philharmonie, LUX:NM, Architek Percussion, Ensemble Contemporaine de Montréal, Les Cris de Paris, Ensemble Cairn, L’Orchestre de la Francophonie Canadienne, Le Nouvel Ensemble Moderne, the New Orford String Quartet, Turning Point Ensemble, and New Music Concerts Ensemble. Awards include the audience and jury prize from the ECM+ Generation 2014 tour, Stipendiums from the SWR Experimental Studio, the 2011 Giga-Hertz Förder Prize, the International Competition for live-electronics of the Hamburg Klangwerktage, and the Gold Medal in piano performance from the Royal Conservatory of Music. He previously served as Assistant Professor at the University of Colorado, Colorado Springs, and is currently Assistant Professor of Composition at the University of Victoria. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_4.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_5.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_06.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amplifying voices: Integrating underrepresented identities in music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 16 2021 Contributor An entity responsible for making contributions to the resource Members of the University of Victoria Symphony Orchestra Cleo Yong, conductor Megan Bibby, Noah Mellemstrand, Dana Wenzel, Jas Schweitzer, Catherine Hume, Eoghan Bostock, violin Amanda Steinemann, viola Jayda Thor, cello Hao Guo, flute Kaitlyn Cumberland, oboe Tenzin Clegg, clarinet Siobhan Golonka, bassoon Carling Riley,Tyrell Loster Peitzsche, horn Mark Barr, trumpet Scott Gordon, tuba Ajtony Csaba, Moming Zhang, piano Ayari Kasukawa, soprano saxophone Tyrell Loster Peitzsche, french horn Ran Bi (Alice), piano Marc Micu, melodica Jono Devey, keyboard Brendan Wong, bass guitar Jesse Johnson, drums Panel discussion: Building a New Standard: The Future of Music Programming Hosted by Lucas Hung