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                    <text>PIANO CLASS RECITAL
	
Piano students from the studio of May Ling Kwok
	
SUNDAY, MARCH 19, 2017 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation	
	

	

	

PROGRAM

	

Suite	Bergamasque	 	
	
	
	
Prelude	
	
	
	
	
Impromptu	in	B-flat	Op.	142,	No.3	 	
	
	
Sonata	in	G	Major,	Op.	14,	No.2	
I.	Allegro	
	
	

	
	

	
	

	
	

	
	

											Claude	Debussy		
	
			(1862–1918)	

	

	

	

	

													Franz	Schubert		
(1797–1828)	

	
	

	
	

									L.	van	Beethoven		
	
			(1770–1827)	

	
	

	
	

													Franz	Schubert	
	
	
	
	

	

	

											Claude	Debussy		

	

	

								George	Gershwin		
(1898–1937)	

	
	

	
	

		Sergei	Rachmaninoff		
	
			(1873–1943)	

Carey	Wang*	

	
	
	
	
Sebastian	Britneff	
	
	
Impromptu	in	A-flat,	Op.	90,	No.4	 	
	
	
	
Ryan	Qu*	
	
	
	
	
	
	
Reflets	dans	l’eau			 	
	
	
	
	
Carmyn	Slater*	
	
	
Rhapsody	in	Blue	
	
	
	
	
	
	
	
Concerto	in	C	Minor,	Op.	18	 	
													I.	Moderato		 	
	
	
	

	
	

Tiffany	Cheung	
	
	

	
	
	
	
Ya	Ping	Huang*	

— INTERMISSION —

�Variations	Symphoniques	

	

	
	
Scherzo	in	B-flat	minor,	Op.	31	
	
	
Concerto	in	G	major		 	
II.	Adagio	assai		
III.	Presto	
	
	
Fantasiestücke,	Op.	12		
3.	Warum?				 	
4.	Grillen				
5.	In	der	nacht			

	

	

	

	

	

	

	

	

											Frédéric	Chopin		
(1810–1849)	

	
	

	
	

													Maurice	Ravel		
	
			(1875–1937)	

								
	

	
	

							Robert	Schumann		
	
					(1810–1856)	

	

	

													Maurice	Ravel		

Joy	Keeler	
	

	

	

Aimi	Howden	
	
	

	
	

	
	

	
	

			César	Franck		
			(1822–1890)		

Iris	Hung	
	
	

	
	
Sonatine		
	
	
	
I.Modéré	
II.Mouvement	de	Menuet	
III.	Animé	

	
	

	
	

	
	

Barry	Tan*	
	

	

	

Jany	Lu	
	
	
	
	
*	Students	from	the	Victoria	Conservatory	of	Music	
	
	
	
	
UPCOMING	EVENTS	
	

SUNDAY,	MARCH	19	|	8PM	(Free	admission)	
Graduating	Recital:	Adam	Jasieniuk	&amp;	Alex	Klassen,	composers	
Composition	students	Adam	Jasieniuk	and	Alex	Klassen	present	their	Bachelor	of	Music	graduating	compositions.		
Phillip	T.	Young	Recital	Hall	
	
	

MONDAY,	MARCH	20	|	8	PM	(Free	admission)	
Graduating	Recital:	Brittney	Jette,	voice	
Vocalist	Brittney	Jette	presents	her	Bachelor	of	Music	graduating	recital.	
Phillip	T.	Young	Recital	Hall	

	
	
Tickets	available	at	the	UVic	Ticket	Centre	(250-721-8480),	online	(www.tickets.uvic.ca)	and	at	the	door.	
To	receive	our	On	the	Pulse	brochure	&amp;	newsletter	by	email,	contact:	concert@uvic.ca	

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                    <text>Natasha Penfield
Soprano

Degree Recital
March 6th, 2017 8PM
Phillip T. Young Recital Hall, MacLaurin Building
Free Admission

�Program
!
!
!
Strider!faceva!le!zampogne!a!l’aura!

Luca%Marenzio!
(1553 – 1599)

Micha Fortin, Soprano
Laura Kaario, Alto
Joshua Poon, Tenor
Zander Felton, Bass

Natasha wishes to give a special thanks to:
Anne, for her guidance,
Her family, for their love and support,

Tecum!Principium!

G.F.%Handel!

(1685 – 1759)

Dixit Dominus

Her friends, for laughing with her,
Ryan, for always being there.

Braden Young, Piano

In!Uomini,!in!soldati!

W.A.%Mozart!
(1756 – 1791)

Così fan tutte

A!Serpina!Penserete!

Giovanni%Pergolesi!
(1710 – 1736)

La serva padrona
Braden Young, Piano

Natasha Penfield is from the class of Anne Grimm
This recital is presented in partial fulfillment of the requirements for the Bachelor of
Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

�!
!
!
!
Italienisches!Liederbuch!(Excerpts)!

Hugo%Wolf!

!
!
!
!
Italienisches!Liederbuch!(Excerpts)!

(1860 – 1903)

Hugo%Wolf!
(1860 – 1903)

Ich hab’ in Penna einen Liebsten wohnen
Du denkst mit einem Fädchen
Mein Liebster ist so klein
Mein Liebster hat zu Tische mich geladen
Schweig’ einmal still
Nicht länger kann ich singen
Was für ein Lied

Ich hab’ in Penna einen Liebsten wohnen
Du denkst mit einem Fädchen
Mein Liebster ist so klein
Mein Liebster hat zu Tische mich geladen
Schweig’ einmal still
Nicht länger kann ich singen
Was für ein Lied

Abigail Takenaka, Piano

Abigail Takenaka, Piano

!

!

Miroir!de!Peine!(Excerpts)!

Hendrik%Andriessen!

Miroir!de!Peine!(Excerpts)!

Hendrik%Andriessen!

(1892 – 1981)
I.
II.

(1892 – 1981)

Agonie au Jardin
Flagellation

III.
IV.

Agonie au Jardin
Flagellation

Thomas Nicholson

I!Hate!Music!(Excerpts)!

Thomas Nicholson

Leonard%Bernstein!

I!Hate!Music!(Excerpts)!

Leonard%Bernstein!

(1918 – 1990)

(1918 – 1990)

1. My Name is Barbara
5. I’m A Person Too

!
Piccola!Serenata!

2. My Name is Barbara
5. I’m A Person Too

!

!
Piccola!Serenata!

!

Thomas Nicholson, Piano

Thomas Nicholson, Piano

~Intermission~!

~Intermission~!

�!
!
!
!
Sous!le!dôme!épais!

Léo%Delibes!
(1836 – 1891)

Lakmé

!
!
!
!
Sous!le!dôme!épais!

(1836 – 1891)

Rebecca Thackray, Soprano
Braden Young, Piano

Ach,!ich!fühl’s…!

Rebecca Thackray, Soprano
Braden Young, Piano

W.A.%Mozart!
(1756 – 1791)

Die Zauberflöte

Ach,!ich!fühl’s…!

I.
II.
III.
IV.
V.
VI.
VII.

(1867 – 1950)

“M’a dit Amour…”
“Tu croyais le tenir…”
Prise au piège
La Naïade
Le Cyclone
La Colombe
Fatum

Sept!Chansons!Pour!Gladys!

(1867 – 1950)

“M’a dit Amour…”
“Tu croyais le tenir…”
Prise au piège
La Naïade
Le Cyclone
La Colombe
Fatum

Braden Young, Piano

Braden Young, Piano

Douglas%Moore!
(1893 – 1969)

The Ballad of Baby Doe

The!Silver!Aria!

Douglas%Moore!
(1893 – 1969)

The Ballad of Baby Doe

Abigail Takenaka, Piano

Tango!Notturno!

Charles%Koechlin!

Op. 151
I.
II.
III.
IV.
V.
VI.
VII.

The!Silver!Aria!

(1756 – 1791)

Abigail Takenaka, Piano

Charles%Koechlin!

Op. 151

W.A.%Mozart!

Die Zauberflöte

Abigail Takenaka, Piano

Sept!Chansons!Pour!Gladys!

Léo%Delibes!

Lakmé

Abigail Takenaka, Piano

HansHOtto%Borgmann!

Tango!Notturno!

HansHOtto%Borgmann!

(1901 – 1977)
Braden Young, Piano

(1901 – 1977)
Braden Young, Piano

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                    <text>GRADUATE RECITAL
	

	Alanna	Kazdan,	flute		
Yoomi	Kim,	piano	
Jessica	Wagner,	soprano		

	

	

Wednesday,	March	22,	2017,	12:30pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

	
Fantasie	in	E	Minor,	op.	14								 																																																																																																	Niels	Peter	Jensen	
																																																																																																								
						(1802–1846)	
	
	
	
Tři	tiché	písně				
																																																																																																																														Petr	Eben	
Pro	lásku	
	
	
	
	
	
	
	
	
						(1929-2007)	
	
Odpověď	
Útěcha			
																																																																																																																											
Yoomi	Kim,	piano	
Jessica	Wagner,	soprano	
	
	
	
	All’aure	in	una	lontananza																																																																																																									Salvatore	Sciarrino	
																																																																																																																(b.	1947)	
	
	
	
	
Sonata	for	Flute	and	Piano	
	
	
	
	
	
	
	
													Leo	Smit	
	
I	
	
	
	
	
	
	
	
	
	
						(1927-1943)	
	
II	
	
III	
	
	
	
	
	
	
	
Yoomi	Kim,	piano	
	
	
	
	
Alanna	Kazdan	is	from	the	class	of	Professor	Suzanne	Snizek	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Arts	(with	Performance)	program.	
Please	turn	off	all	cell	phones.	
	

�</text>
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&#13;
Yoomi Kim, piano&#13;
Jessica Wagner, soprano</text>
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                    <text>Rebecca Thackray
Soprano

Degree Recital

March 22, 2017 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free Admission

�PROGRAM
With Braden Young, Piano
Rebecca wishes to give a special thanks to:
Laurie’s Song

Aaron Copland

From The Tender land

(1900 – 1990)

Anne, for her guidance and never-failing patience,
her family for always supporting her dreams,

Gloria Deo

David Ouchterlony
(1914 – 1987)

her friends for bringing light and laughter to her life,
to each and every person in the hall, or listening, for being a part of this
journey in every way you have and will continue to be...

Das verlassene Mägdlein (Mörike)
Gleich und Gleich (Goethe)
Die Bekehrte (Goethe)

(1860 – 1903)

Durch Zärtlichkeit und Schmeicheln

W.A. Mozart

From Die Entführung aus dem Serail

(1756 – 1791)

Hugo Wolf

Rebecca Thackray is from the class of Anne Grimm.
This recital is presented in partial fulfillment of the requirements for the
Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

�Let the Bright Seraphim
Chanson Triste

Henri Duparc

From Samson

Claude Debussy
(1862-1918)

Soupir

Henri Duparc

(1685-1759)

Ian VanGils, Trumpet

(1848-1933)

Nuit d’étoiles

G.F. Händel

My dearest, my fairest
Henry Purcell
Why, my Daphne, why complaining. (1685-1759)
Zander Felton, Baritone
Braden Young, Harpsichord

Willow Song

From The Ballad of Baby Doe

Douglas Moore
(1893-1969)

Sous le dôme épais

From Lakmé

Léo Delibes
(1836-1891)

Natasha Penfield, Soprano

~ INTERMISSION ~

Come Ready and See Me

Richard Hundley

Del cabello más sutil
Con amores, la mi madre
Chiquitita la novia

F.J. Obradors

(b. 1931 )

(1863-1891)

From Canciones clásicas españolas

Thank you, thank you all

From The Tender land

Glitter and Be Gay

From Candide

Aaron Copland
(1900 – 1990)

Leonard Bernstein
(1918 – 1990)

�</text>
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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 24, 2017 • 12:30 p.m.
Featuring School of Music guitar students
Gran Solo Op. 14 											 Fernando Sor
(1778-1839)
Josh Hu, guitar
Reverie-Nocturne Op. 19 										 Giulio Regondi
(1823-1872)
Isaiah Brabazon, guitar
Prelude 										

Alexander Ivanov-Kramskoi
(1912-1973)

Etude Op. 48 #18											 Mauro Giuliani
(1781-1829)
Dante Andre-Kahan, guitar
Gran Jota											
Fraser Gibson, guitar

Francisco Tarrega

Souvenirs Op. 17 										
Napoleon Coste 	
	I. La Vallée d’Ornans 										 (1805-1883)
	
II. Les Montagnards
Derek Valenciano, guitar
Invocacion et Danse. hommage a Manuel de Falla 						

Joaquin Rodrigo
(1901-1999)

Sevilla Op. 47, No.1											
Simon Farintosh, guitar
Upcoming at the School of Music
FRIDAY, MARCH 24 | 8 PM | Admission by donation
VIOLIN CLASS RECITAL
Featuring UVic School of Music violin students from the studio of Ann Elliott-Goldschmid.
Phillip T. Young Recital Hall
FRIDAY, MARCH 24 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic alumni $10
UVic WIND SYMPHONY
Year End Spectacular—2017!
Featuring Dr. Julia Nolan, saxophone soloist, the UVic Chorus, and Dr. Gerald King, conductor
Internationally renowned saxophonist, Dr. Julia Nolan is guest soloist for Robert Buckley’s
Prestidigitation: Concerto for Alto Saxophone and Wind Ensemble.
University Centre Farquhar Auditorium
SATURDAY, MARCH 25 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic alumni $10
FACULTY CHAMBER MUSIC SERIES
Join the School of Music performance faculty in celebrating Alexandra Pohran Dawkins’ 30th
year of teaching at UVic and her upcoming retirement. Professor Pohran Dawkins is joined
by the Lafayette String Quartet, the UVic Chamber Singers under the direction of Susan Young,
and many others including faculty and former students.
Phillip T. Young Recital Hall
SUNDAY, MARCH 26 | 2:30 PM | Admission by donation
STRING CHAMBER MUSIC CONCERT
Featuring UVic School of Music string students from the studios of the Lafayette String Quartet.
Phillip T. Young Recital Hall

Isaac Albeniz
(1860-1909)

�</text>
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                    <text>VIOLIN CLASS RECITAL
	

	Violin students from the studio of Ann Elliott-Goldschmid

	

FRIDAY, MARCH 24, 2017 | 8:00 PM

Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation	
	

	

	
PROGRAM
	
	

Meditation		 	

Nigun	 	

	

	

	

	

	

	

	

	

	

	

	
Shijin	Kim,	violin	
Mark	Bigauskas,	piano	
	
	
	
	
	
	

			Alexander	Glazunov		
																	(1865-1936)	

	

																	Ernest	Bloch	
																	(1880-1959)	
	

Julien	Haynes,	violin	
Abigail	Takenaka,	piano	

	
	
										Pyotr	Ilyich	Tchaikovsky	
	
																	(1840-1893)	

Violin	Concerto	in	D	major,	Op.	35	 	
	
	
	
I.	Andante—Canzonetta																																																								
	
Jilaine	Orton,	violin	
Iris	Hung,	piano	
	
	
Estrellita	(Mexican	Serenade)	
	
	
	
																	Manuel	Ponce	(1882-1948)	
				Arranged	by	Jascha	Heifetz	
	
Aliayta	Foon-Dancoes,	violin	
Frances	Armstrong,	piano	
	
	
	
— INTERMISSION —
	
	

�Violin	Concerto	No.	1	in	D	major,	Op.	19		 	
	
	
I.	Andantino	 	
	
	
	
	
	
II.	Scherzo	Vivacissimo		
	
Amy-Lynne	Toth,	violin	
Michelle	Hoskin,	piano	
	
	
Fantasia	No.	1		
	
	
	
	
	
	
I.	Largo																							 	
	
	
	
	
II.	Allegro	
	
Gary	Sun,	violin	
	
	
Sonata	No.	1	in	G	minor,	S.	1001		 	
	
	
	
IV.	Presto	
	
	
	
	
	
	
	
Shijin	Kim,	violin	
	
	
Sonata	No.	2	in	A	minor,	S.	1003		 	
	
	
	
III.	Andante	
IV.	Allegro	
	
Jeanel	Liang,	violin	
	
	
Partita	No.	2	in	D	minor,	S.	1004	 	
	
	
	
Allemande		
Corrente		
		
Amy-Lynne	Toth,	violin	
	
	

Havanaise		

	
	
	
	

	
	

										Sergio	Prokofiev		
	
				(1891-1953)	

									Georg	Philipp	Telemann		
	
	
				(1681-1767)	

												Johann	Sebastian	Bach		
	
	
				(1685-1750)	

																																				J.	S.	Bach		

	

	

										J.	S.	Bach		

	

				Camille	Saint-Saëns		
				(1835-1921)	

	

	

	

	

	

	

	

	

Jeanel	Liang,	violin	
Sydney	Bulman-Fleming,	piano	

Please	join	the	class	for	a	reception	in	the	lobby	after	the	concert.	
	
This	concert	is	presented	on	the	traditional	territory	of	the		
WS’ANEC’	(Saanich),	Lkwungen	(Songhees)	and	Wyomilth	(Esquimalt)		
peoples	of	the	Coast	Salish	Nation.	

�</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CHAMBER MUSIC
SERIES
A program of music selected by
Alexandra Pohran Dawkins
in celebration of her 30 years of teaching
and performing at the School of Music.

This concert is presented on the traditional territory of the
WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt)
peoples of the Coast Salish Nation.

Saturday, March 25, 2017 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�FEATURING
Alexandra Pohran Dawkins, oboe &amp; English horn
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
UVic Chamber Singers
Kyron Basu, Zander Felton, Rowan McWilliams,
Emmanuel Moore, Joshua Poon, Nicholas Renaud,
Jordan Rettich, Derek Valenciano, Owen Worby
Susan Young, director
Benjamin Butterfield, tenor
Arthur Rowe, piano
Michael Melnick, oboe (UVic student from 1991–97)
Rebecca Hissen, clarinet (BMus ‘03)
Kate Frobeen, clarinet (BMus ‘06)
Alana Despins, horn (BMus ‘05)
Justin Malchow, horn (UVic student 2013–17)
Nancy van Oort, bassoon (taught at UVic 1989–96)
Robyn Jutras, bassoon (BMus ‘04)

�PROGRAM
Echoes From A Play, Op. 66				
for oboe and string quartet				

Aulis Sallinen
(b. 1935)

Alexandra Pohran Dawkins, oboe
Lafayette String Quartet
Prayer of St. Francis (1990)			
George Bassingthwaighte	
for male chorus and English horn			
(1947–1994)
	
Alexandra Pohran Dawkins, Engligh horn
UVic Chamber Singers
I NT E R M I S S I O N
Concession open in the lounge

The cherry orchard 	
Summer nights 	
Not all sorrows have died	
A memory 	
Evensong 	

Mykola Lysenko (1842–1912)
Yakiv Stepovij (1883–1921)
Y. Stepovij
Stanislav Liudkevich (1879–1979)
Kyrylo Stetsenko (1882–1922)

Benjamin Butterfield, tenor
Arthur Rowe, piano
Partita in E-flat major			
	
Allegro con spirito	
	
Andante piu tosto Allegretto
	
Vivace assai

Johann Nepomuk Hummel
(1778–1837)

Alexandra Pohran Dawkins, oboe
Michael Melnick, oboe
Rebecca Hissen, clarinet
Kate Frobeen, clarinet
Alana Despins, horn
Justin Malchow, horn
Nancy van Oort, bassoon
Robyn Jutras, bassoon

�TEXTS &amp; TRANSLATIONS
Prayer of St Francis
Lord, make me an instrument of thy peace:
where there is hatred, let me bring love,
where there is injury, pardon
where there is doubt, faith
where there is despair, hope,
where there is darkness, light,
where there is sadness, joy,
and all for thy mercy’s sake.
O divine master,
I grant that I may not so much seek
to be consoled as to console,
to be understood as to understand,
to be loved as to love,
for it is in giving that we receive,
it is in pardoning that we are pardoned
and it is in dying
that we are born to eternal life.
The cherry orchard (Taras Shevchenko)
The cherry grove beside the cottage stands,
The beetles hum above the cherry trees,
The ploughmen homeward plod in spent unease,
Young women likewise come in singing bands,
And mothers wait them all, with food to please.
The family beside the cottage eats;
The evening star is rising in the sky;
The daughter helps the supper tasks to ply;
Words of advice the mother’s mouth repeats
But songs of nightingales her words outvie.
Her little folks beside the cottage small
The mother puts to rest in slumber deep,
And she herself beside them falls asleep,
Peace now prevails. But the young women all
And the sweet nightingale no silence keep.
Summer nights (Oleksander Oles)
The tender acacias quietly breathe,
Swaying in the silvery twilight,
They silently stare at the moon, at the stars,
They stare at the bright world enchanted.
Why am I not a tender acacia?
Why do thoughts burn and torture me?
Why can’t I lose myself to such a degree
That I could only stare and breathe.

�Not all sorrows have died (Oleksander Oles)

Evensong (Volodymyr Samiilenko)

Not all sorrows have died,
Not all songs have been sung,
Not all horizons have clouded over –
My blood still boils, roiling in rage,
And my heart still beats like a bell.
My entire soul is in flames.

The hush of evening
Descends upon the earth
And the sun
Slowly sets in the grove.

To you and to life I will not succumb,
Shall not douse the fire with tears,
I shall spread myself out as the steppe,
I shall spill out a sea of songs,
And into each song I shall pour
All my passion, all my blood.
A memory (Volodymyr Starosolsky)
Do you still discern?
It was a quiet evening.
The forest clad in pensive sorrow
And flowers shedding tears of dew.
In the magical perfect evening
Quiet and mysterious
A May dream bent down
Above you and me.
Do you still discern?
The rising white moon led
Miraculous dreams round the world.
A fairy tale walked on the path.
Miraculous dreams were rising.
And the bright stars shimmered
Above you and me.
Do you still discern?
Boundless longing
Dressed the earth in springtime
And cried with silent tears.
In a magical time sacred love
Stretched her saintly hands
Above you and me.
English translations by Maxim Tarnawsky and Uliana Pasicznyk
except “The cherry orchard” translated by Watson Kirkconnell
Copyright MusicaLeopolis
www.ukrainianartsong.ca

O dearest bright sun,
Can it be that you are weary?
That you are angry?
Please linger awhile!
Shine on for an hour.
It’s too early to sleep.
Warm and indulge us
With your motherly tenderness.
O dearest bright sun…
But the sun doesn’t listen,
It sets o’er the mountain,
And bids us adieu
For the rest of the night.
O dearest bright sun….

�PROGRAM NOTES
Some of the most significant and rewarding events of my past 30 years at the
School of Music have been the Faculty Chamber Music Series concerts, where the
opportunities to spend musical time with colleagues have so often been personally
inspiring as well as enriching for our community. I was honoured to be asked to put
together this concert of works of my own choosing in observation of my impending
retirement.
It must be said that narrowing down my considerable ‘wish list’ was tricky. Each program idea led to another, often larger, idea. The program presented tonight is a small
snapshot of some of my chamber music interests.
All the performers on tonight’s concert are current or former faculty, current students or former students. I am very grateful to all for their participation and particularly grateful for the universally enthusiastic response expressed when approached
for participating in this concert.
Echoes From A Play, for oboe and string quartet by Finnish composer Aulis Sallinen, is
thematically connected to his chamber opera The Palace (1995), the music of which
has been described as ‘unnervingly attractive’. The opera, loosely based on Mozart’s
The Abduction from the Seraglio, is described as a satire of the collapse of a corrupt
regime, the escape from an authoritarian power and the transference of that power
into new, though equally absolute hands. It is not the first time that Sallinen has created a smaller work with operatic connections, a practice with a respectful lineage
in the activities of many working composers of the past. Sallinen’s work The Palace
Rhapsody (1966) for Harmonie, (the ensemble genre of double winds that appears
later in tonight’s concert), is in the style of the 18th century arrangements of opera
excerpts played in the courts of Vienna and Eastern Europe from approximately
1785 to 1830. I am delighted to finally have the opportunity to play this charming
work with the Lafayette String Quartet and very grateful to Pamela Highbaugh Aloni
for having brought it to my attention a few years ago.
Performing with singers highlights the special relationship that wind players can have
with singers; the sonority of male voices with English horn, the oboe’s lower-voiced
brother, is particularly special. Canadian composer George Bassingthwaite studied
at Toronto’s Royal conservatory and the University of Toronto as well as in Fontainbleau, France with, among others Nadia Boulanger. He worked in Toronto as a
bass-baritone soloist, a pianist and vocal coach and did much work in theatre as a
music director, composer, arranger and on occasion, singing actor; in other words, he
was a working musician. Most of his work is choral and tonight’s piece, Prayer of St.
Francis, exists in another version for English horn and solo bass-baritone. There are
elements of the famous Prayer of St. Francis of Assisi, regardless of one’s adherence
to any particular faith system, that in my mind have much to offer to the teaching
profession.

�Over the years Benjamin Butterfield and I have talked often about his Ukrainian
Art Song project, with the notion of perhaps adding some oboe and English horn
phrases to his work, an idea that I haven’t entirely abandoned. Having spent much of
my childhood singing Ukrainian songs, I am particularly looking forward to hearing
his performance tonight.
During the late 18th and early 19th centuries the courts of Eastern Europe, Vienna
and parts of Germany employed musicians, composers and arrangers to provide social entertainment in the form of dinner and after-dinner music for the court. Though
the instrumentation varied in the different courts, by roughly 1780 the most common instrumentation was that which came to be known as the harmonie, pairs of
oboes, clarinets, horns and bassoons. Johann Nepomuk Hummel was highly regarded
in his time (1778-1837) as a pianist and composer. Born in Bratislava, he came of
age during the heyday of the Harmonie, composing his Partita in E-flat major when
he was only 24 and had not yet been offered any leadership position at a European
court. The notion of writing music for an ensemble associated with the aristocracy
was enthusiastically taken up by many composers of the time, most notably Mozart,
whose Serenades are considered the flagship works of the ensemble.
Hummel’s Partita in E-flat is presented tonight in all of its joyful and youthful enthusiasm and is dedicated to my current and former students, some of whom are present with me on the stage and in their professionalism make me feel very, very proud.
— Alexandra Pohran Dawkins

Please tell us about your concert experience
in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/

finearts.uvic.ca/music/events

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