51
10
1498
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TRANSLATION
Seele, deine Spezereien
O soul, your spices
Sollen nicht mehr Myrrhen sein. need no longer be myrrh.
Denn allein
For only
Mit Lorbeerkranze prangen,
crowning with the laurel wreath
Stillt dein ängstliches Verlangen. will quiet your anxious longing.
Translation by Pamela Dellal
Gillian is from the class of Dr. Suzanne Snizek.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
The audio and video recording made of this performance will
partially compose the proofs-of-concept for an Honour’s Thesis in
Immersive Audio-Visual Recording for the Bachelor’s degree program
in Music Production and Audio Engineering at dBs Music Berlin.
Gillian would like to extend a special thank-you to all of the
wonderful people who made this night possible – to Kim, Brittney
and Charlotte for their dedication and musicianship; to Suzanne,
Mary, Mark, and Richard for sharing their knowledge and insight;
and, of course, to her family and friends for their love and support.
Please feel free to join us in the music lounge (room B115) for a
reception with refreshments after the concert.
School of Music
Faculty of Fine Arts
University of Victoria
�PROGRAM
“Seele deine Spezereien”
J.S. Bach
from Ea ster Ora torio, BWV 249
(1685-1750)
Brittney Jette, Soprano
Kimberley Farris-Manning, Harpsichord
G illia n Ne w b u r n ,
fla u tis t
Fourth Year Graduating Recital
With pianists
Kimberley Farris-Manning
Charlotte Hale
and soprano
Brittney Jette
Aria for Flute and Piano
Kimberley Farris-Manning, Piano
Variations sur ‘Nel Cor Più’
Theobald Boehm
(1794-1881)
Kimberely Farris-Manning, Piano
INTERMISSION
Sonate für Flöte und Klavier
I.
II.
III.
IV.
Charlotte Hale, Piano
March 8, 2017 8 p.m.
Phillip T. Young Recital Hall
Jacques Hétu
(1938-2010)
Sergei Prokofiev
(1891-1953)
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/030817-GradRecital_Newburn/030817-BMusFluteRecital_01.mp3">Track1</a> (tech fault: missing first minute)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030817-GradRecital_Newburn/030817-BMusFluteRecital_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030817-GradRecital_Newburn/030817-BMusFluteRecital_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030817-GradRecital_Newburn/030817-BMusFluteRecital_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030817-GradRecital_Newburn/030817-BMusFluteRecital_05.mp3">Track5</a>
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Graduate Recital - Gillian Newburn
Creator
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Josh Calder
Date
A point or period of time associated with an event in the lifecycle of the resource
March 8, 2017
Contributor
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Gillian Newburn, flute
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VIOLIN CLASS RECITAL
Violin students from the studio of Sharon Stanis
SATURDAY, MARCH 4, 2017 | 2:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation
PROGRAM
Fantasia VII in E-flat major for Violin without Bass, TWV 40:20 Georg Philipp Telemann
I. Dolce
(1681–1767)
Sonata No. 3 in C major, BWV 1005
Johann Sebastian Bach
III. Largo
(1685–1750)
Chloe Kim, baroque violin
Violin Sonata No. 3, BWV 1005
J. S. Bach
III. Largo
IV. Allegro Assai
Natalie Dzbik, violin
Air, for Violin and Piano
Aaron Jay Kernis
(b. 1960)
Emily MacCallum violin
Liam Pistor, piano
Sonatina in G major for Violin and Piano, Op. 100
Antonín Dvořák
I. Allegro risoluto
(1841–1904)
II. Larghetto
III. Scherzo
IV. Finale: Allegro molto
Lucy Toews, violin
Emily Markwart, piano
— INTERMISSION —
�Symphonie Espagnole for Violin and Piano, Op. 21
I. Allegro non troppo
Francine Hsu, violin
Carol Zhang, piano
5 Melodies for Violin and Piano, Op. 35 bis
1. Andante
5. Andante non troppo
Jasmine Mather, violin
Liam Pistor, piano
Sonata No. 7 in C minor Op. 30, No. 2
Edouard Lalo
(1823–1892)
Sergei Prokofiev
(1891–1953)
Ludwig van Beethoven
(1770–1827)
Johannes Brahms
(1833–1897)
Henri Vieuxtemps
(1820–1881)
Linda Donn, violin
Dustin Anderson, piano
Sonata No. 2 in A major for Violin and Piano, Op. 100
III. Allegretto grazioso (quasi Andante)
F-A-E Sonata
III. Scherzo
Chloe Kim, violin
Zinna Kwon, piano
Violin Concerto No.7, Op.49
I. Moderato
Jasmine Mather, violin
Liam Pistor, piano
UPCOMING EVENTS
SATURDAY, MARCH 4 | 7 PM (By donation)
Flute Class Recital
Featuring flute students from the studio of Dr. Suzanne Snizek. With a special world premiere for solo flute
and flute choir by composer Nebojsa Macura, commissioned by Dr. Snizek and conducted by David P. Gagnon.
Phillip T. Young Recital Hall
SUNDAY, MARCH 5 | 2:30 PM (By donation)
Cello Class Recital
Featuring cello students from the studio of Pamela Highbaugh Aloni.
Phillip T. Young Recital Hall
To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca
�
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Class Recitals
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Program changes: Violin Sonata No. 3 was moved to the beginning of the second half (track 5). Symphonie Espagnole was not played.<br /><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030417-ViolinClassRecital_Stanis/030417-ViolinClassRecital_10.mp3">Track10</a>
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Violin Class Recital - studio of Sharon Stanis
Creator
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Seán Maynard
Date
A point or period of time associated with an event in the lifecycle of the resource
March 4, 2017
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https://finearts.uvic.ca/music/archive/files/original/8cfe7f66bdd3bac6db9d0c5e7913c836.pdf
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School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
Thank-you
Concert
This concert is presented in appreciation of
our concert-goers, the community and
those who support School of Music
scholarships and bursaries.
- - - - - -
Please join us for a reception in the lobby
following the concert.
Sunday, March 12, 2017 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free Admission
�Program
Fantasie No. 6 in D minor
Dolce
Allegro
Spirituoso
Georg Phillip Telemann
(1681–1767)
Anna Betuzzi, oboe
Novelette
Jean Sibelius
(1865–1957)
Julien Haynes, violin
Abigail Takenaka, piano
Parable VIII for Solo Horn, Op. 120
Vincent Persichetti
(1915–1987)
Collin Lloyd, horn
Au-delà du temps Yuko Uebayashi
iii. La lumière blanche
(b. 1975)
Cooper Reed, flute
Charmaine Tai, flute
Alanna Kazdan, piano
Suite for Solo Cello No. 6 in D major, BWV 1012
J. S. Bach
Prelude
(1685–1750)
Allemande
(Arr. James Collorafi in G major)
Joshua Gomberoff, viola
�Dolcissimo Uscignolo
Dolcissimo uscignolo,
tu chiami la tua cara compagnia
cantando: «Vieni, vieni, anima mia».
A me canto non vale,
e non ho come tu da volar ale.
O felice augelletto,
come nel tuo diletto
ti ricompensa ben l’alma natura:
se ti negò saver, ti diè ventura.
Giovanni Battista Guarini
(1538–1612)
Claudio Monteverdi
(1567–1643)
Sweet nightingale,
You call to your dear companion,
singing: “Come, Come my soul”.
For me it is not worth singing,
Nor do I have wings to fly like you
Oh happy little bird,
in your delight
Nature rewards you well;
if she denied you knowledge,
she gave you joy.
Translation by Ai Horton
Ai Horton
Yumeka Hildreth
Cassidy Stahr
Joé Lampron-Dandonneau
Jordan Rettich
Fantasie in C Major, Op. 17
Durchaus phantastisch und
leidenschaftlich vorzutragen
Robert Schumann
(1810–1856)
Frances Armstrong, piano
Second Suite in F
March
Song Without Words
Song of the Blacksmith
Ian VanGils, trumpet
Erika Richards, trumpet
Sam McNally, horn
Zach Power, trombone
Florence Waller, tuba
Gustav Holst
(1874–1934)
(Arr. Nowak)
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031217-ThankYouConcert/031217-ThankYouConcert_08.mp3">Track8</a>
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Thank You Concert
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Robert Pond
Date
A point or period of time associated with an event in the lifecycle of the resource
March 12, 2017
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Thank you:
To Ben for his unique mixture of unbridled enthusiasm,
deep musical knowledge, and genuine caring.
To my parents for their unwavering support (musical and
otherwise), and for first introducing me to at least
a third of the music in this recital.
To Richard and Oxford Girls’ Choir for the
best start anyone could ask for.
To all my unbelievably kind family and friends
who have made this coast feel like home.
Especially to my roommates.
And to George.
Margaret Lingas
Soprano
Graduating Recital
13TH MARCH, 2017, 8:00PM
Phillip T. Young Recital Hall
Free admission
�W ords of the Angel
Ivan Moody
(1964 –)
Natasha Penfield, soprano
Micha Fortin, mezzo-soprano
Five Greek Folk Songs
Historia di Jephte (Excerpt)
Maurice Ravel
(1875 -1937)
1. Ξύπνησε, πετροπέρδικα
2.
3.
4.
5.
Κάτω στον Άγιο Σίδερο
Ποιος ασίκης σαν κ' εμένα
Ω ν' άντζελος είσαι, µάτια µου
Γιαρούμπι, έχεις γάμπα
Josh Layne, harp
Auf dem W asser zu singen
Nachtviolen
Thomas Nicholson, piano
- INTERMISSION -
Franz Schubert
(1797-1828)
Giacomo Carissimi
(1605-1674)
1. Plorate colles, dolete montes
2. Plorate filii Israel
Ravel
Thomas Nicholson, organ
Claire Dresselhuis, cello
Josh Layne, harp
Rachel Allen, soprano
Natasha Penfield, soprano
Micha Fortin, mezzo-soprano
Zachary Windus, countertenor
Kaden Forsberg, tenor
Joé Lampron-Dandonneau, tenor
Kyron Basu, bass
Knoxville: Sum m er of 1915
Samuel Barber
(1910-1981)
Thomas Nicholson, piano
Píseň Rusalky o M ěsíčku
Rusalka
Antonín Dvořák
(1841-1904)
Josh Layne, harp
Thomas Nicholson, piano
Margaret Lingas is from the class of Benjamin Butterfield.
This recital is presented in partial fulfillment of the requirements
Je suis Titania la blonde
Ambroise Thomas
Mignon
(1811-1896)
Thomas Nicholson, piano
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
of the Bachelor of Music Performance program.
Reception to follow in the Lounge.
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031317-GradRecital_Lingas/031317-GradRecital_Lingas_08.mp3">Track8</a>
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Graduating Recital - Margaret Lingas
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Trevor Naumann
Date
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March 13, 2017
Contributor
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Margaret Lingas, soprano
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Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 14, 2017 • 12:30 p.m.
Nocturnal
I. Musingly
II. Very agitated
III. Restless
IV. Uneasy
V. March-like
VI. Dreaming
VII. Gently Rocking
VIII. Passacaglia
IX. Slow and Quiet
Josh Hu, guitar
Sequenza I
Luciano Berio
(1925 - 2003)
Charmaine Tai, flute
Lookout
Jillian Broughton, flute
Night on Bare Mountain
Merrie Klazek, piccolo trumpet
Ian VanGils, trumpet
Jordan Smale, trumpet
Heather Richards, trumpet
Emily McDermid, trumpet
Tark Kim, trumpet
Benjamin Britten
(1913 - 1976)
Robert Dick
(b. 1950)
Modest Mussorgsky
(1835 - 1881)
Sam McNally, horn
Grace Timney, bass trombone
Allie Bertholm, horn Florence Waller, tuba
Collin Lloyd, horn
Tamara Nemeth, percussion
Zachary Power, trombone
DJ Lochead, percussion
Jason Gordon, euphonium
Cashton MacGillivray, percussion
Heidi Worrall, trombone
Josh Mulingbayan, percussion
Erin Marsh, trombone
Brandon Bronson, percussion
Upcoming at the School of Music
WEDNESDAY, MARCH 15 | 12:30 PM | Admission by donation
TRUMPET CLASS RECITAL
Featuring UVic School of Music students from the class of Merrie Klazek.
Phillip T. Young Recital Hall
FRIDAY, MARCH 17 | 12:30 PM | Admission by donation
FRIDAYMUSIC
Featuring new music by UVic School of Music composition students.
This concert will be broadcast live at finearts.uvic.ca/music/events/live/
Phillip T. Young Recital Hall
FRIDAY, MARCH 17 | 8 PM | Admission by donation
SONIC LAB
Dániel Péter Biró, conductor
UVic’s contemporary music ensemble performs some of the most exciting Canadian and international music of our time.
Phillip T. Young Recital Hall
SATURDAY, MARCH 18 | 8 PM | Adults $20 / Seniors $15 / Students & UVic alumni $10
UVic JAZZ ENSEMBLE
Tribute to the Bluenote Era
Dr. Patrick Boyle, director
The Bluenote record label produced hundreds of historically significant recordings in the 1950s and 60s and continues to this
day. Join the UVic Jazz Ensemble for an eclectic, not-to-be-missed evening of original takes on these timeless classics by Joe
Henderson, Lee Morgan, Art Blakey, and Hank Mobley.
Phillip T. Young Recital Hall
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031417-Tuesdaymusic/031417-TuesdayMusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031417-Tuesdaymusic/031417-TuesdayMusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031417-Tuesdaymusic/031417-TuesdayMusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031417-Tuesdaymusic/031417-TuesdayMusic_04.mp3">Track4</a>
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Tuesdaymusic
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Noah Cebuliak
Date
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March 14, 2017
-
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cebe011c3bec2b81aaf7821b40288bbe
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TRUMPET CLASS RECITAL
Trumpet students from the studio of Merrie Klazek
WEDNESDAY, MARCH 15, 2017 | 12:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation
PROGRAM
Leise, Leise
Fanfare and Scherzo
Centaurus
Carl Maria Von Weber
(1786-1826)
Frank Cofield
(1913-2005)
Ian VanGils, Tark Kim, Jordan Smale, Ryan Lau,
Emily McDermid, Ja’Nice Irvine, Erika Richards, Izzy Spencer: trumpets
Andante and Allegretto
Concerto in E-flat
III. Allegro
H.A. Vandercook
(1864-1949)
Guillaume Balay
(1871-1943)
Ja’Nice Irvine, trumpet
Esther Lee, piano
Tark Kim, trumpet
Alec Erickson, piano
Sonatina for solo trumpet
Ian VanGils, trumpet
Aimi Howden, piano
Erika Richards, trumpet
Graeme Fullerton, piano
J.N. Neruda
(1708-1780)
Peter Maxwell Davies
(1934-2016)
�
Girl with the Flaxen Hair
Premier Solo de Concours
Andante and Allegro
Je ne t’aime pas!
Concert Etude
Claude Debussy
(1862-1918)
Rene Maniet
(1914-2005)
A. Ropartz
(1864-1955)
Erika Richards, trumpet
Maureen Chow, piano
Kurt Weill
(1900-1950)
Alexandre Goedicke
(1877-1957)
George Gershwin
(1898-1937)
Emily McDermid, trumpet
Graeme Fullerton, piano
Izzy Spencer, trumpet
Joy Keeler, piano
Ryan Lau, trumpet
Coco Chen, piano
Jordan Smale, trumpet
Bonnie Leung, piano
Someone to Watch Over Me
Ian VanGils, trumpet
Aimi Howden, piano
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031517-TrumpetRecital/031517-TrumpetRecital_12.mp3">Track12</a>
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Trumpet Class Recital - studio of Merrie Klazek
Creator
An entity primarily responsible for making the resource
Kyle Newman
Date
A point or period of time associated with an event in the lifecycle of the resource
March 15, 2017
-
https://finearts.uvic.ca/music/archive/files/original/2b10a8e5caef52eb96263d27508c7ab7.pdf
ed52bc04ebbd1a8cb3eed5e30c9fedc6
PDF Text
Text
School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�Chorus &
UNIVERSITY OF VICTORIA
Orchestra
Soloists:
Betty Allison, soprano
Andrea Rodall, soprano
Joé Lampron-Dandonneau, tenor
Kyron Basu, bass
Dr. Adam Jonathan Con, conductor
Saturday, March 11, 2017 • 2:30 p.m.
University Centre Farquhar Auditorium
University of Victoria
Adults: $20 / Seniors: $15 / Students & UVic alumni: $10
�PROGRAM
Wolfgang Amadeus Mozart (1756–1791)
Great Mass in C minor, K.427 (1782–1783)
I. KYRIE (Andante moderato: Chorus and Andrea Rodall, soprano)
II. GLORIA
Gloria in excelsis Deo (Allegro vivace: Chorus)
Laudamus te (Allegro aperto: Betty Allison, soprano)
Gratias agimus tibi (Adagio: Chorus)
Domine Deus (Allegro moderato: Andrea Rodall, Betty Allison, sopranos)
Qui tollis (Largo: Double choir)
Quoniam tu solus (Allegro: Andrea Rodall, Betty Allison, sopranos and
Joé Lampron-Dandonneau, tenor)
Jesu Christe (Adagio: Chorus) — Cum Sancto Spiritu (Chorus)
III. CREDO
Credo in unum Deum (Allegro maestoso: Chorus)
Et incarnatus est (Andante: Andrea Rodall, soprano)
IV. SANCTUS (Largo: Double choir)
V. BENEDICTUS (Allegro comodo: Andrea Rodall, Betty Allison, sopranos,
Joé Lampron-Dandonneau, tenor and Kyron Basu, baritone
with Double chorus)
Please tell us about your concert experience
in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/
�BIOGRAPHIES
Andrea Rodall, soprano
Soprano Andrea Rodall received her Bachelor of Music in vocal performance with
distinction from the University of Calgary and is currently in her final semester of
the Masters program in vocal performance at UVic, where she is studying with Anne
Grimm.
Past engagements have included Handel’s Messiah, Haydn’s Creation, Mendelssohn’s
Elijah, and Bach’s Christmas Oratorio. Opera roles include Adele in Die Fledermaus,
Flora in La Traviata, Maria in the Sound of Music and Sarah Brown in Guys and Dolls.
She has also sung in the Pacific Opera Victoria Chorus and the Vancouver Island
Opera Chorus.
Residing in Duncan, Andrea runs her own music studio, Joy of Music, where she is in
high demand as a voice and piano teacher for both children and adults.
Betty Allison, soprano
“[A performer with] great theatrical presence and vocal sophistication,” she is “gifted
with a commanding dramatic soprano voice.” Betty Allison is known to Victoria audiences for her performances with Pacific Opera Victoria in The Magic Flute, A Midsummer Night’s Dream and Das Rheingold as well as for the role of Mary in the world
premier of Mary’s Wedding. Betty is an alumnus of UVic where she completed her
Bachelor of Music and Bachelor of Education degrees before joining the Canadian
Opera Company Ensemble. She is now completing her Masters in Voice Performance at UVic with Benjamin Butterfield. Past performance highlights have included
the title role in Floyd’s Susannah with Florentine Opera, Alice in Verdi’s Falstaff with
L’Opèra Thèâtre de Metz Metropole as well as Rosalinde in Die Fledermaus and First
Lady in Die Zauberflöte with Edmonton Opera. Other roles have included Elizabeth
in Britten’s Gloriana, Fiordiligi in Cosi fan tutte and Donna Anna in Don Giovanni.
Equally comfortable on the concert stage, Betty has also performed in Mahler’s Symphony of a Thousand, Brahms’ Requiem and Gubaidulia’s Galgenlieder A 3.
Joé Lampron-Dandonneau, tenor
Born in the Eastern Townships of Québec, tenor Joé Lampron-Dandonneau completed his Bachelor of Music in Voice Performance at the University of Montréal,
where he studied with John Fanning. He is currently finishing his first year of his
Masters Degree at the University of Victoria with Benjamin Butterfield.
Past operatic performances have included Father Grenville in Dead Man Walking
and Tebaldo in I Capuletti e Montechi at Opera Nuova in Edmonton as well as Don
Basilio in Le Nozze di Figaro. Upcoming engagements include the St. John Passion with
the Victoria Baroque Players and with the Victoria Symphony singing the music of
Tobin Stokes in their Explorations No. 2 series.
�Kyron Basu, baritone
Kyron Basu is currently in his third year at the University of Victoria, in the studio of
Benjamin Butterfield. He began his vocal training with Iris Cooke-Chislett in 2014.
Kyron earned his Diploma in Music from the Victoria Conservatory of Music in 2016,
where he studied with Ingrid Attrot. An enthusiastic performer, Kyron sings regularly
in the Victoria area. As a soloist, he has appeared with groups such as Fretwork, the
Victoria Baroque Players, Victoria Children’s Choir, and the Victoria Philharmonic
Choir (Bach and Pergolesi’s Magnificat settings). He has sung in three productions of
the Victoria Conservatory of Music’s Opera Studio program, and performed solos
in the Conservatory’s Summer Oratorio program (Handel’s Judas Maccabaeus) of
2016. Kyron’s ensemble engagements have included two productions with the Pacific
Opera Victoria chorus (Verdi’s Otello and Simon Boccanegra), as well as singing Handel’s Messiah with Vox Humana and Friends. He is a choral scholar at Christ Church
Cathedral where he sings with the St. Christopher Singers. This season, Kyron will be
performing in the choruses of Bach’s St. John Passion with the Victoria Baroque Players and Monteverdi’s Vespers with the Victoria Philharmonic Choir.
Dr. Adam Jonathan Con, Conductor and UVic Chorus director
Dr. Con is Associate Professor of Music at University of Victoria School of Music. His
duties include teaching Elementary Music Methods, Music Education Foundations,
Choral Conducting, Choral Organization, Rehearsal Techniques and Literature,
Middle and Elementary School choir methods, conducting the UVic Chorus and
supervising music education students. He served in similar capacities at the Bob
Cole Conservatory of Music, California State University, Long Beach, at Wittenberg
University in Springfield, Ohio and at Georgia Southern University in Statesboro,
Georgia. Dr. Con earned a Bachelor’s Degree in Music Education (Secondary Instrumental and Choral) and a Master’s Degree in Music Education (Elementary) from
the University of British Columbia. At Florida State University, he earned a Doctorate of Philosophy in Music Education (Choral Conducting Emphasis) studying with
Rodney Eichenberger, Andre Thomas, Clifford Madsen and Judy Bowers. In addition,
Dr. Con is a certified Orff Schulwerk specialist and has extensive study experience
as an Alexander Technique practitioner.
Dr. Con has presented and conducted at prestigious events such as the National
American Orff-Schulwerk Conference, Podium: Canadian National Choral Conducting Symposium, the Canadian National GALA Conference, the National Canadian
Orff-Schulwerk Conference, the Alberta Provincial Music Educator’s Conference, the
British Columbia Provincial Music Educator’s Conference, the British Columbia Choral Federation Chorfest and Youth Choir, the Unitarian Universalist Musicians’ United
States National Conference, Ohio State Music Educator’s Conference, the Georgia
State American Choral Directors Association Conference, and the Georgia Music
Educator’s Conference. His talent and ability to work with all levels of musical experience is grounded in 15 years of diverse K-12 public school music teaching which
includes Orff, Kodály, and Dalcroze based general music, French immersion music,
middle and secondary school choral, vocal jazz, concert band and jazz band. His professional conducting experiences include numerous All-State and honor choirs, civic
orchestras, professional musical theatre, community and professional choirs, concert
bands, and 38 years as a church choir director and organist. Currently, he serves as
the University of Victoria convocation organist.
�UNIVERSITY OF VICTORIA ORCHESTRA
VIOLIN I
Chloe Kim*
Aliayta Foon-Dancoes
Jeanel Liang
Jilaine Orton
Jasmine Mather
Linda Donn
Isobel Glover
Ross Ling
Shijin Kim
Francine Hsu
FLUTE
Monica Mun
VIOLIN II
Amy Toth*
Julien Haynes
Emilly MacCallum
Jessica d’Oliveira
Michelle Hoskin
Gary Sun
Amanda Steinemann
Lucy Toews
Serena Jack
HORN
Emily Axford
Sarah Mullane
VIOLA
Josh Gomberoff*
Jaling Kersen
Nathalie Dzbik
Eric Mitchell
Jing Yang
CELLO
Claire Dresselhuis*
Olivia Brotzell
Chloe Kersen
Shiun Kim
Bryan Lin
Liam Epp
Tara Rajah
DOUBLE BASS
Mackenzie Carroll
OBOE
Berlin Janzen*
Anna Betuzzi
BASSOON
Eric Boulter*
Lee Whitehorne
Rio Davison §
TRUMPET
Ian VanGils*
Heather Richardson
TROMBONE
Zachary Power*
Erin Marsh
Grace Timney
ORGAN
Ethan Hill
TIMPANI
Tristan Holleufer
LIBRARIANS
Betty Allison
Monica Mun
STAGE MANAGERS
Tristan Holleufer
James Waddell
Liam Epp
ASSISTANT
Shabahang Saffari
* Principal
§ Community member
�UNIVERSITY OF VICTORIA CHORUS
SOPRANO
Keiko Alkire
Arianna Cheveldave
Vera Costain
Sarah Ebert
Angela Faber
Kate Fairley
Alysha Flipse
Rita Haehnlein
Haley Greenhalgh
Abby Hartman
Darleene Horricks
Cassandra Husband
Naseem Jamomend
Nicola Kent
Vanessa Lee
Flora Leigh
Iona Lister
Kelby Lyall
Irma MacKay
Holly Melville
Sophie Oliveau-Moore
Paige Murphy
Heather Noakes
Hehley Park
Natasha Pashchenko
Victoria Pereversoff
Torrey Randolph
Andrea Rodall
Elora Sheres
Melissa Smith
Megan Steffens
Sarah Stephens
Penny Stevenson
Emily Stewart
Shauna Tierny
Jessica Vincent
Jessica Wagner
Alex Walsh
Season Wang
Chloe Wiesenthal
ALTO
Dara Barrow-Precious
Breanna Bokstrom
Coco Chen
Tiffany Cheung
Maureen Chow
Elizabeth Craig
Lara Falkiner
Wendy Feng
Taya Haldane
Kate Harder
Seira Hayakashi
Aimi Howden
Iris Hung
Vincy Ip
Kayla Izon
Emily Jackson
Joyce Jin
Joy Keeler
Nahoko Kempster
Shiun Kim
Esther Lee
Bonnie Leung
Laura Liu
Mandy Liu
Katie Lundin
Emily Markwart
Beth Anne Masselink
Joyce Masselink
Emily Maunder
Elsie McMurphy
Sarah Meyer
Patricia Murray
Tu Nguyen
Meagan Pal
Jamie Pambrun
Amelia Petch
Aya Robertson
Erin Sharpe
Cassidy Stahr
Sarah Tao
Abigail Takenaka
Koba ter Nuezen
Dree Thomson-Diamond
Angela Wang
Gerlinde Weimer Stuckmann
Jane Whiteley
Nancy Xu
Bella Zeng
Carol Zhang
TENOR
Tony Bae
Ben DeCicco
Mark Guebert
Rudolf Haehnlein
Calvin Jones
Ryan Kim
Cuong Le
Pierre MacKenzie
Charlie Mah, cantor
Eric Mitchell
Todd Morgan
Andrew Rose
Sheila Ruffell
Sonja Ruffell
Leif Saba
Ian Sirias
Luc Steele
Robert Tulip
William Van den Broek
Eric Yvorchuk
James Zhang
BASS
Dante Andre-Kahan
Yanick Belanger-Mckoy
Mark Bigauskas
Isaiah Brabazon
Dalton Braun
Sebastian Britneff
Alex Cheung
Peter Constabel
Sivert Das
Alec Erickson
David Eupen
Simon Farintosh
Jasper Graham
Haotian Hu
Simon Kightley
Héctor Perez
Drew Porter
David Powell
Anthony Quas
Arden Reimer
Emmett Robinson Smith
Patrick Schjelderup
Jeff Shatford
Hayden Shenher
Ghendun Suzuki
Jackson Tseng
Frank Waelti
Dawson Woroniec
�UPCOMING EVENTS
SUNDAY, MARCH 12 | 2:30 PM (Free admission)
Thank-You Concert
The School of Music says Thank-You to our concertgoers, the community,
and supporters with a wonderful afternoon of music featuring
School of Music Scholarship recipients.
Phillip T. Young Recital Hall
SUNDAY, MARCH 12 | 7 PM ($18 & $12)
Serenade to Music
Harmonious voices fill Victoria’s historic Craigdarroch Castle with music
performed by UVic School of Music voice students. Hear Vaughan Williams’
Serenade to Music, Schumann’s Spanish love songs, and more!
Voice Ensemble directors Benjamin Butterfield and Kinza Tyrrell.
Tickets: https://thecastle.ca/events/
Craigdarroch Castle (1050 Joan Crescent)
MONDAY, MARCH 13 | 8 PM (Free admission)
Graduating Recital: Margaret Lingas, voice
Vocalist Margaret Lingas presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
TUESDAY, MARCH 14 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring UVic School of Music students.
Phillip T. Young Recital Hall
WEDNESDAY, MARCH 15 | 12:30 PM (By donation)
Trumpet Class Recital
Featuring UVic School of Music students from the class of Merrie Klazek.
Phillip T. Young Recital Hall
FRIDAY, MARCH 17 | 12:30 PM (By donation)
Fridaymusic
Featuring new music by UVic School of Music composition students.
Phillip T. Young Recital Hall
�
To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca
www.finearts.uvic.ca/music/events
�
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Title
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Orchestra
Description
An account of the resource
Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition.
Hyperlink
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031117-ChorusOrchestra/031117-ChorusOrchestra_12.mp3">Track12</a>
Dublin Core
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Title
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Chorus & Orchestra
Creator
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Adam Jasieniuk
Date
A point or period of time associated with an event in the lifecycle of the resource
March 11, 2017
Contributor
An entity responsible for making contributions to the resource
Betty Allison, soprano
Andrea Rodall, soprano
Joé Lampron-Dandonneau, tenor
Kyron Basu, bass
Dr. Adam Jonathan Con, conductor
-
https://finearts.uvic.ca/music/archive/files/original/2e7c402b8c8d6f4b35c178bd373157f3.pdf
e212811312086748f95d1eeb07bc3469
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Text
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 17, 2017 • 12:30 p.m.
Featuring School of Music composition students
Kim Farris-Manning
Unless
The Lorax by Dr. Seuss
Jamie Farris-Manning & Jordan Bouchard, readers
Goodnight Moon by Margaret Wise Brown
Dougal McLean, reader
Love You Forever by Robert Munsch
Peter Farris-Manning, reader
George W. Bush Colouring Book by Karen Ocker & Joley Wood,
Peter Farris-Manning & Christopher Butterfield, readers
Perimeter (Moment I)
Ben Brown
Taya Haldane, flute
Exhale
Bailey Finley, flute
I Don’t Remember this House
I.
II.
III.
Cassidy Stahr, alto
Kyle MacLean, percussion
The Battle of Shaykh Tabarsi
Amy-Lynne Toth, violin
Jasmine Mather, violin
Jeanel Liang, viola
Claire Dresselhuis, cello
Tristan Holleufer, percussion
don’t forget (the things that really matter)
Seán Maynard
Michael Vielguth
(b. 1997)
Emily Mahbobi
Natalie Dzbik
Natalie Dzbik, violin
Liam Epp, cello
All Real Bodies...
Kimberley Manerikar
Jessica Wagner, soprano
Bailey Finley, flute
Natalie Dzbik, viola
Steven Cramaro, accordion
Colin Malloy, vibraphone
Upcoming at the School of Music
FRIDAY, MARCH 17 | 8 PM | Admission by donation
SONIC LAB
Dániel Péter Biró, conductor
UVic’s contemporary music ensemble performs some of the most exciting Canadian and international music of our time.
Phillip T. Young Recital Hall
SATURDAY, MARCH 18 | 8 PM | Adults $20 / Seniors $15 / Students & UVic alumni $10
UVic JAZZ ENSEMBLE
Tribute to the Bluenote Era
Dr. Patrick Boyle, director
The Bluenote record label produced hundreds of historically significant recordings in the 1950s and 60s and continues to this
day. Join the UVic Jazz Ensemble for an eclectic, not-to-be-missed evening of original takes on these timeless classics by Joe
Henderson, Lee Morgan, Art Blakey, and Hank Mobley.
Phillip T. Young Recital Hall
�
Dublin Core
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Fridaymusic
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-Fridaymusic/031717-FridayMusic_07.mp3">Track7</a>
Dublin Core
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Fridaymusic
Creator
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Trevor Naumann
Date
A point or period of time associated with an event in the lifecycle of the resource
March 17, 2017
-
https://finearts.uvic.ca/music/archive/files/original/cfc1a1956d403debfe7425cec333c674.pdf
9e1014516993b377319c6c65d5084b10
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Text
SONIC LAB
March 17, 2017, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation
This concert is presented on the traditional territories of the
WS'ANEC' (Saanich), Lkwungen (Songhees), and Wyomilth
(Esquimalt) peoples of the Coast Salish Nation
�*
PROGRAM
Advaya
Jonathan Harvey
(1939–2012)
Emily MacCallum, Violin
Edgard Varèse
(1883–1965)
Toccatina
Helmut Lachenmann
(b. 1935)
Emily MacCallum, Violin
Lucian Berio
(1925–2003)
Bombarde
Ethan Hill
(b. 1997)
Ethan Hill, Piano
Alex Klassen, Cello
Philadelphia
Christopher Butterfield
(b. 1952)
Dániel Péter Biró, Guitar
Thomas Nicholson, Harmonium
from József Attila Fragments
Jessica Wagner, Soprano
Julio Lopezhiler, Reciter
*
Dániel Péter Biró
(b. 1969)
Jillian Broughton, Flute
Les mots sont allés ...
*
Adam Jasieniuk, Ethan Hill, Voices
Alanna Kazdan, Flute
Alina Liang, Clarinet
Thomas Nicholson, Piano
Natalie Dzibik, Violin
Alex Klassen, Cello
Keenan Mittag-Degala, Spoken Percussion
Dániel Péter Biró, Conductor
Suzanne Farrin
(b. 1976)
Density 21.5
Intermission
Mishaptim, Part 1
Alex Klassen, Cello
Alex C, Sampler
Colin Malloy, Jordie Shier,
Robert Pond, Electronics
Time is a Cage
*
György Kurtág
(b. 1926)
While Liquid Amber
Chaya Czernowin
(b. 1957)
Alanna Kazdan, Jillian Broughton,
Bailey Finley, Piccolo Flutes
6 Melodies
John Cage
(1912–1992)
Natalie Dzbik, Violin
Kimberley Manerikar, Piano
O King
Luciano Berio
(1925–2003)
Jessica Wagner, Soprano
Jillian Broughton, Flute
Alina Liang, Clarinet
Ethan Hill, Piano
Emily MacCallum, Violin
Alex Klassen, Cello
Dániel Péter Biró, Conductor
�Jonathan Harvey: Advaya (1994)
“About the first century (AC) Buddhist teaching coined the word
‘advaya’. It means ‘not two’, and it points at transcending duality. We
may be under the spell of a certain illusion, but we realise that our
illusion and its objects come from the same root. In other words we
transcend the duality of the division into subject and object in the
sense that we intuitively sense and realise that both emerge from the
same cosmic ground”. (Lama Govinda) All sounds used in this piece
derive from the cello; some are processed live, others were recorded
and then processed in depth in order to be played back on compact
disks or by a sampler keyboard. Many of the sounds were made by
analysing passages of music played by the cello and then
resynthesising the music from this analysis, altering the inner
structure of the sound (the spectrum) in the process. A hierarchy of
“compressed spectra” from consonant (the natural harmonic series) to
unstable was built up: the consonant centre is A (220hz), the first
string of the cello. Cello and electronics are usually concerned with
the same musical material at any one time, though sometimes at
different speeds. One cello motif, for instance, which lasts 4 seconds,
is stretched by a technique, which cuts the motif into tiny granules
and then scatters them in large quantities to a duration of two and a
half minutes.
Suzanne Farrin: Time is a Cage (2008)
The work of the New York based composer Suzanne Farrin is a
meditation and gradual exploration of gestures and timbres on each of
the four strings of the violin and deals with the unsteady perception of
time passing.
Edgard Varèse; Density 21.5 (1936)
System was anathema to Varèse. He was suspicious of tonality as he
was of serialism, considering them a composer's abdication of his
responsibility to create something new. He viewed music a organized
sound. Sound's properties of pitch, timbre and intensity were elements
to be used in constructing a piece. Pitches existed for him independent
of their pholyphonic or harmonic possibilities. This is evident in
Denisty 21.5 in various ways. Many of them melodies consist of
pitches whose lengths are determined by a specific ration. The piece
as a whole seems to explore the gradual expansion of the opening
three-note pattern to include an increasing part of the flute's range.
Varèse wrote Density 21.5 for the inauguration of Georges Barrere's
platinum flute. 21.5 is the density of platinum.
Luciano Berio: Les mots sont allés ... (1978)
The small solo cello work Les mots sont allés provides an eloquent
musical epigraph for this side of Berio's temperament. Its title literally
means "The words are gone...," and with his tongue perhaps tucked in
his cheek, Berio instructs the performer to make up for this
mysteriously missing text by playing "as if speaking." That absent
verse might be tied up with the work's dedication: it was one of a
number of solo cello pieces written in 1979 for new music conductor
and patron, Paul Sacher, and like many other works from the set,
actually takes the letters of Sacher's name and maps them to the
pitches they denote in German (E flat, A, C, B, E natural).
Interestingly, this technique reached its height before the twentieth
century in the works of Robert Schumann a kindred spirit of Berio's in
his indefatigable effort to make instruments speak.
Christopher Butterfield: Philadelphia (1996)
Philadelphia is one of three pieces with the same title, all written
shortly after a visit to the Philadelphia Museum of Art in 1996.
Among other things, the Museum houses the major collection of the
work of artist Marcel Duchamp, including his last piece, Étant
donnés: 1° la chute d'eau / 2° le gaz d'éclairage.
György Kurtág: From József Attila Töredékek (Fragments) (1981)
The Hungarian composer György Kurtág finds a form of musical
expression in miniature and a way to synthesize traditional European
art music with new forms and techniques of composing such as the
serial technique. The musical fragments on the poetry of the
Hungarian poet Attila József stands in the tradition of song cycles
giving a fragmented impression of Webernian brevity, melodic forms
formed of huge intervals or tightly bound phrases and heightened
expressivity.
�1.
The water thickens, swelling into ice,
and my sins gather into death.
2.
Many came and pressed around me
in my dreams they laughed and mocked me:
"Ha-ha-ha, he-he-he,
so he is the one
with the treasure
that's none!"
8.
The sweet breeze purls along
among the poplars, silver -foamed,
and the gigantic summer
just bathes in it, golden-limbed.
9.
Girls' knees stalk our predatory eyes
and in my fury I could kill a fairy,
though for this leaky, foundling life
it isn't - I admit- worth killing.
3.
For seven - I ask myself will you give six, pray?
I'm playing. The merit is
his who was able to play.
10.
For fifteen years I've been writing verse
and now, when I might at last become a poet,
I just stand here by the ironworks,
and have no words for the moonlit sky.
4.
Time
sprouts on the run, like beans.
Dániel Péter Biró: Mishpatim Part I (2003)
In 2001, Dániel Péter Biró began to employ Hebrew number
symbolism (gematria) for compositional means. As each letter in the
Hebrew alphabet possesses a numerical value, gematria is the
calculation of the numerical equivalence of letters, words, or phrases
and, on that basis, the exploration of the interrelationship between
words, ideas and, in this case, musical sounds. In this composition
cycle he employed the Hebrew Bible text Mishpatim (or “Laws”)
Exodus Chapter 23, a set of laws that do not seem to be organized in
any logical pattern. Writing first a piece for percussion, BeMitzraim
(In Egypt), he created a system in which all of the sounds, rhythms,
spoken words and numbers are determined by the Hebrew text and
accompanying cantillation signs of the corresponding Hebrew Bible
text. Out of this composition grew a larger work for solo percussion,
voices and ensemble, the first movement of Mishpatim (Laws) Part 1.
While the percussionist repeats the phrase “Do not oppress the
Stranger: for you were strangers in the land of Egypt” the rest of the
ensemble iterates the laws of the Biblical portion.
5.
The poet's love is blazing straw,
hence its greed and devouring speed.
6.
Amazed am I
that I shall die.
7.
Tell me, what should I do to make you love me,
if I should weep, don't laugh or mock me.
Like a car with engine racing
but there' no road, no way of starting,
- that's me, and were I bolder
my words would lack all sense or order...
�Text: Mishpatim Part 1 from Book of Exodus 23:1 - 9:
Do not accept a false report. Do not join hands with the wicked to be a
false witness.
Do not follow the majority to do evil. Do not respond with your
opinion in a dispute and to lean toward one side. It must be decided
by the majority.
Do not show favor to the poor in his dispute.
If you come across your enemy's ox or his donkey going astray, bring
it back to him.
If you see the donkey of your enemy lying under its burden, and you
might not want to help him, but you should make every effort to help
him.
Do not bend justice for the needy in his dispute.
Keep far away from anything false. Do not kill an innocent righteous
man, for I will not acquit a wicked person.
Do not accept bribery, for bribery blinds the clear-sighted, and
perverts the words of justice.
Do not oppress the stranger. You know the soul of the stranger, for
you were strangers in the land of Egypt.
Helmut Lachenmann: Toccatina (1986)
The diminutive title suits the scale of this piece, which plays for under
five minutes, and also its sound, which is generally at a low level,
drawing us into its fineness. A toccata is, etymologically, music of
touch, and Lachenmann, ever the traditionalist, alludes to the term
appropriately, while redefining how this touch takes place. Most of
the sounds, high and featherlight, are produced by tapping on the
strings with the screw at one end of the bow. To begin with, the left
hand stays in one position, holding a chord whose notes subtly
resonate after each tap; there are also occasional pizzicatos. Then the
extremely delicate background harmony starts to change. Later still,
the musician moves on to explore other parts of the instrument: the
strings at the bridge and beyond, one of the tuning pegs, and the
scroll. The end, however, makes a gentle return. Composed in 1986,
Toccatina comes from a time when Lachenmann had moved on from
the revolution of temA and Pression to retrieve aspects of older music,
within the perspective he had gained, while the cherishing of small
sounds, highly defined, can be found in his work from any period.
Chaya Czernowin: While Liquid Amber (2000)
In While Liquid Amber the flute is treated as an air pipe, capable of
producing very raw and uncultured sounds: not lovely and divine
sounding lines, but rather the breath as a direct forceful and primitive
impulse leading to the utterance of sound.
This piece is structured as a set of six sections, each contains a
subsection of longer breathing and a subsection of shorter breathing
(beside the last section where there is only shorter breathing). As the
piece progresses each section suggests a different avenue in the search
from the pure breathing towards sound and further towards musical
expression.
The musical expression that comes to being through this search,
however, is still a direct manifest of the power of the breath itself in
its rawness. The mechanics of the sound production of the flute are in
this way not only a necessary part of the mechanics of music-making,
but become the major force in motivating and inspiring the music.
John Cage: Six Melodies (1950)
Six Melodies is a collection of six pieces for violin and keyboard
instrument. The work uses the gamut technique and the nested
rhythmic proportions. First, a fixed number of sonorities (single tones,
intervals and aggregates) is prepared, each created independently of
the other. These sonorities are called gamuts. Sequences of gamuts are
then used to create melodies with harmonic backgrounds that are in
no way connected to functional harmony, which Cage sought to
avoid. The music is very simple and its atmosphere similar to that of
Cage’s String Quartet in four parts. The structure of each piece, and
that of each phrase, is defined by the same rhythmic pattern: 3 1/2, 3
1/2, 4, 4, 3, 4. The violinist is instructed in the score to play
without vibrato and with minimum weight on the bow.
Luciano Berio: O King (1968)
Martin Luther King, the American pastor and civil-rights activist, was
murdered in 1968. His death moved Berio the same year to write a
short piece in memorium, its text consisting of the name King only.
(That same year, O King became a movement of [Berio’s] Sinfonia).
The voice is treated as part of the ensemble (flute, B-flat clarinet,
violin, cello, piano) until the very end. It floats above the sound which
is only as it were “punctured” by piano sforzati until, at the close, the
mezzo-soprano emerges from the ensemble with a brief lament.
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_12.mp3">Track12</a>
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Sonic Lab
Creator
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Tyson Foster
Date
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March 17, 2017
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https://finearts.uvic.ca/music/archive/files/original/4c77e80fd5b0d95939c9953d8f2d550d.pdf
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PDF Text
Text
School of Music
MUS C
Faculty of Fine Arts
University of Victoria
.
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
Jazz Ensemble
Tribute to the Bluenote Era
FEATURING:
WOODWINDS
Bailey Finley
Jay Beaton
Karsten Brewka
Evan Chorney
Michael Vielguth
Adam Jasieniuk
Jesse Reid
BRASS
Emily McDermid
Tony Shackell
Will Quinn
RHYTHM
Myim Bakan-Kline
Chris Calvin
Arkady Futerman
Fraser Gibson
Adam Jasieniuk
Hart Parnell
DIRECTOR
Dr. Patrick Boyle
Saturday, March 18, 2017 • 8:00 pm
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults $20 / Seniors $15 / Students & UVic alumni $10
�program
Cottontail
Duke Ellington
Scrapple From the Apple
I’ll Remember April
My Ideal
Charlie Parker
Gene de Paul
Richard Whiting
Nostalgia in Times Square
Charles Mingus
I NT E R M I S S I O N
Concession open in the Lounge
Groovin’ High
In a Mellow Tone
Chill
Mr. P.C.
Work Song
Dizzy Gillespie
Duke Ellington
Joshua Redman
John Coltrane
Nat Adderley
The UVic Jazz Ensemble wishes to thank the faculty and staff of the UVic
School of Music for their deep commitment to making live music vital.
Please tell us about your concert experience
in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/
�UPCOMING EVENTS
SUNDAY, MARCH 19 | 2 PM (By donation)
Piano Class Recital
Featuring piano students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
SUNDAY, MARCH 19 | 8PM (Free admission)
Graduating Recital: Adam Jasieniuk & Alex Klassen, composers
Composition students Adam Jasieniuk and Alex Klassen present their
Bachelor of Music graduating compositions.
Phillip T. Young Recital Hall
MONDAY, MARCH 20 | 8 PM (Free admission)
Graduating Recital: Brittney Jette, voice
Vocalist Brittney Jette presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
TUESDAY, MARCH 21 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring UVic School of Music students.
Phillip T. Young Recital Hall
WEDNESDAY, MARCH 22 | 12:30 PM (Free admission)
First-Year Graduate Recital: Alanna Kazdan, flute
Flutist Alanna Kazdan presents her first year Masters of Music graduate recital.
Phillip T. Young Recital Hall
WEDNESDAY, MARCH 22 | 8 PM (Free admission)
Graduating Recital: Rebecca Thackray, voice
Vocalist Rebecca Thackray presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
FRIDAY, MARCH 24 | 12:30 PM (By donation)
Fridaymusic
Featuring guitar students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door.
�
To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca
finearts.uvic.ca/music/events
�
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Title
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Jazz Orchestra
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_10.mp3">Track10</a>
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Jazz Ensemble - Tribute to the Bluenote Era
Creator
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Josh Calder
Date
A point or period of time associated with an event in the lifecycle of the resource
March 18, 2017