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                    <text>fridaymusic

School of
Music

Phillip T. Young Recital Hall, University of Victoria
MARCH 18, 2022 | 12:30 PM
Featuring School of Music percussion students and Sonic Lab
We acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

UVic Sonic Lab
Persephone (world premiere) 	

Naomi Sehn

Stract (world premiere) 	

Koshi Thompson
Michelle Wolfenden, flute
Sarah Carey, clarinet

UVic Percussion Ensemble
Warren Benson

Three Dances for Solo Snare Drum 	
	
Cretan Dance
	Foxtrot
	Fandango
Lachlan Barry, snare drum
October Night 	
	
Chorale
	Allegro

Michael Burritt
Liv Carlson, marimba
J. S. Bach

Allemande from Partita No. 2 in D Minor (BWV 1004) 	
Harbour Nolan, marimba

Paul Smadbeck

Rhythm Song 	
Ethan Page, marimba

Marshall Griffith

Plagal Alternations 	
Lachlan Barry, timpani
Liv Carlson, percussion

UPCOMING AT THE SCHOOL OF MUSIC
SATURDAY, MARCH 19 | 2:30 PM ($12 - $24)
UVic Chorus &amp; Orchestra: Beethoven’s 9th
The UVic Chorus and Orchestra, plus the UVic Chamber Singers, perform Beethoven’s grand Symphony No. 9.
This was Beethoven’s final complete symphony and includes full chorus and vocal soloists.
The Farquhar at UVic

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                <text>Ila Zbarsky</text>
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                <text>Michelle Wolfenden, flute&#13;
Sarah Carey, clarinet&#13;
Lachlan Barry, snare drum&#13;
Liv Carlson, marimba&#13;
Harbour Nolan, marimba&#13;
Ethan Page, marimba&#13;
Lachlan Barry, timpani&#13;
Liv Carlson, percussion</text>
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                    <text>TROMBONE STUDIO RECITAL

UVIC

Students from the studio of Scott MacInnes
WEDNESDAY, MARCH 16, 2022 | 12:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Paul Creston (1906-1985)
arr. Philip Jameson
Tyler Schmit, Scott MacInnes and Arianna Hall, trombone
Ryan Qu and Amaya Sydor, bass trombone

Fanfare for Paratroopers 	

Meditation for Solo Bass Trombone 	

Frigyes Hidas
(1928-2007)

Amaya Sydor, bass trombone
Elegy for Mippy II 	
Written for my brothers mongrel Mippy 	

Leonard Benstein
(1918-1990)

Tyler Schmit, trombone &amp; foot
Être, ou ne pas être 	
Amaya Sydor, solo bass trombone
Tyler Schmit, Scott MacInnes and Arianna Hall, trombone
Finale, from Symphony No. 2 	

Henri Tomasi
(1901-1971)

Gustav Mahler (1860-1911)
arr. Jacob Malmstrom

The Locomotive 	

arr. Eli Aharoni (b. 1945)
Tyler Schmit, Scott MacInnes and Arianna Hall, trombone
Ryan Qu and Amaya Sydor, bass trombone

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220316-Trombone-Studio-Recital/20220316-Trombone-Studio-Recital_06.mp3"&gt;Track 6&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Tyler Schmit, Scott MacInnes and Arianna Hall, trombone&#13;
Ryan Qu and Amaya Sydor, bass trombone&#13;
Amaya Sydor, bass trombone&#13;
Tyler Schmit, trombone &amp; foot&#13;
Amaya Sydor, solo bass trombone&#13;
Tyler Schmit, Scott MacInnes and Arianna Hall, trombone&#13;
Tyler Schmit, Scott MacInnes and Arianna Hall, trombone&#13;
Ryan Qu and Amaya Sydor, bass trombone</text>
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                    <text>School of
Music

Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
MARCH 15, 2022 | 12:30 PM
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Piano Concerto in A minor, Op. 16	
	
II. Adagio	
	

				

Edvard Grieg
(1843–1907)

Lucas Hung, piano
Jany Lu, piano

Three Romances, Op. 94	 				
	
I. Nicht schnell		
	
Kiara, Hosie, oboe
Ryan Qu, piano

Robert Schumann
(1810–1856)

Concertino in E-flat Major, Op. 26			
	
									
	
Maeve Calhoun, clarinet
Jany Lu, piano

Carl Maria von Weber
(1786–1826)

Six Metamorphosis after Ovid					
	
IV. Bacchus					
	
VI. Arethusa	
Ethan Slogotski, oboe

Benjamin Britten
(1913–1976)

Mei for Solo Flute		
	
										
	
Ainsley Mercer, flute

		

Kazuo Fukushima
(b. 1930)

Francis Poulenc
(1899–1963)

Oboe Sonata				
	
I. Élégie	
Kaitlyn Cumberland. oboe
Amiel Elfert, piano

UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, MARCH 16 | 12:30 PM (By donation)
Trombone Studio Recital
A concert featuring UVic School of Music trombone students from the studio of Scott MacInnes.
Phillip T. Young Recital Hall
WEDNESDAY, MARCH 16 | 8:00 PM (By donation)
Degree Recital: Katherine Allen, voice (BMus)
Katherine Allen presents her Bachelor of Music graduating recital for voice performance.
Phillip T. Young Recital Hall
FRIDAY, MARCH 18 | 12:30 PM (By donation)
Fridaymusic: Percussion
Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music percussion students.
Phillip T. Young Recital Hall

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_1.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_2.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_3.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_4.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_5.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220315-TuesdayMusic/20220315-TuesdayMusic_6.wav"&gt;Track 6&lt;/a&gt;</text>
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                <text>Lucas Hung, piano&#13;
Jany Lu, piano&#13;
Kiara, Hosie, oboe&#13;
Ryan Qu, piano&#13;
Maeve Calhoun, clarinet&#13;
Jany Lu, piano&#13;
Ethan Slogotski, oboe&#13;
Ainsley Mercer, flute&#13;
Kaitlyn Cumberland. oboe&#13;
Amiel Elfert, piano</text>
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                    <text>UVIC

STRING CHAMBER CONCERT

Featuring students from the studios of Ann Elliott-Goldschmid,
Sharon Stanis, Joanna Hood, Pamela Highbaugh Aloni and Alex Olson

SUNDAY, MARCH 13, 2022 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Antonin Dvořák (1841–1904)
From the “New World” Symphony No. 9 	
Largo
Brock Meades, bass
Jody Johnson, bass

Max Reger (1873–1916)
String Trio No. 1, Op. 77b
Larghetto
Dana Wenzel, violin
Sophie Hillstrom, viola
Stefan Shandro, cello

Ludwig van Beethoven (1770–1827)
Giovanni Palestrina (1525–1594)
Adoramus te	
					 String Trio in E-flat Major, Op. 3		
Allegro con brio
	
Franz Schubert (1797–1828)
Noah Mellemstrand, violin
Quartet in D minor, D. 810 “Death and the
Amanda Steinemann, viola
Maiden” 	 		
Nicole Phanichphant, cello
Bella Hartmann, Luca Carbone-Smith,
Artemis Gallegos, Dylan Syrnyk, basses
Alexander Glazunov (1885–1936)
String Quintet in A Major, Op. 39 		
Andante Sostenuto
Franz Joseph Haydn (1732–1809)
Bennett Chiu, violin
Divertimento in B-flat Major, No. 8 (Hob. V:8) 	
Libby Wyse, violin
Menuet and Trio
Judith Gaston, viola
Finale—Presto
Sandra Espínola, cello
Aline Gilbert-Thévard, cello
Emily Fenske, violin
Andrew Loe, viola
Liam McDonald-Horak, cello
Antonin Dvořák (1841–1904)
String Quartet No. 10, Op. 51			
Dumka
Ernst von Dohnányi (1877–1960)
Megan Bibby, violin
Serenade in C Major, Op. 10 		
Joyce Tsai, violin
Marcia
Julian
Glover, viola
Romanza
Caitlyn Liu, cello
Claire Sparrow-Clarke, violin
Helen Young, viola
Anton Arensky (1861–1906)
Jayda Thor, cello
Quartet No. 2 in A minor, Op. 35		
Finale
Philip Manning, violin
Julien Haynes, viola
Jose Enrico Tuazon, cello
Sandra Espínola, cello

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_06.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_07.mp3"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_08.mp3"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_09.mp3"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220313-String-Chamber-Concert/20220313-String-Chamber-Concert_10.mp3"&gt;Track 10&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Brock Meades, bass&#13;
Jody Johnson, bass&#13;
Dana Wenzel, violin&#13;
Sophie Hillstrom, viola&#13;
Stefan Shandro, cello&#13;
Bella Hartmann, Luca Carbone-Smith,&#13;
Artemis Gallegos, Dylan Syrnyk, basses&#13;
Noah Mellemstrand, violin&#13;
Amanda Steinemann, viola&#13;
Nicole Phanichphant, cello&#13;
Emily Fenske, violin&#13;
Andrew Loe, viola&#13;
Liam McDonald-Horak, cello&#13;
Bennett Chiu, violin&#13;
Libby Wyse, violin&#13;
Judith Gaston, viola&#13;
Sandra Espínola, cello&#13;
Aline Gilbert-Thévard, cello&#13;
Claire Sparrow-Clarke, violin&#13;
Helen Young, viola&#13;
Jayda Thor, cello&#13;
Megan Bibby, violin&#13;
Joyce Tsai, violin&#13;
Julian Glover, viola&#13;
Caitlyn Liu, cello&#13;
Philip Manning, violin&#13;
Julien Haynes, viola&#13;
Jose Enrico Tuazon, cello&#13;
Sandra Espínola, cello</text>
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                    <text>STUDENT COMPOSER’S
CONCERT

UVIC

Featuring music by students in the composition program.
SATURDAY, MARCH 12, 2022 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Colwyn Lewis

Motion
Lachlan Barry, snare drum
Colwyn Lewis, electronics

Towards More Objective Translations for a Non-Synesthesiac: Light to Sound	

Improvisation

¿Aún recuerdas mi voz?								

Iteration I for hexaphonic sound system

Sean Kiley

Brendan Wong/
Craig Matterson
Marco Neri

Brendan Wong

�PROGRAM NOTES
Towards More Objective Translations for a Non-Synesthesiac: Light to Sound
The goal of this experiment is to create a basis and model for an objective, scientific translation from
light to sound. In this project, light’s physical properties are determined alongside the way in which these
properties are perceived by the human eye; then, using only scientific understanding of the physics and
phenomena of waves, light is ‘translated’ and reproduced as the closest replication in audible sound. The
fundamental assumption, which this translation is based on is the ‘rule of octaves’ in sound, wherein a frequency exactly twice the amount of another frequency is perceived as the same, only registrally displaced.
By calculating the frequency of a light wave and transposing it into the audible spectrum, the result is
theoretically the same, only registrally displaced.
The resulting research publication: ‘Towards More Objective Translations for a Non-Synesthesiac’ makes
use of the data gathered from a spectral analysis of an incandescent light bulb. The results are then
inputted into a Max/MSP patch, which makes use of sine waves and additive synthesis to represent the
object aurally. This sonic translation then serves as the foundation for the composition.
— Sean Kiley
¿Aún recuerdas mi voz?	
This piece is the electronic part of a more elaborate piece for clarinet, saxophone, viola and cello. The
original material is a Cardenche song, originally from Durango, Mexico. Cardenche is the name of a local
cactus that, if one gets to stick with one of its spines, can be incredibly painful to extract because of its
filaments. This singing is a metaphor. Cardenche songs are composed and performed with pain and melancholia.
This is my personal reaction to many cultures in Mexico losing extension, and many languages are about
to extinguish. I admire this singing and the people who sang it. But all singers of this genre have probably
perished, and all that remains is the remembrance of their voices and lyrics.
I hear their voices in my memory. Such as many other voices that I cannot hear anymore.

	
— Marco Neri

Iteration I for hexaphonic sound system
The first of a set of acousmatic pieces dismantling, reconstructing, and exploring a simple harmonic progression performed on guitar.
— Brendan Wong

�</text>
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                <text>Lachlan Barry, snare drum&#13;
Colwyn Lewis, electronics&#13;
Sean Kiley&#13;
Brendan Wong/Craig Matterson&#13;
Marco Neri&#13;
Brendan Wong</text>
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                    <text>PIANO STUDIO RECITAL

UVIC

Students from the studio of May Ling Kwok
SATURDAY, MARCH 12, 2022 | 12:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
October from The Seasons, Op. 37				
Filbert Zhang
Impromptu in E-flat, Op. 90, No. 2				
Jack Yang
Reflets dans l’eau, from Image Book 1				
Tallulah Tam
Souvenir de Portico Rico, Op. 31				
Jasmine Zhang
L’isle Joyeuse							

P. Tchaikovsky
(1840-1893)
F. Schubert
(1797-1828)
C. Debussy
(1862-1918)
L. M. Gottschalk
(1829-1869)
C. Debussy

Liam Pistor

						
Concerto in A minor, Op. 16					
	
I. Allegro moderato 	
Lucas Hung*

E. Grieg
(1843-1907)

I NT E R M I S S I O N

Sonata in C Major, Hob. XI:50 	
	
II. Adagio 	
	
III. Allegro molto

				
Felina Yang

Bagatelles, Op. 126, Nos. 1-4 					
Ryan Qu*
Concert Etude, Op. 40, No. 1	
	
Prelude 	

			
Bonnie Lu

Toccata in D Major, BWV 912			
Johnathan Devey*
Concerto in E minor, Op. 11 	
	
I. Allegro maestoso	
				
Carey Wang

* UVic School of Music Students

F. Haydn
(1732-1809)

L. Van Beethoven
(1770-1827)
N. Kapustin
(1937-2020)
J. S. Bach
(1685-1750)
F. Chopin
(1810-1849)

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                <text>Filbert Zhang&#13;
Jack Yang&#13;
Tallulah Tam&#13;
Jasmine Zhang&#13;
Liam Pistor&#13;
Lucas Hung*&#13;
Felina Yang&#13;
Ryan Qu*&#13;
Bonnie Lu&#13;
Johnathan Devey*&#13;
Carey Wang&#13;
* UVic School of Music Students</text>
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                <text>November 2 2008</text>
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                <text>Bruce Vogt, piano&#13;
Allison Cortens</text>
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                    <text>GRADUATE	RECITAL	
	

	

	

	Nikolai	Ovchinnikov,	accordion		
Brock	Meades,	double	bass;	Wayne	Funican,	drums		
Wednesday,	April,	6,	2022,	8	PM	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	

PROGRAM	

	
Prelude	Op.	28.	No	20																																																																																																																	Frédéric Chopin	
																																																																																																																																																									(1810-1849)	
	
Mazurka	Op.	68	No.	2																																																																																																																	Frédéric Chopin	
																																																																																																																																																																		(1810-1849)	
	
A	White	Little	Donkey																																																																																																																							Jacques Ibert	
																																																																																																																																																									(1890-1962)	
	
La	Nativité	du	Seigneur,	Les	Angeles	
Olivier Messiaen 	
																																																																																																																																																										(1908-1992)	
	
	
	
Suite	“Trois	Images	Féminines”																																																																																											Jean François Baez 	
																	El	Nino																																																																																																																																																(1958)	
											Nikita	
																Lilichka								
	
	
Shocking	Valse																																																																																																																														Claude Thomain	
																																																																																																																																																																													(1940)	
	
Sous	le	ciel	de	Paris																																																																																																																		 				Hubert Giraud	
																																																																																																																																																											(1920-2016)	
	
Pour	Stein																																																																																																																																											Ludovic Beier	
																																																																																																																																																																						(1978)	
	
Folies	Musette																																																																																																																														Richard Galliano	
																																																																																																																																																																						(1950)	
	
	
À	la	Française																																																																																																																																			Claude Bolling	
																																																																																																																																																											(1930-2020)	
	
Brock	Meads,	double	bass;	Wayne	Funican,	drums	
Please	silence	all	electronic	devices.	

�	

The appeal to this musical theme is largely due to personal interest in the heritage of
composers from France, since the author of this concert is one of the sincere admirers of
the chosen musical layer.
French art has a huge musical heritage and traditions that have developed over the
centuries and continues to develop to this day, following its own path relative to global
musical practice. Moreover, I will not be mistaken if I call the accordion a musical
symbol of France and Paris in particular. Accordingly, accordion playing is one of the
development paths that is followed by the music of contemporary composers of France.
If we return to the title of my solo concert, then within the framework of the theme I have
chosen, the main purpose is to show the accordion as a full-fledged musical instrument,
which allows in a practical way to cover the largest number of works that encompasses
different eras.
	
My goal in preparing this concert is to demonstrate the viability of the accordion as a
universal musical instrument that can convey the artistic content of musical works of
different eras, styles, and genres in a multifaceted and subtle way, using the example of
the thematic concert “Music of France from the Romantic Period to the Present Day”.
Please,	refrain	from	applause	during	the	suite.

	
	
	
	
	
	
	
	
	
	
	
	
Nikolai	Ovchinnikov	is	from	the	class	of	Professor	Jelena	Milojevic	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Music	(Performance)	program.	
Please	silence	all	electronic	devices.	

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                <text>Nikolai Ovchinnikov, accordion&#13;
Brock Meades, double bass&#13;
Wayne Funican, drums</text>
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                    <text>STUDENT COMPOSER’S
CONCERT | PART 2

UVIC

Featuring music by students in the composition program.
SATURDAY, NOVEMBER 28, 2021 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Liam McDonald-Horak

About a Machine 	
Craig Matterson, controller
Restless Air									

Nick Selig

Nishant Amatya, clarinet
Bailey Lehmann, prepared piano
Brendan Wong, electric guitar
hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh 	

Brendan Wong

Kiyomi Asano, soprano
Olivia Jackson, alto
Andrew Wolf, tenor
Ethan Slogotski, bass
Nishant Amatya, Alicia Ellis, Luc Faris, Leon Fei, Julian Glover, Craig Matterson,
Nic Murker, Naomi Sehn, Nick Selig, Eva Smith
Brendan Wong, electronics
Last Wheat of Autumn	

						

Zihan Zhao

Kiara Hosie, oboe
Holly Edquist, bassoon
Dana Wenzel, violin
Julien Haynes, viola
Jayda Thor, cello
Christopher Dlouhy, piano
Ryan Qu, conductor
Garden of Noesis 								
Kiyomi Asano, voice
Dana Wenzel, violin
Caitlyn Liu, cello
Christopher Dlouhy, harpsichord

Sean Kiley

�PROGRAM NOTES
About a Machine is an exploration of the relationship between performer, composer, and instrument. While certain segments may sound unplayable, rest assured that the entire piece is performed by a human.
– Liam McDonald-Horak
Restless Air plays with timbre and acoustics by pushing the boundaries of what a single pitch can represent in
music.
– Nick Selig
hhhhhhhhhhhh: A short tune for vocal quartet.

– Brendan Wong

Desolate yet colorful, tranquil while luscious, life-ending whereas harvesting, autumn accommodates multi-facet
images, all depicted around a wheat field in Last Wheat of Autumn.
– Zihan Zhao
Gardens of Noesis:
	
To see a World in a Grain of Sand
	
And Heaven in a Wild Flower
	
Hold Infinity in the palm of your hand
	
And Eternity in an hour
				– William Blake

– Sean Kiley

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_8.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_9.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_10.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_11.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_12.wav"&gt;Track 5&lt;/a&gt;</text>
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                <text>Craig Matterson, controller&#13;
Nishant Amatya, clarinet &#13;
Bailey Lehmann, prepared piano &#13;
Brendan Wong, electric guitar&#13;
Kiyomi Asano, soprano&#13;
Olivia Jackson, alto&#13;
Andrew Wolf, tenor&#13;
Ethan Slogotski, bass&#13;
Nishant Amatya, Alicia Ellis, Luc Faris, Leon Fei, Julian Glover, Craig Matterson, Nic Murker, Naomi Sehn, Nick Selig, Eva Smith&#13;
Brendan Wong, electronics&#13;
Kiara Hosie, oboe &#13;
Holly Edquist, bassoon &#13;
Dana Wenzel, violin &#13;
Julien Haynes, viola &#13;
Jayda Thor, cello &#13;
Christopher Dlouhy, piano &#13;
Ryan Qu, conductor&#13;
Kiyomi Asano, voice&#13;
Dana Wenzel, violin &#13;
Caitlyn Liu, cello &#13;
Christopher Dlouhy, harpsichord</text>
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                    <text>UVIC

STUDENT COMPOSER’S
CONCERT | PART 1

Featuring music by students in the composition program.
SATURDAY, NOVEMBER 28, 2021 | 5 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
ColeCore									

Julian Glover

Cole Davis, tenor saxophone
Brendan Wong, electric bass
Luc Faris, piano
Gypsophila Misconception							

Melissa Irvine

Isolde Welby, voice
Theo Kim, piano
Pillars										

Luc Faris

Allie Bertholm, french horn
Carling Riley, french horn
Maia Copley, french horn
Tyrell Loster, french horn
Luc Faris, piano
La Gavia									

Michelle Wolfenden

Paige Thompson, flute
Daisy Ji, flute
Preludes in C major and A minor						

Ruby Koep

Leon Fei, piano
Entering the Meta								
Naomi Sehn, voice
Melissa Irvine, voice
Leif Bradshaw, voice

Nathaniel Ritter

�PROGRAM NOTES
Gypsophila Misconception: Miss Gypsophila meddles with a broken music box and laments how technology
makes children uncreative. Inspired by the steam age and retro-futuristic technology.
– Melissa Irvine
Pillars: bone-white marble eaten by the salt of endless waves.

– Luc Faris

La Gavia: Highlighting the haunting call of the common loon, La Gavia creates a soundscape that combines the
music of the natural world with that of the manufactured.
– Michelle Wolfenden
Prelude in C Major is a jazzy prelude that utilizes blues scales and syncopation, inspired by similar piano preludes
from Gershwin and Kasputin; Prelude in A Minor juxtaposes the first prelude with slow phrases and loud, pounding chords, symbolizing the emotional chaos of coping with grief.
– Ruby Koep
Entering the Meta is an experimental work for stage and audience cell phones.

– Nathaniel Ritter

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_2.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_3.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_4.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_5.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_6.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20211127-StudentComposersConcert/20211127-StudentComposersConcert_Sean_7.wav"&gt;Track 6&lt;/a&gt;</text>
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                <text>Cole Davis, tenor saxophone &#13;
Brendan Wong, electric bass &#13;
Luc Faris, piano&#13;
Isolde Welby, voice&#13;
Theo Kim, piano&#13;
Allie Bertholm, french horn &#13;
Carling Riley, french horn &#13;
Maia Copley, french horn &#13;
Tyrell Loster, french horn &#13;
Luc Faris, piano&#13;
Paige Thompson, flute&#13;
Daisy Ji, flute&#13;
Leon Fei, piano&#13;
Naomi Sehn, voice &#13;
Melissa Irvine, voice &#13;
Leif Bradshaw, voice</text>
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