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Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
February 7, 2017 • 12:30 p.m.
Moment for Morricone
Ian Van Gils, trumpet
Heather Richards, trumpet
Sam McNally, horn
Zach Power, trombone
Florence Dayna Waller, tuba
Ennio Morricone
arr. Gomalan Brass Quintet
Johann Sebastian Bach
Partita in A Minor
I. Allemande
(1685 - 1750)
Bailey Finley, flute
Syrinx
Jasmine Riseley, flute
Claude Debussy
(1862 - 1918)
Requiem per flauto solo
Kazuo Fukushima
(b. 1930)
Taya Haldane, flute
Sarabande
Claude Debussy
(1862 - 1918)
Jasmine Riseley, flute
Ashley Whelpton, flute
Taya Haldane, flute
Jamie Pambrun, flute
Violin Concerto, Op. 14
Samuel Barber
I. Allegro (1910 - 1981)
Emily MacCallum, violin
Liam Pistor, piano
Upcoming at the School of Music
FEBRUARY 3–9 | Tickets $25 / 5 concert festival pass $100
Dmitri Shostakovich: The Complete String Quartets
Featuring the Lafayette String Quartet
The Lafayette Quartet celebrates its 30th anniversary with the complete cycle of
Shostakovich’s 15 String Quartets. The cycle will be presented in 5 concerts along
with pre-concert talks and lectures by visiting scholars. All concert programs and
times available to view at https://finearts.uvic.ca/music/
Journey through Shostakovich’s life as experienced through his string quartets.
With pre-concert talks and lectures by Michelle Assay (Université Paris-Sorbonne),
David Fanning (University of Manchester), Judith Kuhn (University of Wisconsin-Milwaukee),
and Patrick McCreless (Yale University).
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 10 | 12:30 PM | Admission by donation
FRIDAYMUSIC
Featuring UVic School of Music piano students in a concert of varied repertoire.
Phillip T. Young Recital Hall
�
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February 10, 2017
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Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
February 21, 2017 • 12:30 p.m.
Andante in C Major
Jamie Pambrun, flute
Katie Lundin, piano
Variations for Flute and Piano on Trockne Blumen
I. Introduction
II. Theme
III. Variation I
IV. Variation IV
Jillian Broughton, flute
Alanna Kazdan, piano
Wolfgang Amadeus Mozart
(1756 - 1791)
Franz Schubert
(1797 - 1828)
An den Mond
Emily Stewart, soprano
Kimberley Farris-Manning, piano
Franz Schubert
(1797 - 1828)
Clarinet Sonata, Op. 167
I. Allegretto
Samuel He, clarinet
Samuel Pan, piano
Camille Saint-Saëns
(1835 - 1921)
Cooper Reed, flute
Toru Takemitsu
(1930 - 1996)
Notturno für Flöte und Gitarre
I. Menuetto
Taya Haldane, flute
Fraser Gibson, guitar
Anton Diabelli
(1781 - 1858)
Tango Suite
I. Deciso
Simon Farintosh, guitar
Isaiah Brabazon, guitar
Astor Piazolla
(1921 - 1992)
Itinerant: In Memory of Isamu Noguchi
UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, FEBRUARY 22 TO THURSDAY, FEBRUARY 23
Orion Series in Fine Arts
Kornel Wolak, clarinet
Highly praised on two continents for his glorious tone, precise technical
control and musical imagination, Kornel Wolak is well on his way to a major
career as a soloist and chamber musician in both classical and crossover repertoire.
WEDNESDAY, FEBRUARY 22 | 12:30–2 PM | Free admission
MASTERCLASS
Phillip T. Young Recital Hall
THURSDAY, FEBRUARY 23 | 8 PM | Free admission
CONCERT
With Arthur Rowe, piano
Performing: Rossini’s Introduction, Theme and Variations and Lutoslawski’s Dance Preludes
Phillip T. Young Recital Hall
�
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sam mcnally
Degree Recital
with
Season Wang
The UVic Branenburgers
February 20, 2017, 8pm
Phillip T. Young Recital Hall
Free admission
�PROGRAM
Brandenburg Concerto No. 1 in F, BWV 1046
I. Allegro
II. Adagio
III. Allegro
IV. Minuet - Trio - Polonaise
J.S Bach
(1685 - 1750)
The UVic Brandenburgers
Les Adieux (Romance)
Franz Strauss
(1822 - 1905)
Season Wang, Piano
— INTERMISSION —
Concert Rondo in Eb Major, K371
W.A.
Mozart
(1756 - 1791)
Season Wang, Piano
Canto Serioso, CNW 67
Carl Nielsen
(1865 - 1931)
Season Wang, Piano
En Forêt, Op. 40
Eugène Bozza
(1905 - 1991)
Season Wang, Piano
�Brandenburg Concerto No. 1 in F major - J.S. Bach (1685 - 1750)
J.S. Bach presented the Brandenburg Concertos, a collection of six
instrumental works written “for several instruments,” to the Margrave of
Brandenburg-Schwedt, Christian Ludwig, in 1721. The six concertos, true to
their original title, featured various instruments in an array of configurations,
with No. 1 in F major being the only one to feature the horn. The first
movement is a joyous four minutes in which the horns can be heard making
their first solo appearance in a concerto. However, they seem to be unwanted
guests in this court, disturbing an otherwise carefully-balanced texture with
their strident brassiness and incessant bellowing of hunting calls that go against
the overall rhythm of the ensemble. The second movement, without the horns,
features a melancholic melody that is traded in canon between the oboe and
violino piccolo. Somewhat unusually, this melody even descends to the bass
voices, breaking up their traditional role as accompaniment. In the third
moment, the horns are back to join in the accompaniment of the violino piccolo
in a fun and playful allegro broken up by a two bar adagio before returning to
a frolicking finish. The fourth, and final, movement is a dance in which each
instrument family gets a turn. The repeated minuet is punctuated by a trio
played by the woodwinds, a polonaise by the strings and harpsichord, and a
final trio by the oboes and horns.
Les Adieux - Franz Strauss (1822 - 1905)
Franz Strauss was a prominent horn player in the mid- to late-nineteenthcentury. In 1837, at the age of 15, he took up service in the court of Duke
Maximilian of Bavaria as a guitarist, however it was not long before the horn
became his principal instrument. He joined the Munich Royal Court Orchestra
in 1847, a position he held until his retirement in 1889. Though considered to
be a musical conservative, he was present in the pit of several of Richard
Wagner’s opera premiers. Wagner is quoted to have said, "Strauss is an
unbearable, curmudgeonly fellow, but when he plays his horn one can say
nothing, for it is so beautiful.” His musicianship is without doubt remarkable
and this comes through in the few compositions he wrote. Perhaps one of his
lesser known works, Les Adieux is a deeply romantic piece for horn and piano.
The piano begins with large broken chords and a turbulent theme before
settling into a steady heartbeat-like pulse with which to support the horn. An
otherwise melancholic and pensive melody is made bittersweet by glimpses of
brighter harmonies, foreshadowing a seemingly happy second section. What
would be assumed to be a return to the initial mood is instead replaced by a
feeling of acceptance, illustrating nicely the very human nature of goodbyes.
Concert Rondo in Eb major - W.A. Mozart (1756 - 1791)
This fragmentary Rondo, numbered K371, actually predates Mozart’s
other horn works. While his other concertos were written for his friend and
prominent horn player Joseph Leutgeb, it is not exactly clear for whom Mozart
�was writing this early work. Nevertheless, Mozart’s relationship with Leutgeb
paints an important picture of who the composer was. Throughout the original
manuscripts, Mozart can be seen to have written things such as “Over to you,
signor Ass,” “Take courage,” and “Thank God that’s over!” These taunts
certainly give us a glimpse into the composer’s mind and I think this is
important to consider about when playing any of his works. The piece opens
with a simple and happy melody that, in good rondo fashion, returns
frequently after each deviation. It is a lighthearted work that, like Mozart, is
best to not be taken too seriously.
Canto Serioso - Carl Nielsen (1865 - 1931)
Carl Nielsen, from Denmark, is often grouped among the other
Scandinavian composers, though his approach to music is really quite different.
Drawing on inspirations from Mozart and Palestrina, rather than Brahms and
Wanger, his music has a striking simplicity upon which he embraces newly
emerging ideas of harmony. Canto Serioso, from 1913, was originally a test
piece written for the Royal Danish Orchestra used to highlight the low range of
2nd and 4th horn hopefuls. Throughout the opening, the horn echoes a slow
and calm melody set-up by the piano, before the introduction of a increasingly
tense triplet motif. The climax of the piece continues with the triplets getting
every louder until quickly dropping off back into a return to the opening. The
piece ends with alternating allegro and andante moments in which again the
horn and piano trade the theme. On the surface the piece seems to be of little
consequence, but I have come to appreciate it as a soulful and satisfying work
that exemplifies the horn’s various colours and ability to communicate.
En Forêt - Eugène Bozza (1905 - 1991)
Bozza was a prolific French composer who wrote many pieces for nearly
every instrumentation. After a fruitful early career, including a time in Rome via
his winning of the Prix de Rome, in 1950 he was appointed to the director of
the École Nationale de Musique in Valenciennes, France. En Forêt was
originally composed as a graduate test piece, designed to present the horn
student with many of the challenges posed by the instrument, such as lip-trills,
glissandi, and stopped-horn. As the title suggests, the piece concerns a forest
and while this is certainly the case, it is not alway so clear and may require
some imagination. The work opens with the piano striking several short chords
before the horn enters with a declamatory first section. Next we are brought to
a hunt in which “Bozza is quoting Respighi quoting” the St. Hubert hunting
call. The calls ring out to be answered by stopped-horn echoes while the piano
paints a simmering backdrop. In the next section there is a quasi-Gregorian
chant theme that leads into a rowdy 6/8, wherein the hunters disturb the peace
of the monks. Following this, there is a return to calm before the opening
chords are stuck again. The piece ends as quickly as it began and accelerates
to one final flourish.
�The Uvic Brandenburgers
Violino Piccolo
Chloe Kim
Double Bass
Mackenzie Carroll
First Violins
Jessica d’Oliveira
Jasmin Mather
Oboes
Berlin Janzen
Anna Betuzzi
Theresa Mothersill
Second Violins
Emily MacCallum
Lucy Toews
Bassoon
Eric Boulter
Viola
Linda Donn
Horns
Sam McNally
Justin Malchow
Cellos
Clair Dresselhuis
Liam Epp
Harpsichord
Season Wang
�Thank you so much for coming out and supporting
me in this recital, it truly means the world.
Please join me in the lounge after the show for a
celebratory reception!
Sam McNally is from the class of
Professor Kurt Kellan.
This recital is presented in partial fulfillment
of the requirements for the
Bachelor of Music (Performance) program.
���
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Degree Recital - Sam McNally, horn
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Evan Hinshelwood
Date
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February 20, 2017
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Sam McNally, horn
Season wang, piano
The UVic Brandenburgers
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Acknowledgements
Cooper Reed, flute
I would like to take this opportunity to acknowledge all of
the individuals who made this night possible:
Maggie, Emily and James: Thank you for sharing the stage
with me tonight. It has been a privilege to work on and
perform this music with three incredibly talented and
wonderful musicians. I will forever be grateful for your hard
work and dedication.
To all my teachers at the School of Music: I have learned so
much from you over the past four years. My experience at
UVic has been enriched by your knowledge and love for
music. Thank you for helping me become the musician I am
today.
To my teachers in Calgary, particularly Janet Ward, Deanna
MacGregor and Kathie Van Lare: Thank you for helping me
develop a passion for playing the flute, and for helping me
realize that pursuing music was the best decision. I know
you are here in spirit.
And finally, to all my friends and family, especially Scott,
Anna and Jackson: None of this would have been possible
without your love and support. Thank you all so much, and
I cannot wait to celebrate with you after the concert!
Graduating Recital
With Maggie Xu, piano
Emily Stewart, soprano
James Yi, piano
Wednesday, March 1st, 2017, 8:00 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
�Program
Translations
J.S. Bach Flute Sonata in B minor, BWV 1030
(1685-‐‑1750)
Andante
Largo e dolce
Presto
Maggie Xu, piano
Jan Brandts Buys Drei Lieder mit Klavier und Flöte, Op.20
(1868-‐‑1933)
1. Nachtruf (Viktor Heindl)
2. Abendständchen (Clemens von
Brentano)
3. Brautfahrt (Viktor Heindl)
Emily Stewart, soprano
James Yi, piano
Alfredo Casella Sicilienne et burlesque, Op. 23
(1883-‐‑1947)
James Yi, piano
-‐‑ Intermission -‐‑
Toru Takemitsu
(1930-‐‑1996)
Carl Reinecke
(1824-‐‑1910)
Itinerant: In Memory of Isamu Noguchi
Sonata ‘Undine’, Op.167
Allegro
Intermezzo. Allegretto vivace
Andante tranquillo
Finale. Allegro molto agitato ed
appassionato, quasi Presto
Maggie Xu, piano
Cooper is from the class of Dr. Suzanne Snizek
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the lounge
Drei Lieder mit Klavier und Flöte, Op. 20
Nachtruf (Night Call)
Death blows upon his pipe of bone;
A pale shepherd leaning against the churchyard wall,
He guards the silent flock; quietly, yearningly
Death begins his lonely song.
Moonlight flows over the broad area,
Restively the meadow suddenly breaks out,
Like lamenting tears that no one quiets;
Ah! how it now shrills wildly and gruesomely,
Like tortured sighing in the universe,
Like the wailing of a soul in a fevered dream,
Thus [now]1 the dance of death howls and rings out!
Before which the trees bow down tremblingly,
Before which the flowers hide their faces,
Before which the worm withdraws fearfully into the soil.
Those of you who are sleepless, those who are sick, shut your ears
To the song of the musician by the gate of the churchyard,
Your heart shall die, your blood shall freeze,
You wakeful ones, you sick ones, beware!
Translation copyright © by Sharon Krebs, from the LiederNet Archive -‐‑-‐‑
http://www.lieder.net/
�Translations (Continued)
Abendständchen (Evening Serenade)
Listen, the flute laments again
And the cool springs murmur;
Golden, the sounds waft down -‐‑
Be still, let us listen.
Lovely supplication, gentle longing,
How it speaks to the heart so sweetly!
Through the night that enfolds me
Shines the light of the music.
Translation copyright © by Emily Ezust, from the LiederNet Archive -‐‑-‐‑
http://www.lieder.net/
Brautfahrt (Wedding Journey)
The sounds of harps and flutes must ring out,
Today I shall win a jubilant happiness,
A very young miss shall become my bride,
You have never seen anyone so wondrously pretty,
Red as a pomegranate blossom and white as snow,
As delicate as the flower fairy in the tale.
Her eyes, as merry and clear as a water-‐‑spring,
Are likely already looking out for me; only make haste, ah make
haste!
The sounds of harps and flutes must ring out,
Look how my grey horse is already prancing and leaping,
How its ribbons are fluttering rosy red,
My dear horse shall be fed only red clover today.
Today is a festival, a festival in May,
Spring and sunshine beckon laughingly.
Harps and flutes, arise and resound before me!
Grey horse, onward, the wedding journey commences!
Translation copyright © by Sharon Krebs, from the LiederNet Archive -‐‑-‐‑
http://www.lieder.net/
�
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Graduation Recital - Cooper Reed, flute
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Adam Jasieniuk
Date
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March 1, 2017
Contributor
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Cooper Reed, flute
Maggie Xu, piano
Emily Stewart, soprano
James Yi, piano
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School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
ORION SERIES IN FINE ARTS
presents
KORNEL WOLAK
CLARINET
With
ARTHUR ROWE
PIANO
Thursday, February 23, 2017 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission
�PROGRAM
J. S. Bach (1685–1750)
Allegro from III Sonata for Solo Violin
Prelude from I Suite for Solo Violoncello
Preludio from III Partita for Solo Violin
Johannes Brahms (1833–1897)
Sonata in F Minor, Op. 120, No. 1
Allegro appassionato
Andante un poco Adagio
Allegretto grazioso
Vivace
I NT E R M I S S I O N
Witold Lutoslawski (1913–1994)
Dance Preludes
Allegro molto
Andantino
Allegro giocoso
Andante
Allegro molto
Robert Schumann (1819–1896)
Phantasiestücke, Op. 73
Zart und mit Ausdruck (Tender and with expression)
Lebhaft, leicht (Lively, light)
Rasch und mit Feuer (Quick and with fire)
Gioachino Rossini (1792–1868)
Introduction, Theme and Variations
Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/
�BIOGRAPHIES
Clarinetist Kornel Wolak is highly acclaimed for his musical imagination and astonishing
versatility. He is a winner of the Debut Atlantic Tour, Prairie Debut Tour, British
Columbia Touring, Allied Concerts Tour (USA, 2016), the Royal Conservatory Concerto
Competition and the Presser Music Award.
Mr. Wolak performed with the renowned Quartetto Gelato from 2007-09. He continues
to expand the clarinet repertoire by commissioning new pieces and regularly appears in
recitals as a chamber musician and as a soloist with American and European orchestras.
A “Fryderyk” nominee — Poland’s highest recording award — he is a regular fixture on
the Canadian Broadcasting Corporation, Classical 96.3 FM, Public Radio International, and
US National Public Radio. As a soloist/clarinet clinician, he has toured and taught master
classes in Europe, Asia and both Americas.
Since August 2015 he has been actively involved in research on the role of oral
articulators in clarinet playing at the Speech-Language Pathology Department at the
University of Toronto. Results of the preliminary studies are to be presented in the
upcoming months.
Dr. Wolak is a regularly published author of articles on clarinet-related issues in Your
Muse, the largest music magazine in Poland, in which he is an editor and contributor of
a section called “Clarinetist’s Vademecum”. Wolak is the founder of Music Mind Inc., an
initiative that creates music education programs for schools and communities.
Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist,
soloist with orchestra and chamber musician. A highly respected chamber musician,
Mr. Rowe regularly collaborates with artists and chamber ensembles across North
America. Recent performances include concerts with mezzo-soprano Krisztina Szabo, the
Dover Quartet (winners of the recent Banff International string quartet competition),
cellist Tsuyoshi Tsutsumi, Jonathan Crow, Concertmaster of The Toronto Symphony,
and William Preucil, Concertmaster of The Cleveland Orchestra, with whom he has
concertized for more than three decades. In 2004 The Harrington String Quartet
joined forces with Arthur Rowe and William Preucil in New York for a performance
of the Chausson Concerto for Violin, Piano and String Quartet, which was reviewed by
Harris Goldsmith as a “reading that rivaled the benchmark recordings by Franzescatti/
Casadesus/Pascal, and Heifetz/Sanroma/New Arts”.
Arthur Rowe has recorded with various artists for the Crystal, ebs, Innova, GM and
Fanfare labels. In 2007, he released an all-Schubert recording on the Centaur label.
Fanfare magazine’s review said, “Rowe’s reading (of the posthumous B-flat Sonata) is one
of the most beautiful I have heard…the D. 899 Impromptus are equally impressive…
his purling right-hand runs recall Schnabel’s velvety sound…. every harmonic change is
underscored by a delicate nuance of color change. This kind of expression cannot be
taught; it is in the bloodstream and the soul.”
Having previously held positions at The University of Iowa and The University of Western
Ontario, Arthur Rowe is Professor of Piano at The University of Victoria, having also
served as the Associate Dean of Fine Arts, and Acting Director of the School of Music.
He is also the Artistic Director of the Victoria Summer Music Festival.
�
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Orion Series in Fine Arts
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<a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_07.mp3">Track7</a>
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Orion Series in Fine Arts - Kornel Wolak
Creator
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Evan Hinshelwood
Date
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February 23, 2017
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Kornel Wolak, clarinet
Arthur Rowe, piano
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fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 24, 2017 • 12:30 p.m.
Featuring School of Music voice students
Tarantelle
Gabriel Fauré
(1845 - 1924)
Ai Horton, soprano
Yumeka Hildreth, soprano
Braden Young, piano
Ici bas
Gabriel Fauré
(1845 - 1924)
Gary Sun, countertenor
Susan Young, piano
Arnold Schoenberg
(1874 - 1957)
Erwartung
Emlyn Sheeley, soprano
Braden Young, piano
Vier ernste Gesänge
Johannes Brahms
II. O Tod, O Tod (1833 - 1897)
Xuguang Zhang, baritone
Iris Hung, piano
Wie bist du, meine Königin
Jordan Rettich, baritone
Emmett Robinson Smith, piano
Das Fischermädchen
Franz Schubert
(1797 - 1828)
Franz Schubert
(1797 - 1828)
Laura Kaario, soprano
Jasper Graham, piano
Auf dem Wasser zu singen
Johannes Brahms
(1833 - 1897)
Margaret Lingas, soprano
Thomas Nicholson, piano
Der Zauberer, K. 472
Liederkreis, Op. 39
I. Im walde
II. Frühlingsnacht
Cassidy Stahr, mezzo-soprano
Jasper Graham, piano
Wolfgang Amadeus Mozart
(1756 - 1791)
Robert Schumann
(1810 - 1856)
Jessica Wagner, soprano
Jannie Lo Burdetti, piano
Three Songs to Poems by Edith Sitwell
William Walton
I. Daphne (1902 - 1983)
Yumeka Hildreth, soprano
Susan Young, piano
Fear No More the Heat o’ the Sun
Gerald Finzi
(1901 - 1956)
Kyron Basu, baritone
Nicole Lavallée, piano
“Armatae face et anguibus,” from Juditha Triumphans
Alana Hayes, soprano
Nicole Lavallée, piano
Antonio Vivaldi
(1678 - 1741)
St. Matthew’s Passion
Johann Sebastian Bach
I. Am abend da es kühle var (1685 - 1750)
II. Mache dich, meine Herze, rein
Zander Felton,
Jasper Graham, piano
�
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Fridaymusic
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022417-Fridaymusic/022417-Fridaymusic_13.mp3">Track13</a>
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Fridaymusic
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Kirk McNally
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February 24, 2017
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ed883ce7d84536f84399c9f8358032cf
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PIANO CLASS RECITAL
Piano students from the studio of Arthur Rowe
Sunday, February 26, 2017 | 2:30 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation
PROGRAM
Prelude and Fugue in C-sharp major, BWV 848
Michelle Hoskin
J.S. Bach
(1685–1750)
J. Brahms
(1833–1897)
F. Chopin
(1810–1849)
F. Chopin
Rhapsody in G minor, Op. 118, No. 3
Mark Bigauskas
Etude in E major, Op. 10, No 3
Vincy Ip
Waltz in C-sharp minor, Op. 64
Wendy Feng
Sonata in B minor, Op. 58
Allegro maestoso
Zinna Kwon
F. Chopin
Nutcracker Suite
Overture Miniature
March
Dance of the Sugar Plum Fairies
Danse Russe
P. Tchaikovsky
(1840–1893)
Vincy Xiong
—INTERMISSION—
�Canteyodjaya
Thomas Nicholson
O. Messiaen
(1908–1992)
F. Chopin
F. Chopin
F. Liszt
(1811–1886)
Zinna Kwon
S. Prokofiev
(1891–1953)
Nocturne in C minor, Op. 48, No. 1
Emmett Robinson Smith
Polonaise in A-flat major, Op. 53
Seira Hayakashi
Etudes de Concert No. 3 (Un Sospiro)
Maggie Xu
Sonata No. 6 in A major, Op. 82
UPCOMING EVENTS
SUNDAY, FEBRUARY 26 | 8 PM ($10-$20)
Faculty Concert Series: Bruce Vogt, piano
Celebrated pianist Bruce Vogt performs a self-created solo theatre piece titled
Beethoven and Debussy: Purgatory Mates. This will be followed by a performance
of Debussy’s Images: Book 2 as well as Beethoven's last sonata, No. 32, Op. 111.
Phillip T. Young Recital Hall
MONDAY, FEBRUARY 27 | 8 PM (Free admission)
Graduating Recital: Emlyn Sheeley, voice
Vocalist Emlyn Sheeley presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
TUESDAY, FEBRUARY 28 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire and instruments
featuring UVic School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca
�
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Class Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022617-PianoClassRecital_Rowe/022617_RoweClassRecital_11.mp3">Track11</a>
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Piano Class Recital - studio of Arthur Rowe
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Kyle Newman
Date
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February 26, 2017
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9d3fed7ce7cc56b3ad7e97248c856e63
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PIANO CLASS RECITAL
Piano students from the studio of Eva Solar-Kinderman
Saturday, February 25, 2017 | 2:30 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation
PROGRAM
Impromptu in C Major, Op. 90, No. 1 Franz Schubert
(1797– 1828)
Vanessa Lee
Sonata in C Major, K. 309 W.A. Mozart
Allegro con spirito
(1756–1791)
Emily Liu
Sonata in A-flat Major, Op. 26 L. van Beethoven
Marcia funebre: maestoso andante (1770–1827)
Mandy Liu
Sonata in G Major, Op. 79
L. van Beethoven
Presto alla tedesca
Ian Sirias
Hungarian Melody D. 817 Franz Schubert
Kim Farris-Manning
Six Romanian Folk Dances Béla Bartók
I. Bot tánc / Jocul cu bâtă (Stick Dance) (1881–1945)
II. Brâul (Sash Dance)
III. Topogó / Pe loc (In One Spot)
IV. Bucsumí tánc / Buciumeana (Dance from Bucsum)
V. Román polka / Poarga Românească (Romanian Polka)
VI. Aprózó / Mărunțel (Fast Dance)
Victoria Pereversoff
— INTERMISSION —
�
Nocturne Op.9, No. 3 in B Major
Frédéric Chopin
(1810–1849)
Laura Liu
Fantasiestücke, Op. 12, No. 5 Robert Schumann
In der Nacht (1810–1856)
Tony Bae
Fantasiestücke, Op. 111, No. 3
Robert Schumann
Kräftig und sehr markiert
Emily Markvart
Préludes Book 1, No. 12
Claude Debussy
Minstrels
(1862–1918)
Katie Lundin
Scherzo in B-flat minor, Op. 32 Frédéric Chopin
Dustin Anderson
�
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Class Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022517-PianoClassRecital_SolarKinderman/022517-PianoClassRecital_11.mp3">Track11</a>
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Piano Class Recital - studio of Eva Solar-Kinderman
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Josh Calder
Date
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February 25, 2017
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School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
FACULTY
CONCERT SERIES
BRUCE VOGT
PIANO
Sunday, February 26, 2017 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $20 / Seniors: $15 / Students & UVic alumni: $10
�PROGRAM
Beethoven and Debussy: Purgatory Mates
Bruce Vogt
I NT E R M I S S I O N
Concession open in the Lounge
Images, Book II (1907)
i. Cloches à travers les feuilles (Bells Heard Through the Leaves)
ii. Et la lune descend sur le temple qui fût (And the Moon Shines down
on the Temple that was)
iii. Poissons d’or (Goldfish)
Sonata in C minor, Opus 111 (1822)
Claude Debussy (1862–1918)
L. van Beethoven (1770–1827)
i. Maestoso – Allegro con brio ed appassionato
ii. Arietta: Adagio molto semplice e cantabile
�BIOGRAPHY
Canadian pianist Bruce Vogt appears regularly in concert, both as a soloist and as
a chamber musician, in Canada, England, the USA, Germany, France, Italy, Norway,
Czechoslovakia, Bulgaria, China, and Japan.
Born in Southern Ontario, Bruce completed his initial musical studies with Damjana
Bratuz and Anton Kuerti. Later he studied in the United States, England, Switzerland,
and Italy, working with a number of celebrated musicians including Gyorgy Sebok,
Louis Kentner, Fou Ts’Ong, and Dario de Rosa.
Bruce Vogt’s repertoire is extremely diverse, encompassing music from the sixteenth
century to the present. He has consistently championed the music of contemporary
composers and has commissioned and premiered a number of new works by such
Canadian luminaries as Murray Adaskin and Alfred Fisher. He is also an enthusiastic
and dedicated performer on period instruments; one of his recordings (2003)
features music of Robert Schumann performed on a restored 1864 Erard. His other
recordings include two volumes of the music of Franz Liszt, which have established
for him an enviable reputation as a Liszt interpreter. In 2011 – the bicentenary of
Liszt’s birth – he recorded two subsequent CDs of this great composer’s music.
In addition to his career as a piano soloist, chamber musician and recording artist,
Bruce Vogt is also Professor of Piano at the University of Victoria. Because he sees
teaching and working with young pianists and with piano teachers as an important
commitment, he makes himself available as much as possible for masterclasses, workshops, festival adjudications, and lectures.
For information about upcoming performances and other CDs, please refer to
brucevogt.com.
Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/
finearts.uvic.ca/music
�
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Faculty Concert Series
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<a href="https://finearts.uvic.ca/music/archive/uploads/faculty/022617-FacultyConcert_Vogt/022617-FacultyConcert_Vogt_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/022617-FacultyConcert_Vogt/022617-FacultyConcert_Vogt_02.mp3">Track2</a>
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Faculty Concert Series - Bruce Vogt
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Robert Pond
Date
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February 26, 2017
Contributor
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Bruce Vogt, piano