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                    <text>PhD RECITAL
Colin Malloy, Steelpan + Electronics
Saturday, March 26, 2022, 7:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Crushed Atmos (world premiere)

Colin Malloy

Cycles

Colin Malloy

Steelpanopticon (world premiere)

Colin Malloy

Oil Drum (world premiere)

(De/Con)struction in Steel and Electricity (solo ver.)

Colin Malloy is from the class of Kirk McNally and George Tzanetakis
This recital is presented in partial fulfillment of the requirements
for the Doctor of Philosophy in Interdisciplinary Studies program.

Matthew Burtner

Colin Malloy

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                <text>Ila Zbarsky</text>
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                    <text>DEGREE RECITAL
Rachel Cooper, clarinet
Jany Lu, piano
Jeff Agopsowicz, trombone
Wayne Finucan, percussion
Nikolay Ovchinnikov, accordion
Brock Meades, double bass
Tenzin Clegg, clarinet
Channing Mar, bass clarinet
Ayari Kasukawa, soprano saxophone
Wednesday, March 23, 2022 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Introduction et Rondo

Charle-Marie Widor
(1844-1937)
Jany Lu, piano

Time Pieces for Clarinet and Piano, Op. 43
I. Allegro Risoluto
II. Andante Espressivo
III. Allegro Moderato
IV: Andante Molto

Robert Muczynski
(1929-2010)

Jany Lu, piano

Three Etudes on Themes of Gershwin
1. I Got Rhythm
2. Summertime
3. Ain’t Necessarily So

— INTERMISSION —

Paul Harvey
(b. 1935)

�The Grandparents Dance

Traditional; as played by Giora Feidman
(b. 1936)
transcr. Rachel Cooper
Channing Mar, bass clarinet
Ayari Kasukawa, soprano saxophone
Jeff Agopsowicz, trombone
Wayne Finucan, percussion

Concerto for Clarinet

Artie Shaw
(1910-2004)
arr. Jeff Agopsowicz
Jeff Agopsowicz, trombone
Nikolay Ovchinnikov, accordion
Wayne Finucan, percussion
Brock Meades, double bass

Sirba

Traditional
arr. Rachel Cooper
Tenzin Clegg, clarinet
Jeff Agopsowicz, trombone
Nikolay Ovchinnikov, accordion
Wayne Finucan, percussion
Brock Meades, double bass
Jany Lu, piano

Rachel Cooper is from the class of Professor Connie Gitlin.
This recital is presented in partial fulfilment of the requirements
for the Master of Music (Performance) program.

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                <text>Ila Zbarsky</text>
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                <text>Rachel Cooper, clarinet&#13;
Jany Lu, piano&#13;
Jeff Agopsowicz, trombone&#13;
Wayne Finucan, percussion&#13;
Nikolay Ovchinnikov, accordion&#13;
Brock Meades, double bass&#13;
Tenzin Clegg, clarinet&#13;
Channing Mar, bass clarinet&#13;
Ayari Kasukawa, soprano saxophone</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
OCTOBER 21, 2022 | 12:30 PM
Featuring music by School of Music guitar students
We acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Heitor Villa-Lobos (1887-1959)
Sylvius Leopold Weiss (1687-1750)
Joaquín Rodrigo (1901-1999)

Distribuição de Flores 	
Fantasia 	
En los Trigales 	
Bella Nguyen, flute
Nathan Malzon, guitar

Heitor Villa-Lobos
(1887-1959)

Prelude No. 1 – Andantino espressivo	
	
Jay Lee, guitar

Giulio Regondi
(1822-1872)

Etude No. 6 – Andante	
Adrian Chen, guitar

Etude No. 1 – Allegro non troppo	
Heitor Villa-Lobos
Etude No. 5 – Andantino 	(1887-1959)
Etude No. 7 – Très animé
Etude No. 11 – Lent - Animé - Lent
Morgan Sheeley, guitar

UPCOMING AT THE SCHOOL OF MUSIC
THURSDAY, OCTOBER 27 | 7:30 PM ($12-$35)
Faculty Concert Series: Sorcery, Witchcraft, and Fantasy
Join UVic School of Music faculty and guests from the Faculty of Fine Arts in an evening of music, theatre and poetry celebrating the history, reality and misconceptions of witchcraft.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 28 | 12:30 PM (By donation)
Fridaymusic: Brass
Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music brass students.
Phillip T. Young Recital Hall
SATURDAY, OCTOBER 29 | 2:30 PM (By donation)
Flute Studio Recital
Featuring UVic School of Music violin students from the studios of Ann Elliott Goldschmid and Sharon Stanis.
Phillip T. Young Recital Hall

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                <text>Bella Nguyen, flute and Nathan Malzon, guitar&#13;
Jay Lee, guitar&#13;
Adrian Chen, guitar&#13;
Morgan Sheeley, guitar</text>
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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

Lafayette String Quartet
Ann Elliott-Goldschmid violin
Sharon Stanis violin
Joanna Hood viola
Pamela Highbaugh Aloni cello

With

James Campbell
clarinet

Thursday, October 20, 2022
8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

�PROGRAM
We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Quintet in A Major, K. 581 	
	Allegro
	Larghetto
	Menuetto
	
Allegretto con Variazioni

For Fragile Personalities in Anxious Times
for String Quartet* 	
	
	
	

W. A. Mozart
(1756–1791)

Kelly-Marie Murphy
(b. 1964)

Tachophobia: Allegro
Autophobia: Dolente
Ligyophobia: Furioso
I NT E R M I S S I O N

Quintet in B minor, Op. 115	
	Allegro
	Adagio
	Andantino
	
Con moto

Johannes Brahms
(1833–1897)

*Commissioned by the Lafayette String Quartet through the B. K. Weigel Fund.

�BIOGRAPHIES
James Campbell
A Juno award winner and Order of Canada recipient, James Campbell has been called
“Canada’s pre-eminent clarinetist and wind soloist,” by the Toronto Star, “a national
treasure” by the CBC and “one of the top half dozen clarinetists in the world today”
by Fanfare Magazine. He has performed as soloist and chamber musician in over 35
countries with over 60 orchestras including the Boston Pops, the London Symphony
and Philharmonic, and every major orchestra in Canada. He has collaborated with
Glenn Gould and Aaron Copland and toured with over 35 string quartets, including
the Guarneri, Amadeus (when he replaced an ailing Benny Goodman on a tour of
California) and Vermeer. James first played with the Lafayette Quartet in 1988 on his
debut concert at the Indiana School of Music in Bloomington and they have been
friends ever since. Of his over 45 recordings, the BBC and The Times of London rated
his recording of the Brahms Clarinet Quintet as the best available. He has been named
Canada’s Artist of the Year, awarded the Queen’s Gold and Diamond Jubilee Medal, an
Honourary Doctor of Laws, and has recently been inducted into the CBC’s Classical
Music Hall of Fame. James Campbell has been Artistic Director of the Festival of the
Sound since 1985 and was Professor of Music at the famed Jacobs School of Music of
Indiana University from 1988-2019. His students now occupy positions in the Boston
Symphony, Hong Kong Philharmonic, Toronto Symphony, and St Louis Symphony, to
name a few.
Campbell is the subject of numerous features and cover stories in Clarinet Magazine
(USA), Clarinet and Sax (UK), Piper Magazine (Japan), Gramophone, and in the book
Clarinet Virtuosi of Today, by British author and clarinet authority Pamela Weston.
He has now returned home to Canada and continues to give concerts and masterclasses throughout the world.
Kelly-Marie Murphy
With music described as “breathtaking” (Kitchener-Waterloo Record), “imaginative
and expressive” (The National Post), “a pulse-pounding barrage on the senses” (The
Globe and Mail), and “Bartok on steroids” (Birmingham News), Kelly-Marie Murphy’s
voice is well known on the Canadian music scene. She has created a number of
memorable works for some of Canada’s leading performers and ensembles, including the Toronto, Winnipeg, and Vancouver Symphony Orchestras, The Gryphon Trio,
James Campbell, Shauna Rolston, the Lafayette, Cecilia and Afiara String Quartets, and
Judy Loman.
In addition to many academic scholarships awarded in Canada and England, Dr. Murphy has also won prizes for her music, dating back to 1992. Her career was launched
when she won first prize and the People’s Choice Award at the CBC Young Composer’s Competition in 1994 (string quartet category). Since then, Dr. Murphy’s music has
been performed around the world by outstanding soloists and ensembles, and has had
radio broadcasts in over 22 countries. Her music has been interpreted by renowned
conductors such as Sir Andrew Davis, David Brophy, Bramwell Tovey, Mikko Franck,

�and Mario Bernardi, and has been heard in iconic concert halls, such as Carnegie Hall
in New York, Auditorium Radio France in Paris, and The Mozarteum in Salzburg.
Kelly-Marie Murphy was born on a NATO base in Sardegna, Italy, and grew up on Canadian Armed Forces bases all across Canada. She began her studies in composition at
the University of Calgary with William Jordan and Allan Bell, and later received a Ph.D.
in composition from the University of Leeds, England, where she studied with Philip
Wilby. After living and working for many years in the Washington D.C. area where she
was designated “an alien of extraordinary ability” by the US Immigration and Naturalization Service, she is now based in Ottawa. Dr. Murphy is a recipient of the Jules Léger
Prize, and the Azrieli Music Prize.
Lafayette String Quartet
For over 30 years, the LSQ has been teaching and performing at the University of
Victoria. Concert tours have taken them all over North America and Europe. In this,
their final year together, the LSQ will be performing throughout Canada and in the
United States. The LSQ and Nicole Mandryk recently recorded and filmed the newly
commissioned work Singing through Generations by Nicole Mandryk and Leila Lustig.
Information on its release coming soon.
UPCOMING LSQ EVENTS
All concerts in the Phillip T. Young Recital Hall
Pre-concert talks with the commissioned composers
NOVEMBER 9 World premiere of All for One by Abigail Richardson-Schulte,
plus Mozart’s Quartet in B-flat K. 589 and Borodin’s String Quartet No. 2
FEBRUARY 11 World premiere of Vivian Fung’s Spiraling, plus Shostakovich’s
Quartet No. 4 and Beethoven’s Quartet Op. 59, No. 3
MARCH 23 World premiere by Nicola LeFanu and music by Elizabeth Violet
Maconchy LeFanu
JUNE 26 - JULY 9 Quartet Fest West Extravaganza! Guests include the Penderecki
and Saguenay String Quartets and UVic’s graduate quartet alumnus, Cuarteto
Chroma. Concerts TBA
AUGUST 20 An afternoon concert and celebration. After nearly four decades
together, this will be the Lafayette String Quartet’s final concert in Victoria. More
information coming soon!
All premiered works were commissioned by and written for the Lafayette String
Quartet.
More concert information, tickets and full schedule of LSQ events at
lafayettestringquartet.ca

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                <text>Ann Elliott-Goldschmid violin&#13;
Sharon Stanis violin&#13;
Joanna Hood viola&#13;
Pamela Highbaugh Aloni cello&#13;
James Campbell clarinet</text>
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                    <text>UVIC

Puppets Forsaken presents

THE NOISEBAU
SUNDAY, OCTOBER 16, 2022 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

PROGRAM
Territorial Acknowledgement
Lindsay Delaronde, Audain Professor in Contemporary Art Practice
of the Pacific Northwest
Taxi Pandemonium									

Mowry Baden

Audience members will be directed onto the stage

Ursonate (Sonate im Urlauten) (1922-32)				
	
Erster teil
	Largo
	Scherzo
	Presto

Kurt Schwitters (1887-1948)

Christopher Butterfield, voice

I NT E R M I S S I O N

The Noisebau					
	
Act 1: Intonarumori
	
Act 2: The Noisebau
	
Act 3: Finale

Puppets Forsaken: Natali Leduc and David Gifford

�PROGRAM NOTES
Taxi Pandemonium is a haptic sculpture, though one could argue that it is as much about vision as it is about touch.
Following visual and auditory clues, the visitor positions herself inside the sculpture, hands resting lightly on vibrating knobs that project up through a green shelf. The shelf stands at working height, 37 inches, the same height as a
carpenter’s bench or a kitchen counter. Two more vibrators, mounted beneath the green shelf, massage the visitor’s
thighs. Two curved panels on either end of the shelf amplify the vibrators’ sound and help to create a noisy environment, but in the end, I believe that the haptic event carries the day.
— Mowry Baden
The celebrated Beethoven pianist Anton Kuerti once said that Kurt Schwitters’ Ursonata was perhaps the most
perfect example of classical sonata form he knew. It does indeed follow the strictest classical rules of thematic development throughout. However, the material Schwitters uses is entirely nonsense syllables, with the exception of the
alphabet at the very end.
This year marks the hundredth anniversary of the beginning of Ursonata’s composition – Schwitters originally performed it as an extemporisation of a sound poem by fellow artist Raoul Hausmann, fmsbwtözäu pggiv-..?mü.
I first performed Ursonata in Victoria in 1976, and since then many times, across North America and abroad. Notable
are the performances with the Bill T. Jones/Arnie Zane Dance company in New York, Boston, Avignon, Amsterdam,
Ljubljana, and Paris.
— Christopher Butterfield
Kurt Schwitters was born in Hanover, Germany in 1887. A collagist, writer, poet, typographer and performer, he
fled to Norway in 1937 to avoid the Nazi authorities, who considered him “a degenerate artist.” After the German
invasion of Norway, he escaped by boat to England in June 1940, where he was interned as an enemy alien until
November 1941. He then lived in London and the Lake District, where he died in 1948. His greatest work is possibly
the Merzbau, a sculptural creation that took over his entire house in Hanover (unfortunately destroyed by a bomb
in 1942). It exists now only in photographs.
Christopher Butterfield is a composer, performer and artist. He has played in rock bands, sung as a soloist and in
choirs, conducted orchestras, and performed with dance companies. He has taught composition in the School of
Music at UVic since 1992.
Puppets Forsaken is a sculpture/sound collaboration between Natali Leduc and David Gifford formed in 2019.
Originally inspired by the intonarumori of Futurist Luigi Russolo, author of the manifesto “Art of Noises” (1913), they
construct acoustic noise generators, and perform for old growth trees that are no longer there, theory symposiums,
live radio and noise shows. They sold two copies of their first album, Greatest Hits. They also entered a telekinesis
competition, which they lost.
The Noisebau was inspired by Kurt Schwitters’ Merzbau, and received financial assistance from the Canada Council
for the Arts and BC Arts Council.
We feel very honoured to have both Mowry Baden and Christopher Butterfield joining us for this event. Special
thanks to School of Music Concert Manager, Kristy Farkas.
— Puppets Forsaken

ON NOW! Untitled (insect light), a sound installation by Christopher Butterfield, is on exhibition in the Audain
Gallery, Visual Arts Building, UVic, 10am-5pm, Monday, Oct. 17 to Saturday, Oct. 22.

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Christopher Butterfield, voice&#13;
Puppets Forsaken: Natali Leduc and David Gifford</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
OCTOBER 14, 2022 | 12:30 PM
Featuring School of Music piano students
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Toccata in C minor, BWV 911 	

J.S. Bach
(1685–1750)
Isabel Stanyer, piano

Intermezzo in E-flat minor, Op. 118, No. 6 	
		
		
		
				

		

Johannes Brahms
(1833–1897)

Victor Su, piano
Petite Suite			
	
			
	
III. Menuet							
	
IV. Ballet
Jenny Sunderland, piano
Isabel Stanyer, piano

		

Claude Debussy
(1862–1918)

Piano Concerto No. 5 in E-flat major, Op. 73 (Emperor) 	
	 I. Allegro									

Ludwig van Beethoven
(1770–1827)

Kay Kuang, piano
Arthur Rowe, piano

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, OCTOBER 14 | 8 PM ($15-$26)
UVic Wind Symphony and Symphony Orchestra: Near and Far
Giuseppe Pietraroia, UVic Symphony Orchestra conductor
Steven Capaldo, UVic Wind Symphony conductor
Ben Litzcke, MMus student conductor
Jamie Davis, MMus student conductor
After a highly successful combined first concert last year, the UVic Wind Symphony and Symphony Orchestra perform together again to
open our ensemble concert season. The program takes a modern approach to predictable and familiar musical ideas and genres, from
near and far.
The Farquhar at UVic, University Centre
SUNDAY, OCTOBER 16 | 7:30 PM (by donation)
Puppets Forsaken presents: The Noisebau
Puppets Forsaken (UVic Visual Arts instructor David Gifford &amp; Natali Leduc) presents The Noisebau, an interactive installation/performance of sounding sculptures.
Phillip T. Young Recital Hall
THURSDAY, OCTOBER 20 | 8 PM ($12-$35)
Faculty Concert Series: Lafayette String Quartet with James Campbell
UVic’s Lafayette String Quartet is joined by guest clarinetist James Campbell in a performance of quintets by Mozart and Brahms, and the
world premiere of For Fragile Personalities in Anxious Times by Kelly-Marie Murphy.
Phillip T. Young Recital Hall
	

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                <text>Isabel Stanyer, piano&#13;
Victor Su, piano&#13;
Jenny Sunderland, piano and Isabel Stanyer, piano&#13;
Kay Kuang, piano  and Arthur Rowe, piano</text>
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                    <text>FLUTE &amp; SAXOPHONE
STUDIO RECITAL

UVIC

Students from the studio of Suzanne Snizek &amp; Wendell Clanton

WEDNESDAY, OCTOBER 12, 2022 | 12:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Jindrich Feld
(1925-2007)

Quatre Pièces pour flûte seule 	
	
I. Méditation 	
Bella Nguyen, flute

G. P. Telemann
(1681-1767)

Fantasie No. 12 for solo flute 	
Lauren Debeljak, flute

Heitor Villa-Lobos
(1887-1959)

Fantasia 	
	
I. Animé 	
Sylvan Wilkinson, saxophone
Yousef Shadian, piano
Prelude in C for solo flute 	

Jan Novak
(1921-1984)
Ainsley Mercer, flute

Danza de la Mariposa for solo flute 	

Valerie Coleman
Qinyue Zheng, flute

�INTERMISSION
Pranav Ranjit

Light seeps into a sheltered cove 	
Kayleigh Francis, tenor saxophone

Sonata 	
Srul Irving Glick
	
Prelude and 1st movement 	(1934-2002)
Hao Guo, flute
Yousef Shadian, piano
Histoire du Tango 	
	
I. Bordel 1900 	
		

Astor Piazzolla
(1921-1992)
Xavier Marican, saxophone
Aurora Wai, piano

Andante Appassionata for solo flute 	
Eva Bradáková, flute
Concertino da Camera	
	
1st movement 	
	

Elisenda Fabrégas
(b. 1955)

Jacques Ibert
(1890-1962)
Cole Davis, alto saxophone
Yousef Shadian, piano

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                <text>Bella Nguyen, flute&#13;
Lauren Debeljak, flute&#13;
Sylvan Wilkinson, saxophone and Yousef Shadian, piano&#13;
Ainsley Mercer, flute&#13;
Qinyue Zheng, flute&#13;
Kayleigh Francis, tenor saxophone&#13;
Hao Guo, flute and Yousef Shadian, piano&#13;
Xavier Marican, saxophone and Aurora Wai, piano&#13;
Eva Bradáková, flute&#13;
Cole Davis, alto saxophone and Yousef Shadian, piano</text>
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                    <text>FIRST YEAR GRADUATE RECITAL
Heather Byford, mezzo soprano
Dr. Kinza Tyrrell, piano

Tuesday March 22, 2022, 12:30pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Verdi prati
Sta nell’Ircana
(From Alcina)

G. F. Handel
(1685-1759)
Dr. Kinza Tyrrell, piano

Folk Songs
1. Black is the colour (USA)
2. I wonder as I wander (USA)
3. Loosin yelav (Armenia)
4. Rossignolet du bois (France)
5. A la Femminisca (Sicily)
6. La donna ideale (Italy)
7. Ballo (Italy)
8. Motettu de Tristura (Sardinia)
9. Malurous qu’o uno fenno (Auvergne, France)
10.Lo fiolaire (Auvergne, France)
11.Azerbaijan love song (Azerbaijan)

L. Berio
(1925-2003)

Dr. Kinza Tyrrell, piano
Field of the Dead (From Alexander Nevsky)

S. Prokofiev
(1891-1953)

Der Engel
Im Treibhaus
Träume
(From Wesendonck Lieder)

R. Wagner
(1813-1883)

Dr. Kinza Tyrrell, piano

Heather Byford is from the class of Professor Benjamin Butterfield.
This recital is presented in partial fulfillment of the requirements
for the Master of Music Performance program.

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                <text>Ila Zbarsky</text>
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                <text>Heather Byford, mezzo soprano&#13;
Dr. Kinza Tyrrell, piano</text>
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                    <text>Special Thanks
Spencer would like to thank
Benjamin Butterfield, as well
as all his past teachers,
instructors, and
collaborators for the terrific
instruction and knowledge
he received over the years.
He would also like to thank
his Parents and
Grandparents, without their
support Spencer would not be where he is
today. In the fall Spencer will be pursuing his
Masters of Voice Performance.

Boyhood’s End
A RECITAL PRESENTED BY

Spencer VanDellen
Tenor

Degree Recital
March 21, 2022 8PM
PTY Recital Hall

Free Admission

�Boyhoo ’s End
Boyhood

Program
Ecco il Sol

G.F. Handel

From La Resurrezione

(1685-1759)

Dr. Kinza Tyrrell - Harpsichord
Jacob Culling - Bass

Arias from Mignon

Ambroise Thomas
(1811-1896)

Adieu, Mignon
Elle ne croyait pas

Dies Natalis

Gerald Finzi
(1901-1956)

I. Intrada
II. Rhapsody
III. The Rapture
IV. Wonder
V. The Salutation
Jono Devey - Piano

Dr. Kinza Tyrrell - Piano

Lieder

Wanderlust

Robert Schumann

-FIN-

(1810-1856)

Fussreise

Hugo Wolf
(1860-1903)

Der Musensohn

Franz Schubert
(1797-1828)

Waldsonne

Arnold Schoenberg
(1874-1951)

Träume

Richard Wagner
(1813-1883)

Christopher Dlouhy - Piano

-INTERMISSION-

Spencer VanDellen is from the class of
Professor Benjamin Butterfield
This recital is presented in partial
fulfillment of the requirements for the
Bachelor of Music Performance program.
Please silence all electronic devices

�</text>
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                <text>March 21 2022</text>
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                <text>Spencer VanDellen, tenor&#13;
Dr. Kinza Tyrrell, harpsichord&#13;
Jacob Culling, bass&#13;
Christopher Dlouhy, piano&#13;
Jono Devey, piano</text>
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                    <text>Vocal Jazz and Contemporary
Music Ensemble

UVIC

SUNDAY, MARCH 20, 2022 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

Songs for the Universe
CASSIDY STAHR director

PROGRAM
What’s Going On 	

Marvin Gaye, Renaldo Benson, Alfred
Cleveland, arr. Rollo Dilworth

Hallelujah 	

Leonard Cohen
arr. Pentatonix

Inseparable 	
	

Featuring Sophie

I Wish You Love 	

Chuck Jackson, Marvin Yancy
arr. Marco Ignacio
Albert Beach, Charles Trenet
arr. Connie Goetz

New York State of Mind 	
	
	
Featuring Anton
Mona Lisa	
	
	
Featuring Erin

Billy Joel

Ray Evans, Jay Livingston

Moondance 	

Van Morrison
arr. Chris Clarke
I NT E R M I S S I O N

Fly Me to the Moon 	
The Nearness of You	
	
	
Featuring Connie

Bart Howard
arr. Norm Wallen
Hoagy Carmichael

UVIC VOCAL JAZZ PERSONNEL
Katherine Allen
Nishant Amatya
Kiyomi Asano
Brendan Ciccone
Dilly Cooner
Olivia Duffin
Connie Goetz, ensemble manager
Sophie Groves
Chloe Hoffman
Fionalee Lustado
Erin Meiklejohn
Noah Mellemstrand
Ethan Slogotski
Anton Sokalski
Alex White
Andrew Wolf
GUEST ARTISTS
Rhys Batstone, alto saxophone
Bella Hartmann, double bass
Eric Klimek, drums &amp; cajón
Benedict Mendes, baritone
Brendan Wong, piano &amp; electric bass
SOUND TECHNICIAN
Chris Clarke

Fever 	
Peggy Lee, Otis Blackwell, Eddie Cooley
	
	
Featuring Dilly &amp; Fionalee
Jump Up, Super Star! 	
Moon River 	

Naoto Kubo, Rob Tunstall
arr. Nishant Amatya
Henry Mancini, Johnny Mercer
arr. Jacob Collier

We acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

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                <text>UVIC VOCAL JAZZ PERSONNEL&#13;
Katherine Allen&#13;
Nishant Amatya&#13;
Kiyomi Asano&#13;
Brendan Ciccone&#13;
Dilly Cooner&#13;
Olivia Duffin&#13;
Connie Goetz, ensemble manager&#13;
Sophie Groves&#13;
Chloe Hoffman&#13;
Fionalee Lustado&#13;
Erin Meiklejohn&#13;
Noah Mellemstrand&#13;
Ethan Slogotski&#13;
Anton Sokalski&#13;
Alex White&#13;
Andrew Wolf&#13;
&#13;
GUEST ARTISTS&#13;
Rhys Batstone, alto saxophone&#13;
Bella Hartmann, double bass&#13;
Eric Klimek, drums &amp; cajón&#13;
Benedict Mendes, baritone&#13;
Brendan Wong, piano &amp; electric bass&#13;
&#13;
SOUND TECHNICIAN&#13;
Chris Clarke</text>
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