43 10 1498 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102116-Fridaymusic/102116-FridayMusic_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource October 21, 2016 https://finearts.uvic.ca/music/archive/files/original/4c47368c53b7b45c9a73dd589c9d3900.pdf e48417d18918b446075e5a36eb2fdb28 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Emerging Artists Alumni Series Tasha Meisami Farivar, voice Braden Young, piano Brian Desjarlais, guitar Please turn off all electronic devices during the performance and refrain from applauding during song cycles. Saturday, October 22, 2016 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM “Seguidilla” Carmen’s aria from Carmen Georges Bizet (1838–1875) Alban Berg (1885–1935) Seben Frühe Lieder Nacht Schilflied Die Nachtigal Traumgekrönt Im Zimmer Liebesode Sommertage I NT E R M I S S I O N 3 Selections from Schwanengesang Ständchen Das Fischermädchen Aufenthalt Hungarian Fantasy Brian Desjarlais, guitar Franz Schubert (1797–1828) Arr. J. K. Mertz J. K. Mertz (1806–1856) Fêtes Galantes En Sourdin Fantoches Claire de Lune Claude Debussy (1862–1918) “Sein wir wieder gut” Composer’s Aria from Ariadne auf Naxos Johannes Strauss (1864–1949) Braden Young, piano �PROGRAM NOTES Georges Bizet In a career cut short by his early death, Georges Bizet achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Alban Berg Alban Berg is an Austrian composer who wrote atonal and 12-tone compositions that remained true to late 19th-century Romanticism. He composed orchestral music (including Five Orchestral Songs, 1912), chamber music, songs, and two groundbreaking operas, Wozzeck (1925) and Lulu (1937). Encouraged by his father and older brother, Alban Berg began to compose music without benefit of formal instruction. During this period his output consisted of more than 100 songs and piano duets, most of which remain unpublished. Berg’s powerful and complex works draw from a broad range of musical resources but are chiefly shaped by a few central techniques: the use of a complex chromatic expressionism, which nearly obscures, yet actually remains within, the framework of traditional tonality; the recasting of classical musical forms with atonal content—i.e., abandoning traditional tonal structure dependent upon a centrally important tone; and a deft handling of the 12-tone approach developed by Schoenberg as a method of structuring atonal music. Franz Schubert Franz Schubert is considered the last of the classical composers and one of the first romantic ones. Schubert’s music is notable for its melody and harmony. Like the poets whose work he wrote his music around, Schubert was an unrivaled master of lyrical beauty. His vocal contributions, more than 500 in all, were written for male and female voices, as well as mixed voices. Schubert produced masterful works with rich harmonies and legendary melodies for a variety of genres, and his influence proved considerable with later composers like Robert Schumann, Johannes Brahms and Hugo Wolf. And for some musical historians, his much praised “Ninth Symphony” opened the way for other greats like Anton Bruckner and Gustav Mahler. Claude Debussy Along with Maurice Ravel, Claude Debussy was one of the most prominent figures associated with Impressionist music, though he himself intensely disliked the term when applied to his compositions. In France, he was made Chevalier of the Legion of Honour in 1903. A crucial figure in the transition to the modern era in Western music, he remains one of the most famous and influential of all composers. His music is noted for its sensory component and for not often forming around one key or pitch. Debussy’s work usually reflected the activities or turbulence in his own life. In French literary circles, the style of this period was known as symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant. �Richard Strauss Richard Strauss was a leading German classical composer of the late Romantic and early modern eras best known for his operas Der Rosenkavalier and Salome, based on the play by Oscar Wilde. Hitler was a strong supporter of Strauss’ work and he was allowed to continue performing even while the works of Debussy, Mahler and Mendelssohn were being banned during the Nazi regime. Inspired initially by Berlioz and Brahms his first compositions were more classical in nature, before he moved in the direction of the more uninhibited romanticism of Liszt and Wagner. By his early twenties Strauss had composed a considerable amount of music, but it was with his first “Tone Poem” Don Juan in 1889 that his career was to take an upward turn. Having written several tone poems to major acclaim, Strauss turned first to writing operas, and then to conducting, his longest lasting post being with the Berlin Philharmonic for 12 years. During this time his compositional output declined to near zero, but then in later life a last spurt of creativity resulted in a number of mature works seeming in part to return to a more classical form. BIOGRAPHIES Tasha Meisami Farivar (B.Mus ‘14), a Victoria native, completed her degree at the University of Victoria with Benjamin Butterfield. In 2012, she participated in the Vancouver International Song Institute (VISI) summer program at the University of British Columbia, and performed in a fundraiser alumni concert with Benjamin Butterfield, Martha Guth, Tyler Duncan, Erika Switzer and Laura Lowen in January 2015. Tasha has also performed as an alto soloist in the Victoria Chamber Orchestra production of Mozart’s Requiem in 2011, and in West Vancouver with the Pacific Spirit Choir and Orchestra 2014. She performed in the Philomela Woman’s Choir production of Pergolesi’s Stabat Mater, University of Victoria Chorus and Orchestra productions of Mozart’s Vesperae Solennes de Confessorae in 2013, and Bruckner’s Mass in F minor and Via Choralis’ production of Handel’s Messiah in December 2014. She also performed as an alto soloist in Haydn’s Paukenmesse with the Sooke Philharmonic, Spring 2014. Tasha competed in the 2014 Greater Victoria Performing Arts Festival winning the Rose Bowl award and the Roberto and Mary Wood Scholarship, which led her to compete at the Performing Arts BC Provincials in the National category. Tasha was accepted into the Amalfi Coast Summer Opera program in 2015 where she played the role of Ciesca in Pucini’s Gianni Schichi in Naples, Italy, and the Amalfi Coast. In 2015, Tasha also performed with the Pacific Opera Victoria chorus in productions of Lucia di Lammermoor and Madama Butterfly and landed a leading role in Fear No Opera’s production of An Italian Girl in London, as Madama Brillante. Last year Tasha was an alto soloist in the Bach, Vivaldi, and CPE Bach Magnificat with Paul Colthorpe and the North Island Spirit choir. Tasha also performed in this year’s Sooke Philharmonic production of Mozart’s Vesperae Solennes de Confessorae. Currently Tasha is working with Pacific Opera again for their premier of Verdi’s Simone Boccanegra, in the role of Amelia’s maid, Angella as well as part of the Chorus. �Brian Desjarlais (M.Mus ‘13) is an accomplished Canadian classical guitarist based in Victoria, BC. Born in Windsor, Ontario, Brian began studying guitar at the age of 8. His first teacher guided Brian into the realm of classical guitar music and a lifelong passion was ignited. Brian holds a Bachelor’s of Music Performance from the University of Windsor, where he studied under acclaimed Michigan guitarist Steven Dearing. After spending a number of years teaching and performing throughout Southwestern Ontario, Brian relocated to the west coast of Canada to study with the internationally renowned guitarist Dr. Alexander Dunn at the University of Victoria. Brian completed his Masters of Music Performance degree in 2014. Throughout the years, Brian has performed in master classes with such guitar greats as Pepe Romero, Marcin Dylla and Kazuhito Yamashita. While at the University of Windsor, Brian twice won the Arlene Janzen Memorial Scholarship for excellence in performance. In 2008 he won the Ron Ianni Scholarship, awarded to the student recognized in competition as the top performer in the school. In 2012 Brian was granted a graduate fellowship award to study at the University of Victoria. Brian is an active performer, both as a soloist and as a member of numerous ensembles. He is a great supporter of new music, having performed in the Canadian premieres of works by David Jaffe and Tim Brady, as well as in a variety of student compositions during his time at the University of Victoria. Born in Grand Forks, BC, Braden Young began studying piano at the age of seven. He entered the Camosun College Piano Performance Diploma Program with Dr. Jamie Syer at age 16 and graduated two years later winning the prestigious Irving K. Barber Scholarship. He completed his undergraduate degree in Music Scholarship (Piano) at UBC in the studio of Dr. Corey Hamm. Braden has won many solo and collaborative piano awards including the JVPAF Lieder Accompanist award 2012 and the Erzsebet Gessler Memorial Scholarship 2010. He has also been the collaborative pianist for two recent winners of the Roberto and Mary Wood Scholarship (2012/2014). In the past several years, he has organized and participated in benefit concerts for the First Unitarian Church of Victoria, Cambodia Support Group, the MS Society and a collaborative concert to support his studies at the University of Toronto. Last summer, Braden had the privilege of attending the Centre for Opera Studies in Italy. He has been awarded the Women’s Musical Club of Toronto Foundation Graduate Fellowship (2014-2016), the Philcox Collaborative Piano Scholarship and a University Fellowship. Braden is completing his Master’s Degree in Collaborative Piano at the University of Toronto, in the studio of Steven Philcox. Upon completion of his degree, Braden will be relocating to Victoria, BC to begin his career. �TEXT & TRANSLATIONS Seguidille Près des remparts de Séville, Chez mon ami, Lillas Pastia J’irai danser la Séguedille Et boire du Manzanilla. J’irai chez mon ami Lillas Pastia. Oui, mais toute seule on s’ennuie, Et les vrais plaisirs sont à deux; Donc, pour me tenir compagnie, J’emmènerai mon amoureux! Mon amoureux, il est au diable, Je l’ai mis à la porte hier! Mon pauvre coeur très consolable, Mon coeur est libre comme l’air! J’ai les galants à la douzaine, Mais ils ne sont pas à mon gré. Voici la fin de la semaine; Qui veut m’aimer? Je l’aimerai! Qui veut mon âme? Elle est à prendre. Vous arrivez au bon moment! J’ai guère le temps d’attendre, Car avec mon nouvel amant, Près des remparts de Séville, Chez mon ami, Lillas Pastia! Near the ramparts of Seville At the place of my friend, Lillas Pastia I will go to dance the Seguedilla And to drink Manzanilla. I will go to the place of my friend, Lillas Pastia. Yes, but all alone, one gets bored, And the real pleasures are for two; So, to keep me company, I will take away my lover. My lover, he has gone to the devil, I put him out yesterday! My poor heart, very consolable, My heart is free, like the air! I have suiters by the dozen, But, they are not to my taste. Here it is the weekend; Who wants to love me? I will love him! Who wants my soul? It¹s for the taking. You’re arriving at the right time! I have hardly the time to wait, For with my new lover, Near the ramparts of Seville At the place of my friend, Lillas Pastia! Seben Frühe Lieder Nacht Dämmern Wolken über Nacht und Tal, Nebel schweben, Wasser rauschen sacht. Nun entschleiert sich’s mit einemmal: O gib Acht! Gib Acht! Weites Wunderland ist aufgetan. Silbern ragen Berge, traumhaft groß, Stille Pfade silberlicht talen Aus verborg’nem Schoß; Und die hehre Welt so traumhaft rein. Stummer Buchenbaum am Wege steht Schattenschwarz, ein Hauch vom fernen Hain Einsam leise weht. Und aus tiefen Grundes Düsterheit Blinken Lichter auf in stummer Nacht. Trinke Seele! Trinke Einsamkeit! O gib Acht! Gib Acht! Night    The clouds embrown the night and valley; the mists float above, the water rushing gently. Now all at once they unveil themselves: o listen! pay heed! A broad land of wonder has opened up. Silver mountains rise up, fantastically huge, silent paths lit with silver from the hidden lap of the valley; and the noble world is so dreamily pure. A mute beech stands by the path, black with shadows; a breeze from a distant, lonely grove wafts gently by. And from the deep darkness of the valley flash lights in the silent night. Drink, my soul! Drink in this solitude! O listen! pay heed! Schilflied  Auf geheimem Waldespfade Schleich’ ich gern im Abendschein An das öde Schilfgestade, Mädchen, und gedenke dein! Wenn sich dann der Busch verdüstert, Rauscht das Rohr geheimnisvoll, Und es klaget und es flüstert, Daß ich weinen, weinen soll. Und ich mein’, ich höre wehen Leise deiner Stimme Klang, Und im Weiher untergehen Deinen lieblichen Gesang. Reed Song Along a secret forest path I like to creep in the evening light; I go to the desolate, reedy banks, and think, my maiden, of you! As the bushes grow dark, the reeds hiss mysteriously, and lament and whisper, and thus I have to weep and weep. And I think that I hear wafting the gentle sound of your voice, and down into the pond sinks your lovely song. �Die Nachtigall Das macht, es hat die Nachtigall Die ganze Nacht gesungen; Da sind von ihrem süßen Schall, Da sind in Hall und Widerhall Die Rosen aufgesprungen. Sie war doch sonst ein wildes Blut, Nun geht sie tief in Sinnen, Trägt in der Hand den Sommerhut Und duldet still der Sonne Glut Und weiß nicht, was beginnen. The Nightingale  It happened because the nightingale sang the whole night long; from her sweet call, from the echo and re-echo, roses have sprung up. She was but recently a wild blossom, and now she walks, deep in thought; she carries her summer hat in her hand, enduring quietly the heat of the sun, knowing not what to begin. Traumgekrönt  Das war der Tag der weißen Chrysanthemem, Mir bangte fast vor seiner Pracht… Und dann, dann kamst du mir die Seele nehmen Tief in der Nacht. Mir war so bang, und du kamst lieb und leise, Ich hatte grad im Traum an dich gedacht. Du kamst, und leis’ wie eine Märchenweise Erklang die Nacht. Crowned in a dream  That was the day of the white chrysanthemums, I was almost intimidated by its glory… And then, then you came to take my soul deep in the night. I was so worried, and you came so lovingly and quietly, I had just thought of you in a dream. You came, and softly the night resounded like a fairy tale song. Im Zimmer Herbstsonnenschein. Der liebe Abend blickt so still herein. Ein Feuerlein rot Knistert im Ofenloch und loht. So, mein Kopf auf deinen Knie’n, So ist mir gut. Wenn mein Auge so in deinem ruht, Wie leise die Minuten zieh’n In the chamber Autumn sunlight. The lovely evening peers so quietly in. A little red fire crackles in the stove and flares up. And with my head upon your knee, I am contented. When my eyes rest in yours, how gently do the minutes pass! Liebesode Im Arm der Liebe schliefen wir selig ein, Am offnen Fenster lauschte der Sommerwind, Und unsrer Atemzüge Frieden trug er hinaus in die helle Mondnacht. Und aus dem Garten tastete zagend sich ein Rosenduft an unserer Liebe Bett Und gab uns wundervolle Träume, Träume des Rausches, so reich an Sehnsucht. Love Song In the arms of love we fell blissfully asleep; at the open window the summer wind listened and carried the peacefulness of our breath out into the bright, moonlit night. And out of the garden, feeling its way randomly, the scent of roses came to our bed of love and gave us wonderful dreams, dreams of intoxication, rich with yearning. Sommertage Nun ziehen Tage über die Welt, Gesandt aus blauer Ewigkeit, Im Sommerwind verweht die Zeit. Nun windet nächtens der Herr Sternenkränze mit seliger Hand Über Wander- und Wunderland. O Herz, was kann in diesen Tagen Dein hellstes Wanderlied denn sagen Von deiner tiefen, tiefen Lust: Im Wiesensang verstummt die Brust, Nun schweigt das Wort, wo Bild um Bild Zu dir zieht und dich ganz erfüllt. Summer days Now the days drag through the world, sent forth from blue eternity; time dissipates in the summer wind. Now at night the Lord weaves with blessed hand wreaths of stars above the wandering wonderland. In these days, o my heart, what can your brightest wanderer’s song then say about your deep, deep pleasure? In meadowsong the heart falls silent; now there are no words, and image upon image visits you and fills you entirely. �Selections from Schwanengesang: Ständchen Leise flehen meine Lieder Durch die Nacht zu dir; In den stillen Hain hernieder, Liebchen, komm zu mir! Serenade My songs beckon softly through the night to you; below in the quiet grove, Come to me, beloved! Flüsternd schlanke Wipfel rauschen In des Mondes Licht; Des Verräters feindlich Lauschen Fürchte, Holde, nicht. The rustle of slender leaf tips whispers in the moonlight; Do not fear the evil spying of the betrayer, my dear. Hörst die Nachtigallen schlagen? Ach! sie flehen dich, Mit der Töne süßen Klagen Flehen sie für mich. Do you hear the nightingales call? Ah, they beckon to you, With the sweet sound of theirsinging they beckon to you for me. Sie verstehn des Busens Sehnen, Kennen Liebesschmerz, Rühren mit den Silbertönen Jedes weiche Herz. They understand the heart’s longing, know the pain of love, They calm each tender heart with their silver tones. Laß auch dir die Brust bewegen, Liebchen, höre mich! Bebend harr’ ich dir entgegen! Komm, beglücke mich! Let them also stir within your breast, beloved, hear me! Trembling I wait for you, Come, please me! Das Fischermädchen Du schönes Fischermädchen, Treibe den Kahn ans Land; Komm zu [mir und setze]1 dich nieder, Wir kosen Hand in Hand. Beautiful Fishermaiden Pull your boat toward shore; Come to me and sit down, We will speak of love, hand in hand. Lay your little head on my heart, Leg an mein Herz dein Köpfchen Und fürchte dich nicht [zu]2 sehr; [Vertraust du dich]3 doch sorglos Täglich dem wilden Meer. And do not be too frightened; Indeed, you trust yourself fearlessly Daily to the wild sea! Mein Herz gleicht ganz dem Meere, Hat Sturm und Ebb’ und Flut, Und manche schöne Perle In seiner Tiefe ruht. My heart is just like the sea, Having storms and ebb and flow, And many beautiful pearls Rest in its depths. Aufenthalt Rauschender Strom, Brausender Wald, Starrender Fels Mein Aufenthalt. Dwelling Rushing torrent, Howling forest, Awesome crag, My dwelling. Wie sich die Welle An Welle reiht, Fließen die Tränen Mir ewig erneut. Just as each wave follows upon the last, My tears flow, Eternally renewed. Hoch in den Kronen Wogend sich’s regt, So unaufhörlich Mein Herze schlägt. High in the surging treetops’ sway My heart beats incessantly; Und wie des Felsen Uraltes Erz, Ewig derselbe Bleibet mein Schmerz. And, like the ore within the ancient stone, My pain remains unchanged forever. �Fêtes Galantes En Sourdain Calmes dans le demi-jour Que les branches hautes font, Pénétrons bien notre amour De ce silence profond. En Sourdain Calm in the half-day That the high branches make, Let us soak well our love In this profound silence. Fondons nos âmes, nos cœurs Et nos sens extasiés, Parmi les vagues langueurs Des pins et des arbousiers. Let us mingle our souls, our hearts And our ecstatic senses Among the vague langours Of the pines and the bushes. Ferme tes yeux à demi, Croise tes bras sur ton sein, Et de ton cœur endormi Chasse à jamais tout dessein. Close your eyes halfway, Cross your arms on your breast, And from your sleeping heart Chase away forever all plans. Laissons-nous persuader Au souffle berceur et doux Qui vient, à tes pieds, rider Les ondes des gazons roux. Let us abandon ourselves To the breeze, rocking and soft, Which comes to your feet to wrinkle The waves of auburn lawns. Et quand, solennel, le soir Des chênes noirs tombera Voix de notre désespoir, Le rossignol chantera. And when, solemnly, the evening From the black oaks falls, The voice of our despair, The nightingale, will sing. Fantoches Scaramouche et Pulcinella, Qu’un mauvais dessein rassembla, Gesticulent noirs sous la lune, Fantoches Scaramouche and Pulcinella, brought together by some evil scheme gesticulate, black beneath the moon. Cependant l’excellent docteur Bolonais Cueille avec lenteur des simples Parmi l’herbe brune. Meanwhile, the learned doctor from Bologna slowly gathers medicinal herbs in the brown grass. Lors sa fille, piquant minois, Sous la charmille, en tapinois, Se glisse demi-nue, Then his sassy-faced daughter sneaks underneath the arbor half-naked, in quest En quête de son beau pirate espagnol, Dont un langoureux rossignol Clame la détresse à tue-tête. Of her handsome Spanish pirate, whose distress a languorous nightingale deafeningly proclaims. Claire de Lune Votre âme est un paysage choisi Que vont charmant masques et bergamasques, Jouant du luth et dansant, et quasi Tristes sous leurs déguisements fantasques! Clair de Lune Your soul is a chosen landscape charmed by masquers and revellers playing the lute and dancing and almost sad beneath their fanciful disguises! Tout en chantant sur le mode mineur L’amour vainqueur et la vie opportune. Ils n’ont pas l’air de croire à leur bonheur, Et leur chanson se mêle au clair de lune, Even while singing, in a minor key, of victorious love and fortunate living they do not seem to believe in their happiness, and their song mingles with the moonlight, Au calme clair de lune triste et beau, Qui fait rêver, les oiseaux [dans]1 les arbres, Et sangloter d’extase les jets d’eau, Les grands jets d’eau sveltes parmi les marbres. The calm moonlight, sad and beautiful, which sets the birds in the trees dreaming, and makes the fountains sob with ecstasy, the tall slender fountains among the marble statues! �Composer’s Aria Sein wir wieder gut. Ich sehe jetzt alles mit anderen Augen! Die Tiefen des Daseins sind unermeßlich! Mein lieber Freund! Es gibt manches auf der Welt, Das läßt sich nicht sagen. Die Dichter unterlegen ja recht gute Worte, Jedoch Mut ist in mir, Mut Freund! Die Welt ist lieblich Und nicht fürchterlich dem Mutigen. Was ist denn Musik? Musik ist eine heilige Kunst zu versammeln Alle Arten von Mut wie Cherubim Um einen strahlenden Thron Und darum ist sie die heilige unter dem Künsten Die heilige Musik! Let us be reconciled! Now I see everything with different eyes! The profoundness of existence is immeasurable! My dear friend, there are many things in the world which cannot be expressed in speech. The poets put down very good words, and yet, and yet, and yet --! Courage is in me, friend. The world is lovely and not frightening to the courageous man. And what is music, then? Music is a sacred art, to gather all kinds of courage like cherubim before a shining throne! And therefore is music sacred among the arts! �UPCOMING EVENTS TUESDAY, OCTOBER 25 | 12:30 PM (Admission by donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY OCTOBER 26 | 8 PM (Free Admission) Graduating Recital: David Gagnon, conducting David Gagnon presents his Masters of Music graduating recital in conducting. Phillip T. Young Recital Hall FRIDAY, OCTOBER 28 | 12:30 PM (Admission by donation) Fridaymusic Featuring UVic School of Music brass students in a concert of varied repertoire. This concert will be broadcast live at finearts.uvic.ca/music/events/live/ Phillip T. Young Recital Hall FRIDAY, OCTOBER 28 | 8 PM ($10-$20) UVic Orchestra: Nordic Light Ajtony Csaba, conductor Grieg – Piano Concerto in A minor, Op.16 featuring UVic Concerto Competition Winner, Muzi Xu Grieg – Peer Gynt Suites (selection) Grieg – Holberg Suite (selection) University Centre Farquhar Auditorium SATURDAY, OCTOBER 29 | 8 PM ($10-$20) Faculty Chamber Music Series Members of UVic’s Performance Faculty join on stage to present an evening of chamber music. The program will include many familiar faces as well as a brass quintet with our newest faculty member Merrie Klazek on trumpet. Performing music by Schubert, Ewald, Brahms, Piazzolla, and more! Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/102216-EmergingArtists/102216-EmergingArtists_06.mp3">Track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Concert Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource October 22, 2016 Contributor An entity responsible for making contributions to the resource Tasha Meisami Farivar, voice Braden Young, piano Brian Desjarlais, guitar https://finearts.uvic.ca/music/archive/files/original/a2264d2f79c4fbe7b409c17515e2feee.pdf ce3a2b25906eb7b78d7817e9c5c6818d PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Reflections! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Friday, October 14, 2016 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM A Slavic Farewell Vasilij Agapkin/John R. Bourgeois Elegy for a Young American Ronald Lo Presti Lyric Essay Donald Coakley Kaddish Francis McBeth I NT E R M I S S I O N Resonances I Ron Nelson David P. Gagnon, conductor Incantation and Dance Pas Redoublé John Barnes Chance Saint-Saëns/Arthur Frackenphohl �BIOGRAPHIES David P. Gagnon Born in Quebec, David studied saxophone and recording at the College de Sherbrooke before graduating from McGill University in Music with Honors in Music Technology. He joined the Canadian Forces Reserve in Sherbrooke in 2003 where he played and eventually conducted until 2012 when he was accepted as a Regular Force member with the Naden Band of the Royal Canadian Navy and moved to Victoria. Since then apart from playing saxophone in the ensemble and as a soloist, you can see him as the Drum Major in front of the Band on parade or in the recording studio when needed. In Quebec, David performed with his saxophone quartet and a variety of big bands and concert bands. He taught saxophone, flute and clarinet and conducted elementary to high school level bands. He also toured Quebec with the well known singer Dan Bigras conducting his big band and performing at the Montreal Jazz Festival. Mr. Gagnon is currently working on a Master of Music Degree in Conducting under the supervision of Dr. Gerald King. Dr. Gerald King Dr. King is Professor of Music at the University of Victoria where he serves as the conductor of the UVic Wind Symphony and is the Head of Music Education. Internationally recognized as one of Canada’s most respected conductors, adjudicators, educators and keynote speakers, Dr. King is the recipient of many prestigious honors and awards. In 2003 he was elected into the prestigious American Bandmasters’ Association, when he served as Guest Conductor of The United States Army Band (Pershing’s Own), in Washington, DC. In 2012 he was appointed as Principal Guest Conductor of the internationally recognized Pacific Symphonic Wind Ensemble in celebration of the ensemble’s 30th anniversary. As well, he received the BC Music Educators’ Association Honorary Life Award and was also inducted into Phi Beta Mu (International Fraternity for Wind Band Conductors). In March 2014 he was chosen to conduct the Ostwald/Sousa award winning composition, Pale Blue on Deep by American composer Aaron Perrine, with the University of South Carolina Wind Ensemble. Also, in 2014, Dr. King was appointed as the International Member of the Western International Band Clinic University Collegiate Advisory Board. In September 2015 Dr. King was inducted as an Honorary Member of the Naden Band of the Royal Canadian Navy. A former student of internationally renowned conductor, Maestro Kazuyoshi Akiyama, Dr. King’s professional career has taken him throughout Canada, the United States, Great Britain, Denmark, Sweden, Holland, Germany, Italy, France, Spain, Japan, Mexico, Hong Kong, Australia, and Switzerland. Dr. King’s conducting appearances with regional, national, international honor, and �professional ensembles have been praised for performance quality, artistry, and creativity. Throughout his career he has been a champion of new music, premiering over 30 compositions. Dr. King is also widely recognized as an expert for his ability to link theory and practice in the field of teaching and learning. Among his many recordings and publications is a chapter in the book, Creativity and Music Education, written by seventeen authors from the United States, Canada, Israel, Australia, Great Britain, Spain, and Scotland. The book includes a forward by noted author on creativity, Mihalyi Csikszentmihalyi. In addition, Dr. King has completed a well-received DVD—The Craft of Conducting. Dr. King is a Yamaha Artist Educator/Conductor. UPCOMING CONCERTS UVIC WIND SYMPHONY University Centre Farquhar Auditorium FRIDAY, NOVEMBER 25 | 8 PM Variations of Dance and Light Repertoire to include: Luigi Zanninelli – Three Dances of Enchantment David Holsinger – Liturgical Dances Alfred Reed – Three Revelations of the Lotus Sutra FRIDAY, FEBRUARY 10 | 8 PM With The Naden Band of the Royal Canadian Navy Changing Currents—Building Community The UVic Wind Symphony (Dr. Gerald King, conductor) & The Naden Band of the Royal Canadian Navy (SLt Vincent Roy, conductor) in concert together. This is the fourth annual collaboration of these two outstanding ensembles—a collaboration that is unique in Canada. The concert promises to be one of Victoria’s finest events of the year. FRIDAY, MARCH 24 | 8 PM Year End Spectacular—2017! Featuring Dr. Julia Nolan, saxophone soloist, the UVic Chorus, and Dr. Gerald King, conductor Internationally renowned guest artist, Dr. Julia Nolan performs Robert Buckley’s Prestidigitation: Concerto for Alto Saxophone and Wind Ensemble. The UVic Chorus joins the Wind Symphony to perform Robert Buckley’s This Is My Home. Also on the program is Barber’s Commando March. �UVIC WIND SYMPHONY PICCOLO Cooper Reed FLUTE I Charmaine Tai* Jasmine Riseley II Jillian Broughton Ashley Porter OBOE I Hunter Gillis/Janie Sinn II Theresa Mothersill CLARINET I Alina Liang* Channing Mar II Samuel He III Alyshia Joinson Erin Onyschtschuk BASS CLARINET Austin Nicholl CONTRABASS CLARINET Adam Jasieniuk BASSOON Jesse Dwyer ALTO SAXOPHONE I Connor Stairs* II Michael Vielguth TENOR SAXOPHONE Skye Eriksen BARITONE SAXOPHONE Matthew Fichter CORNET/ TRUMPET Jordan Smale* Emily McDermid* Tark Kim Ja’Nice Irvine Isabelle Spencer FRENCH HORN I Collin Lloyd* II Sarah Mullane III Drake Lovett IV Allie Bertholm TROMBONE I Heidi Worrall* II William Quinn III Owen Worby IV Grace Timney EUPHONIUM Jason Gordon TUBA Aidan Fentiman PERCUSSION Tamara Nemeth* Kyle MacLean Josh Mulingbayan Cashton McGillivray Brandon Bronson Joel Chia TIMPANI DJ Lochead* STAGE MANAGERS DJ Lochead Matthew Fichter LIBRARIAN Joé Lampron-Dandonneau POSTER DESIGN Emily McDermid * Principal ��UPCOMING EVENTS SUNDAY, OCTOBER 16 | 2:30 PM (Admission by donation) Violin Class Recital Featuring UVic School of Music violin students from the studio of Sharon Stanis. Phillip T. Young Recital Hall TUESDAY, OCTOBER 18 | 8 PM ($10-$20) Faculty Concert Series Mark Takeshi McGregor, flute & Kenneth Broadway, piano Music by Bach, Berg, Franck, and Argentinian composer Natalia Solomonoff. Phillip T. Young Recital Hall FRIDAY, OCTOBER 21 | 10:30 AM –1 PM (Free admission) Orion Series in Fine Arts presents Guitar Masterclass with Pepe Romero Featuring young talented players from Victoria. Rm. B037, MacLaurin Building, B-Wing FRIDAY, OCTOBER 21 | 12:30 PM (Admission by donation) Fridaymusic Featuring UVic School of Music string students in a concert of varied repertoire. Phillip T. Young Recital Hall SATURDAY, OCTOBER 22 | 8 PM (Admission by donation) Emerging Artists Alumni Series Tasha Farivar, alto (BMus ‘14) Brian Desjarlais, guitar (MMus ‘13) Braden Young, piano An exploration through song of the transition from Late Romantic notions to the rise of early New Music. Performing music by Rossini, Schubert, Debussy, Strauss, Berg and Bizet. Phillip T. Young Recital Hall TUESDAY, OCTOBER 25 | 12:30 PM (Admission by donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and i nstruments featuring UVic School of Music students. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_Talk1.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_Talk2.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_Talk3.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_Talk4.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_Talk5.mp3">Talk5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101416-WindSymphony/101406-WindSymphony_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony - Reflections! Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource October 14, 2016 Contributor An entity responsible for making contributions to the resource Dr. Gerald King, conductor David P. Gagnon, Graduate Assistant Conductor https://finearts.uvic.ca/music/archive/files/original/001dc964b915b922f081134a9a7e0de7.pdf a42000c2192c7752b061b207c6e0eb93 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria March 22, 2016 • 12:30 p.m. Sonata in B-flat Major, Op. 22 Ludwig van Beethoven I. Allegro (1770 - 1827) Laura Altenmueller, piano Cinquiéme Solo de Concert Jean-Baptiste Singelée I. Allegro (1812 - 1875) Julian Malinowski, alto saxophone Brian Kim, piano Davidsbündlertänze, Op. 6, Band II Louise Hung, piano Robert Schumann (1810 – 1856) Cello Sonata No. 2 in F Major, RV 41 Antonio Vivaldi I. Largo (1678 - 1741) II. Allegro III. Largo IV. Allegro Paul Joo, cello Matthew Sabo, piano “Honor and Arms” from Sampson George Frideric Handel I. Allegro (1685 - 1759) Dayna Waller, tuba James Zhang, piano Upcoming at the School of Music Tuesday, March 22, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Ann Elliott-Goldschmid perform violin gems. Phillip T. Young Recital Hall Wednesday, March 23, 12:30 p.m. (Free Admission) FIRST-YEAR GRADUATE RECITAL Andrea Rodall, voice Vocalist Andrea Rodall presents her first-year graduate recital. Phillip T. Young Recital Hall Thursday, March 24, 8:00 p.m. (Admission by donation) STRING CHAMBER CONCERT Featuring students from the studios of the Lafayette String Quartet. Phillip T. Young Recital Hall Tuesday, March 29, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Wednesday, March 30, 12:30 p.m. (Free Admission) FIRST-YEAR GRADUATE RECITAL Jessica McLaughlin, saxophone Saxophonist Jessica McLaughlin presents her first-year graduate recital. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032216-Tuesdaymusic/032216-Tuesdaymusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032216-Tuesdaymusic/032216-Tuesdaymusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032216-Tuesdaymusic/032216-Tuesdaymusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032216-Tuesdaymusic/032216-Tuesdaymusic_04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource March 22, 2016 https://finearts.uvic.ca/music/archive/files/original/de3bb9b714b03da0145143e62924042b.pdf 63437c3e1699fe148e4f7e06108c67d9 PDF Text Text DEGREE RECITAL Sophia Stoney, piano Monday, March 21, 2016, 8:00 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM English Suite No. 2 in A minor, BWV 807 J.S. Bach Prelude (1685-1750) Allemande Courante Sarabande Bourrée I Bourrée II Gigue Sonata No. 26 in E flat major, Op. 81a “Les Adieux” L. van Beethoven I. Das Lebewohl, Adagio (1770-1827) II. Abwesenheit, Andante espressivo III. Das Wiedersehen, Vivacissimamente — INTERMISSION — Étude in C major, Op. 10, No. 1 Frédéric Chopin (1810-1849) Danzas Argentinas, Op. 2 Alberto Ginastera I. Danza del viejo boyero (1916-1983) II. Danza de la moza donosa III. Danza del gaucho matrero Fantasy in F minor, Op. 49 Frédéric Chopin Sophia Stoney is from the class of Ms. Eva Solar-Kinderman This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032116-GradRecital_SStoney/032116-SophiaStoney_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032116-GradRecital_SStoney/032116-SophiaStoney_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032116-GradRecital_SStoney/032116-SophiaStoney_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032116-GradRecital_SStoney/032116-SophiaStoney_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032116-GradRecital_SStoney/032116-SophiaStoney_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Sophia Stoney Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource March 21, 2016 Contributor An entity responsible for making contributions to the resource Sophia Stoney, piano https://finearts.uvic.ca/music/archive/files/original/ec13e28bc28fd7f4f76b1d13ea4245b1.pdf a03b097aa8f1b9160bf8f232847b9d6a PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria March 18, 2016 • 12:30 p.m. Featuring School of Music composition students x1 for Tape Seán Maynard, tape Seán Maynard Decentered Song - for Solo Piano Kim Manerikar, piano Kim Manerikar MscVlnPno Alex Klassen Emily MacCallum, vln Thomas Nicholson, pno Missa Brevis I. Kyrie II. Sanctus III. Benedictus IV. Agnus Dei Avalokiteshvara Electrowomb Kimberley Farris-Manning Emily Stewart, soprano Jenna Grossman, alto Thomas Nicholson, tenor Ethan Hill, bass Sarah de Niverville, viola Matt Kelly Alex Klassen Paul Joo, cello Alex Klassen, tape Upcoming at the School of Music Friday, March 18, 8:00 p.m. (Adults $15 / Seniors & Alumni $10 / Students $5) UNIVERSITY OF VICTORIA WIND SYMPHONY Year End Spectacular! Dr. Gerald King, conductor Repertoire to include Lincolnshire Posy by Grainger, Saxophobia by Rudy Wiedoeft (Woodis/Hammer) and more. University Centre Farquhar Auditorium Saturday, March 19, 8:00 p.m. (Admission by donation) SONIC LAB Evan Hesketh, graduate conductor Ajtony Csaba, conductor UVic’s contemporary music ensemble performs: …quasi una fantasia… by Kurtág (Soloist: Thomas Nicholson) Hyperwarp by Hall, Quartet Op. 22 by Webern and Soundpainting This concert represents the graduation recital for conductor Evan Hesketh. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031816-Fridaymusic/031816-Fridaymusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031816-Fridaymusic/031816-Fridaymusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031816-Fridaymusic/031816-Fridaymusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031816-Fridaymusic/031816-Fridaymusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031816-Fridaymusic/031816-Fridaymusic_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 18, 2016 https://finearts.uvic.ca/music/archive/files/original/5fc395bd00aa42f5c0bc9a2ec7c744cc.pdf 2e418de356d5c6aac682d7baf64dab17 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria March 15, 2016 • 12:30 p.m. Suite in C Minor, BWV 1011 Johann Sebastian Bach I. Prelude (1685 - 1750) II. Courante V. Gavotte I VI. Gavotte II Simon Farintosh, guitar English Suite No. I in A Major, BWV 806 Johann Sebastian Bach VII. Sarabande (1685 - 1750) VIII. Bourée I and II IX. Gigue Laura Altenmueller, piano Three Burlesques, Op. 8c I. Perpatvar II. Kicsit ázottan Louise Hung, piano Béla Bartók (1881 – 1945) Violin Sonata No. 18 in G Major, K. 301 Wolfgang Amadeus Mozart I. Allegro con spirito (1756 - 1791) II. Allegro Emily MacCallum, violin Liam Pistor, piano Sonata No. 2 in A Minor, BWV 1003 Johann Sebastian Bach I. Grave (1685 - 1750) Raina Saunders, violin Upcoming at the School of Music Wednesday, March 16, 8:00 p.m. (Free Admission) GRADUATING RECITAL Kelsey Wheatley, voice Vocalist Kelsey Wheatley presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall Friday, March 18, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. Phillip T. Young Recital Hall Friday, March 18, 8:00 p.m. (Adults $15 / Seniors & Alumni $10 / Students $5) UNIVERSITY OF VICTORIA WIND SYMPHONY Year End Spectacular! Dr. Gerald King, conductor Repertoire to include Lincolnshire Posy by Grainger, Saxophobia for Saxophone Quartet and Wind Ensemble by Rudy Wiedoeft (Woodis/Hammer) and more. University Centre Farquhar Auditorium Saturday, March 19, 8:00 p.m. (Admission by donation) SONIC LAB Evan Hesketh, graduate conductor Ajtony Csaba, conductor UVic’s contemporary music ensemble performs: Kurtág – …quasi una fantasia… (Soloist: Thomas Nicholson); Hall – Hyperwarp; Webern – Quartet, Op. 22 This concert represents the graduation recital for MMus candidate Evan Hesketh. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031516-Tuesdaymusic/031516-Tuesdaymusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031516-Tuesdaymusic/031516-Tuesdaymusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031516-Tuesdaymusic/031516-Tuesdaymusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031516-Tuesdaymusic/031516-Tuesdaymusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031516-Tuesdaymusic/031516-Tuesdaymusic_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2016 https://finearts.uvic.ca/music/archive/files/original/9c5232464990bd71270cbc9add4b5fe0.pdf a9ce40229b5818eaf317ab85656f72f9 PDF Text Text GRADUATE RECITAL Jessica McLaughlin, saxophone Josh Herrett, piano Adam Jasieniuk, soprano saxophone Zach Smith, tenor saxophone Matt Bell, baritone saxophone March 30, 2016, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata (Op. 19) Paul Creston 1. With Vigor (1906-1985) 2. With Tranquility 3. With Gaiety Josh Herrett, piano Mai Ryo Noda (1948-) Histoire Du Tango (arr. Claude Voirpy) Astor Piazzolla Café 1930 (1921-1992) Adam Jasieniuk, soprano saxophone Zach Smith, tenor saxophone Matt Bell, baritone saxophone Concerto (Op. 109) Alexander Glazunov (1865-1936) Josh Herrett, piano Jessica McLaughlin is from the class of Professor, Mr. Wendell Clanton This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_McLaughlin/033016-GradRecital_McLaughlin_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_McLaughlin/033016-GradRecital_McLaughlin_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_McLaughlin/033016-GradRecital_McLaughlin_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_McLaughlin/033016-GradRecital_McLaughlin_04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Jessica McLaughlin Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2016 Contributor An entity responsible for making contributions to the resource Jessica McLaughlin, saxophone https://finearts.uvic.ca/music/archive/files/original/16d3901b399b42892045888bce0a46d3.pdf 4e7cd5836edd774d2b6540933535572e PDF Text Text DEGREE RECITAL Laura Altenmueller, piano Wednesday, March 30th, 2016, 8 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Étude pour les quatres Játékok C. Debussy (1862-1918) Hommage á Domenico Scarlatti Hommage á Kabelevski Bluebell Devil’s Jump (bunny rabbit in the grass...) Perpetuum mobile (... And Once More: Flowers We Are ...) Sonata in B-flat Major, Op. 22 Allegro con brio Adagio con molto espressione Minuetto Allegretto L. van Beethoven (1770-1827) — INTERMISSION — Please turn off all cell phones. György Kurtág (b. 1926) � English Suite No. 1 in A major, BWV806 Prelude Allemande Courante I Courante II Double I Double II Sarabande Bourrée I Bourrée II Gigue J.S. Bach (1685-1750) J. Brahms (1833-1897) Variations on a Theme of Schumann, Op. 9 Laura Altenmueller is from the class of Professor Michelle Mares. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_Altenmueller/033016-LauraAltenmueller_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_Altenmueller/033016-LauraAltenmueller_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_Altenmueller/033016-LauraAltenmueller_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_Altenmueller/033016-LauraAltenmueller_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033016-GradRecital_Altenmueller/033016-LauraAltenmueller_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Laura Altenmueller Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2016 Contributor An entity responsible for making contributions to the resource Laura Altenmueller, piano https://finearts.uvic.ca/music/archive/files/original/b797bede1e953dfabc3c3e3f6ff646f6.pdf 0703d1158e7575554e045b4cba54add0 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 28, 2016 • 12:30 p.m. Featuring School of Music brass students Five Miniatures for Brass Quintet Robert Starer II. Air III. Canon IV. Chaconne Isabelle Spencer, trumpet Ryan Lau, trumpet James Waddell, horn William Quinn, trombone Jason Gordon, euphonium Pictures at an Exhibition The Old Castle Tark Kim, trumpet Ja’Nice Irvine, trumpet Sarah Mullane, horn Erin Marsh, trombone Grace Timney, bass trombone Modest Mussorgsky Arr. Fracken Pohl Three Quarter Suite Nelson Riddle Allegro Vivace (1921-1985) Andante Allegro Molto Emily MacDermid, trumpet Jordan Smale, trumpet Drake Lovett, horn Heidi Worrall, trombone Aidan Fentiman, tuba Suite for the Monteregian Hills II. Chanson Melancolique I. La Marche Ian Van Gils, trumpet Morley Calvert (1928-1991) Heather Richards, trumpet Samuel McNally, horn Zach Power, trombone Dayna Waller, tuba All the Things You Are Jerome Kern Arr. Scott MacInnes Zach Power, trombone William Quinn, trombone Heidi Worrall, trombone Hannah Fiechter, trombone Erin Marsh, trombone Owen Worby, trombone Hansel und Gretel Engelbert Humperdinck Prelude-Chorale Arr. Jeffry Kirschen Collin Lloyd, horn Emily Axford, horn James Waddel, horn Drake Lovett, horn Sarah Mullane, horn Samuel McNally, horn Allie Bertholm, horn Justin Malchow, horn Coppia Real Orazio Vecchi Allegro (1550-1605) Canzon Pian’e Forte Giovanni Gabrieli (1557-1612) Brass Choir Personnel � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102816-Fridaymusic/102816-Fridaymusic_08.mp3">Track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Description An account of the resource Note: Hansel and Gretel was moved to beginning of the concert. The other pieces were unchanged. Creator An entity primarily responsible for making the resource Emily MacCallum Date A point or period of time associated with an event in the lifecycle of the resource October 28, 2016