41 10 1498 https://finearts.uvic.ca/music/archive/files/original/19b4a75d08dc8dece1317f5490152405.pdf 7b1c1657c7746827d1c9cb03691df2ec PDF Text Text UVIC PIANO STUDIO RECITAL Students from the studio of Eva Solar Kinderman SUNDAY, FEBRUARY 5, 2023 | 1:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Prelude in C# Major, BWV 848 J.S. Bach (1685-1750) Liam Baird Sonata in E Flat Major, Hob.XVI:52 Joseph Haydn I. Allegro moderato (1732-1809) Eóghan Bostock Sonata in C Minor, K.457 W. A. Mozart I. Allegro molto (1756-1791) Alex Matterson Ballade in F Minor, Op. 52 Frédéric Chopin (1810-1849) Eóghan Bostock 6 Etudes, Op. 52 Camille Saint-Saëns VI. Etude en forme de valse (1835-1921) Chapmann Wong Sonata, Op. 1 Alex Matterson Eight Concert Etudes, Op. 40 I. Prelude VI. Pastorale Luc Faris UPCOMING AT THE SCHOOL OF MUSIC WEDNESDAY, FEBRUARY 8 | 6:30 PM (By donation) Annual Solo Bach Competition UVic string students perform solo sonatas, partitas and suites by Johann Sebastien Bach for a panel of expert adjudicators. Phillip T. Young Recital Hall FRIDAY, FEBRUARY 10 | 8 PM ($15-$26) UVic Wind Symphony and Naden Band: Here and Now With guests the Naden Band of the Royal Canadian Navy, this concert features works that embrace the ‘here and now.’ Phillip T. Young Recital Hall Alban Berg (1885-1935) Nicolai Kapustin (1937-2020) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-PianoStudioRecital_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PIANO STUDIO RECITAL Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Liam Baird Eóghan Bostock Alex Matterson Eóghan Bostock Chapmann Wong Alex Matterson Luc Faris https://finearts.uvic.ca/music/archive/files/original/fdd5ceea2eae9c4bd05516bb1c437bad.pdf 1c2e229206de9e8733d805c1ffea38b4 PDF Text Text VIOLIN STUDIO RECITAL UVIC Students from the studios of Ann Elliott-Goldschmid and Sharon Stanis SATURDAY, FEBRUARY 4, 2023 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Caprice 1: “Die Kranke und die Uhr” Sophie-Carmen Eckhardt-Gramatté (1899-1974) Nicholas Fairfield-Carter, violin Partita No. 3 in E Major BWV 1006 Johann Sebastian Bach Gigue (1685-1750) Mathew Rosales, violin Partita No. 3 in E Major BWV 1006 Loure Gavotte en rondeau Megan Bibby, violin Concerto in E Minor II. Andante cantabile Johann Sebastian Bach Pietro Nardini (1722-1793) Sihana Dorfsman, violin Cindy Xu, piano Suite in the Old Style, Op. 80 Alfred Schnittke Minuet (1934-1998) Fugue Emily Fenske, violin Bailey Lehmann, piano Concerto for Violin, Op. 14 I. Allegro moderato Samuel Barber (1910-1981) Imogen Latta, violin Cindy Xu, piano �Concerto in D Major, Op. 35 II. Andante Pyotr Ilyich Tchaikovsky (1840-1893) Libby Wyse, violin Jany Lu, piano Sonata No. 2 in A Minor BWV 1003 I. Grave Johann Sebastian Bach Jade Chu, violin Sonata No.1 in G Minor BWV 1001 Adagio Siciliana Presto Sonata No. 1, Op.13 I. Allegro Molto II. Andante Johann Sebastian Bach Joyce Tsai, violin Gabriel Fauré (1845-1924) Bennett Chiu, violin Simi Luttrell, piano César Franck (1822-1890) Sonata in A Major II. Allegro Philip Manning, violin Jono Devey, piano UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, FEBRUARY 10 | 8 PM ($15-$26) UVic Wind Symphony and Naden Band: Here and Now Are we shaped only by our histories, cultures, societies, and families, or do we determine our own paths by seeking new knowledge and experiences? Can we listen, learn, and react to the world around us to rethink what we’ve been taught? With guests the Naden Band of the Royal Canadian Navy, this concert features works that embrace the ‘here and now.’ The Farquhar at UVic SATURDAY, FEBRUARY 11 | 8 PM ($12-$35) Faculty Concert: Lafayette String Quartet The Lafayette String Quartet is thrilled to present the world premiere of Vivian Fung’s latest quartet “Spiraling,” commissioned by the LSQ as part of their B.K. Weigel Legacy Project. Also on the program is Beethoven’s String Quartet Op. 59, No. 3, and Shostakovich’s Quartet No. 4. Phillip T. Young Recital Hall SUNDAY, FEBRUARY 12 | 1:30 PM (Free) Thank You Concert A concert celebrating the achievements and talents of the many UVic School of Music students who receive generous support from our donors. Join us as we say thank you to our many supporters, concert-goers, and the community with this wonderful afternoon of music. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02042023-ViolinStudioRecital-11.wav">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VIOLIN STUDIO RECITAL Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Nicholas Fairfield-Carter, violin Mathew Rosales, violin Megan Bibby, violin Sihana Dorfsman, violin and Cindy Xu, piano Emily Fenske, violin and Bailey Lehmann, piano Imogen Latta, violin and Cindy Xu, piano Libby Wyse, violin and Jany Lu, piano Jade Chu, violin Joyce Tsai, violin Bennett Chiu, violin and Simi Luttrell, piano Philip Manning, violin and Jono Devey, piano https://finearts.uvic.ca/music/archive/files/original/83d8b8f12eadba11d02faa67933319de.pdf 1c1e2b7bdbcf5fd02ad56fb3a09a8f69 PDF Text Text Emerging Artists Alumni Series UVIC WEDNESDAY, FEBRUARY 1, 2023 | 7:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria Admission by donation Featuring SAMUEL SHANBO HE clarinet JENNIFER MITCHELL piano JANY LU piano PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Carl Maria Von Weber (1786-1826) Concertino in E-flat Major, Op. 26 Robert Schumann (1810-1856) Fantasiestücke, Op. 73 i. Zart und mit Ausdruck ii. Lebhaft, leicht iii. Rasch und mit Feuer Fantasie for solo clarinet Jörg Widmann (b. 1973) Jiangnan in Misty Rain 巫娜 (Wu Na) I NT E R M I S S I O N Clarinet Concerto, Op. 57 with guest artist Kyle Reyes, snare drum Concert Fantasia on Motives from “Rigoletto” Carl Nielsen (1865-1931) Luigi Bassi (1833-1871) �BIOGRAPHIES Samuel Shanbo He was born in Victoria BC and began piano at age 6 and clarinet at age 11. He is the winner of the 2017 BC Provincial Festival for senior woodwinds, a prize winner with the Vancouver Women’s Musical Society, and has been awarded a number of honors and scholarships, most notably the prestigious British Columbia Graduate Scholarship. A full-time professional musician, Samuel is a member of the Naden Band of the Royal Canadian Navy. As a diverse musician, Samuel has attended festivals such as Domaine Forget, the Vancouver Symphony Orchestral Institute, and the Beijing International Music Festival Academy, and has performed in masterclasses for such musicians as Yehuda Gilad, Keith Adam Lipson, and Carlos Ferreira. An alumni of the Harry Ainlay high school music program, Samuel continued with music into university and holds an undergraduate degree from the University of Victoria and a masters degree from the University of British Columbia. His primary teachers include Patricia Kostek, Jose Franch-Ballester, Eric Abramovitz, and Sam Boutris. In his free time Samuel enjoys playing video games, and between 2013-2015 was signed as a professional gamer for the premier American organization compLexity Gaming, a subsidiary of the Dallas Cowboys football team. In 2018, he was one of 12 North Americans to qualify to attend the Blade and Soul world championship qualifiers at ESL studios in Leicester, England, and in 2021 was awarded from hundreds of applicants a $10,000 USD esports scholarship+apprenticeship by the Association of Pacific Rim Universities and YESports Hong Kong esports company. Jennifer Mitchell learned piano, violin, and pipe organ while growing up. She studied piano with May Ling Kwok at the Victoria Conservatory of Music and at the University of Victoria. She received her Bachelor of Music degree in Piano Performance from UVic and received a Master of Music degree in Collaborative Piano from the University of Western Ontario with John Hess and Mark Payne. Currently, she works at the VCM as a collaborative pianist with the Collegium Strings, and with the Victoria Arion Male Voice Choir, First Unitarian Church of Victoria Choir, and Sooke Philharmonic Choir. Jany Lu studied piano performance at the Victoria Conservatory of Music and University of Victoria with May Ling Kwok, and Piano Pedagogy and Performance with Midori Koga at University of Toronto. She is now based in Victoria, BC, where she works closely with the next generation of musicians. She is currently on the keyboard faculty at the Victoria Conservatory of Music, where she teaches the fundamentals of piano playing and enjoys helping students develop their natural musicality. She also holds a position as collaborative pianist at the VCM and the Collegium program, and frequently performs at the University of Victoria and with the Victoria Symphony. Kyle Reyes received his Bachelor of Music Education from the University of Toronto and is a percussionist with the Naden Band of the Royal Canadian Navy. A versatile musician, he can be regularly heard performing classical, band and jazz music, and was a member of the 2012 National Youth Orchestra of Canada. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/0201023-EmergingAlumni-SamuelHe_06.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb, 2nd, 2023 Contributor An entity responsible for making contributions to the resource SAMUEL SHANBO HE clarinet JENNIFER MITCHELL piano JANY LU piano https://finearts.uvic.ca/music/archive/files/original/0133bda60a34b2beaedd17341633002c.pdf d4771b8c1633034dec513e95dc862c21 PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria JANUARY 27, 2023 | 12:30 PM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Cello Suite No. 2 in D minor J.S. Bach Prelude (1685-1750) Allemande Courante Menuet I & II Gigue Morgan Sheeley, guitar Sonate en Ut# III. Fileuse IV. Nocturne et rondel Fernande Decruck (1896-1954) Sylvan Wilkinson, saxophone Carey Wang, piano Violin Sonata No. 1, Op. 13 Gabriel Fauré I. Allegro molto (1845-1924) Bennett Chiu, violin Simi Luttrell, piano Jeux d’eau Carey Wang, piano Maurice Ravel (1875-1937) Variation on a theme by Robert Schumann, Op. 20 Clara Schumann (1819-1896) Kay Kuang, piano UPCOMING AT THE SCHOOL OF MUSIC THURSDAY, FEBRUARY 2 | 7:30 PM ($12-$35) Faculty Chamber Music: If Music Be the Food of Love The School of Music’s spring Faculty Chamber Music concert features music celebrating the month of love, as well as three beloved retiring colleagues — Harald Krebs, Sharon Stanis and Christopher Butterfield — and their long-time contributions to the school. Phillip T. Young Recital Hall FRIDAY, FEBRUARY 3 | 12:30 PM (By donation) Fridaymusic: Keyboards Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music piano students. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/01272023-FridayMusic_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01272023-FridayMusic_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01272023-FridayMusic_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01272023-FridayMusic_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01272023-FridayMusic_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 2nd, 2023 Contributor An entity responsible for making contributions to the resource Morgan Sheeley, guitar Sylvan Wilkinson, saxophone Carey Wang, piano Bennett Chiu, violin Simi Luttrell, piano Carey Wang, piano Kay Kuang, piano Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/Colin%20Malloy,percussionandelectronics01_26_2023.wav">Full concert</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ocean Networks Canada Air: Oil & Water Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb, 2nd, 2023 Contributor An entity responsible for making contributions to the resource Colin Malloy https://finearts.uvic.ca/music/archive/files/original/1816bd1809cd18deb8d49453f3c277aa.pdf dfa22fc2e5d192cc8907ba2780ffffc3 PDF Text Text FLUTE STUDIO RECITAL UVIC Students from the studio of Dr. Suzanne Snizek SUNDAY, JANUARY 22, 2023 | 3 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Goldfish through Summer Rain Three Norse Goddesses I. Iouun: Goddess of Youth Bella Nguyen, flute Yousef Shadian, piano Etude No. 3 for solo flute Anne Boyd (b. 1946) Lawren Brianna Ware (b. 1994) Paul Jeanjean (1874-1928) Ainsley Mercer, flute Sonata 1. Allegro moderato II. Andante Eugénie Rocherolle (b. 1936) Two Pieces for solo flute I. Andante II. Bewegung Cleary Manning, flute Yousef Shadian, piano Edison Denisov (1929-1996) Lauren Debeljak, flute Pièce for flute and piano Dick Kattenburg (1919-1944) Lauren Debeljak, flute Yousef Shadian, piano INTERMISSION Sonata for flute and piano I. Allegro Deciso II. Scherzo III. Andante IV. Allegro con Moto Robert Muczynski (1929-2010) Eva Bradávková, flute Yousef Shadian, piano Deux Poèmes by Ronsard Albert Roussel (1869-1937) Hao Guo, flute Abby Corpus, soprano Sonata for flute and piano I. Allegro Deciso II. Scherzo-Vivace III. Adagio IV. Finale-Moderato Mel Bonis (1858-1937) Qinyue Zheng, flute Yousef Shadian, piano � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital01.wav">Track 1</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/01222023%20-FluteStudioRecital07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FLUTE STUDIO RECITAL Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Jan 26th, 2023 Contributor An entity responsible for making contributions to the resource Bella Nguyen, flute and Yousef Shadian, piano Ainsley Mercer, flute Cleary Manning, flute and Yousef Shadian, piano Lauren Debeljak, flute Lauren Debeljak, flute and Yousef Shadian, piano Eva Bradávková, flute and Yousef Shadian, piano Hao Guo, flute and Abby Corpus, soprano Qinyue Zheng, flute and Yousef Shadian, piano https://finearts.uvic.ca/music/archive/files/original/566d71a060b19d0bfec0481c39ef3572.pdf 561c061810032f53fc7064d8be0bc65e PDF Text Text UVIC FACULTY CONCERT SERIES SATURDAY, JANUARY 21, 2023 | 7:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria “BOLD, BEAUTIFUL AND BRAVE” A CELEBRATION OF FEMALE PROTAGONISTS IN MUSIC THEATRE MERRIE KLAZEK TRUMPET, FLUGELHORN, SPEAKER WITH GUEST HEATHER BURNS PIANO P RO G R A M My Favorite Things from The Sound of Music Richard Rogers Journey to the Past Once Upon a December from Anastasia Lynn Ahrens, Stephen Flaherty Belle from The Beauty and the Beast Beauty and the Beast from Fiddler on the Roof If I Were a Rich Man Sunrise, Sunset Chava Sequence from Evita Don’t Cry for me Argentina Alan Menken, Howard Ashman Jerry Bock, Sheldon Harnick Andrew Lloyd Webber, Tim Rice If I Only Had a Brain Somewhere Over the Rainbow from The Wizard of Oz Harold Arlen, Yip Harburg Something’s Coming Maria from West Side Story Leonard Bernstein, Stephen Sondheim from Frozen II Kristen Anderson-Lopez, Robert Lopez Into the Unknown We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. �BIOGRAPHIES Merrie Klazek is a versatile and respected trumpet artist in the world of performance and education. Fluent in orchestral, chamber, solo, traditional (world), and popular music, Merrie joined the full-time faculty at the University of Victoria’s School of Music in 2016. Merrie holds a BMus from her native Calgary and an MMus from Northwestern University where she studied with the late Vincent Cichowicz. Her musical travels have taken her around the globe with performance highlights including Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan hall, Stratford Festival, Hungary’s Niyrbator Festival, and many solo appearances with Canadian orchestras. Merrie’s first solo album “Songs to the Moon” has been featured on TVO Studio 2 and CBC Radio. Her second album “Dance Around the Sun” is soon to be released in early 2023. This album celebrates the trumpet in settings of world music with over 24 musicians from around the globe. Merrie has appeared as a presenter, artist and adjudicator at the International Trumpet Guild Conference, International Women’s Brass Conference, Canadian Women’s Brass Collective, World Trumpet Society, and at the Trompetenmuseum in Badsackingen, Germany. Her engaging lectures and presentations cover topics including Performance Skills, Trumpet Pedagogy, Women in Brass, Trumpet and the Art Song, and Music as a Global Connector. Prior to joining the faculty at UVic, Merrie played Principal trumpet with the Thunder Bay Symphony from 1999-2018, and has held the same position with Victoria Symphony and Orchestra London Canada. Merrie is an endorsing artist for Wedge Mouthpieces, Bach Trumpets/Conn-Selmer, and Robinson’s Remedies. Heather Burns, originally from the Comox Valley, lives on Vancouver Island and works as a free-lance musician and musical director. After studying and working in LA, Washington, Banff, and New York, she has made Victoria her home. She holds a MA in Performance Arts and enjoys opportunities to teach, direct & perform both locally and abroad. She is the music director and manager for swing & show band, “Dock Side Drive” (www.docksidedrive. ca), touring and performing regularly with them. Heather has released 2 CD’s of her own, “Child’s Play” (2005) and “Road Back Home” (2008), and “As Long As I’m Singing” (2016) with Dock Side Drive. Heather is most at home collaborating with actors and singers. She has done extensive work as a musician, performance coach, arranger, writer & music director in the theatre with companies such as the Belfry Theatre, Western Canada Theatre, Chemainus Theatre, Victoria Operatic Society, CCPA, and Kaleidoscope Theatre. Recent productions include: Light in the Piazza, West Side Story, Rent, Cabaret, Mary Poppins, Spring Awakenings, Into the Woods, Miss Saigon, Beauty & the Beast, Les Miserables, & a touring production of Forever Plaid. She was the Director of Education & Programming at the Canadian College of Performing Arts (2017-2021). � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012123-FacultyConcert_BoldBeautifulAndBrave_13.wav">Track 13</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “BOLD, BEAUTIFUL AND BRAVE” A CELEBRATION OF FEMALE PROTAGONISTS IN MUSIC THEATRE Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Jan 26th, 2023 Contributor An entity responsible for making contributions to the resource MERRIEKLAZEK TRUMPET, FLUGELHORN, SPEAKER WITH GUEST HEATHER BURNS PIANO Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/PianoStudioRecital01_21_2023_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Jan 26th, 2023 Contributor An entity responsible for making contributions to the resource Aurora Wai aan Mela Cheung Noshika Shahroki and Leon Fei Hanjun Yu and Shirley Sun Cindy Xu, Zhinuo Li Jelena Loi, Jenny Sunderland Mia Zhao and Victor Xu Isabela Stanyer and Jenny Sunderland https://finearts.uvic.ca/music/archive/files/original/680590f5ce4abf6997a26c978758b489.pdf 3eb2daa25aa0e9c9ee81ac902b22fded PDF Text Text SAXOPHONE CLASS SOLO RECITAL 8pm the 20th of JANUARY 2023 at the Phillip T. Young Recital Hall University of Victoria School of Music Students from the Class of Wendell Clanton Cole Davis with Yousef Shadian 1. Run, Bird from Fuzzy Bird Sonata (1995) by Takashi Yoshimatsu (1953) Connor Baumann with Yousef Shadian Premier Solo: Andante et Bolero (1866) pour tenor saxophone et piano by Jules Demersseman (1833 – 1866) Caiden Meyer with Teslyn Bates Solo de Concert No. 2 Op. 77 for saxophone baryton (1860-61) by Jean-Baptiste Singelée (18121875) revision de Paul Wehage Sovenance Statham with Alicia Bai Allegro from Allegro, Largo et Finale by G. F. Handel (1685-1759) Meghan Pimm with Gabriel Lagos 1st movement from Petite Suite Latine by Jérôme Naulais (1951) Hannah Stanwood with Yousef Shadian Rondo from Lamento et Rondo (1973) for saxophone alto et piano by Pierre Sancan (1916-2008) Emerson Jong with Aurora Wai 1st movement Allegretto malincolico from Sonate pour Flûte et Piano (1957) by Francis Poulenc (1899-1963) Madison Wang with Carey Wang 1st movement from Sonate en Ut# pour saxophone alto et orchestre (1943) by Fernande Decruck (1896–1928)  Ten Minute Intermission  Bethanie Tran Frost (2011) from Karl by Marc Mellits (1966)  The house and stage lights will be turned off during this performance. Xavier Marican with Ruby Koep Concerto Capriccio on Themes of Paganini by Grigorij Markovich Kalinkovich (1917 – 1992) revised by Alain Crepin uy' skweyl We are grateful for the opportunity to perform in the Phillip T. Young Recital Hall situated on the traditional lands of the lək̓ʷəŋən peoples. �SAXOPHONE CLASS SOLO RECITAL 8pm the 20th of JANUARY 2023 at the Phillip T. Young Recital Hall University of Victoria School of Music Students from the Class of Wendell Clanton Kayleigh Francis Prelude to Vertigo (2017) for solo tenor saxophone by Christian Lauba (b. 1952) Sylvan Wilkinson with Carey Wang 3rd & 4th movements from Sonate en Ut# pour saxophone alto et orchestre (1943) by Fernande Decruck (1896–1928)  Acknowledgements  We offer our heartfelt thanks for the generous support of our student pianists and their teachers, and acknowledge the kind support of our guest pianists. Alicia Bai, Teslyn Bates, Ruby Koep, Gabriel Lagos, Yousef Shadian, Aurora Wai & Carey Wang  2023 Saxophone Class Cole Davis Connor Baumann Hannah Stanwood Caiden Meyer Sovenance Statham Emerson Jong Madison Wang Xavier Marican Meghan Pimm Bethanie Tran Kayleigh Francis Sylvan Wilkinson of the 4th Year Class, Performance† of the 2nd Year Class, Education of the 3rd Year Class, Musical Arts of the 1st Year Class, Education of the 1st Year Class, Education of the 4th Year Class, Education of the 3d Year Class, Education of the 2nd Year Class, Performance of the 3rd Year Class, Education of the 3rd Year Class, Education of the Graduate Class, Performance of the 3rd Year Class, Performance‡ † Winner of the University of Victoria School of Music Concerto Competition (2022) ‡ Winner of the Roberto and Mary Wood Scholarship, Greater Victoria Performing Arts Festival Join us for our annual Saxophone Class Ensemble Concert Saturday March 4th @ 8pm at the School of Music PTY Recital Hall uvicsaxophone.blogspot.com uy' skweyl We are grateful for the opportunity to perform in the Phillip T. Young Recital Hall situated on the traditional lands of the lək̓ʷəŋən peoples. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/No.1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.7.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.8.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.9.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/No.12.wav">Track 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saxophone Class Solo Recital Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Jan 26th, 2023 Contributor An entity responsible for making contributions to the resource Cole Davis Connor Baumann Hannah Stanwood Caiden Meyer Sovenance Statham Emerson Jong Madison Wang Xavier Marican Meghan Pimm Bethanie Tran Kayleigh Francis Sylvan Wilkinson https://finearts.uvic.ca/music/archive/files/original/5ee247f98f39034ac44ebf70e3d0c04e.pdf 835fe19ef7c0c25135d085f4a870cc9c PDF Text Text UVIC FACULTY CONCERT SERIES SUNDAY, JANUARY 15, 2023 | 2:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria ACROSS THE BOUNDARIES: SONGS OF THE 20TH CENTURY ANNE GRIMM SOPRANO & BRUCE VOGT PIANO WITH GUEST ARTIST ANNA BETUZZI OBOE PROGRAM Songs of Poldowski (Régine Wieniawska - 1879-1932) I. II. i. Dansons la Gigue ii. Brume iii. Spleen III. i. Sérénade ii. Circonspection iii. En sourdine IV. i. Effet de neige ii. Berceuse d’Armorique iii. Soir Paul Verlaine (1844-1896) i. L’heure exquise ii. Mandoline iii. Dimanche Avril iv. L’attente Adolphe Retté (1863–1930) Paul Verlaine Anatole le Braz (1859–1926) Albert Samain (1858–1900) INTERMISSION The Owl and the Pussycat, by Edward Lear Igor Stravinsky (1882-1971) Und was bekam des Soldaten Weib (And what was sent to the Soldier’s wife) Bertolt Brecht (1898-1956) Kurt Weil (1900-1950) Three Songs: “Aspects of Love” I Wish I Were In Love Again You Took Advantage of Me Bewitched, Bothered and Bewildered Four Songs J’aimais (I Loved) Les Toros (The Bulls) Fils de (Sons of) Quand on a que l’amour (If We Only Have Love) Lorenz Hart (1895-1943) Richard Rodgers (1902-1979) Jacques Brel (1929-1978) We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. �PROGRAM NOTES • Poldowski (1879-1932), née Irène Régine Wieniawska, was among the group of early twentieth century composers instrumental in shaping the genre of French art song. Poldowski produced a number of chamber and orchestral works, but it is her thirty-six surviving mélodies that represent her greatest contribution as a composer. And yet, despite numerous performances of her songs by major European and American artists during her lifetime – and critical recognition by major publicists – her music fell by the wayside following her death in 1932 and was largely forgotten for several decades. The modest revival of her songs in recent years, in both live performances and several recording projects, has brought renewed interest in her music and her life. Poldowski’s mother, Isabella Bessie Hampton, was from a genteel, music-loving Irish family that had settled in London. Her father was the renowned Polish composer and violinist, Henryk Wieniawski (1835–80). Unsurprisingly, Poldowski was encouraged towards a thorough music education, with studies in Brussels, London and Paris. The period from about 1870 to 1920 is one of the richest for the genre of the French mélodie, which drew on the resurgence of French poetry launched by Baudelaire in the middle of the nineteenth century.The symbolist poets, Mallarmé and particularly Verlaine, inspired a great flowering of vocal music by Fauré, Duparc, Debussy, Ravel, Chausson, and others. While Poldowski’s compositional voice was certainly influenced by these strong creative personalities, hers was almost immediately distinctive, her originality unmistakable, and her place in their company well deserved. She had a gift for engaging, sensual melody and refined harmony, and, above all, a great sensitivity to the meaning, rhythms, nuances, and colours of each poem. Her stylistic range is extensive. Some of the songs are in the manner of folksongs (Berceuse d’Armorique). Occasionally one finds operatic grandiloquence (Spleen) or impressionistic understatement (Circonspection and Effet de neige). Late romantic (L’heure exquise and Brume) and early modernist styles (Mandoline) rub shoulders. And yet - almost Fauve-like - she allows the music suddenly to flower with a profusion of rich primary colours drawn from the poetry itself. Almost all her chosen French poems are associated with the symbolist movement. It is not surprising that Poldowski gravitated towards this poetic sensibility. When Mallarmé describes the goal of the symbolists as depicting “not the thing itself but the effect it produces,” he might well have been describing Poldowski’s own aspiration. Her settings go beyond description to the very nerve endings of the text. “The sensuous beauty of Verlaine’s language, his intimacy and simplicity, have made new landscapes for me.” With these words, Poldowski captured the essence of her response to Paul Verlaine’s poetry as reflected in her twenty-two settings of his poetry that span her entire composing career. The much-vaunted musicality of his verse seemed to speak to Poldowski as did none other, for in it she found a language of aesthetic beauty, playfulness, and perversity that resonated with her spirit and musical imagination. • Anatole le Braz (1859–1926) was a Breton poet, a translator, and a respected folklore collector. Berceuse d’Armorique comes from his poetry collection La Chanson de la Bretagne (1892). • At a very young age, Adolphe Retté (1863–1930) earned a considerable reputation as a symbolist poet – though he ultimately turned against the movement and established himself as a reactionary in his writings and in his politics. Sérénade comes from an early poetic publication, La forêt bruissante (1896), a collection of poems suffused with the healing power of nature. • The poetry of Albert Samain (1858–1900) express the renewed fascination for Antiquity and the predilection for sorrowful evenings that characterized the symbolist sensibility at the turn of the century. Soir comes from Samain’s first collection of poems, Au jardin de l’infante (1893). • The Owl and the Pussycat was perhaps Igor Stravinsky’s last composition. The poem was a favourite of his wife Vera and his setting is dedicated to her. Edward Lear’s playfully haunting verses remain the primary focus with the accompaniment remaining discreet throughout. • Kurt Weill wrote a great deal of music in many genres but he is best known for his numerous collaborations with the poet and playwright Bertolt Brecht, with whom he created six musical dramas, the most famous being Threepenny Opera. Und was bekam des Soldaten Weib? (And what was sent to the Soldier’s wife?) was a single ballad written in collaboration with Brecht not long after Hitler had launched his disastrous invasion of Russia. • Richard Rodgers is somewhat better known for the many Broadway shows that he wrote between 1943 and 1959, partnering with the lyricist Oscar Hammerstein. His partnership with Lorenz Hart was of even longer duration – from 1919 to 1943 – and if it produced fewer shows that have lived on, nevertheless their songs have their compensations. There is a wry and honest approach about life and love of a kind that can scarcely be found in the later more sentimental partnership. • Jacques Brel was a Belgian songwriter, singer and actor who composed powerfully satirical and poetically brilliant songs, performing them in Belgium and France and finally throughout the western world. He is considered one of the great creators of the modern Chanson. Most of his songs were recorded in French – occasionally in Dutch – but through translations and performances by well-known English-speaking songwriters and performers, English versions of his songs have continued to be performed widely. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/01152023-across_the_bondaries_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/01152023-across_the_bondaries_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/01152023-across_the_bondaries_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/01152023-across_the_bondaries_04.wav">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Across the Boundaries: Songs of the 20th Century Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Jan 19th, 2023 Contributor An entity responsible for making contributions to the resource ANNE GRIMM SOPRANO BRUCE VOGT PIANO ANNA BETUZZI