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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

ORION SERIES IN FINE ARTS
presents

Paul Merkelo
trumpet
WITH

Merrie Klazek, trumpet
Bruce Vogt, piano

Friday, September 30, 2016 • 12:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission

�PROGRAM
Trumpet Sonata in D Major
Henry Purcell
	
Allegro						 (1659–1695)
	Grave
	Presto
Légende for trumpet and piano

Liebeslied, Op.22 No.2

Rhapsody in Blue

Concerto for 2 Trumpets in C Major, RV 537
	
Allegro
	Largo
	Allegro

Georges Enesco
(1881–1955)
Oskar Böhme
(1870–1938)
George Gershwin
(1898–1937)
Antonio Vivaldi
(1678–1741)

�PAUL MERKELO
Renowned as one of the finest trumpet players of his generation, Paul
Merkelo is recognized for his “pure technical prowess’’ (Rochester Democrat
&amp; Chronicle) as well as his “unusual lyrical gifts’’ (Gramophone). Principal
trumpet with the Orchestre symphonique de Montréal since 1995, Mr.
Merkelo is regularly praised by the Montreal press as “a spectacular soloist…
a most impressive master of his instrument’’ (Montreal Gazette), a “great
virtuoso… dazzling’’ (La Presse). He has been featured frequently with the
OSM, including tours to South America and Lincoln Center in New York.
In 1999, he was appointed Canadian musical ambassador to China for
the inauguration of the Montreal Park in Shanghai, and as soloist with the
Shanghai Broadcast Orchestra in a national telecast. Mr. Merkelo made
his New York debut at Lincoln Center with the New World Symphony
Orchestra and Michael Tilson Thomas in 1998. He has also worked with
conductors Leonard Bernstein, Charles Dutoit, Lorin Maazel, Sir Georg Solti
and Valery Gergiev.
Mr. Merkelo’s first solo recording, A Simple Song was ranked No. 1 in
Quebec’s classical recording chart in 2000. In 2004, Analekta released a
highly praised second CD, Baroque Transcriptions, which was nominated by
ADISQ for Best Classical Album of the Year.
Previously, he was Principal Trumpet with the Rochester Philharmonic and
New Orleans Symphony and gained early orchestral experience as an extra
with the New York Philharmonic and Pittsburgh Symphony.
Paul Merkelo attended the University of Illinois and Eastman School of Music,
where he was awarded the Speth Scholarship for outstanding orchestral
musician. Mr. Merkelo is on the faculty at the Music Academy of the West in
Santa Barbara, and McGill University. He is on the board of directors for the
Youth Orchestra of the Americas (Canada), and is the founder of the Paul
Merkelo Scholarship.
Paul Merkelo is a Yamaha artist.

finearts.uvic.ca/music

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Merrie Klazek, trumpet&#13;
Bruce Vogt, piano</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
CURTIS ANDREWS
PATRICK BOYLE

MRIDANGAM
TRUMPET

VIDYASAGAR VANKAYALA

VOICE

		

Friday, September 30, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
NOTE: There is no intermission. The entire program will last
approximately 1 hour and 20 minutes.

Sri Guruguha

Composer: Muthuswami Dikshitar (1775-1835)
Raga: Devakriya (C D F G A - C G F D C)
Rupaka Tala (3 beat cycle)
Language: Sanskrit

Malabar

Composer: Curtis Andrews
Raga: Mayamalavagaula (C Db E F G Ab B C - C B Ab G F E Db C)
Adi Tala (8 beat cycle)

Ragam-Tanam-Pallavi

Composer: Vidyasagar Vankayala
Raga: Dharmavati (C D Eb F# G A B C - C B A G F# Eb D C)
Adi Tala (Rendu Kalai: 16 beat cycle)
Language: Sanskrit

Thillana (Geethadhuniku)

Composer: Swati Thirunal
Raga: Dhanasri (C Eb F G Bb C - C Bb A G Eb D C)
Adi Tala (8 beat cycle)
Language: Hindi

�PROGRAM NOTES
From Patrick Boyle:
Things haven’t been the same since 1997, when I got a gig playing bass in a new
band and met the drummer, Curtis Andrews. Our musical life is seamlessly integrated into our relationship as “brothers from other mothers” specifically regarding
trust, tolerance, acceptance, whimsy, and love. To me it represents the most liberating qualities of a musical life, where study, practice, performance, and camaraderie
merge. My sincere gratitude goes to Vidyasagar, Curtis, and their respective families
for sharing their music at UVic in this special concert.
Carnatic Music: A Very Brief Primer
The cultures of the Indian subcontinent have produced not one, but two “classical”
(ie: art music) traditions: Hindusthani (originating in the Northern areas) and Carnatic (developed in the Southern reaches). While both have roots reaching back several thousand years, they contain many differences owing to linguistic, political, and
religious diversity. Still, the common denominator of both is a remarkable dedication
to and development of raga, tala and manodharma. Raga is best understood as a
particular collection of pitches, treated uniquely and arranged in a manner to create
a unique impression upon the listener. Tala refers to the general rhythmic aspect of
musical expression, and specifically to defined rhythmic cycles in which compositions
and improvisations occur. Manodharma is improvisation, which is utilized extensively
in both traditions. Carnatic music is further defined by the immense body of compositions, most of which are spiritual and/or philosophical in thematic content, that
form the basis of a performance.

Dr. Patrick Boyle is Associate Professor of Jazz Studies at the University of Victoria
School of Music. Among his three critically acclaimed albums is Rock Music: an album
of duets with percussionist Curtis Andrews. In 2009, Patrick was featured at Carnegie
Hall in a concert of North Indian Classical music with Zakir Hussain, Steve Smith,
and Kala Ramnath.
Curtis Andrews is a Canadian-based musician with global persuasions. An awardwinning percussionist/composer, he creates music that is informed by his many years
of experience with West African, South Indian and jazz traditions yet transcends
most categories.
Vidyasagar Vankayala hails from a family of musicians in Andhra Pradesh, India.
Steeped in Carnatic music since age 6, Vidyasagar continued his vocal training for 15
years, in a very formal, rigorous and highly demanding system of learning. Since moving to Vancouver in 1996, Vidyasagar has been active in promoting Carnatic music in
the lower mainland, forming his own non-profit South Indian performing arts society
(SaPaSa), leading a music and dance academy (Sangeetha Maruti Arts), and as a collaborator with a diverse collection of artists.

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Patrick Boyle, trumpet&#13;
Vidyasagar Vankayala, voice</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
ARTHUR ROWE
PIANO

		

Monday, October 3, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
Sonata in F major, K.332			
	
Allegro	 					
	Adagio
	
Allegro assai

W.A. Mozart
(1756–1791)

Sonata in G major, D. 894				 Franz Schubert
	
Molto moderato e cantabile			
(1797–1828)
	
Andante
	
Menuetto: Allegro moderato
	Allegretto
I NT E R M I S S I O N

Sonata in B minor Op.58				 Frédéric Chopin
	
Allegro maestoso				
(1810–1849)
	
Scherzo: Molto vivace
	Largo
	
Finale: Agitato

�BIOGRAPHY
Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist,
soloist with orchestra and chamber musician. Following a New York solo recital, The
New York Times wrote: “The Canadian pianist Arthur Rowe made an immediate
and positive impression...before eight bars had gone by, one knew he was capable
of vigor without heaviness, energy without excess of drive. It was first-rate playing:
a kind of execution tinglingly alive to the shape and contribution of each phrase”.
Reviewing a solo recital in London England, The London Times spoke of his “unusual
clarity of articulation”, and “poetry of expression”, and David Burge, writing in The
San Diego Tribune said, “Rowe is a marvelous pianist…even when he is pushed to
the limit by extreme virtuosic demands...he can concentrate all of his considerable
talents on vital matters of phrasing, tone and ensemble”.
Arthur Rowe has been heard regularly on radio broadcasts in Canada and the
United States, and has recorded with various artists for the Crystal, ebs, Innova, GM
and Fanfare labels. In 2007, he released an all Schubert recording on the Centaur
label (available on iTunes). Fanfare magazine’s review says, “Rowe’s reading (of the
posthumous B flat Sonata) is one of the most beautiful I have heard… The D. 899
Impromptus are equally impressive…his purling right-hand runs recall Schnabel’s
velvety sound…. every harmonic change is underscored by a delicate nuance of
color change. This kind of expression cannot be taught; it is in the bloodstream and
the soul.”
A highly respected chamber musician, Mr. Rowe regularly collaborates with artists
and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in
France, New Zealand, and Yugoslavia. While at Indiana University, he began his long
association with violinist William Preucil, Concertmaster of the Cleveland Orchestra,
with whom he has concertized for almost four decades. In 2004 The Harrington
String Quartet joined forces with Arthur Rowe and William Preucil in New York for
a performance of the Chausson Concerto for Violin, Piano and String Quartet, which was
reviewed by Harris Goldsmith as a “reading that rivaled the benchmark recordings
by Franzescatti/Casadesus/Pascal, and Heifetz/Sanroma/New Arts”.
Mr. Rowe has recently performed with the Dover Quartet and the Cecilia Quartet,
both recent winners of the Banff International String Quartet competition. Upcoming performances in 2016/17 include recitals with William Preucil, Concertmaster
of the Cleveland Orchestra, Vancouver’s Vetta Ensemble, and Toronto based Mezzosoprano Krisztina Szabo.
Having previously held positions at the University of Iowa and the University of
Western Ontario, Arthur Rowe resides in Victoria, where he is Professor of Piano
at the University of Victoria and the Artistic Director of the Victoria Summer Music
Festival.

finearts.uvic.ca/music

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                    <text>DEGREE RECITAL	
	

	Chelsey	Ternes,	Voice	
Frances	Armstrong,	piano	

	

Monday,	April	18,	2016,	8pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

	

PROGRAM
Heimliches	Lieben	
																
	
Erster	Verlust	 	
	
	
	
Im	Frühling	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
Op.	8		 	
	
	
	
	
	
1.	Zuleikha	
	
	
	
														2.	Im	Garten	Klagt	die	Nachtigall	
	
5.	Die	Helle	Sonne	Leuchtet	
	
	
	
	
	
	
	
	
	
	
	
	
	
Fete	Galantes	Book	I																											
	
	
1.	En	Sourdine							
	
	
	
2.	Claire	de	Lune	
	
3.	Fantoches	 	
	
	
	
	
	
	
	
	
Fete	Galantes	Book	II	
	
1.	Les	Ingénus	
	
2.	Le	Faune	
	
3.	Colloque	Sentimental		
	
	
	

Ombre	Pallide,	aria	from	Alcina		
	
	
	
	
	
	
	
Op.	20	Hermit	Songs					 	
	
	
I.	St.	Patrick's	Purgatory		
	
II.	Church	Bell	at	Night	
	
III.	St.	Ita's	Vision	
	
IV.	The	Heavenly	Banquet	
	
V.	The	Crucifixion	
	
VI.	Sea-Snatch	
	
VII.	Promiscuity	
	
VIII.	The	Monk	and	His	Cat	
	
IX.	Praises	of	God	
	
X.	The	Desire	for	Hermitage	
	
	
	
	
	
	

	
	
	
	

	
	
	
	

	
	
	
	

	
	
	
	

																Franz	Schubert	
	
						(1797-1828)	

	
	

	
	

	
	

	
	

			Ingeborg	von	Bronsart	
	
						(1840-1913)	

	

	

	

	

	

	

	
	

	
	

	
	

	
	

	
	

Claude	Debussy	
						(1862-1918)	

	

	

	

	

	

	

	

	

	

	
—INTERMISSION—	
	
	
	
	
	
	
	
	
	
	

	
	

	George	Frideric	Handel	
	

						(1685-1759)	

	
	

	
	

	
	

	
	

	
	

	
			

		Samuel	Barber	
						(1910-1981)	

	
	

	
	

	
	

	
	

	
	

	

	

	
	

	
	
Chelsey	is	from	the	class	of	Professor	Benjamin	Butterfield	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	

	
Please	turn	off	all	cell	phones.	

	

	

	

	

	

	

	

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                <text>Adar Guy</text>
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                    <text>DEGREE RECITAL
	

	Allyssa	Haigh,	percussion		
Erika	Buerfeind,	vibraphone	
Cole	Griffiths,	bagpipes	
Tristan	Holleufer,	multiple	percussion	
Hans	Verhoeven,	multiple	percussion		

	

Wednesday,	April	13,	2016,	8:00	PM	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	
	

PROGRAM
	

	
Asventuras	
		
								 																																																																																																	Alexej	Gerassimez	
																																																																																																																								
																											(b.	1987)	
	
	
Vertical	River	 	
	
	
	
	
	
	
	
	
							Blake	Tyson	
	
	
	
	
	
	
	
	
	
	
	
												(b.	1970)	
Erika	Buerfeind,	vibraphone	
	
	
Smoking	Timps		
	
	
	
	
	
	
	
	
								Peter	Sadlo	
	
	
	
	
	
	
	
	
	
	
	
												(b.	1962)	
	
	
Canned	Heat	 	
	
	
	
	
	
	
	
												Eckhard	Kopetzki	
	
	
	
	
	
	
	
	
	
	
	
												(b.	1956)	
	
	
	
	
Pipes	and	Drums	

—	INTERMISSION	—	
	

																																																																																																																										

																													
Cole	Griffiths,	bagpipes	
	
	
	Restless	
	
	
Trio	Per	Uno	
I	
	
II	
III	

								

																																																																																																																								Rich	O’Meara	
																																																																																																																				(b.	1957)	

	
	

	
	

	
	

	
	

	
	

	
	

	
	

	
	

		Nebojsa	Jovan	Zivkovic	
	
												(b.	1962)	

Tristan	Holleufer,	multiple	percussion	
Hans	Verhoeven,	multiple	percussion	
	
	
	
	
	
Allyssa	Haigh	is	from	the	class	of	Professor	William	Linwood.	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	

Please	turn	off	all	cell	phones.	
	

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D	E	G	R	E	E			R	E	C	I	T	A	L	
	Keenan	Mittag-Degala,	percussion		
Fahlon	Smith,	viola	
Gillian	Newburn,	flute	
Thomas	Nicholson,	piano	
Nolan	Krell,	electric	guitar	
Adam	Jasieniuk,	tenor	saxophone	
	
Thursday,	April	21st,	2016,	8:00pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

	

P	R	O	G	R	A	M	
	
	

Friday	Dialogues	
																																																																																																																									Bence	Pintér	
I.																																																																																																																			
																											(b.	1991)	
II.	
Gillian	Newburn,	flute	
	
Hout	 		
								 																																																																																																																		Louis	Andriessen	
																																																																																																																																																													(b.	1939)	
	
Adam	Jasieniuk,	tenor	saxophone	
Nolan	Krell,	electric	guitar	
Thomas	Nicholson,	piano	
	
Temazcal	
		
								 																																																																																																									Javier	Álvarez	
																																																																																																																																																													(b.	1956)	
	
	

I	N	T	E	R	M	I	S	S	I	O	N	

	

	
Libertango	
		
								 																																																																																																											Eric	Sammut	
																																																																																																																																																													(b.	1968)	
	
	
Variations	for	Viola	&amp;	Four	Drums	
																																																																																					Michael	Colgrass	
Introduction																																																																																																																																							(b.	1932)	
Variation	I	
Variation	II	
Variation	III	
Variation	IV	
Variation	V	
Finale	
Fahlon	Smith,	viola	
	
Fertility	Rites	 																																																																																																																																				Christos	Hatzis	
I.																																																																																																														 																																									(b.	1953)	
II.	
III.	
	
	
	
Keenan	Mittag-Degala	is	from	the	class	of	Professor	William	Linwood.	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	Catered	by	The	Salt	&amp;	Pepper	Fox.	
	

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

ORION SERIES IN FINE ARTS
presents

ILYA POLETAEV
PIANO

Wednesday, October 12, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission

�PROGRAM
J. S. Bach (1685–1750)
French Overture, BWV 831
	Ouverture
	Courante
	
Gavotte I and II
	
Passepied I and II
	Sarabande
	
Bourree I and II
	Gigue
	Echo
George Enescu (1881–1955)
Piano Sonata No. 1, Op. 24 No. 1, in f-sharp minor
	
Allegro molto moderato e grave
	
Presto vivace
	
Andante molto espressivo

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Robert Schumann (1810–1856)
Humoreske Op. 20

	

�BIOGRAPHY
One of today’s most original and compelling artists, Ilya Poletaev captured First Prize
at the prestigious 2010 International Johann Sebastian Bach Competition in Leipzig
and, as the winner, appeared in recital at the Leipzig Gewandhaus. A pianist with an
inquisitive mind who explores a wide range of repertoire ranging from the 16th
–21st centuries, Mr. Poletaev leads a multifaceted career as both a classically trained
pianist and as a performer on early keyboards. The Philadelphia Inquirer praised
his concerto debut in Philadelphia’s Kimmel Center for the Performing Arts as “an
interpretation of considerable individuality,” singling out his “lively imagination” and
“unfailingly gorgeous tone.” The Berkshire Eagle has said, “An expert harpsichordist,
he played Bach on the piano as well as any I have heard… All that he played was
deeply considered… His intelligence was luminous.”
Ilya Poletaev was the First Prize winner of the XX Concorso Sala Gallo Piano
Competition in Monza, Italy, where he received the Audience Prize, the Bach Prize,
and the Orchestra Prize. He also captured First Prize at the 2009 Grieg International
Competition and was a laureate of the 2008 National Stepping Stone Competition
in Canada. He joined the Astral Artists roster as a winner of its 2009 National
Auditions.
As a harpsichordist, Mr. Poletaev was a top prizewinner at the 2007 Southeastern
Historical Keyboard Society harpsichord competition and has been heard in such
venues as Carnegie’s Weill Recital Hall, Pierpont Morgan Library, the Helicon
Foundation, the Aston Magna Early Music Festival, the Amherst Early Music Festival,
and Yale’s Collection of Musical Instruments. As a continuo player on both
harpsichord and organ, he has performed under Masaaki Suzuki, Andrew LawrenceKing, Steven Stubbs, Nicholas McGegan, Simon Carrington, Graham O’Reilly, and
Helmuth Rilling and can be heard in recordings of music ranging from Bertali to
Mendelssohn. At the piano, he has performed alongside such distinguished artists as
Robert Mann, Donald Weilerstein, Gary Hoffmann, Boris Berman, Paul Hersh, Susan
Narucki, and Miah Persson. He has also appeared at the Moab, Caramoor, Sarasota,
Norfolk, Yellow Barn, Banff, Orford, and Stratford Summer Music festivals.
Mr. Poletaev gave an acclaimed performance at the Caramoor Festival with
renowned mezzo-soprano Susan Graham and the Orchestra of St. Luke’s. Other
performances include a tour of Romania, recitals at Italy’s Festival Lago Maggiore, the
Giuseppe Verdi Conservatory in Milan, and the Accademia di Santa Cecilia in Rome.
His two-volume recording of the complete works of George Enescu for violin and
piano, with violinist Axel Strauss was released on the Naxos label to major critical
acclaim.
Mr. Poletaev began studying in Moscow at the age of six and continued his studies
in Israel until he moved to Canada at the age of 14. He holds a Bachelor’s degree
from the University of Toronto where he studied with pianist Marietta Orlov and
harpsichordist Colin Tilney, as well as a doctorate and a Master’s degree from Yale,
where he studied with Boris Berman. Between 2005 and 2010 he served on the
faculties of the Yale Institute of Sacred Music, the Yale Department of Music, and
the Yale School of Music as a lecturer in Early Music. In the spring of 2011 he was
appointed Assistant Professor of Piano at the Schulich School of Music at McGill
University in Montréal.
Ilya Poletaev is an Astral artist.

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Phillip T. Young Recital Hall, University of Victoria
October 7, 2016 • 12:30 p.m.
Featuring School of Music piano students
Rhapsody in B Minor Op. 79, No. 1	
				

				
					
Liam Pistor, piano

	

Johannes Brahms		
(1833 - 1899)

Klavierstücke Op. 118 	 					
Johannes Brahms		
	I. Intermezzo						 		 			 (1833 - 1899)
	II. Intermezzo			
Iris Hung, piano
Sonatine 	
					
	I. Modéré				
	

						

Maurice Ravel		
(1875 - 1937)

Jany Lu, piano

	

	

In Memoriam: For the Victims of Chernobyl
	

Larysa Kuzmeko		
(b. 1956)

Aimi Howden, piano
Dolly Suite Op. 56 (1896)
	I. Berceuse	
	
II. Mi-a-ou
	
III. Le jardin de Dolly
	
IV. Kitty-valse
	
V. Tendresse
	
VI. Le pas espagnol

	

		

Gabriel Fauré		
(1845 - 1924)

Ethan Hill, piano
Thomas Nicholson, piano

	
Upcoming at the School of Music
OCTOBER 11–12
Orion Series in Fine Arts
Ilya Poletaev, piano
Ilya Poletaev, Assistant Professor at McGill’s Schulich School of Music, is quickly becoming recognized as one of today’s most original and
compelling artists. An award-winning pianist with an inquisitive mind who embraces a wide range of repertoire choices and performance
practices ranging from the 16th to the 21st century, Mr. Poletaev leads a multifaceted career as both a classically trained pianist and as a
performer on early keyboards.
TUESDAY, OCTOBER 11 | 3:30–6:00 PM
Masterclass
Ilya Poletaev coaches UVic School of Music piano students in a public masterclass.
Free admission
Phillip T. Young Recital Hall
WEDNESDAY, OCTOBER 12 | 8 PM
Concert
Performing:
Bach – French Overture, BWV 831
Enescu – Piano Sonata No. 1, Op. 24 No. 1, in F-sharp minor
Schumann – Humoreske, Op. 20
Free admission
Phillip T. Young Recital Hall

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Phillip T. Young Recital Hall, University of Victoria
October 14, 2016 • 12:30 p.m.
Featuring School of Music guitar students
Prelude No. 1	 				
				

	
			
					
Jackson Tseng, guitar

Heitor Villa-Lobos 	
(1887-1959)

Variations on a Theme of Handel, Op. 107 	
		
Mauro Giuliani		
					 		 						 (1781-1829)	
Josh Hu, guitar
Bajando de la Meseta	 					
				
Joaquin Rodrigo		
													 (1901-1999)
Una Limosna por el Amor de Dios 								
Agustin Barrios
													 (1885-1944)
Isaiah Brabazon, guitar
	
Sonate Op. 31, No. 6
	
	
Wenzel Matiegka		
	
Allegro non molto 						 				 (1773-1830)
	
Scherzo
Fraser Gibson, guitar
Invocación et Danse, hommage a Manuel de Falla
Joaquin Rodrigo		
	(1901-1999)
Caprichos de Goya, Op. 195								 Mario Castelnuovo-Tedesco
	No Hubo Remedio									 	
(1895-1968)
Simon Farintosh, guitar
What Matters?									
Simon Farintosh, guitar
Andrei Burdeti, guitar
Mikhail Smirnov, guitar
Josh Amendt-Moylan, guitar

	
Upcoming at the School of Music
FRIDAY, OCTOBER 14 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic alumni $10
UVic Wind Symphony: Reflections!
Dr. Gerald King, conductor
Program will include: Nelson – Resonances I, Chance – Incantation and Dance,
Coakley – Lyric Essay, Presti – Elegy for a Young American
University Centre Farquhar Auditorium
SUNDAY, OCTOBER 16 | 2:30 PM | Admission by donation
Violin Class Recital
Featuring UVic School of Music violin students from the studio of Sharon Stanis.
Phillip T. Young Recital Hall

Anon/Hetfield/Ulrich arr. Dunn

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                    <text>DEGREE RECITAL
Michael Lee, Piano
October 5th, 2016, 8:00 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Keyboard Sonata in D major K.119

Domenico Scarlatti
(1685 - 1757)

Nocturne, Op. 48 No. 2

Frédéric Chopin
(1810 - 1849)

Piano Sonata No. 2, Op. 14
I.
Allegro, ma non troppo, Più mosso - Tempo primo

Sergei Prokofiev
(1891 - 1953)

II.
III.
IV.

Scherzo. Allegro marcato
Andante
Vivace - Moderato - Vivace
— INTERMISSION —

Eroica Variations, Op. 35

Ludwig van Beethoven
(1770 - 1827)

Hungarian Rhapsody No. 2, S.244/2

Franz Liszt
(1811 - 1886)

Michael Lee is from the class of Professor Eva Solar-Kinderman
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Please turn off all cell phones.

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