40 10 1498 https://finearts.uvic.ca/music/archive/files/original/1e9d73e5c1c9c080b3ac27dc5323a695.pdf ce7a3a988b08f3180015862dd792949a PDF Text Text UVIC Ways of Hearing: Music by Taylor Brook SUNDAY, FEBRUARY 12, 2023 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM All works composed by Taylor Brook Industry and the Arts (2022) Heather Byford, alto voice and MUGIC controller Taylor Brook, electronics Song (2015) Sandra Espínola, cello Soundscaper (2022-) Alex Matterson, flute Taylor Brook, electronics I NT E R M I S S I O N Livingry and Ways of Seeing (2023) Jeffrey Gavett, baritone voice and piano Corey Hamm, keyboard Hamilton Lau, keyboard Taylor Brook, electronics Gracie Leavitt and John Berger, text Canticum (2023) Taylor Brook, bowed guitar and electronics Special thanks to all of the performers, Dr. Anthony Tan, and the UVic School of Music. �PROGRAM NOTES about Industry and the Arts Industry and the Arts is a set of five short songs for alto voice with MUGIC controller and electronics. This piece was written for Heather Byford in 2022. Industry and the Arts explores the relationship between industry and art. The initial inspiration for this piece was a passage that describes a newly-opened Parisian Arcade from the opening pages of Walter Benjamiun’s unfinished Arcades Project: De ces palais les colonnes magiques À l’amateur montrent de toutes parts, Dans les objets qu’étalent leurs portiques, Que l’industrie est rivale des arts. — Nouveaux Tableaux de Paris (Paris, 1828), vol. 1, p. 27 Benjamin describes the 19th-century arcades of Paris as the birthplace of modern consumerism, and in this piece, I connect this idea with current technology of the Internet and machine learning as the focal point of industries incursion into our lives and art. While writing this piece, I met with vocalist Heather Byford to create a corpus of recordings that were used to create the electronic elements of this piece. This electronic part takes the form of a motion controller (MUGIC) that is attached to the performers hand, triggering electronic sound. about Song This score was written for Anssi Karttunen during the Summer of 2015 in Smithers, British Columbia, for a recital at the Scandinavia House in New York City, Fall 2015. This composition results from a collaboration with cellist Anssi Karttunen. The project began when I sent him an object that would serve as inspiration for a solo improvisation, an improvisation to form the basis for my score. From the improvisation, I drew out collections of pitches as well as some playing techniques and gestures that I then incorporated into the music, forming a dialogue between performer and composer. The title, Song, alludes to the melodic character of this composition. Mr. Karttunen’s improvisation had a textural and gestural character, more concerned with timbre than melody. Despite this, I heard a great deal of melodic potential in his improvisation, which was only being hinted at, and took this as a challenge. about Soundscaper Soundscaper is a piece of software that generates unrealistic nature soundscapes by reacting to live audio. Tonight’s performance will feature an improvised duet between Alex Matterson on flute with Soundscaper. You will hear the software sometimes trying to match the sound of the flute and at other times trying to contrast it as it improvises its part in the duet. about Livingry and Ways of Seeing Livingry and Ways of Seeing was written in the Summer and Fall of 2022 for Jeffrey Gavett. This piece is a set of six songs for a baritone who also plays acoustic piano accompanied by two keyboards. The two keyboards are used to simulate retuned pianos, each song featuring a different tuning for the keyboards. The text for this piece is made from excerpts of Ways of Seeing by John Berger and poems by Gracie Leavitt from her Livingry collection. The songs alternate between the prose of Berger, discussing aesthetics, and the emotive poetry of Leavitt. The song titles and texts are as follows: I - Ways of Seeing (John Berger) II - Nonce Hex For “Romantic Love, The Last Illusion,” which will “[Keep] Us Alive Until The Revolution Come” (Gracie Leavitt) III - Holbein’s Ambassadors (John Berger) IV - The Sticks, Wilily (Gracie Leavitt) V - Publicity (John Berger) VI - Amygdala Madrigal (Gracie Leavitt) about Canticum Canticum is a piece for bowed guitar and computer improviser. This piece is of indeterminate length, decided in the moment by the performer as they react to the sound generated by the computer improviser. The computer improviser software has been trained with recordings of bowed guitar in a wide variety of tunings, which it draws from to generate an accompaniment for the live guitar. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/02122023-WaysOfHearing-TaylorBrook_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02122023-WaysOfHearing-TaylorBrook_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02122023-WaysOfHearing-TaylorBrook_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02122023-WaysOfHearing-TaylorBrook_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02122023-WaysOfHearing-TaylorBrook_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ways of Hearing: Music by Taylor Brook Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Mar 2nd Contributor An entity responsible for making contributions to the resource All works composed by Taylor Brook Heather Byford, alto voice and MUGIC controller Taylor Brook, electronics Sandra Espínola, cello Alex Matterson, flute Taylor Brook, electronics Jeffrey Gavett, baritone voice and piano Corey Hamm, keyboard Hamilton Lau, keyboard Taylor Brook, electronics Gracie Leavitt and John Berger, text Taylor Brook, bowed guitar and electronics https://finearts.uvic.ca/music/archive/files/original/85fd11ace8bfe120ed6090ca39cfc032.pdf 95b3859ff3a1ad218458653d2a85fc7d PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria FEBRUARY 10, 2023 | 12:30 PM Featuring School of Music Voice students We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Memories Charles Ives (1874–1954) Eva Smith, mezzo soprano Leon Fei, piano Benjamin Britten (1913–1976) At the mid hour of night Celeste Lingas, soprano Carey Wang, piano Vincenzo Bellini (1801–1835) Ma rendi pur contento Sadie Karlsson, soprano Seoyoon Lee, piano Ich wollt’ meine Lieb’ Felix Mendelssohn (1809–1847) Yvonne Usseni & Darby Howard, sopranos Lucia Chan, piano Joseph Haydn (1732–1809) Pastoral Song Bree Anne Bartle-Clar, soprano Shirley Sun, piano Sonntag Johannes Brahms (1833–1897) DJ McGrath, barytone Anna Medwenitsch, piano Damunt de tu només les flors, from Combat del somni Frederic Mompou (1893–1987) Sahara Adamitz, mezzo soprano Kinza Tyrrell, piano George F. Handel (1685–1759) Rejoice greatly, from Messiah Grace Budoloski, soprano Kinza Tyrrell, piano �Mignonne, allons voir si la rose Cécile Chaminade (1857–1944) Abby Corpus, soprano Alex Matterson, piano Ô ma belle rebelle Charles Gounod (1818–1893) Grace Vermette, soprano Kinza Tyrrell, piano Nuit d’étoiles Claude Debussy (1862–1918) Isolde Roberts-Welby, soprano Simi Luttrell, piano W. A. Mozart (1756–1791) Dalla sua pace, from Don Giovanni Clayton Butler, tenor Kayla Nguyen, piano Frère! voyez!, from Werther Jules Massenet (1842–1912) Madison Blackman soprano Kinza Tyrrell, piano Wanderers Nachtlied Franz Schubert (1797–1828) Joseph Garcia, tenor Kinza Tyrrell, piano UPCOMING AT THE SCHOOL OF MUSIC SATURDAY, FEBRUARY 11 | 2 PM (By donation) Piano Studio Recital Featuring UVic School of Music piano students from the studio of Arthur Rowe. Phillip T. Young Recital Hall SUNDAY, FEBRUARY 12 | 1:30 PM (Free) Thank You Concert A concert celebrating the achievements and talents of the many UVic School of Music students who receive generous support from our donors. Join us as we say thank you to our many supporters, concert-goers, and the community with this wonderful afternoon of music. Phillip T. Young Recital Hall SUNDAY, FEBRUARY 12 | 8 PM (By donation) Ways of Hearing: The Music of Taylor Brook A composition recital featuring a variety of recent works by Taylor Brook. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.7.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.8.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.9.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.13.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FridayMusic-Voice-No.14.wav">Track 14</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Voice Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Mar 2nd Contributor An entity responsible for making contributions to the resource Eva Smith, mezzo soprano Leon Fei, piano Celeste Lingas, soprano Carey Wang, piano Sadie Karlsson, soprano Seoyoon Lee, piano Yvonne Usseni & Darby Howard, sopranos Lucia Chan, piano Bree Anne Bartle-Clar, soprano Shirley Sun, piano DJ McGrath, barytone Anna Medwenitsch, piano Sahara Adamitz, mezzo soprano Kinza Tyrrell, piano Grace Budoloski, soprano Kinza Tyrrell, piano Abby Corpus, soprano Alex Matterson, piano Grace Vermette, soprano Kinza Tyrrell, piano Isolde Roberts-Welby, soprano Simi Luttrell, piano Clayton Butler, tenor Kayla Nguyen, piano Madison Blackman soprano Kinza Tyrrell, piano Joseph Garcia, tenor Kinza Tyrrell, piano https://finearts.uvic.ca/music/archive/files/original/8631c57a6ca5bca5c451d32d1f1de2a1.pdf cea3da5bf79f411b506169229240b615 PDF Text Text UNIVERSITY OF VICTORIA Symphony Orchestra GIUSEPPE PIETRAROIA CONDUCTOR FRIDAY, FEBRUARY 3, 2023 8:00 PM The Farquhar at UVic University of Victoria �PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Abduction from the Seraglio Overture, K. 384 Czech Suite, Op. 39 I. Praeludium (Pastorale): Allegro moderato II. Polka: Allegretto grazioso III. Menuetto (Sousedská): Allegro giusto IV. Romanze: Andante con moto V. Finale (Furiant): Presto W.A. Mozart (1756–1791) Antonín Dvořák (1841–1904) I NT E R M I S S I O N Symphony No. 100 in G Major “Military” I. Adagio – Allegro II. Allegretto III. Menuet: Moderato IV. Presto Joseph Haydn (1732–1809) �ABOUT THE CONDUCTOR Giuseppe Pietraroia is Associate Conductor for both the Victoria Symphony and Pacific Opera. As a guest conductor he has been engaged by l’Orchestre Métropolitain, Orchestra London, Vancouver Symphony, Toronto Symphony, Calgary Philharmonic, Hamilton Philharmonic, Okanagan Symphony, Regina Symphony, Kingston Symphony and Thunder Bay Symphony. His extensive opera engagements with Pacific Opera include productions of Il Barbiere Di Siviglia, La Traviata, La Boheme, Lucia di Lammermoor, Norma, Rigoletto, Manon Lescaut, Madama Butterfly, La Cenerentola, Tosca and Let’s Make an Opera/The Little Sweep. In addition, he has conducted productions for l’Opéra de Montréal, l’Opéra de Québec, Opera Lyra Ottawa, Edmonton Opera, Opera New Brunswick, Calgary Opera’s Emerging Artist Program, and l’Institut Canadien d’Art Vocal in Montreal. With Victoria Choral Society where he was Music Director for 7 seasons, Maestro Pietraroia conducted performances of Handel’s Messiah and Mozart’s Mass in C minor with the Victoria Symphony, a choreographed production of Orff ’s Carmina Burana in collaboration with Ballet Victoria, Dvorak’s Stabat Mater, David Fanshawe’s African Sanctus, and the Duruflé and Fauré Requiem. Maestro Pietraroia has recorded a CD with soprano Marie-Josée Lord and l’Orchestre Métropolitain for the ATMA label, which won a Felix award granted by l’ADISQ and was also nominated for a Juno award. Giuseppe Pietraroia is the recipient of the George and Jane Heffelfinger Pacific Opera Victoria Artist of the Year Award and the Canada Council’s Jean-Marie Beaudet Award in Orchestral Conducting. NEXT CONCERT MARCH 25 | 2 PM UVic Chorus & Orchestra Adam Jonathan Con, Chorus conductor Giuseppe Pietraroia, Symphony Orchestra conductor Stella terHart – What is Beauty, What is Love Ola Gjello – Sunrise Mass Julian Glover – Sliding (UVic Orchestra composition commission) �UVIC SYMPHONY ORCHESTRA Conductor Giuseppe Pietraroia PICCOLO VIOLIN 1 Eva Bradávková Bennett Chiu* Joyce Tsai+ FLUTE Libby Wyse Eva Bradávková* Jade Chu Hau Guo+ Jas Schweitzer Natalie Zheng Imogen Latta Eóghan Bostock OBOE Kaitlyn Cumberland* VIOLIN 2 Andrew Montgomery** Megan Bibby* Noah Mellemstrand Nicholas Fairfield-Carter ENGLISH HORN Kiara Hosie Emily Fenske Catherine Hume Matthew Rosales CLARINET Chensi Liu* Tenzin Clegg VIOLA Julien Haynes* BASSOON Andrew Loe Devin Hawthorne* Sophie Hillstrom Helen Young Eilish Mcaree HORN CELLO Vannophat (Tau) Kaploykeo* Maia Copley* Natalie Ciurysek Caitlyn Liu Georgia Moneo Aline Gilbert-Thevard+ Liam McDonald-Horak Nicole Phanichphant DOUBLE BASS Brock Meades* Luca Carbone-Smith Artemis Gallegos Dylan Syrnyk TRUMPET Mark Barr* Claire McMahon++ TIMPANI Lachlan Barry* PERCUSSION Tristan Holleufer* Harbour Nolan Ethan Page MUSIC LIBRARIANS Julian Haynes Aline Gilbert-Thévard STAGE MANAGERS Eva Bradávková Aline Gilbert-Thévard Devin Hawthorne Vannophat (Tau) Kaploykeo ORCHESTRA ASSISTANT Eva Bradávková * Principal ** Principal Mozart + Principal Haydn ++ Principal Dvořák Full schedule of UVic School of Music concerts & events. www � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/Farquhar%20MTR%20Feb%2003%202023-01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/Farquhar%20MTR%20Feb%2003%202023%20-02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/Farquhar%20MTR%20Feb%2003%202023%20-03.wav">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Symphony Orchestra Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Mar 2nd Contributor An entity responsible for making contributions to the resource GIUSEPPE PIETRAROIA CONDUCTOR https://finearts.uvic.ca/music/archive/files/original/2ec39166ff9e2b59de4c8c7475bf18ec.pdf 08782f94dc7488a92dec56e477a7408e PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria FEBRUARY 3, 2023 | 12:30 PM Featuring School of Music piano students We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Frédéric Chopin (1810–1849) Fantasy in F Minor, Op. 49 Gloria Miao Alexina Louie (b. 1949) Fastforward Anna Medwenitsch Prelude No. 1 I. Allegro ben ritmato e deciso Teslyn Bates Abegg Variations, Op. 1 George Gershwin (1898–1937) Robert Schumann (1810–1856) Carey Wang Sonata in C Major, Hob. XVI.50 Franz Joseph Haydn II. Adagio (1732–1809) Kay Kuang Ballade No. 3 in A flat major, Op. 47 Frédéric Chopin Simi Luttrell UPCOMING AT THE SCHOOL OF MUSIC SUNDAY, FEBRUARY 5 | 1:30 PM (By donation) Piano Studio Recital Featuring UVic School of Music piano students from the studio of Eva Solar-Kinderman. Phillip T. Young Recital Hall FRIDAY, FEBRUARY 10 | 8 PM ($15-$26) UVic Wind Symphony and Naden Band: Here and Now Are we shaped only by our histories, cultures, societies, and families, or do we determine our own paths by seeking new knowledge and experiences? Can we listen, learn, and react to the world around us to rethink what we’ve been taught? With guests the Naden Band of the Royal Canadian Navy, this concert features works that embrace the ‘here and now.’ The Farquhar at UVic � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/FMK_No.6.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Keyboards Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Mar 2nd Contributor An entity responsible for making contributions to the resource Gloria Miao Anna Medwenitsch Teslyn Bates Carey Wang Kay Kuang Simi Luttrell https://finearts.uvic.ca/music/archive/files/original/ca85b1a09f802c9a9324231fdd540a4e.pdf bbb46c3806ad4923b87815972d2e951e PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CHAMBER MUSIC If Music Be the Food of Love A celebration of three beloved colleagues upon their retirement — Sharon Stanis, Harald Krebs & Christopher Butterfield We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. THURSDAY, FEBRUARY 2, 2023 7:30 PM Phillip T. Young Recital Hall MacLaurin Building, University of Victoria �PROGRAM Madrigale Merrie Klazek, trumpet Marcus Hissen, trombone Paul Beauchesne, euphonium Deux Poèmes de Ronsard Suzanne Snizek, flute Benjamin Butterfield, voice Mot d’Amour Salut d’Amour Giovanni Gabrieli (1554-1612) Albert Roussel (1869-1937) Sir Edward Elgar (1857-1934) Pamela Highbaugh Aloni, cello Arthur Rowe, piano Drei Romanzen (Three Romances), Op. 22 Clara Schumann No. 2: Allegretto. Mit zartem Vortrag (1819-1896) No. 3: Leidenschaftlich schnell Sharon Stanis, violin Harald Krebs, piano “In der Nacht” No. 4 from Spanisches Liederspiel, Op. 74 Robert Schumann (1810-1856) Harald Krebs, piano Merrie Klazek, flugelhorn Scott MacInnes, trombone �Josephine Lang (1815-1880) “Auf dem See in tausend Sterne” Op. 14, No. 6 Harald Krebs, piano Merrie Klazek, trumpet Lovesickness in Early Modern Spanish Music – A Research Vignette Virginia Acuña, scholar My One and Only Love Patrick Boyle, guitar Guy Wood (1911-2001) La Javanaise Serge Gainsbourg (1928-1991) Christopher Butterfield, voice Patrick Boyle, guitar An den kleinen Radioapparat Christopher Butterfield, voice Arthur Rowe, piano Omar Khayyam in Belfast Benjamin Butterfield, tenor Patricia Kostek, clarinet Wendell Clanton, saxophone Merrie Klazek, cornet Marcus Hissen, trombone Paul Beauchsene, euphonium Douglas Hensley, guitar Arthur Rowe, harmonium Sharon Stanis, violin Pamela Highbaugh Aloni, cello Hanns Eisler (1898-1962) Christopher Butterfield (b. 1952) �PROGRAM NOTES & TEXTS An den kleinen Radioapparat Hanns Eisler/Bert Brecht Du kleiner Kasten, den ich flüchtend trug Daß seine Lampen mir auch nicht zerbrächen Besorgt vom Haus zum Schiff, vom Schiff zum Zug Daß meine Feinde weiter zu mir sprächen An meinem Lager und zu meiner Pein Der letzten nachts, der ersten in der Früh Von ihren Siegen und von meiner Müh: Versprich mir, nicht auf einmal stumm zu sein! O little box that I carried as I fled, Concerned to save your works from getting broken, Carefully from house to ship, from ship to train, So that my enemies could continue to talk to me At my bedside and to my pain, The last at night, the first in the morning, to talk about their victories and my efforts: Promise me, don’t go silent suddenly! Omar Khayyam in Belfast by Christopher Butterfield Omar Khayyam was an 11th century Persian mathematician and astronomer. Poetry attributed to him became popular in the English-speaking world due to the translation by Edward FitzGerald of The Rubaiyat of Omar Khayyam (1859) - so popular that by 1929, more than 300 editions had been published. My father, James Butterfield, owned three editions of The Rubaiyat that I know of. He also collected postcards. I found a package of six of them, sent between August 1 and 30, 1920, each showing an exotic illustration and a quatrain from The Rubaiyat, with a simple message inscribed on the back, each to the same address in London from “Garry,” in Belfast. I thought to set both texts independently of each other, but realised they would be more effective if I combined them. Omar Khayyam in Belfast was composed for my colleagues in the School of Music in 2012. I’m grateful for their suggestion to perform it again. �1. Belfast Wednesday August first, 1920 Thanks for the parcel, Irâm indeed is gone with all its Rose, And Jamshyd’s Sev’n-ring’d Cup where no one knows: (it reached me quite safely this morning). But still the Vine her ancient Ruby yields kind regards to all and self, And still a Garden by the Water blows. – Garry 2. Tuesday August seventeenth, 1920 Received your two letters this morning with enclosures, Then to this earthen Bowl did I adjourn My Lip the secret Well of Life to learn. Thank Ettie and Len, I was quite pleased to get their notes, And Lip to Lip it murmur’d “While you live “Drink! – for once dead you never shall return.” – Love Garry 3. August twenty-third, 1920 Glad you like these, ah, fill the Cup: – What boots it to repeat how Time is slipping underneath our Feet: Here’s another one: Unborn To-morrow and dead Yesterday, Why fret about them if To-day be sweet, and by the time you get the set you will be some Reuter. – Garry 4. August twenty-fifth, 1920 How do you like this one? Here with a Loaf of Bread beneath the Bough, A Flask of Wine, a Book of Verse, - And Thou beside me singing in the Wilderness. Off to merry old Belfast today, and wilderness is Paradise enow. Will let you know the new address as soon as I settle somewhere, – Garry �5. Belfast August twenty-eighth, 1920 Ah, my Belovèd, I like this one don’t you? Fill the cup that clears to-day of past Regrets and future Fears – To-morrow? – Why, To-morrow I may be Myself with Yesterday’s Sev’n Thousand Years. Much better weather here than in Dublin. – Cheers. Garry 6. Belfast Monday August thirtieth, 1920 Alas, that Spring should vanish with the Rose! That Youth’s sweet-scented Manuscript should close! Another fine day, hope you are also having fine weather. The Nightingale that in the branches sang, How was the show? Ah, whence and whither flown again, who knows? – Garry �BIOGRAPHIES VIRGINIA ACUÑA began her musical studies at the Conservatorio Nacional Superior de Música in Buenos Aires, Argentina. She then continued her studies in musicology at the University of British Columbia and the University of Toronto before achieving a postdoctoral position at McGill University. Her research focuses on Spanish music and culture of the early modern era, specifically the intersection of gender, politics, and race and witchcraft in Baroque musical theatre. She is the recipient of numerous awards, grants, and prizes. Her writing appears in peer-reviewed articles and conference proceedings. She is also co-author of Claudio Monteverdi: A Research and Information Guide (Routledge, 2018). Virginia joined the UVic School of Music Faculty in 2020. PAUL BEAUCHESNE is Principal Tuba of the Victoria Symphony and teaches tuba and euphonium at both the University of Victoria and the Victoria Conservatory of Music. Prior to moving to Victoria in 2005 he was tubist in Calgary’s Foothills Brass Quintet, touring across North America and working on numerous recording projects. He has performed with many orchestras including the Boston, Santa Fe, and Vancouver Symphony Orchestras. Two years as Principal Tuba of the KwaZulu-Natal Philharmonic Orchestra took him to Durban, South Africa. Paul is a clinician for Yamaha Canada and an instructor at PRISMA, an orchestral training program located in Powell River. He holds a Master’s Degree from the University of New Mexico and a Bachelor’s from the University of Victoria where he was honoured as a Distinguished Alumni in 2011. PATRICK BOYLE is Associate Professor at the University of Victoria School of Music. Currently, he teaches courses in popular music and composition. His most recent release is “stepworks” (2022), a compilation of works written for choreographer Justin Rapaport. Patrick was Artist-In-Residence at the UVic Centre for Studies in Religion and Society in 2022. In spring 2023, he travels to the Rif Mountains of Morocco to live and study with the Master Musicians of Joujouka. Patrick is very grateful to Sharon Stanis, Harald Krebs, and Christopher Butterfield for the sage counsel and leadership offered through the years. BENJAMIN BUTTERFIELD maintains an active singing career while heading the Voice Department at the University of Victoria’s School of Music. He has performed throughout North America and Europe as well as in New Zealand, the Middle East and Ukraine, and is represented by Schwalbe and Partners in New York City. Performance highlights include Glimmerglass Opera, performing with Dave Brubeck at the Montreal Jazz Festival, with film actress Isabella Rossellini in Italy and Greece, and with the Hamburg Symphony in Kyiv Ukraine under Oksana Lyniv. Benjamin has been heard in concert halls across the world and has been recognized by the Juno Awards and Opera Canada with a Ruby Award for his contributions as a tenor and vocal pedagogue. Benjamin is a Fellow of the Royal Society of Canada and was the 2015 recipient of a Craigdarroch Award for Artistic Excellence from UVic. Benjamin’s more than 40 CD recordings are available on CBC Records, Koch International, Dorion, Marquis, Timpani, MusicaLeopolis and Analekta. �CHRISTOPHER BUTTERFIELD was an undergraduate at UVic from 1969 to 1975. After a seventeen-year hiatus in New York, Montreal and Toronto, he returned to UVic to teach composition in 1992. The ensuing thirty-one years have gone by quickly. During that time he was the first composer-in-residence of the Victoria Symphony, directed the UVic Sonic Lab, taught in the Visual Arts department, was director of the School of Music for three years, and took graduate students to Goldstream Park every November to watch the salmon returning to their spawning grounds. He is honoured to be sharing the stage with fellow retirees Harald Krebs and Sharon Stanis. WENDELL CLANTON is well known for innovative teaching strategies and for creating original performance games that foster literacy, creativity, expression and collaboration. His contributions as a concert saxophonist and mentor of emergent musicians are well known. Wendell is currently Assistant Teaching Professor of Saxophone and Director of the UVic Vocal Jazz Mainstream and Improvisational Ensemble. Composer and arranger, his choral and instrumental works include traditional Gaelic songs, music theatre pieces, settings of sacred texts, traditional folk songs, and vocal jazz combo and choral pieces. Under his direction, Guth Nan Eilean (Victoria Gaelic Choir) received the Commonwealth Award. DOUGLAS HENSLEY trained as a classical guitarist at the San Francisco Conservatory of Music and has also studied with a number of prominent lutenists and classical Persian musicians. He has played various types of guitar and lute, as well as oud, setar, mandolin, etc. on a number of recordings with such ensembles as the Continuum Consort, Anima Medieval Music Duo, Ensemble Laude, VICO, Big Speck, and in his latest ensemble, the quartet Steluţa. In May of 2022, his improvised banjo playing for a documentary about the work of his sister Jennifer Heller, Earth to Art: Basketmaker, was a Finalist in the Best Original Music Award at the Oregon International Documentary Film Festival. PAMELA HIGHBAUGH ALONI is a founding member of the prize-winning Lafayette String Quartet. Along with her colleagues in the quartet, Pamela is an Associate Professor and has been teaching at the School of Music at the University of Victoria since 1991.The Lafayette quartet has celebrated over 36 years of musical life together with the same four members and will be taking their final bows together this August 2023. Highlights of their years include a celebration of the millennium year 2000 performing all sixteen of Beethoven’s string quartets, a 30th anniversary Shostakovich Cycle, a Second Viennese School project, commission of five new quartets by women composers, and the initiation of the Lafayette Health Awareness Forum. Pamela performs as a soloist regularly in and around Vancouver Island and plays on a George Craske cello made in England, 1850. �MERRIE KLAZEK is a versatile and respected trumpet artist in performance and education. Merrie joined the full-time faculty at the UVic in 2016, after 21 years as principal trumpet with the Thunder Bay Symphony (1999-2018), Victoria Symphony (05/06) and Orchestra London Canada (96-99). Performance highlights include Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan hall, Stratford Festival, Hungary’s Niyrbator Festival, and more. Her solo album Songs to the Moon has been featured on TVO and CBC Radio, and Dance Around the Sun (soon to be released) celebrates the trumpet in settings of world music. Presenter, artist and adjudicator at top international brass and music conferences, Merrie holds a BMus from her native Calgary and an MMus from Northwestern University. She is an endorsing artist for Wedge Mouthpieces, Bach Trumpets/Conn-Selmer, and Robinson’s Remedies. PATRICIA KOSTEK, Professor Emerita, University of Victoria (1989-2018), has given recitals and masterclasses, and served as a competition jury member in major cultural centers of Argentina, Brazil, France, Belgium, Sweden, China, Ecuador, Canada and the USA. She has adjudicated for international music competitions and performed with many renowned symphony orchestras around the world. Recital performances include the Shanghai International Music Festival and Loja Festival (Ecuador), the Buenos Aires International Festival and at Casa de la Música (Quito) among others. Patricia has recorded a variety of cinematic soundtracks and has commissioned works in collaboration with composers Amir Tafreshipour, Christopher Butterfield, Liova Bueno, Andrej Dziadek and Malgorzata Hussar. HARALD KREBS has taught music theory in the UVic School of Music since 1986. He is a UVic Distinguished Professor of music theory, and a fellow of the Royal Society of Canada. He served as President of the Society for Music Theory in 2011-13. He has published widely on tonality and rhythm in 19th-century music. His book Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford,1999) won the Society for Music Theory’s Wallace Berry Award. His research on Josephine Lang (1815-80) led to the volume Josephine Lang: Her Life and Songs (Oxford, 2007—co-authored with Sharon Krebs), as well as to several editions of her songs. His recent research focuses on expressive manipulations of poetic rhythm in the German Lied. SCOTT MACINNES completed his degrees from the University of Toronto and UVic in music performance. Highly sought after as a bass trombonist and tenor trombonist with orchestras and chamber groups across Canada, he maintains an active career as a touring, performing and recording artist. Scott has founded many successful groups such as itromboni, Pinnacle Brass,Victoria Brass Collective, and others. Equally at home in classical, contemporary, jazz, R&B, folk, rock, and big band, Scott has performed for British and Dutch royalty, the Pope, the Dalai Lama, and other heads of state. He is the trombone instructor at the University of Victoria and Principal Bass Trombone with the Vancouver Island Symphony Orchestra. As a composer and arranger, Scott has been commissioned to write works for large and small ensemble, and recently had his work Listen to Learn premiered at an International Brass Conference. It offers a white settler’s perspective on reconciliation and the work to be done. �ARTHUR ROWE is a critically acclaimed recitalist, soloist and chamber musician. Arthur has recorded for the Crystal, ebs, Innova, GM and Fanfare labels. In 2007, he released an all-Schubert recording on the Centaur label. He regularly collaborates with artists and chamber ensembles across North America and has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe, Seattle, France, New Zealand, and Yugoslavia. In 2004 The Harrington String Quartet joined forces with Arthur Rowe and William Preucil in New York for a performance of the Chausson Concerto for Violin, Piano and String Quartet. In 2020, Arthur Rowe and Jonathan Crow performed the entire Beethoven Violin Sonatas as part of the Beethoven celebrations. Arthur is the Artistic Director of the Victoria Summer Music Festival and The Jeffery Concerts in London Ontario. Professor of Piano at the University of Victoria, he has served as Acting Director of the School of Music and Acting Associate Dean of Fine Arts. SUZANNE SNIZEK is a former winner in the national “Flute Talk” Magazine Competition, the UArts Concerto Competition, the New York Flute Club Competition and the Mid-South Young Artist Flute Competition. She performed with the ESO (National Orchestra of Taiwan) and was an active freelance orchestral and chamber musician in the Philadelphia region before receiving her DMA at UBC (Vancouver) in 2011. Her teachers include Maralyn Prestia-Schaub, Carol Wincenc, Peter Lloyd, Julius Baker, David Cramer and Lorna McGhee. Currently an Associate Professor at the University of Victoria, Dr. Snizek joined the UVic faculty as a visiting assistant professor in 2011. In 2016 Dr. Snizek released her critically acclaimed CD entitled Chamber Music (Re)Discoveries, and subsequently received the 2017 REACH award for “Excellence in Creative Expression” from the University of Victoria. Dr. Snizek has been a guest artist at Loja Festival in Ecuador and a guest scholar and artist at Suzhou University in China. SHARON STANIS has a multi-faceted career as a chamber musician, soloist, and educator. As a co-founder of the Lafayette String Quartet, she has toured extensively in North America and Europe. The quartet has garnered prizes from the Fischoff Chamber Music Competition and the Portsmouth (England) International String Quartet Competition. Sharon has appeared as soloist with the Victoria Symphony and the Palm Court Orchestra, and has served as concertmaster of the Victoria Symphony in the Summer Festival Series. In addition to being a member of the Galiano and Aventa Ensembles, she is a frequent guest artist on the Eine Kleine Summer Music Series. Sharon is an Associate Professor at the University of Victoria, and has served as an instructor in the music history department at Indiana University. Originally from Cleveland, Ohio, she received her BM and MM from Indiana University. In addition to the seven CDs recorded with the Lafayette Quartet, Sharon has recorded the Murray Adaskin Second Violin Sonata, the John Mills-Cockell Concerto of Deliverance, and the soundtrack of Criminal Acts by Tobin Stokes. She is the violinist in the theme music from the television show Bob and Margaret, composed by Patrick Godfrey. �UVIC SCHOOL OF MUSIC UPCOMING EVENTS Friday, February 3 | 12:30 PM (By donation) Fridaymusic: Keyboards A concert of varied repertoire featuring UVic School of Music piano students. Phillip T. Young Recital Hall Friday, February 3 | 8:00 PM ($15-$26) UVic Symphony Orchestra Giuseppe Pietraroia conducts the UVic Orchestra in Mozart’s Abduction from the Seraglio Overture, Dvořák’s Czech Suite in D Major Op. 39 and Haydn’s Symphony No. 100 “Military” The Farquhar at UVic, Jamie Cassels Centre Saturday, February 4 | 8:00 PM (By donation) Violin Studio Recital Featuring violin students from the studios of Ann Elliott Goldschmid and Sharon Stanis. Phillip T. Young Recital Hall Sunday, February 5 | 1:30 PM (By donation) Piano Studio Recital Featuring piano students from the studio of Eva Solar-Kinderman. Phillip T. Young Recital Hall Wednesday, February 8 | 6:30 PM (By donation) Annual Solo Bach Competition UVic string students perform solo sonatas, partitas and suites by Johann Sebastien Bach for a panel of expert adjudicators. The jury will elect three prizewinners and the audience will have the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information at uvic.ca/finearts/music Full schedule of concerts & events. www � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02022023-FacultyConcert-MusicBeTheFoodOfLove_11.wav">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource FACULTY CHAMBER MUSIC If Music Be the Food of Love Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Mar 2nd Contributor An entity responsible for making contributions to the resource Merrie Klazek, trumpet Marcus Hissen, trombone Paul Beauchesne, euphonium Suzanne Snizek, flute Benjamin Butterfield, voice Pamela Highbaugh Aloni, cello Arthur Rowe, piano Sharon Stanis, violin Harald Krebs, piano Harald Krebs, piano Merrie Klazek, flugelhorn Scott MacInnes, trombone Harald Krebs, piano Merrie Klazek, trumpet Virginia Acuña, scholar Patrick Boyle, guitar Christopher Butterfield, voice Patrick Boyle, guitar Christopher Butterfield, voice Arthur Rowe, piano Benjamin Butterfield, tenor Patricia Kostek, clarinet Wendell Clanton, saxophone Merrie Klazek, cornet Marcus Hissen, trombone Paul Beauchsene, euphonium Douglas Hensley, guitar Arthur Rowe, harmonium Sharon Stanis, violin Pamela Highbaugh Aloni, cello https://finearts.uvic.ca/music/archive/files/original/b83a5cc0f02189f4a8be6ef09ef8b293.pdf e1de8524c38c95a97025ff3bc639429d PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Thank You Concert This concert is presented in appreciation of our concert-goers, the community and those who support School of Music scholarships and bursaries. - - - - - - Please join us for a reception in the lobby following the concert. We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Sunday, February 12, 2023 • 1:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission �Program Tarry Celeste Lingas, voice Bree Anne Bartle-Clar, voice Sadie Karlsson, voice Capriccio for Solo Viola, Op. 55 Julien Haynes, viola Chanson Roumaine Grace Budoloski, voice Lucas Hung, piano Ballade No. 3 in A-flat Major, Op. 47 Simi Luttrell, piano Mary Knickle (b. 1960) Henri Vieuxtemps (1820–1881) Joseph Jongen (1873–1953) Frédéric Chopin (1810–1849) Sonata for Flute, Oboe, Clarinet and Piano, Op.47 Darius Milhaud Tranquille (1892–1974) Isabella Nguyen, flute Kiara Hosie, oboe Maeve Calhoun, clarinet Anna Medwenitsch, piano Sonata for solo guitar, Op. 61 Allegro vivo Morgan Sheeley, guitar Joaquín Turina (1882–1949) �Andante Appassionato Elisenda Fábregas (b. 1955) Eva Bradávková, flute Cello Sonata in D Major, Op. 17 Andante Tranquillo Luise Adolpha Le Beau (1850–1927) Caitlyn Liu, cello Kay Kuang, piano Pierre-Max Dubois (1930–1995) Concerto for Alto Saxophone Lento espressivo – Allegro Xavier Marican, saxophone Yousef Shadian, piano Infinite Ascent Mark Barr, trumpet Kyle Bates, trumpet Koshi Thompson, trumpet Brendan Wong, trumpet Marc Micu, trumpet Heidi Goetz, trumpet Alicia Ellis, trumpet Claire McMahon, trumpet Full schedule of UVic School of Music concerts & events www Erik Morales (b. 1966) � Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Thank You Concert Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Celeste Lingas, voice Bree Anne Bartle-Clar, voice Sadie Karlsson, voice Julien Haynes, viola Grace Budoloski, voice Lucas Hung, piano Simi Luttrell, piano Isabella Nguyen, flute Kiara Hosie, oboe Maeve Calhoun, clarinet Anna Medwenitsch, piano Morgan Sheeley, guitar Eva Bradávková, flute Caitlyn Liu, cello Kay Kuang, piano Xavier Marican, saxophone Yousef Shadian, piano Mark Barr, trumpet Kyle Bates, trumpet Koshi Thompson, trumpet Brendan Wong, trumpet Marc Micu, trumpet Heidi Goetz, trumpet Alicia Ellis, trumpet Claire McMahon, trumpet https://finearts.uvic.ca/music/archive/files/original/6cfec8d98440b2856c37187f54444e84.pdf bc776f149dc1cd111e2bb5b00b9ffb8d PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Lafayette String Quartet Ann Elliott-Goldschmid violin Sharon Stanis violin Joanna Hood viola Pamela Highbaugh Aloni cello With Vivian Fung composer SATURDAY, FEBRUARY 11, 2023 8:00 PM Phillip T. Young Recital Hall MacLaurin Building, University of Victoria �PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Quartet No. 4 in D Major, Op. 83 Allegretto Andantino Allegretto Allegretto Dmitri Shostakovich (1906–1975) Quartet No. 5 “Spiraling” (2021)* Vivian Fung (b. 1975) I NT E R M I S S I O N Quartet in C Major, Op. 59, No. 3 Andante con moto. Allegro vivace Andante con moto quasi Allegretto Menuetto grazioso Allegro molto Ludwig van Beethoven (1770–1827) *Commissioned by the Lafayette String Quartet through the B. K. Weigel Fund- �PROGRAM NOTES & BIOGRAPHIES Spiraling by Vivian Fung String Quartet No. 5 “Spiraling” was written as a reflection on the tumultuous year that was 2021. With a relentless series of local and international incidents, including the storming of the US Capitol, widening political divisions, and culture wars; forests burning throughout the western United States, Canada, Brazil, and Australia; coups and assassinations in Afghanistan, Myanmar, and Haiti; and new and ever more virulent COVID variations, the list continued to spiral out of control as the year went on and took a tremendous emotional toll on me. It seemed that the only constant in our world was change, continual change. Reflecting that continual change, the quartet is a tour de force work in one movement that is constantly moving and morphing from one figure to the next, often spiraling in circular motions repeating patterns of arpeggios or chords. Like a musical kaleidoscope, the quartet uses one motive from the very beginning but it weaves in and out in different colors and emotions, from the angst-filled beginning, through a more gentle transition with use of harmonics as color, to a playful section that is sporadic and eventually grooves to a beat. In addition to the opening motivic figure, a central melodic idea permeates the piece and closes the piece as a lament, filled with both sorrow and hope as it seeks to reassure. JUNO Award-winning composer Vivian Fung has a unique talent for combining idiosyncratic textures and styles into large-scale works, reflecting her multicultural background. NPR calls her “one of today’s most eclectic composers.” Highlights of performances this season include tonight’s world premiere of the fifth String Quartet by the Lafayette Quartet, a new piece for Houston’s ROCO; international performances of her critically-acclaimed elegy for the pandemic, Prayer; and the European premieres of A Child’s Dream of Toys and Baroque Melting. Mary Elizabeth Bowden tours her Trumpet Concerto to Philharmonia Northwest, Waynesboro Symphony, San José Chamber Orchestra. Fung is the 2023 Composer-in-Residence at Alba Music Festival Composition Program in Italy. She is at work on new projects with librettist Royce Vavrek, Network for New Music, Ensemble for These Times, and the Cape Cod Chamber Music Society. An album of Fung’s first four string quartets by the Jasper Quartet will be released on Sono Luminus in 2023, and Elizabeth Bowden has recorded her Trumpet Concerto for future release on Çedille Records. As a composer whose trips often inspire her music, Fung has also explored diverse cultures in China, North Vietnam, Spain, and Indonesia. With a grant from the Canada Council, she and Royce Vavrek will travel to Cambodia in 2023 to continue research for a new opera based on her family’s experience surviving the Cambodian genocide. Fung is a passionate mentor for young composers, is an associate composer of the Canadian Music Centre, and served on the board of the American Composers Forum. Born in Canada, Fung received her doctorate from The Juilliard School. She currently lives in California. Learn more at www.vivianfung.ca. �About the Lafayette String Quartet For over 30 years, the LSQ has been teaching and performing at the University of Victoria. Concert tours have taken them all over North America and Europe. In this, their final year together, the LSQ will be performing throughout Canada and in the United States (visit their website for the full schedule). The LSQ and Nicole Mandryk recently recorded and filmed the newly commissioned work Singing through Generations by Nicole Mandryk and Leila Lustig. Information on its release coming soon. UPCOMING LSQ EVENTS All concerts in the Phillip T. Young Recital Hall MARCH 23 @ 8PM Hear a world premiere by composer and Orion Series in Fine Arts guest, Nicola LeFanu, commissioned by LSQ as part of their B.K. Weigel Legacy Project. LeFanu will discuss her new work, with musical examples played by the LSQ. Also featuring a quartet by Irish-British composer—and Nicola LeFanu’s mother—Elizabeth Violet Maconchy. Free admission. Reserve your seat in advance: https://bit.ly/3YkRLRi JUNE 26 - JULY 9 Quartet Fest West Extravaganza. Guests include the Penderecki String Quartet and UVic’s graduate quartet alumnus, Cuarteto Chroma. Concerts TBA FINAL CONCERT IN VICTORIA! AUGUST 20 @ 2:30PM An afternoon concert and celebration. After nearly four decades together, this will be the LSQ’s final concert in Victoria. They will perform gems from their tremendous history together. Admission by donation. Proceeds will go towards the B.K. Weigel Fund in support of continued excellence in Chamber Music at the School of Music. Be the first to get tickets! https://bit.ly/3JMGXqw A special thank you to Joan McNeely for her generosity for hosting Vivian Fung during her stay in Victoria. Full schedule of UVic School of Music concerts & events www � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/LSQ_1_Jan%2011th%20-%20AB%20Pair.01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/LSQ_2_Jan%2011th%20-%20AB%20Pair.01.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/LSQ_3_Jan%2011th%20-%20AB%20Pair.01.wav">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lafayette String Quartet Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Ann Elliott-Goldschmid violin Sharon Stanis violin Joanna Hood viola Pamela Highbaugh Aloni cello Vivian Fung composer https://finearts.uvic.ca/music/archive/files/original/da61a77fdb0a3b84d9632d771a4ae4e6.pdf b3aca65f56b5c8ea20cad7172a1a3f33 PDF Text Text PIANO STUDIO RECITAL UVIC Students from the studio of Arthur Rowe SATURDAY, FEBRUARY 11, 2023 | 2 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Concerto in D minor BWV 1052 Allegro Gloria Miao J. S. Bach (1685-1750) Sonata in C minor K.457 W.A. Mozart Allegro molto (1756-1790) Tal-Claire Dobrer Sonata in D major, Op. 28 Allegro Italian Concerto BWV 971 Allegro French Suite in E major BWV 817 Allemande Kayla Nguyen L. Beethoven (1770-1827) J. S. Bach Jeannie Kim J. S. Bach Alicia Bai Sonata in E flat major, Hob. XVI:49 J. Haydn Allegro (1732-1809) Lucia Chan Variations in F major, Op. 34 L. Beethoven Bailey Lehmann S H O R T B R E A K Reflets Dans L’eau C. Debussy (1862-1918) Theo Kim M. Ravel (1875-1937) Sonatine Mouvement de menuet Prelude No. 1 G. Gershwin (1898-1937) Teslyn Bates A. Louie (b. 1949) Fastforward Nocturne in Db major, Op. 27, no. 2 F. Chopin (1810-1849) Anna Medwenitsch Variations on a Theme by R. Schumann, Op. 14 Kay Kuang C. Schumann (1819-1896) Concerto no. 3 in D minor, Op. 30 Allegro ma non tanto Moming Zhang S. Rachmaninoff (1873-1943) � Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PIANO STUDIO RECITAL Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Gloria Miao Tal-Claire Dobrer Kayla Nguyen Jeannie Kim Alicia Bai Lucia Chan Bailey Lehmann Theo Kim Teslyn Bates Anna Medwenitsch Kay Kuang Moming Zhang https://finearts.uvic.ca/music/archive/files/original/e8d72ccfd996682d1d1da880b6f50c9a.pdf b03921e49d97c5ec9857db71f767fc99 PDF Text Text UVIC ANNUAL SOLO BACH COMPETITION WEDNESDAY, FEBRUARY 8, 2023 | 6:30 PM Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria Admission by donation We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Johann Sebastian Bach (1685–1750) Sonata No.1 in G Minor, BWV 1001 Adagio Siciliana Presto Joyce Tsai, violin Suite No. 3 in C Major for Unaccompanied Cello, BWV 1009 Prelude Allemande Courante Sarabande Bourrée l and ll Gigue Dau Kaploykeo, cello ADJUDICATORS: David Stewart, Mieka Michaux, Martin Bonham � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/Annual%20Solo%20Bach%20Competition-02.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/Annual%20Solo%20Bach%20Competition-01.wav">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANNUAL SOLO BACH COMPETITION Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Joyce Tsai, violin Dau Kaploykeo, cello https://finearts.uvic.ca/music/archive/files/original/266015fde0ca34b82b681d056036b6ea.pdf af7f3d4f6be0784c9d8b43921d1b3cc4 PDF Text Text DEGREE RECITAL Luc Faris, Julian Glover, Brendan Wong - Composition February 5, 2023, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission ______________________________________________________________________________ PROGRAM bees buzzing round, buzzing ‘round town (2020) Brendan Wong Ensemble Sands (2020) Julian Glover Koshi Thompson, trumpet Brendan Wong, trumpet Alicia Ellis, trumpet Ethan Slogotski, tenor saxophone Cole Davis, baritone saxophone Luc Faris, piano The Lighthouse (2019) Luc Faris Alicia Ellis, trumpet Brendan Wong, trumpet Luc Faris, piano Three Songs for Piano and 6-String Bass Guitar (2023) I. Brendan Wong Brendan Wong, 6-string bass Isabel Stanyer, piano Faddle Fee (2020) Julian Glover Julien Haynes, viola Andrew Loe, viola Judith Gaston, viola Julian Glover, viola ! (f.e.e.l.) (2023) Luc Faris Nishant Amatya, clarinet Ethan Page, percussion Ruby Koep, piano Olivia Jackson, voice Variations on Autumn Leaves (2023) Luc Faris, Julian Glover, Brendan Wong We’d like to thank all of our composition professors from our time at UVic - Dr. Anna Höstman, Dr. Anthony Tan, Christopher Butterfield, Taylor Brook, Dr. Patrick Boyle, and Wolf Edwards. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Composition) program. �LUC FARIS is a composer from West Vancouver, BC. His primary instrument is piano, though he also has experience as a percussionist and vocalist. He has studied composition at UVic under the instruction of Dr. Anna Höstman, Dr. Anthony Tan, Christopher Butterfield, and Wolf Edwards, and has studied piano under Eva Solar-Kinderman. In addition to music, Luc is an avid fan of visual art and creative writing. These hobbies manifest themselves in his work through his desire to paint vivid images and tell stories in every piece he composes. His work “Moonrise” for treble choir earned the Barbara Pentland Award for Outstanding Composition in 2019, and his work “Nocturnes” for chamber ensemble was the recipient of two SOCAN Young Composer Awards in 2022. He is currently a participant in the Jean Coulthard Readings and Mentorship Program with the Vancouver Symphony Orchestra. JULIAN GLOVER is a composer, violist, and violinist from Victoria, BC. He explores various styles of music ranging from popular electronic to contemporary classical. Julian has won the DigiBC music competition in 2019, as well as first place in the Greater Victoria Performing Arts Festival for composition in 2017 and 2018. Recently he played fiddle in the Chemainus Theatre Festival’s musical theater production Country Roads. An avid writer for the orchestra, Julian worked as an orchestrator for the Volare Tenors for their 2022 Canadian Christmas tour. His newest orchestra work Sliding will be performed at the UVic Orchestra concert on March 25th of this year. He is currently in the Performance and Composition programs at the University of Victoria, having studied viola under Joanna Hood, and composition under Dr. Anthony Tan, Dr. Anna Höstman, Christopher Butterfield, and Taylor Brook. BRENDAN WONG is a composer, electric bassist, pianist, and trumpet player from Victoria BC. He has formed and led jazz combos such as the HONK trio (2022-present), the Gordon//Wong Project (20192021), and The Groove Potatoes (2017-2019). These ensembles have performed at venues and events such as The Royal BC Museum, TD Victoria JazzFest, West Coast Jazz Festival, and Hermann’s Jazz Club. HONK regularly plays for corporate events and private functions. Brendan is co-founder and bandleader of indie-folk band “actual human people” (2021-present). They have performed at venues such as the Victoria Event Centre, Cameron Bandshell, Pagliacci’s Restaurant, Felicita’s Pub, as well as events such as the Victoria Pride Festival and the TD Victoria Art Gallery Paint-In. Their debut EP bug birthday party was released on September 17, 2022. As a composer, Brendan’s music focuses on the synthesis of popular music and the avant-garde, often applying elements from modern sound-design and improvisation to classical contemporary music. His music has been performed by the UVic Wind Symphony and his composition “Putting Your Teeth in the Microwave as if it’s Dollar Store Popcorn” will be performed by the UVic Big Band at their concert on March 11, 2023. Brendan is currently taking his Bachelor of Music in Composition and Theory at the University of Victoria. He is studying trumpet with Merrie Klazek, and has studied composition with Dr. Anthony Tan and Christopher Butterfield. He is currently studying with Dr. Patrick Boyle. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/02052023-DegreeRecitalLucFarisJulianGloverBrendanWongComposition_7.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DEGREE RECITAL Luc Faris, Julian Glover, Brendan Wong - Composition Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource Feb 16th, 2023 Contributor An entity responsible for making contributions to the resource Ensemble Koshi Thompson, trumpet Brendan Wong, trumpet Alicia Ellis, trumpet Ethan Slogotski, tenor saxophone Cole Davis, baritone saxophone Luc Faris, piano Alicia Ellis, trumpet Brendan Wong, trumpet Luc Faris, piano Brendan Wong, 6-string bass Isabel Stanyer, piano Julien Haynes, viola Andrew Loe, viola Judith Gaston, viola Julian Glover, viola Nishant Amatya, clarinet Ethan Page, percussion Ruby Koep, piano Olivia Jackson, voice