39
10
1498
-
https://finearts.uvic.ca/music/archive/files/original/58386ec207c2bc6cec8d66fb6c2b6c88.pdf
04513ce656e2f7417b8d95bdcadb9b09
PDF Text
Text
M U S 1 0 5
A n n u a l C o n c e r t
Phillip
T.
Young
Recital
Hall
6.30
pm,
Saturday
April
16,
2016
No
friction
without
force
Iain
Emslie,
electric
guitar
Tarah
Rajah,
‘cello
Wilson
Kyne,
bass
Josh
Calder,
drum
machine
Excitement
and
Despair
Proseph
Ross
Ling,
violin
Calvin
Yang,
viola
Brian
Lin,
‘cello
Bella
Zeng,
piano
Trevor
Naumann
Samuel
Pan
Cashton
McGillivray
Thomas
Webb,
alto
saxophone
Lee
Whitehorne,
alto
saxophone
Hilary
Wheeler,
marimba
DJ
Lochead,
snare
drum
Nocturne:
a
fatal
showdown
Lexie
Hill
Rose
Meeker,
mezzo-‐soprano
Emily
MacCallum,
violin
Ethan
Hill,
piano
Cashton
McGillivray,
percussion
Ascension
Iain
Emslie
Bailey
Finley,
flute
Emily
MacCallum,
violin
Nolan
Krell,
electric
guitar
Ethan
Hill,
keyboard
tape
Luna
Chant
Tyson
Foster
Chris
Lam,
alto
saxophone
Michael
Vielguth,
alto
saxophone
Steven
Cramaro,
tenor
saxophone
Seán
Maynard,
baritone
saxophone
�
Yo
Ma
Harbour///Wall
Erin
Onyschtschuck,
clarinet
Alina
Lang,
bass
clarinet
Nolan
Krell,
guitar
Kyle
Maclean,
percussion
Portraits
Emily
MacCallum,
violin
Sarah
de
Niverville,
viola
Steven
Jeon,
‘cello
Thomas
Nicholson,
piano
To
the
moon
and
back
Parapraxis
Ethan
Hill,
alto
Jordan
Rettich,
alto
Zach
Power,
tenor
Kenji
Lee,
bass
Amy
Toth,
violin
Michelle
Hoskin,
violin
Melissa
Toth,
viola
Claire
Dresselhuis,
‘cello
Jasmine
Lo,
soprano
Jordan
Rettich,
alto
Adam
Jasieniuk,
saxophone
Wilson
Kyne,
bassoon
Will
Quinn
Michael
Vielguth
Ethan
Hill
Serena
Jack
Hector
Perez
The
Warrior
Left
His
Home
Village
Shayan
Rahimabadi
Linda
Donn,
violin
Tara
Rajah,
‘cello
Erin
Marsh,
trombone
Josh
Mulingbayan,
percussion
Nic
Collins
Garbage
Juice
Claire
Le
Nobel
Adar
Guy,
bent
circuit
Iain
Emslie,
bent
circuit
Keenan
Mittag-‐Degala,
bent
circuit
Hector
Perez,
bent
circuit
Natalie
Dzbik,
violin
Emily
MacCallum,
violin
Sarah
de
Niverville,
viola
Alex
Klassen,
‘cello
Wilson
Kyne
�
Interruptions
performs:
The
Dancer
Adar
Guy
Ethan
Hill,
piano
Ethan
Hill,
Theremin
Thomas
Nicholson,
cell
phone
Claire
Le
Nobel,
synthesized
drop
Understand
Why
oddy
knocky
Big
Willy’s
Mumbo
Emily
Stewart,
soprano
Emlyn
Sheeley,
alto
Micha
Fortin,
alto
Josh
Mulingbayan,
marimba
DJ
Lochead,
percussion
Mackenzie
Carroll,
bass
Kimberley
Manerikar,
piano
DJ
Lochead,
percussion
Iain
Emslie,
electronics
Rose
Meeker
Josh
Calder
MUS105
Serena
Jack,
plute
Ethan
Hill,
floot
Josh
Calder,
boxophone
Trevor
Naumann,
quadjug
Wilson
Kyne,
skylark
Adar
Guy,
ikeamin
Claire
le
Nobel,
UVICB008
Iain
Emslie,
Milton
Babbitt’s
alarm
clock
Hector
Perez,
C3P1
Rose
Meeker,
box
chime
Tyson
Foster,
polyguiro
Lexie
Hill,
forest
echoes
Michael
Vielguth,
pipe
harmonique
Will
Quinn,
Big
Willy’s
wave
Cashton
McGillivray,
mumbo
Shayan
Rahimabadi,
silver
mushroom
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_16.mp3">track16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_17.mp3">track17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_18.mp3">track18</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
MUS105 Annual Concert
Creator
An entity primarily responsible for making the resource
Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
April 16, 2016
-
https://finearts.uvic.ca/music/archive/files/original/5ae3bb1b2380a8160f7c7a81c504cb4a.pdf
e5795d247305cd9564c66fbcf591f7c6
PDF Text
Text
Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 8, 2016 • 12:30 p.m.
Fantazia
Orlando Gibbons arr. Fred L. Hemke
(1583 - 1625)
(b. 1935)
Julian Malinowski, soprano saxophone
Connor Stairs, alto saxophone
Steven Cramaro, tenor saxophone
Kayla Izon, baritone saxophone
Trois pièces Isaac Albéniz
I. Chant d’amour (1860 - 1909)
II. Berceuse
Skye Eriksen, soprano saxophone
Michelle Melnicky, alto saxophone
Michael Vielguth, tenor saxophone
Matt Fichter, baritone saxophone
Quartettino
Taya Haldane, flute
Jasmine Risely, flute
Olivia Wheeler, flute
Jamie Pambrun, flute
Michael Rosiak
(b. 1977)
Variations sur un thème Espagnol
Pierre-Agricole Génin
(1832 - 1903)
Steven Cramaro, saxophone
Myles Anderson, piano
Sonata in B-flat Major, Op. 22
Ludwig van Beethoven
I. Allegro con brio (1770 - 1827)
Laura Altenmueller, piano
Konzerstück for Viola and Piano
George Enescu
(1881 - 1955)
Sarah de Niverville, viola
Emily Armour, piano
Fantasiestucke, Op. 12
Robert Schumann
I. Des Abends (1810 - 1856)
II. Aufschwung
Iris Hung, piano
Upcoming at the School of Music
Wednesday, March 9, 4:30 p.m. to 5:30 p.m. (Free admission)
CONCERT
Elizabeth Gerow, soprano & Aliayta Foon-Dancoes, violin
Featuring Jamie Cassels Undergraduate Research Award (JCURA) recipients
and School of Music students. Elizabeth presents a performance-lecture of
Josephine Lang’s unpublished songs Auf dem Felsen and Ob sie meiner noch gedenkt!
with Dr. Harald Krebs on piano. Aliayta Foon-Dancoes performs Bach’s
Violin Partita No. 2 in D minor, BWV 1004.
All are welcome to attend!
Phillip T. Young Recital Hall
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_03.mp3">track3</a><br />track4 ***Génin was not performed***<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_06.mp3">track6</a><br />track7 ***technical fault, Schumann was not recorded***
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 8, 2016
-
https://finearts.uvic.ca/music/archive/files/original/b29db6e9c3fa6dfc55c781fa57f2e194.pdf
c66c463047a00cca06deb46ea3bce179
PDF Text
Text
Hosted by
THE LAFAYETTE STRING QUARTET
Featured guest artists
NORMAN NELSON VIOLIN
GERALD STANICK VIOLA
IAN HAMPTON CELLO
�CONCERT FEATURING
PARTICIPANTS OF QUARTETFEST WEST
THURSDAY, JUNE 16, 8:00 PM
Phillip T. Young Recital Hall
Admission by donation
PROGRAM
String Quartet in A minor, D. 804 (“Rosamunde”)
I. Allegro ma non troppo
II. Andante
III. Menuetto. Allegro - Trio
IV. Allegro moderato
Franz Schubert
(1797–1828)
Jasmine Mather, violin
Talia Sinclair, violin
Sarah deNiverville, viola
Steven Jeon, cello
String Quintet in E-flat Major, Op. 97
I. Allegro non tanto
II. Allegro vivo
III. Larghetto
Antonín Dvořák
(1841–1904)
Faeries in the Midnight Sun*
(written for the McKenna Five)
George Fenwick
Quintetto No. 34, Op. 25, No. 4
I. Allegro
Luigi Boccherini
(1743–1805)
McKenna Family Five
Minja McKenna, viola/violin
Matthew McKenna, viola
Michael McKenna, cello
Markus McKenna, violin/viola
Marja McKenna, violin/cello
*Victoria Premier
�I NT E R M I S S I O N
Piano Quartet in C minor, Op. 15
I. Allegro molto moderato
II. Scherzo: Allegro vivo
III. Adagio
IV. Allegro molto
Gabriel Fauré
(1845–1924)
Eleanor Yu, violin
Calvin Yang, viola
Bryan Lin, cello
Laura Altenmueller, piano
ACKNOWLEDGEMENTS
The Lafayette String Quartet would like to acknowledge the generosity of everyone who has
helped make QuartetFest West 2016 possible:
• University of Victoria
• Arthur Rowe, School of Music Acting Director
• School of Music staff: Alexis Ramsdale, Linda Sheldon, Jill Michalski and
Kristy Farkas
• Annie Weeks, flyer design
• Lee and Eric Adler for their donation to QuartetFest West. Thanks to their
generous support every student was able to receive a scholarship this year.
• Laura Backstrom and Lorraine Min, Eine Kleine Summer Music
• Marilyn Dalzell and Arthur Rowe, Victoria Summer Music Festival
• Peter Ord, Bateman Gallery
We would like to thank our wonderful guest artists for QuartetFest West 2016:
Ian Hampton, cello
Norman Nelson, violin
Gerald Stanick, viola
Diane Lade, Feldenkrais practitioner
�LAFAYETTE STRING QUARTET
UPCOMING EVENTS
Sunday, September 18, 2016 | 2:30 p.m.
Faculty Concert Series
Join UVic’s beloved quartet-in-residence in their 30th season!
Performing Shostakovich’s String Quartet No. 7, Op. 108, Schafer’s Quartet No. 11
and Brahms’s Clarinet Quintet in B minor, Op. 115 with Patricia Kostek, clarinet.
All tickets $25
Phillip T. Young Recital Hall
Thursday, October 6, 2016 | 7:00 p.m.
11th Annual Lafayette Health Awareness Forum
Personalized Medicine: Hype, hope and genuine progress
Join the Lafayette String Quartet and their dynamic speakers for the 11th Annual
Lafayette Health Awareness Forum as they explore the topic of personalized
medicine—what it is and where it might take us.
Free admission / Reserve seats at lafayettestringquartet.ca
David Lam Auditorium, Rm. A144, MacLaurin Building, A-Wing
February 2–9, 2017 | 8:00 p.m.
The Complete String Quartets of Dmitri Shostakovich
The Lafayette Quartet celebrates their 30th anniversary with the complete cycle of
Shostakovich’s 15 String Quartets. The cycle will be presented in 5 concerts along
with pre-concert talks and lectures by visiting scholars.
Journey through Shostakovich’s life as experienced through his string quartets, from
the optimistic innocence of the first to the desolation and hopelessness of his final
quartet. This cycle documents Shostakovich’s creative life and spans his compositional
career from the late 1930s until his death in 1975. The Lafayette String Quartet will
share their special heritage with these works as received from their mentor Rostislav
Dubinsky who knew and worked closely with Shostakovich.
Concert dates: February 3, 4, 6, 8, 9
Tickets $25 / 5 concert festival pass $100
Phillip T. Young Recital Hall
�
For more information, visit:
www.lafayettestringquartet.ca
To receive the School of Music On the Pulse events brochure
and newsletter by email, contact: concert@uvic.ca
finearts.uvic.ca/music/events
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_06.mp3">track6</a> (encore)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Quartet Fest West 2016 - Participants Concert
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
June 16, 2016
-
https://finearts.uvic.ca/music/archive/files/original/f2f44d66c1a1ed8c6a0cec67965237f1.pdf
90d876e1147ec87d9e1b80ec96bfc356
PDF Text
Text
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 4, 2016 • 12:30 p.m.
Featuring School of Music brass students
Country Pictures
Vassaly Brandt
I. Under the Lime Tree (1869 - 1923)
II. At the Feast
Tark Kim, trumpet Jordan Smale, trumpet
Isabelle Spencer, trumpet
John Hamblett, trumpet
Four Pieces for Four Trombones
I. Tango
II. Song
III. Parody
IV. Lament
Owen Worby, trombone
Erin Marsh, trombone
Liam Caveney, trombone
William Quinn, trombone
Megan Rees, trombone
Zachary Power, trombone
Heidi Worral, trombone
Gaeth Wood
(b. 1950)
Six Trios for French Horn, Op. 82
I. Lento Sostenuto - Allegro Spiritoso
II. Allegro Scherzando
Sam Mcnally, horn James Waddell, horn
Sarah Mullane, horn
Collin Lloyd, horn
Allie Bertholm, horn
Justin Malchow, horn
Drake Lovett, horn
Anton Reicha
(1770 - 1836)
Morning Song
John Hamblett, trumpet
Emily McDermid, trumpet
Justin Malchow, horn
Heidi Worrall, trombone
Dayna Waller, tuba
Aphorisms for Brass
I. Short and Pithy
II. Slow and Wistful
III. Fast and Fluent
Canzon duodecimi toni
Malcom Forsyth
(1936 - 2011)
Giovanni Gabrieli
(1557 - 1612)
Ian VanGils, trumpet
Alex Rees, trumpet
Sam McNally, horn
Megan Rees, trombone
Kory Major, tuba
Choir I Choir II
Ian VanGils, trumpet John Hamblett, trumpet
Alex Rees, trumpet Emily McDermid, trumpet
Sam McNally, horn Collin Lloyd, horn
Zachary Power, trombone William Quinn, trombone
Megan Rees, trombone
Kory Major, tuba
J. Scott Irvine
(b. 1953)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_06.mp3">track6</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Creator
An entity primarily responsible for making the resource
Kirk McNally
Date
A point or period of time associated with an event in the lifecycle of the resource
March 4, 2016
-
https://finearts.uvic.ca/music/archive/files/original/2231caba24aedc4e90ba91ef7e9ad736.pdf
af4fb80dbd4edb148fe32e4cb13297df
PDF Text
Text
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 11, 2016 • 12:30 p.m.
Featuring School of Music string students
Sonata No. 2 in E-flat Major
Johannes Brahms
III. Andante con moto (1833 - 1897)
Sarah de Niverville, viola
Emily Armour, piano
Violin Concerto No. 5 in A major (“The Turkish”)
III. Rondeau- Tempo di Menuetto
Amy-Lynne Toth, violin
Sydney Bulman-Fleming, piano
Cello Sonata in F Major, Op. 5, No. I
I. Adagio sostenuto
II. Allegro
Wolfgang Amadeus Mozart
(1756 - 1791)
Ludwig van Beethoven
(1770 - 1827)
Grazyna Bacewicz
(1909 - 1969)
Claire Dresselhuis, cello
Frances Armstrong, piano
Humoreska
Natalie Dzbik, violin
Thomas Nicholson, piano
Cello Sonata in G Minor, Op. 65
Fredrick Chopin
III. Largo (1810 - 1849)
IV. Finale. Allegro
Shiun Kim, cello
Zinna Kwon, piano
Violin Concerto in E Minor, Op. 64
Felix Mendelssohn
III. Allegretto non troppo-Allegro molto vivace (1809 - 1847)
Jasmine Mather, violin
Iris Hung, piano
Upcoming at the School of Music
Friday, March 11, 8:00 p.m. (Admission by donation)
CELLO CLASS RECITAL
Featuring students from the studio of Pamela Highbaugh Aloni.
Phillip T. Young Recital Hall
Saturday, March 12, 2:30 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of May-Ling Kwok.
Phillip T. Young Recital Hall
Saturday, March 12, 2:30 p.m. (Admission by donation)
UNIVERSITY WOMEN’S CHOIR
Of Spring and of Eastertide
Susan Young, director
Performing Stabat Mater by Giovanni Battista Pergolesi
St. Aidan’s United Church (3703 St. Aidan’s)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_06.mp3">track6</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 11, 2016
-
https://finearts.uvic.ca/music/archive/files/original/fd13bed4227bc656533f2a052d858853.pdf
6335583e7c5b50152279b23dbb87538b
PDF Text
Text
DEGREE RECITAL
Joshua Gomberoff, viola
Elizabeth Clarke, piano
Alexandria Le, piano
Chloe Kim, violin
Thursday April 28th, 2016, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Cello Suite No. 3, in C major
J.S. Bach
I.
Prelude (1685-1750)
II.
Allemande
III.
Courante
IV.
Sarabande
V.
Bourrée I
VI.
Bourrée II
VII.
Gigue
Clarinet Sonata No. 1, in f minor Johannes Brahms
I.
Allegro appassionato (1833-1897)
II.
Andante un poco adagio
III.
Allegretto grazioso
IV.
Vivace
Elizabeth Clarke, piano
— INTERMISSION —
Cadenza per viola solo Krzysztof Penderecki
(b. 1933)
Viola Sonata Op. 11 No. 4 Paul Hindemith
I.
Fantasie (1895-1963)
II.
Thema mit Variationen
III.
Finale (mit Variationen)
Alexandria Le, piano
Joshua Gomberoff is from the class of Joanna Hood
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_05.mp3">track5</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Joshua Gomberoff, viola
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
April 28, 2016
Contributor
An entity responsible for making contributions to the resource
Joshua Gomberoff, viola
-
https://finearts.uvic.ca/music/archive/files/original/3d4a2b8b67285c928b26c65b0345c4d7.pdf
0ca55407082ae5b0174efb87878465d1
PDF Text
Text
Degree Recital
Elizabeth Gerow, Voice
With Laura Altenmueller
Saturday July 30th, 2016, 7:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free Admission
�Program
Я не пророк (I am not a Prophet)
Rachmaninoff
Они отвечали (They Replied)
(1873 - 1943)
Applause gratefully accepted after each set (noted in brackets) as opposed to each
Речная лилея (River Lilly)
individual number. Thank you!
У моего окна (Before my Window)
Икалось ли тебе (Were you Hiccoughing)
“Flӧβt, mein Heiland, flӧβt dein Namen”
J. S. Bach
Christmas Oratorio (1685 - 1750)
I would like to dedicate the performance of these next songs to Ms. Arabella
Andrup , Elinor Dunsmuir’s grandniece, who graciously kept and preserved the
Margaret Lingas, soprano
composer’s original manuscripts before donating them to the Craigdarroch Castle
Alex Klassen, cello
Collection. Ms. Andrup sadly passed away this past May, and many condolences
Anna Betuzzi, oboe
to her family and friends during this time.
Laura Altenmueller, piano
A Song
Elinor Dunsmuir
Auf dem Felsen
Josephine Lang
(1887 - 1938)
Erinnerung
(1815 - 1880) Une Lettre
Mine
Ob sie meiner wohl gedenkt!
The Full Sea Rolls
“Es ist noch eine Ruhe vorhanden dem Volk Gottes.”
The Dreamer
Worthy of You
Tre Arriette
Bellini
A Memory
1. Il fervido desiderio
(1801 - 1835)
2. Dolente imagine di Fille mia
3. Vaga luna che inargenti
An die Musik
Schubert
(1797 - 1828)
Serenata
Mascagni
(1863 - 1945)
Elizabeth Gerow is from the class of Professor Susan Young
-INTERMISSION-
This recital is presented in partial fulfillment of the requirements for the
Please turn off all cell phone, camera, laptop, and audio & video recording
devices.
Bachelors of Music Degree in Vocal Performance.
Reception to follow in the Lounge.
�Program Notes for Select Composers
Josephine Lang
I had the privilege of exploring the music of Josephine Lang (1815 -
1880) this past year, during an in-depth study of two of her
unpublished manuscripts as part of the Jamie Cassels Undergraduate
Research Award, under the tutelage of Dr. Harald Krebs. Although
Lang had little formal musical training, she managed to write
hundreds of songs during her lifetime, many of which helped to supply
an income for her and her six children after the death of her husband.
The two unpublished works mentioned above, “Auf dem Felsen” and
“Ob sie meiner wohl gedenkt” will be performed this evening. The
song “Ob sie meiner…” was never fully completed, as the ending of
the song was crossed out by the composer. It is a gorgeous ending,
however, which is why we will still be performing it for you this
evening, (and hopefully Josephine would not have been too upset!)
Sergei Rachmaninoff
Rachmaninoff (1873 - 1943) is one of my favourite composers. He
blends harmony and melody so seamlessly, and the Russian language
just seems to pour out of your lips while singing. I also enjoy singing
Rachmaninoff’s music because it contains so many things in one
package: passion, spirituality, contemplation, sorrow, irony, and a
great piano solo! The last song of tonight’s Rachmaninoff Set, “Were
you Hiccoughing,” is one of a number of songs that were never
published during the composer’s lifetime, and I chose it because it
shows off the composer’s more humorous side. Here is a short
description of the song by Natalia Challis, from her book, The Singer’s
Rachmaninoff:
“In 1899 Rachmaninoff wrote music to a text by Prince Peter
Viazemsky, which he paraphrased in jest and dedicated to his future
wife, Natasha Satina. The song was written at a time when he was
depressed by the failure of his first symphony and ceased composing;
hence the dedication of the song, “No, my muse is not yet dead,
sweet Natasha.” He admonished her to read the music carefully, as
he accompanied the phrase “loving Natasha” with the motif of
Lensky’s words “I love you” from Tchaikovsky’s Eugene Onegin.”
Elinor Dunsmuir
Emily Elinor Dunsmuir (1887 - 1938) was the daughter of the
Honourable James Dunsmuir (former Premier and Lieutenant
Governor of BC, who built Hatley Castle) and the granddaughter of
Robert and Joan Dunsmuir (Scottish Immigrants and founders of
Craigdarroch Castle). Although there are few surviving letters and no
diary, her personality and circumstances can be “heard” through her
surviving music manuscripts, which were kindly donated to the
Craigdarroch Castle Collection by the late Ms. Arabella Andrup, to
whom this performance is dedicated. Although many of the songs
performed this evening are very short, they show a unique and
unpredictable voice. Dunsmuir’s music never took flight in the public
eye during her lifetime, but there is evidence that she provided some
additional songs for the 1928-1929 Broadway Musical “Sunny Days,”
as her name appears on the Broadway Archives Database, and family
ties to the city can also support this fact. Elinor also had many
wealthy and famous connections in France, where she gave the
famous Ballets Russes impresario Sergei Diaghilev one of her ballet
scores, and one of his letters from Dunsmuir, requesting that he return
her ballet manuscript, can be found in the online archives of the New
York City Library. All of Dunsmuir’s songs performed for you this
evening are unpublished, and with the exception of “The Dreamer”
and “A Memory,” this just might be their first exposure to the public
ear. I would like to sincerely thank the curatorial staff at Craigdarroch
Castle for introducing me to Elinor’s life and music, Laura Altenmueller
for her assistance with the interpretation of the music, and to the
many others who helped me with deciphering the lyrics. We hope you
enjoy taking a step back into the early twentieth-century of Elinor
Dunsmuir!
�Song Translations in English
“Flӧβt, mein Heiland, flӧβt dein Namen” (From Christmas Oratorio)
“My Saviour, does your name arouse fear”
My Saviour, does your name arouse fear
Even the smallest seed
of that powerful terror?
No, You Yourself say no. (No!)
Shall I shun death now?
No, Your sweet word is there!
Or shall I rejoice?
Yes, o Savior, You Yourself say yes. (Yes!)
Auf dem Felsen
On the Cliff*
Silently I wander upward through the forest,
The green [forest],colourful with blossoms;
Soon I stand upon the craggy cliff,
And gaze joyfullydownward.
From here I see the cramped valley
Curving down so beautifully;
The little villiages are all reposing
Like children in their cradles.
Ob sie meiner wohl gedenkt! Is she perhaps thinking about me!
Is she perhaps thinking about me
Now that I have torn myself away from her,
Ah, this one thing I would like to know,
Is she perhaps thinking about me!
Is she perhaps gazing at the path,
Which I walked in hot tears,
Is she with a quiet yearning,
Gazing at the desolate path?
Is she still thinking about me,
Now that I have torn myself away from her,
Ah, this one thing I would like to know,
Is she perhaps thinking about me?
Ah, sunken in sorrow,
I move farther away [from her]each day,
On my lips the fearful question!
Is she perhaps thinking about me?
�Erinnerung
Remembrance*
Every dream shows me my end!
The future no longer smiles upon me!
I barely know anymore what happiness is.
Into the springtime of my life fell
The wintry play of the snowflakes of misfortune.
Joy, Hope, Love have passed away;
I wish Remembrance were among [the things that had passed away]!
“Es ist noch eine Ruhe vorhanden dem Volk Gottes.”
"There remaineth therefore a rest to the people of God"*
God, when my heart breaks [in death], press
My eyes shut Yourself,
And show me Your face
There in [that place of] eternal rest!
Lord, I do not want to leave You!
Give me strength to clasp You firmly!
Who holds only You, yes, holds only You,
Must be blessed!
*Translations provided by Sharon Krebs
Tre Ariette (Three Songs)
1. Il fervido desiderio
The fervid desire
When will the day come
when I will be able to see you again
That which my loving heart desires so much?
That I will receive you in my breast,
Ah, Beautiful flame of love, my soul?
2. Dolente imagine di Fille mia Painful image of my Fille
Painful image of my Fille
Why so miserably do you sit near me?
What more do you want?
I have poured my tears on your ashes up till now.
Are you afraid that, forgetting our sacred vows,
I could love another face?
Shadow of Fillide, rest in peace;
Our former ardor is inextinguishable.
3. Vaga luna, che inargenti
Pretty moon, who makes-silvery
Pretty moon,
Who makes these shores and flowers silvery
And inspires the language of love to the elements;
Of my fervid desire, now I tell only you,
And to you that I am falling in love
Count the heart beats and the sighs.
Then tell her that distance cannot assuage my sorrow,
That I feed upon a hope, she is the only one, yes,
She is the only one in my future.
Also tell her that day and night
I count the hours of grief
That the enticing hope
of her love comforts me.
�Serenata
Serenade
Like loving doves sleep with their heads tucked under white wings
You, like a tired person, recline under soft, embroidered blankets.
You enjoy rose-colored dreams as your head rests upon the pillow.
As sweet fairies pass by, one brushes your smiling face
And tells you that my heart is bleeding for you, and my veins run hot
with blood!
Passing by, it tells you that I love you; that you are both sweetness and
torment to me!
White, within a cloud of blond hair, you smile happily at your pleasant
dreams.
Do not awaken, oh flower of paradise! Because I come to kiss you in
your dreams!
Я не пророк I am not a Prophet
I am not a prophet, nor a warrior am I,
I am not a teacher of the world;
By God’s grace I am a singer.
The instrument I bear is a lyre.
I perform the will of the Lord,
I do not keep trust with a lie,
I speak to hearts through a song,
Waking in them the spark of God!
Они отвечали They Replied
They asked: How in fleeting boats
Can we glide like white seagulls on waves,
So watchmen would not overtake us?
Row! They replied.
Asked they: How can one forget, forever,
This sorrowful world’s misfortunes and needs,
Its sadness and storms?
Fall asleep! They replied.
Asked they: How will beautiful girls
Love us, without illusion-and to our passionate words,
They would be drawn into our embrace?
Love! They replied.
Речная лилея River Lily
A water lily, opening her petals, looks at the sky,
The amorous moon sadly touches her with its silvery rays,
And when she turns shyly toward the blue waters
The moon’s pale and languid reflection touches her there . . .
�У моего окна At my window
At my window a bird cherry blossoms,
Blossoms pensively in its silvery raiment . . .
And with its fresh and fragrant branch
It inclines and beckons . . .
Of its quivering, ethereal petals
I joyfully take in the cheerful breath,
Their sweet fragrance obscures my consciousness,
And they sing love songs without words . . .
Икалось ли тебе
Were you hiccoughing
Were you hiccoughing, Natasha,
When I was drinking the champagne
Of different tastes, attributes and classes,
Of different ages and passions.
When in Voronezh cellars
I greedily drank to you,
Loving Natasha, poetess,
Yea and loving champagne too?
Here Kastalsky’s key wells up
Sustaining with an unfabulous stream,
Poetry here is an everyday matter:
Pay five francs, then drink and sing!
Une Lettre
A Letter
When you think of me,
You will always know,
That during the day and the days,
During the night and the nights
During the weeks and the months
During the years
That I am yours alone
I love you
and I adore you.
An die Musik To Music
Oh hallowed Art, how often, when depression
and life's wild circle had ensnared my space,
have you aroused my heart to love's compassion,
have you removed me to a better place!
How often has the sigh your harp created,
a sacred chord of your enchanted mood,
to heaven's better times my soul elated:
Oh hallowed Art, accept my gratitude!
�Special Thanks
I would first like to thank my Heavenly Father for being my Savior,
Mentor, and best friend, and for giving me the gift of song which
brings me so much pleasure, and also encourages others in their walks
of life.
I would like to thank my parents, family and friends for their
encouragement and support throughout these past years of schooling
at UVic, and for always sticking with me through the storms and
challenging times! I would also like to thank my church family who
are always so supportive in my music, and have been in prayer for me
during the rough patches.
Next I would like to thank my voice teacher Susan Young. Susan is
one of the most loving, talented and encouraging people I know.
Thank you for your expertise and many “pep-talks” which always kept
me going! You are always supportive, but always know when to be
strict with me when I need it!
I would also like to thank the other voice faculty at UVic: Ben
Butterfield, Anne Grimm and Charlotte Hale for your encouragement
throughout this journey which is singing. Many thanks to my past
voice teachers Anne Bennett and Rebecca Hass for lighting the flame.
Many thanks to all the faculty and staff at the UVic Music School for
widening my horizons, challenging me and sharing your expertise with
me.
Thank you to my accompanist, Laura Altenmueller, for bringing your
kindness, skill and expertise to this recital. It has really been a great
joy to work with you, and I hope one day we will be able to work
together again!
A very big thanks to Alex Klassen, Margaret Lingas and Anna Betuzzi
for contributing their time and talents to this recital. It is greatly
appreciated!
Last but not least I would like to thank you, the audience, for coming
to my graduation recital. Whether you are a friend or just passing by,
I hope you enjoy tonight’s performance!
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_07.mp3">track7</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Elizabeth Gerow, Voice
Creator
An entity primarily responsible for making the resource
Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
July 30, 2016
Contributor
An entity responsible for making contributions to the resource
Elizabeth Gerow, voice
-
https://finearts.uvic.ca/music/archive/files/original/a953195e80bb6a72c4681b275019a523.pdf
8e7ff48f72fd036dc5fd7a2530ceffad
PDF Text
Text
DEGREE RECITAL
Fahlon Smith, viola
Frances Armstrong, piano
Keenan Mittag-Degala, percussion
Tuesday, April 26, 2016, 8:00PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Cello Suite No. 2 in D minor, BWV 1008
Johann Sebastian Bach
I: Prelude (1685-1750)
II: Allemande
III: Courante
IV: Sarabande
V: Minuet 1, Minuet 2
VI: Gigue
Variations for Four Drums and Viola Michael Colgrass
I: Introduction (b. 1932)
II: Variation I
III: Variation II
IV: Variation III
V: Variation IV
VI: Variation V
VII: Finale
Keenan Mittag-Degala, percussion
— INTERMISSION —
7 Variations on “Bei Mannern” Ludwig van Beethoven
from Die Zauberflote, WoO 46 (1770-1827)
Frances Armstrong, piano
Viola Sonata in Bb major, Op. 36
Henri Vieuxtemps
I: Maestoso (1820-1881)
II: Barcarolla (Andante con moto)
III: Finale Scherzando
Frances Armstrong, piano
Fahlon Smith is from the class of Joanna Hood.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_04.mp3">Track 4</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Fahlon Smith, Viola
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
April 26, 2016
Contributor
An entity responsible for making contributions to the resource
Fahlon Smith, viola
-
https://finearts.uvic.ca/music/archive/files/original/b7783eabda9d6f159848eff8466e8728.pdf
2e5ce99a2e51f4e5299c7548717dbc05
PDF Text
Text
School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
FACULTY
CONCERT SERIES
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
With
Patricia Kostek, clarinet
Sunday, September 18, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission: $25
�PROGRAM
Clarinet Quintet in B minor, Op. 115
Allegro
Adagio
Andantino
Con moto
Johannes Brahms
(1833–1897)
I NT E R M I S S I O N
Quartet No. 7 in F-sharp minor, Op. 108
Allegretto
Lento
Allegro
String Quartet No. 11
Composed in 2006 and commissioned by the
Lafayette String Quartet for their 20th anniversary year.
I.
II.
III.
IV.
V.
Dmitri Shostakovich
(1906–1975)
R. Murray Schafer
(b. 1933)
�LAFAYETTE STRING QUARTET
In July 1986, four young musicians based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet.
Celebrating their 30th anniversary, the LSQ continues to flourish with its original
personnel: violinists Ann Elliott-Goldschmid and Sharon Stanis, violist Joanna Hood,
and cellist Pamela Highbaugh Aloni.
For five years, the LSQ prospered in Detroit, where its members taught at the Center for Creative Studies/Institute of Music and Dance and Oakland University. The
LSQ itself received coaching from some of the world’s most esteemed quartets—
the Amadeus and the Alban Berg, and Cleveland—and from the violinist Rostislav
Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical
mentor” until his death in 1997.
The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it
was ranked among the magazine Musical America’s “Young Artists to Watch,” and
in its first years they won the Grand prize at the Fischoff National Chamber Music
Competition and prizes at the Portsmouth (now City of London) International
String Quartet Competition, and the Chicago Discovery Competition. As winners of
the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to
study for two years with the Cleveland Quartet at the Eastman School of Music, in
Rochester, New York.
Artists-in-Residence at the University of Victoria’s School of Music since 1991, their
dedication and skill have played a major role in building
one of the finest music
schools in Canada. In addition to quartet performances and collaborating with
colleagues in the School of Music, members of the quartet teach individual lessons,
coach chamber music groups, and give studio masterclasses on a weekly basis. They
have been principal players of the Galiano Ensemble of Victoria since its inception
and continue to serve the community promoting strings in the public schools
through outreach programs and the strings mentoring course at UVic. In June, they
offer Quartet Fest West, an intensive quartet seminar that brings together young
musicians from all over the world. Their annual Health Awareness Forum, founded in
2006 offers timely insights from top health experts on a wide range of topics. They
recieved honorary doctorates from University Canada West and were honored with
the inaugural Craigdarroch Award for Excellence in Artistic Expression in 2010 from
the University of Victoria.
The LSQ has performed across Canada, the United States, Mexico and Europe, with
concerts often allied with masterclasses and workshops; they had a close and lasting
relationship with the University of Saskatchewan, in Saskatoon while playing on the
set of Amatis owned by the institution. They have collaborated with distinguished
colleagues including bassist Gary Karr; clarinetist James Campbell; flutist Eugenia
Zukerman; violinists Andrew Dawes and Gary Levinson; violists James Dunham,
Atar Arad, and Yariv Aloni; cellists Paul Katz, and the late Tanya Prochazka; and pianists Luba Edlina Dubinsky, Jane Coop, Robert Silverman, Ronald Turini, Alexander
Tselyakov, Baya Kakouberi and Flavio Varani. They often collaborate with other string
quartets including the Alcan, the New Zealand, the Penderecki, the Molinari, the
Emily Carr, and the Quarteto Latinoamericano.
�The four women also maintain separate careers as solo and chamber music performers, teachers, and adjudicators.
The LSQ carries a large, wide-ranging repertoire, from the classical period to the
present, and has commissioned music from (and in some cases collaborated closely
with) composers including Murray Adaskin, John Burke, Justin Haynes, David Jaffe, R.
Murray Schafer, Eugene Weigel, and Kelly Marie Murphy. They have performed the
complete Beethoven cycle, during the 2000-2001 season, the quartets of the Second Viennese school with the Molinari Quartet in 2013, and in celebration of their
thirty years together, will perform the string quartets of Dmitri Shostakovich.
Since 1990, the LSQ has released CDs on the Dorian, Centrediscs, and other labels
(including its own). Its discography includes major quartets by Borodin, Debussy,
Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek);
and four CDs of music by Adaskin, for his AdLar label. Its 2002 CBC Records disc
Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and
Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical
Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the
2011 CD Jimi Hendrix Uncovered, and has recently released a CD together with
Alexander Tselyakov of the quintets of Dmitri Shostakovich and the newly commissioned quintet Motion and Distance, by Canadian composer Kelly-Marie Murphy.
The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of
String Quartets published in 1999.
COMING UP!
11th Annual Lafayette Health Awareness Forum
Personalized Medicine: Hype, hope and genuine progress
THURSDAY, OCTOBER 6 | 7 PM
Join the Lafayette String Quartet and their dynamic speakers for the 11th Annual
Lafayette Health Awareness Forum as they explore the topic of personalized
medicine — what it is and where it might take us. The evening will begin and end
with a short music selection by the Quartet. This free forum brings health experts
and community members together each year to discuss and learn about health
issues that affect us all.
Guest speakers include:
Dr. Eike-Henner Kluge, Professor of Philosophy, UVic
Dr. Patrick Macleod, Centre for Biomedical Research, UVic
Dr. Brad Nelson, Director and Distinguished Scientist, Deeley Research Centre, BC
Cancer Agency
Dr. Scott Hofer, Director, Institute on Aging & Lifelong Health, UVic
Free admission
Reserve seats at lafayettestringquartet.ca
David Lam Auditorium, Rm. A144, MacLaurin Building, A-Wing
�PATRICIA KOSTEK
Patricia Kostek is a versatile musician with a diverse and eclectic range of repertoire.
Patricia has given recitals and masterclasses and served as a competition jury member in major cultural centers of Europe, Asia, Canada, the USA, Mexico and South
America. She has adjudicated for international music competitions in Brazil, Belgium,
Paris, Quebec City, Madrid and Buenos Aires. She has performed in many of the
finest international concert halls and in noted international music festivals as well
as with numerous orchestras in North America and Europe including the Chicago
Symphony, Honolulu Symphony and Kansas City Symphony, the Orquestra Sinfonica
de Teatro Colon de Buenos Aires (soloist) and Orquestra Sinfonica da Bahía (soloist). She has performed under the guidance of many eminent conductors such as
Sir George Solti, James Levine, Simon Rattle, Edo de Waart. Patricia was a featured
soloist at the Shanghai International Clarinet Festival and has performed at Encontro
IV Brazilian National Clarinet Festival (Rio de Janeiro ), Buenos Aires International
Festival and in October 2016 at Festival Internacional di Música Loja (Ecuador).
Her love of chamber music has led her to collaborate with many artists and ensembles including the Purcell, ODEON and Lafayette String Quartets, the Kansas City
and Windy City (Chicago) Wind Quintets, Trio Pardalote, Duo Patterson, Northwest
Sinfonia, and pianists Bruce Vogt, Michelle Mares,, Arthur Rowe, Maria Inês Guimaraes among many others.
The Usinger Anzeiger (Germany) spoke of “the perfection of her tone, unbelievably
smooth and amazingly differentiated in its nuance”. The Kansas City Star wrote of
“intelligent and intense musicianship”, “deft, imaginative playing”, “lilting grace” and of
“her command of instrumental color and psychology”. The Bad Nauheim (Germany)
Zeitung wrote “an exquisite evening of chamber music”.
In the Pacific Northwest area Patricia has performed with Pacific Opera Victoria and
the Victoria Symphony, among others. She serves as artistic director of Chamber
Music San Juans and the Winds of Yarrow. An active studio musician, Patricia can be
heard on the soundtracks of many movies and video games. Her principal teachers
include Larry Combs and Robert Marcellus. Patricia is currently a Professor at the
University of Victoria.
�Dmitri Shostakovich:
The Complete String Quartets
February 3–9
The Lafayette String Quartet celebrates its 30th
anniversary with the complete cycle of Shostakovich's
15 String Quartets presented over 5 evenings!
Journey through Shostakovich’s life as experienced through his quartets —
from the innocent optimism of the first to the desolation and hopelessness
of his final quartet. This cycle documents Shostakovich’s creative life and
spans his compositional career from the late 1930s until his death in 1975.
The Lafayette String Quartet will share its special heritage with this music as
received from their mentor Rostislav Dubinsky who knew and worked closely
with Shostakovich.
Gain further insight into these works in pre-concert talks and lectures by
visiting scholars including Michelle Assay (Université Paris-Sorbonne), David
Fanning (University of Manchester), Judith Kuhn (University of WisconsinMilwaukee), and Patrick McCreless (Yale University).
Tickets $25 / 5 concert festival pass $100
Phillip T. Young Recital Hall
All concerts at 8 PM
FRI, FEB 3
Nos. 1, 2, 3
SAT, FEB 4
Nos. 4, 5, 6
MON, FEB 6
Nos. 7, 8, 9
WED, FEB 8
Nos. 10, 11, 12, 13
THU, FEB 9
Nos. 14, 15
�UPCOMING EVENTS
SEPTEMBER 28–29
Orion Series in Fine Arts presents
Paul Roe, clarinet & bass clarinet
Free admission
Paul Roe (PhD, York) is one of Dublin’s most distinguished musicians. An in-demand
performer, he also works with a wide range of individuals as a coach and mentor.
Clarinet Masterclass: WEDNESDAY, SEPTEMBER 28 | 12:30–2:20 PM
Free admission
Phillip T. Young Recital Hall
Lecture: WEDNESDAY, SEPTEMBER 28 | 3:30 PM
Coaching: A 21st Century Approach to Learning, Growth & Change
Paul Roe discusses the fundamentals of coaching and how this approach can make your life
more rewarding and fulfilling.
Free admission
Rm. B037, MacLaurin Building, B-Wing
Concert: THURSDAY, SEPTEMBER 29 | 7:30 PM
With Anne Grimm, soprano, Patricia Kostek, clarinet & Charlotte Hale, piano
Performing music for solo bass clarinet and bass clarinet with electronics
by contemporary and traditional Irish composers.
Phillip T. Young Recital Hall
SEPTEMBER 30
Orion Series in Fine Arts presents
Paul Merkelo, trumpet
Free admission
Renowned as one of the finest trumpet players of his generation, Paul Merkelo has been
principal trumpet with the Orchestre symphonique de Montréal since 1995.
Concert: FRIDAY, SEPTEMBER 30 | 12:30 PM
Phillip T. Young Recital Hall
Trumpet Masterclass: FRIDAY, SEPTEMBER 30 | 1:30–5 PM
Phillip T. Young Recital Hall / Rm. B037, MacLaurin Building, B-Wing
�
To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca
www.finearts.uvic.ca/music/events
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Faculty Concert Series
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091816-FacultyConcert_LSQ/091816-FacultyConcert_LSQ_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091816-FacultyConcert_LSQ/091816-FacultyConcert_LSQ_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091816-FacultyConcert_LSQ/091816-FacultyConcert_LSQ_03.mp3">Track 3</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Faculty Concert Series - The Lafayette String Quartet
Creator
An entity primarily responsible for making the resource
Adam Jasieniuk
Date
A point or period of time associated with an event in the lifecycle of the resource
September 18, 2016
Contributor
An entity responsible for making contributions to the resource
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
Patricia Kostek, clarinet
-
https://finearts.uvic.ca/music/archive/files/original/3d3f8ddf2d580e70e35e966706228728.pdf
2e8f4295e4a479baf78dbebd6cac2736
PDF Text
Text
School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC
ORION SERIES IN FINE ARTS
presents
Paul Roe
clarinet & bass clarinet
WITH
Anne Grimm, soprano
Patricia Kostek, clarinet
Charlotte Hale, piano
Thursday, September 29, 2016 • 7:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission
�PROGRAM
Monster for bass clarinet and electronics (2005) *
Within Without for solo clarinet (2000) *
Ed Bennett
(b. 1975)
Jane O’Leary
(b. 1946)
What Shall I Sing? *
David Lumsdaine
for soprano and two clarinets
(b. 1931)
What Shall I Sing
Dame Trot and her cat
Peas and Honey
Granfa’ Grigg
Roman Wall Blues
Three young rats
Little Jack Spratt’s Pig’s Jig or the Pig of the Middleway
Ends With Words of Hope *
for clarinet and soprano (2010)
Ailís Ní Ríain
(b. 1974)
Wait a While for clarinet and piano (2015/16) * Kenneth Edge
(b. 1965)
Ah, the sad expression in the eyes
of that caged bird-envying the butterfly! *
for clarinet and piano (2015/16)
Marian Ingoldsby
(b. 1965)
New Road Suite for clarinet and piano (2016) *
i. Molto rubato
ii. Swung
iii. Moderato
iv. Light and free
Irish Tune….
* Canadian premiere
Ultan O’Brien
Traditional
�BIOGRAPHIES: PERORMERS
PAUL ROE, CLARINET
Paul Roe is a musician with particular interests in performance, education and
coaching. He is a performer (clarinet and bass clarinet) of international repute and
was Associate Principal Clarinet of the National Symphony Orchestra of Ireland
from 1987–2000. He has been a member of Concorde Contemporary Music
Ensemble since 1989 and has given solo, ensemble and orchestral performances
throughout Europe, Asia and America.
Paul has a PhD in Performance Practice from the University of York, a Masters
Degree in Community Music from the University of Limerick and he is a Fellow of
Trinity College, London. As a Fulbright Scholar, he studied Klezmer performance
at Mannes College of Music, New York, where he worked with internationally
acclaimed clarinettist David Krakauer.
Paul is a teacher, examiner and community musician. He has developed a number
of performance and educational projects with support from the Arts Council of
Ireland. He currently teaches at the Dublin Institute of Technology, Conservatory of
Music and Drama and at the Royal Irish Academy of Music. He has a collaborative
arts practice and works regularly with Dublin City Council, Music Network and the
National Youth Orchestra.
Paul represents Ireland as Chairperson for the International Clarinet Association. His
interest in creative development and mentoring has led him to pursue an Advanced
Diploma in Executive and Personal Coaching and further specialist coach training in
the UK and the USA. He is a member of the International Coaching Federation.
Paul has performed with many distinguished musicians and ensembles including
Con Tempo String Quartet, Vanbrugh Quartet, Crash Ensemble, George Lewis,
Harry Sparnaay, Garth Knox, Lenneke Ruiten and Finghin Collins. He is a member
of several chamber music groups, performing classical to contemporary repertoires
internationally in Tokyo, Seoul, Chicago, Paris, Rotterdam, Bratislava, Barcelona,
Ljubljana and Riga, among many other cities.
ANNE GRIMM, SOPRANO
Known for her “expressive technique” and “dramatic presence”, Anne Grimm has
performed throughout Europe, North America and in New Zealand. Originally from
the Netherlands, Ms. Grimm is well known to Victoria audiences having recently
performed with the Victoria Choral Society in Mendelssohn’s Lobgesang as well
as singing works by New Zealand composers Juliet Palmer and Eve de CastroRobinson with Aventa Ensemble under Bill Linwood. Also with Aventa, Ms. Grimm
toured to Australia, opening the Adelaide Festival as Marilyn Monroe in Gavin Bryars’
chamber opera, Marilyn Forever and performed works of Saariaho and Gonneville
in Calgary, Montreal and New York City. Past highlights have included performances
with the Netherlands Opera, National Reisopera and at the Holland Festival as well
as touring with Ton Koopman and the Amsterdam Baroque Orchestra (Ambronay,
Salzburg Festival), Frans Bruggen and the Orchestra of the 18th Century in Rameau’s
Les Indes Galante and with the Amsterdamse Bachsolisten under Roy Goodman
�(Concertgebouw). Amongst other highlights are the Halle Handel Festspiele and
Potsdam Festival Sanssouci, Handels Rinaldo with Christophe Rousset in France,
working with Massimo Zanetti and the Orchestra of Flanders and with
Rozhdestvensky and the Rotterdam Philharmonic.
Ms. Grimm has recorded for Erato, NM Classics, Vanguard Classics, Troubadisc, Sony
and for Harmonia Mundi France and is on the voice faculty at the University of
Victoria’s School of Music.
CHARLOTTE HALE, PIANO
Charlotte Hale is an experienced and sensitive coach and collaborative musician.
She enjoys musical partnerships with many singers and instrumentalists and is also
a classically trained soprano. She was a long-time faculty member at the Victoria
Conservatory of Music and the University of Victoria, and now has a successful
private studio. Ms. Hale is very active as a much-in-demand accompanist, coach, and
chamber musician.
PATRICIA KOSTEK, CLARINET
Patricia Kostek is professor of clarinet at the University of Victoria and is well known
as a chamber musician and soloist with a diverse and eclectic range of repertoire.
Patricia has given recitals and masterclasses, and served as a competition jury
member in major cultural centers of Europe, Asia, Canada, the USA, Mexico and
South America. For a full biography, visit: finearts.uvic.ca/music/contacts/faculty/Bios/
pkostek.shtml
BIOGRAPHIES: COMPOSERS
ED BENNETT
County Down-born Ed Bennett’s body of work includes large-scale orchestral
works, ensemble pieces, solo works, electronic music, opera, installations and works
for dance and film. He has lived and worked in recent years in Paris, Berlin and
London. He has been commissioned and performed internationally by many diverse
artists, ensembles and organisations, including the BBC, RTÉ, PRSF, Music Network,
Moving On Music, 2012 Olympics, Integra and the Arts Councils of England, Ireland
and Northern Ireland. Noted collaborators and performers of his work include the
BBC Symphony and Philharmonic Orchestras, the National Orchestra of Belgium,
RTÉ National Symphony Orchestra, Ulster Orchestra, the London Sinfonietta, Crash
Ensemble, Orkest de ereprijs, Fidelio Trio, Berlin Percussion Ensemble, Ensemble
SurPlus, Lontano, Concorde, the Smith Quartet, Noszferatu, Ensemble Ars Nova,
Garth Knox, Pedro Carneiro, Reinbert de Leeuw, James MacMillan, Darragh Morgan,
Mary Dullea, Rolf Hind and Paul Dunmall. He also performs with and directs his own
ensemble, Decibel, which is dedicated to the performance of new and experimental
cross-discipline work and with whom he recently released two critically acclaimed
CDs of his music, Dzama Stories (Quartz Music) and My Broken Machines (NMC).
He has also enjoyed collaborations with several visual artists and choreographers
�including those with Juneau Projects and the award-winning Belgian choreographer
Ann Van den Broek. His work has been featured in festivals such as Gaudeamus
(Amsterdam), Musica Viva (Portugal), Huddersfield, Spitalfields, Bath, City of London,
Homecoming (Moscow), Crash, Sonorities, Sonic Circuits (USA), Bourges, the BMIC
Cutting Edge Series, Soundings (London/Vienna), News from the UK (South Bank),
Integra and at New Music/New Ireland in Carnegie Hall, New York. In 2008 he
was the first composer in residence at the Irish Cultural Centre in Paris, France.
Recent projects include an opera in collaboration with the writer Stacey Gregg
commissioned by Northern Ireland Opera for the 2012 Cultural Olympiad,
Organ Grinder for mechanical organ and ensemble for the Dutch ensemble
Orkest de Ereprijs, an hour long work for dance in collaboration with the
Belgian choreographer Caroline D’Haese, a serious of new works for Decibel, a
collaborative project with the Irish ensemble Yurodny and the the Turkish Herzafen
ensemble and a new large-scale work for orchestra and percussion for the RTÉ
National Symphony Orchestra. His scores are also published by Composers Edition
(www.composersedition.com).
JANE O’LEARY
Born in Hartford, Connecticut, Jane O’Leary has been resident in Ireland since 1972.
A founding member of Aosdána, Ireland’s state-sponsored academy of creative
artists, she is a graduate of Vassar College and holds a PhD in composition from
Princeton University, where she studied with Milton Babbitt among others. She
was awarded an Honorary Doctor of Music Degree by the National University of
Ireland in 2007. As artistic director and pianist of Concorde ensemble, Jane O’Leary
has been nurturing the development of new music in Ireland and promoting its
performance worldwide since 1976. She was a founding member of Music for
Galway and is currently a Director of The Galway Music Residency and a member
of Udarás na hOllscoile Gaillimh. O’Leary’s music has been selected on several
occasions for performance at the ISCM World New Music Days and has been
performed at prestigious international festivals and venues, including the Kennedy
Cultural Center; Centre Culturel Irlandais, Paris; Spitalfields Festival, London; West
Cork Chamber Music Festival. The RTÉ National Symphony Orchestra featured her
music on their debut tour of the USA in 2003. Following international competition,
her music was recently selected for performance in NY with mise-en ensemble and
at the Parma Music Festival 2015. Recent performances have also included Sydney,
Chicago, Paris, Bucharest, Passau and Tallinn. A CD of O’Leary’s chamber music
was released on the Capstone label in 2007 featuring performances by the RTÉ
Vanbrugh Quartet, ConTempo Quartet, Concorde, Paul Roe and Garth Knox. Her
music features on CDs released in recent years with performances by Paul Roe
and ConTempo Quartet (Quartz), Amstel Quartet, Concorde (Parma), Isabelle
O’Connell (Diatribe), John Feeley and Laura Chislett.
KENNETH EDGE
The Irish saxophone-player Kenneth Edge was born in Dublin in 1965 and as a
student won Ireland’s Young Musician of the Year Competition. He spent a year
studying with the leading exponent of the instrument, Jean-Marie Londeix, at the
Bordeaux Conservatoire, where he won the important premier prix of his class. In
�addition to his work as a principal of the National Symphony Orchestra of Ireland,
Kenneth Edge is a frequent recitalist and soloist and has given the first performances
in Ireland of many important works in the saxophone repertoire, from Debussy
and Ibert to Ned Rorem and Dominic Muldowney. His recordings include the SaxoRhapsody of Eric Coates in the Marco Polo British Light Music series.
DAVID LUMSDAINE
Born in Sydney on October 31, 1931, David Lumsdaine was educated at Sydney
University and the Sydney Conservatorium. In 1953 he travelled to England to
study with Matyas Seiber and afterwards remained in the UK working freelance
as composer, conductor, teacher and music editor. Early performances which
attracted attention included orchestral works and the several cantatas in which
he collaborated with Peter Porter. Lumsdaine’s reputation was established with
such works as Kelly Ground (1966), Flights (1967), Mandalas 1 (1967) and 2 (1969).
The vivid imagery and rich harmonic vocabulary of these pieces were to become
hallmarks of his style; the lucidity of the music belies its technical virtuosity. During
the sixties he was immersed in British contemporary musical life; he set up The
Manson Room for composers at the Royal Academy of Music, and was increasingly
sought after as a composition teacher. This led to university appointments, first
at Durham (where he founded and directed the Electronic Music Studio) and
subsequently at King’s College, London, where he shared a post with his wife, the
composer Nicola LeFanu. In 1973 Lumsdaine returned to Australia, and since then
his life has been divided between the two countries, with an increasing number
of performances in both. In both Australia and UK he was much in demand, too,
as a director of composers’ workshops; with Don Banks, he pioneered the SPNM
Composers’ Weekends in the UK, and the Young Composers’ Schools in Australia.
At its heart, Lumsdaine’s music embodies his experience of the Australian landscape
—the variety of its shapes, rhythms, colours and textures: the vitality of its creatures;
its sudden violence; its sense of unlimited space and time. In 1993 he retired from
academic life. Due to severe hearing difficulties, he gradually withdrew from the
musical world and ceased composing in 1997. He moved to York (where his wife
was appointed Professor of Music at York University) while still spending extended
periods in Australia.
AILÍS NÍ RÍAIN
Born in Cork, Ailís Ní Ríain is a graduate of University College Cork, the University
of York, the University of Manchester and the Royal Northern College of Music,
Manchester, where she became the first Junior Fellow in Education. She has attended
composition masterclasses, workshops and residencies throughout Europe. In 2007,
her installation Streetsong was awarded first prize at the ISCM World Music Days
sound art category and EXIT won Second Prize in the Vienna Masterworks Nancy
Van Der Vate International Composition Prize for Opera. Her London Purcell
Room debut took place in 2007 and her Carnegie Hall debut in 2008. Her work
has been commissioned and broadcast on RTE, BBC 3 and BBC 4. As a composer,
she is interested in producing works which challenge, provoke and engage. She is
particularly interested in cross-discipline collaboration, music in the public realm,
�music-theatre, sound installation and presenting contemporary music in diverse
spaces. Her works have been performed throughout Europe and in the USA by
numerous performers and ensembles including Psappha, Barry Guy, Harry Sparnaay,
Ensemble 10:10, Jane Chapman, Concorde, Frode Haltli, Gareth Davies, Elsbeth
Moser and De Ereprijs. Recent projects include a wide variety of interests and ideas
including a large-scale, year-long installation for 12 humming voices and classical harp
for Clitheroe Castle in Northern England; a suite of hotel-room based mini-operas
for Sawn-off Opera in collaboration with writer David Gaffney; Brief-Blue-ElectricBloom, a music-theatre piece combining sign-language interpretation, animation,
poetry and live music for Abandon Normal Devices; Boy You Turn Me, a site-specific
music and text installation commissioned for the 2011 Birmingham Book Festival;
DOWN, a collaboration with visual artist Nicola Dale for METALCulture at Liverpool
Biennial 2010 and In Sleep... for the Royal Liverpool Philharmonic’s Ensemble 10:10
with Lori Lixenberg. In 2016 Ailís will be an Associate Artist at The Atlantic Center
for the Arts in USA working with Myra Melford and focusing on piano improvisation
and new piano preparations. In 2015 The Royal Irish Academy of Music Percussion
Ensemble commissioned Dubinina’s Tongue, a percussion quartet which was
performed in Ireland and the USA. Current projects include a UK tour of Skloniste
for accordion (Dermot Dunne) with film inspired by the Siege of Sarajevo. Ailís Ní
Ríain is also a playwright published by Methuen Drama (Bloomsbury).
MARIAN INGOLDSBY
Marian Ingoldsby was born in Carrick-on-Suir, Co. Tipperary. She studied
composition with Gerald Barry at University College, Cork, graduating with an
MA in Composition and winning the Fleischmann Prize in 1995. She is currently
a lecturer in the music department of Waterford Institute of Technology. She has
been commissioned by, among others, Opera Theatre Company, which premiered
her chamber opera, Hot Food with Strangers in 1991; the National Symphony
Orchestra of Ireland/Ulster Orchestra; Presteigne International Festival of Music
and the Arts, Wales; Cork International Choral Festival; Pearls before Swine,
Sweden; and the AXA Dublin International Piano Competition. Awards include the
Macaulay Fellowship (1995) and in 1996, the first Elizabeth Maconchy Composition
Fellowship tenable at the University of York. This enabled her to undertake a DPhil
in Composition with Nicola LeFanu which she completed in 2000.
ULTAN O’BRIEN
Ultan O’Brien is a fiddle player and violist from County Clare, living in Dublin for the
last few years. Ultan performs at home and abroad with the traditional music band,
Skipper’s Alley, and contemporary folk trios Juhn Echo and Once there was a King.
Ultan often performs with Aon Teanga – Un Çhengey, a project reuniting the song
traditions of the Gaelic nations, and was involved in the recording of their debut
album. After studying composition under David Bremner, Ultan stays active in the
world of contemporary composition through a variety of projects, including a
commission to write for Temenos duet.
finearts.uvic.ca/music
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Orion Series in Fine Arts
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk1.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk2.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk3.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk4.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk5.mp3">Talk5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk6.mp3">Talk6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_Talk7.mp3">Talk7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092916-Orion_Roe/092916-Orion_Roe_08.mp3">Track8</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Orion Series in Fine Arts - Paul Roe
Creator
An entity primarily responsible for making the resource
Adelyn Chaw
Trevor Naumann
Contributor
An entity responsible for making contributions to the resource
Paul Roe, clarinet & bass clarinet
Anne Grimm, soprano
Patricia Kostek, clarinet
Charlotte Hale, piano