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                    <text>DEGREE RECITAL
	

	Erin	Onyschtschuk,	Clarinet	
Elizabeth	Clarke,	piano	
James	Yi,	piano	
Aliayta	Foon-Dancoes,	violin	
Evan	Hesketh,	viola	
Ella	Hopwood,	cello	
Sunny	Chu,	clarinet	
Dominic	Thibault,	clarinet	
Marcella	Barz,	bass	clarinet	
		

	

Monday,	March	14,	2016,	8pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM	
	

	
																																																																																																																
Claude	Debussy	
																																																																																																																																									(1862-1918)	

Première	Rhapsodie	

			

								

	
Elizabeth	Clarke,	piano	
	
	
Introduction,	Theme	and	Variations		
											Gioachino	Rossini	
																					(1792-1868)	
	
							James	Yi,	piano	

	

	
	
-	INTERMISSION	-	

	
	
Quartet	No.	1		in	Bb	for	Clarinet	and	String	Trio		
																																																																																																																				
																																																																																																																																																																		Joseph	Haydn	
Allegro	con	spirito																																																																																																																												Arr.-	V.	Gambaro	
																																																																																																																																																																						(1732-1809)																														
	
Aliayta	Foon-Dancoes,	violin	
Evan	Hesketh,	viola	
Ella	Hopwood,	cello	
Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

�	
Carnyx	for	solo	clarinet					
																																																																																																																																																																Serban	Nichifor	
																																																																																																																			(b.	1954)	
	
	
	
A	Klezmer	Wedding																																																																																																																															
																																																																																																																																																																							Mike	Curtis	
																																																																																																																																																																												(b.	1952)	
	
Sunny	Chu,	clarinet	
Dominic	Thibault,	clarinet	
Marcella	Barz,	bass	clarinet	
	
	
	
	
	
	
Erin	Onyschtschuk	is	from	the	class	of	Professor	Patricia	Kostek	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	Performance	program.	
	
Reception	to	follow	in	the	Lounge.	
	

Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�Cello Class
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Recital

Featuring students from the studio
of Pamela Highbaugh Aloni

		

Friday, March 11, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Sonata for Piano and Violoncello in G minor, Op. 5, No. 2
	
Adagio sostenuto e espressivo –
Ludwig van Beethoven
	
Allegro molto piu tosto presto
(1770–1827)
Brian Lin, cello
Bella Zeng, piano
Allegro Appassionato, Op. 43
Allegro

Camille Saint-Saëns
(1835–1921)

Tara Rajah, cello
Vanessa Lee, piano
Concerto in D major, Hob.VIIb:2 for Violoncello and Piano
	
Allegro Moderato
Franz Joseph Haydn
	
(1732–1809)
Natalia Stoney, cello
Sophia Stoney, piano
Sonata in C for Cello and Piano			
	
Dialogo—Allegro
	
Scherzi—pizzicato
			
Steven Jeon, cello
Syd Bulman-Fleming, piano
Sonata in F major, RV 41					
	
Largo—Allegro

Benjamin Britten
(1913–1976)

Antonio Vivaldi
(1678–1741)

Paul Joo, cello
Mátyás Sabo, piano
Sonata for Cello and Piano in G minor, Op. 65
	Largo
	
Finale: Allegro
Shiun Kim, cello
Zinna Kwon, piano

I NT E R M I S S I O N

Frédéric Chopin
(1810–1849)

�Sonata for Cello and Harpsichord
(originally composed for Viola da Gamba) 			
	
Adagio—Allegro ma non tanto

J. S. Bach

Alex Klassen, cello
Elizabeth Clarke, harpsichord
Concerto in E minor, Op. 85 for Violoncello and Piano
	
II. Lento—Allegro molto

Edward Elgar
(1857–1934)

Olivia Brotzell, cello
Aya Robertson, piano
Sonata in F major, Op. 5, No. 1			
	
Adagio sostenuto—Allegro

Ludwig van Beethoven

Claire Dresselhuis, cello
Frances Armstrong, piano
Sonata in E minor, Op. 38 for Violoncello and Piano
	
Allegro

Johannes Brahms
(1833–1897)

Chloe Kersen, cello
Aimi Howden, piano
Concerto in B minor, Op. 104 for Violoncello and Piano	
	
Allegro
Ella Hopwood, cello
Jany Lu, piano

www.finearts.uvic.ca/music/events

Antonín Dvořák
(1841–1904)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�String Chamber
Concert
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Featuring students from the studios
of the Lafayette String Quartet
		

Thursday, March 24, 2016 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
String Quintet Op. 30, No.6
(musica notturna delle strade di Madrid)

Luigi Boccherini
(1743–1805)

String Quintet in C Major, Op.163
	
III. Scherzo

Franz Schubert
(1797–1828)

Jasmine Mather, violin
Lena Ruiz, violin
Melissa Toth, viola
Bryan Lin, cello
Olivia Brotzell, cello
String Quartet in E minor, Op. 121
	
I. Allegro moderato

Gabriel Fauré
(1845–1924)

Jessica d’Oliveira, violin
Linda Donn, violin
Eric Mitchell, viola
Tara Rajah, cello
String Quartet No. 3, Op. 94
	
V. Recitative &amp; Passacaglia (La Serenissima)	
	
Emily MacCallum, violin
Natalie Dzbik, violin
Sarah de Niverville, viola
Alex Klassen, cello
Quartet in F major, Op. 59, No. 1
	
Allegro
Matthew Logan, violin
Nanau Loewen, violin
Joshua Gomberoff, viola
Natalia Stoney, cello

Benjamin Britten
(1913–1976)

Ludwig van Beethoven
(1770–1827)

�String Quartet No. 8, Op. 110
	
III. Allegretto
	
IV. Largo
	
V. Largo

Dmitri Shostakovich

Ross Ling, violin
Shijin Kim, violin
Marko Miletic, viola
Chloe Kersen, cello

I NT E R M I S S I O N

String Quartet No. 3 in F Major, Op. 73
	
II. Moderato con moto
	
III. Allegro non troppo

Dmitri Shostakovich
(1906–1975)

The Drift Compatible Quartet
Amy-Lynne Toth, violin
Brittany Tsui, violin
Calvin Yang, viola
Claire Dresselhuis, cello
String Quartet in E-flat Major, Op. 58, No. 2, G. 243
	
I. Allegretto lento
	
II. Menuetto: Allegro

Luigi Boccherini

Francine Hsu, violin
Serena Jack, violin
Paul Joo, cello
Steven Jeon, cello
Quartet No. 6 in F minor, Op. 80
	
I. Allegro vivace assai
	
II. Allegro assai

Felix Mendelssohn
(1809–1847)

Aliayta Foon-Dancoes, violin
Chloe Kim, violin
Evan Hesketh, viola
Shiun Kim, cello
Four for Tango
Raina Saunders, violin
Jilaine Orton, violin
Fahlon Smith, viola
Ella Hopwood cello

Astor Piazzolla
(1921–1992)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�Chorus &amp;
UNIVERSITY OF VICTORIA

Orchestra
Supplication

Ajtony Csaba, conductor
Dr. Adam Jonathan Con, Chorus director
Soloists:
Kelsey Wheatley, mezzo-soprano
Xuguang Zhang, baritone

Saturday, March 5, 2016 • 8:00 p.m.
University Centre Farquhar Auditorium
University of Victoria
Adults: $15 / Students &amp; seniors: $10

�PROGRAM
Dmitri Shostakovich

Symphony No. 5 in D minor, Op. 47 (1937)
	
Moderato — Allegro non troppo
	Allegretto
	Largo
	
Allegro non troppo

I NT E R M I S S I O N

Maurice Duruflé
Requiem (1947)
	
	
	
	
	
	
	
	
	

I. Introït (Requiem aeternam) – Chorus and Orchestra
II. Kyrie eleison – Chorus and Orchestra
III. Domine Jesu – Baryton solo, Chorus and Orchestra
IV. Sanctus – Chorus and Orchestra
V. Pie Jesu – Soprano solo, Chorus and Orchestra
VI. Agnus Dei – Chorus and Orchestra
VII. Lux Aeterna – Chorus and Orchestra
VIII. Libera me – Baryton solo, Chorus and Orchestra
IX. In Paradisum – Chorus and Orchestra
Soloists:
Kelsey Wheatley, mezzo-soprano
Xuguang Zhang, baritone

�BIOGRAPHIES
Kelsey Wheatley, mezzo-soprano
Although Kelsey’s roots are in the theatrical and movement realms, she has found
her true passion in classical singing. She has achieved numerous credentials including
a theater arts diploma from Grant MacEwan University, a diploma in classical music
from the Victoria Conservatory of Music joint with Camosun College, and currently
studies with Anne Grimm in her final year of a bachelors degree in music at UVic.
In her “free time” Kelsey enjoys directing the children’s choir at First Metropolitan
United Church, where she is also a choral scholar, and has performed as the ghost
women in Lucia di Lammermoor, and most recently, Bianca in Otello with Pacific
Opera Victoria.
Xuguang Zhang, baritone
Xuguang Zhang was born in Daqing, China. He studied music at the Central Conservatory of Music in Beijing and since 2013 has been studying at UVic with Benjamin Butterfield. Xu competed in many singing competitions in China achieving
outstanding awards. In Victoria he has performed the role of Aeneas in Dido and
Aeneas with the Victoria Chamber Orchestra under Yariv Aloni, Messiah with the
Civic Orchestra and The Armed Man: a mass for peace with Naden Band under Peter
Butterfield. Xu also participated at the Amalfi Coast Music Festival where he sang
the role of the Notary in Puccini’s Gianni Schicchi under Greg Ritchie performing in
Naples, Scala, Cave de’ Terreni, Minori and Maiori.
Ajtony Csaba, conductor
Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later piano
and composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest with Uroš Lajovic, Peter Eötvös, Zoltán Pesko, Zsolt Nagy,
Lucas Vis and Antoni Wit. He was awarded many prizes as a conductor and composer, and was a semi-finalist in the first competition for opera in Cluj, Romania.
Csaba has had numerous concerts in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden, Webern Sinfonietta, Savaria Symphony Orchestra, and
Danubia Orchestra. In the 2003/04 season he was the assistant conductor and tutor
of the Academy Orchestra Budapest and in 2005 was invited to be the assistant
conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein with the
RSO (Radio-Symphonieorchester, Wien) in 2007.
Since 2006 Csaba has served as the chief conductor of the Central European
Chamber Orchestra, and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse
Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for
New Music and was assistant at the Salzburg Festspiele. In 2008 he conducted the
EuroMed Youth Orchestra in Damaskus, Syria.

�Csaba recently appeared in Toronto, at the Montreal New Music Festival, at the
Brazilian SiMN Festival in Curitiba and in the subscription series of the Hungarian
Symphony Orchestra Miskolc.
Csaba has served as music director of the University of Victoria Orchestra and Sonic
Lab since 2010, where he also teaches conducting and the history of conducting.
Dr. Adam Jonathan Con, Chorus director
Dr. Adam Jonathan Con is Assistant Professor of Music at University of Victoria
School of Music. Conductor of the UVic Chorus, he also teaches Secondary Choral
Rehearsal Techniques and Literature, Middle and Elementary School choir methods,
Elementary Music Methods, Music Education Foundation, Choral Conducting, and
supervises music education students. He previously served as Director of Choral
Activities, Chair of Music Education at the Bob Cole Conservatory of Music, California State University, Long Beach, at Wittenberg University in Springfield, Ohio and
at Georgia Southern University in Statesboro, Georgia. A native of Vancouver, he
earned his Bachelor’s and Master Degree in Music Education from the University of
British Columbia. At Florida State University, he earned a Doctorate of Philosophy in
Music Education (Choral Conducting Emphasis) studying with Rodney Eichenberger,
Andre Thomas, Clifford Madsen and Judy Bowers. In addition, Dr. Con is a certified
Orff Schulwerk specialist and has extensive study experience as a Tai Chi Chuan and
Alexander Technique practitioner.
In high demand in the United States and Canada both as a guest conductor
and choral conducting teacher, Dr. Con has been invited to present and conduct at
prestigious events such as the National American Orff-Schulwerk Conference, the
Canadian National Choral Conducting Symposium, the Canadian National GALA
Conference, the National Canadian Orff-Schulwerk Conference, the Alberta Provincial Music Educator’s Conference, the British Columbia Provincial Music Educator’s
Conference, the British Columbia Choral Federation, the Ohio State Music Educator’s Conference, the Georgia State American Choral Directors Association Conference, and the Georgia Music Educator’s Conference. His talent and ability to work
with all levels of musical experience is grounded in 15 years of diverse K-12 public
school music teaching in British Columbia which includes Orff, Kodály, and Dalcroze
based general music, French immersion music, middle and secondary school choral,
vocal jazz, concert band and jazz band. His professional conducting experiences
include numerous All-State and honor choirs, civic orchestras, professional musical
theatre, community choirs, concert bands, and 36 years as a church choir director
and organist. He currently serves as Director of Music at St. Barnabas Anglican
Church, Victoria.
University of Victoria Chorus
The UVic Chorus was founded in 1969 and has performed many of the masterworks for chorus, orchestra, and soloists, including Bach’s Mass in B, Verdi’s Requiem,
Mendelssohn’s Elijah, Haydn’s Creation, Carmina Burana by Carl Orff, the War Requiem of Benjamin Britten, and Mahler’s Symphony of a Thousand. The chorus is open
to all UVic students, faculty, alumni, and staff, as well as the Greater Victoria community. First rehearsals for the new season begin the first Tuesday after Labour Day in
September. For more information, contact the conductor, Dr. Adam Jonathan Con at
acon@uvic.ca.

�UNIVERSITY OF VICTORIA ORCHESTRA
VIOLIN
Aliayta Foon-Dancoes**
Chloe Kim**
Matthew Logan
Linda Dann
Jilaine Orton
Ross Ling
Raina Saunders*
Jasmine Mather
Amy-Lynne Toth*
Shijin Kim*
Jessica d’Oliveira
Brittany Tsui
Serena Jack
Michele Hoskin
Emily MacCallum
Francine Hsu
Sari Alesh §
VIOLA
Josh Gomberoff*
Sarah de Nieverville*
Fahlon Smith
Evan Hesketh
Calvin Yang
Melissa Toth
Eric Mitchell
CELLO
Ella Hopwood*
Shiun Kim*
Clare Dresselhuis
Chloe Kersen
Olivia Brotzell
Alex Klassen
Bryan Lin
Tara Rajah
DOUBLE BASS
Brock Foerster*
Blake Palm
Carroll Mackenzie
* Principal
** Concert master
§ Community member/
sessional

FLUTE
Cooper Reed*
Bailey Finley
Jillian Broughton

TROMBONE
Megan White*
Liam Caveney
Trevor Hoy

PICCOLO
Jillian Broughton*
Bailey Finley

TUBA
Dayna Waller*

OBOE
Gillian Newburn*
Patrick Conley
ENGLISH HORN
Patrick Conley
CLARINET
Marcella Barz*
Sunny Chu*
Dominic Thibault

ORGAN
Thomas Nicholson*
PIANO
Thomas Nicholson*
CELESTE
Thomas Nicholson*
Adam Jaseniuk
HARP
Annabelle Stanley §

PICCOLO CLARINET
Erin Onyschtschuk*

TIMPANI
Tristan Holleufer

BASS CLARINET
Yu Fang Liang

PERCUSSION
Julia Albano-Crockford
Hans Verhoeven
Kyle MacLean

BASSOON
Eric Boulter*
Heather Fischer §
CONTRABASSOON
Lee Whitehorn
HORN
Sam MacNally*
Sarah Mullane
Justin Malchow
James Waddell
TRUMPET
Ian VanGils*
John Hamblett
Justin Bury
Alex Reese

STAGE MANAGERS
Paul Joo
Tristan Holleufer
LIBRARIANS
Betty Allison
Bahar M. Harandi
ASSISTANT
Evan Hesketh
SECTION COACHES
Joanna Hood
Dr. Suzanne Snizek
Keith MacLeod §
Paul Beauchesne §

�UNIVERSITY OF VICTORIA CHORUS
Keiko Alkire
Betty Allison (Chorus Assistant)
Mann Amelia
Myles Anderson
Mueller Anita
Frances Armstrong-Douglas
Mary-Louise Aro
Mark Bigauskas
Breanna Bokstrom
Isaiah Brabazon
Morgan Buxton
Jasmine Carbery
Alex Cheung
Tiffany Cheung
Arianna Cheveldave
Erik Chu
Vera Costain
Elizabeth	Craig
Steven Cramaro (Section Leader)
Amanda Cross
Rebecca Dhillon
Amara Digout
Brandon	Duncan
Natalie Dzbik
Margaret	 Dzbik
Skye Eriksen
David Eupen
Angela Faber
Simon Farintosh
Wendy Feng
Matt Fichter
YiCong Gao
Jasper Graham
Adar Guy
Rita Haehnlein
Rudolf Haehnlein
Harry Han
Seira Hayakashi
Darleene Horricks
Ai Horton
Aimi Howden
Haotian Hu
Louise Hung
Iris Hung
Sarah Hunsberger
Yuko Imai
Vincy Ip
Kayla Izon

Parkhill Jason
Steven Jeon
Paul Joo
Joy Keeler
Nicola Kent
Kathryn Kerr
Simon Kightley
Brian Kim
Zinna Kwon
Angelina	Lagunzad
Chris Lam
Cuong Le
Jakob Leben
Esther Lee
Vanessa Lee
Flora Leigh
Diane Leitch
Bonnie Leung
Iona Lister
Mandy Liu
Laura Liu
Emily Liu
Jany Lu
Polson Luke
Katie Lundin
Kelsey MacGillivray
Irma MacKay
Pierre MacKenzie
Charlie Mah
Emily Mahbobi
Erin Marsh
Beth Anne Masselink
Joyce Masselink
Chandler McCorkindale
Elsie McMurphy
Rowan Mcwilliams
Michelle Melnicky
Bahar Mohaghegh Harandi
Colin Mooney
Jessica Morgan-Lang
Monica Mun
Patricia Murray
Natasha Nahirnick
Heather Noakes
Andrea Nychay
Sophie Oliveau-Moore
Meagan Pal
Samuel Pan

Hart Parnell
Hadley Parsons
Nataliya Pashchenko
Drew Porter
Anthony	Quas
Sean Quicke (Section Leader)
Shayan Rahimabadi
Torrey Randolph
Briar Rose Redchurch
Jordan Rettich
Beverley	Rippin
Aya Robertson
Elizabeth Robertson
Emmett Robinson Smith
Sonja Ruffell
Matthew Sabo
Heather Sander
Helen Sanders
Eryn Sharpe
Fu-hsien Shen
Jaskaran Singh
Cassidy Starh
Megan Steffens
Sarah Stephens
Penny Stevenson
Natalia Stoney
Ross Sutherland
Sarah Tao
Koba ter Neuzen
Nick Tsang
Jackson Tseng
William Van den Broek
Jonah Van Driesum
Sylvie Vigneux
Frank Waelti
Season Wang
Olivia Wheeler
Jane Whiteley
Lauren Wilson
Muzi Xu
Lissa Zala
Bella Zeng
Carol Zhang
James Zhang
REHEARSAL ACCOMPANIST	

Tony Booker

�UPCOMING EVENTS
Sunday, March 6 &amp; 13, 7:00 p.m. (Regular $18 / $15 for Castle members)
CRAIGDARROCH CASTLE IN SONG
Celebrating the history of Craigdarroch Castle though the music of
Schumann, Barber, Wolf and Ravel. Featuring School of Music students.
Tickets available at: https://thecastle.ca/events
Craigdarroch Castle (1050 Joan Crescent)
Tuesday, March 8, 11:00 a.m. to 2:30 p.m. (Free admission)
A DAY IN THE LIFE OF THE LAFAYETTE STRING QUARTET:
Working with UVic’s Artists-in-Residence
Experience a day in the life of one of the most renowned string quartets
in North America. Sessions include an open rehearsal, discussion with string
students, and a masterclass. More info at: finearts.uvic.ca/music/events
Tuesday, March 8, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, March 11, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music string students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Friday, March 11, 8:00 p.m. (Admission by donation)
CELLO CLASS RECITAL
Featuring students from the studio of Pamela Highbaugh Aloni.
Phillip T. Young Recital Hall
Saturday, March 12, 2:30 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of May-Ling Kwok.
Phillip T. Young Recital Hall

�

To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

�</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�Son ic
Lab
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Ajtony Csaba, conductor
Evan Hesketh, graduate conductor *
*This performance is in partial fulfillment of the requirements for
the Master of Music degree in Conducting Performance.

Saturday, March 19, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Alec Hall
Hyperwarp
Evan Hesketh, conductor

•
György Kurtág
…quasi una fantasia… op. 27
Thomas Nicholson, piano soloist

•
Anton von Webern
Quartet op. 22, movement 1

•
Soundpainting

Evan Hesketh
Evan Hesketh began studying violin at age seven with Yasuko Eastman, who also
introduced him to the viola a few years later. He holds a Bachelor of Music degree
from the University of Victoria, where he studied violin with Ann Elliott-Goldschmid
and viola with Joanna Hood and Yariv Aloni. Further studies led to a Master of Music
degree at the Cleveland Institute of Music under the tutelage of Robert Vernon, Jeffrey Irvine, and Kirsten Docter. Evan has played in masterclasses for Pinchas Zukerman, James Dunham, Roger Tapping, Atar Arad, and Steven Dann.
An award-winning chamber musician, Evan was a member of the Ariadne String
Quartet, prizewinners at the 2012 Fischoff Competition, and the 2012 Coleman
Competition. Quartet studies have been with members of the Lafayette, Cleveland,
Cavani, Miro, Juilliard, Brentano, and Schoenberg quartets.
Currently, Evan studies conducting at the University of Victoria on a full scholarship
with Ajtony Csaba. He has conducted the UVic Orchestra, Victoria Civic Orchestra,
and festival orchestras in Maine and New Hampshire.

�SONIC LAB PERSONNEL
FLUTE	
Jillian Broughton

VIOLIN	
Matthew Logan
Gabriel Cayer
Natalie Dzbik

OBOE	
Patrick Conley

VIOLA	
Joshua Gomberoff

CLARINET
Samuel He
Dominic Thibault
BASSOON/
CONTRABASOON
Lee Whitehorn
SAXOPHONE
Seán Maynard
Adam Jaseniuk
Lee Whitehorne

CELLO	
Paul Joo
DOUBLE BASS
MacKenzie Carroll
Blake Palm

PIANO	
Thomas Nicholson
Frances Armstrong-Douglas
PERCUSSION
Keenan Mittag-Degala
Tristan Holleufer
William Exner
Carlie Graham*
TIMPANI
Brandon Chow
ELECTRIC GUITAR
Nolan Krell
ASSISTANT
Evan Hesketh
* Community member

finearts.uvic.ca/music/events

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                    <text>DEGREE RECITAL
	

Ella	Hopwood,	cello		
Jany	Lu,	piano		

	

	

Monday,	February	29,	2016	8pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

	
Cello	Suite	no.	5	in	C	Minor,	BWV	1011	 		
								 																																																																							J.S.	Bach	
Prelude																																																																																																																																									(1685–1750)	
Sarabande	
Gigue	
	
Cello	Sonata	in	C	Major,	op.119																																																																																																					Sergei	Prokofiev	
	
Andante	Grave																																																																																																																										(1891—1953)	
	
Moderato	
	
Allegro,	ma	non	troppo	
	
	

-	INTERMISSION	-	

	
Fantasiestucke,	op.	73	 	
																																																																																																	Robert	Schumann	
Zart	und	mit	audstruck																																																																																																													(1810–1856)	
Lebhaft,	leicht	
Rasch	und	mit	Feuer	
	
	
	Cello	Concerto	in	B	Minor	
								 																																																																																							Antonín	Dvořák	
Allegro																																																																																																																																										(1841–1904)	
	
	
	
	
	
	
Ella	Hopwood	is	from	the	class	of	Ms.	Pamela	Highbaugh	Aloni	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	
	
	
Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

�Program	notes	
	
th
Bach’s	5 	Suite	in	the	resonant	key	of	C	minor	differs	from	his	other	suites	in	two	important	ways.	Firstly,	the	
score	indicates	scordatura	for	the	performer,	which	means	tuning	the	A	string	down	a	whole	step	to	G—a	process	
which	can	greatly	increase	the	cello’s	resonance,	as	well	as	make	chords	and	double	stops	fit	much	more	
comfortably	beneath	the	hand.		Secondly,	this	is	his	only	Cello	Suite	to	include	a	fugue!	The	prelude—which	
contains	the	fugue—exemplifies	the	contrasting	characters	that	are	prevalent	throughout	the	whole	suite:	the	
overall	mood	of	the	movements	varies	between	dark	and	introspective,	assertive	and	unyielding,	and	boisterous	
and	playful.	
	
Prokofiev’s	only	sonata	for	cello	and	piano	is	deliciously	rich,	and	uses	both	instruments	in	ways	that	highlight	
their	versatility.		The	writing	for	the	cello	part	allows	the	instrument	to	sing	out	the	melody	in	all	registers—most	
remarkably	on	the	low	C	string—as	well	as	function	as	a	percussive	element	in	many	cases.		The	piano	part	is	much	
the	same,	and	requires	the	performer	to	have	a	hugely	flexible	touch.		Prokofiev	composed	the	sonata	for	Mstislav	
Rostropovich	and	Sviatsoslav	Richter,	who	premiered	the	work	together	in	1950.		This	sonata	was	surprisingly	well	
received,	considering	that	Stalin	had	just	publicly	denounced	its	composer.		It	paints	a	picture	of	drastically	
differing	characters	throughout	the	three	movements:	the	first	is	proud	and	expostulatory,	yet	sensitive;	the	
second	more	playful	and	cheeky	with	an	amorous	slow	theme	in	the	middle;	the	third	a	joyous	affirmation	of	C	
major,	with	coy	and	warm	moments	thrown	in	for	balance.		The	conclusion	of	the	sonata	is	grandiose	and	
assertive,	almost	more	fitting	for	a	symphony	than	a	piece	of	chamber	music—yet	is	characteristic	of	the	tradition	
of	luscious	Russian	music.	
Schumann’s	“Fantasiestucke”	op.	73,	composed	in	1849,	was	originally	scored	for	clarinet	and	piano,	yet	
Schumann	indicated	on	the	manuscript	that	it	could	be	also	performed	with	cello	or	violin.		The	movements’	titles	
translate	to	Tenderly	and	with	expression,	and	Lively,	light,	and	Quickly	and	with	fire,	a	clear	and	helpful	indication	
of	Schumann’s	musical	intention.	Throughout	all	three	movements,	there	is	a	recurring	rhythmical	motive	of	
triplets	(usually	in	the	piano	part)	against	duplets	(in	the	cello),	as	well	as	a	melodic	motive	of	tension-filled	half	
steps.		Together,	these	motives	contribute	to	a	sense	of	unsettled	urgency	that	doesn’t	quite	resolve	until	the	very	
end	of	the	piece.	
	
The	iconic	Cello	Concerto	in	B	minor	by	Dvorak	is	a	corner	stone	of	solo	repertoire.		It	was	premiered	in	London	by	
cellist	Leo	Stern,	with	Dvorak	himself	conducting.		Dvorak	apparently	considered	the	cello	an	instrument	suited	to	
an	orchestral	setting,	but	ill	fitting	for	solo	performances;	it’s	ironic	then,	that	this	piece	further	established	the	
cello	as	a	solo	instrument!		There	are	several	aspects	of	this	piece	that	break	concerto	convention:	in	its	opening	
notes,	the	solo	cello	enters	in	the	parallel	key	of	B	major,	not	the	tonic	B	minor	as	expected.		Furthermore,	there	
are	no	true	cadenzas	in	this	showy	first	movement—only	solo	snippets	of	cello	with	orchestral	(tonight,	piano!)	
interjections.		The	piece	demands	of	the	performer	extreme	technical	proficiency	as	well	as	the	ability	to	convey	
the	deeply	emotive	content	of	the	lyrical	themes.		As	you	will	hear,	the	second	theme	in	this	first	movement	is	
achingly	beautiful	and	lyrical,	yet	requires	intense	technical	refinement	to	perform	convincingly.		With	its	technical	
and	musical	demands,	this	piece	has	duly	become	a	rite	of	passage	for	every	cellist.	

Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_04.mp3"&gt;track4&lt;/a&gt;</text>
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                    <text>GRADUATE RECITAL
	
	

	

	Kory	Major,	tuba		
Matthew	Poon,	piano		
Tuesday,	April	5th,	2016,	8:00pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

Drei	Romanzen	Op.	94	 																																																																																																																Robert	Schumann	
Nicht	schnell	(not	fast)	 	
	
	
	
	
	
	
						(1810-1856)	
Einfach,	inneg	(simple,	heartfelt)	
Nicht	schnell																																																																																																																				
	
																																																																																																									
	
							
Matthew	Poon,	piano	
	
	
	
Suite	No.	1	in	G	Major	BWV	1007	
	
	
	
													 	
																									J.S.	Bach
	
Two	Minuets		 	
	
	
	
	
																																																(1685-1750)	
	
	
	
	
	
	
	
	
	
	
	
				Arr.	R.	Sauer	
	
	
	
	
	
	
							
	
Des	Knaben	Wunderhorn	
	
	
	
	
	
	
	
		Gustav	Mahler	
	
Urlicht	(1893)	 	
	
	
	
	
	
	
	
						(1860-1911)	
	
	
	
Horn	Concerto	No.	1,	Op.	11	 	
	
	
	
	
	
															Richard	Strauss	
	
	Allegro		
	
	
	
	
	
	
	
	
						(1864-1949)	
Andante	
Allegro					
	
	
	
Send	in	the	Clowns	
				
	
	
	
	
	
	
									Stephen	Sondheim				
	
																																																																																																						
	
	
													(b.1930)	
	
	
Kory	Major	is	from	the	class	of	Mr.	Paul	Beauchesne	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Music	(Performance)	program.	
	

Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

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                    <text>DEGREE RECITAL
	

	Ching	(Sunny)	Chu,	Clarinet		
Yuko	Imai,	piano		
Erin	Onyschtschuk,	clarinet	
Marcella	Barz,	clarinet	
Dominic	Thibault,	bass	clarinet	

	

Sunday,	March	20,	2016,	2:30	P.M.	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	
	

PROGRAM
	

	
Sonata	in	E-flat	major,	MWV	Q	15S	for	clarinet	and	piano		
		
								 									Felix	Mendelssohn	
I.	Adagio	–	Allegro	moderato																																																																																																				(1809-1847)	
II.	Andante	
III.	Allegro	moderato	
	
	
	
Romanian	Dances	for	clarinet	and	piano	
	
																																																																		Béla	Bartók	
I.	Jocul	cu	bâtă	(Stick	Dance)																																																																																																					(1881-1945)	
II.	Brâul	(Sash	Dance)	
III.	Pe	loc	(In	One	Spot)
IV.	Buciumeana	(Dance	from	Bucsum)
V.	Poarga	Românească	(Romanian	Polka)
VI.	Mărunțel	(Fast	Dance)
	
	
	
	
	
	
Dragonfly	for	three	clarinets	and	bass	clarinet	 	
	
																																	arr.	Ioan	Dobrinescu	
	
From	Japanese	Folk	Song,	Red	Dragonflies		
	
	
	
	
													(b.1960)	
	
	
	
Erin	Onyschtschuk,	clarinet	
Marcella	Barz,	clarinet	
Dominic	Thibault,	bass	clarinet	
	
	
	
	
	

-	INTERMISSION	-	

	

�	
	
Sonata	in	E-flat	major,	Op.	120	No.2								
	
																																																							Johannes	Brahms	
I.	Allegro	amabile																																																																																																																							(1833-1897)	
II.	Allegro	appassionato	
III.	Andante	con	moto	-	allegro	
	
	
	
	
Lied	for	solo	clarinet																						
	
	
	
	
	
																			Luciano	Berio	
								 																																																																																																																																																							(1925-2003)
																																																																																																		
	
	
	
Dance	Pieces	for	clarinet	and	piano	
	
																																																																										Wei-Liang	Shih
																																																																																																																							(1925-1976)	
	
	
	
	
Ching	(Sunny)	Chu	is	from	the	class	of	Professor	Patricia	Kostek	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	
	

	

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                <text>Adar Guy</text>
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          <element elementId="40">
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                <text>March 20, 2016</text>
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                    <text>GRADUATE RECITAL
	

	Andrea	Rodall,	soprano	
Josh	Herrett,	piano	
	
Ensemble	
Frances	Armstrong,	harpsichord	
Gillian	Newburn,	flute	
Jessica	McLaughlin,	soprano	saxophone	
Paul	Joo,	cello	
Emily	MacCallum,	violin	

	

	

Wednesday,	March	23rd,	2016,	12:30pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

	
with	ensemble	
Six	Elizabethan	Songs	(Excerpts	from)	 																																																																																			Dominick	Argento
	
Spring	 	
	
	
	
	
	
	
	
	
												(b.	1927)	
	
Dirge	
	
Winter								
																																																																																																																																																																														
	
with	piano	
	
Nun	Beut	die	Flur	(from	The	Creation)	 	
	
	
	
	
							Franz	Joseph	Haydn		
	
	
	
	
	
	
	
	
	
	
	
						(1732-1809)	
	
Almen	se	non	poss'io																																																																																																																									Vincenzo	Bellini	
Per	pieta,	bell'idol	mio																																																																																																																												(1801-1835)	
Vaga	luna	che	inargenti	
	
	
Je	dis	que	rien	ne	m'epouvante	(from	Carmen)	 	
	
	
																																	Georges	Bizet		
	
	
	
	
	
	
	
	
	
	
	
						(1838-1875)	
		
	
The	Cage																																																																																																																																																						Charles	Ives	
Berceuse																																																																																																																																																					(1874-1954)	
Walt	Whitman	 	
																																																																																																																														
	
	
Brentano	Lieder,	Op.	68	(Excerpts	from)																																																																																							Richard	Strauss	
An	die	Nacht,	no.	1																																																																																																																				(1864-1949)		
Ich	wollt	ein	Strausslein	binden	,	no.2																																																																																																		
	
	
Tornami	a	vagheggiar	(from	Alcina)		 	
	
	
	
													Georges	Frederic	Handel		
																																																																																																																																																							(1685-1759)	
	
	
	
	
	
Andrea	Rodall	is	from	the	class	of	Professor	Anne	Grimm	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Music	(Performance)	program.	
	
Please	turn	off	all	cell	phones.	
	

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                    <text>SPECIAL
THANKS
SPECIAL GUESTS
Frances	Armstrong	

Zander	Felton	

Emily	Armour	

Cody	Froese	

Chloe	Kim	

Ryan	Narciso	

Aliayta	Foon-Dancoes	

Xuguang	Zhang	

Fahlon	Smith	

Kenji	Lee	

Ella	Hopwood	

Chelsey	Ternes	

Kim	Farris-Manning	

Mandy	Wiltshire	

Gillian	Newburn	

Kassandra	Schantz	

	

Emily	Stewart	

DEGREE RECITAL
KELSEY WHEATLEY, VOICE
MEZZO SOPRANO

	

Kelsey would like to send a special thank you to:
Her fiancé Chris, for his never-ending love, support, and
patience. Her parents, and Grandmother who came a
long distance to cheer her on. Anne, for her invaluable
lessons, time, care, and persistence. Ben, for his
constant inspiration, teachings and pep-talks. To her
many teachers who have each imprinted a lasting
impression on her heart. And to her Friends who made
the last two years, the best years of her life.

16TH	MARCH,	2016,	8:00PM	
Phillip	T.Young	Recital	Hall,	MacLaurin	Building	
Free	admission

�	
	
	
	
Love	Went	a	Riding																																																																								Bridge	(1879	–	1941)	
Sheherezade																																																																																Ravel	(1875	–	1937)	
Frances	Armstrong,	Piano	
1. Asie	
	
2. La	flute	Enchantee	
Zigeunelieder	 	
																																																																Dvorak	(1841	–	1904)	
3. L’indifferent	
1. Mein	Leid	Ertont	(I)																																																																																																																					
	
2. Als	die	alte	Mutter	(IV)	
Frances	Armstrong,	Piano	
3. In	dem	weiten,	breiten,	luft’gen	Leinenkleide	(VIII)	
Gillian	Newburn,	Flute	
	
*Thanks	to	Lanny	Pollet	for	flute	transcription	
Emily	Armour,	Piano	
Habanera																																																																																						Bizet	(1838	–	1875)	
	
Carmen																																																																																																																					
	
	
Erbarme	Dich	 		
								 																																															J.S.Bach	(1685	–	1750)	
Frances	Armstrong,	Piano	
St	Matthew	Passion																																																																																																																					
	
	
I	am	Easily	Assimilated																																																						Bernstein	(1918	–	1990)	
Chloe	Kim,	Solo	Violin	
	
Candide	
Aliayta	Foon-Dancoes,	Violin	
Frances	Armstrong,	Piano	
Fahlon	Smith,	Viola	
	
Ella	Hopwood,	Cello	
Kim	Farris-Manning,	Organ	
	
Ch’io	mi	scordi	di	te?																																																																					Mozart	(1756	–	1791)	
Emily	Armour,	Piano	
	

PROGRAM

	
	
-	INTERMISSION	-	

Kelsey Wheatley is from the class of Professor, Ms. Anne Grimm
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Reception to follow in the Lounge.

Please turn off all cell phone, camera, laptop, and audio &amp; video recording devices.
Their use is strictly prohibited during events.

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