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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�Piano Class
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Recital

Featuring students from the studios of
Michelle Mares and Arthur Rowe

		

Saturday, February 20, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Sonata in C minor, Op. 13 (Pathetique) 		
Ludwig van Beethoven
	
Grave: Allegro molto e con brio	
		
(1770–1827)
Liam Pistor
Adagio in D flat Major, D. 505				
							
Emmett Robinson Smith

Franz Schubert
(1797–1828)

Sonata in C minor, Op. 10, No. 1 	
		
L. v. Beethoven
	
Allegro molto e con brio	 					
Alex Cheung
Image Astrale						
							
Jasper Graham

Jean Coulthard
(1908–2000)

Etude Op. 10, No. 3					 Frédéric Chopin
						
(1810–1849)
Mark Bigauskas
Sonata in E minor, Hob. XVI: 34				
	Presto						
Wendy Feng

Joseph Haydn
(1732–1809)

Impromptu No. 3 in G flat Major, D. 899			
F. Schubert
								
Michelle Hoskin
Sonata in E flat, Op. 81a (Les Adieux)			
	
L’Absence: Andante espressivo			
	
Le Retour: Vivacissimamente
Sarah Tao
I NT E R M I S S I O N

L. v. Beethoven

�Sonata in A Major, D. 664				
F. Schubert
	
Allegro moderato							
Crystal Anne Howell
Variations “Nel cor più non mi sento”			

L. v. Beethoven

Myles Anderson
Consolation No. 3						
								
Seira Hayakashi

F. Liszt

Jardins sous la Pluie					 Claude Debussy
							
(1862–1918)
				Samuel Pan
Etude Op. 25, No. 1						 F. Chopin
Etude Op. 10, No. 10 							
					
Maggie Xu
Variations Op. 27 					
							
	
Thomas Nicholson

Anton Webern
(1883–1945)

Etude pour les quartes	 				
C. Debussy
								
Perpetuum Mobile 					
György Kurtág
						
(b. 1926)
Laura Altenmueller
Goyescas No. 1 (Los Requiebros)			
				
Zinna Kwon

www.finearts.uvic.ca/music/events

Enrique Granados
(1867–1916)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Clarinet Class
Recital
Featuring students from the
studio of Patricia Kostek

		

Sunday, February 21, 2016 • 2:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Grand Duo Concertant, Op. 48	 	
for Clarinet and Piano	 			
	
I. Allegro con fuoco

Carl Maria von Weber
(1786–1826)

Marcella Barz, clarinet
Ina Dykstra, piano
Suite Hebraïque for Clarinet in B flat and Piano	
	
Cantorial Chant			
	
Chasidic Dance
	Hora
Alina Liang, clarinet
Laura Liu, piano

Srul Irving Glick
(1934–2002)

Concertino for clarinet			
Giuseppe Tartini (1692–1770)
	
I. Grave						 arr. Gordon Jacob
	
II. Allegro molto
	
III. Adagio	
Channing Mar, clarinet
Samuel Pan, piano
Adagio and Tarantella for clarinet and piano 		
Ernesto Cavallini
							
(1804–1874)
Mark Kim, clarinet
Alexander Cheung, piano
Sonata for clarinet and piano in E-flat major 	
Felix Mendelssohn
	
I. Adagio–Allegro moderato			
(1809–1847)
	
Sunny Chu, clarinet
Yuko Imai, piano

I NT E R M I S S I O N

�Premiere Rhapsodie

				
		
Erin Onyschtschuk, clarinet
Elizabeth Clarke, piano

Duo Concertant, Op. 351			
for clarinet and piano					

Claude Debussy
(1862–1918)

Darius Milhaud
(1892–1974)

Liam Pistor, clarinet
Josh Herrett, piano
Sonate for clarinet and piano, Op. 107C	 	
Camille Saint-Saëns
	
I. Allegretto					
(1835–1921)
Alyshia Joinson, clarinet
Samuel Pan, piano
32 Etudes for Clarinet, No. 3
	
Andante sostenuto

				
	

Cyrille Rose
(1830–1902)

Jynelle Grigg, clarinet
Concerto pour Clarinette 				
	
Allemande					
	
	
Jynelle Grigg, clarinet
Wendy Feng, piano

Michel Yost
(1754–1786)

Intermezzo 						
Alex Shapiro
								 (b.1962)
Dominic Thibault, clarinet
James Yi, piano
A Klezmer Wedding

			

Mike Curtis

Erin Onyschtschuk, Dominic Thibault, Sunny Chu, clarinets
Marcella Barz, bass clarinet

www.finearts.uvic.ca/music/events

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                    <text>D EGREE R ECITAL
	&#13;  

Kassandra	&#13;  Schantz,	&#13;  mezzo-­‐soprano	&#13;  
with	&#13;  Louise	&#13;  Hung	&#13;  &amp;	&#13;  Elizabeth	&#13;  Clarke,	&#13;  piano	&#13;  
	&#13;  

Monday,	&#13;  February	&#13;  22,	&#13;  2016,	&#13;  8:00	&#13;  pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

Kassandra	&#13;  Schantz	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Benjamin	&#13;  Butterfield.	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  (Performance)	&#13;  program.	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phones,	&#13;  cameras,	&#13;  laptops,	&#13;  and	&#13;  audio	&#13;  or	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  	&#13;  

	&#13;  

	&#13;  

�	&#13;  

	&#13;  

PROGRAMME
	&#13;  
“Frühlingsglaube”	&#13;  (“Faith	&#13;  in	&#13;  Spring”),	&#13;  D.	&#13;  686	&#13;  

	&#13;  
Franz	&#13;  Schubert	&#13;  (1797	&#13;  –	&#13;  1828)	&#13;  
Text	&#13;  by	&#13;  Ludwig	&#13;  Uhland	&#13;  (1787	&#13;  –	&#13;  1862)	&#13;  

	&#13;  

	&#13;  

On	&#13;  This	&#13;  Island,	&#13;  Op.	&#13;  11	&#13;  
1. Let	&#13;  the	&#13;  florid	&#13;  music	&#13;  praise!	&#13;  
2. Now	&#13;  the	&#13;  leaves	&#13;  are	&#13;  falling	&#13;  fast	&#13;  
3. Seascape	&#13;  
4. Nocture	&#13;  
5. As	&#13;  it	&#13;  is,	&#13;  plenty	&#13;  

Benjamin	&#13;  Britten	&#13;  (1913	&#13;  –	&#13;  1976)	&#13;  
Texts	&#13;  by	&#13;  W.H.	&#13;  Auden	&#13;  
(1907	&#13;  –	&#13;  1973)	&#13;  
	&#13;  

	&#13;  

	&#13;  

Banalités,	&#13;  FP	&#13;  107	&#13;  
1. Chanson	&#13;  d’Orkenise	&#13;  (Song	&#13;  of	&#13;  Orkenise)	&#13;  
2. Hôtel	&#13;  (Hotel)	&#13;  
3. Fagnes	&#13;  de	&#13;  Wallonies	&#13;  (Walloon	&#13;  Moorlands)	&#13;  
4. Voyage	&#13;  à	&#13;  Paris	&#13;  (Going	&#13;  To	&#13;  Paris)	&#13;  
5. Sanglots	&#13;  (Sobs)	&#13;  

Francis	&#13;  Poulenc	&#13;  (1899	&#13;  –	&#13;  1963)	&#13;  
Texts	&#13;  by	&#13;  Guillaume	&#13;  Apollinaire	&#13;  
(1880	&#13;  –	&#13;  1918)	&#13;  

	&#13;  

	&#13;  

“As	&#13;  with	&#13;  rosy	&#13;  steps	&#13;  the	&#13;  morn”	&#13;  from	&#13;  Theodora	&#13;  

George	&#13;  Friderick	&#13;  Handel	&#13;  (1685	&#13;  –	&#13;  1759)	&#13;  

	&#13;  

PAUSE	&#13;  
	&#13;  

“Love’s	&#13;  Philosophy”	&#13;  
	&#13;  from	&#13;  Three	&#13;  Songs,	&#13;  Op.	&#13;  3	&#13;  

Roger	&#13;  Quilter	&#13;  (1877	&#13;  –	&#13;  1953)	&#13;  
Text	&#13;  by	&#13;  P.B.	&#13;  Shelley	&#13;  (1792	&#13;  –	&#13;  1822)	&#13;  

	&#13;  

	&#13;  

Frauenliebe	&#13;  und	&#13;  –Leben,	&#13;  Op.	&#13;  42	&#13;  
Robert	&#13;  Schumann	&#13;  (1810	&#13;  –	&#13;  1856)	&#13;  
1. Seit	&#13;  ich	&#13;  ihn	&#13;  gesehen	&#13;  (Since	&#13;  I	&#13;  saw	&#13;  him)	&#13;  
Texts	&#13;  by	&#13;  Adelbert	&#13;  von	&#13;  Chamisso	&#13;  
2. Er,	&#13;  der	&#13;  Herrlichste	&#13;  von	&#13;  Allen	&#13;  (He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1781	&#13;  –	&#13;  1838)	&#13;  
3. Ich	&#13;  kann's	&#13;  nicht	&#13;  fassen,	&#13;  nicht	&#13;  glauben	&#13;  (I	&#13;  can’t	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it)	&#13;  
4. Der	&#13;  Ring	&#13;  (The	&#13;  Ring)	&#13;  
5. Helft	&#13;  mir,	&#13;  ihr	&#13;  Schwestern	&#13;  (Help	&#13;  me,	&#13;  ye	&#13;  sisters)	&#13;  
6. Süßer	&#13;  Freund,	&#13;  du	&#13;  blickest	&#13;  (Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest)	&#13;  
7. An	&#13;  meinem	&#13;  Herzen,	&#13;  an	&#13;  meiner	&#13;  Brust	&#13;  (At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast)	&#13;  
8. Nun	&#13;  hast	&#13;  du	&#13;  mir	&#13;  den	&#13;  ersten	&#13;  Schmerz	&#13;  gethan	&#13;  
	&#13;  	&#13;  	&#13;  (Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain)	&#13;  
	&#13;  

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Agnus	&#13;  Dei	&#13;  from	&#13;  Petite	&#13;  Messe	&#13;  Solennelle	&#13;  

Gioachino	&#13;  Rossini	&#13;  (1792	&#13;  –	&#13;  1868)	&#13;  

Chorus: Chelsey Ternes, Margaret Lingas, Kelsey Wheatley, Shelly Shen,
Zander Felton, Cody Froese, Kenji Lee, Xuguang Zhang. Harmonium: Thomas Nicholson.

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�	&#13;  
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ARTIST	&#13;  BIOGRAPHY	&#13;  &amp;	&#13;  ACKNOWLEDGEMENTS	&#13;  
Kassandra	&#13;   Schantz	&#13;   is	&#13;   a	&#13;   mezzo-­‐soprano	&#13;   from	&#13;   Westlock,	&#13;   Alberta.	&#13;   	&#13;   She	&#13;   is	&#13;   in	&#13;   her	&#13;   fourth	&#13;   year	&#13;   as	&#13;   a	&#13;  
vocal	&#13;  performance	&#13;  major	&#13;  under	&#13;  the	&#13;  guidance	&#13;  of	&#13;  Professor	&#13;  Benjamin	&#13;  Butterfield.	&#13;  	&#13;  Recently	&#13;  she	&#13;  
sang	&#13;   for	&#13;   the	&#13;   score	&#13;   of	&#13;   the	&#13;   short	&#13;   film,	&#13;   Godhead.	&#13;   	&#13;   She	&#13;   has	&#13;   also	&#13;   been	&#13;   a	&#13;   choral	&#13;   scholar	&#13;   at	&#13;   Christ	&#13;  
Church	&#13;   Cathedral.	&#13;   	&#13;   Kassandra	&#13;   participated	&#13;   in	&#13;   the	&#13;   2014	&#13;   Vancouver	&#13;   International	&#13;   Song	&#13;   Institute,	&#13;  
and	&#13;  will	&#13;  be	&#13;  attending	&#13;  this	&#13;  summer’s	&#13;  intensive	&#13;  training	&#13;  program	&#13;  at	&#13;  Opera	&#13;  NUOVA	&#13;  in	&#13;  Edmonton.	&#13;  	&#13;  	&#13;  

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Special	&#13;  Thanks	&#13;  to:	&#13;  	&#13;  
Louise	&#13;  Hung	&#13;  
Elizabeth	&#13;  Clarke	&#13;  
	&#13;  Agnus	&#13;  Dei	&#13;  Chorus	&#13;  and	&#13;  Thomas	&#13;  Nicholson	&#13;  
Benjamin	&#13;  Butterfield	&#13;  
Marilyn	&#13;  Dalzell	&#13;  
Ian	&#13;  Alexander	&#13;  
Aleksandra	&#13;  Tremblay	&#13;  

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TRANSLATIONS	&#13;  
“Frühlingsglaube”	&#13;  (“Faith	&#13;  in	&#13;  Spring”)	&#13;  
The	&#13;  gentle	&#13;  winds	&#13;  are	&#13;  awakened,	&#13;  
They	&#13;  murmur	&#13;  and	&#13;  waft	&#13;  day	&#13;  and	&#13;  night,	&#13;  
They	&#13;  create	&#13;  in	&#13;  every	&#13;  corner.	&#13;  
Oh	&#13;  fresh	&#13;  scent,	&#13;  oh	&#13;  new	&#13;  sound!	&#13;  
Now,	&#13;  poor	&#13;  dear	&#13;  [heart],	&#13;  fear	&#13;  not!	&#13;  
Now	&#13;  everything,	&#13;  everything	&#13;  must	&#13;  change.	&#13;  

	&#13;  

	&#13;  

The	&#13;  world	&#13;  becomes	&#13;  more	&#13;  beautiful	&#13;  with	&#13;  each	&#13;  day,	&#13;  
One	&#13;  does	&#13;  not	&#13;  know	&#13;  what	&#13;  may	&#13;  yet	&#13;  happen,	&#13;  
The	&#13;  blooming	&#13;  doesn't	&#13;  want	&#13;  to	&#13;  end.	&#13;  
The	&#13;  farthest,	&#13;  deepest	&#13;  valley	&#13;  blooms:	&#13;  
Now,	&#13;  poor	&#13;  dear,	&#13;  forget	&#13;  the	&#13;  pain!	&#13;  
Now	&#13;  everything,	&#13;  everything	&#13;  must	&#13;  change.	&#13;  
Original	&#13;  Text:	&#13;  	&#13;  Ludwig	&#13;  Uhland	&#13;  
Translation:	&#13;  	&#13;  ©	&#13;  Hyde	&#13;  Flippo	&#13;  

�Banalités	&#13;  	&#13;  (Banalities)	&#13;  
1.	&#13;  	&#13;  Song	&#13;  of	&#13;  Orkenise	&#13;  

3.	&#13;  	&#13;  Walloon	&#13;  Moorlands	&#13;  

Through	&#13;  the	&#13;  gates	&#13;  of	&#13;  Orkenise	&#13;  
a	&#13;  wagon	&#13;  driver	&#13;  wants	&#13;  to	&#13;  enter.	&#13;  
Through	&#13;  the	&#13;  gates	&#13;  of	&#13;  Orkenise	&#13;  
a	&#13;  tramp	&#13;  wants	&#13;  to	&#13;  leave.	&#13;  

So	&#13;  much	&#13;  utter	&#13;  sadness	&#13;  
took	&#13;  hold	&#13;  of	&#13;  my	&#13;  heart	&#13;  in	&#13;  the	&#13;  desolate	&#13;  moorlands	&#13;  
when	&#13;  weary	&#13;  I	&#13;  rested	&#13;  the	&#13;  weight	&#13;  of	&#13;  the	&#13;  kilometres	&#13;  
in	&#13;  the	&#13;  fir-­‐plantations	&#13;  while	&#13;  the	&#13;  west	&#13;  wind	&#13;  raged	&#13;  

And	&#13;  the	&#13;  guards	&#13;  of	&#13;  the	&#13;  town	&#13;  
running	&#13;  up	&#13;  to	&#13;  the	&#13;  tramp:	&#13;  
"What	&#13;  do	&#13;  you	&#13;  carry	&#13;  away	&#13;  from	&#13;  the	&#13;  town?"	&#13;  
"I	&#13;  leave	&#13;  my	&#13;  whole	&#13;  heart	&#13;  behind.”	&#13;  

I	&#13;  had	&#13;  left	&#13;  the	&#13;  pretty	&#13;  wood	&#13;  
the	&#13;  squirrels	&#13;  stayed	&#13;  there	&#13;  
my	&#13;  pipe	&#13;  tried	&#13;  to	&#13;  make	&#13;  clouds	&#13;  in	&#13;  the	&#13;  sky	&#13;  
which	&#13;  remained	&#13;  obstinately	&#13;  pure	&#13;  

And	&#13;  the	&#13;  guards	&#13;  of	&#13;  the	&#13;  town	&#13;  
running	&#13;  up	&#13;  to	&#13;  the	&#13;  wagon	&#13;  driver:	&#13;  
"What	&#13;  do	&#13;  you	&#13;  bring	&#13;  into	&#13;  the	&#13;  town?"	&#13;  
"My	&#13;  heart	&#13;  with	&#13;  which	&#13;  to	&#13;  get	&#13;  married."	&#13;  

I	&#13;  have	&#13;  not	&#13;  confided	&#13;  a	&#13;  single	&#13;  secret	&#13;  
besides	&#13;  an	&#13;  enigmatic	&#13;  song	&#13;  to	&#13;  the	&#13;  damp	&#13;  peat-­‐bogs	&#13;  

So	&#13;  many	&#13;  hearts	&#13;  in	&#13;  Orkenise!	&#13;  
the	&#13;  guards	&#13;  laughed,	&#13;  laughed,	&#13;  
Tramp	&#13;  the	&#13;  road	&#13;  is	&#13;  grey,	&#13;  
love	&#13;  intoxicates,	&#13;  o	&#13;  wagon	&#13;  driver.	&#13;  
The	&#13;  handsome	&#13;  town	&#13;  guards	&#13;  
were	&#13;  knitting	&#13;  superbly;	&#13;  
then	&#13;  the	&#13;  doors	&#13;  of	&#13;  the	&#13;  town	&#13;  
slowly	&#13;  closed.	&#13;  

the	&#13;  heather	&#13;  perfumed	&#13;  with	&#13;  honey	&#13;  
attracted	&#13;  the	&#13;  bees	&#13;  
and	&#13;  my	&#13;  aching	&#13;  feet	&#13;  
trampled	&#13;  the	&#13;  bilberries	&#13;  and	&#13;  the	&#13;  blueberries	&#13;  
tenderly	&#13;  united	&#13;  north	&#13;  north	&#13;  
life	&#13;  twists	&#13;  itself	&#13;  there	&#13;  
into	&#13;  trees	&#13;  strong	&#13;  and	&#13;  twisted	&#13;  
there	&#13;  life	&#13;  bites	&#13;  death	&#13;  hungrily	&#13;  
when	&#13;  the	&#13;  wind	&#13;  howls	&#13;  

	&#13;  

	&#13;  
2.	&#13;  	&#13;  Hotel	&#13;  

4.	&#13;  	&#13;  Trip	&#13;  to	&#13;  Paris	&#13;  

Ah!	&#13;  Such	&#13;  a	&#13;  charming	&#13;  thing	&#13;  
My	&#13;  room	&#13;  is	&#13;  in	&#13;  the	&#13;  shape	&#13;  of	&#13;  a	&#13;  cage	&#13;  
to	&#13;  leave	&#13;  a	&#13;  drab	&#13;  country	&#13;  
the	&#13;  sun	&#13;  stretches	&#13;  its	&#13;  arm	&#13;  through	&#13;  the	&#13;  window	&#13;   for	&#13;  Paris	&#13;  lovely	&#13;  Paris	&#13;  
but	&#13;  I	&#13;  want	&#13;  to	&#13;  smoke	&#13;  to	&#13;  make	&#13;  fleeting	&#13;  patterns	&#13;   that	&#13;  Love	&#13;  must	&#13;  once	&#13;  have	&#13;  created	&#13;  
I	&#13;  light	&#13;  my	&#13;  cigarette	&#13;  at	&#13;  the	&#13;  flame	&#13;  of	&#13;  day	&#13;  
Ah!	&#13;  Such	&#13;  a	&#13;  charming	&#13;  thing	&#13;  
I	&#13;  don't	&#13;  want	&#13;  to	&#13;  work	&#13;  I	&#13;  want	&#13;  to	&#13;  smoke	&#13;  
to	&#13;  leave	&#13;  a	&#13;  drab	&#13;  country	&#13;  for	&#13;  Paris	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  5.	&#13;  	&#13;  Sobs	&#13;  
Our	&#13;  love	&#13;  is	&#13;  governed	&#13;  by	&#13;  the	&#13;  calm	&#13;  stars	&#13;  
now	&#13;  we	&#13;  know	&#13;  that	&#13;  within	&#13;  us	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  many	&#13;  men	&#13;  breathe	&#13;  
who	&#13;  came	&#13;  from	&#13;  very	&#13;  far	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  and	&#13;  are	&#13;  one	&#13;  beneath	&#13;  our	&#13;  brows	&#13;  
This	&#13;  is	&#13;  the	&#13;  song	&#13;  of	&#13;  the	&#13;  dreamers	&#13;  
who	&#13;  had	&#13;  torn	&#13;  out	&#13;  their	&#13;  heart	&#13;  
and	&#13;  carried	&#13;  it	&#13;  in	&#13;  the	&#13;  right	&#13;  hand	&#13;  
remember	&#13;  dear	&#13;  pride	&#13;  all	&#13;  these	&#13;  memories	&#13;  
of	&#13;  the	&#13;  sailors	&#13;  who	&#13;  sang	&#13;  like	&#13;  conquerors	&#13;  
of	&#13;  the	&#13;  chasms	&#13;  of	&#13;  Thule	&#13;  
of	&#13;  the	&#13;  gentle	&#13;  skies	&#13;  of	&#13;  Ophir	&#13;  
of	&#13;  the	&#13;  damned	&#13;  sick	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  of	&#13;  those	&#13;  who	&#13;  flee	&#13;  from	&#13;  their	&#13;  shadow	&#13;  
and	&#13;  of	&#13;  the	&#13;  joyous	&#13;  homecoming	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  of	&#13;  the	&#13;  happy	&#13;  emigrants	&#13;  

from	&#13;  this	&#13;  heart	&#13;  there	&#13;  ran	&#13;  blood	&#13;  
and	&#13;  the	&#13;  dreamer	&#13;  went	&#13;  on	&#13;  thinking	&#13;  
about	&#13;  his	&#13;  wound	&#13;  tender	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  you	&#13;  will	&#13;  never	&#13;  shatter	&#13;  the	&#13;  chain	&#13;  of	&#13;  these	&#13;  events	&#13;  
and	&#13;  painful	&#13;  and	&#13;  said	&#13;  to	&#13;  us	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  which	&#13;  are	&#13;  the	&#13;  results	&#13;  of	&#13;  other	&#13;  causes	&#13;  
my	&#13;  poor	&#13;  heart	&#13;  my	&#13;  shattered	&#13;  heart	&#13;  
identical	&#13;  to	&#13;  the	&#13;  heart	&#13;  of	&#13;  all	&#13;  men	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  here	&#13;  here	&#13;  are	&#13;  our	&#13;  hands	&#13;  that	&#13;  life	&#13;  made	&#13;  slaves	&#13;  
has	&#13;  died	&#13;  of	&#13;  love	&#13;  or	&#13;  so	&#13;  it	&#13;  seems	&#13;  
has	&#13;  died	&#13;  of	&#13;  love	&#13;  and	&#13;  here	&#13;  it	&#13;  is	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  thus	&#13;  is	&#13;  the	&#13;  way	&#13;  of	&#13;  all	&#13;  things	&#13;  
so	&#13;  tear	&#13;  out	&#13;  your	&#13;  own	&#13;  also	&#13;  
and	&#13;  nothing	&#13;  will	&#13;  have	&#13;  its	&#13;  freedom	&#13;  until	&#13;  the	&#13;  end	&#13;  of	&#13;  time	&#13;  
let	&#13;  us	&#13;  leave	&#13;  all	&#13;  to	&#13;  the	&#13;  dead	&#13;  
and	&#13;  hide	&#13;  our	&#13;  sobs	&#13;  

Original	&#13;  Texts:	&#13;  	&#13;  Guillaume	&#13;  Apollinaire	&#13;  
	&#13;  	&#13;  Translations:	&#13;  	&#13;  ©	&#13;  Christopher	&#13;  Goldsack	&#13;  	&#13;  www.melodietreasury.com	&#13;  

	&#13;  

�Frauenliebe	&#13;  und	&#13;  –Leben	&#13;  	&#13;  (A	&#13;  Woman’s	&#13;  Life	&#13;  and	&#13;  Love)	&#13;  
1.	&#13;  	&#13;  Since	&#13;  I	&#13;  saw	&#13;  him	&#13;  

3.	&#13;  	&#13;  I	&#13;  can't	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it	&#13;  

Since	&#13;  I	&#13;  saw	&#13;  him	&#13;  	&#13;  
I	&#13;  believe	&#13;  myself	&#13;  to	&#13;  be	&#13;  blind,	&#13;  	&#13;  
where	&#13;  I	&#13;  but	&#13;  cast	&#13;  my	&#13;  gaze,	&#13;  	&#13;  
I	&#13;  see	&#13;  him	&#13;  alone.	&#13;  	&#13;  
As	&#13;  in	&#13;  waking	&#13;  dreams	&#13;  	&#13;  
his	&#13;  image	&#13;  floats	&#13;  before	&#13;  me,	&#13;  	&#13;  
dipped	&#13;  from	&#13;  deepest	&#13;  darkness,	&#13;  	&#13;  
brighter	&#13;  in	&#13;  ascent.	&#13;  	&#13;  

I	&#13;  can't	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it,	&#13;  	&#13;  
a	&#13;  dream	&#13;  has	&#13;  bewitched	&#13;  me;	&#13;  	&#13;  
how	&#13;  should	&#13;  he,	&#13;  among	&#13;  all	&#13;  the	&#13;  others,	&#13;  	&#13;  
lift	&#13;  up	&#13;  and	&#13;  make	&#13;  happy	&#13;  poor	&#13;  me?	&#13;  	&#13;  

All	&#13;  else	&#13;  dark	&#13;  and	&#13;  colorless	&#13;  	&#13;  
everywhere	&#13;  around	&#13;  me;	&#13;  	&#13;  
for	&#13;  the	&#13;  games	&#13;  of	&#13;  my	&#13;  sisters	&#13;  	&#13;  
I	&#13;  no	&#13;  longer	&#13;  yearn;	&#13;  	&#13;  
I	&#13;  would	&#13;  rather	&#13;  weep,	&#13;  	&#13;  
silently	&#13;  in	&#13;  my	&#13;  little	&#13;  chamber.	&#13;  	&#13;  
Since	&#13;  I	&#13;  saw	&#13;  him,	&#13;  	&#13;  
I	&#13;  believe	&#13;  myself	&#13;  to	&#13;  be	&#13;  blind.	&#13;  

O	&#13;  let	&#13;  me	&#13;  die	&#13;  in	&#13;  this	&#13;  dream,	&#13;  	&#13;  
cradled	&#13;  on	&#13;  his	&#13;  breast;	&#13;  	&#13;  
let	&#13;  the	&#13;  most	&#13;  blessed	&#13;  death	&#13;  drink	&#13;  me	&#13;  up	&#13;  	&#13;  
in	&#13;  tears	&#13;  of	&#13;  infinite	&#13;  bliss.	&#13;  

	&#13;  
	&#13;  
2.	&#13;  	&#13;  He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all	&#13;  

It	&#13;  seemed	&#13;  to	&#13;  me,	&#13;  as	&#13;  if	&#13;  he	&#13;  spoke,	&#13;  	&#13;  
"I	&#13;  am	&#13;  thine	&#13;  eternally.”	&#13;  
It	&#13;  seemed	&#13;  -­‐	&#13;  I	&#13;  dream	&#13;  on	&#13;  and	&#13;  on,	&#13;  	&#13;  
it	&#13;  could	&#13;  never	&#13;  be	&#13;  so.	&#13;  	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
4.	&#13;  	&#13;  The	&#13;  Ring	&#13;  

He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all,	&#13;  	&#13;  
O	&#13;  how	&#13;  mild,	&#13;  so	&#13;  good!	&#13;  	&#13;  
Lovely	&#13;  lips,	&#13;  clear	&#13;  eyes,	&#13;  	&#13;  
bright	&#13;  mind	&#13;  and	&#13;  steadfast	&#13;  courage.	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
my	&#13;  little	&#13;  golden	&#13;  ring,	&#13;  	&#13;  
I	&#13;  press	&#13;  thee	&#13;  piously	&#13;  upon	&#13;  my	&#13;  lips	&#13;  	&#13;  
piously	&#13;  upon	&#13;  my	&#13;  heart.	&#13;  	&#13;  

Just	&#13;  as	&#13;  yonder	&#13;  in	&#13;  the	&#13;  blue	&#13;  depths,	&#13;  	&#13;  
bright	&#13;  and	&#13;  glorious,	&#13;  that	&#13;  star,	&#13;  	&#13;  
so	&#13;  he	&#13;  is	&#13;  in	&#13;  my	&#13;  heavens,	&#13;  	&#13;  
bright	&#13;  and	&#13;  glorious,	&#13;  lofty	&#13;  and	&#13;  distant.	&#13;  

I	&#13;  had	&#13;  dreamt	&#13;  it,	&#13;  	&#13;  
the	&#13;  tranquil,	&#13;  lovely	&#13;  dream	&#13;  of	&#13;  childhood,	&#13;  	&#13;  
I	&#13;  found	&#13;  myself	&#13;  alone	&#13;  and	&#13;  lost	&#13;  	&#13;  
in	&#13;  barren,	&#13;  infinite	&#13;  space.	&#13;  	&#13;  

Meander,	&#13;  meander	&#13;  thy	&#13;  paths,	&#13;  	&#13;  
but	&#13;  to	&#13;  observe	&#13;  thy	&#13;  gleam,	&#13;  	&#13;  
but	&#13;  to	&#13;  observe	&#13;  in	&#13;  meekness,	&#13;  	&#13;  
but	&#13;  to	&#13;  be	&#13;  blissful	&#13;  and	&#13;  sad!	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
thou	&#13;  hast	&#13;  taught	&#13;  me	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  	&#13;  
hast	&#13;  opened	&#13;  my	&#13;  gaze	&#13;  unto	&#13;  	&#13;  
the	&#13;  endless,	&#13;  deep	&#13;  value	&#13;  of	&#13;  life.	&#13;  	&#13;  

Hear	&#13;  not	&#13;  my	&#13;  silent	&#13;  prayer,	&#13;  	&#13;  
consecrated	&#13;  only	&#13;  to	&#13;  thy	&#13;  happiness;	&#13;  	&#13;  
thou	&#13;  mays't	&#13;  not	&#13;  know	&#13;  me,	&#13;  lowly	&#13;  maid,	&#13;  	&#13;  
lofty	&#13;  star	&#13;  of	&#13;  glory!	&#13;  	&#13;  

I	&#13;  want	&#13;  to	&#13;  serve	&#13;  him,	&#13;  live	&#13;  for	&#13;  him,	&#13;  	&#13;  
belong	&#13;  to	&#13;  him	&#13;  entire,	&#13;  	&#13;  
Give	&#13;  myself	&#13;  and	&#13;  find	&#13;  myself	&#13;  	&#13;  
transfigured	&#13;  in	&#13;  his	&#13;  radiance.	&#13;  	&#13;  

Only	&#13;  the	&#13;  worthiest	&#13;  of	&#13;  all	&#13;  	&#13;  
may	&#13;  make	&#13;  happy	&#13;  thy	&#13;  choice,	&#13;  	&#13;  
and	&#13;  I	&#13;  will	&#13;  bless	&#13;  her,	&#13;  the	&#13;  lofty	&#13;  one,	&#13;  	&#13;  
many	&#13;  thousand	&#13;  times.	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
my	&#13;  little	&#13;  golden	&#13;  ring,	&#13;  	&#13;  
I	&#13;  press	&#13;  thee	&#13;  piously	&#13;  upon	&#13;  lips,	&#13;  	&#13;  
piously	&#13;  upon	&#13;  my	&#13;  heart.	&#13;  

I	&#13;  will	&#13;  rejoice	&#13;  then	&#13;  and	&#13;  weep,	&#13;  	&#13;  
blissful,	&#13;  blissful	&#13;  I'll	&#13;  be	&#13;  then;	&#13;  	&#13;  
if	&#13;  my	&#13;  heart	&#13;  should	&#13;  also	&#13;  break,	&#13;  	&#13;  
break,	&#13;  O	&#13;  heart,	&#13;  what	&#13;  of	&#13;  it?	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  page	&#13;  quietly.	&#13;  

�5.	&#13;  	&#13;  Help	&#13;  me,	&#13;  ye	&#13;  sisters	&#13;  
Help	&#13;  me,	&#13;  ye	&#13;  sisters,	&#13;  	&#13;  
friendly,	&#13;  adorn	&#13;  me.	&#13;  	&#13;  
Serve	&#13;  me,	&#13;  today's	&#13;  fortunate	&#13;  one,	&#13;  	&#13;  
busily	&#13;  wind	&#13;  	&#13;  
about	&#13;  my	&#13;  brow	&#13;  	&#13;  
the	&#13;  adornment	&#13;  of	&#13;  blooming	&#13;  myrtle.	&#13;  	&#13;  
Otherwise,	&#13;  gratified,	&#13;  	&#13;  
of	&#13;  joyful	&#13;  heart,	&#13;  	&#13;  
I	&#13;  would	&#13;  have	&#13;  lain	&#13;  in	&#13;  the	&#13;  arms	&#13;  of	&#13;  the	&#13;  beloved,	&#13;  	&#13;  
so	&#13;  he	&#13;  called	&#13;  ever	&#13;  out,	&#13;  	&#13;  
yearning	&#13;  in	&#13;  his	&#13;  heart,	&#13;  	&#13;  
impatient	&#13;  for	&#13;  the	&#13;  present	&#13;  day.	&#13;  
Help	&#13;  me,	&#13;  ye	&#13;  sisters,	&#13;  	&#13;  
help	&#13;  me	&#13;  to	&#13;  banish	&#13;  	&#13;  
a	&#13;  foolish	&#13;  anxiety,	&#13;  	&#13;  
so	&#13;  that	&#13;  I	&#13;  may	&#13;  with	&#13;  clear	&#13;  	&#13;  
eyes	&#13;  receive	&#13;  him,	&#13;  	&#13;  
him,	&#13;  the	&#13;  source	&#13;  of	&#13;  joyfulness.	&#13;  	&#13;  
Dost,	&#13;  my	&#13;  beloved,	&#13;  	&#13;  
thou	&#13;  appear	&#13;  to	&#13;  me;	&#13;  	&#13;  
givest	&#13;  thou,	&#13;  sun,	&#13;  thy	&#13;  shine	&#13;  to	&#13;  me?	&#13;  	&#13;  
Let	&#13;  me	&#13;  with	&#13;  devotion,	&#13;  	&#13;  
let	&#13;  me	&#13;  in	&#13;  meekness,	&#13;  	&#13;  
let	&#13;  me	&#13;  curtsy	&#13;  before	&#13;  my	&#13;  lord.	&#13;  	&#13;  
Strew	&#13;  him,	&#13;  sisters,	&#13;  	&#13;  
strew	&#13;  him	&#13;  with	&#13;  flowers,	&#13;  	&#13;  
bring	&#13;  him	&#13;  budding	&#13;  roses,	&#13;  	&#13;  
but	&#13;  ye,	&#13;  sisters,	&#13;  	&#13;  
I	&#13;  greet	&#13;  with	&#13;  melancholy,	&#13;  	&#13;  
joyfully	&#13;  departing	&#13;  from	&#13;  your	&#13;  midst.	&#13;  

	&#13;  
	&#13;  
6.	&#13;  	&#13;  Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest	&#13;  	&#13;  
Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest	&#13;  	&#13;  
upon	&#13;  me	&#13;  in	&#13;  wonderment,	&#13;  	&#13;  
thou	&#13;  canst	&#13;  not	&#13;  grasp	&#13;  it,	&#13;  	&#13;  
why	&#13;  I	&#13;  can	&#13;  weep.	&#13;  	&#13;  
Let	&#13;  the	&#13;  moist	&#13;  pearls'	&#13;  	&#13;  
unaccustomed	&#13;  adornment	&#13;  	&#13;  
tremble,	&#13;  joyful-­‐bright,	&#13;  	&#13;  
in	&#13;  my	&#13;  eyes.	&#13;  	&#13;  
How	&#13;  anxious	&#13;  my	&#13;  bosom,	&#13;  	&#13;  
how	&#13;  rapturous!	&#13;  	&#13;  
If	&#13;  I	&#13;  only	&#13;  knew,	&#13;  with	&#13;  words,	&#13;  	&#13;  
how	&#13;  I	&#13;  should	&#13;  say	&#13;  it.	&#13;  
Come	&#13;  and	&#13;  bury	&#13;  thy	&#13;  visage	&#13;  	&#13;  
here	&#13;  in	&#13;  my	&#13;  breast;	&#13;  	&#13;  
I	&#13;  want	&#13;  to	&#13;  whisper	&#13;  in	&#13;  thy	&#13;  ear	&#13;  	&#13;  
all	&#13;  my	&#13;  happiness.	&#13;  	&#13;  

	&#13;  

Knowest	&#13;  thou	&#13;  the	&#13;  tears,	&#13;  	&#13;  
that	&#13;  I	&#13;  can	&#13;  weep?	&#13;  	&#13;  
Shouldst	&#13;  thou	&#13;  not	&#13;  see	&#13;  them,	&#13;  	&#13;  
thou	&#13;  beloved	&#13;  man?	&#13;  	&#13;  
Stay	&#13;  by	&#13;  my	&#13;  heart,	&#13;  	&#13;  
feel	&#13;  its	&#13;  beat,	&#13;  	&#13;  
that	&#13;  I	&#13;  may,	&#13;  fast	&#13;  and	&#13;  faster,	&#13;  	&#13;  
hold	&#13;  thee.	&#13;  	&#13;  
Here,	&#13;  at	&#13;  my	&#13;  bed,	&#13;  	&#13;  
the	&#13;  cradle	&#13;  shall	&#13;  have	&#13;  room,	&#13;  	&#13;  
where	&#13;  it	&#13;  silently	&#13;  conceals	&#13;  	&#13;  
my	&#13;  lovely	&#13;  dream.	&#13;  	&#13;  
The	&#13;  morning	&#13;  will	&#13;  come	&#13;  	&#13;  
where	&#13;  the	&#13;  dream	&#13;  awakes,	&#13;  	&#13;  
and	&#13;  from	&#13;  there	&#13;  thy	&#13;  image	&#13;  	&#13;  
shall	&#13;  smile	&#13;  at	&#13;  me.	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
7.	&#13;  	&#13;  At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast	&#13;  
At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast,	&#13;  	&#13;  
thou	&#13;  my	&#13;  rapture,	&#13;  my	&#13;  happiness!	&#13;  	&#13;  
The	&#13;  joy	&#13;  is	&#13;  the	&#13;  love,	&#13;  the	&#13;  love	&#13;  is	&#13;  the	&#13;  joy,	&#13;  	&#13;  
I	&#13;  have	&#13;  said	&#13;  it,	&#13;  and	&#13;  won't	&#13;  take	&#13;  it	&#13;  back.	&#13;  	&#13;  
I've	&#13;  thought	&#13;  myself	&#13;  rapturous,	&#13;  	&#13;  
but	&#13;  now	&#13;  I'm	&#13;  happy	&#13;  beyond	&#13;  that.	&#13;  	&#13;  
Only	&#13;  she	&#13;  that	&#13;  suckles,	&#13;  only	&#13;  she	&#13;  that	&#13;  loves	&#13;  	&#13;  
the	&#13;  child,	&#13;  to	&#13;  whom	&#13;  she	&#13;  gives	&#13;  nourishment;	&#13;  	&#13;  
Only	&#13;  a	&#13;  mother	&#13;  knows	&#13;  alone	&#13;  	&#13;  
what	&#13;  it	&#13;  is	&#13;  to	&#13;  love	&#13;  and	&#13;  be	&#13;  happy.	&#13;  	&#13;  
O	&#13;  how	&#13;  I	&#13;  pity	&#13;  then	&#13;  the	&#13;  man	&#13;  	&#13;  
who	&#13;  cannot	&#13;  feel	&#13;  a	&#13;  mother's	&#13;  joy!	&#13;  	&#13;  
Thou	&#13;  dear,	&#13;  dear	&#13;  angel	&#13;  thou!	&#13;  
Thou	&#13;  lookst	&#13;  at	&#13;  me	&#13;  and	&#13;  smiles.	&#13;  
At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast,	&#13;  	&#13;  
thou	&#13;  my	&#13;  rapture,	&#13;  my	&#13;  happiness!	&#13;  

�	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

8.	&#13;  	&#13;  Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain	&#13;  
Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain,	&#13;  	&#13;  
how	&#13;  it	&#13;  struck	&#13;  me.	&#13;  	&#13;  
Thou	&#13;  sleepst,	&#13;  thou	&#13;  hard,	&#13;  merciless	&#13;  man,	&#13;  	&#13;  
the	&#13;  sleep	&#13;  of	&#13;  death.	&#13;  	&#13;  

Agnus	&#13;  Dei	&#13;  (Lamb	&#13;  of	&#13;  God)	&#13;  
Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  have	&#13;  mercy	&#13;  on	&#13;  us.	&#13;  
Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  have	&#13;  mercy	&#13;  on	&#13;  us.	&#13;  

The	&#13;  abandoned	&#13;  one	&#13;  gazes	&#13;  straight	&#13;  ahead,	&#13;  	&#13;  
the	&#13;  world	&#13;  is	&#13;  void.	&#13;  	&#13;  
I	&#13;  have	&#13;  loved	&#13;  and	&#13;  lived,	&#13;  I	&#13;  am	&#13;  	&#13;  
no	&#13;  longer	&#13;  living.	&#13;  	&#13;  
I	&#13;  withdraw	&#13;  silently	&#13;  into	&#13;  myself,	&#13;  	&#13;  
the	&#13;  veil	&#13;  falls,	&#13;  	&#13;  
there	&#13;  I	&#13;  have	&#13;  thee	&#13;  and	&#13;  my	&#13;  lost	&#13;  happiness,	&#13;  	&#13;  
O	&#13;  thou	&#13;  my	&#13;  world!	&#13;  
	&#13;  
Original	&#13;  Texts:	&#13;  	&#13;  Adelbert	&#13;  von	&#13;  Chamisso	&#13;  
Translations:	&#13;  	&#13;  ©	&#13;  Daniel	&#13;  Platt	&#13;  

Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  grant	&#13;  us	&#13;  peace.	&#13;  
	&#13;  
Text:	&#13;  	&#13;  from	&#13;  the	&#13;  Ordinary	&#13;  of	&#13;  the	&#13;  Mass	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

	&#13;  

Please	&#13;  join	&#13;  us	&#13;  for	&#13;  a	&#13;  reception	&#13;  in	&#13;  the	&#13;  lounge	&#13;  after	&#13;  the	&#13;  recital!	&#13;  
	&#13;  

�</text>
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          <description/>
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Phillip T. Young Recital Hall, University of Victoria
February 19, 2016 • 12:30 p.m.
Featuring School of Music woodwind students
Friday Dialogues 	
					
				
		
		
							
		
Keenan Mittag-Degala, percussion
Gillian Newburn, flute

Bence Pinter		
(b. 1991)		

Cello Suite No. 2 in D Minor	 					
Johann Sebastian Bach		
	V. Menuet						 		 		 	(1685 - 1750)
	VI. Gigue								
Matthew Bell, baritone saxophone
Chinese Rag	 					
			

	

		

Jean Matita (arr. Michal Rosiak)		

Taya Haldane, flute
Jamie Pambrun, flute
Jasmine Riseley, flute
Olivia Wheeler, flute

Romanian Dances
	
I. Jocul cu bâtă	
	
II. Brâul
	
III. Pe loc
	
IV. Buciumeana
	
V. Poarga Românească
	
VI. Mărunțel

				

Béla Bartók		
(1881 - 1945)

			

Astor Piazolla		
(1921 - 1992)

Sunny Chu, clarinet
Yuko Imai, piano
L’Histoire du Tango
	
I. Café 1930	

	
Adam Jasieniuk, soprano saxophone
Jessica McLaughlin, alto saxophone
Zach Smith, tenor saxophone
Matthew Bell, baritone saxophone

Kleine Kammermusik Op. 24, No. 2
	
Paul Hindemith		
	I. Lustig. Mäßig schnell Viertel 									 (1895 - 1963)
Cooper Reed, flute
Theresa Mothersill, oboe
Mark Kim, clarinet
Alina Liang, bass clarinet
Drake Lovett, horn
Towards the Sea	
					
	
III. Cape Cod						
		
Jillian Broughton, flute
Joshua Amendt-Moylan, guitar

		
		
	

Upcoming at the School of Music
Friday, February 19, 8:00 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES
Bruce Vogt, piano
Internationally celebrated pianist Bruce Vogt performs the late sonatas of Beethoven.
Phillip T. Young Recital Hall

Toru Takemitsu		
(1930 - 1996)

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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
February 23, 2016 • 12:30 p.m.
String Quartet No. 5 in D Major, Op. 76 (“Erdödy”)						 Franz Joseph Haydn		
					
				
			
(1732 – 1809)
Matthew Logan, violin
Nanau Loewen, violin
Joshua Gomberoff, viola
Natalia Stoney, cello
Cadenza per viola sola									 Krystof Penderecki 		
												
(b. 1933)
Joshua Gomberoff, viola
	
Les Nuits d’éte									
	
	I. Villanelle										
	IV. Absence			
Fu Hsien Shen, mezzo-soprano
Muzi Xu, piano
Étude pour les quatres									
	
										
Laura Altenmueller, piano
Játékok 											
	
Hommage à Domenico Scarlatti			
					
	
Hommage à Kabalevsky
	Bluebell
	
Devil’s Jump
	
(... bunny rabbit in the grass...)
	
Perpetuum mobile
	
... and once more: Flowers We Are...

Hector Berlioz		
(1803 – 1869)

Claude Debussy		
(1862 – 1918)

György Kurtág
(b. 1926)

Laura Altenmueller, piano
Sonata No. 6 in D Major, K. 284/205B 						 Wolfgang Amadeus Mozart
	I. Allegro 										
(1756 – 1791)
Jany Lu, piano
Concert Étude No. 6, Op. 40 						
		
												

Nikolai Kapustin

�</text>
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Viola	Class	Recital	
Wednesday,	February	24,	2016	|	8:00PM	
Phillip	T.	Young	Recital	Hall	
Admission	by	donation	
	
	
Featuring	students	from	the	studio	of	Joanna	Hood.	
	
	
	
Suite	No.	6	in	G	major	
IV. Sarabade	
	
V. Gavotte	I	and	II	
VI. Gigue	
	

	
	

	
	

	
	

	
	

	
	

																							J.	S.	Bach	
																		(1685-1750)	

Melissa	Toth,	viola	

	
	
Sonata	No.	2	in	E-flat	major,	Op.	120		
	
	
																					Johannes	Brahms		
I. Allegro	amabile		
	
	
	
																																													(1833-1897)	
II. Allegro	appassionato	
	
Sarah	de	Niverville,	viola	
Emily	Armour,	piano	
	
	
Suite	No.	3	in	C	major		
	
	
	
	
	
																								J.S.	Bach	
Bourée	I	&amp;	II	
	
	
	
	
	
	
	
	
Eric	Mitchell,	viola	
	
Concerto	for	Viola	and	Orchestra	
I. Moderato	
	
	
	

	
	

	
	

	
	

Calvin	Yang,	viola	
Matty	Poon,	piano	
	

																																Béla	Bartók	
																																(1881-1945)	

�	

	
	

---Intermission---	
	

	
Sonata	for	Viola	and	Piano	in	F,	Op.	11	No.	4	
	
I. 	Fantasie	
	
	
	
	
	
II. Thema	mit	Variationen	
III. Finale	(mit	Variationen)	
	
Joshua	Gomberoff,	viola	
Matty	Poon,	piano	
	
	
Viola	Sonata	in	B-flat	major,	Op.	36	 	
	
	
I.	Maestoso	
	
	
	
	
	
II.	Barcarolla,	Andante	con	moto		
III.	Finale	scherzando,	Allegretto	
	
Fahlon	Smith,	viola	
Frances	Armstrong,	piano	
	
	

																									Paul	Hindemith	
																															(1895-1963)	

	
	

							Henri	Vieuxtemps	
																		(1820-1881)	

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES

Beautiful Music
by an Unknown Composer
Suzanne Snizek, flute
Harald Krebs, piano
With
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
		

Thursday, February 25, 2016 • 12:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Music by Richard Rößler (1880–1962)
Four Duets
	
Der Vogel
	
Das Leben
	Wiegenlied
	
Wir Drei
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
Harald Krebs, piano

Sonate für Flöte und Klavier, op. 15
	
Allegretto grazioso
	Adagio
	Intermezzo
	
Grave—Allegro Assai
Suzanne Snizek, flute
Harald Krebs, piano

�UPCOMING EVENTS
Friday, February 26, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music voice students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Friday, February 26, 8:00 p.m. (Admission by donation)
STUDENT COMPOSERS CONCERT
Featuring original compositions by students in the
School of Music Composition program.
Phillip T. Young Recital Hall
Saturday, February 27, 8:00 p.m. ($25)
FACULTY CONCERT SERIES
Lafayette String Quartet &amp; Arthur Rowe, piano
Performing Fanfare by Adaskin, Shostakovich’s String Quartet
No. 9, Op. 117, and Dvořák’s Piano Quintet in A Major, Op. 81.
Phillip T. Young Recital Hall
Sunday, February 28, 2:30 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES: May Ling Kwok, piano
Esteemed performer, recording artist and instructor,
May Ling Kwok performs works by Mozart and Schumann.
Phillip T. Young Recital Hall
Sunday, February 28, 5:00 p.m. to 7:00 p.m. (Free admission)
GUEST MASTERCLASS: Torrey Kaminski, flute
A sought-after flute instructor and performing artist, Torrey Kaminski
is also a certified yoga teacher. In this masterclass Kaminski will present
ideas on how to incorporate yoga into daily practice as well as
perform Ferroud’s Trios Pièces pour flûte seule, Fantasy on Syrinx by
Bacchus, and Piazzolla’s Tango Etude No. 3.
Phillip T. Young Recital Hall
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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Phillip T. Young Recital Hall, University of Victoria
February 26, 2016 • 12:30 p.m.
Featuring School of Music voice students
“Ich folge dir gleichfals,” from St. John Passion 	
						
			
		
							
Brittney Jette, soprano
Thomas Nicholson, piano

Johann Sebastian Bach		
(1685 - 1750)

	

Xavier Montsalvatge		
(1912 - 2002)

Cinco Canciones Negras	
					
			
	II. Punto de Habanera			
		
					
	III. Chévere							
Fu Hsien Shen, mezzo-soprano
Muzi Xu, piano
“Ständchen,” from Schwanengesang	 					
		
Katherine Rowlands, soprano
Susan Young piano
	
Amarilli, mia bella
	

	

	

Franz Schubert		
(1797 - 1828)

		

Giulio Caccini	
(1546 - 1618)

Jordan Rettich, baritone
Susan Young piano
“Après un rêve,” from Trois mélodies
		
		
												
Ai Horton, soprano
Susan Young, piano
“An die Nacht,” from 6 Lieder (“Brentano Lieder”)

	

Gabriel Fauré		
(1845 - 1924)

			

Richard Strauss		
(1864 - 1949)

		

Francis Poulenc	
(1899 - 1963)

Andrea Rodall, soprano
Josh Herrett, piano
“Violon,” from Fiançailles pour rire								
Nicholas Renaud, tenor
Ethan Hill, piano

“Pierrot,” from Quatre chansons de jeunesse							 		 Claude Debussy
(1862 - 1918)
Allison Kingsley, soprano
Thomas Nicholson, piano
Jeff Enns

To You, Before the Close of Day							
Mandy Wiltshire, Micha Fortin, soprano
Jenna Grossman, Julia Albano-Crockford, alto
Joshua Poon, Nicholas Renaud, tenor
Sean Quicke, Ethan Hill, bass
“Mi chiamano Mimi,” from La Boheme							

	

	

Giacomo Puccini
(1858 - 1924)

	

	

Francis Poulenc	
(1899 - 1963)

Emily Stewart, soprano
Kim Farris-Manning, piano
“C,” from Deux Poemes de Louis Aragon							

Bahar Harandi, soprano
Muzi Xu, piano
“Komm, O Tod,” from Cantata, BWV 56							
	
			
		
							
Xuguang Zhang, baritone
Frances Armstrong, piano
Love Went A-Riding							 	 				
		
	
						
	
Kelsey Wheatley, soprano
Frances Armstrong, piano

	

Johann Sebastian Bach		
(1685 - 1750)

Frank Bridge		
(1879 - 1941)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
With

Arthur Rowe, piano

		

Saturday, February 27, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission: $25

�PROGRAM
Octet for Strings: Fanfare for Eight Celebrities	
		

Murray Adaskin
(1906–2002)

With School of Music students:
Brittany Tsui, violin
Natalie Dzbik, violin
Joshua Gomberoff, viola
Alex Klassen, cello
Quartet No. 9 in E flat major, Op. 117	
Dmitri Shostakovich
	
Moderato con moto				
(1906–1975)
	Adagio
	Allegretto
	Adagio
	Allegro

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge

Quintet in A major, Op. 81	 	
	
Allegro, ma non tanto
	
Dumka: Andante con moto
	
Scherzo Furiant: Molto vivace
	
Finale: Allegro

	

With Arthur Rowe, piano

Antonín Dvořák
(1841–1904)

�LAFAYETTE STRING QUARTET
In July 1986, four young musicians, based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet.
Today the LSQ continues to flourish with its original personnel: violinists Ann ElliottGoldschmid and Sharon Stanis, violist Joanna Hood, and cellist Pamela Highbaugh
Aloni.
For five years, the LSQ prospered in Detroit, where its members taught at the Center for Creative Studies/Institute of Music and Dance and Oakland University. The
LSQ itself received coaching from some of the world’s most esteemed quartets—
the Amadeus and the Alban Berg, and Cleveland—and from the violinist Rostislav
Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical
mentor” until his death in 1997.
The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it
was ranked among the magazine Musical America’s “Young Artists to Watch,” and
in its first years they won the Grand prize at the Fischoff National Chamber Music
Competition and prizes at the Portsmouth (now City of London) International
String Quartet Competition, and the Chicago Discovery Competition. As winners of
the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to
study for two years with the Cleveland Quartet at the Eastman School of Music, in
Rochester, New York.
Artists-in-Residence at the University of Victoria’s School of Music since 1991, their
dedication and skill have played a major role in building one of the finest music
schools in Canada. In addition to quartet performances and collaborating with
colleagues in the School of Music, members of the quartet teach individual lessons,
coach chamber music groups, and give studio masterclasses on a weekly basis. They
have been principal players of the Galiano Ensemble of Victoria since its inception and continue to serve the community promoting strings in the public schools
through outreach programs and the strings mentoring course at UVic. In June, they
offer Quartet Fest West, an intensive quartet seminar that brings together young
musicians from all over the world. Their annual Health Awareness Forum, founded in
2006 offers timely insights from top health experts on a wide range of topics. They
recieved honorary doctorates from University Canada West and were honored with
the inaugural Craigdarroch Award for Excellence in Artistic Expression in 2010 from
the University of Victoria.
The LSQ has performed across Canada, the United States, Mexico and Europe, with
concerts often allied with masterclasses and workshops; they had a close and lasting
relationship with the University of Saskatchewan, in Saskatoon while playing on the
set of Amatis owned by the institution. They have collaborated with distinguished
colleagues including bassist Gary Karr; clarinetist James Campbell; flutist Eugenia
Zukerman; violinists Andrew Dawes and Gary Levinson; violists James Dunham,
Atar Arad, and Yariv Aloni; cellists Paul Katz, and the late Tanya Prochazka; and pianists Luba Edlina Dubinsky, Jane Coop, Robert Silverman, Ronald Turini, Alexander
Tselyakov, Baya Kakouberi and Flavio Varani. They often collaborate with other string
quartets including the Alcan, the New Zealand, the Penderecki, the Molinari, the Emily Carr, and the Quarteto Latinoamericano.

�The four women also maintain separate careers as solo and chamber music performers, teachers, and adjudicators.
The LSQ carries a large, wide-ranging repertoire, from the classical period to the
present, and has commissioned music from (and in some cases collaborated closely
with) composers including Murray Adaskin, John Burke, Justin Haynes, David Jaffe, R.
Murray Schafer, Eugene Weigel, and Kelly Marie Murphy. They have performed the
complete Beethoven cycle, during the 2000-2001 season, the quartets of the Second Viennese school with the Molinari Quartet in 2013, and in celebration of their
thirty years together, will perform the string quartets of Dmitri Shostakovich.
Since 1990, the LSQ has released CDs on the Dorian, Centrediscs, and other labels
(including its own). Its discography includes major quartets by Borodin, Debussy,
Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek);
and four CDs of music by Adaskin, for his AdLar label. Its 2002 CBC Records disc
Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and
Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical
Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the
2011 CD Jimi Hendrix Uncovered, and has recently released a CD together with
Alexander Tselyakov of the quintets of Dmitri Shostakovich and the newly commissioned quintet Motion and Distance, by Canadian composer Kelly-Marie Murphy.
The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of
String Quartets, published in 1999.

COMING UP!
Tuesday, March 8, 11:00 a.m. to 2:30 p.m.
A DAY IN THE LIFE OF THE LAFAYETTE STRING QUARTET:
Working with UVic’s Artists-in-Residence
Experience a day in the life of one of the most renowned string quartets in North
America. For nearly thirty years, the Lafayette String Quartet has garnered international acclaim as a talented, all-female string quartet. Since 1991, the LSQ has held
residency at the UVic School of Music, sharing their passion for chamber music with
students and the Victoria community. This event offers a rare opportunity to accompany the LSQ as they rehearse new material, discuss their work, and workshop with
students—all in a day’s work!
Schedule:
•11:00-12:30 PTY Recital Hall   LSQ open rehearsal: “Building the Shostakovich   
Cycle: A Link in a Very Long Chain”
•12:30-1:30    MAC B037          Brown bag lunch: LSQ and their students discuss
their work rehearsing, performing, teaching, and
coaching.
•1:30-2:30      PTY Recital Hall   Masterclass: LSQ and their students workshop
chamber music from the string repertoire.
Free admission. Attend one or all events!
This event is part of UVic’s IdeaFest 2016, which runs from March 7-12.

�ARTHUR ROWE
Canadian pianist and Steinway Artist Arthur Rowe has received enthusiastic reviews
from his performances in New York, Cleveland, Minneapolis, Seattle, San Diego, as
well as in venues in Europe and New Zealand. Following a New York solo recital, The
New York Times wrote: “The Canadian pianist Arthur Rowe made an immediate
and positive impression…before eight bars had gone by, one knew he was capable
of vigor without heaviness, energy without excess of drive. It was first-rate playing:
a kind of execution tinglingly alive to the shape and contribution of each phrase”.
Reviewing a solo recital in London England, The London Times spoke of his “unusual
clarity of articulation”, and “poetry of expression”, and David Burge, writing in The
San Diego Tribune said, “Rowe is a marvelous pianist…even when he is pushed to
the limit by extreme virtuosic demands…he can concentrate all of his considerable
talents on vital matters of phrasing, tone and ensemble”.
Arthur Rowe has been heard regularly on radio broadcasts in Canada and the
United States, and has recorded with various artists for the Crystal, ebs, Innova, GM
and Fanfare labels. In 2007, he released an all Schubert recording on the Centaur
label. Fanfare magazine’s review says, “Rowe’s reading (of the posthumous B flat
Sonata) is one of the most beautiful I have heard… The D. 899 Impromptus are
equally impressive…his purling right-hand runs recall Schnabel’s velvety sound…every harmonic change is underscored by a delicate nuance of color change. This kind
of expression cannot be taught; it is in the bloodstream and the soul”.
A highly respected chamber musician, Mr. Rowe regularly collaborates with artists
and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in
France, New Zealand, and Yugoslavia. While at Indiana University, he began his long
association with violinist William Preucil, Concertmaster of The Cleveland Orchestra,
with whom he has concertized for more than three decades. In 2004 The Harrington String Quartet joined forces with Arthur Rowe and William Preucil in New
York for a performance of the Chausson Concerto for Violin, Piano and String
Quartet, which was reviewed by Harris Goldsmith as a “reading that rivaled the
benchmark recordings by Franzescatti/Casadesus/Pascal, and Heifetz/Sanroma/New
Arts”.
Mr. Rowe has recently performed in New York for the Bargemusic series, at Oberlin
College, and in Washington State with Estonian bassoonist Martin Kuuskmann.
Performances last season included concerts with the Dover Quartet, recent winners
of the Banff International String Quartet competition, the Linden Quartet, cellist
Tsuyoshi Tsutsumi, Jonathan Crow, Concertmaster of the Toronto Symphony, and
William Preucil, Concertmaster of the Cleveland Orchestra.
Having previously held positions at the University of Iowa and the University of
Western Ontario, Arthur Rowe is Professor of Piano at the University of Victoria
and currently the Acting Director of the School of Music.

��UPCOMING EVENTS
Sunday, February 28, 2:30 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES: May Ling Kwok, piano
Esteemed performer, recording artist and instructor, May Ling Kwok
performs works by Mozart and Schumann.
Phillip T. Young Recital Hall
Sunday, February 28, 5:00 p.m. to 7:00 p.m. (Free admission)
GUEST MASTERCLASS: Torrey Kaminski, flute
A sought-after flute instructor and performing artist, Torrey Kaminski
is also a certified yoga teacher. In this masterclass Kaminski will present
ideas on how to incorporate yoga into daily practice as well as
perform Ferroud’s Trios Pièces pour flûte seule, Fantasy on Syrinx by
Bacchus, and Piazzolla’s Tango Etude No. 3.
Phillip T. Young Recital Hall
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, March 4, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music brass students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Saturday, March 5, 8:00 p.m. (Adults $15 / Seniors &amp; Alumni $10 / Students $5)
UVIC CHORUS &amp; ORCHESTRA: Supplicatorium
Ajtony Csaba, conductor &amp; Adam Con, chorus director
Maurice Duruflé – Requiem
Dmitri Shostakovich – Symphony No. 5
University Centre Farquhar Auditorium
Sunday, March 6 &amp; 13, 7:00 p.m. (Regular $18 / $15 for Castle members)
CRAIGDARROCH CASTLE IN SONG
Featuring School of Music students. Tickets available at: thecastle.ca/events
Craigdarroch Castle (1050 Joan Crescent)
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                <text>The Lafayette String Quartet: Ann Elliot-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello; Arthur Rowe, piano</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
May Ling Kwok
PIANO

		

Sunday, February 28, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students, seniors, alumni: $14

�PROGRAM
Sonata in D Major, K. 311 	
			
	
Allegro con spirito
	
Andante con espressione
	
Rondeau Allegro
Humoreske, Op. 20				

W. A. Mozart
(1756–1791)

Robert Schumann
(1810–1856)

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Carnaval, Op. 9 	
				
	
Preamble
	Pierrot
	Arlelquin
	
Valse noble
	Eusebius
	Florestan
	Coquette
	Replique
	Sphinxes
	Papillons
	
A.S.C.H.–S.C.H.A. (Lettres dansantes)
	Chiarina
	Chopin
	Estrella
	Reconnaissance
	
Pantalon et Colombine
	
Valse allemande
	Paganini
	Aveu
	Promenade
	Pause
	
Marche des “Davidsbundler” contre les Philistins

R. Schumann

�UPCOMING EVENTS
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, March 4, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music brass students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Saturday, March 5, 8:00 p.m. (Adults $15 / Seniors &amp; Alumni $10 / Students $5)
UVIC CHORUS &amp; ORCHESTRA: Supplicatorium
Ajtony Csaba, conductor &amp; Adam Con, chorus director
Performing:
Maurice Duruflé – Requiem
Dmitri Shostakovich – Symphony No. 5
University Centre Farquhar Auditorium
Sunday, March 6 &amp; 13, 7:00 p.m. (Regular $18 / $15 for Castle members)
CRAIGDARROCH CASTLE IN SONG
Featuring School of Music students.
Tickets available at: https://thecastle.ca/events
Craigdarroch Castle (1050 Joan Crescent)
Tuesday, March 8, 11:00 a.m. to 2:30 p.m. (Free admission)
A DAY IN THE LIFE OF THE LAFAYETTE STRING QUARTET:
Working with UVic’s Artists-in-Residence
Experience a day in the life of one of the most renowned string quartets
in North America. Sessions include an open rehearsal, discussion with string
students, and a masterclass. More info at: finearts.uvic.ca/music/events
Tuesday, March 8, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.

�

To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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