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                    <text>SCHOOL OF MUSIC, UNIVERSITY OF VICTORIA

Unity
UNIVERSITY OF VICTORIA

Symphony Orchestra
(UViSO)
GIUSEPPE PIETRAROIA Conductor
ARTURO GARCIA-CUELLAR Graduate Student Conductor

{
UNIVERSITY OF VICTORIA

Wind Symphony
JAMIE DAVIS Conductor

FRIDAY, OCTOBER 13, 2023 | 8 PM
The Farquhar at UVic, University of Victoria

�PROGRAM
We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

UVIC SYMPHONY ORCHESTRA
Giuseppe Pietraroia, Conductor
Arturo Garcia-Cuellar, Graduate Student Conductor

Symphony No. 2 in D Major, Op. 11
Joseph Bologne, Chevalier de Saint-Georges
	
Allegro presto 	
(1745-1799)
	Andante
	Presto
Symphony No. 45 in F-sharp minor “Farewell”
Franz Joseph Haydn
	
Allegro assai 	
(1732–1809)
	Adagio
	
Menuet “Allegretto”
	
Presto – Adagio

I NT E R M I S S I O N

�UVIC WIND SYMPHONY
Jamie Davis, Conductor

Fanfare “Renewal” (2021)				 Matthew Klohs	
(b. 1973)
Hikari (Simple &amp; Clean) (2023)*			

Hikaru Utada
(b. 1983)

World Premiere Performance
*Arranged by UVic Music Education student Nishant Amatya
Jubilo (2010)						

Fergal Carroll
(b. 1969)

Letters (2021)					 Kelijah Dunton
(b. 1999)
Salt March (2022)					

Aakash Mittal
(b. 1985)

�PROGRAM NOTES
Fanfare “Renewal” by Matthew Klohs
Following the shutdown of wind ensembles around the world due to Covid-19 in
2020, the eventual re-emergence of performances for our genre will be somewhat
of a renewal of our art form. It presents an opportunity to reconnect with our musicians and audiences all over the world, and this renewal was at the front of my mind
when composing this optimistic and forward-moving concert opener. Every section of
the ensemble has a key role here, but none more so than percussion and piano who
provide momentum and rhythmic drive throughout the work. I hope you will find the
piece to be uplifting and hopeful of the renewal of wind ensemble music as we come
out of Covid-19 and back to a more familiar way of celebrating our art.
© Matt Klohs
Hikari (Simple and Clean) by Hikaru Utada / arranged by Nishant Amatya
One of the most well-known singer-songwriters in Japan, Hikaru Utada wrote Hikari
as part of a collaboration with Square Enix in the early 2000s in creating and promoting the video game Kingdom Hearts. Since then, this piece has become a video game
classic, and representative of the entire Kingdom Hearts franchise. Kingdom Hearts
series composer,Yoko Shimomura, took Utada’s original pop-folk tune and completely
revamped it for an orchestra. This arrangement is largely based on Shimomura’s orchestral version and attempts to faithfully score it for a wind ensemble and capture
the power of the original.
© Nishant Amatya
Jubilo by Fergal Carroll
Jubilo meaning ‘joyful’ was commissioned to celebrate the birthday of a man, Richard
Bassett, “who loved life and lived well!” Carroll’s fingerprint (very Irish) rhythmic style
is in evidence but remarkably user friendly. The work is basically in 9/8 but with significant metric variations. The composer writes, “I always found mixed meters (over a
definite pulse) extremely stimulating. Playing in orchestra pits as a boy, I came across
musicals such as Evita and Jesus Christ Superstar which used them extensively. In college
I very much got into the work of Igor Stravinsky, and to a lesser extent some of the
minimalists, like John Adams. Stravinsky’s A Soldier’s Tale is a particular favorite of mine
for this reason.”
© Fergal Carroll
Letters by Kelijah Dunton
Commissioned by the College Band Directors National Association, Letters is a piece
that represents overcoming a romantic betrayal. My goal was to illustrate the concept
as if it was a story. The “story” of the piece is “told” from the lens of the person who
was betrayed by their partner. The piece goes through several iterations of the same
melody but each time it’s different, taking on a different identity entirely. Sometimes
nostalgic and reminiscent, to bitter, menacing, full of malice and regret.
© Kelijah Dunton

�Salt March by Aakash Mittall
While the heart and soul of Salt March For Wind Ensemble is a tribute to Mohandas K.
Gandhi’s historical protest and the music of that moment, fragments of the marching
music prevalent during my childhood are woven into this composition. Cemented by
four years of competitive high school marching band, marching in local parades, and
playing marches at the town’s veterans club, the march became ingrained in my musical DNA. The march became part of my life again during the 2020 pandemic. Black
Lives Matter and the Women’s March spotlit the power of the march as an effective
type of non-violent protest that is still in use today. As the pandemic raged on, the idea
of expressing our current climate of activism by writing a piece about Gandhi’s Salt
March came to mind again and again. I wanted the piece to be an opportunity to study
an important point in history and remind students that they already have the power
to make positive change in the world. My intent for Salt March was to remind us of
where we have been and relate that history to the activism taking place right now.
Salt March is a contemporary imagining of the 1930 protest rather than a historically
accurate rendering. However, I wanted to arrange a song that was sung during the
original march to nestle a seed of that history in this piece.
© Aakash Mittal

BIOGRAPHIES
Giuseppe Pietraroia
Giuseppe Pietraroia is Associate Conductor for both the Victoria Symphony and Pacific Opera. As a guest conductor he has been engaged by l’Orchestre Métropolitain,
Orchestra London, Vancouver Symphony, Toronto Symphony, Calgary Philharmonic,
Hamilton Philharmonic, Okanagan Symphony, Regina Symphony, Kingston Symphony
and Thunder Bay Symphony.
His extensive opera engagements with Pacific Opera include productions of Il Barbiere Di Siviglia, La Traviata, La Boheme, Lucia di Lammermoor, Norma, Rigoletto, Manon
Lescaut, Madama Butterfly, La Cenerentola, Tosca and Let’s Make an Opera/The Little
Sweep. In addition, he has conducted productions for l’Opéra de Montréal, l’Opéra
de Québec, Opera Lyra Ottawa, Edmonton Opera, Opera New Brunswick, Calgary
Opera’s Emerging Artist Program, and l’Institut Canadien d’Art Vocal in Montreal.
With Victoria Choral Society where he was Music Director for 7 seasons, Maestro
Pietraroia conducted performances of Handel’s Messiah and Mozart’s Mass in C minor
with the Victoria Symphony, a choreographed production of Orff ’s Carmina Burana
in collaboration with Ballet Victoria, Dvorak’s Stabat Mater, David Fanshawe’s African
Sanctus, and the Duruflé and Fauré Requiem.
Maestro Pietraroia has recorded a CD with soprano Marie-Josée Lord and l’Orchestre
Métropolitain for the ATMA label, which won a Felix award granted by l’ADISQ and
was also nominated for a Juno award.
Giuseppe Pietraroia is the recipient of the George and Jane Heffelfinger Pacific Opera
Victoria Artist of the Year Award and the Canada Council’s Jean-Marie Beaudet Award
in Orchestral Conducting.

�Jamie Davis
BMus (UVic)
Jamie Davis (he/him) is in his final year of studies in the Master of Music Performance
(Wind Conducting) program at the University of Victoria guided by Dr. Steven Capaldo and Dr. Gerald King. Tonight’s performance is presented in partial fulfilment of
the requirements for his master’s degree. His research focusses on diverse composers
and their works for wind band.
Jamie is also the director of bands at Reynolds Secondary School in Victoria, BC. For
eighteen years his high-school ensembles have been heard in performance locally, provincially, and internationally. Ensembles under his direction consistently receive festival
ratings of Superior or Gold, are in demand for concert and parade appearances, and
receive numerous accolades for their performances. Additionally, he has served as an
executive member of the BC Music Educators Association as secretary, vice-president,
and president from 2012 – 2017.
As a trombonist Jamie has performed with the Meridiem Wind Orchestra, Hugh Fraser’s Bonehenge, Kamloops Symphony Orchestra, Sooke Philharmonic Orchestra, and
the South Island Wind Ensemble. His principal teachers include Ian Mcdougall, Hugh
Fraser, and Brad Howland.
Nishant Amatya
BMus (UVic)
Nishant Amatya (he/him) is a Nepalese-Canadian educator, composer and arranger
from Surrey, BC and currently residing in Victoria on the unceded traditional territories of the Songhees, Esquimalt, W̱SÁNEĆ and lək̓ʷəŋən peoples. He completed his
BMus (Education) at UVic in 2023 and is currently completing his PDPP (BEd). His
first work, Journey’s End, was premiered by the UVic Wind Symphony in October
2022, and he has composed/arranged for various other groups, including the UVic Big
Band, UVic Vocal Jazz, Kasperl Quintet, and Isabel Leong’s Ghibli Jazz Orchestra. His
musical inspirations include composers such as Joe Hisaishi, Yoko Shimomura, Carlos
Eine and Charlie Rosen.

�UVIC SYMPHONY ORCHESTRA
Conductor
Giuseppe Pietraroia
CELLO
OBOE
Vannophat Kaploykeo*	
Dominic Calderer*
Caitlyn Liu 		
Mahtab Saadatmand	
BASSOON
Garron Stuart		
Eilish Mcaree*
Jayda Thor		
Curtis Vetter		
HORN
Nicole Phanichphant	
Natalie Ciurysek*
VIOLIN 2
Matteo Toyata			 Shanna De Forrest
Jade Chu*		
Nicholas Fairfield-Carter	 	
DOUBLE BASS
Lili Markel		
Luca Carbone-Smith*	
Ela Wyndlow		
Artemis Gallegos		
Ivy Baker			
Faith Fehr		
MUSIC LIBRARIAN
Dylan Syrnyk		
Arturo García Cuéllar
VIOLA
Rob Neufeld		
Julian Glover*		
STAGE MANAGERS
Andrew Loe		
Vannophat Kaploykeo
Sophie Hillstrom		
Joyce Tsai
Helen Young			
	
ORCHESTRA ASSISTANT
Vannophat Kaploykeo
VIOLIN 1
Megan Bibby*		
Joyce Tsai		
Theo Latta		
Catherine Hume		
Emily Dowie		

* Principal

�UVIC WIND SYMPHONY
Conductor
Jamie Davis
PICCOLO
Cleary Manning
FLUTE
Lauren Debeljak*
Sophia Adames
Spencer Leong Cowie
Adam Rabski
OBOE
Andrew Montgomery
CLARINET
Luke Ongman*
Tenzin Clegg
Maeve Calhoun
Sarah Carey
Kate Kibble
Chris Ollinger
Danica Smith
BASS CLARINET
Nishant Amatya
Meghan Pimm	
CONTRABASS
CLARINET
Meghan Pimm
BASSOON
Holly Edquist*
Devin Hawthorne
Siobhan Golonka
CONTRABASSOON
Holly Edquist

SAXOPHONE
Xavier Marican*
Madison Wang
Sylvan Wilkinson
Hannah Stanwood
Bethanie Tran
Caiden Meyer
TRUMPET
Koshi Thompson*
Claire McMahon
Heidi Goetz
Arshia Radaei
Kyle Bates
Tark Kim
HORN
Natalie Ciurysek*
Karlee Messer-Todd
Max Niiranen
TROMBONE
Eleanor Knight
Tyler Schmit
Cadence Pickering
Jules Dawkins
Amaya Sydor*

TUBA
Aaron Kruger*
Spencer Robinson
TIMPANI
Ethan Page
PERCUSSION
Liven Carlson*
Harbour Nolan
Levi Viinikka
Calvin Ransom
Andrew Canil
PIANO
Aurora Wai

MUSIC LIBRARIAN
Claire McMahon
STAGE MANAGERS
Aaron Kruger
Senora Dunford
* Principal and section leader

EUPHONIUM
Muskan Guglani*
Senora Dunford

Follow the UVic Wind Symphony
on social media!

@uvicbands

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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
OCTOBER 13, 2023 | 12:30 PM
Featuring School of Music Woodwind students
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Sonata for flute and piano 	
	
I. Allegro		
	
II. Andante

Boris Blacher (1903-1975)
Bella Nguyen, flute
Yousef Shadian, piano
Wilson Osborne (1906-1979)

Rhapsody for Solo Clarinet	
Luke Ongman, clarinet

Valerie Coleman (b. 1970)

Danza de la Mariposa	
Ainsley Mercer, flute
Pavane
	
	

Sonata for flute and piano 	
	
I. Heiter bewegt

	

Fernande Decrucke (1896-1954)

Sylvan Wilkinson, soprano saxophone
Madison Wang, alto saxophone
Caiden Meyer, tenor saxophone
Xavier Marican, baritone saxophone
Paul Hindemith (1895-1963)
Spencer Leong Cowie, flute
Yousef Shadian, piano

Sonatine for flute and piano 	
	

Henri Dutilleux (1916-2013)
Eva Bradávková, flute
Yousef Shadian, piano

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, OCTOBER 13 | 8 PM ($15-$28)
UVic Wind Symphony and UVic Symphony Orchestra: Unity
The UVic Wind Symphony and UVic Symphony Orchestra kick off another exciting year of collaboration, joining together to
open their 2023/24 concert season with Unity.
The Farquhar at UVic
FRIDAY, OCTOBER 20 | 12:30 PM (By donation)
Fridaymusic: Piano
Take a break from the daily grind for our weekly lunch hour concert featuring some of the UVic School of Music’s finest musicians. This week’s concert features piano students performing a variety of repertoire, from classical to contemporary.
Phillip T. Young Recital Hall

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                <text>Bella Nguyen, flute &#13;
Yousef Shadian, piano&#13;
Luke Ongman, clarinet&#13;
Ainsley Mercer, flute&#13;
Sylvan Wilkinson, soprano saxophone&#13;
Madison Wang, alto saxophone&#13;
Caiden Meyer, tenor saxophone&#13;
Xavier Marican, baritone saxophone&#13;
Spencer Leong Cowie, flute&#13;
Eva Bradávková, flute</text>
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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

Diverse
Harmonies

We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

THURSDAY, OCTOBER 12, 2023
7:30 PM
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

�PROGRAM
Six-Year Interlude

Nebojsa Macura
(b.1982)

	
Suzanne Snizek, flute
Joanna Hood, viola
Michelle Mares, piano

Sebastián Durón
(1660-1716)

“Animoso denuedo, guerrero” 	
from La guerra de los gigantes 	
Virginia Acuña, scholar
Kinza Tyrrell, harpsichord
Anne Grimm, soprano
Merrie Klazek, trumpet
Variations on a Theme of Alban Berg
for viola and piano	

	

T. J. Anderson
(b.1928)

Joanna Hood, viola
Ajtony Csaba, piano
Trumpet Songs 	
	
1. Morning Opens
	
	
3. In our Quiet
	
4. Hop &amp; Toe Dance
	
6. Breaking
Merrie Klazek, trumpet and flugelhorn
Kinza Tyrrell, piano

Jennifer Higdon
(b. 1962)

�Not all sorrows have died

	
	

Silver Song 2
	

Evensong

Yakiv Stepovyi
(1883-1921)
Stefania Turkevych
(1898-1977)
Kyrylo Stetsenko
(1882-1922)

Benjamin Butterfield, tenor
Kinza Tyrrell, piano
Ibrahim Maalouf
(b. 1980)

Red and Black Light 	
Merrie Klazek, flugelhorn
Kinza Tyrrell, piano
“Ferne,” Op. 15, No. 3
“Der Herbst,” Op. 12, No. 5
“Erinnerung,” WoO
“Fee’n-Reigen,” Op. 3, No. 4

	

Josephine Lang

Quartetto Sorbetto
Dr. Alexander Richards, soprano saxophone
Sylvan Wilkinson, alto saxophone
Wendell Clanton, tenor saxophone
Xavier Marican, baritone saxophone
These works by Josephine Lang, arranged by Sharon and Harald Krebs,
incorporate suggestions for performance edits from Sobremesa,
UVic Senior Student Saxophone Quartet (2017-20).

�TEXTS &amp; TRANSLATIONS
Animoso denuedo, guerrero
	
Spirited boldness, warrior
who in battles crowns
my manly labour,
since for me alone cheers the concave
famous bugle.
Where will I find something to conquer,
if there is nothing left
for me to defeat?
— Translation by Maria Virginia Acuña

“In weite Ferne” (Into the distance)
I would like to dream my way into the distance, where you are—where there is
snow, where there are foaming brooks, mountain goats on ice fields, figs ripening in warm valleys. I shall continue to love you, and we shall be just as we were,
when you return home. (Johann Gustav Droysen)
“Der Herbst” (Autumn)
Is there rustling in the foliage? Are the grapes turning red? Is autumn coming?
How its approach once oppressed me! But now I wait for its arrival, for when the
leaves fall, my beloved shall come! (Christian Reinhold Köstlin, based on a letter from Josephine Lang)
“Erinnerung” (Memory)
Every dream shows me my death; no future smiles for me. I hardly know what
happiness is; into my life’s spring there descended the blizzard of misfortune. Joy,
hope and love have passed away; would that memory would pass away with
them! (Lord Byron)
“Fee’n-Reigen” (Fairy Dance)
The silver bells of May ring out, inviting us to the dance. Come hither, ye fairies, to
the place where moonlight trembles over the primroses; there let the airy round
dance be woven! Humans pass away like leaves and find rest in a small wooden
chamber—but we laugh at the wrinkles of time and remain the same always!
(Friedrich von Mathisson)
— Paraphrases by Dr. Harald Krebs

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                <text>Experience the power of music that transcends boundaries and celebrates the richness of cultural diversity. UVic School of Music faculty musicians come together to pay homage to underrepresented composers — including people of colour and of diverse heritage and gender — who have contributed immensely to the world of classical music. This inspiring evening will feature a carefully curated selection of pieces spanning different eras and styles, including Ukranian folk songs, a work of Baroque theatre by Sebastián Durón, Trumpet Songs by Jennifer Higdon, Six Year Interlude by Serbian American composer Nebojsa Macura, works by Josephine Lang arranged by Sharon and Harald Krebs, and more!</text>
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                <text>Suzanne Snizek, flute&#13;
Wendell Clanton, saxophone with Quartetto Sorbetto&#13;
Merrie Klazek, trumpet&#13;
Joanna Hood, viola&#13;
Michelle Mares, Ajtony Csaba &amp; Kinza Tyrrell, piano&#13;
Anne Grimm, soprano&#13;
Benjamin Butterfield, tenor&#13;
Virginia Acuña, lecturer</text>
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                    <text>UVIC

TUESDAY, OCTOBER 3, 2023 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

The School of Music &amp; the Martha Cooke Visiting Artist Fund presents

GUEST PIANIST

MINSOO SOHN
This concert is dedicated to the memory of Russell Sherman.

PROGRAM
Sergei Rachmaninoff (1873–1943)
Études-Tableaux, Op. 33
1. Allegro non troppo
2. Allegro
3. Grave
4. Moderato
5. Non allegro-Presto
6. Allegro con fuoco
7. Moderato
8. Grave
I NT E R M I S S I O N

Études-Tableaux, Op. 39
1. Allegro agitato
2. Lento assai
3. Allegro molto
4. Allegro assai
5. Appassionato
6. Allegro
7. Lento lugubre
8. Allegro moderato
9. Allegro moderato, tempo di marcia

�MARTHA COOKE LEGACY FUND
With a generous gift from the estate of Martha Cooke, The Martha Cooke Visiting Artist Fund presents the first
of three visits to the University of Victoria School of Music by renowned pianist Minsoo Sohn. The Martha Cooke
bequest also establishes two substantial funds for piano maintenance at the School of Music. We are delighted that
Minsoo Sohn will return to present concerts and masterclasses in October of both 2024 and 2025. All ticket proceeds from Mr. Sohn’s concerts will go to the piano maintenance legacy fund.

BIOGRAPHY
Minsoo Sohn is a Korean American pianist known for his musical intelligence and masterful virtuosity. Described
by the New York Times as “a genuine artist, with a thoughtful and poetic interpretation” and the Boston Globe
as “born to play the piano,” Sohn continues to expand his reputation as one of the foremost pianists of his day.
Sohn has toured extensively throughout North and South America, Europe, Israel and Korea and has appeared in
important venues and festivals.
Sohn is particularly noted for his interpretation of Bach’s Goldberg Variations. The New York Times praised his Honens-label recording of the work as a “beautifully articulated, radiant interpretation,” placing it one of the top classical
recordings of 2011. His recordings have also received critical acclaim from the New Yorker Magazine, the Cleveland
Plain Dealer, Gramophone Magazine, the Calgary Herald and Toronto Star, among many others.
In 2020, coinciding with the 250th anniversary of Beethoven’s birth, Mr. Sohn concluded his four year immersion in
the composer’s music, which has included concert performances, recordings and writings. Over the course of his
Beethoven project, Mr. Sohn performed and recorded the composer’s thirty-two sonatas in a series of recitals at the
Seoul Arts Center, and in recording sessions at Tongyeong Concert Hall. The recital series also included Beethoven’s
monumental Diabelli Variations and Bagatelles. Sony Classical released the highly anticipated nine-album set of “Complete Beethoven Piano Sonatas” in the Fall of 2020.
Mr. Sohn previously held positions at Michigan State University and Korean National University of Arts before joining
his alma mater,The New England Conservatory of Music, where he began teaching in the Fall of 2023. He is indebted
to Russell Sherman and Wha Kyung Byun for guiding him to follow his bliss.

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

�</text>
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                <text>Ayke Augus&#13;
&#13;
Students:&#13;
Bennett Chiu, violin and Syd Buldman-Fleming, piano&#13;
Katherine Peter, violin&#13;
Theo Latta, violin&#13;
Megan Bibby, violin</text>
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                    <text>UVIC

SATURDAY, SEPTEMBER 30, 2023 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

GUEST CONCERT

MARK LUPIN VIOLIN
AYKE AGUS PIANO
WITH PAMELA HIGHBAUGH ALONI CELLO
PROGRAM
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

Ernest Chausson
(1855–1899)

Poeme, Op. 25 		
Violin Concerto No. 3 in B minor, Op. 61 	
	
Allegro non troppo 	
	
Andantino quasi allegretto
	
Molto moderato e Maestoso
	
Allegro non troppo

Camille Saint-Saëns
(1835–1921)

I NT E R M I S S I O N

Prelude, No. 6, Op. 23 in E-flat major	

Sergei Rachmaninoff
(1873–1943)

Piano Trio No. 1, Op. 49 in D minor	
	
Molto allegro ed agitato	
	
Andante con moto tranquillo
	Scherzo
	
Finale – Allegro assai appasionata

Felix Mendelssohn
(1809–1847)

Proceeds from this concert will benefit the UVic Graduate String Quartet Program.
To make a donation online, use the QR code or visit: https://bit.ly/3yAWO56
Please indicate “Graduate String Quartet Program” on the online form.

�BIOGRAPHIES
Known for breathing life into every note he plays, Mark Lupin‘s artistry knows no bounds. A Canadian concert
violinist born in Oxford, England, Lupin was awarded a scholarship for violin studies at the University of Cincinnati at
age six, and at the age of seven, he was accepted to study with Sigmund Effron, the concertmaster of the Cincinnati
Symphony Orchestra. He won the Heifetz Scholarship Award for two years intensive private study with Jascha Heifetz in Beverly Hills and at the University of Southern California. His other remarkable teachers include Ivan Galamian
in New York as well as Joseph Gingold and Franco Gulli in Bloomington, Indiana. Lupin made his television debut at
the age of seven, his London début with the London Mozart Players in the Queen Elisabeth Hall in 1981 and his solo
début the same year at the Wigmore Hall. He has performed with many of the world’s leading orchestras, including
the Philharmonia Orchestra, BBC Symphony Orchestra, Royal Philharmonic Orchestra, and the London Symphony
Orchestra.

A pianist of unparalleled skill and sensitivity, Ayke Agus is a native of Indonesia and began her concert career on
both the violin and the piano at the age of 7. She will forever be known as the last accompanist during the last fifteen
years of the world renowned Russian American violinist, Jascha Heifetz’s life. She performed as pianist with Heifetz
and Gregor Piatigorsky in chamber music concerts. Dr. Agus has given masterclasses and lecture concerts around
the world including the St. Petersburg Conservatory (Russia), the Jascha Heifetz concert Hall in Vilnius, Lithuania, the
Juilliard School of Music, the Royal Academy of Music in London (RAC), New England Conservatory, Boston University, the Royal Music Conservatory of Birmingham (UK), Rice University (Houston), UCLA, The Yang Siew Toh (YST)
National Music Conservatory of Singapore, University of Indonesia in Jakarta, and all the major cities of Indonesia.

Praised for her “meltingly beautiful solos” (The Detroit News) and performances of “depth and insight” (Times Colonist), Pamela Highbaugh Aloni performs regularly as a recitalist and chamber musician and is an Associate Professor at UVic where she teaches cello, chamber music and string pedagogy. A founding member of the prize-winning
Lafayette String Quartet, she and her colleagues celebrated 37 years of musical life together before taking their final
bow in August 2023. Highlights with the LSQ included performing all sixteen Beethoven string quartets, a 30th anniversary Shostakovich Cycle, a Second Viennese School project, the commissioning of five new quartets by women
composers, and the initiation of the Lafayette Health Awareness Forum. Ms. Highbaugh Aloni coaches the Greater
Victoria Youth Orchestra cello section, and at the Sooke Chamber Music workshop. She has performed with the Vetta Ensemble of Vancouver, Victoria Chamber Orchestra, Victoria Summer Festival, Sooke Philharmonic, Eine Kleine
Summer Music, Chamber Music San Juan, and was principal cellist with the Galiano Ensemble. Pamela plays on a
George Craske cello made in 1850.

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Ayke Augus, piano&#13;
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                    <text>DEGREE RECITAL
Jenny Sunderland, Piano
Saturday, September, 9, 2023, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Romanian Dances op.8a #1 (1910)

Béla Bartók
(1881–1945)

from Das wohltemperiertes klavier I (1722)
i. Prelude and Fugue in Ab major
ii. Prelude and Fugue in F# minor

J.S. Bach
(1685–1750)

from 12 Polonaises (c. 1765)
i. no.8 in e minor
ii. no. 6 in eb minor

W.F. Bach
(1710–1784)

from Dritte Sammlung: Rondo in E major (1779)

C.P.E. Bach
(1714–1788)

— INTERMISSION —
St. François d'Assise: La prédication aux oiseaux (c. 1865)

Sonata op.111 (1822)
i: Maestoso – Allegro con brio ed appassionato
ii: Arietta: Adagio molto semplice e cantabile

Jenny Sunderland is from the class of Professor Vogt
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Reception to follow in the Lounge.
Please silence all electronic devices.

Franz Liszt
(1811–1886)

L. van Beethoven
(1770–1827)

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                <text>Bella Nguyen, flute&#13;
Eva Bradavkova, flute&#13;
Yousef Shadian, piano</text>
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                    <text>DEGREE RECITAL
Eóghan Bostock, Piano
Friday, September 8, 2023, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Everything Waits for the Lilacs

John Burge
b. 1961

Suite in D Major, RCT 3
I. Les Tendres Plaintes
V. La Follette
VI. L’Entretien des Muses
VIII. Les Cyclopes

Jean-Philippe Rameau
(1683–1764)

Estampes, L.100
I. Pagodes
II. La soirée dans Grenade
III. Jardins sous la pluie

Claude Debussy
(1862–1918)

Ballade No. 4 in F Minor, Op. 52

Frédéric Chopin
(1810–1849)

— INTERMISSION —
Sonata in E-flat Major, Hob. XVI/52
I. Allegro
II. Adagio
III. Finale: Presto

Franz Joseph Haydn
(1732–1809)

Eóghan Bostock is from the class of Eva Solar-Kinderman
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Please silence all electronic devices.

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