32 10 1498 https://finearts.uvic.ca/music/archive/files/original/f2faa3a10d2f6546fa170b9563a5b43c.pdf 1d05156ee18331ba5805f7d94bbd1aa0 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �String Chamber UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Concert Students from the studios of the Lafayette String Quartet Wednesday, November 25, 2015 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM String Quartet Op. 76, No. 5 I. Allegretto — Allegro II. Largo — Cantabile e mesto Franz Joseph Haydn (1732–1809) Matthew Logan, violin Nanau Loewen, violin Joshua Gomberoff, viola Natalia Stoney, cello Quartet No. 8 in C minor, Op. 110 I. Largo II. Allegro molto Dmitri Shostakovich (1906–1975) Sin Lung Ling, violin Shijin Kim, violin Marko Miletic, viola Chloe Noden-Kersen, cello String Quartet No. 14 in D minor (Death and the Maiden) I. Allegro Franz Schubert (1797–1828) Jilaine Orton, violin Raina Saunders, violin Fahlon Smith, viola Ella Hopwood, cello String Quartet No. 3 in F Major, Op. 73 I. Allegretto Amy-Lynne Toth, violin Brittany Tsui, violin Calvin Yang, viola Claire Dresselhuis, cello I NT E R M I S S I O N Dmitri Shostakovich �Arien à 4 I. Allegro – Adagio II. Allemande Heinrich Ignaz Franz Biber (1644–1704) Francine Hsu, violin Serena Jack, violin Paul Joo, cello Steven Jeon, cello Quintet in C Major, Op. 163 I. Allegro ma non troppo Franz Schubert Jasmine Mather, violin Lena Ruiz, violin Melissa Toth, viola Bryan Lin, cello Olivia Brotzell, cello String Quartet No. 8 I. Con dolore II. Risoluto III. Con dolore IV. Con precisione V. Con dolore Peter Sculthorpe (1929–2014) Natalie Dzbik, violin Emily MacCallum, violin Sarah de Niverville, viola Alex Klassen, cello Adagio and Fugue in C minor, K.546 Linda Donn, violin Jessica d’Oliveira, violin Eric Mitchell, viola Tara Rajah, cello Quartet in G minor, Op. 10 II. Asset vif et bien rythmé IV. Très modéré Chloe Kim, violin Aliayta Foon-Dancoes, violin Evan Hesketh, viola Shiun Kim, cello W.A. Mozart (1756–1791) Claude Debussy (1862–1918) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112515-StringChamberConcert/112515-StringChamberConcert_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource String Chamber Concert - students from the studios of the Lafayette String Quartet Creator An entity primarily responsible for making the resource James Gray Date A point or period of time associated with an event in the lifecycle of the resource November 25, 2015 https://finearts.uvic.ca/music/archive/files/original/4d826da64b7f9a16c8a6112f956193f4.pdf c864234267944436d6db5a606cca19eb PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �Guitar Class UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Recital Featuring students from the studio of Dr. Alexander Dunn Thursday, November 26, 2015 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Overture d’Iphigénie C.W. Gluck (1714–1787) arr. P. Porro (1750–1831) Josh Hu, guitar Sin Lung Ling, violin Sonata para Guitarra (1933) Pavana Triste Allegro Moderato Antonio Jose (1902–1936) Michael Chambers, guitar Quartet No. 3 ‘Mishima’ Ichigaya Award Montage Philip Glass (b. 1937) Michael Chambers, Iain Emslie, Isaiah Brabazon, Joshua Amendt-Moylan, guitars Sonata Op. 31, No. 4 Allegro moderato Scherzo Capricio Natasha Pashchenko, guitar I NT E R M I S S I O N Wenzel Matiegka (1773–1830) �Tiento Antiguo Joaquin Rodrigo (1901–1999) Isaiah Brabazon, guitar Estudios Nos. 1 and 7 Leo Brouwer (b. 1939) Iain Emslie, guitar Sonata BWV 1001 Adagio Fuga Hart Parnell, guitar Minstrels J.S. Bach (1685–1750) Claude Debussy (1862–1918) arr. Castelnuovo-Tedesco Homenaje, pour le Tombeau de Debussy Etudes Nos. 9 and 10 Simon Farintosh, guitar � www.finearts.uvic.ca/music/events Manuel de Falla (1876–1946) Heitor Villa-Lobos (1887–1959) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guitar Class Recital - students from the studio of Dr. Alexander Dunn Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource November 26, 2015 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112715-Fridaymusic/112715-FridayMusic_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Zach Smith Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2015 https://finearts.uvic.ca/music/archive/files/original/8bb7546ac58ce24e09b407b825b2bcb6.pdf 7b45cf50e0ce7de58da90624defe9b04 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Jazz Ensemble Mostly Monk: Celebrating Thelonious Monk FEATURING: FLUTE Bailey Finley SAXOPHONE Adam Jasieniuk Michael Vielguth Lee Whitehorne TRUMPET Tony Shackell TROMBONE Will Quinn Megan Rees BASS Chris Calvin Arkadi Futerman Blake Palm DRUMS Myim Bakan-Kline Keenan Mitag-Degala PIANO William Lynch GUITAR Fraser Gibson DIRECTOR Dr. Patrick Boyle SATURDAY, NOVEMBER 28, 2015 • 8:00 PM Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $15 / Students & Seniors $10 �program Lotus Blossom Kenny Dorham Ask Me Now Thelonious Monk Rhythm-A-Ning Thelonious Monk Douce Ambiance Django Reinhardt Green Chimneys Thelonious Monk Alter Ego James Williams I NT E R M I S S I O N Beverages & snacks available at the concession located in the lounge. Bemsha Swing Thelonious Monk Impressions John Coltrane Minor Swing Django Rienhardt Monk’s Dream Thelonious Monk Straight No Chaser Thelonious Monk Joy Spring Clifford Brown The UVic Jazz Ensemble thanks the applied teachers of the School of Music for their dedication and hard work. On Mon. Nov. 30 from 6-8pm, join the UVic Jazz Ensemble and the UVic Swing Dance Club in VERTIGO for dancing and listening. Come at 5pm for a free dance lesson. �UPCOMING EVENTS Tuesday, December 1, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, December 3, 10:30 a.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from MUS 108 African Hand Drumming perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, December 3, 8:00 p.m. ($15 & $10) DON WRIGHT SYMPHONIC WINDS Dr. Michael Keddy, conductor Featuring student musicians from across the UVic campus. University Centre Farquhar Auditorium Friday, December 4, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. This concert will be broadcast live at finearts.uvic.ca/music/events/live/ Phillip T. Young Recital Hall Friday, December 4, 8:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHOIRS: Sing, Choirs of Angels! The UVic Choirs return by popular demand to present a gift of choral music to the Greater Victoria community in their second annual joint concert. Featuring the UVic Chorus, Chamber Singers, Women’s Choir and Vocal Jazz Ensemble. Christ Church Cathedral (Quadra St. at Rockland Ave.) Sunday, December 6, 2:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: Two Giants Louise Hung, piano (UVic Concerto Competition Winner) Performing Tchaikovsky’s Symphony No. 5 and Beethoven’s Piano Concerto No. 4, Op. 58. With Ajtony Csaba, conductor. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112815-JazzEnsemble/112815-JazzEnsemble_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble - Mostly Monk: Celebrating Thelonious Monk Creator An entity primarily responsible for making the resource Adar Guy & Season Wang Date A point or period of time associated with an event in the lifecycle of the resource November 28, 2015 https://finearts.uvic.ca/music/archive/files/original/7aad8d5f36022c192dbd4da371ef54b3.pdf f6fae3e19fe6b2435ef90f742f00da3e PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES ALEXANDER DUNN GUITAR Saturday, November 21, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission �PROGRAM 12 Miniature Preludes Andrew Allan Willcocks* Fresh Summer Day (1869–1956) Romance Scatterbrained Le matin au bord de l’eau – In the Morning at the Waters Edge Pantomine Ô Mort, poussière d’étoiles – O Death, Dust of Stars Paysage Sentimental – Sentimental Landscape The Handmaid’s Dream in the Dunes Stormy Atmosphere Moonlight Landscape The little Puck The Waters Fall Suite in C major BWV 1009 Prélude Allemande Courante Sarabande Bourée I-II Gigue J.S. Bach** (1685–1750) I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge Studies for Guitar Weeping Willows A Summer Breeze Le Gibet de Ravel Luminous Sunset Images of Nature Still Waters Children playing Frost and Dew Reflections Choral The Bells of Notre Dame A Gale is blowing Guitar by Antonius Mueller, Aarbergen, Germany, 2014 *Canadian premiere of combined cycles **Arranged by Alexander Dunn Allan Willcocks* �PROGRAM NOTES Andrew Allan Willcocks Willcocks hailed from Canterbury where as a child he was encouraged to study the guitar with Giulia Pelzer, sister to the most prominent female guitarist of the nineteenth century. He later devoted his attention to piano, organ and composition. Study in Paris under Paul Dukas exposed him to the French style and it was there he formed deep friendships with Manuel Ponce, Cyril Scott, and other notable musicians. Indeed these influences and especially Ravel, can be discerned in his blending of Impressionist syntax with expert instrumental writing. 12 Miniature Preludes date from his Paris years alongside the Studies, which were discovered and published in 2012. Tonight’s concert features the complete preludes and studies — Willcock’s combined output for guitar. 12 Miniature Preludes were composed quickly, following the first six studies. They are lighter in tone, shorter in length, and generally less technically demanding than their counterpart. They all bear titles to poems or paintings, inspired by Willcocks’ contemporaries. The composer seems to draw creative motivation from the concept of a lone figure wandering rapt in nature, as seen in all the preludes inspired by paintings. The first, Fresh Summer Day, is drawn from Anderson Hague’s (1850–1916) sun-bathed oil landscape of the same name. Dapples of light play within its frame, suffused with intoxicating warmth, and where a solitary individual is dwarfed by tall trees. The music is a breezy arpeggio study that swells and abates, in this brief entry into the cycle. Romance is fashioned after Paul Bourget’s (1852–1935) poem from Les Aveaux — a languorous reflection on lost love, whose dolorous opening lines are: ‘The vanishing and suffering soul, / The sweet soul, the fragrant soul / Of divine lilies that I have picked / In the garden of your thoughts…’ This prelude is contemplative and resonant, tinged with more somber moments. The Debussy-like Scatterbrained (after Scott C. Wilson’s poem) is an ephemeral scherzo, unable to resolve its mood swings, but resolute in its intent. Le matin au bord de l’eau — a sumptuous oil painting by Rodolphe Piguet (1840–1915) shows a pensive figure at the early morning river’s edge, bathed in soft greys and light greens. A placid musical figure repeats throughout in gradually shifting kaleidoscopic colours. Pantomine is a snapshot of the buffoonish Pierrot — the tragicomic clown of Commedia dell’arte theatre — pining after Columbine. Paul Verlaine’s (1844– �1896) poem Pantomine reads: ‘Pierrot, who is nothing like Clitandre, empties a bottle without ado, and, ever practical, cuts into a pâté /.…Columbine dreams, surprised / at feeling a heart in the breeze / and at hearing voices in her heart.’ Willcocks’ prelude teases: now dynamic, now bumbling in amiable changeability. Ô Mort, poussière d’étoiles inhabits a dark, measured place. Marked molto triste, it tolls funereal chords in the low register, answered by luminous harmonics. Charles van Lerberghe’s (1861–1907) poem of the same title concludes: ‘And like a wine of fire and divine scent flowing from a golden amphora, pour out my soul into your abyss, so that it may perfume the dark earth and the breath of the dead.’ Paul Bourget’s poem Paysage Sentimental describes a winter landscape where lovers juxtapose their frozen surroundings with warm stirrings: ‘The winter sky, so soft, / so sad, so dormant, /…Of the death of all- of all, / that is, but you, whom I so love, / and of the happiness that fills my soul…’ Willcocks’ music is continuous in its movement, giving the impression of an expressive inward journey, culminating in a gentle and inevitable cadence. Johann Cornelius Pabst’s (1853–?) Farmer Girl in the Dunes depicts a young farm girl in an ocean-blue frock with a basket, standing alone, lost in thought, gazing from the white sands onto a distant rural farmhouse and church. She seems to be enrapt in faraway dreams of the sea. The music falls in languid sighs with fleeting pentatonic colors, hinting at exotic and unknown lands. Stormy Atmosphere is a dark-hued painting showing ominous clouds gathering over a landscape and reflected in water below. The prelude begins with low mysterious rumblings, gathering momentum with a burst of light before its radiant ending. Louis Douzette’s (1834–1924) Moonlight Landscape is a gorgeous nightscape in which a solitary boatman regards the full moon emerging from behind silvered clouds. In the distance, a dark windmill with a lone light. Willcocks’ music begins with pale harmonics, giving way to expressive arpeggios before fading away into quiet oblivion. Comic relief is found in The little Puck — Shakespeare’s prankster from A Midummer Night’s Dream. The passage that seems to have inspired the jocular music is from Act II, Scene I, where Puck exclaims: ‘I am that merry wanderer of the night. /…And then the whole quire hold their hips and laugh, / And waxen in their mirth and neeze and swear / A merrier hour was never wasted there’. 12 Miniature Preludes concludes with a setting of Lovis Corinth’s (1828– 1925) The Waters Fall — an expressionistic hand-colored lithograph from Corinth’s late period. In an apocalyptic, wind-battered scape, the Ark seems to float near mountaintops appearing through the flood. A raven and doves �hover overhead, with a tree, signifying resurgence, in the foreground. The music is a rush of cascading sound, with a more pensive middle section, giving way to exhilarating arpeggios and a final surge of light — closing in a fleeting moment and dispersing the reflective, duskier hues of the Preludes. The Studies form two six-work cycles, in their totality reminiscent of Debussy or Villa-Lobos’ études. They are deeper in weight and purpose than the Miniature Preludes and range in temper from effervescent to rather bleak. Each addresses a specific technical consideration: scales, arpeggios, chords, harmonics, etc. The first six were composed before 1928 and the following six, featuring unusual scordatura tunings, completed in 1941. The first, Weeping Willows, dedicated to the Mexican composer Manuel Ponce, is largely based on the whole-tone scale, glumly ranging across the instrument and marked ‘dreary’. A Summer Breeze — a fluid arpeggio study, follows, lightly dispelling any mood of gravity. The expressive highlight of the cycle, Le Gibet de Ravel, is a stark re-imagining of the second movement of Ravel’s monumental Gaspard de la Nuit. It is a monotonic tableaux on Alois Bertrand’s poem Le gibet (The Gallows), whose translation of the first and last couplet read: Ah! What do I hear, was it the north wind that screeches in the night, or the hanged one who utters a sigh on the fork of the gibbet?

 … It is the bell that tolls from the walls of a city, under the horizon, and the corpse of the hanged one that is reddened by the setting sun. Willcocks begins with a direct quote of the Ravel, slowly evolving into original music, but somehow combining elegance with utter dread. Luminous Sunset — prolonging the setting of dusk — scatters the hex with a spacious treatment of harmonics and flowing arpeggios. It fades gently into highpitched harmonics, resolving any previous anxiety. Images of Nature exists in a physical realm with dynamic figuration and chiaroscuro shifts of brightness and shadow. It relaxes into a meditative state, but only to recall the forceful exclamation of its opening. Inspired by Charles J. Pahlmie’s (1863–1911) Silent Water — a darkly hued oil on canvas landscape in which the partially obscured moon is reflected in a deep, placid lake — Still Waters is a calm, unruffled meditation on beautiful sonorities and is dedicated to the Spanish virtuoso Miguel Llobet. �The frolicsome Children Playing echoes Mussorsky’s Pictures at an Exhibition and Debussy; hurried musical motives scamper across its pages. Frost and Dew also draws its inspiration from a painting — Peter Scott Purvil’s (1845– 1926) Frost and Dew — contrasting a snow-covered lakeside with the slow thaw of early spring. In this study, Willcocks begins with frigid major seconds, slowly expanding into a radiant close. Reflections recalls Debussy’s piano work Images (Vol. 1) with its sumptuous harmonies. It begins with a sense of breathless urgency, soon relaxing into spacious octaves and a drooping, expressive motive. In Choral, we are invited to the fleeting memory of a Ravelian waltz emerging from bell-like harmonics. The clamorous The Bells of Notre Dame emerge from and retreat into a fog and in its expanse recalls Frost and Dew, but with the weighty and imperious tolling of cathedral bells. This performance of Willcocks’ Studies ends with A Gale is blowing, its oppressive gusts subside only at its very conclusion. Program notes by Alexander Dunn �UPCOMING EVENTS Sunday, November 22, 1:30 p.m. (Admission by donation) PIANO CLASS RECITAL Featuring students from the studio of May Ling Kwok. Phillip T. Young Recital Hall Sunday, November 22, 8:00 p.m. (Admission by donation) UVIC VOCAL JAZZ ENSEMBLE Fall Showcase:Too Hot To Sleep in Winter Wendell Clanton, director The UVic Vocal Jazz Ensemble performs original and inspiring arrangements in a fun-filled audience engaging evening. Phillip T. Young Recital Hall Tuesday, November 24, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Tuesday, November 24, 8:00 p.m. (Admission by donation) CLASS RECITAL: Innovations in Music Students premiere new works by School of Music composition students and present cutting edge repertoire as the culmination of the interdisciplinary class, MUS 350/462/562, focused on musical innovation. Phillip T. Young Recital Hall Wednesday, November 25, 8:00 p.m. (Admission by donation) STRING CHAMBER CONCERT Featuring students from the studios of the Lafayette String Quartet. Phillip T. Young Recital Hall Thursday, November 26, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Featuring students from the studio of Dr. Alexander Dunn in an eclectic program of solo and ensemble works. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112115-FacultyRecital/112115-FacultyConcert_Dunn_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112115-FacultyRecital/112115-FacultyConcert_Dunn_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112115-FacultyRecital/112115-FacultyConcert_Dunn_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Alexander Dunn, guitar Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2015 Contributor An entity responsible for making contributions to the resource Alexander Dunn, guitar https://finearts.uvic.ca/music/archive/files/original/aff071256337f7bd6094e5406650e322.pdf 750dccdd156c6146458eefc50bee3489 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT Eckhardt-Gramatté National Music Competition 2015 Winner’s Tour JOSHUA PETERS VIOLIN & KATHERINE DOWLING PIANO Friday, November 27, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Birdsong (2012) Vivian Fung* (b. 1975) Sonata for Violin and Piano No. 2 “Quasi una Sonata” (1967-68) Alfred Schnittke (1934–1998) Shades of a Romance (1996) John Estacio* (b. 1966) I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Into the Ether ‡ Violin Sonata No. 5, Op. 53 (1953) Jordan Pal* (b. 1983) Mieczyslaw Weinberg (1919-1996) * Canadian works ‡ 2015 E-Gré Commissioned Composition The E-Gré Competition acknowledges the support of the Canada Council for the Arts, which last year invested $157 million to bring thearts to Canadians throughout the country. Le Concours E-Gré remercie le Conseil des arts du Canada de sonsoutien. L’an dernier, le Conseil a investi 157 millions de dollars pourmettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. The 2016 Eckhardt-Gramatté National Music Competition May 6-8, 2016 is open to pianists. (See http://e-gre.ca for details.) The firstplace winner will receive a cash prize of $10,000 and a Canadian tour (recital fees ca. $5,000 for the Winner and pianist each). �BIOGRAPHIES Joshua Peters, violin Born and raised in Winnipeg, Manitoba, Joshua Peters began his violin studies at the age of four as a student of Gwen Hoebig and Karl Stobbe. He continued his studies at McGill University with Jonathan Crow, Denise Lupien, and Axel Strauss, and at the San Francisco Conservatory of Music as a student of Ian Swensen. Particularly drawn to the performance of chamber music, Peters has collaborated with many renowned musicians including Menahem Pressler, Kim Kashkashian, André LaPlante, Steven Dann, and members of the Emerson, Concord, St. Lawrence, and Pacifica quartets. He has also studied chamber music with members of the Alban Berg, Guarneri, Cleveland, Juilliard, Kronos, Miró, and Takács String Quartets. He has appeared as a soloist on numerous occasions with the Winnipeg Symphony Orchestra, as concertmaster of the McGill Symphony Orchestra, and as a member of the Montreal Symphony Orchestra. Peters is the First Prize Winner of the 2015 Eckhardt-Gramatté Music Competition, the First Prize Winner of the 2014 WMC Doris McClellan Competition, and also wishes to acknowledge the support of the Sylva Gelber Foundation and the Manitoba Arts Council. Katherine Dowling, piano Praised by the New York Times for her “crystalline performances, gestural expressiveness, and careful attention to color,” pianist Katherine Dowling has performed across North America and the United Kingdom. Following two seasons as a fellow of the Tanglewood Music Center, Katherine was awarded the Henri Kohn Memorial Prize and appointed to the contemporary ensemble-in-residence of the center, the New Fromm Players. She joined Gruppo Montebello in 2011, an all-star chamber ensemble directed by Henk Guittart, whose recordings appear on the Etcetera label. Katherine is further familiar to audiences through her association with The Banff Centre, where she has held numerous solo and collaborative residencies. She has enjoyed working with esteemed artists including the Jupiter String Quartet, Shauna Rolston, Joel Sachs, Marc Destrubé, composers John Harbison, Anthony Cheung, Marco Stroppa, and David Lang, and visual artist Andrea Büttner. Katherine credits her teacher, Gil Kalish, as the major influence in her musical life. �PROGRAM NOTES Birdsong - Vivian Fung Birdsong for violin and piano (2012), commissioned by the Delaware Chamber Music Festival through funding from the DeRosa Family Fund, is written in memoriam Julian Rodescu. The work, written for Kristin Lee, violinist, and Conor Hanick, pianist, showcases the virtuosity of both piano and violin, with quick runs, intense rhythmic passages, and exploration of improvisational moments. The title refers to the birdcalls of the opening and closing, as well as the general rhapsodic nature of the violin in this piece. – Program notes by the composer Sonata for Violin and Piano No. 2 “Quasi una Sonata” - Alfred Schnittke Schnittke’s second sonata for violin and piano was written in 1967–1968 for his friend, the violinist Mark Lubotsky. It is the first example of polystylism in Schnittke’s career, the style of music for which he is most well-known. In this piece, Schnittke weaves a complex fabric of styles together, with references to the Baroque period, total serialism, jazz, and graphic notation. The subtitle, “Quasi una Sonata” means “like a sonata” or “in the manner of a sonata.” This description of the piece being “like a sonata” is explained by Schnittke as a “sort of borderline case of sonata form (...) the form is called into question; it seems not to be achieved - and then the sonata is already over.” Schnittke continues: “suddenly I had to write this piece, without rules of construction. It was, so to speak, a mutiny against everything else.” The piece stops and starts, punctuated by uncomfortably long silences. Just as the music feels like it’s going somewhere, it cuts off abruptly. Schnittke also uses interesting markings to describe the tempo of certain sections: some sections are “senza tempo” or “without tempo”, and he also draws the distinction between “quasi cadenza” and “cadenza”. Despite the lack of traditional form, the piece carries a great deal of compositional continuity and emotional weight, equivalent to that of a sonata in a traditional form. The main way Schnittke does this is by developing the relationship of the first two chords of the piece: a loud G-minor triad in the piano, followed by a dissonant chord in the violin about six seconds later. This relationship is explored throughout the work, most notably at the climax of the piece, which is the quasirecapitulation of the opening material. In this section, the pianist plays the opening g-minor chord repeatedly at triple-forte, at one point, twenty-eight times in a row. During the g-minor chords, the violinist refuses to compete, and remains silent. �Shades of a Romance - John Estacio Shades of a Romance (1996) was commissioned by the CBC, specifically for Gwen Hoebig and David Moroz. While writing the piece, I knew it was going to be premiered by a husband and wife team so I endeavoured to make the relationship between the two instruments quite intimate and personal. While writing the piece, I drew upon my own personal experiences. Keeping in mind the notion that romances can lead to lifelong relationships, or end in flames, the piece is cast in two sections; the first section of the piece is lyrical and passionate, while the second part is fiery, raw, rhythmical and tempestuous. It’s up to the listener’s imagination to determine if the romance, as depicted in the performance, concludes with the lovers going their separate ways, or lighting up a cigarette. – Program notes by the composer Into the Ether - Jordan Pal 2015 E-Gré Commissioned Composition At the edge of the known, past cloudless skies and the light of a mil-lion miles. Go forth. Towards the darkness. Into the ether, towards the unknown. Cast in a single movement, Into the Ether takes us into the infinite. From the treacherously stratospheric but sublimely ethereal, through to the hypersonic and darkly mercurial, the music goes deeper, reaches higher, and pushes faster into the immeasurable unknown. Opening long lines suspend over a kaleidoscope of thirty-second notes. Hauntingly delicate refractions stream forth with ever-increasing intensity. The music ‘breaks,’ and 32nds become 16th triplets. Fiercely animated and decidedly capricious, interspersions of the long lines and reinterpretations of the opening piano accompaniment build to a varied return of the introduction. ‘Breaking off ’ again, the piece surges to the work’s electric close, vanishing into the ether. Designed to highlight the player’s technical prowess and expressive range, Into the Ether is a dramatic showpiece that centers on the violin soloist. Dramatic gestures, elaborate string techniques, and the dynamic interaction between the piano and stringed instrument, combine to produce a work that forces the player to engage with it in a very physical way. Through its unceasing musical flow and extreme technical demands, Into the Ether challenges the musician to reach into the infinite. – Program notes by the composer �Violin Sonata No. 5, Op. 53 - Mieczyslaw Weinberg Mieczyslaw Weinberg’s music has recently been gaining recognition outside of Eastern Europe as some of the most important and original music to have been composed in Russia during the 20th century. Weinberg was born in Poland and fled to Russia during the Second World after his family was killed in the Holocaust. In 1953, Weinberg was arrested for the crime of “Jewish Bourgeois Nationalism” and spent nine months in the infamous Lubyanka prison. If it weren’t for the death of Stalin in 1953, Weinberg probably would have died in prison. The Fifth Violin Sonata (1953) is the first piece Weinberg wrote after being released and is dedicated to Dmitri Shostakovich. Weinberg and Shostakovich were neighbors and had a very close friendship. They would show each other their works as they were writing and would frequently quote one another in their own music. When Weinberg was arrested, Shostakovich took power of attorney over Weinberg’s children and would have adopted them in the event that Weinberg’s wife was also arrested. One can imagine that this Violin Sonata is Weinberg’s way of showing his appreciation to Shostakovich for his kindness and support of Weinberg’s family during his time in prison. It is one of his most beautiful works and perfectly represents his compositional voice. The work begins quietly with a haunting theme played by the piano, which is the only theme that appears in the first movement. The second movement is vigorous, fast and occasionally violent in character. The third movement is a Scherzo with its main theme played in double-stops by the violin. The last movement begins with one of most beautiful wind-like effects in the entire violin repertoire, and gradually transforms into a lyrical Allegretto. The Allegretto theme gains intensity and culminates in a brilliantly composed fugal passage in the piano at the climax of the work. �UPCOMING EVENTS Saturday, November 28, 8:00 p.m. ($15 & $10) UVIC JAZZ ENSEMBLE Mostly Monk: Celebrating Thelonious Monk Dr. Patrick Boyle, director Phillip T. Young Recital Hall Tuesday, December 1, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, December 3, 10:30 a.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, December 3, 8:00 p.m. ($15 & $10) DON WRIGHT SYMPHONIC WINDS Dr. Michael Keddy, conductor Featuring student musicians from across the UVic campus. University Centre Farquhar Auditorium Friday, December 4, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. Phillip T. Young Recital Hall Friday, December 4, 8:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHOIRS: Sing, Choirs of Angels! The UVic Choirs return by popular demand to present a gift of choral music to the Greater Victoria community in their second annual joint concert. Featuring the UVic Chorus, Chamber Singers, Women’s Choir and Vocal Jazz Ensemble. Christ Church Cathedral (Quadra St. at Rockland Ave.) Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eckhardt-Gramatté National Music Competition 2015 Winner’s Tour: Joshua Peters, violin; Katherine Dowling, piano Creator An entity primarily responsible for making the resource Alex Klassen Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2015 Contributor An entity responsible for making contributions to the resource Joshua Peters, violin; Katherine Dowling, piano https://finearts.uvic.ca/music/archive/files/original/eca65f5bdef7115946cca348c85258cc.pdf 2068d36571643608381ac961ea9b0453 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Song and Dance Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Featuring David Michaux, trumpet Matthew McConchie, trombone Robert Buckley, composer Zachary Smith, composer Friday, November 27, 2015 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $15 / Students & Seniors: $10 �PROGRAM Scotch Strathspey and Reel Percy A. Grainger/ Leroy Osmon Theophany (World Premiere) The Wayfaring Stranger Zachary Smith Christopher M. Nelson Fandango Joseph Turrin for Solo Trumpet, Solo Trombone, Winds & Percussion David Michaux, trumpet Matthew McConchie, trombone I NT E R M I S S I O N Portraits of the North Robert Buckley I. Arctic Fire II. Land of the Midnight Sun III. Iditarod David P. Gagnon, conductor Folk Dances Dmitri Shostakovich/ H. R. Reynolds �BIOGRAPHIES DAVID MICHAUX David has been a member of the Victoria Symphony since 2001 and performed as Acting Principal Trumpet for over five seasons. Previously, he held the positions of Principal Trumpet with the Okanagan Symphony and Thunder Bay Symphony Orchestra. He has performed with the National Arts Centre Orchestra in Ottawa, as guest Principal Trumpet with the CBC Radio Orchestra, and the Pacific Baroque Orchestra. During the 2004-05 season he was a substitute member of the trumpet section of the Vancouver Symphony Orchestra and has performed with the VSO regularly for twenty years. He was also involved in recording music for the Opening Ceremonies of the 2010 Winter Olympic Games. He has performed as a soloist with the Victoria, Thunder Bay, and Okanagan symphonies. David attended the University of Victoria (B.Mus), the University of British Columbia (M.Mus) and he is an alumnus of both the National Youth Orchestra of Canada and the Aspen Music Festival. His principal teachers were Vincent Cichowicz, Larry Knopp and Louis Ranger. He has taught at the University of Victoria, Victoria Conservatory, and the Symphony Orchestra Academy of the Pacific. MATTHEW MCCONCHIE Mr. McConchie graduated with a Bachelor of Music with Distinction from the University of Victoria where he studied with Ian McDougall. Subsequent to his studies at UVic, with the generous support of the Canada Council for the Arts, Mr. McConchie earned a Masters in Music in Performance and Literature from the Eastman School of Music in Rochester, New York, where he studied with John Marcellus and Mark Kellogg. In July 2001, with the generous support of the German Academic Exchange Service, Mr. McConchie competed a one-year program at the Hochschule fur Musik, Detmold, Germany, studying with Heinze Fadle. Mr. McConchie was a prize winner in the Lewis Van Haney Philharmonic Trombone Competition at the International Trombone Association conference in 1999 and in the Montreal Symphony Solo Competition later that year. He has performed with the Vancouver Island Symphony, Victoria Symphony, Calgary Philharmonic Orchestra, Orchestra London, and the Toronto Symphony Orchestra. Mr. McConchie currently resides in Victoria and practises law in Duncan with McDaniel and Company. �DAVID P. GAGNON Born in Quebec, David studied saxophone and recording at the College de Sherbrooke before graduating from McGill University in Music with Honors in Music Technology. He joined the Canadian Forces Reserve in Sherbrooke in 2003 where he played and eventually conducted until 2012 when he was accepted as a Regular Force member with the Naden Band of the Royal Canadian Navy and moved to Victoria. Since then apart from playing saxophone in the ensemble and as a soloist, you can see him as the Drum Major in front of the Band on parade or in the recording studio when needed. In Quebec, David performed with his saxophone quartet and a variety of big bands and concert bands. He taught saxophone, flute and clarinet and conducted elementary to high school level bands. He also toured Quebec with the well known singer Dan Bigras conducting his big band and performing at the Montreal Jazz Festival. Mr. Gagnon is currently working on a Master of Music Degree in Conducting under the supervision of Dr. Gerald King. ROBERT BUCKLEY Robert Buckley has a diverse career as a composer, arranger, performer, producer, recording artist and conductor. In the pop world, he created several albums and hit songs with labels such as CBS and A&M. The number one single Letting Go won him a gold record. He conducted and arranged for major artists such as Michael Bublé, Bryan Adams, Celine Dion, Our Lady Peace, Simple Plan and Aerosmith, to name a few. In the film and television world, he scored numerous award-winning shows for Disney, Alliance, ABC, FOX, CBS, PBS, CBC and the Cartoon Network. In the live stage world, he composed music for contemporary dance, musicals and large-scale worldwide television events including the Calgary Olympics, the Victoria Commonwealth Games, the Vancouver Olympics and the FIFA World Cup Opening Ceremony with Cirque Du Soleil. He composed This Is My Home for the Canadian Pavilion at the World Expo – a song that has been performed at every Canada Day since and has become a Canadian tradition. In the concert world, his symphonic wind band compositions have been performed worldwide. Robert was invited to be composer-in-residence at Troy University in Alabama, where a CD of his symphonic wind music was recorded, called Continuum. Recently, he had the honour of recording a CD, called Undercurrents, with the renowned Naden Band of the Royal Canadian Navy. His concert music is published by Hal Leonard. Robert lives in Vancouver, BC with his wife, choreographer and director, Marlise McCormick. �ZACHARY SMITH Zachary Smith was raised in Cranbrook B.C and started to love and play music at a young age. He attended Mount Baker Secondary School where his passion for writing music blossomed after taking the music composition courses and the various music programs offered under the direction of Evan Bueckert. Zach is a fourth year music composition major at the University of Victoria and is currently studying saxophone under Wendell Clanton and music composition under the tutelage of John Celona. This year Zach was awarded the Phillip T. Young Memorial Scholarship for academic and musical excellence. Zach has written many pieces over his years at UVic, including works for orchestra, wind symphony, and voice. One of his works was performed to great acclaim at the University of Victoria Vocal Showcase in 2014. Zach currently plays first alto saxophone in the UVic Wind Symphony which has greatly influenced his writing style by being constantly immersed in such great works. Some of Zach’s most influential composers are John Mackey, Marc Mellits, and Igor Stravinsky. Zach’s compositions are known for their sweeping melodic lines floating over rich sonorities. Zach is currently writing an alto saxophone concerto which will be premiered early 2016. UPCOMING UVIC WIND SYMPHONY CONCERTS Friday, February 5, 8 p.m. Winds of Change With the Naden Band of the Royal Canadian Navy Dr. Gerald King, conductor Julie Giroux – Symphony No. IV: Bookmarks from Japan Modest Mussorgsky – Pictures at an Exhibition University Centre Farquhar Auditorium Friday, March 18, 8 p.m. Year End Spectacular! Dr. Gerald King, conductor Repertoire to include Lincolnshire Posy by Percy A. Grainger, Saxophobia for Saxophone Quartet and Wind Ensemble by Rudy Wiedoeft (Woodis/Hammer) & more. University Centre Farquhar Auditorium �UVIC WIND SYMPHONY PICCOLO Sierra Phosy FLUTE I Gillian Newburn* Monica Mun II Kelsey Dupuis Jasmine Riseley OBOE Theresa Mothersill E-FLAT CLARINET Erin Onyschtschuk CLARINET I Marcella Barz* Samuel He II Mark Kim Alyshia Joinson III Dominic Thibault Alina Liang Channing Mar ALTO SAXOPHONE I Zach Smith* II Connor Stairs TUBA Kory Major* Dayna Waller TENOR SAXOPHONE Adam Jasieniuk PERCUSSION DJ Lochead* Tamara Nemeth Arielle Parsons Kyle MacLean Josh Mulingbayan Julia Albano-Crockford BARITONE SAXOPHONE Jessica McLaughlin CORNET/ TRUMPET Alex Rees* Emily McDermid Jordan Smale Tark Kim Isabelle Spencer FRENCH HORN I Collin Lloyd* II Allie Bertholm III Emily Axford IV Drake Lovett BASS CLARINET Austin Nicholl Kylie Flower ‡ TROMBONE I Heidi Worrall* II Owen Worby III Zachary Power BASSOON Lee Whitehorne EUPHONIUM Liam Caveney ‡ TIMPANI Allyssa Haigh* PIANO James Yi ‡ LIBRARIAN Kory Major POSTER DESIGN Emily McDermid * Principal ‡ School of Music Alumni �UPCOMING EVENTS Saturday, November 28, 8:00 p.m. ($15 & $10) UVIC JAZZ ENSEMBLE Mostly Monk: Celebrating Thelonious Monk Dr. Patrick Boyle, director Phillip T. Young Recital Hall Tuesday, December 1, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, December 3, 10:30 a.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, December 3, 8:00 p.m. ($15 & $10) DON WRIGHT SYMPHONIC WINDS Dr. Michael Keddy, conductor Featuring student musicians from across the UVic campus. University Centre Farquhar Auditorium Friday, December 4, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. Phillip T. Young Recital Hall Friday, December 4, 8:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHOIRS: Sing, Choirs of Angels! The UVic Choirs return by popular demand to present a gift of choral music to the Greater Victoria community in their second annual joint concert. Featuring the UVic Chorus, Chamber Singers, Women’s Choir and Vocal Jazz Ensemble. Christ Church Cathedral (Quadra St. at Rockland Ave.) Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Wind Symphony: Song & Dance - Dr. Gerald King, Conductor; David P. Gagnon, Graduate Assistant Conductor Creator An entity primarily responsible for making the resource Adar Guy; Beth Wimbush Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2015 Contributor An entity responsible for making contributions to the resource Dr. Gerald King, conductor https://finearts.uvic.ca/music/archive/files/original/def453cf6c3cc10f1a2ce998e294e4c1.pdf 81e7fd6a418e606c7a3d9ce419609725 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Orchestra UNIVERSITY OF VICTORIA Two Giants With Louise Hung, piano soloist UVic Concerto Competition Winner Class of May Ling Kwok Ajtony Csaba, Conductor Evan Hesketh, Graduate Conductor Sunday, December 6, 2015 • 2:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $15 / Students & seniors: $10 �PROGRAM Pyotr Ilyich Tchaikovsky (1840–1893) Symphony No. 5, Op. 64 I. Andante—Allegro con anima II. Andante cantabile con alcuna licenza III. Valse. Allegro moderato IV. Finale. Andante maestoso—Allegro vivace I NT E R M I S S I O N Ludwig van Beethoven (1770–1827) Piano Concerto No. 4, Op. 58 I. Allegro moderato II. Andante con moto III. Rondo. Vivace Louise Hung, piano �BIOGRAPHIES Louise Hung Louise Hung’s first introduction to Classical music was hearing a rendition of Für Elise playing through the speakers of garbage trucks in Taiwan as a baby. Years later, Louise has realized that a commanding, affecting performance at the piano can evoke a simple persuasion for someone to slow down and simply listen, like the way she had marvelled at a garbage truck. Louise Hung has been awarded Conservatory Canada Medals of Excellence for piano studies, theory studies, history studies, and the Conservatory Canada Lynda Rehder Kennedy Medal of Excellence for the top exam marks in Canada. Growing up in Coquitlam, BC and now studying in Victoria, she has won numerous scholarships and awards from festivals, competitions, and the BCRMTA. While studying with Marjory Purdy, she received her Associate Performer ACCM and taught at Place des Arts Music and Fine arts school. She has played in masterclasses for Colin Tilney, Corey Hamm, Eve Egoyan, Walter Prossnitz, Kinza Tyrrell, Milton Schlosser, and Miranda Wong and has also studied with Jimmy Brière, Kenneth Broadway and Ralph Markham. Currently, she is completing a Music major in Piano Performance at the University of Victoria on a full scholarship under the tutelage of May Ling Kwok. Evan Hesketh Evan Hesketh began studying violin at age seven with Yasuko Eastman, who also introduced him to the viola a few years later. He holds a Bachelor of Music degree from the University of Victoria, where he studied violin with Ann Elliott-Goldschmid and viola with Joanna Hood and Yariv Aloni. Further studies led to a Master of Music degree at the Cleveland Institute of Music under the tutelage of Robert Vernon, Jeffrey Irvine, and Kirsten Docter. Evan has played in masterclasses for Pinchas Zukerman, James Dunham, Roger Tapping, Atar Arad, and Steven Dann. An award-winning chamber musician, Evan was a member of the Ariadne String Quartet, prizewinners at the 2012 Fischoff Competition, and the 2012 Coleman Competition. Quartet studies have been with members of the Lafayette, Cleveland, Cavani, Miro, Juilliard, Brentano, and Schoenberg quartets. Currently, Evan studies conducting at the University of Victoria on a full scholarship with Ajtony Csaba. He has conducted the UVic Orchestra, Victoria Civic Orchestra, and festival orchestras in Maine and New Hampshire. �Ajtony Csaba Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later piano and composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest with Uroš Lajovic, Peter Eötvös, Zoltán Pesko, Zsolt Nagy, Lucas Vis and Antoni Wit. He was awarded many prizes as a conductor and composer, and was a semi-finalist in the first competition for opera in Cluj, Romania. Csaba has had numerous concerts in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden, Webern Sinfonietta, Savaria Symphony Orchestra, and Danubia Orchestra. In the 2003/04 season he was the assistant conductor and tutor of the Academy Orchestra Budapest and in 2005 was invited to be the assistant conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein with the RSO (Radio-Symphonieorchester, Wien) in 2007. Since 2006 Csaba has served as the chief conductor of the Central European Chamber Orchestra, and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant at the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus, Syria. In the past season Csaba conducted the Toronto Symphony Orchestra, Ensemble Tsilumos at the Montreal New Music Festival and the Brazilian SiMN Festival in Curitiba. Upcoming concerts include subscription concerts with the Hungarian Symphony Orchestra and Danubia Orchestra. Csaba has served as music director of the University of Victoria Orchestra and Sonic Lab since 2010, where he also teaches conducting and the history of conducting. �PROGRAM NOTES TCHAIKOVSKY By the time Tchaikovsky composed his Symphony No. 5 in 1888, he had established a solid international reputation as a composer and his music was being performed in Europe and America. In Russia, his position as a director of the Russian Musical Society, along with his conducting activities, further advanced his reputation leading to significant awards and recognition from the Tsar. The Fifth Symphony is unified by what is often referred to as the “fate” motto, played at the outset by the two clarinets with the strings providing a hushed, E minor harmonization. When the allegro con anima begins, the motto is transformed, strongly influencing the melodic shape of the first theme and informing its rhythmic vitality. The second movement picks up where the first movement ends with a mournful progression in the strings, but quietly settles on D major as the accompaniment for a lyrical horn melody. Although tranquil to begin, the second theme builds in intensity and reaches a passionate peak before yielding to a different world, introduced by solo clarinet. This section becomes increasingly agitated as instruments are added and rhythms accelerated before being suddenly interrupted by the motto, which brings the movement to a grinding halt. Although the violins restore the tranquility of the opening, a similar process of intensification repeats before the movement quietly concludes. In the third movement, a nostalgic waltz bookends a middle section that is both playful and melancholic. Before the movement’s conclusion, the motto theme quietly appears in the clarinet and bassoon but is quickly brushed aside. In the opening of the fourth movement, the motto is suddenly transformed, played nobly by the strings and now in E major. After this maestoso introduction, the movement launches into a rhythmically relentless finale. Toward the end of the movement, the motto returns a final time, again in E major before the work emphatically concludes with a blazing recollection of the opening movement, now also in major. Much discussion of the Fifth Symphony has centered on whether there is an explicit program. Although Tchaikovsky did not provide one, the pervasiveness of the motto and its transformation from minor to major over the course of the work make the possibility of an extra-musical program attractive. Scholars have determined that the motto rhythm closely corresponds to the Orthodox Easter hymn, ‘Christ is risen’, but Tchaikovsky left no clues as to whether this was intentional or significant. BEETHOVEN Beethoven composed the Piano Concerto No. 4 between 1804–1807 along with other important works of his middle period, including the ‘Razumovsky’ Quartets, the ‘Appassionata’ Sonata, the Violin Concerto, and the Fourth Symphony. The piano concerto was given its Viennese premiere with Beethoven performing the solo as part of an incredible concert that also included premieres of the Fifth and Sixth �Symphonies, and the Choral Fantasy. The familiar short-short-short-long motive of the Fifth Symphony (and other works of this period) also figures prominently in the Fourth Piano Concerto. Typically, one would expect a concerto in this time period to begin with an orchestral introduction that presents the main material of the movement. In this case, the piano begins alone with a quiet five bar statement of the first motive, trailing off into a silence. When the orchestra enters in the sixth measure to fulfill its typical role it is not in the home key as expected but in the distant key of B major. The movement features an extensive amount of florid figuration in the piano, often in triplet rhythms providing a sense of flow that contrasts with the more angular main motive. The second movement evokes an operatic scene in which the orchestra (without winds) plays an emphatic, baroque gesture that alternates with a chorale-like response by the piano. As the short movement progresses, the orchestral part becomes progressively less assertive, while the piano builds to a brief florid outburst before the movement’s resigned conclusion. The third movement rondo that immediately follows quickly clears the air with its rhythmic vitality and playfulness. For the first time in the concerto, the trumpets and timpani join the orchestra adding to movement’s brightness. Notes by Evan Hesketh UPCOMING EVENTS Saturday, December 12, 1:00 to 3:00 p.m. Admission by donation TUBA CHRISTMAS Paul Beauchesne, conductor 70 tubas and euphoniums playing your Christmas favourites. Donations accepted for the Times Colonist Christmas Fund. Market Square (560 Johnson Street) Sunday, December 13, 8:00 p.m. (Admission by donation) TUBA CHRISTMAS REPRISE Paul Beauchesne, conductor Featuring soloists and ensembles from the class of Paul Beauchesne. Money raised will benefit local tuba and euphonium projects. Phillip T. Young Recital Hall � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca �ORCHESTRA PERSONNEL VIOLIN 1 Chloe Kim* Aliayta Foon-Dancoes Linda Dann Ross Ling Jasmine Mather (Tchaikovsky) Jilaine Orton Amy-Lynne Toth (Beethoven) Lena Ruiz Nanau Loewen Brittany Tsui VIOLIN 2 Amy-Lynne Toth* (Tchaikovsky) Jasmine Mather* (Beethoven) Matthew Logan Shijin Kim Jessica d’Oliveira Raina Saunders Michele Hoskin Emily MacCallum Francine Hsu Serena Jack VIOLA Sarah de Nieverville* Fahlon Smith Calvin Yang Evan Hesketh Josh Gomberoff Eric Mitchell CELLO Ella Hopwood* Clare Dresselhuis Chloe Kersen Olivia Brotzell Shiun Kim Alex Klassen Bryan Lin Tara Rajah HORN Samuel McNally* Sarah Mullane Justin Malchow James Waddell DOUBLE BASS Brock Foerster* Blake Palm Carroll Mackenzie TROMBONE Megan White* Liam Caveney Trevor Hoy PICCOLO/FLUTE Jillian Broughton TUBA Dayna Waller FLUTE Cooper Reed* Bailey Finley TIMPANI Tristan Holleufer OBOE Patrick Conley LIBRARIANS Betty Allison Bahar M. Harandi CLARINET Erin Onyschtschuk* Sunny Chu BASSOON Eric Boulter* Wilson Kyne TRUMPET Ian VanGils* John Hamblett STAGE MANAGERS Tristan Holleufer Paul Joo ASSISTANT Evan Hesketh * Principal www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra Description An account of the resource Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120615-Orchestra/120615-Orchestra_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120615-Orchestra/120615-Orchestra_02.mp3">track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Victoria Orchestra - Ajtony Csaba, conductor; Evan Hesketh, graduate conductor with Louise Hung, piano soloist Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource December 6, 2015 Contributor An entity responsible for making contributions to the resource Ajtony Csaba, conductor https://finearts.uvic.ca/music/archive/files/original/dcc0122b8d0b054bd24afe0002df8310.pdf 69139506a6f412ee7348bbf8baba4248 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Don Wright Symphonic Winds NUM83RS Dr. Michael Keddy, Conductor Sean Quicke, Assistant Conductor Thursday, December 3, 2015 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $15 / Students & seniors: $10 �PROGRAM E. Suzuki (b. 1965) Fanfare Legend One Second Suite in F II. Song Without Words G. Holst (1874–1934) Three Folk Miniatures I. V’la l’bon vent II. Isabeau s’y promene III. Les Raftmen A. Jutras (b. 1957) Big Four March K. King (1891–1971)//Swearingen Sean Quicke, Conductor Five Little Dances I. Rustic Dance II. Languid Dance III. Toy Dance IV. Pastoral Dance V. Festive Dance P. Creston (1906–1985) I NT E R M I S S I O N Six Contrary Dances I. Maestoso animoso II. Daintissimo III. Allegro, but not too mucho IV. Molto moderato V. Vivace cucarace VI. Moving right alongo Sevens Pieces of Eight P. D. Q. Bach (1807–1742)? S. Hazo (b. 1966) C. Bremer (b. 1957) �B I O G RA P H I E S Dr. Michael Keddy is Director of Bands at St. Margaret’s School, Music Director of the University of Victoria Don Wright Symphonic Winds and The Greater Victoria Concert Band. He completed a PhD in Educational Studies (Music Education/Conducting) under the supervision of Dr. Gerald King and was recently appointed Chair of Student Chap ters for the Canadian Music Educators’ Association. Prior to his time in Victoria, Dr. Keddy completed a Master’s Degree (Wind Conducting) with Dr. Dale Lonis at the University of Manitoba and served as Head of Performing Arts at Parry Sound High School in Parry Sound, Ontario. Ensembles under his direction have consistently been praised for their exceptional musicality. Dr. Keddy completed the Graduate Diploma in Conducting from the University of Calgary, conducted and performed in Europe as Associate Conductor (Concert Band) and Music Director (Jazz Band) of the Ontario Youth Concert Band. He has adjudicated and provided numerous music clinics at many festivals and venues throughout Canada, including Music Director and Music Education Clinician at Camp Musical d’Asbestos in Asbestos, Québec. As a percussionist, Dr. Keddy taught as a member of the faculty at the University of Manitoba and performed in a variety of venues, from solo performer at Buckingham Palace to Symphony Orchestras to World Champion Drum and Bugle Corps. Sean Quicke is a cellist by birth and a singer by training. Tonight is his debut as an instrumental conductor. He is a fourth year student in music education, completing his third and final year at this, his second university. Sean com pleted a Diploma of Music and a Certificate in Conduct ing at Capilano University before moving to Victoria to complete his BMus at UVic, where we promptly fell in love with the field of Music Education. He has studied voice with George Roberts and Susan Young, cello with John Doerk sen, and conducting with Lars Kaario and Dr. Gerry King. When not making music, he can be found reading policy and governance documents for fun, baking desserts, and watching Formula 1. Working with Dr. Keddy and the musicians of the Don Wright Winds has been an eye-opening experience for Sean and he wishes them well for this concert and the next semester. �DON WRIGHT SYMPHONIC WINDS PERSONNEL PICCOLO Taya Franson-Haldane (Music) FLUTE Amin Ebrahimi (Engineering) Rachel Goddard (Political Science) Jessica Hsieh (B.Sc. Linguistics) Jamie Pambrun (Music) Leah Thornton (Alumna – B.Sc. Chemistry) Emily Tsao (Community Member) Olivia Wheeler (Music) Jenny Young (Microbiology) OBOE Hunter Gillis (Music) E-FLAT CLARINET Mandart Chan (Alumnus – B.Mus ’03) CLARINET Adrielle Alleyne (English) Zoë-Blue Coates (History & French) Lena Dietz Chiasson (Environmental Studies & Geography) James Furney (Biochemistry) Jeremy Wade (B.Sc. Biology) Lauren Wilson (Biology) ALTO SAXOPHONE Ryan Hayashi (Microbiology) Thomas Webb (Biology) TENOR SAXOPHONE Tyson Foster (Music & Computer Science) BARITONE SAXOPHONE Sophie George (Biochemistry) FRENCH HORN Kieran Forge (Geography) David Henrich (Mathematics) Wendy Norman (Alumna – B. Ed.) TRUMPET Jordan Cramen (Community Member) Jason Kelly (Finance) Nic Loewen (Physics & Astronomy) Jorden Smith (French & Hispanic Studies) Leah Smith (Writing) Tessa Thompson (Community Member) TROMBONE Brandon Chaplin (Music Education) Hannah Fiechter (Humanities) Erin Marsh (Music) Claire Matthew (Humanities) Carmen McDowell (B.Ed.) Will Quinn (Music) EUPHONIUM Dennis Latham (Community Member) TUBA Amy-Liz Mehrer (Community Member) Keith Rollans (Software Engineering) PERCUSSION Crystal-Anne Howell (Music Education) Taylor Larter (Biology) Cashton McGillivray (Arts) Sean Quicke (Music Education) Hilary Wheeler (Theatre) �Don Wright Endowment and the Don Wright Symphonic Winds When Canadian music educator, composer, and philanthropist Don Wright endowed $1,000,000 for Music Education at the University of Victoria in 2004, a major initiative of this donation was to provide an opportunity for all university students to play in an ensemble on campus. The University of Victoria Don Wright Symphonic Winds, funded from the endowment, offers all members of the UVic community and beyond, a performance-oriented environment without audition, where they can learn ensemble techniques, gain important community contacts, experience the value of ensemble playing in music education, receive course credit for playing in the group, and have fun. The ensemble concentrates on educational and musical achievements while providing a source of enjoyment for players and the audience. Music is selected from a variety of sources, styles, and genres; customary for a traditional symphonic wind ensemble. We at UVic are honoured to continue Dr. Wright’s legacy of music and education by providing performance opportunities for musicians and presenting diverse concerts to the entire community. Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker@uvic.ca. ��UPCOMING EVENTS Friday, December 4, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. This concert will be broadcast live at finearts.uvic.ca/music/events/live/ Phillip T. Young Recital Hall Sunday, December 6, 2:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA Two Giants Louise Hung, piano (UVic Concerto Competition Winner) Ajtony Csaba, conductor Tchaikovsky – Symphony No. 5 Beethoven – Piano Concerto No. 4, Op. 58 This concert will be broadcast live at finearts.uvic.ca/music/events/live/ University Centre Farquhar Auditorium Saturday, December 12, 1:00 to 3:00 p.m. (Admission by donation) TUBA CHRISTMAS Paul Beauchesne, conductor 70 tubas and euphoniums playing your Christmas favourites. Donations accepted for the Times Colonist Christmas Fund. Market Square (560 Johnson Street) Sunday, December 13, 8:00 p.m. (Admission by donation) TUBA CHRISTMAS REPRISE Paul Beauchesne, conductor Featuring soloists and ensembles from the class of Paul Beauchesne. Money raised will benefit local tuba and euphonium projects. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120315-DonWrightWinds/120315-DonWright_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Don Wright Symphonic Winds - NUM83RS Dr. Michael Keddy, conductor Sean Quicke, assistant conductor Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource December 3, 2015 Contributor An entity responsible for making contributions to the resource Dr. Michael Keddy, conductor https://finearts.uvic.ca/music/archive/files/original/b281027fbaf22426032a19eff642356d.pdf 1deee0bd729e9dd88fbeff4e362716ba PDF Text Text DEGREE RECITAL Natasha Pashchenko, guitar Monica Mun, flute Ava Hoegl, piano December 7th, 2015, 8 p.m. Phillip T. Young Recital Hall, MacLaurin Building Free admission Le Montagnard op.34 Allegro. Introduction Andantino Allegretto. Rondeau Montagnard PROGRAM Napoléon Coste (1805 - 1883) Monica Mun, flute Suite BWV 1009 Prélude Allemande Courante Sarabande Bourrée I Bourrée II Gigue JS Bach (1685 - 1750) - INTERMISSION Sonata IV Allegro Moderato Allegro: Scherzo-Trio-Scherzo Capricio: Adagio Cantabile-Presto-Adagio-Presto-Adagio Fantasia para un gentilhombre Villano y Ricercar Españoleta y Fanfare de la Caballería de Nápoles Danza de las Hachas Canario Wenzeslaus Matiegka (1773 - 1830) Joaquin Rodrigo (1901 - 1999) Ava Hoegl, piano Natasha Pashchenko is from the class of Dr. Alexander Dunn. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phone, camera, laptop, and audio & video recording devices. Their use is strictly prohibited during events. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Natasha Paschenko, guitar with Monica Mun, flute; Ava Hoegl, piano Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource December 7, 2015 Contributor An entity responsible for making contributions to the resource Natasha Paschenko, guitar