30 10 1498 https://finearts.uvic.ca/music/archive/files/original/a3138d385aac24ecabfb6ec476cb3ac9.pdf b412c9ff56532f6a2e35bec6662e8779 PDF Text Text UVIC FRIDAY, JANUARY 12, 2024 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria FACULTY CONCERT SERIES SAM MCNALLY HORN With JANY LU PIANO PROGRAM Andante for Horn and Piano R. Strauss (1864-1949) Andrea Clearfield River Melos (b. 1960) Emil Hlobil Sonata for Horn and Piano (1901-1987) I. Animato II. Lento III. Vivace - INTERMISSION - Cinq Pièces Poétiques pour Cor en Fa I. Andante cantabile II. Mouvement trés libre IV. Allegro vivo The Glass Bead Game I. The Call and Awakening II. Father Jacobus III. Magister Ludi Coronation and Death G. Barboteu (1924-2006) James Beckel Jr. (b. 1948) � We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Faculty Concert Series: The Glass Bead Game Description An account of the resource A recital for horn and piano Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource January 12 2024 Contributor An entity responsible for making contributions to the resource Sam McNally, horn Jany Lu, piano Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource A Holiday Cellobration Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource December 10 2023 Contributor An entity responsible for making contributions to the resource Victoria Conservatory of Music Suzuki Program Owen Boyceridler, Sebastian Fraser, Ilya Hashemian, Geoffrey Hickman, Lucina Huang, Jordan Lee, Adam Li, Jeremiah Mao, Alivia To, Adrian Zhang, Karen Whyte Jordan Lee and Adam Li Paula Henchion, Mardy Johnson, Kathryn Pickersgill, Anke Venema Greater Victoria Youth Orchestra Cello Section Jayda Thor, Kevin Lim, Joanne Jiang, Josie Quon, Dominique Ely, Ilias Mehta, Audrey Zha, Car ys Yu University of Victoria Cello Alumni Maria Wang, Silvina Samuel, Erin Rados and Mahtab Sadaatmand Victoria Symphony Cellists Brian Yoon, Hannah Craig, Amy Laing University of Victoria Cello Studio Jayda Thor, Tau Kaploykeo, Luke Kim, Caitlyn Liu, Nicole Phanichphant, Mahtab Sadaatmand, Garron Stuart,Liam McDonald-Horak,MatteoToyata,CurtisVetter,Pamela HighbaughAloni University of Victoria Cello Alumni Maria Wang, Bryan Lin, Silvina Samuel, Alex Klassen, Erin Rados, Alasdair Money, Matthew Ross, Bryony Hulme Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Eva Bradavkova, flute (MMus) Creator An entity primarily responsible for making the resource Megan Harton Contributor An entity responsible for making contributions to the resource Eva Bradavkova Yousef Shadian Date A point or period of time associated with an event in the lifecycle of the resource December 11 2023 Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Jingle Brass Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource December 5 2023 Contributor An entity responsible for making contributions to the resource Kyle Bates, Heidi Goetz, Tark Kim, Merrie Klazek, Claire McMahon, Marcu Micu, Koshi Thompson, Natalie Ciureysek, Shanna Deforest, Sam McNally, Karlee Messer-Todd, Senora Dunford, Muskan Guglani, , Jules Dawkins, Eleanor Knight, Scott MacInnes, Amaya Sado, Aaron Kruger https://finearts.uvic.ca/music/archive/files/original/4e29dc150b48181fbfdea22d4626ceaf.pdf 9cc680f7d8bc8d7244771f2f9af339aa PDF Text Text UNIVERSITY OF VICTORIA Wind Symphony TIMELESS GERALD KING CONDUCTOR JAMIE DAVIS GRADUATE STUDENT CONDUCTOR FRIDAY, DECEMBER 1, 2023 | 8 PM The Farquhar at UVic University of Victoria �PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Robert Jager Esprit de Corps Incantation and Dance John Barnes Chance Conductor: Jamie Davis Gallimaufry Guy Woolfenden I. Church and State II. Inn and Out III. Starts and Fits IV. Father and Son V. Advance and Retreat VI. Church and State QUO The Crosley March Henry Fillmore/Ed. Robert E. Foster I NT E R M I S S I O N Cielo Andaluz (Pasodoble) Pascual Marquina/Ed. Timothy Rhea Serenade for Wind Band, Op. 22c Derek Bourgeois Conductor: Jamie Davis With Each Sunset (Comes the Promise of a New Day) Richard Saucedo Danzón No. 2 Arturo Márquez/ Trans. Oliver Nickel Bravura Charles Duble �PROGRAM NOTES Esprit de Corps Based on The Marines’ Hymn, this work is a kind of fantasy-march, as well as a tribute to the United States Marine Band who commissioned the work. Full of energy and drama, the composition has its solemn moments and its lighter moments (for example, the quasi-waltz in the middle of the piece). The composer intends that this work should display the fervor and virtuosity of the Marine Band and the musical spirit and integrity of its conductor, Colonel John R. Bourgeois, for whom the initial tempo marking, “Tempo di Bourgeois,” is named. Colonel John Bourgeois is a dramatic, spirited conductor who reflects the excitement of the music being played. When a tempo is supposed to be “bright” he makes sure it is exactly that. Because the tempo of Esprit de Corps is to be very bright, the marking just had to be “Tempo di Bourgeois!” c. Windband.org Incantation and Dance The present title of this work suggests a religious orientation, but not towards any of the established religions of a Western or Eastern culture. To the standard deities one offers prayers — incantations are uttered in rituals of magic, demonic rites, and the conjuring up of spirit, evil and benign. The opening Incantation is full of mystery and expectation, wandering, unstable and without tonality. The Dance also begins quietly, but percussion instruments quickly begin, one by one, to drive a rhythmic pattern of incredible complexity and drive. As other instruments are added, the dance grows wilder and more frenzied. The brasses hammer out ferocious snarls — the woodwinds fly in swirling scales. Here there is no pretty tune but a paroxysm of rhythm, a convulsion of syncopation that drives on and on, mounting in tension, to a shattering climax of exaltation. c. Program Notes for Band Gallimaufry Gallimaufry: A medley; any confused jumble of things; but strictly speaking, a hotch patch made up of all the scraps pf the larder. This suite for concert band was inspired by Shakespeare’s Henry IV plays and derived from music written for the Royal Shakespeare Company’s productions which opened the Barbican Theatre London in 1982. I. Leadership: the establishment; temporal and ecclesiastical power. II. The Boar’s head Tavern; the Stews: low-life revels. III. Tavern brawl: Gadshill ambush; Pistol,”the swaggerer” evicted; Mistress Quickly’s rescue! IV. Relationship of King Henry and Falstaff to Prince Hal - real and surrogate parent. V. Recruiting march, derived from the Tavern tune. VI. Falstaff rejected; Hal becomes King; order restored. c. Guy Woolfenden �The Crosley March Henry Fillmore established himself as an extremely successful and popular band leader through his work with the Syrian Temple Shrine Band in Cincinnati. The band performed at several national conventions and earned a reputation as the finest fraternal band in America. Crosley is a famous name in Cincinnati. The Crosley March is named for Powell Crosley, a prominent local figure that Fillmore knew. As an example of Fillmore’s mature style, this is one of his most representative pieces, full of verve and colorful instrumental writing within the confines of the march form.This march is known as a “Screamer”— a circus march intended to stir up the audience during a show. A spirited, vigorous march that shows off the best of Fillmore’s incredible talent for writing marches! This march may not be one of his most famous, but it certainly should be. c. Program Notes from the Publisher Cielo Andaluz (Pasodoble) The Pasodoble (double step) is a dance that emulates the movements of a bull-fight. Although the Pasodoble is rooted in Spanish traditions, it is believed to have been created in Southern French culture during the 1930s. The Pasodoble contains march-like steps to resemble the bullfights, and it is known as one of the fastest Latin ballroom dances because dancers make around 120-130 beats/steps per minute. It must be precise, powerful, sensitive, proud, and seductive! In the dance, all dance moves must be quick and crisp. Serenade for Wind Band, Op. 22c Derek Bourgeois wrote this serenade for his own wedding, to be played by the organist as the guests left the ceremony. Not wishing to allow them the luxury of proceeding in an orderly 2/4, the composer wrote it in 11/8, and in case anyone felt too comfortable, he changed it to 13/8 in the middle! The work has now been released in a number of different orchestrations of the original version for organ. c. Derek Bourgeois With Each Sunset (Comes the Promise of a New Day) Music has always been used as a way of expressing emotions or as an antidote to certain painful life encounters, and With Each Sunset functions in both ways. The work was written in memory of Jack Hensley (September 22, 1955 - September 21, 2004). Hensley was an American engineer from Marietta, Georgia, working in Iraq to support his wife and daughter, and was kidnapped and brutally slain by his captors. Hensley would have celebrated his 49th birthday the following day. The title of the work suggests that in the darkest moments of life, there is hope for a new beginning. Specific compositional techniques are used to help reinforce the basic concept. For example, after a brief introduction, the majority of the chord progressions unfold into predominantly major sonorities. The impression conveys optimism, rather than tragedy. c. Teaching Music Through Performance in Band �Danzón No. 2 Márquez wrote the following notes for the premiere of Danzón No. 2: The idea of writing the Danzón 2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom [have] a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina Mariano Merceron and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. Danzón 2 ... endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. c. Arturo Márquez Bravura Bravura is one of the great minor key marches, though it switches to a major key after the exposition (first section). Minor key marches are frequently used for dangerous circus acts because of the exotic sound produced. The circus band and their marches have historically played a significant role in creating emotion and excitement during the circus. Charles Duble’s Bravura, composed in 1918, is his most famous march and it remains in the standard repertoire for bands throughout the world. UVIC WIND SYMPHONY UPCOMING EVENTS FEBRUARY 9 | 8 PM UVic Wind Symphony & The Naden Band: A Space Odyssey Our annual combined performance with the Naden Band of the Royal Canadian Navy takes us on a journey exploring the far reaches of space with classic works by Richard Strauss (Also Sprach Zarathrustra), Gustav Holst (Jupiter from The Planets), John Williams (E.T.), Jerry Goldsmith (Star Trek: First Contact), and more! MARCH 22 | 8 PM UVic Wind Symphony: Tapestry Exploring music from different cultures, styles, genres, and time periods, the program creates a rich and diverse tapestry of people, sounds, and colours. Featuring UVic Concerto Competition Winner Xavier Marican (alto saxophone) and acclaimed international trombone virtuoso Faustino Diaz. Farquhar Auditorium | tickets.uvic.ca | 250-721-8480 �BIOGRAPHIES Dr. Gerald King Dr. King is Professor Emeritus of Music in the School of Music at the University of Victoria. During his tenure at UVic he was the Head of Music Education, Graduate Wind Conducting, and served as the conductor of the acclaimed UVic Wind Symphony. From 2004-2012 he served as Director of the School of Music. Among his many achievements as Director, with his leadership and guidance the School of Music was awarded the designation as Canada’s first and only All-Steinway School. Prior to his appointment at the University of Victoria Dr. King taught instrumental and choral music in British Columbia schools. His instrumental and choral ensembles were recognized provincially, nationally, and internationally for outstanding quality. Internationally recognized as one of Canada’s most respected conductors, adjudicators, educators and keynote speakers, Dr. King is the recipient of numerous honors and awards, including the Order of the Phoenix by the Western International Band Clinic where he has made 7 separate conducting appearances; election into Phi Beta Mu; election into the American Bandmasters Association (2003) when he served as guest conductor of the United States Army Band (Pershing’s Own) from Washington, DC; recipient of the British Columbia Music Educators’ Honorary Life Award “in recognition of a lifetime of commitment of time, talent, and energies to music education in British Columbia;” and, in September 2015 he was inducted as an Honorary Member of the Naden Band of the Royal Canadian Navy “for fostering tremendous goodwill towards the band, heightened morale and esprit de corps, and providing an exceptional liaison between the military and the public.” Dr. King’s background is varied. Although he is primarily recognized as a conductor of wind bands, he is equally comfortable conducting orchestras and choirs. He is a former student of internationally renowned conductor, Maestro Kazuyoshi Akiyama with whom he studied the Saito Conducting Technique. His professional career has taken him throughout Canada, the United States, Great Britain, Denmark, Sweden, Holland, Germany, Italy, France, Spain, Japan, Mexico, Hong Kong, Australia, Switzerland, Hungary, Austria, Slovakia, and the Czech Republic. Dr. King’s conducting appearances with regional, national, international honor, and professional ensembles have been praised for performance quality, artistry, and creativity. Throughout his career he has been a champion of new music and community ensembles. In addition to conducting, Gerald King has many years of performing experience as a professional clarinetist having performed with numerous orchestras, wind and chamber music ensembles, including the La Scala Opera of Milan, Italy during their Canadian tour. Most recently, he performed with the New Edmonton Wind Sinfonia on three of their concert tours to Germany, France, Italy, and Switzerland. �In addition to his passion for making music he is also widely recognized as an expert for his ability to link theory and practice in the field of teaching and learning. Among his many recordings and publications is a chapter in the book, Creativity and Music Education written by seventeen authors from the United States, Canada, Israel, Australia, Great Britain, Spain, and Scotland. The book includes a forward by noted author on creativity, Mihalyi Csikszentmihalyi. Dr. King has also completed a well-received DVD—The Craft of Conducting. Dr. King is a Yamaha Artist Educator/Conductor. “As a conductor, I strive to guide each individual and ensemble to reach their own best creative potential. The performing musicians and the listening audience come to share in the creation of the beauty, emotion and the ultimate power of music!” — G. King Jamie Davis Jamie Davis in his final year of studies in the Master of Music Performance (Wind Conducting) program at the University of Victoria guided by Dr. Steven Capaldo and Dr. Gerald King. His research focusses on underrepresented composers and their works for wind band. Mr. Davis is the director of bands at Reynolds Secondary School in Victoria, BC. He believes that music is fundamental in schools. Music fosters community, connection, and self-discipline, preparing students not only for musical achievement but also for success in all aspects of their lives. For eighteen years Jamie’s concert bands, jazz bands, and marching bands have been heard in performance locally, provincially, and internationally. Ensembles under his direction consistently receive festival ratings of Superior or Gold, are in demand for concert and parade appearances, and receive high praise for their performances. As a trombone player Jamie has performed with the Meridiem Wind Orchestra, Hugh Fraser’s Bonehenge, the Kamloops Symphony Orchestra, the Sooke Philharmonic Orchestra, and the South Island Wind Ensemble. His principal teachers include Ian McDougall (The Boss Brass), Hugh Fraser (Vancouver Ensemble of Jazz Improvisation), Brad Howland (Victoria Symphony Orchestra) and Cindy Hogeveen (Kamloops Symphony Orchestra). Davis holds a Bachelor of Music degree and Teaching Certificate from the University of Victoria. He is the recipient of the Staples/Black Press News Media “Great Teacher Award” (secondary school), a Commanding Officer’s Commendation from the Vernon Military Camp (for instruction, mentorship, and leadership), the CFAX 1070 Golden Apple Award (for excellence in teaching) and has been nominated for the British Columbia Premier’s Award for Teaching Excellence. Additionally, he served as an executive member of the BC Music Educators Association as secretary, vicepresident, and president from 2012–2017. �UVIC WIND SYMPHONY Conductor Dr. Gerald King PICCOLO Cleary Manning FLUTE Lauren Debeljak* Sophia Adames Spencer Leong Cowie Adam Rabski ALTO SAXOPHONE Xavier Marican* Madison Wang Sylvan Wilkinson (+Soprano) Hannah Stanwood TENOR SAXOPHONE Bethanie Tran OBOE/ENGLISH HORN Andrew Montgomery BARITONE SAXOPHONE Caiden Meyer CLARINET Luke Ongman* Maeve Calhoun Sarah Carey Kate Kibble Chris Ollinger Danica Smith TRUMPET Koshi Thompson* Claire McMahon Heidi Goetz Tark Kim Marc Micu BASS CLARINET Nishant Amatya Meghan Pimm (+Contra) BASSOON Holly Edquist* (+Contra) Devin Hawthorne FRENCH HORN Natalie Ciurysek* Karlee Messer-Todd Max Niiranen TROMBONE Eleanor Knight Tyler Schmit Cadence Pickering Jules Dawkins BASS TROMBONE Amaya Sydor* Follow @uvicbands on social media! EUPHONIUM Muskan Guglani* Senora Dunford TUBA Aaron Kruger* Spencer Robinson TIMPANI Ethan Page PERCUSSION Liv Carlson* Harbour Nolan Levi Viinikka Andrew Canil Calvin Ransom PIANO Aurora Wai+ TEACHING ASSISTANT Jamie Davis MUSIC LIBRARIAN Claire McMahon STAGE MANAGERS Aaron Kruger Senora Dunford * Principal & section leader + As needed Full schedule of UVic School of Music concerts & events. www � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-WindSymphonyTimeless/12012023-WindSymphonyTimeless_Part1.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-WindSymphonyTimeless/12012023-WindSymphonyTimeless_Part2.wav">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Wind Symphony - Timeless Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource December 1 2023 Contributor An entity responsible for making contributions to the resource Conductor Dr. Gerald King Guest Conductor Jamie Davis PICCOLO Cleary Manning FLUTE Lauren Debeljak* Sophia Adames Spencer Leong Cowie Adam Rabski OBOE/ENGLISH HORN Andrew Montgomery CLARINET Luke Ongman* Maeve Calhoun Sarah Carey Kate Kibble Chris Ollinger Danica Smith BASS CLARINET Nishant Amatya Meghan Pimm (+Contra) BASSOON Holly Edquist* (+Contra) Devin Hawthorne ALTO SAXOPHONE Xavier Marican* Madison Wang Sylvan Wilkinson (+Soprano) Hannah Stanwood TENOR SAXOPHONE BethanieTran BARITONE SAXOPHONE Caiden Meyer TRUMPET Koshi Thompson* Claire McMahon Heidi Goetz Tark Kim Marc Micu FRENCH HORN Natalie Ciurysek* Karlee Messer-Todd Max Niiranen TROMBONE Eleanor Knight Tyler Schmit Cadence Pickering Jules Dawkins BASS TROMBONE Amaya Sydor* EUPHONIUM Muskan Guglani* Senora Dunford TUBA Aaron Kruger* Spencer Robinson TIMPANI Ethan Page PERCUSSION Liv Carlson* Harbour Nolan Levi Viinikka Andrew Canil Calvin Ransom PIANO Aurora Wai+ TEACHING ASSISTANT Jamie Davis MUSIC LIBRARIAN Claire McMahon STAGE MANAGERS Aaron Kruger, Senora Dunford * Principal & section leader + As needed https://finearts.uvic.ca/music/archive/files/original/d394ec97cadcdc5773eda6acd7f65f04.pdf eff72c8d64b6f28cd7d625e4c1f06192 PDF Text Text UVIC STUDENT COMPOSERS CONCERT SUNDAY, DECEMBER 3, 2023 | 7:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PRE-CONCERT Megan Harton stillness study no. 1 audiovisual installation - colour video projection, 4 channel audio Note: the work has moving images that may be sensitive to viewers with epilepsy, motion sickness, and/or sensory needs. Program note: stillness studio no.1 is an immersive audiovisual installation inspired by meditative and deep listening practices. This sensory experience combines carefully crafted ambient soundscapes with visually mesmerizing elements, inviting participants into a contemplative space. The installation encourages introspection and heightened perception, fostering a connection between the observer and the observed. With an interactive dimension, participants shape their unique encounter within the installation*, blurring the boundaries between self and surroundings. The piece is subjective to the viewer, it serves as a canvas upon which the viewer can project their own experiences and practice inner still. PROGRAM ruby koep cl lllll llouds (improvisation) ruby koep, piano Koshi Thompson Etude for Voice & Piano – Autumn ruby koep, piano Carter Martin, tenor Program note: This etude is focused on a traditional Japanese scale known as the Ito Scale, which was primarily used for the Koto. Igneus Concerto I. Sonata, Cherries II. Theme and Variations, Chandeliers III. Rondo, Cheshire Chat Matthew Stott Serena Lam, piano Program note: This piece was written in the fall of 2023. Its purpose is to experiment with conventional Concerto form into a more modern approach. The Igneus Concerto is written for piano. I. Sonata, Cherries: This movement has a light joyful feeling to it. It uses a 2 note theme to start and has a robotic and mechanical feeling to it. The music reflects a pleasant and upbeat tempo to it which progresses to be more experimental as the tune progresses. II. Theme and Variations, Chandelier: The second movement starts with a very simplistic theme playing with a hemiola. I play with the harmony more than changing the melody line through this movement. III. Rondo, Cheshire Chat: The last movement works as a fast, exciting and upbeat finale. This movement features a compilation of previously heard themes and exploration of new material. The piece slowly descends into something more chaotic near the finish. �Zihan Zhao Enchantment of Butterflies Isabella Nguyen, flute and Mugic controller Isaac Earl Glass Trees Isabella Nguyen, flute and electronics Nhớ ton passé Deniz Pekmezci Isabella Nguyen, alto flute Nathaniel Ritter For Phones I NT E R M I S S I O N Divje Michelle Wolfenden Michelle Wolfenden, soprano recorder Helen Young, viola Liam McDonald-Horak, cello Artemis Gallegos, double bass Program note: Drawing inspiration from an imagined prehistoric ritual setting, Divje explores ancient aesthetics and the perception of minimal material over time. The title is drawn from the Divje Babe flute, the 50,000-year-old cave bear femur that is widely accepted to be the first musical instrument ever. The piece is not meant to reflect what that instrument may have sounded like, or to guess at the musical idiom of ancient peoples, but rather toevoke a specific primordial aesthetic of otherworldliness and divinity. Michael Jean-Richard 55 Vibrations Michael Jean-Richard, steel aslatua Koshi Thompson, kaboom Matthew Stott, water bass Alex Matterson The Possession of Hatsune Miku AI vocal software Program note: The Possession of Hasune Miku is a work that revolves around a piece of software called Vocaloid. It is a program that attempts to replicate human singing and has long had its own tradition on the internet. In this piece I try to show the potential of this instrument for new music and new avenues of expression that are different than how this software is traditionally used. Serena Lam ball! Matt Stott, acoustic guitar Michael Jean-Richard, percussion Marc Micu, drum kit Nathan Malzon Midnight Coffee Marc Micu, B-flat trumpet Connor Wellmann, electric guitar Matt Shamas, keyboard Rob Neufeld, electric bass Leo Farintosh, drum kit � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-001.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-002.wav">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-003.wav">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-004.wav">Track 4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-005.wav">Track 5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-006.wav">Track 6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-007.wav">Track 7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-008.wav">Track 8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-009.wav">Track 9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-010.wav">Track 10</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12032023StudentComposersConcert/12032023StudentComposersConcert_1-011.wav">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fall Composers Concert Description An account of the resource A concert featuring new and experimental works by UVic School of Music students in the composition program performed by UVic School of music instrumentalists. Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource December 3 2023 Contributor An entity responsible for making contributions to the resource Composers: Megan Harton, ruby koep, Koshi Thompson, Matthew Stott, Isaac Earl, Deniz Pekmezci, Nathaniel Ritter, Michelle Wolfenden, Michael Jean-Richard, Alex Matterson, Serena Lam, Nathan Malzon Performers: ruby koep, piano; Carter Martin, tenor; Serena Lam, piano; Isabella Nguyen, flute, alto flute, and electronics; Michelle Wolfenden, soprano recorder; Helen Young, viola; Liam McDonald-Horak, cello; Artemis Gallegos, double bass; Michael Jean-Richard, percussion, steel aslatua; Koshi Thompson, kaboom; Matthew Stott, guitar, water bass; Marc Micu, drum kit, trumpet; Connor Wellmann, electric guitar; Matt Shamas, keyboard; Rob Neufeld, electric bass; Leo Farintosh, drum kit. https://finearts.uvic.ca/music/archive/files/original/ad5230e5f5b52abcb1f0aa2c1e2ed0a5.pdf 3c40ca2ea67af68af27c35bef99dbc6c PDF Text Text fridaymusic School of Music Phillip T. Young Recital Hall, University of Victoria DECEMBER 1, 2023 | 12:30 PM Featuring School of Music Guitar students We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Leo Brouwer (b. 1930) Francis Poulenc (1899-1963) Estudio Sencillo No. 6 Sarabande Matthew Stott Thanksgiving Etude Jay Lee Ukranian Folksong Adam Baines Nathaniel Ritter (b. 1996) Nikita Koshki (b. 1956) Francisco Tarrega (1852-1909) Heitor Villa-Lobos (1887-1959) Adelita Prelude 1 Matthew Stott Federico Moreno-Torroba (1891-1982) Julio Sagreras (1879-1942) Alcazar de Segovia El Colibri Adrian Chen � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_1.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_2.wav">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_3.wav">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_4.wav">Track 4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_5.wav">Track 5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_6.wav">Track 6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_7.wav">Track 7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/12012023-FridayMusicGuitar/12012023-FridayMusicGuitar_8.wav">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic: Guitar Description An account of the resource Take a break from the daily grind for our weekly lunch hour concert featuring some of the UVic School of Music’s finest musicians. This week’s concert features guitar students performing a variety of repertoire, from classical to contemporary. Creator An entity primarily responsible for making the resource Megan Harton Contributor An entity responsible for making contributions to the resource Matthew Stott Jay Lee Adam Baines Adrian Chen Date A point or period of time associated with an event in the lifecycle of the resource December 1 2023 Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-001.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-002.wav">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-003.wav">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-004.wav">Track 4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-005.wav">Track 5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-006.wav">Track 6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-007.wav">Track 7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-008.wav">Track 8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-009.wav">Track 9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-010.wav">Track 10</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-011.wav">Track 11</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11292023-UVicCreativeMusicandJazzEnemble/11292023%20-%20UVic%20Creative%20Music%20and%20Jazz%20Enemble-012.wav">Track 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Jazz and Creative Music Ensemble: The Music of Phil Nimmons Description An account of the resource Scott MacInnes, director Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 29 2023 https://finearts.uvic.ca/music/archive/files/original/fc8c5586c667127767073e00ff81537f.pdf 6e415ac6865067654f0932aee2423d23 PDF Text Text UVIC SUNDAY, NOVEMBER 26, 2023 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria SONIC LAB Pictures From Our Lives: A workshop presentation/recital Sonic Lab presents an evening of exciting compositions for instruments and interactive visual and electronic media. At the end of the concert, the audience will have the opportunity to try select devices used by the ensemble and interact with the ensemble. PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. SONIC LAB Our pictures for visual media and instruments JANE STANLEY Helix Reflection ALEXANDER SCHUBERT Hello for ensemble, visuals and tape SONIC LAB Warcraft Gamification for ensemble PERSONNEL Eva Bradávková, flute, devices Michelle Wolfenden, flute, devices Ainsley Mercer, flute Sarah Carey, clarinet Stella Drinkwater, electric guitar, devices Maxwell Sorensen, piano, devices Kian Dunn, devices Ajtony Csaba, direction, devices � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-SonicLab/11262023-SonicLab_1.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-SonicLab/11262023-SonicLab_2.wav">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-SonicLab/11262023-SonicLab_3.wav">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-SonicLab/11262023-SonicLab_4.wav">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonic Lab Description An account of the resource Pictures From Our Lives: A workshop presentation/recital Ajtony Csaba, director Sonic Lab presents an evening of exciting compositions for instruments and interactive visual and electronic media. At the end of the concert, the audience will have the opportunity to try select devices used by the ensemble and interact with the ensemble. Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 26 2023 Contributor An entity responsible for making contributions to the resource Eva Bradávková, flute, devices Michelle Wolfenden, flute, devices Ainsley Mercer, flute Sarah Carey, clarinet Stella Drinkwater, electric guitar, devices Maxwell Sorensen, piano, devices Kian Dunn, devices Ajtony Csaba, direction, devices https://finearts.uvic.ca/music/archive/files/original/4a716557b09853e9105dfc2bee1a76c9.pdf ba67e332b80bab9e63c6c4dbdf8dacdc PDF Text Text CELLO CLASS RECITAL UVIC Students from the studio of Pamela Highbaugh Aloni SUNDAY, NOVEMBER 26, 2023 | 2 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Sicilienne for Cello and Piano, Op. 78 Matteo Toyata, cello Natalya Wautier, piano Gabriel Fauré (1845-1924) Gabriel Fauré Après un Rêve Curtis Vetter, cello Natalya Wautier, piano Gabriel Fauré Élégie, Op. 24 for Cello and Piano Jayda Thor, cello Madison Brecht, piano Tarantella, Op. 33 David Popper (1843-1913) Nicole Phanichphant, cello Jany Lu, piano Spiegel im Spiegel Liam McDonald-Horak, cello Eóghan Bostock, piano Arvo Part (b. 1935) Kol Nidrei, Op. 47 Max Bruch (1838-1920) Garron Stuart, cello Jany Lu, piano INTERMISSION 12 Caprices, Op. 25 No. 7 - Maestoso Carlo Alfredo Piatti (1822-1901) Tau Kaploykeo, cello Adagio and Allegro, Op. 70 for Cello and Piano Mahtab Saadatmand, cello Jany Lu, piano Sonata in G Minor for Cello and Piano Allegro selvaggio Variations on a Rococo Theme, Op. 33 Tau Kaploykeo, cello Easton Roy, piano Caitlyn Liu, cello Jany Lu, piano Robert Schumann (1810-1856) Manuel Ponce (1882-1948) Piotr Tchaikovsky (1840-1893) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_01.wav">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_02.wav">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_03.wav">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_04.wav">Track 4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_05.wav">Track 5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_06.wav">Track 6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_07.wav">Track 7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_08.wav">Track 8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_09.wav">Track 9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/11262023-CelloStudioRecital/11262023-CelloStudioRecital_10.wav">Track 10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cello Studio Recital Description An account of the resource Featuring UVic School of Music cello students from the studio of Pamela Highbaugh Aloni. Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 26 2023 Contributor An entity responsible for making contributions to the resource Natalya Wautier, piano Matteo Toyata, cello Curtis Vetter, cello Jayda Thor, cello Madison Brecht, piano Nicole Phanichphant, cello Jany Lu, piano Liam McDonald-Horak, cello Eóghan Bostock, piano Garron Stuart, cello Jany Lu, piano Tau Kaploykeo, cello Mahtab Saadatmand, cello Easton Roy, piano Caitlyn Liu, cello