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                    <text>PIANO STUDIO RECITAL

UVIC

Students from the studio of Bruce Vogt
SATURDAY, FEBRUARY 3, 2024 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
W. A. Mozart
(1756-1791)

Sonata in D Major, K. 311	
	
I. Allegro con spirito 	
	
II. Adantino con espressione
	
III. Rondeau (allegro)

Leah Macfarlane

Sonata in G Major, Op. 79	 						
	
I. Presto alla tedesca (‘in the German Style’)					 	
	
Hanjun Yu
From ‘Lyric Pieces’, Op. 57	 	
	
I. ‘Vanished Days’
	

		

Sonata in E-flat, Op. 81a “Les adieux”	
	
I. ‘The Farewell’ Adagio – Allegro 	
	
II. ‘The Absence’ Andante espressivo
	
III. ‘The Return’ Vivacissimamente

				

	
Noshika Shahrokhi

	

				

Edvard Grieg
(1843-1907)

L. Van Beethoven

Jerry Xiong

INTERMISSION

Image de Moreau (Toccata)	 				
					
Ruby Koep
			
Sonata in F-sharp Minor, Op. 25, No.5	
	
I. Allegro con espressione 	

L. Van Beethoven
(1770-1827)

						

Nocturne in B Major, Op. 32, No. 1 								
Cindy Xu

Louis Andriessen
(1929-2021)

Muzio Clementi
(1752-1832)
Frédéric Chopin
(1810-1849)

Bruyères (Heather), from ‘Préludes’ Book 2			
		
	
							
Sam Freer

Claude Debussy
(1862-1918)

Sonata in B-flat Major, D. 960 		
				
	
I. Molto Moderato						
Victor Su

Franz Schubert
(1797-1828)

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                    <text>UVIC

THURSDAY, FEBRUARY 1, 2024 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

FACULTY CONCERT SERIES

POPULAR CULTURE
THROUGH THE CENTURIES
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

PROGRAM
Aria of the Queen of the Night from The Magic Flute	
	
Wolfgang Amadeus Mozart (1756–1791)
	
					
arr. Jean-Francois Taillard
Milonga del Angel			
	
Astor Piazzolla (1921–1992)
								
arr. Scott MacInnes
Libertango				
	
Astor Piazzolla (1921–1992)
								
arr. Hans Zellner
Merrie Klazek &amp; Marianne Ing, trumpet
Sam McNally, horn
Scott MacInnes, trombone
Kory Major, tuba
Two Lieder
	
i. Tanzlied
	
ii. Unterm Fenster

	

Robert Schumann (1810–1856)

Anne Grimm, soprano
Benjamin Butterfield, tenor
Bruce Vogt, piano

Simon Smith and the Amazing Dancing Bear		
Short People							

Randy Newman (b.1943)

Benjamin Butterfield, tenor
Arthur Rowe, piano
Trio in A minor, Opus 114 (1891)				
	
ii. Adagio

Johannes Brahms (1833–1897)

David Bourque, clarinet
Pamela Highbaugh-Aloni, cello
Bruce Vogt, piano
Dance Music Through the Ages				

arr. Scott MacInnes

Merrie Klazek &amp; Marianne Ing, trumpet
Sam McNally, horn
Scott MacInnes, trombone
Kory Major, tuba
Video Presentation 						

Andrew Schloss

�BIOGRAPHIES
Originally from Peterborough, Ontario, DAVID BOUTIN-BOURQUE joined the Victoria Symphony in 2022 as Principal Clarinet. He
previously held the same position with the Thunder Bay Symphony and served as 3rd/Bass clarinet with the Erie Philharmonic. He has also
performed with the Pittsburgh Symphony Orchestra and Symphony Nova Scotia. From 2017-2021, he enjoyed a fellowship at the Aspen
Music Festival, winning the winds concerto competition in 2018. David completed degrees from the University of Toronto, Northwestern
University, and Carnegie Mellon University. His teachers include Michael Rusinek, David Bourque, Steve Cohen and Lawrie Bloom. Outside
of music, David enjoys reading and tennis.
BENJAMIN BUTTERFIELD studied voice with Selena James in Victoria and at McGill University. He has subsequently performed throughout Europe, North America, Israel, Taiwan and New Zealand in opera, concert, and recital. Career highlights include Carnegie Hall, Royal
Albert Hall, the San Carlo Naples, filming Messiah for ZDF at the Handel Festspiele Halle, the San Francisco and Chicago Symphony Orchestras, The Magic Flute with New York City Opera and the Kiddish Requiem (Stankovych) in Kyiv, Ukraine. Professor Butterfield has recorded
over 40 CD’s, is Co-Director of the Ukrainian Art Song Summer Institute in Toronto, is a fellow of the Royal Society of Canada and was
awarded a Ruby from Opera Canada in 2019.
Dutch soprano ANNE GRIMM studied voice in Amsterdam and London and has performed throughout Europe, Canada, US, Australia and
New Zealand. She toured and recorded extensively with Ton Koopman and the Amsterdam Baroque Orchestra, the Orchestra of the 18th
Century, The Netherlands Bachvereniging, and sang at the festivals of Handel Festspiele Halle, Ambronay, Salzburg, Ostrava New Music and
the Prague Nova amongst others. Highlights in North America include performing at the National Arts Centre with Pinkas Zuckerman, at
Tanglewood, the Ojai Festival in California, Apollo’s Fire in Cleveland, Tafelmusik, Bach Choir Bethlehem and a tour to Australia with Gavin
Bryars’ opera Marilyn Forever in the Adelaide Festival. Anne has recorded for Erato, NM Classics, Sony and Harmonia Mundi.
PAMELA HIGHBAUGH ALONI is an Associate Professor at UVic where she has been teaching cello, chamber music and string pedagogy since 1991. She is a founding member of the prize-winning Lafayette String Quartet. The quartet celebrated over 37 years of musical life
together and took their final bow in August 2023. Highlights of their years include performing all sixteen Beethoven string quartets, a 30th
anniversary Shostakovich Cycle, a Second Viennese School project, the commissioning of five new quartets by women composers, and the
initiation of the Lafayette Health Awareness Forum. Pamela performs as a soloist regularly in and around Vancouver Island and plays on a
George Craske cello made in England, 1850.
MARIANNE ING has been playing trumpet for many years. She is a UVic alumna, most recently graduating in 2020 with a Masters of Music
in trumpet performance. She also obtained an Education degree in 2008. Marianne plays regularly with several groups in Victoria including
the Palm Court, The Sooke Philharmonic, The Victoria Jazz Orchestras and the Meridiem Wind Ensemble. In addition to this she teaches
band, strings and choir at Central Middle School.
MERRIE KLAZEK is a versatile and respected trumpet artist in performance and education. Merrie joined the full-time faculty at UVic in
2016, after 21 years as principal trumpet with the Thunder Bay Symphony (1999-2018), Victoria Symphony (05/06) and Orchestra London
Canada (96-99). Performance highlights include Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan Hall,
Stratford Festival, Hungary’s Niyrbator Festival, and more. Her solo album Songs to the Moon has been featured on TVO and CBC Radio,
and Dance Around the Sun celebrates the trumpet in settings of world music. Presenter, artist and adjudicator at top international brass and
music conferences, Merrie holds a BMus from her native Calgary and an MMus from Northwestern University. She is an endorsing artist for
Wedge Mouthpieces, Bach Trumpets/Conn-Selmer, and Robinson’s Remedies.
SCOTT MACINNES completed his performance degrees from the University of Toronto and UVic. Highly sought after as a bass and tenor trombonist, he maintains an active career as a touring, performing and recording artist. Scott has founded many successful groups such as
itromboni, Pinnacle Brass, Victoria Brass Collective, and others. Equally at home in classical, contemporary, jazz, R&amp;B, folk, rock, and big band,
Scott has performed for British and Dutch royalty, the Pope, the Dalai Lama, and other heads of state. He is the trombone instructor at UVic
and Principal Bass Trombone with the Vancouver Island Symphony Orchestra. As a composer and arranger, Scott has been commissioned
to write works for large and small ensemble.
KORY MAJOR graduated from UVic in 2010 with a degree in Performance, studying with Eugene Dowling. Following this, he earned an
Artist Diploma from the Glenn Gould School in Toronto. After taking a short hiatus from tuba, he joined the Royal Canadian Air Force
Band in Winnipeg, MB in 2016. During his 7 seven years in Winnipeg, he had the opportunity to perform at sporting events, Buckingham
Palace and with the Winnipeg Symphony. He moved back to Victoria in July of 2023 and is working as a financial services administrator in
the Canadian Armed Forces.
Originally from Calgary, SAM MCNALLY began his studies with Laurie Matiation before departing for UVic where he completed his BMus
in performance with Kurt Kellan. In 2015, Sam was appointed principal horn of the Kamloops Symphony. Sam won the UVic concerto competition twice, performing Strauss’ 1st horn concerto (2016) and Schumann’s Konzertstück (2017). After graduating in 2017, Sam travelled
to London where he attended the Guildhall School of Music and Drama (MMus ‘18) on the Orchestral Artistry course. After returning to
Canada and continuing his position with Kamloops, Sam won the third horn position in the Victoria Symphony and joined the Faculty at the
UVic School of Music.
ARTHUR ROWE is a critically acclaimed recitalist, soloist and chamber musician. He has recorded for the Crystal, ebs, Innova, GM and
Fanfare labels. Arthur regularly collaborates with artists and chamber ensembles across North America and has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe, Seattle, France, New Zealand, and Yugoslavia. Arthur is the Artistic Director of the
Victoria Summer Music Festival and The Jeffery Concerts in London Ontario. Professor of Piano at UVic, he has served as Acting Director
of the School of Music and Acting Associate Dean of Fine Arts.
ANDREW SCHLOSS studied at Bennington College, the University of Washington, and Stanford University, where he received his Ph.D.
in 1985 working at CCRMA (Center for Computer Research in Music and Acoustics). He has taught at Brown University, the University
of California at San Diego, The Banff Centre for the Arts, and (since 1990) at the University of Victoria. Schloss is a pioneer in new musical
instruments. He was invited to perform at the Centennial celebrations at Stanford University along with Leon Theremin, the inventor of
one of the first electronic musical instruments of the 20th century.
BRUCE VOGT appears regularly in concert across Canada and inspires audiences abroad, including multiple tours in Japan, China, and
across Europe. Bruce’s recordings include music of Robert Schumann performed on a restored 1864 Erard, and two volumes of the music
of Franz Liszt. In addition to his career as a soloist and chamber musician, Bruce is Professor at UVic. He is also active in presenting and
improvising accompaniments to great films of the silent era, including films by Chaplin, Keaton, Lloyd, Griffith, Murnau and others. Bruce has
been invited to offer these presentations around the world.

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                <text>Ajtony Csaba</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
JANUARY 26, 2024 | 12:30 PM
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Prelude &amp; Fugue in B Major, BWV 892	 J.S. Bach
	
Prelude	(1685-1750)
	
Fugue
Natalya Wautier, piano
Sonata No. 31 in A-flat Major, Op. 110	
	
Adagio ma non troppo 	

Sonata No. 6 in F Major, Op. 10, No. 2	
	
Allegretto	
	Presto	

Kay Kuang, piano

Ludwig van Beethoven
(1770-1827)

Ludwig van Beethoven
Madison Brecht, piano

Impromptu in F-sharp Major, Op. 36 	
Easton Roy, piano
Impromptu in E Major 	
Anna Medwenitsch, piano
Hungarian Dance No. 5	
Anna Medwenitsch, Teslyn Bates, piano
Sonata No. 2 in A Minor	
	
Allegro	

Frédéric Chopin
(1810-1849)

Germaine Tailleferre
(1892-1983)

Johannes Brahms
(1833-1897)

J.S. Bach
Joyce Tsai, violin

UPCOMING AT THE SCHOOL OF MUSIC
THURSDAY, FEBRUARY1 | 7:30 PM (By donation)
Faculty Concert Series: Popular Culture Through the Centuries
UVic School of Music faculty explore popular culture through the centuries and across the globe, while also honouring our
retiring colleagues from the School of Music: Bruce Vogt and Andrew Schloss.
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 2 | 8 PM ($15-$28)
UVic Symphony Orchestra: Love Notes
Immerse yourself in an enchanting symphonic journey with the UVic Orchestra’s concert themed around one of the most
powerful forces of all: Love.
The Farquhar at UVic

�</text>
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A TROIS
Kimberley-Ann Bartczak, piano
Hannah Craig, cello
David Boutin-Bourque, clarinet
Thursday, January 25, 2024, 7:30 PM
Philip T. Young Recital Hall
University of Victoria

Guillaume Connesson

b.1970

PaulJuon
(1872-1940)

Johannes Brahms
(1833-1897)

Disco-Toccata (2002)

Trio Miniatu res (1901)
Reverie
Humoresque
Elegy
Dance Fantastique

Trio in A minor, Op. 114 (1891)
Allegro
Adagio
Andantino grazioso - Trio
Allegro

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                    <text>UVIC

WEDNESDAY, JANUARY 24, 2024 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

GUEST CONCERT

VIANO QUARTET
Hao Zhou, violin
Lucy Wang, violin
Aiden Kane, viola
Tate Zawadiuk, cello

PROGRAM
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

Introduccione al Angel 	

Astor Piazzolla (1921–1992)
(arr. Eckart Runge)

Five Folksongs in Counterpoint 	
	
I. Calvary. Adagio vigoroso	
	
II. Clementine. Tempo moderato
	
III. Drink to me only with Thine eyes. Andante cantabile
	
IV. Shortnin’ Bread. Allegro
	
V. Swing Low, Sweet Chariot. Andantino
String Quartet No. 3 “Leaves of an Unwritten Diary” 	

Florence Price
(1887–1953)

Krzysztof Penderecki
(1933–2020)

I NT E R M I S S I O N

String Quartet No. 8 in E minor, Op. 59, No. 2 	
Ludwig van Beethoven
	Allegro	(1770–1827)
	
Molto Adagio. Si tratta questo pezzo con molto di sentimento
	
Allegretto – Maggiore, Thème russe.
	
Finale. Presto

This concert is made possible by the generous support of volunteers and the B.K. Weigel Fund.

�BIOGRAPHY
Praised for their “virtuosity, visceral expression, and rare unity of intention” (Boston Globe), the Viano Quartet is one of the
most sought-after performing young ensembles today and currently in-residence at the Chamber Music Society of Lincoln
Center Bowers Program from 2024-2027. Since winning First Prize at the 2019 Banff International String Quartet Competition,
they have traveled to nearly every major city across the globe, captivating audiences in New York, London, Berlin, Vancouver,
Paris, Beijing, Toronto, Lucerne, and Los Angeles.
In the past three years, the quartet organized a residency at the Meadows School of the Arts at Southern Methodist University,
where their focus was to coach young chamber groups and host presentations and side-by-side concerts with the SMU community. The quartet has also held residencies at the Curtis Institute, Colburn Conservatory, and Northern Michigan University.
Recently, they’ve been selected to be the inaugural group for a new guest residency at the Music in the Morning series in Vancouver until 2025, where they will commission new works and lead extensive community engagement initiatives.
The Viano Quartet released Portraits, their first EP, through the Curtis Studio Label in summer 2023. Available to stream on
all major music platforms, the recording is a final artistic statement of their time at the Curtis Institute, and features the beautiful Andante Moderato movement from Florence Price’s first string quartet. This summer the quartet was also re-invited to
Chamber Music Northwest, the Bravo!Vail Festival and BISQFest, and appeared at the Intimacy of Creativity Festival in Hong
Kong, Ottawa Chamberfest, Minnesota Beethoven Festival, Strings Music Festival, Highlands-Cashiers and Mt. Desert Festivals
of Chamber Music, as well as Bay Chamber Concerts. During the 23/24 season the quartet can be heard in Canada, Arizona,
Minnesota, Massachusetts, Florida, Pennsylvania, Virginia, North Carolina, Maryland, Utah, New York and California.
The quartet achieved incredible success in their formative years, with an unbroken streak of top prizes at major competitions.
In addition to their career-defining achievement at the 2019 Banff International String Quartet Competition, they also received
the Grand Prize at the 2019 ENKOR International Music Competition and second prize at the 2019 Yellow Springs Chamber
Music Competition. At the 2018 Wigmore Hall International String Quartet Competition they received Third Prize, the Haydn
Prize for the best performance of a Haydn quartet, and the Sidney Griller Award for the best performance of the compulsory
work, Thomas Ades’ “The Four Quarters”. They received the Silver Medal at the 2018 Fischoff National Chamber Music Competition and Third Prize at the 9th Osaka International Chamber Music Competition in 2017.
The Viano Quartet has collaborated with world-class musicians such as pianists Emanuel Ax, Marc-André Hamelin, Inon Barnatan and Elisso Virsaladze, violists Paul Coletti and Paul Neubauer, violinist Noah Bendix-Balgley, vocalist Fleur Barron and clarinetist David Shifrin. Their chief mentors include faculty of the Curtis Institute and Colburn Conservatory, as well as members
of the Dover, Guarneri, and Tokyo string quartets.
The name “Viano” was created to describe the four individual instruments in a string quartet interacting as one. Each of the
four instruments begins with the letter “v”, and like a piano, all four string instruments together play both harmony and melody,
creating a unified instrument called the “Viano.”

To make a donation online,
use the QR code or visit:
https://bit.ly/3yAWO56

�</text>
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                    <text>UVIC

MONDAY, JANUARY 22, 2024 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

FACULTY CONCERT SERIES

ARTHUR ROWE

PIANO

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

PROGRAM
Franz Schubert
(1797–1828)

Sonata in B-flat Major, D. 960 	
	
Molto moderato	
	
Andante sostenuto
	
Scherzo: Allegro vivace con delicatezza
	
Allegro, ma non troppo

I NT E R M I S S I O N

Tanz-Suite	
	
Moderato 	
	
Allegro molto
	
Allegro vivace
	
Molto tranquillo
	Comodo
	
Finale. Allegro
Variations and Fugue on a Theme by Handel, Op. 24 	

Béla Bartók
(1881–1945)

Johannes Brahms
(1833–1897)

�BIOGRAPHY
Canadian pianist and Steinway Artist Arthur Rowe has enjoyed a career as a critically acclaimed recitalist, soloist with
orchestra and chamber musician.
Having previously held faculty positions at the University of Iowa and the University of Western Ontario, Arthur
Rowe joined the University of Victoria in 1992, where he is currently a Professor of Piano and Collaborative Piano.
At UVic he has also served as Acting Director of the School of Music and Acting Associate Dean of Fine Arts, and
in 2008 he helped enable the School of Music to become Canada’s first, and still only All-Steinway School of Music.
Following a New York solo recital, The New York Times wrote: “The Canadian pianist Arthur Rowe made an immediate and positive impression...before eight bars had gone by, one knew he was capable of vigor without heaviness,
energy without excess of drive. It was first-rate playing: a kind of execution tinglingly alive to the shape and contribution of each phrase.” Reviewing a solo recital in London England, The London Times spoke of his “unusual clarity of
articulation and poetry of expression,” and David Burge, writing in The San Diego Tribune said, “Rowe is a marvelous
pianist...even when he is pushed to the limit by extreme virtuosic demands...he can concentrate all of his considerable talents on vital matters of phrasing, tone and ensemble.”
In 2007, the Centaur label released an all-Schubert recording by Arthur Rowe (available on Apple Music). Fanfare
magazine’s review says, “Rowe’s reading (of the posthumous B-flat Sonata) is one of the most beautiful I have heard...
The D. 899 Impromptus are equally impressive...his purling right-hand runs recall Schnabel’s velvety sound...every
harmonic change is underscored by a delicate nuance of color change. This kind of expression cannot be taught; it is
in the bloodstream and the soul.”
Arthur Rowe has recorded with various artists for the Crystal, ebs, Innova, GM and Fanfare labels. A highly respected
chamber musician, he has performed widely throughout North America. In 2004 The Harrington String Quartet
joined forces with Arthur Rowe and Cleveland Orchestra Concertmaster William Preucil in New York, for a performance of the Chausson Concerto for Violin, Piano and String Quartet, which was reviewed by Harris Goldsmith as
a “reading that rivaled the benchmark recordings by Franzescatti/Casadesus/Pascal, and Heifetz/Sanroma/New Arts.”
As Artistic Director of both the Victoria Summer Music Festival and The Jeffery Concerts in London Ontario, Arthur
Rowe enjoys the opportunity to present both world renowned artists and exceptional young artists to audiences
in these communities.
In 2024, Arthur Rowe looks forward to performances with the Isidore Quartet, the Dover Quartet, Canadian violinists Alice Lee and Timothy Chooi (Professor of Violin at the University of Ottawa), American cellist Philip Hansen
and Principal Clarinetist of the Calgary Philharmonic Slavko Popovich.

�</text>
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                    <text>UVIC

Po giff Kwei Eee:
Shapes for Sounds Series
SUNDAY, JANUARY 14, 2024 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

PROGRAM

Introductions and Territorial Acknowledgement
Kosar Movahedi

Mowry Baden
Toroidal Yodel
(Audience members will be directed to the stage)
Sina Khatami
Echoes
Robyn Miller
Unconventional Care
I NT E R M I S S I O N

Puppets Forsaken
The Whole Room
Evan Locke
Paracusic Composition #1

To make a donation online
use the QR code or visit:
https://bit.ly/3yAWO56

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                <text>Master of Ceremonies: Kosar Movahedi&#13;
Curation: David Gifford&#13;
&#13;
Mowry Baden: Toroidal Yodel&#13;
Sina Khatami: Echoes&#13;
Robyn Miller: Unconventional Care&#13;
Puppets Forsaken: The Whole Room&#13;
Evan Locke: Paracusic Composition #1</text>
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                    <text>SAXOPHONE CLASS
SOLO RECITAL

UVIC

Students from the Class of Wendell Clanton
SATURDAY, JANUARY 13, 2024 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Nocturne 	
	
	

Hannah Stanwood, saxophone
Yousef Shadian, piano

André Jutras
(b. 1957)

Diversion 	
Bernhard Heiden
	
	(1910-2000)
Nathan Skip, saxophone
Yousef Shadian, piano
Chanson de Printemps 	
Rylee Francis, saxophone
Hanjun Yu, piano
Sonata in C Minor	
	
Allegro	
	
Adagio	
	
Allegro assai

Felix Mendelssohn
(1809-1847)

Georg Philipp Telemann
(1681-1767)
Piper Elliott, saxophone
Nancy Curry, piano

Rumba		
Maurice Whitney
	(1909-1984)
Meghan Pimm saxophone
Yousef Shadian, piano
Con Fuoco from Concerto for Stan Getz
	

		
Beth Tran, saxophone
Sam Freer, piano

Richard R. Bennett
(1936 – 2012)

Rhapsody for Baritone Saxophone	 Mark Watters
	
(b. 1955)
Xavier Marican, saxophone
Yousef Shadian, piano
INTERMISSION
Fantaisie Sur Il Pleut Bergère								
	
					
	
Caiden Meyer, saxophone
Teslyn Bates, piano

Paul Agricole Génin
(1832-1903)

Caprice en Forme de Valse 	
Paul Bonneau
	(1918-1995)
Madison Wang
Allegro molto moderato from Concerto for Saxophone and String Orchestra 	 Lars Erik Larsson (1908-1986)
	
Sylvan Wilkinson, saxophone
Carey Wang, piano

A special note of gratitude to our pianists – thanks for your artistry!
Congratulations to our Fourth Year Graduating Students Beth, Hannah, Meghan, Madison and Sylvan. Best wishes for a long and happy journey.

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                <text>Hannah Stanwood, saxophone &#13;
Nathan Skip, saxophone&#13;
Rylee Francis, saxophone &#13;
Piper Elliott, saxophone &#13;
Nancy Curry, piano&#13;
Meghan Pimm saxophone&#13;
Beth Tran, saxophone &#13;
Xavier Marican, saxophone&#13;
Caiden Meyer, saxophone &#13;
Madison Wang, saxophone&#13;
Sylvan Wilkinson, saxophone &#13;
Carey Wang, piano&#13;
Teslyn Bates, piano&#13;
Sam Freer, piano&#13;
Yousef Shadian, piano&#13;
Hanjun Yu, piano&#13;
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