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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
FEBRUARY 16, 2024 | 12:30 PM
Featuring School of Music piano students
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

J.S. Bach
(1685–1750)

Prelude and Fugue in C sharp Minor, BWV 873	
Kay Kuang

Four Pieces, Op. 4 	
Sergei Prokofiev
	
IV. Suggestion Diabolique 	(1891–1953)
Easton Roy
Piano Sonata No. 23 in F Minor, Op. 57	
Ludwig Van Beethoven
	
II. Andante con moto	(1770–1827)
	
III. Allegro ma non troppo
Moming Zhang
Humoreske, Op. 20	
	
			
	
III. Einfach und zart					
	
IV. Innig

	

Robert Schumann
(1810–1856)

Simi Luttrell
Ballade No. 4 in F Minor, Op.52 	
Frédéric Chopin
	(1810–1849)
Jeannie Kim

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                <text>Kay Kuang&#13;
Easton Roy&#13;
Moming Zhang&#13;
Simi Luttrell&#13;
Jeannie Kim</text>
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                    <text>UVIC

THURSDAY, FEBRUARY 15, 2024 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

EMERGING ARTISTS ALUMNI SERIES

MARCELLA BARZ

(BMus ‘16)

Bass clarinet &amp; clarinet with SABRe sensors

PROGRAM
Unstoppable Spirals								
for bass clarinet and live electronic processing

Yue Song

Stung* 									
for bass clarinet and live electronic processing

Frank Lyons

Star Maker*									
for bass clarinet and live electronic processing

Amanda Feery

Stories in the Wind							
for bass clarinet and live electronic processing

Yue Song

I NT E R M I S S I O N

Dréimire Mhuire								
for clarinet and live electronic processing
Hex 2									
for bass clarinet, soundtrack, and live electronic processing
Bamboo After Rain								
for bass clarinet and live electronic processing
* Remixed version for SABRe sensors
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

Marcella Barz
Frank Lyons
Yue Song

�BIOGRAPHY
Curious ears led Marcella Barz from Kamloops to Dublin, Ireland to pursue contemporary bass clarinet performance.
In 2023, she graduated from the Technological University Dublin with a Doctor of Music degree that explored the
production of electronic sounds using sensors and released an album of collaborative music with Chinese composer
Yue Song.
While in Ireland, Marcella collaborated with Irish composers to produce international performances and gave workshops for composers interested in composing for the clarinet(s). She taught clarinet and chamber music at Maynooth
University for several years.
Previously, Marcella graduated with a Master of Music in clarinet performance from the Dublin Institute of Technology (2017) where she studied with Dr Paul Roe. Marcella also studied with Patricia Kostek at the University of Victoria
and graduated with a Bachelor of Music in 2016.
Marcella works at the Butchart Gardens and is exploring independent music projects. She is currently experimenting
with Max/MSP/Jitter and the production of visuals using sensors, as well as composing for clarinet, bass clarinet, and
piano.

COMING UP AT THE SCHOOL OF MUSIC
Phillip T. Young Recital Hall

Friday, February 16 | 12:30 PM (By donation)
Fridaymusic: Piano
Take a break from the daily grind for our weekly lunch hour concert featuring School of Music undergraduate and graduate
students. This week’s concert features piano students performing a variety of repertoire, from classical to contemporary.
Friday, February 16 | 8 PM (By donation)
Faculty &amp; Guest Concert
Grigor Khachatryan, piano
Dina Neglia-Khachatryan, violin
With Pamela Highbaugh Aloni, cello
An evening of classical mastery featuring three virtuosos in one extraordinary concert! The program will include Chopin’s
Cello Sonata and Piano Sonata in B-flat minor as well as Schumann’s Violin Sonata.
Friday, February 23 | 8 PM (By donation)
Guest Concert: Filaments
Ilana Waniuk, violin
Filaments is a collaborative concert project featuring works for violin and electronics by artists/composers from across Canada. Each
piece explores what happens when electroacoustic, multi-media, or improvisational elements stretch the boundaries of what it means
to compose/perform/create works for ‘solo’ violin. Filaments features works by Róisín Adams, Ben Wylie, Julia Mermelstein with world
premieres by Fjóla Evans and School of Music Assistant Professor Anthony Tan.
Tuesday, February 27 | 6 PM (By donation)
Annual Solo Bach Competition
UVic string students perform solo sonatas, partitas and suites by Johann Sebastien Bach for a panel of expert adjudicators.
Bach’s solo string works are considered some of the finest examples of Baroque music and showcase Bach’s exceptional skill as a
composer and performer. The solo string music is renowned for its technical demands, intricate harmonies, and emotional depth,
and continues to be widely performed and studied by musicians today.
Full schedule of
UVic School of Music
concerts &amp; events. www

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                    <text>GRADUATE RECITAL
Kerry Graham, baroque bassoon
Wednesday February, 14, 2024 12:30 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sonata in C Major, op. 6 #1
Rondement
Siciliene
Gavotte I &amp; II

Joseph Bodin di Boismortier
(1689-1755)

Maria Wang, cello
Christina Hutten, harpsichord
Duet from Cantata BWV 155
'Du mußt glauben, du mußt hoffen’

Johann Sebastian Bach
(1685-1750)
Celeste Lingas, soprano
Carter Martin, tenor
Maria Wang, cello
Christina Hutten, harpsichord

Sonata in G minor op. 3 #4
Allemanda
Cantabile
Menuetto/Presto

Luigi Merci
(1695-1750)

Maria Wang, cello
Christina Hutten, harpsichord
Bassoon Concerto in A minor
Allegro con spirito
Grave
Allegro di molto

Johann Wilhelm Hertel
(1727-1789)

Paul Luchkow, violin
Elyssa Lefurgey-Smith, violin
Kathryn Wiebe, viola
Maria Wang, cello
Christina Hutten, harpsichord

Kerry Graham is from the class of Katrina Russell
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Please silence all electronic devices.

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                <text>Kerry Graham, bassoon&#13;
&#13;
Maria Wang, cello &#13;
Christina Hutten, harpsichord&#13;
Celeste Lingas, soprano &#13;
Carter Martin, tenor&#13;
Paul Luchkow, violin &#13;
Elyssa Lefurgey-Smith, violin &#13;
Kathryn Wiebe, viola&#13;
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                    <text>FIRST-YEAR RECITAL
Mahtab Saadatmand, Cello
Jany Lu, Piano
Victor Su, Piano
Tuesday, February 13, 2024, 12:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sonata in D minor, Op.5, No.8

Arcangelo Corelli
1653-1713

Prelude
Allemande
Sarabande
Gigue
Jany Lu, Piano

Adagio and Allegro, Op.70

Robert Schumann
1810-1856
Jany Lu, Piano

Varsha

Reena Esmail
1983.

Intermezzo for Piano and Cello

Claude Debussy
1862-1918
Victor Su, Piano

Persian Folk Songs, Set No. 16C

Reza Vali
1952.

Longing
In the Style of an Armenian Folk Song
In memory of a Lost Beloved
The Girl from Shiraz
Love Drunk (Mastom-Mastom)
Jany Lu, Piano

Mahtab Saadatmand is from the class of Professor Pamela Highbaugh Aloni.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

Please silence all electronic devices.

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Jany Lu, Piano</text>
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                    <text>UVIC

SUNDAY, FEBRUARY 11, 2024 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

FACULTY CONCERT SERIES

AN AFTERNOON OF SONGS
ANNE GRIMM SOPRANO
BENJAMIN BUTTERFIELD TENOR
BRUCE VOGT PIANO

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose
historical relationships with the land continue to this day.

PROGRAM

Robert Schumann
(1810-1856)

Op. 78								
	Tanzlied				
	
Er und Sie
	
Ich denke dein
	Wiegenlied

Op. 2									
	
Erwartung
	
Schenk mir deinem goldenen Kamm
	Erhebung
	Waldsonne

	

Arnold Schoenberg
(1874-1951)

Henri Duparc
(1848-1933)

La fuite								
		
I NT E R M I S S I O N
“Buddy on the Nightshift” from Lunch Time Follies	
	

				

Kurt Weill

“Lonely House” from Street Scene
				
“If Love Were All” from Bitter Sweet	
	

Kurt Weill
(1900-1950)

					

“You’re Just in Love” from Call Me Madam	
			

Noël Coward
(1899-1973)

						

Irving Berlin
(1888-1989)

“I Wish I Were in Love Again” from Babes in Arms
		
	
Op. 34								
	
Liebesgarten
	Liebhabers Ständchen			
	
Unterm Fenster
	Familien-Gemälde	

Richard Rodgers (1902-1979)
Lorenz Hart (1895-1943)

“Ah yes, I Remember it Well” from Gigi				
			

Alan Jay Lerner (1918-1986)
Frederick Loewe (1901-1988)

Robert Schumann

�BIOGRAPHIES
Dutch soprano ANNE GRIMM studied voice in Amsterdam continuing in London and in the US. She is recognized for her work in opera,

concert and recital throughout Europe, North America as well as in Australia and New Zealand.

Anne toured extensively with Ton Koopman and the Amsterdam Baroque Orchestra (Ambronay, Salzburg Festival) as well as
with the Amsterdamse Bachsolisten, also appearing with Christoph Rousset at the Händel-Festspiele Halle and Potsdam Festival
Sanssouci. Other highlights include touring with Frans Bruggen and the Orchestra of the 18th Century as well as singing with
the Netherlands Opera and at the Holland Festival.
Appearances in North America have include the Tanglewood Festival, the National Arts Center Orchestra under Pinchas Zuckerman,Toronto’s Tafelmusik, Symphony Nova Scotia, Winnipeg Symphony, Pacific Opera Victoria, the Pacific Baroque Orchestra,
the Bach Choir of Bethlehem and Cleveland based Apollo’s Fire at the Ojai Festival in California.
Recognized for her performances in contemporary music, Ms. Grimm toured with Aventa to New York and Montreal as well
as to Australia in Gavin Bryars’ opera, Marilyn Forever. Most recently she performed the role of Barate in Rudolf Komorous’ The
Mute Canary with Turning Point Ensemble of Vancouver in the Czech Republic.
She has recorded extensively for Erato, NM Classics, Vanguard Classics, Troubadisc, Sony Classics and Harmonia Mundi France
as well as for CBC Radio, ZDF, RAI, Radio France and VARA in the Netherlands.
Ms. Grimm in on faculty at UVic’s School of Music and at the Victoria Conservatory of Music. She also teaches at summer vocal
programs including Opera Nuova (Edmonton) and the Sicily International Voice Competition and Festival in Noto, Italy.

Praised by The New York Times as, “clarion-voiced and vibrant”, BENJAMIN BUTTERFIELD has performed in concert, recital and opera throughout North America and Europe as well as in Asia, New Zealand, the middle east and Ukraine.
Highlights have included Stankovych’s Kiddish Requiem with the Hamburg Philharmonic at the Kyiv Opera, To Hope with the
Dave Brubeck Quartet at the Montreal Jazz Festival, Stravinsky’s Perséphone with film actress Isabella Rossellini at the San Carlo
in Naples and Epidaurus, Greece as well as Handel’s Messiah with the English Concert filmed for ZDF at the Händel-Festspiele
Halle in Germany. Benjamin has also sung in the Barber of Seville for the Welsh National Opera and Le Capitole Toulouse, The
Magic Flute at New York City Opera, St. François d’Assise with the Montreal Symphony and Janacek’s Cunning little Vixen with
the Canadian Opera Company. Recent engagements have included the Verdi Requiem for the Vancouver Symphony, Oronte in
Handel’s Alcina with Les Violons du Roy in Montreal and the St. Matthew Passion (Evangelist) with the Bach Choir of Bethlehem
in Pennsylvania.
Aside from his duties for the School of Music at the University of Victoria, Professor Butterfield is on faculty for Opera Nuova
(Edmonton),Valley Opera Summer Intensive (Kelowna) and Orford Musique (Quebec). He is also Co-Director of the Ukrainian
Art Song Summer Vocal Institute (Toronto) and teaches for the Sicily International Voice Festival and Competition (Noto, Italy).
A Fellow of the Royal Society of Canada and recipient of a Ruby Award (Opera Canada) for his contributions as a tenor and
voice teacher, Benjamin has been recognized by the Juno Awards and is heard regularly on CBC Radio.

Canadian pianist BRUCE VOGT was born in Southern Ontario but for the past 44 years has lived and worked in Victoria, BC
and taught at the University of Victoria as Professor of Piano. As a soloist he has appeared regularly in concerts within Canada
and he tours yearly in many countries throughout Europe and Asia. His repertoire encompasses music from the sixteenth
century to the present. In addition to having a special affinity for the music of Franz Liszt, he has both performed on period
instruments and commissioned and premiered a number of new works.
Because he sees teaching and working with young pianists and with piano teachers as an important commitment, he makes
himself available as much as possible for masterclasses, workshops, festival adjudications, and lectures.
In recent years, he has received many invitations in Canada and abroad to indulge another of his passions -- improvising accompaniments to great films of the silent era. He has played for and lectured about films by Chaplin, Keaton, Lloyd, Griffith,
Murnau and others.

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Bruce Vogt, piano&#13;
With Benjamin Butterfield, tenor</text>
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                    <text>PIANO STUDIO RECITAL

UVIC

Students from the studio of Eva Solar Kinderman
SATURDAY, FEBRUARY 10, 2024 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
French Suite in E flat Major, BWV 815	
	
Allemande	
	
Courante
	
Sarabande

J.S. Bach
(1685-1750)

	

Alex Matterson

Sonata in F sharp Minor, Op. 25, No. 5 	
	
Allegro con espressione	

Cindy Xu

Songs Without Words in E flat Major, Op. 30, No. 1	

				

Shalaya Loeppky
Nocturne in B Major, Op. 32, No. 1	 					
	
Cindy Xu
Musica Ricercata, No 1, II, IV							
Alex Matterson
Prelude in D Major, Op. 23, No. 4
	

	

					

Images Book II 					
	
I. Cloches à travers les feuilles 	 	
	
III. Poissons d’or

Liam Baird

Muzio Clementi
(1752-1832)

Felix Mendelssohn
(1809-1847)

Frédéric Chopin
(1810-1849)

Geörgy Ligeti
(1923-2006)

Sergei Rachmaninoff
(1873-1943)

Claude Debussy
(1862-1918)
Eóghan Bostock

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Cindy Xu&#13;
Shalaya Loeppky&#13;
Liam Baird&#13;
Eóghan Bostock</text>
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                    <text>School
of Music

Orion Series in Fine Arts presents

COREY HAMM
PIANO

SATURDAY, FEBRUARY 10, 2024 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria
Free admission

PROGRAM
Realignments (2023)* 	

Taylor Brook (b. 1985)

Puri Saren Agung (2021)*	

Claude Lapalme

Ephemera, Echoes, Toccatina (from Five) 	
Ether (1996) 	

Dorothy Chang (b. 1970)
Ronn Yedidia (b. 1960)

I NT E R M I S S I O N

Sixth Political Agenda (2022)* 	

Michael Finnissy (b. 1946)

Avenoir (2022)*	

John Psathas (b. 1966)

Scherzo (from Sonata No. 2, Op. 54) (1989) 	

Nikolai Kapustin (1937–2020)

*Written for Corey Hamm
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

�BIOGRAPHY
Pianist Corey Hamm has established a unique musical profile performing widely in North America and in Asia as
both soloist and chamber musician. His CD of Frederic Rzewski’s hour-long solo piano epic The People United Will
Never Be Defeated! (Redshift Records) won Spotify’s Best Classical Recording 2014, and Best Classical Recording at
the 2014 Western Canadian Music Awards. He has performed the work over 80 times all over the world. Corey
Hamm’s extensive work in the 1990s with the great French composer Henri Dutilleux will come to fruition in his
plan to record Dutilleux’s complete works for solo piano and chamber with piano in the near future. Among his
other recording plans are CDs of solo works written for Corey by Michael Finnissy, Frederic Rzewski, John Psathas,
Alice Pingyee Ho, Adam Zolty, Claude Lapalme, Keith Hamel, Jocelyn Morlock, Jordan Nobles, Dorothy Chang, Ronn
Yedidia, and Duncan Maunders, and a CD with Nu:BC.
Corey Hamm has commissioned, premiered and recorded over four hundred works by composers from all over
the world. These commissions have been for solo piano, chamber music, and concerti. His most extensive collection
of commissioned works includes over 80 pieces for PEP (Piano and Erhu Project) with whom he has toured China.
To date the composers for the project come from China, Canada, UK, and the United States, and include Michael
Finnissy, GAO Ping, Brian Cherney, among many others. The result is a new and flourishing catalogue of works for
piano and erhu composed in the musical languages of the 21st century. PEP has released some of these works on
their PEP CDs,Vols. 1, 2, and 3 (Redshift).Volume 2 was nominated for Best Classical Recording at the 2015 Western
Canadian Music Awards.
Corey has commissioned over 50 works for The Nu:BC Collective and for Hammerhead Consort (two piano and
two percussion). As pianist for The Nu:BC Collective he has released the critically acclaimed CD Beyond Shadows
(Redshift), and as a founding member of Hammerhead Consort, he received the 1993 Sir Ernest Macmillan Memorial Foundation Chamber Music Award, and was winner of the 1992 National Chamber Music Competition.
In recent years, Corey Hamm has studied, recorded and toured one of the great piano works of the last decades,
Frederic Rzewski’s monumental hour-long solo piano epic, The People United Will Never Be Defeated!.This work, made
up of a theme and 36 variations, has been recorded by a small number of pianists including Marc-André Hamelin,
Ursula Oppens, and Stephen Drury. Frederic Rzewski received Corey Hamm’s interpretation as one of the finest to
date. “Excellent! Bravo! This may be the best recording.”
Corey Hamm premiered Dorothy Chang’s PEP Double Concerto for erhu and piano soloists, Gateways, with the
Vancouver Symphony Orchestra (VSO), and was soloist in the World Premiere of Jordan Nobles’ Piano Concerto
with Bramwell Tovey and the VSO. He gave the World Premiere of Howard Bashaw’s Concerto for Two Pianos and
Percussion with conductor Grzegorz Nowak and the Edmonton Symphony Orchestra, and has recent and upcoming performances of Prokofiev’s Piano Concertos 2 and 3, Rachmaninoff ’s Piano Concertos 2 and 3, Bartok’s Piano
Concerto 2, Lutoslawski’s Piano Concerto, Ravel’s Piano Concerto for the Left Hand, Faure’s Fantasie Op. 111, and
Gershwin’s Rhapsody in Blue.
Dr. Hamm is Professor of Piano at the University of British Columbia in Vancouver, where he was awarded the prestigious Killam Teaching Award, and the Dorothy Somerset Award for Artistic Excellence. He is on the Piano Faculty
of the Summer Institute for Contemporary Performance Practice (SICPP) at the New England Conservatory (NEC)
in Boston, MusicFest Perugia (MFP) in Italy, and the Great Lakes International School of Music (GLISM). His beloved
teachers include Lydia Artymiw, Marek Jablonski, Stéphane Lemelin, Ernesto Lejano, and Thelma Johannes O’Neill.
Dr. Hamm has given masterclasses, lectures, and recitals at the Hong Kong Academy for the Performing Arts, Yong
Siew Toh Conservatory in Singapore, NYU, New England Conservatory, Rotterdam Conservatory of Music, Carpi
Music Festival, Beijing Capitol Normal University, Central Conservatory of China, Shanghai Conservatory of Music,
Sichuan Conservatory of Music, Wuhan University, Soochow Unversity, Washington University, Roosevelt University,
McGill University, University of Toronto, Glenn Gould School, among many others.

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                    <text>fridaymusic

School of
Music

Phillip T. Young Recital Hall, University of Victoria
FEBRUARY 9, 2024 | 12:30 PM
Featuring School of Music String students
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Johann Sebastian Bach
(1685-1750)

Sonata in G minor	
	
I. Adagio	
Megan Bibby, violin
Orbit	
	

Violin Concerto in B Major, Op. 47B	
	
II. Larghet	

Caitlyn Liu, cello

Jade Chu, violin
Jany Lu, piano

Sonata for piano and cello in D minor, L. 135	
	
I. Prologue	

	

Philip Glass
(b. 1937)

An-Lun Huang
(b. 1949)

Claude Debussy
(1862-1918)

Tau Kaploykeo, cello
Simi Luttrell, piano
Variations on a Theme by Alban Berg		
	

	
Julian Glover, viola
Kinza Tyrrell, piano

T. J. Anderson
(b. 1928)

Piano Trio No. 1 in D Minor	
	
Felix Mendelssohn
	
I. Molto allegro e agitato	(1809-1847)
Joyce Tsai, violin
Caitlyn Liu, cello
Kay Kuang, piano

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                <text>Megan Bibby, violin&#13;
Caitlyn Liu, cello&#13;
Jade Chu, violin &#13;
Jany Lu, piano&#13;
Tau Kaploykeo, cello &#13;
Simi Luttrell, piano&#13;
Julian Glover, viola &#13;
Kinza Tyrrell, piano&#13;
Joyce Tsai, violin &#13;
Caitlyn Liu, cello &#13;
Kay Kuang, piano</text>
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                    <text>DEGREE RECITAL
Carlos Santos Hernández, Clarinet
Yousef Shadian, Piano
Wednesday, February 7th, 2024, 12:30 P.M.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Hommage a R. Strauss

Béla Kovács
(1937 – 2021)

Clarinet Concerto No. 3 Op. 11

B. Crusell
(1775 – 1838)

1. Allegro risoluto
2. Andante moderato
3. Alla polacca

Yousef Shadian, piano

Clarinet Sonata No. 2

Johanes Brahms
(1833 - 1897)

1. Allegro amabile
2. Allegro appassionato
3. Andante con Moto-Allegro

Yousef Shadian, piano

Carlos Santos Hernandez is from the class of Dr. David Boutin-Bourque.
This recital is presented in partial fulfillment of the requirements
for the Master of Music Performance program.
Please silence all electronic devices.

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                <text>February 7 2024</text>
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Yousef Shadian, piano</text>
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                    <text>FLUTE STUDIO RECITAL

UVIC

Students from the studio of Marsha Elliott-Edwards

SUNDAY, FEBRUARY 4, 2024 | 2 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Sonata in E-flat major	
J.S. Bach
	
I. Allegro moderato	(1685-1750)
	
II. Siciliano
Cleary Manning, flute
Yousef Shadian, piano
Sonata for flute and piano 	
Francis Poulenc
	
I. Allegro malinconico 	(1899-1963)
	
II. Cantilena
Sophia Adames, flute
Yousef Shadian, piano
Cantabile and Presto 	
Georges Enesco
	(1905-1991)
Adam Rabski, flute
Yousef Shadian, piano
Carmen Fantasie	
François Borne
	(1840-1920)
Spencer Leong Cowie, flute
Yousef Shadian, piano
Sonata for Solo Flute in A minor 	
	
Poco adagio
	Allegro
	Allegro
Sonata for Flute and Piano, Op.94 	
I. Moderato 	
IV. Allegro con brio

	
	

J.S. Bach

Bella Nguyen
Sergei Prokofiev
(1891-1953)
Ainsley Mercer, flute
Yousef Shadian, piano

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