26
10
1498
-
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Philomela
University
of
Victoria
Women’s
Choir
To
Sing
in
the
Spring!
Susan
Young,
conductor
Julian
Greenwood,
pianist
PROGRAMME
Deep
in
my
Heart
I
bear
my
Lord
Pablo
Casals
All
Creatures
Now
are
Merry
Minded
John
Bennett
Balloo,
Baleerie
(Scottish
folk
song)
Arr.
Kieth
Bissell
Every
Time
I
Feel
the
Spirit
(Spiritual)
Arr.
William
L.
Dawson
Messe
Bass
Gabriel
Fauré
Kyrie
Melissa
Smith,
soprano
Sanctus
Benedictus
Elissa
Fenton,
soprano
Agnus
Dei
Barcarolle
Offenbach
Solos
and
small
ensembles:
Katherine
Rowlands
–
Mozart
Aria
Bahar
Harandi
–
Iranian
Folk
song
Stasia
and
Talise
Lindenbach
Gina
Johnson,
Talise
Lindenbach,
Monique
DuPlessis
–
Loch
Lomond
Monika
Zaborowski
–
Chopin
Mazurkas
Elissa
Fenton
and
Melissa
Smith
–
Duet
from
Lakme
Gruss
Mendelssohn
Abentlied
Ave
Verum
Corpus
Imant
Raminsh
�
A
Rosebud
in
June
Liberatango
Astor
Piazzolla
Arr.
Oscar
Esclada
Log
Driver’s
Waltz
Arr.
Ron
Smail
Blessing
CHOIR
MEMBERS
Sienna
Blumstengel,
Scharah
Cooper,
Heather
Derocher,
Maddie
Dohm,
Monique
DuPlessis,
Elissa
Fenton,
Octavia
Ireta
Gordon,
Yiwen
Hu,
Bahar
Harandi,
Stephanie
Howe,
Gina
Johnson,
Saskia
Kowallik,
Belinda
Lai,
Laura
Lavallee,
Annie
Lepage,
Stasia
Lindenbach,
Talise
Lindenbach,
Beth
May,
Kate
May,
Paige
Murphy,
Katherine
Rowlands,
Rebecca
Schmidt,
Melissa
Smith,
Penny
Stevenson,
Daisy
Tupas
Singh,
Jennifer
Wardle,
Monika
Zaborowski
2:30
p.m.
Sunday,
March
29,
2015
Phillip
T.
Young
Recital
Hall
MacLaurin
Building,
University
of
Victoria
Adults
$15
/
Students
&
Seniors
$10
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_16.mp3">track16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_17.mp3">track17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-Philomela/032915-Philomela_18.mp3">track18</a>
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Philomela Women's Choir
Creator
An entity primarily responsible for making the resource
Noel Anstey
Date
A point or period of time associated with an event in the lifecycle of the resource
March 29, 2015
Contributor
An entity responsible for making contributions to the resource
Susan Young, conductor
-
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83f89be9e6ce9177075f993b0e782299
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UVJAZZ 2014 - 2015
University of Victoria School of Music
Soprano
Vocal Jazz Ensemble
Sophie Cullen
Emma Grabinksy
Brittney Jette
Allison Kingsley
Margaret Lingas
Andrea Paddock
Adhira (Addie) Vasant
Alto
Micha Fortin
Jilaine Orton
Natasha Penfield
Taliya Seidman-Wright
Tenor
Ensemble Manager
Natasha Penfield
Rhythm Section
Jordan Asch - guitar
Gabe Lagos - piano
Blake Palm - bass
Keenan Mittag-Degala - drums
Aaron Bannister
Joey Cutajar
Cody Froese
Kiaran McMillan
Nicholas Renaud
Kimberlee Graham-Knight
Bass
ONLINE COMMUNITY
Taylor Caswell
William Constable
Liam Darrow
Kenji Lee
Gaelan McMillan
James Waddell
Austin Warren
uvicvocaljazz.blogspot.ca
@UVJazz (Twitter)
facebook
section leader
assistant director
Audio Assistant
Directed by Wendell Clanton
SPRING SHOWCASE
Sunday, 8pm, March 29, 2015
P.T. Young Recital Hall
Admission by Donation
Blossoms & Bop
with Gabe Lagos, piano
�UVIC
JAZZ
CHORALE
7. The More I See You (1945)
1. My Funny Valentine (1937)
by Harry Warren & Mack Gordon arr. by Paul Langford
by Rodgers & Hart arranged by Teena Chinn
2. Lean On Me (1972)
8. September Song (1938)
NOON
by Bill Withers arr. by Adam Anders & Tim Davis
featuring Addie & Liam
YYJ
Allison, Margaret, Sophie, Cody, Nicholas, Aaron,
Micha, Jilaine, Natasha, Liam, James & Taylor
3. I Wish (1976)
by Stevie Wonder arr. by Roger Emerson
9. If I Die Young (2010)
Emma, Allison, Addie, Joey, Kiaran, Aaron, Brittney,
Sophie, Taliya, Liam, James, Gaelan, Austin
MQCD
MOTOWN
QUALITY CONTROL
DEPARTMENT
4. Ain’t Too Proud To Beg (1966)
by Whitfield & Holland arranged by Deke Sharon
Addie, Sophie, Micha, Cody, Joey, Austin, James
5. Fantasy (1978)
TAKE
NOTE!
by M. White, E. Delbarrio & V. White arr. by Britt Quentin
Andrea, Margaret, Natasha, Nicholas, Taylor,
William & Kenji (Vocal Percussion)
6. Firework (2010)
LUSH
LIFE
by Katy Perry arr. by Ben Bram
Sophie, Margaret, Micha, Jilaine, Natasha, Cody,
Nicholas, Taylor, William & Kenji (Vocal Percussion)
INTERMISSION
— Snacks available in the Lounge —
by Kurt Weill & Maxwell Anderson arr. by Phil Mattson
featuring Margaret
by Kimberley Perry arr. by Ben Bram featuring Micha
LUSH
LIFE
10. I Can’t Believe You’re In Love with Me (1926)
by Jimmy McHugh & Clarence Gaskill
arr. by Darmon Meader featuring Margaret & Kenji
Sophie, Margaret, Micha, Jilaine, Natasha, Cody,
Nicholas, Taylor, William & Kenji (Vocal Percussion)
UVIC
11. The Tortoise & The Hare (2009)
JAZZ
CHORALE by Darmon Meader
Many thanks...
... to Natasha for her outstanding organization and energy!
... the Executive Team for their guidance and enthusiasm!
... to all Ensemble Captains for their skill and commitment!
... to the Singing Valentine’s Fundraiser Team - wow!
... to audio guru Kirk McNally and his excellent students.
... to Kristy our Concert Manager for gettin’ the word out.
�
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UVic Vocal Jazz
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032915-VocalJazz/032915-VocalJazz_11.mp3">track11</a>
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Vocal Jazz Ensemble
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
March 29, 2015
Contributor
An entity responsible for making contributions to the resource
Wendell Clanton, director
-
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35d16a91c2d1e5f18f1df1744c17f834
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DEGREE RECITAL
Josh
Herrett,
piano
Monday,
March
30th,
2015
|
8PM
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
P
r
o
g
r
a
m
m
e
Sonata,
op.
1
Sonata
no.
31
in
A-‐flat
major,
op.
110
Moderato
cantabile
molto
espressivo
Allegro
molto
Adagio
ma
non
troppo
A.
Berg
(1885-‐1935)
L.
V.
Beethoven
(1770-‐1827)
C.
Debussy
(1862-‐1918)
I
n
t
e
r
m
i
s
s
i
o
n
Images,
1ere
série
Reflets
dans
l’eau
Hommage
à
Rameau
Mouvement
Années
de
Pèlerinage
II:
Italie
Après
une
Lecture
du
Dante:
Fantasia
quasi
Sonata
Josh
Herrett
is
from
the
class
of
Ms.
Michelle
Mares
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
Performance
program.
Reception
to
follow
in
the
Lounge.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
F.
Liszt
(1811-‐1886)
�
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_06.mp3">track6</a>
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Graduation Recital - Josh Herrett, piano
Creator
An entity primarily responsible for making the resource
Noel Anstey
Date
A point or period of time associated with an event in the lifecycle of the resource
March 30, 2015
Contributor
An entity responsible for making contributions to the resource
Josh Herrett, piano
-
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Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 31, 2015 • 12:30 p.m.
Featuring School of Music composition students
Zanadu
Adam Jasieniuk
Thomas Nicholson, piano
Dandelions
Ava Hoegl
Natalie Dzbik, violin
Jay Orton, violin
Sarah de Niverville, viola
Alex Klassen, cello
Voices:
Chelsea Ternes, Frances Armstrong-Douglas,
Elizabeth Gerow, Kimberly Farris-Manning
Number Forms
Seán Maynard
Gillian Newburn, flute
Erin Onyschtschuk, clarinet
The Death of Somnos
Zach Smith
Jillian Broughton, flute
DJ Lochead, percussion
Tamara Nemeth, percussion
Thomas Nicholson, piano
Metabolismos 2
Thomas Nicholson, piano/celesta
UPCOMING AT THE SCHOOL OF MUSIC
Tuesday, March 31, 8:00 p.m. (Admission by donation)
STRING CHAMBER CONCERT
Students from the studios of the Lafayette String Quartet.
Lutheran Church of the Cross (3787 Cedar Hill Road)
Wednesday, April 1, 12:30 p.m. (Free Admission)
GRADUATE RECITAL: Shelley Shen, voice
Vocalist Shelley Shen presents her first-year graduate recital.
Phillip T. Young Recital Hall
Wednesday, April 1, 8:00 p.m. (Free Admission)
GRADUATING RECITAL: Heather MacLeod, voice
Vocalist Heather MacLeod presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
Thursday, April 2, 12:00 p.m. (Admission by donation)
AFRICAN PERCUSSION CONCERT
The thirty-member percussion ensemble from MUS 208 African Hand Drumming
perform a repertoire of rhythms on djembe, balafon and dundun.
Phillip T. Young Recital Hall
Thursday, April 2, 8:00 p.m. ($15 & $10)
DON WRIGHT SYMPHONIC WINDS: 10 Years of The Don Wright Symphonic Winds
Dr. Michael Keddy, Conductor
A selection of musical favourites from the first 10 years of the Don Wright Symphonic Winds.
University Centre Farquhar Auditorium
Nolan Krell
�
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Tuesdaymusic
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/033115-Tuesdaymusic/033115-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033115-Tuesdaymusic/033115-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033115-Tuesdaymusic/033115-Tuesdaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033115-Tuesdaymusic/033115-Tuesdaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033115-Tuesdaymusic/033115-Tuesdaymusic_05.mp3">track5</a>
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Tuesdaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 31, 2015
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DEGREE
RECITAL
Heather
MacLeod,
soprano
Charlotte
Hale,
piano
Joshua
Amendt-‐Moylan,
guitar
Paul
Joo,
cello
When
Daisies
Pied
Blow,
Blow,
Thou
Winter
Wind
Mandoline
Mandoline
Green
Spleen
Ariettes
oubliées
Immer
Leiser
wird
mein
Schlummer
Op.
105,
No.
2
Widmung
Op.
25,
No.
1
Liebst
du
um
Schönheit
Op.
12,
No.
4
Zueignung
Op.10,
No.
1
Allerseelen
Op.
10,
No.
8
Quando
m’en
vo
From
La
bohème
Wednesday,
April
1st,
2015,
8:00
pm
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
Charlotte
Hale,
piano
Thomas
Arne
(1710-‐1778)
Gabriel
Fauré
(1845-‐1924)
Claude
Debussy
(1862-‐1918)
Charlotte
Hale,
piano
Johannes
Brahms
(1833-‐1897)
Robert
Schumann
(1810-‐1856)
Clara
Schumann
(1819-‐1896)
Richard
Strauss
(1864-‐1949)
Giacomo
Puccini
(1858-‐1924)
Charlotte
Hale,
piano
-‐
INTERMISSION
-‐
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
Bachianas
Brasileiras
No.
5
Aria
(Cantilena)
Joshua
Amendt-‐Moylan,
guitar
Paul
Joo,
cello
Heitor
Villa-‐Lobos
(1887-‐1859)
Selections
from:
Twelve
Poems
of
Emily
Dickinson
Aaron
Copland
Nature,
the
gentlest
mother
(1900-‐1990)
The
world
feels
dusty
Heart,
we
will
forget
him
I’ve
heard
an
organ
talk
sometimes
Why
do
they
shut
me
out
of
Heaven?
Charlotte
Hale,
piano
Sure
on
this
Shining
Night
Samuel
Barber
(1910-‐1981)
Charlotte
Hale,
piano
Heather
MacLeod
is
from
the
class
of
Professor
Benjamin
Butterfield
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
Performance
program.
Please
remember
to
turn
off
all
cell
phones
for
the
duration
of
the
performance
and
please
refrain
from
applause
until
the
end
of
each
set.
Reception
to
follow
in
the
Lounge.
Thank-you to:
Ben Butterfield: for your humor, patience, and starting from ground zero with me. The past three years have rebuilt
a once tattered voice into the rich, solid instrument I love and recognize. Thank-you for everything!
Charlotte Hale: twice a week for the past 9 months, you’ve enriched my knowledge on diction, line, breath, and
cohesiveness with ensemble. Thank-you for never letting me get away with anything; Lord knows I’m talented at it.
And THANK-YOU for your brilliance on the piano.
Rebecca, Ingrid, Signi, PON, and Angela: each of you taught me in such a distinct, memorable way that was
essential in leading me to where I am now.
My sweet friends: for joining me in chants, wild antics, and being SO incredibly supportive with my singing;
whether it was sitting quietly with me doing “crafts” (going to Target), or just hushing me, you have all helped this
come together by doing “the little things”. Now it’s time to celebrate, and don’t tell me to be quiet.
My incredible parents: voice lessons, theory, coachings, Tanglewood, Walnut Hill, LSU, UVic, Circle in the
Square, tears, nodules, countless doctors appointments, and everything else I couldn’t fit in this small space:
everything I am now is a direct result of your selflessness to ensure I lead an enriched life. I love you more than
anything.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_08.mp3">track8</a>
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Graduation Recital - Heather MacLeod, soprano
Creator
An entity primarily responsible for making the resource
Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1, 2015
Contributor
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Heather MacLeod, soprano
-
https://finearts.uvic.ca/music/archive/files/original/20196a72df3e5ad16e8b3a9e6ade6d4d.pdf
1bc41f7f8307f0570d4704f31a7f0f62
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Text
GRADUATE RECITAL
Fu-‐Hsien
Shen,
voice
Emily
Armour,
piano
Wed.
April,
1st
,
2015.
12:30
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
PROGRAM
Extase
Le
manoir
de
Rosemonde
Testament
Soupir
Henri
Duparc
(1848-‐1933)
Ó
mon
cher
amant
Ah!
Quell
diner
Jacque
Offenbach
(1819-‐1880)
Ich
atmet'
einen
linden
Duft
Liebst
du
um
Schönheit
Ich
bin
der
Welt
abhanden
gekommen
Gustav
Mahler
(1860-‐1911)
O
mio
fernado
from
La
favorita
Thank
you!!
Fu-‐Hsien
Shen
is
from
the
class
of
Professor,
Mr.Benjamin
Butterfield
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Master
of
Music
(Performance)
program.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
Gaetano
Donizetti
(1797-‐1848)
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_04.mp3">track4</a>
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Graduation Recital - Fu-Hsien Shen, voice
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Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1, 2015
Contributor
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Fu-Hsien Shen, voice
-
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**no program for this concert**<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-06.mp3">track6</a>
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MUS407 Class Recital
Creator
An entity primarily responsible for making the resource
Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 2, 2015
-
https://finearts.uvic.ca/music/archive/files/original/7c63f74117f0d42e7e3bd3ee6552bec4.pdf
e2a22101b581c9fbde2a11f4afe50b39
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Text
D EGREE R ECITAL
Camden
McAllister,
Percussion
Sunny
Chu,
Clarinet
Keenan
Mittag-‐Degala,
Percussion
Cooper
Reed,
Piccolo
Monday,
April
13th,
2015,
8:00
pm
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
PROGRAM
Suite
of
Traditional
Fife
and
Drum
Duets
American
Traditional
Wrecker’s
Daughter
Arr.
Frederick
Fennell
Hell
on
the
Wabash
(1914-‐2004)
Downfall
of
Paris
Cooper
Reed,
Piccolo
Prelude
and
Blues
Ney
Rosauro
Prelude
(1952-‐)
Blues
Cadenzas
Alexina
Louie
iii.
(1949-‐)
Sunny
Chu,
Clarinet
Plagal
Alternations
Marshall
Griffith
(1953-‐)
Keenan
Mittag-‐Degala,
Multiple
Percussion
-‐
INTERMISSION
-‐
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�Improvisation
Memories
of
the
Seashore
Elliott
Carter
(1908-‐2012)
Keiko
Abe
(1937-‐)
Land
Takatsugu
Muramatsu
(1978-‐)
Inspirations
Diabolique
Rick
Tagawa
Introduction
(1965)
Dance
Adagio
-‐
Tarantella
Cadenza
Perpetual
Motion
Camden
McAllister
is
from
the
class
of
William
Linwood.
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
(Performance)
program.
Reception
to
follow
in
the
Lounge.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_09.mp3">track9</a>
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Graduation Recital - Camden McAllister, percussion
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 13, 2015
Contributor
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Camden McAllister, percussion
-
https://finearts.uvic.ca/music/archive/files/original/5ff5ca3a8c82d6c57eb4e55e0ca108f1.pdf
373c7b88a0e745b33f2e9c59fb1f5931
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Text
Concerto No. 1 for Trumpet and Chamber Orchestra - Charles Chaynes
DEGREE RECITAL
In 1956, the same year that Halsey Stevens completed his Sonata for Trumpet and
Matthew MacLean, Trumpet
Piano, the Paris Conservatory had separate fall and spring concours for the first time;
Elizabeth Clarke, piano
Louise Hung, piano
Spencer Davis, piano
Liam Caveney, trombone
Trevor Hoy, bass trombone
Sam McNally, horn
Ian VanGils, trumpet
Chayne’s Trumpet Concerto No. 1 was the required piece for both the trumpet and cornet
classes. Originally composed for trumpet with string orchestra, Chaynes wrote the piano reduction of the work himself. The piece is rich in chromaticism and rhythmic complexity, and
was composed in response to a demand for new and challenging trumpet repertoire from the
great soloists in France at the time, including the legendary Maurice Andre, who premiered
the work.
Wednesday, April 8th, 2015, 8:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
Suite in D Major for Trumpet - Georg Friedrich Händel
A German-born man living in England, who saw the birth of the Methodists and their
influence on the independence of the New World, the formation of the Kingdom of Great
PROGRAM
Britain, and alliances with and against France, Georg Friedrich Händel wrote music during the
birth of European empires. This work, published in 1733, likely without Händel’s consent, features works for the trumpet derived from various of his compositions. The Overture comes
from his famed Water Music, while the Menuetto and Bourrée, two popular French dance
Intrada
Otto Ketting
(1935 - 2012)
forms at the time, evidence the range of cultures with which Händel was acquainted.
Morning Music - David Sampson
Légende
Georges Enescu
(1881 - 1955)
Louise Hung, piano
The following are liner notes written by composer David Sampson:
Morning Music for brass quintet was written during the summer of 1986 for the American
Brass Quintet. It is a sequel to a previous work of mine titled In Memoriam: W.E.S. for woodwind quintet written in 1981 and premiered by the Dorian Wind Quintet. The subject of that
piece was the murder of my brother, William Evan Sampson, by the Ku Klux Klan and American
Nazis in 1979.
Morning Music deals with my thoughts and feelings seven years later. As you will hear, the anguish over the death is as intense as ever, but strength and hope will gradually emerge from
the despair. The work is one movement with clearly delineated sections ending with a fastpaced coda. I have dedicated Morning Music to my mother, Betty Sampson, whose optimism
and resiliency have been an inspiration to me.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
Sonata for Trumpet and Piano
Halsey Stevens
(1908 - 1989)
I. Allegro moderato
II. Adagio tenero
III. Allegro
Spencer Davis, piano
- INTERMISSION -
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�Concerto No. 1 for Trumpet and Chamber Orchestra
NOTES
Charles Chaynes
(b. 1925)
I. Moderato
II. Adagio
III. Allegro giocoso
Intrada - Otto Ketting
Spencer Davis, piano
Suite in D Major for Trumpet
In 1958, while still in his early twenties and three years before abandoning his post as
Georg Friedrich Händel
(1685 - 1759)
I. Overture
II. Gigue
III. Aire (Menuetto)
IV. March (Bourrée)
V. March
a trumpeter with the Hague Resedentie-Orkest to study composition in Munich, Otto Ketting
composed Intrada, dedicating it to fellow trumpeter Theo Laanen. Ketting composed the
work before studying composition formally, and had only taken composition lessons from his
father, Piet Ketting. The piece alternates between two moods: Ketting provides the markings
‘tranquillo’ and ‘decido’ (‘tranquil’ and ‘with conviction’).
Légende - George Enescu
Elizabeth Carke, piano
Morning Music
David Sampson
(b. 1951)
Liam Caveney, trombone
Trevor Hoy, bass trombone
Sam McNally, horn
Ian VanGils, trumpet and flügelhorn
Romanian composer George Enescu’s Légende is separated from the Haydn and Hummel trumpet concertos by a span of over a century, yet succeeds them as the next important
milestone in the trumpet repertoire. Combining the lush romantic style of Wagner with the
impressionistic style of Debussy, Légende was composed in 1906 for Paris Conservatory trumpet professor Merri Franquin, who was an active proponent of the four-valved, small-bore C
trumpet, on which he premiered the work. The instrument found its way first into European,
then North American orchestras, evolving into the modern C trumpet.
Matthew MacLean is from the class of Professor Louis Ranger
Sonata for Trumpet and Piano - Halsey Stevens
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Reception to follow in the Lounge.
Thanks to the GI Bill of the 1950s, American colleges began to expand their music programs to accommodate a large influx of military veterans. Halsey Stevens was one American
composer who at that time came to enjoy the musical freedom that a salaried position in
academia could afford, beginning this avant-garde work in 1953 and not finishing it until
1956. Stevens made exhaustive study of the work of Bela Bartók, as the the mixed meters and
asymmetrical rhythms of this work bear witness. At the same time, the influence of the great
American composer Aaron Copland can be heard, both in the rowdy opening, reminiscent of
Copland’s Rodeo, and in the agitated fanfares of the second movement, somewhat like those
of Quiet City.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_06.mp3">track6</a>
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Graduation Recital - Matthew MacLean, trumpet
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 8, 2015
Contributor
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Matthew MacLean, trumpet
-
https://finearts.uvic.ca/music/archive/files/original/0a0ce05f60f151a3f76714e8f01ff911.pdf
4b9640fdb39eb37d74b350263e420331
PDF Text
Text
School of Music
University
of Victoria
School of
Music
MUS C
Faculty of Fine Arts
University of Victoria
�Chorus &
UNIVERSITY OF VICTORIA
Orchestra
Dear Strangers
Ajtony Csaba, conductor
Dr. Adam Jonathan Con, Chorus director
Soloists:
Margaret Lingas, soprano
Kelsey Wheatley, mezzo soprano
Tristan Chalcraft, tenor
Xuguang Zhang, baritone
Saturday, March 28, 2015 • 8:00 p.m.
University Centre Farquhar Auditorium
University of Victoria
Adults: $15 / Students & seniors: $10
�Program
George Gershwin
An American in Paris (1929)
I NT E R M I S S I O N
Franz Joseph Haydn
Missa in Angustiis (Nelson Mass) (1798)
Kyrie eleison – Christe eleison – Kyrie eleison
Gloria – Qui Tollis peccata mundi – Quoniam tu solus
Credo – Et incarnatus est – Et resurrexit
Sanctus – Benedictus – Osanna in excelsis
Agnus Dei – Dona nobis pacem
Soloists:
Margaret Lingas
Kelsey Wheatley
Tristan Chalcraft
Xuguang Zhang
The University of Victoria Chorus & Orchestra are grateful for the
support of the faculty and staff of the UVic School of Music, whose joint
efforts create the foundation for choral and orchestral concerts.
�PROGRAM NOTES
Franz Joseph Haydn (1732–1809) commonly referred to as “Papa Haydn”
is often credited with the title, “father of the symphony and string quartet”.
Although he originated neither genres, his fifty-four years of development
and expansion of the symphony and string quartet established an important
contribution to the development of Western music. Haydn also composed
keyboard music, orchestral concerti, trios, and miscellaneous concert pieces.
In the vocal genre, he wrote solos and partsongs, folksong arrangements,
canons, music for plays, eight oratorios/cantatas, fourteen operas and fourteen masses.
The Mass in D was composed in the summer of 1798. Although Haydn was
dismissed in 1790 as Kapellmeister at the court of the noble Hungarian Esterhazy family, he was given a small pension which required him to compose
and direct a new mass to honour the name-day of Princess Marie Esterhazy.
The Mass in D is the third of six total name-day masses.
Haydn titled the Mass in D, Missa in Angustiis, (Mass for times of distress), but
how it became known as the (Lord) Nelson Mass is not clear. It has been
speculated that the work was performed for Admiral Lord Nelson and Lady
Hamilton when they visited Prince Esterhazy at Eisenstadt Castle in September of 1800. However, whether Nelson ever attended a performance of
the work has never been substantiated. The only two major historical events
that might shed some insight into the title include the Battle of the Nile
on August 1, 1798 when Nelson defeated Napolean in Egypt at the same
period when Haydn finished the Mass in D Minor. The other event was after
the Battle of Trafalgar on October 21, 1805 when the mass shortly became
known as the Nelson Mass. The Mass has also been titled in some editions as
the “Coronation” or “Imperial” mass which may simply be due to historical
error and misidentification of the masses.
Although written in the key of D minor to reflect a time of war and stress,
the purpose of the composition was to celebrate the name-day of Princess
Esterhazy. Hence, writing a sorrowful mass would have been inappropriate.
Haydn ends the mass uplifting the spirit in D major. Throughout the work,
there is a sense of excitement, triumph, victory and joy. The soprano solo
work throughout is often referred to as “fireworks” which add to the celebratory nature of the mass. The universal theme in the Nelson Mass of fear
and anxiety transforming to hopefulness and joy is an appropriate choice
for the 2015 UVic choral/orchestral work to reflect our societal struggle for
peace.
Notes by Dr. Adam Jonathan Con
�TEXT & TRANSLATIONS
Kyrie - Chor and S Solo
Kyrie eleison.
Christe eleison.
Kyrie eleison.
Kyrie - Chorus and S Solo
Lord, have mercy.
Christ, have mercy.
Lord, have mercy.
Gloria - Chor, SATB solo
Gloria in excelsis Deo,
Et in terra pax hominibus bonae voluntatis.
Laudamus te, benedicimus te,
Adoramus te, glorificamus te.
Gratias agimus tibi propter magnam gloriam tuam.
Domine Deus, Rex coelestis,
Deus Pater omnipotens.
Domine Fili unigenite, Jesu Christe.
Domine Deus, Agnus Dei, Filius Patris.
Gloria - Chorus, SATB solo
Glory to God in the highest,
And peace on earth to men of good will.
We praise You, we bless You,
We worship You, we glorify You.
We give You thanks for Your great glory.
Lord God, King of Heaven,
God the Father Almighty.
Lord only-begotten Son, Jesus Christ.
Lord God, Lamb of God, Son of the Father.
Qui tollis peccata mundi,
Miserere nobis.
Qui tollis peccata mundi,
Suscipe deprecationem nostram.
Qui sedes ad dexteram Patris,
miserere nobis.
You who take away the sin of the world,
Have mercy on us.
You who take away the sin of the world,
Hear our prayer.
You who sit at the right hand of the Father,
have mercy on us.
Quoniam tu solus sanctus, tu solus Dominus,
Tu solus altissimus, Jesu Christe.
Cum Sancto Spiritu in gloria Dei Patris,
Amen.
For You alone are holy, You alone are Lord,
You alone are the Most High, Jesus Christ.
With the Holy Spirit in the glory of God the Father,
Amen.
Credo - Chor, SATB solo
Credo in unum Deum, Patrem omnipotentem,
factorem coeli et terrae,
visibilium omnium et invisibilium.
Et in unum Dominum Jesum Christum,
Filium Dei unigenitum, et ex patre natum ante omnia
saecula, Deum de Deo, lumen de lumine,
Deum verum de Deo vero. Genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter
nos homines et propter nostram salutem descendit de
coelis.
Credo - Chorus, SATB solo
I believe in one God, the Father, the Almighty,
maker of heaven and earth,
of all that is, seen and unseen.
And in one Lord Jesus Christ, the only Son of God,
eternally begotten of the Father,
God from God, light from light,
true God from true God, begotten, not made,
of one being with the Father; through Him all things
were made. For us and for our salvation He came
down from heaven.
Et incarnatus est de Spiritu Sancto,
ex Maria virgine; et homo factus est.
Crucifixus etiam pro nobis sub Pontio Pilato, passus et
sepultus est.
He became incarnate from the Virgin Mary by the
power of the Holy Spirit, and was made man.
For our sake He was crucified under Pontius Pilate;
He suffered death and was buried.
�Et resurrexit tertia die secundum Scripturas, et ascendit in
coelum, sedet ad dexteram Patris, et iterum venturus est
cum gloria, judicare vivos et mortuos, cujus regni non erit
finis.
Et in Spiritum Sanctum Dominum,
et vivificantem, qui ex Patre Filioque procedit,
qui cum Patre et Filio simul adoratur,
et conglorificatur, qui locutus est per Prophetas.
Et unam sanctam catholicam et apolstolicam Eccelsiam.
Confiteor unum baptisma in remissionem peccatorum, et
expecto resurectionem mortuorum,
et vitam venturi saeculi. Amen.
He rose again on the third day in accordance with the
Scriptures; He ascended into heaven, and is seated at
the right hand of the Father; He will come again in glory
to judge the living and the dead, and His kingdom will
have no end.
And I believe in the Holy Spirit, the Lord, the giver of
Life, who proceeds from the Father and the Son; with
the Father and the Son He is worshipped and glorified.
He has spoken through the prophets. I believe in one
holy catholic and apolstolic Church; I acknowledge one
baptism for the forgiveness of sins; I look for the resurrection of the dead, and the life of the world to come.
Amen.
Sanctus - Chor
Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth.
Pleni sunt coeli et terra gloria tua.
Osanna in excelsis.
Sanctus - Chorus
Holy, holy, holy, Lord God of Hosts.
Heaven and earth are full of your glory,
Hosannah in the highest.
Benedictus - Chor, SATB solo
Benedictus qui venit in nomine Domini.
Osanna in excelsis.
Benedictus - Chorus, SATB solo
Blessed is He who comes in the name of the Lord,
Hosannah in the highest.
Agnus Dei - Chor, SATB Solo
Agnus Dei qui tollis peccata mundi,
miserere nobis.
Agnus Dei qui tollis peccata mundi,
miserere nobis.
Agnus Dei qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei - Chorus, SATB Solo
Lamb of God, who takes away the sin of the world,
have mercy on us.
Lamb of God, who takes away the sin of the world,
have mercy on us.
Lamb of God, who takes away the sin of the world,
grant us peace.
Your contribution makes a difference!
The arts have always been dependent on the generosity of its
patrons, and a donation to the School of Music can make all the
difference to the future of our students. A scholarship of just
$500 a year can change a life forever.
For more information about our giving initiatives, please
contact Fine Arts Development Officer Karen Walker at
250-721-6305 or via email at kmwalker@uvic.ca.
�BIOGRAPHIES
Margaret Lingas, soprano
Margaret Lingas was born in Cyprus, raised in Oxfordshire, and is in her second
year at UVic, where she studies voice with Benjamin Butterfield.
Margaret’s formal training began when she joined Oxford Girls’ Choir, under
Richard Vendome and Rory McCleery. As well as being a regular concert soloist,
she sang several roles in OGC’s operas — notably Belinda (Dido and Aeneas)
and Apollo (Il Ritratto dell’ Eroe).
In Victoria, Margaret continues to enjoy both solo and choral opportunities. She
is a choral scholar at Christ Church Cathedral, a member of this year’s POV
chorus, and soprano section leader of both the UVic Chamber Singers and UVic
Vocal Jazz. She made her solo debut last November in Capriccio’s Fauré Requiem. Further afield, Margaret has performed with Schola Pietatis Antonio Vivaldi,
Cantores in Ecclesia, and Cappella Romana, with whom she recently recorded
the world premiere of Maximilian Steinberg’s Passion Week.
Kelsey Wheatley, mezzo soprano
Kelsey is delighted to be in the School of Music’s Voice Department at the University of Victoria where she studies with Anne Grimm. Outside of school she
can be found directing the children’s ensemble at the First Metropolitan United
Church and singing in the choir. She has also been involved in performances at
the University of Victoria and with Pacific Opera Victoria. Prior to her studies at
UVic, Kelsey earned a Theatre Arts Diploma from Grant MacEwan University, a
Music Foundations Certificate from the Victoria Conservatory of Music and a
Classical Music Diploma from Camosun College.
Tristan Chalcraft, tenor
Born in White Rock, BC, tenor, Tristan Chalcraft began his vocal studies at
Capilano University in 2010. In addition to his studies in voice, he is a classically
trained pianist and organist having received instruction at both Capilano and
UVic. He has sung with numerous choral ensembles such as Laudate Singers,
Vox Humana, and Vancouver Chamber Choir. At present, he is a choral scholar
at Christ Church Cathedral and First Metropolitan. He is currently in his fourth
year of the voice program at the University of Victoria, studying under the
instruction of Benjamin Butterfield.
�Xuguang Zhang, baritone
Xuguang Zhang was born in Daqing, China. He studied music at the Central
Conservatory of Music in Beijing and since 2013 has been studying voice at
UVic with Benjamin Butterfield. Xu competed in many singing competitions in
China, achieving outstanding awards. In Victoria he has performed the role of
Aeneas in Dido and Aeneas with the Victoria Chamber Orchestra under Yariv
Aloni and Messiah with the Civic Orchestra under Peter Butterfield. Xu also
participated at the Amalfi Coast Music Festival where he sang the role of the
Notary in Puccini’s Gianni Schicchi under Greg Ritchie performing in Naples, Scala,
Cave de’ Terreni, Minori and Maiori.
Ajtony Csaba, conductor
Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later
piano and composition in Budapest at the Academy of Music. He began studying
conducting in Vienna and Budapest simultaneously with Tamás Gál, András Ligeti,
Uroš Lajovic, Peter Eötvös, Istvan Dénes and Zoltán Pesko. He was awarded
many prizes as a conductor and composer, and was a semi-finalist in the first
competition for opera in Cluj, Romania. Csaba has had numerous concerts
in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden,
Webern Sinfonietta, Savaria Symphonic Orchestra, and Danube Symphonic
Orchestra. In the 2003/04 season he was the assistant conductor and tutor of
the Academy Orchestra Budapest and in 2005 was invited to be the assistant
conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein
with the RSO (Radio-Symphonieorchester, Wien) in 2007.
Since 2006 Csaba has served as the chief conductor of the Central European
Chamber Orchestra, and led the orchestra on a tour in China (performances
including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return
engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant to Peter Eötvös at the Salzburg
Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus,
Syria.
In the current season Csaba conducted the Toronto Symphony Orchestra, Ensemble Tsilumos at Montreal New Music Festival and the Brazilian SiMN Festival
in Curitiba.
Csaba has served as Assistant Professor at the University of Victoria since 2010.
Conductor of the UVic Symphony and the UVic Sonic Lab, he also teaches Conducting and the history of conducting course, Great Conductors.
�Dr. Adam Jonathan Con, Chorus director
Dr. Adam Jonathan Con is Assistant Professor of Music at University of Victoria
School of Music. Conductor of the UVic Chorus, he also teaches Secondary
Choral Rehearsal Techniques and Literature, Middle and Elementary School
choir methods, Elementary Music Methods, Music Education Foundation, Choral
Conducting, and supervises music education students. He previously served as
Director of Choral Activities, Chair of Music Education at the Bob Cole Conservatory of Music, California State University, Long Beach, at Wittenberg University
in Springfield, Ohio and at Georgia Southern University in Statesboro, Georgia.
A native of Vancouver, he earned his Bachelor’s and Master Degree in Music
Education from the University of British Columbia. At Florida State University,
he earned a Doctorate of Philosophy in Music Education (Choral Conducting
Emphasis) studying with Rodney Eichenberger, Andre Thomas, Clifford Madsen
and Judy Bowers. In addition, Dr. Con is a certified Orff Schulwerk specialist and
has extensive study experience as a Tai Chi Chuan and Alexander Technique
practitioner.
In high demand in the United States and Canada both as a guest conductor
and choral conducting teacher, Dr. Con has been invited to present and conduct
at prestigious events such as the National American Orff-Schulwerk Conference,
the Canadian National Choral Conducting Symposium, the Canadian National
GALA Conference, the National Canadian Orff-Schulwerk Conference, the
Alberta Provincial Music Educator’s Conference, the British Columbia Provincial
Music Educator’s Conference, the British Columbia Choral Federation, the Ohio
State Music Educator’s Conference, the Georgia State American Choral Directors Association Conference, and the Georgia Music Educator’s Conference. His
talent and ability to work with all levels of musical experience is grounded in 15
years of diverse K-12 public school music teaching in British Columbia which
includes Orff, Kodály, and Dalcroze based general music, French immersion music, middle and secondary school choral, vocal jazz, concert band and jazz band.
His professional conducting experiences include numerous All-State and honor
choirs, civic orchestras, professional musical theatre, community choirs, concert
bands, and 36 years as a church choir director and organist. He currently serves
as Director of Music at St. Barnabas Anglican Church, Victoria.
University of Victoria Chorus
The UVic Chorus was founded in 1969 and has performed many of the masterworks for chorus, orchestra, and soloists, including Bach’s Mass in B, Verdi’s Requiem, Mendelssohn’s Elijah, Haydn’s Creation, Carmina Burana by Carl Orff, the War
Requiem of Benjamin Britten, and Mahler’s Symphony of a Thousand. The chorus
is open to all UVic students, faculty, alumni, and staff, as well as the Greater
Victoria community. First rehearsals for the new season begin the first Tuesday
after Labour Day in September. For more information, contact the conductor, Dr.
Adam Jonathan Con at acon@uvic.ca.
�UNIVERSITY OF VICTORIA ORCHESTRA
VIOLIN 1
Aliayta Foon-Dancoes*
Chloe Kim*
Raina Saunders
Gabriel Cayer
Peter Weinkam
Jessica d’Oliveira
Shijin Kim
Jasmine Mather
VIOLIN 2
Nathalie Dzbik*
Emily MacCallum
Linda Donn
Lena Ruiz
Nanau Loewen
Matthew Logan
Brittany Tsui
VIOLA
Matt Antal*
Joshua Gomberoff*
Sarah de Niverville
Calvin Yang
Fahlon Smith
Evan Hesketh
CELLO
Ella Hopwood*
Shiun Kim*
Steven Jeon
Olivia Brotzell
Paul Joo
Nathalia Stoney
Tara Rajah
Liangyuan Zhao
DOUBLE BASS
Brock Foerster*
Blake Palm
Carroll Mackenzie
FLUTE
Thomas Bauer*
Gillian Newburn*
Kelsey Dupuis
TROMBONE
Liam Caveney*
Megan White
Trevor Hoy
OBOE
Teigan Cosgrove*
Patrick Conley
TUBA
Dayna Waller
CLARINET
Erin Onyschtschuk*
Dominic Thibault
BASS CLARINET
Nathan Friedman §
BASSOON
Matthew Robertson*
Eric Boulter
SAXOPHONE
Adam Jasieniuk (Alto)
Lee Whitehorne (Tenor)
Zachary Smith (Baritone)
HORN
Colin Lloyd*
Justin Malchow
Duane Kirkpatrick
James Waddell
TRUMPET
Ian Cohen*
Ian VanGils
Justin Bury
TIMPANI
Brendan Chow*
Camden McAllister
PERCUSSION
Camden McAllister*
Will Exner
Alyssa Haigh
Brandon Chow
Keenan Mittag-Degala
CELESTE AND
ORGAN
Louise Hung
STAGE MANAGERS
Liam Caveney
Paul Joo
LIBRARIANS
Sarah de Niverville
Matt Antal
ASSISTANT
Evan Hesketh
* Principal
§ Alumni
�UNIVERSITY OF VICTORIA CHORUS
Keiko Alkire
Moksh Amin
Myles Anderson
Mary-Louise Aro
Faye Blackburn
Breanna Bokstrom
Isaiah Brabazon
Lisa Cadeau
Solomon Cheung
Alex Cheung
Tiffany Cheung
Peter Constabel
Vera Costain
Jodie Cox
Elizabeth Craig
Sophie Cullen
Linda Donn
Margaret Dzbik
Skye Eriksen
Simon Farintosh
Dominic Ferreira
Lucas Fultz-Zentner
Yicong Gao
Rita Haehnlein
Harry Han
Seira Hayakashi
Ava Hoegl
Darlene Horricks
Michelle Hoskin
Aimi Howden
Yiwen Hu
Iris Hung
Yuko Imai
Britt Jette
Joy Keeler
Shijin Kim
Chloe Kim
Bruce Kingham
Maxwell Kristen
Zinna Kwon
Rachele Laride
Cuong Le
Vanessa Lee
Michael Lee
Flora Leigh
Diane Leitch
Bonnie Leung
Alina Liang
Joey Liao
Kelsey Livingstone
Jasmine Lo
Angie Lo
Nanau Loewen
Jany Lu
Irma MacKay
Joyce Masselink
Beth Anne Masselink
Sarah Massey
Jasmine Mather
Byron McIntosh
Elsie McMurphy
Sarah Meyer
Theresa Mothersill
Monica Mun
Eric Ng
Thomas Nicholson
Heather Noakes
Hehley Park
Jihyun Park
Hart Parnell
Natasha Pashchenko
Drew Porter
Anthony Quas
Tara Rajah
Nicholas Renaud
Beverley Rippin
Aya Robertson
Emmett Robinson Smith
Sheila Ruffell
Sonja Ruffell
Lena Ruiz
Matthew Sabo
Eugene Sander
Heather Sander
Alison Saunders
Patrick Schjelderup
Erin Sharpe
Emlyn Sheeley
Eric Showers
Jordan Smale
Corey Spetifore
Connor Stairs
Penny Stevenson
Natalia Stoney
Sophia Stoney
Sarah Tao
Koba ter Neuzen
Jackson Tseng
Frank Waelti
Dayna Waller
Season Wang
Antonia Whelan
Susan Winmill
Pearse Wolfe Liblong
Owen Worby
Nancy Xu
Diane Yuan
Tim Zacharias
Lissa Zala
James Zhang
Carol Zhang
REHEARSAL ACCOMPANIST
Tony Booker
�UPCOMING EVENTS
Sunday, March 29, 2:30 p.m. ($15 & $10)
UNIVERSITY OF VICTORIA PHILOMELA WOMEN’S CHOIR
To Sing in the Spring!
Singing songs of Spring and the Easter season. With Susan Young, Director
Phillip T. Young Recital Hall
Sunday, March 29, 8:00 p.m. (Admission by donation)
VOCAL JAZZ SPRING SHOWCASE: Blossoms and Bop
Wendell Clanton, Director
A concert of non-stop show-stoppers that just won’t quit.
Phillip T. Young Recital Hall
Tuesday, March 31, 8:00 p.m. (Admission by donation)
STRING CHAMBER CONCERT
Students from the studios of the Lafayette String Quartet.
Lutheran Church of the Cross (3787 Cedar Hill Road)
Thursday, April 2, 8:00 p.m. ($15 & $10)
DON WRIGHT SYMPHONIC WINDS
10 Years of The Don Wright Symphonic Winds
Dr. Michael Keddy, Conductor
A selection of musical favourites from the first 10 years
of the Don Wright Symphonic Winds.
University Centre Farquhar Auditorium
Thursday, April 9, 8:00 p.m. ($18 & $14)
ALUMNI CONCERT SERIES
Twin Kennedy: It’s A Love Thing CD Release Tour
Carli and Julie Kennedy (B.Mus ’08) return as country music duo
Twin Kennedy to present a CD Release concert that blends their
classical training with their country roots. Twinkennedy.com
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca
www.finearts.uvic.ca/music/events
�
Dublin Core
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Title
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Orchestra
Description
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Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition.
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/032715-Chorus&Orchestra/032715-Chorus&Orchestra_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032715-Chorus&Orchestra/032715-Chorus&Orchestra_02.mp3">track2</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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UVic Chorus & Orchestra - Dear Strangers
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
March 27, 2015
Contributor
An entity responsible for making contributions to the resource
Ajtony Csaba, conductor; Dr. Adam Jonathan Con, Chorus director; Margaret Lingas, soprano; Kelsey Wheatley, mezzo soprano; Tristan Chalcraft, tenor; Xuguang Zhang, baritone