24 10 1498 Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021515-ThomasNicholson/021515-Cage_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/021515-ThomasNicholson/021515-Cage_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/021515-ThomasNicholson/021515-Cage_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Nicholson Creator An entity primarily responsible for making the resource Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource February 15, 2015 https://finearts.uvic.ca/music/archive/files/original/dad26bf43c186b2192de928e1504aac0.pdf 0b6920a6d581b4a23946f89e457c6a33 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria March 10, 2015 • 12:30 p.m. Divertimento in C W. A. Mozart I. Andante (1765–1791) II. Allegro III. Menuetto IV. Andante V. Menuetto VI. Gavotte Jillian Broughton, Sierra Phosy, flute Ian VanGils, Alex Rees, Jordan Smale, John Hamblett, Emily McDermid, trumpet Keenan Mittag-Degala, timpani Matthew Sabo, Dominic Thibault, conductors Divertimento No. 1 for 3 Basset Horns I. Allegro II. Menuetto Allegretto III. Adagio IV. Menuetto V. Rondo William Constable, clarinet Jynelle Grigg, clarinet Alina Liang, clarinet W. A. Mozart (1765–1791) Violin Concerto in D Minor I. Allegro moderato Aliayta Foon-Dancoes, violin Louise Hung, piano Jean Sibelius (1865–1957) UPCOMING AT THE SCHOOL OF MUSIC Wednesday, March 11, 8:00 p.m. - 9:30 pm (Free admission) GRADUATING RECITAL Thomas Bauer, flute Flutist Thomas Bauer presents his Bachelor of Music graduating recital. Phillip T. Young Recital Hall Friday, March 13, 12:30 p.m. - 1:20 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music woodwind students. Phillip T. Young Recital Hall Friday, March 13, 8:00 p.m. - 10:00 p.m. ($18 Regular / $14 Students, Seniors, & Alumni) FACULTY CONCERT SERIES Guitarworks: Baroque Edition Alexander Dunn, baroque guitar With Douglas Hensley, theorbo; Anne Grimm, soprano; Soile Stratkauskas, baroque flute; Ann Fraser, baroque violin; and Martin Bonham, baroque cello. Performing music by Handel, Scarlatti, Vivaldi, and Monteverdi. Phillip T. Young Recital Hall Saturday, March 14, 8:00 p.m. - 10:00 p.m. ($15 Regular / $10 Students, Seniors, & Alumni) UVIC JAZZ ENSEMBLE Patrick Boyle, director An eclectic evening of contemporary works for jazz ensemble, including a rare performance of the Ebony Concerto by Igor Stravinsky. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031015-Tuesdaymusic/031015-Tuesdaymusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031015-Tuesdaymusic/031015-Tuesdaymusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031015-Tuesdaymusic/031015-Tuesdaymusic_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource March 10, 2015 https://finearts.uvic.ca/music/archive/files/original/79d08075fe702b8e50b8747238e0ec8e.pdf 699ce3fa86e9b62b115750251e4ab010 PDF Text Text Thomas Bauer, Flute Josh Herrett-‐ Piano Matthew Robertson-‐ Bassoon P r o g r a m Flute Sonata in G major Cantabile Georg Phillip Telemann (1681-‐1767) Allegro Affettuoso Allegro Matthew Robertson-‐ Bassoon Josh Herrett-‐ Harpsichord Passacaglia for solo flute Ernst von Dohnányi (1877-‐1960) Sonatine Henri Dutilleux (1916-‐2013) I n t e r m i s s i o n Fantasie Gabriel Fauré (1845-‐1924) Sonata for flute and piano Sergei Prokofiev (1891-‐1953) Moderato Allegretto Scherzando Andante Allegro con brio Thomas Bauer is from the class of Dr. Suzanne Snizek This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program Reception to follow in the Lounge. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Thomas Bauer, flute Creator An entity primarily responsible for making the resource Brennan MacKay Date A point or period of time associated with an event in the lifecycle of the resource March 11, 2015 Contributor An entity responsible for making contributions to the resource Thomas Bauer, flute https://finearts.uvic.ca/music/archive/files/original/967b7e53aeee8c674bc26263122c802e.pdf 872e29555a2302f1db0e5c4636624194 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria March 13, 2015 • 12:30 p.m. Featuring School of Music woodwind students Images No. 2 Gillian Newburn, flute Erin Onyschtschuk, clarinet Allan Rae (b. 1942) Grand Duo, Op. 76 (arr. from K545) W.A. Mozart II. Andante con Variazioni (1756-1791) Samuel He, clarinet Sunny Chu, clarinet Hommage à B. Bartók Béla Kovàcs (b. 1937) Marcella Barz, clarinet The Winter’s Passed Wayne Barlow (1912-1996) Theresa Mothersill, oboe Joy Keeler, piano Quatrain Jim Hiscott I (b. 1948) Sierra Phosy, flute Cooper Reed, flute Hurl Austin Nicholl, soprano saxophone Sean Maynard, alto saxophone Lee Whitehorne, tenor saxophone Zach Smith, baritone saxophone Hurl Graham Fitkin (b. 1963) Graham Fitkin enor saxophonach Smith, baritone saxophone UPCOMING AT THE SCHOOL OF MUSIC Friday, March 13, 8:00 p.m. - 10:00 p.m. ($18 Regular / $14 Students, Seniors, & Alumni) FACULTY CONCERT SERIES Guitarworks: Baroque Edition Alexander Dunn, baroque guitar With Douglas Hensley, theorbo; Anne Grimm, soprano; Soile Stratkauskas, baroque flute; Ann Fraser, baroque violin; and Martin Bonham, baroque cello. Performing music by Handel, Scarlatti, Vivaldi, and Monteverdi. Phillip T. Young Recital Hall Saturday, March 14, 8:00 p.m. - 10:00 p.m. ($15 Regular / $10 Students, Seniors, & Alumni) UVIC JAZZ ENSEMBLE Patrick Boyle, director An eclectic evening of contemporary works for jazz ensemble, including a rare performance of the Ebony Concerto by Igor Stravinsky. Phillip T. Young Recital Hall Sunday, March 15, 7:00 p.m. - 9:30 p.m. ( $15 Tickets available by phone (250-592-5323) or in person at the Castle. ) CRAIGDARROCH CASTLE IN SONG Featuring students from the UVic School of Music Voice Department with students from the School of Music’s Piano Department. Through the auspices of Craigdarroch Castle and the Vancouver International Song Institute (VISI), the School of Music, University of Victoria presents a concert in celebration of the story of Craigdarroch Castle and Victoria’s heritage. With music by Noel Coward, Richard Strauss, Samuel Barber, Benjamin Britten and Elinor Dunsmuir, as well as traditional Chinese and Persian songs. A portion of the proceeds will benefit scholarships for VISI student summer music programs. Craigdarroch Castle, 1050 Joan Cres. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031315-Fridaymusic/031315-FridayMusic_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 13, 2015 https://finearts.uvic.ca/music/archive/files/original/81d3e9d426391e843549a1cffe9d9bbe.pdf 7de52dc5f5a86184ef626d9e9130aa4b PDF Text Text DEGREE RECITAL University of Victoria – School of Music Graduating Composition Recital Ryan Hemphill, Alexander Simon, Liam Gibson 15 March, 2015, 20:00 Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM XXXVI Machine Ryan Hemphill (b.1988) 外伝 Alexander Simon (b.1986) nothing is more likely Liam Gibson (b.1990) I – Moderato Sostenuto II – Allegro III – Adagio IV - Moderato Ryan Hemphill is from the class of Professor Christopher Butterfield Alexander Simon and Liam Gibson are from the class of Dr. John Celona This recital is presented in partial fulfillment of the requirements for the Master of Music (Composition) program and the Bachelor of Music (Composition) program. �XXXVI Machine Ryan Hemphill Upcoming: Graduating Composition Concert II Sunday 22 March, 2015 8PM, Phillip T. Young Hall, School of Music University of Victoria Justin Boechler, conductor Nathan Friedman, clarinet Emily McDermid, trumpet featuring works by Dave Riedstra Maria Eduarda Martins Zulfikar Nathoo William Exner, percussion Liam Gibson, piano Dave Riedstra, double bass This piece is inspired by the unintended voices of machinery and electronics that sing above the soundscapes of daily life—from humming street lamps to squeaky ventilation fans. Their music is some of the most beautiful and surprising I have experienced. Thanks to Steeve Bjornson and Chris Lindsay for their assistance. Please turn off all electronic devices prior to the concert. No recording devices of any kind may be used during the performances. �外伝 nothing is more likely Liam Gibson Alexander Simon Dramatis personae: Evan Hesketh, conductor Aliayta Foon-Dancoes, violin Thomas Bauer, flute Adam Jasienuk, alto saxophone Allyssa Haigh, vibraphone Nolan Krell, electric guitar Thomas Nicholson, piano Dave Riedstra, double bass Keenan Mittag-Degala, percussion Bailey Finley, alto flute – the child Nathan Friedman, clarinet/bass clarinet in Bb – the boy Matthew Robertson, bassoon – the girl Chorus: Dominic Thibault, clarinet in Bb Zach Smith, tenor saxophone Justin Malchow, horn Zoe McLaren, bass trombone Allyssa Haigh, percussion Tristan Holleufer, percussion Alexander Simon, conductor Visuals consultant, Dani Kohorst Live painting by Dani Kohorst & Ben Eastabrook Poster design by Melissa Coughlin melissacoughlinillustration.tumblr.com Artistic co-ordinator, Alexander Simon soundcloud.com/trakk00 youtube.com/trakk00 In everyday speech, 'nothing is more likely' denotes the high probability of a particular possibility. However, without context the meaning becomes ambiguous, perhaps implying that nothingness itself is more probable. This could refer to any number of things, including the relationship between the title of a piece of music and the actual music itself. I would like to thank the following people: Liam Gibson is from the composition class of John Celona. He has also studied composition with Christopher Butterfield and Dániel Péter Bíro, and piano with Eva Solar-Kinderman. My performers and artistic collaborators for being a part of this project and helping me to see it come to life My supervisor, John Celona, and committee members Michelle Fillion and Christopher Butterfield, for their involvement during my two years at the University of Victoria My colleagues in the composition programme, and all musicians at the school who have either been a part of my music, or who have crossed paths with me in one way or another My friends and family for holding down the cheerleading section for so many years Allana Lindgren, David Roland and Gordon Mumma for their time and interest in my project Mom, for her endless love most beautiful �外伝 – libretto by Alexander Simon Scene I A forest Scene VI A distortion in the space-time appears. Fate deposits a bundle cloaked in the night then vanishes to leave this anomaly to its own devices. Scene II A child enters the woods, as if lost. The child is very old. The child has lost someone. The child is looking for someone. The bundle thrashes & flails against Fate. It is too late. Time will go on, but there will never be Time. She has lost someone forever. She will spend all of eternity in vain. Scene VII Everything the child touches changes. Plants wither and die in a An encounter. breath; fallen limbs rise up as if new. The child opens a path long hidden and buried beneath Time; the child walks along a road not yet Looking for a way home. discovered. Walking forward reveals a path the child will never know; a glance backwards shows what was remembered, but nothing is the same. Scene VIII The child attempts to alter the flow of Time. A Gate opens. Scene III A forest Scene IX The girl attempts a summoning. A Gate opens. Scene IV The boy strides through the gate, defeated. Scene X A dance of runes. A Gate opens. He has knowingly left someone behind; he will search for this person Scene XI in places he cannot be. The boy carefully examines his surroundings, evaluating everything. The child walks towards the light. He speaks in a curious language, alternately familiar and unfamiliar. The boy closes the Gate. Scene V The girl falls into the Void without glancing back. The two meet. Scene XII A forest � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduating Composition Recital - Ryan Hemphill, Alexander Simon, Liam Gibson Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2015 Contributor An entity responsible for making contributions to the resource Ryan Hemphill; Alexander Simon; Liam Gibson https://finearts.uvic.ca/music/archive/files/original/7521405189f6570e068b73df05483615.pdf d0440c59f88c0c8ccedbc1094f3f16ed PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria . �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Jazz Ensemble FEATURING: SAXOPHONE Matt Bell Andrew Calich Adam Jasieniuk Lee Whitehorne TRUMPET Noah Faust-Robinson John Hamblett Tony Shackell TROMBONE Trevor Hoy Megan Rees BASS Brian Anderson DRUMS Myim Bakan-Kline Keenan Mittag-Degala PIANO William Lynch GUITAR Nick Miskey DIRECTOR Dr. Patrick Boyle SATURDAY, MARCH 14, 2015 • 8:00 P.M. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $15 / Students & Seniors $10 �program Strasbourg St. Denis Roy Hargrove This But’s For You Terry Promane M&M Hank Mobley Free For All Dave Holland What Goes Around Dave Holland I NT E R M I S S I O N (Beverages & snacks available at the concession located in the lounge) Allegro Moderato from Ebony Concerto Grey Eyes Prime Directive Igor Stravinsky arr. Boyle Keenan Mittag-Degala Dave Holland There is No Greater Love Isham Jones and Marty Symes Footprints Wayne Shorter arr. Boyle Jazz Goes To Siwash Bill Holman The UVic Jazz Orchestra extends very special thanks to the faculty and staff of the UVic School of Music, whose united effort creates the open and exhilarating environment where we share music. �UPCOMING EVENTS Sunday, March 15, 7:00 p.m. ($15) CRAIGDARROCH CASTLE IN SONG A concert in celebration of the story of Craigdarroch Castle and Victoria’s heritage. With music by Noel Coward, Richard Strauss, Samuel Barber, Benjamin Britten and Elinor Dunsmuir, as well as traditional Chinese and Persian songs. A portion of the proceeds will benefit scholarships for VISI student summer music programs. Craigdarroch Castle (1050 Joan Cresc.) Thursday, March 19, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall Friday, March 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music string students. Phillip T. Young Recital Hall Friday, March 20, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA WIND SYMPHONY Lights, Action: Student Spectacular! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Performing the Canadian Premiere of Jeff Tyzik’s New York Cityscape: Concerto for Brass Quintet and Wind Ensemble with guest ensemble, Brasstastic, Eric Whitacre’s Godzilla Eats Las Vegas and more. University Centre Farquhar Auditorium Saturday, March 21, 8:00 p.m. (Admission by donation) VIOLA CLASS RECITAL Students from the studio of Joanna Hood perform works by Rebecca Clarke, J.S. Bach, and Ernest Bloch. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_10.mp3">track10</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031415-JazzEnsemble/031415-JazzEnsemble_11.mp3">track11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 14, 2015 Contributor An entity responsible for making contributions to the resource Dr. Patrick Boyle, director https://finearts.uvic.ca/music/archive/files/original/2e7c467ca99d7d0825ffd891310eff20.pdf 5d60f8d7317c1b688c1a3f36b4fa751a PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA GUEST CONCERT Kate Prestia-Schaub, piccolo Martin Kennedy, piano Sunday, March 1, 2015 Masterclass: 3:15 – 5:00 p.m. Concert: 5:30 – 6:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Piccolo Concerto in C major, RV 443 Rosignol en Amour Piccolo Sonata Antonio Vivaldi Francois Couperin Mike Mower Penseri .. Dialogi Alessandro Cavicci Desplazamiento Martin Kennedy Timeless Eurythmionics Kenneth Benshoof Steve Kujala This concert is sponsored by Verne Q. Powell Flutes and Long & McQuade Musical Instruments. �UPCOMING EVENTS Tuesday, March 3, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Wednesday, March 4, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL: Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Thursday, March 5, 4:00 p.m. to 5:30 p.m. (Free admission) GUEST ARTIST: GERALD BARRY Internationally celebrated Irish composer Gerald Barry, the featured composer of this year’s Victoria Symphony New Music Festival, speaks about his music. Rm. A168, MacLaurin Building, A-Wing Thursday, March 5, 8:00 p.m. (Admission by donation) SONIC LAB: Current Exchange Rate of Sixpenny-concepts Ajtony Csaba, Conductor UVic’s contemporary music ensemble performs works by Gerald Barry, Anton Webern and Karlheinz Stockhausen. In cooperation with the New Music Festival of the Victoria Symphony dedicated to the work of Gerald Barry. Phillip T. Young Recital Hall Friday, March 6, 12:30 p.m. (Admission by donation) FRIDAYMUSIC : Featuring School of Music brass students. Phillip T. Young Recital Hall Friday, March 6, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: A Symphonic Ornithology Ajtony Csaba, Conductor Performing Die Fledermaus: Ouverture by Strauss, Rossini’s La Gazza Ladra: Sinfonia Dvořák’s The Wild Dove, Firebird-Suite by Stravinsky, and excerpts from works by Saint-Saëns, Parker and W.A. Mozart. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_07.mp3">track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - Kate Prestia-Schaub, piccolo Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource March 1, 2015 Contributor An entity responsible for making contributions to the resource Kate Prestia-Schaub, piccolo; Martin Kennedy, piano https://finearts.uvic.ca/music/archive/files/original/a6788a78c92aaec0727dfa74bba3af83.pdf 69336244c6e10ddc344da139195c8a3a PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES GuitarWorks Featuring: Alexander Dunn, Baroque guitar Anne Grimm, soprano Soile Stratkauskas, Baroque flute Ann Fraser, Baroque violin Douglas Hensley, theorbo Martin Bonham, Baroque cello Friday, March 13, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $18 / Students & Seniors $14 �PROGRAM Sonata in D Minor, K. 89 Allegro Grave Allegro Domenico Scarlatti (1685–1757) Cantata Spagnuola a voce sola e Chitarra, HWV 140 Aria: No se enmendará jamás Georg Frederic Händel Recitativo: Si del quereros es causa  (1685–1759) Aria: Dícente mis ojos Concerto in D Major, RV 93 Allegro Largo Allegro Antonio Vivaldi (1678–1741) Intermission (Beverages & snacks available at the concession located in the lounge) Sonata in E Minor, K. 81 Grave Allegro Grave Allegro Domenico Scarlatti Cantata Pensieri notturni di Filli, HWV 140 Recitativo: Nel dolce dell’oblio Georg Friedrich Händel Aria: Giacché il sonno a lei dipinge Recitativo: Così fida ella vive Aria: Ha l’inganno il suo diletto Marizápalos Anon. 17th century (arr. Alexander Dunn) �INSTRUMENTARIUM Baroque guitar by Mel Wong, (San Francisco, 2014) after Antonio Stradivarius ‘Sabionari’ (Cremona, 1679) Baroque flute by Martin Wenner (Singen, 2004) after Carlo Palanca (Torino, c.1750) Baroque violin by Walther Mahr (Bubenreuth, 2005) on a Jacobus Stainer pattern (Cremona, mid-17th century) Baroque bow (1720 pattern) by Martin Opustil 14-course theorbo by Ray Nurse (Vancouver) (1980/2008) after Tieffenbrucker (Padua, mid-17th century) Baroque cello by Warren Bailey (Victoria, 2002) after Antonio Stradivarius ‘Gorbooth’ (Cremona, 1710) Baroque bow by Christopher English Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker@uvic.ca. �PROGRAM NOTES GuitarWorks ’15 presents the Baroque guitar in its various guises—as a solo vehicle, a partner in music supported by a bass instrument, and in its accompaniment role alongside instruments such as Baroque lutes, harpsichord, organ, and Baroque harp. Its heyday was the seventeenth century, where, as an antidote to the cumbersome multi-string lute, the guitar found practitioners from amateurs to professional musicians who utilized its delicate sound and various tunings to delightful effects. In use from the lowland countries to the Mediterranean, from the British Isles to the eastern reaches of Europe, the voguish guitar reflected current instrumental practices in its vast solo repertoire, notated in a cryptic tablature system. Antoine Watteau depicted—in numerous sketches, drawings and paintings featuring forlorn Commedia dell’arte theatre characters in stages of wooing, swooning, rapture or rejection—all with the de riguer guitar. In 1672, Jan Vermeer painted a lovely young woman in the midst of playing her exquisitely detailed Voboam French guitar. And elsewhere in taverns, barbershops, and less haughty surroundings, the guitar functioned as a popular social medium. Its delicate sonorities blended well with instruments in art music, and its percussive batterie or repicco brought the characteristic strum to popular European culture with different national accents, laying the groundwork for the Iberian style of struck rhythms—coupled with singing, and dancing—as expressed by wandering egyptiens—European Gypsy culture. Scarlatti Sonatas In Domenico Scarlatti’s vast output of harpsichord sonatas, there are a small number of works that feature figured bass, a three- or four- movement structure, and distinctive melodic lines that are particularly suited for a plucked solo instrument. The discovery of a new manuscript containing some of these pieces, at the Bibliothèque de l’Arsenal in Paris, bears the inscription “per mandolino, violino o flauto” and has a version of the D minor K. 89 Sonata for mandolin and harpsichord. Indeed, they are admirably suited to plucked string instruments in its part-chords and dynamic nuances. The absence of long note-values, even in slow movements, corroborates the claim that they were primarily intended for a plucked instrument. The mandola appeared as an obbligato instrument in a cantata by Alessandro Scarlatti in 1699; it is probable that, in the employment of this instrument, Domenico Scarlatti was influenced by the musical milieu of Florence, in which the mandola had its most significant champions beginning in 1597. In tonight’s performance, Baroque guitar plays the upper voice, with theorbo rather than harpsichord, as the supporting instrument. �Händel Cantatas Sometime in 1706, Händel travelled to Italy and by the beginning of 1707, was ensconced in the capitol. There the Cardinals Colonna and Pamphili were among the influential patrons for whom Händel provided many compositions. He was soon composing secular cantatas in Italian, receiving the patronage of the Marchese Francesco Ruspoli, for whom he was to provide works for his weekly musical gatherings. This association continued on and off until the end of 1708, and during this time Händel composed over fifty cantatas for this patron, as well as some church works. The short Cantata Spagnuola a voce sola e Chitarra, was possibly written in the summer of 1707 for Händel’s patron Cardinal Ottoboni. It was copied for Marquis Ruspoli in 1707, along with some Italian cantatas. Handel was challenged to write works in Italian and French, and also responded with the ‘Spanish Cantata’, his only work in that language. The guitar is employed for local color and is Händel’s only use of Baroque guitar. Like the Spanish Cantata, Pensieri notturni di Filli could have also been composed in Rome. It deals with love in an Arcadian context, and offers an intellectual and sentimental interplay between dream and reality. The singer refers to his lover as “my adored Phillis”, but then goes on to describe only Phillis’ feelings and imaginings, as an ‘omniscient author’. Phillis is perhaps lost in dreams over her lover, but the final aria warns that this may be followed by sorrow when dreams fade. Vivaldi Concerto The Lute Concerto in D Major is one of four works featuring the solo lute written by Vivaldi. He wrote the work in the 1730’s, a period in which two other works featuring the lute appeared: the trios for violin, lute, and basso in G minor and C major. The concerto is in the typical three movement form. The first is a fast tempo and begins with a catchy ritornello played by the entire group, then repeated by the soloist. This ritornello contrasts a tuneful opening theme with a more lyrical motif in the minor mode. During the movement, the soloist presents melodies to contrast the ritornello. The movement consists of several sections, almost all of which incorporate a portion of the original ritornello melody. The second movement also consists of several sections and has been described as a “reflective meditation by the soloist” against accompaniment by the upper parts and bass. The third movement is in a fast meter, something in the style of the Italian Tarantella. While originally scored for lute, two violins, and continuo, tonight’s performance replaces the second violin with �Baroque flute. The continuo battery is made up of Baroque cello and theorbo. The concerto uses the solo lute primarily in a high register, but is also played successfully on Baroque guitar. Marizápalos A tune used by innumerable musicians, Marizápalos is a gorgeous Spanish ballad whose piquant text barely conceals charged innuendo. Based on a simple recurring harmonic progression and a fetching melody, it recounts the circumstances of Marizápalos, a young Madrid beauty and niece of the town’s priest. She innocently wanders into the afternoon groves to ‘collect flowers’—and is enamoradita—infatuated with Pedro Martin, who joins the venture. She stamps upon the forest floor, turning it to ‘watered silk’, which gives way to a ‘social scene’ where they lay out a feast upon her petticoat. Pedro, referred to as ‘Parakeet’, devours the meal with his ‘parsley sauce’. She gently coaxes him to stop, but upon hearing horses approach, he flees in terror. The priest arrives who would have witnessed them committing the unpardonable sin of using ‘bad Latin’. Variations on the Marizápalos melody were unwittingly used by Spanish composer Joaquin Rodrigo in his 1954 concerto-suite Concierto para un Gentilhombre (Concerto for a Gentlemen) for guitar and orchestra. Program notes by Alexander Dunn �TEXTS AND TRANSLATIONS Händel: Cantata Spagnuola a voce sola e Chitarra Aria No se enmendará jamás de amaros mi corazón, que culpas de la razón cada día crecen más. Aria Never shall my heart’s love be amended The fault of reason each day grows more. Crescerá cada momento el quereros, enojaros, que este delito de amaros todo es bello entendimiento. Increasing every moment the desire, angered, with this crime of love all becomes beautifully understood Recitativo Si del quereros es causa y razón el conoceros, a amarte cuanto mereces espero llegar un día, pues crecen en mí a porfía amor y conocimiento; Recitative If loving is cause and reason does agree, to love as so deserved I wait until the day, but growing obstinate in love and knowledge. y si medir no quisieres mi amor por tu perfección, escucha con qué primor explica, callando sus ansias, Amor and if you do not measure, my love for your perfection, listen how delicately they explain, quietly of their longing, Love. Aria Dícente mis ojos en muda pasión lástimas sin quejas, palabras sin voz. Como sólo amarte mi amor pretendió, sólo de quererte bien pagado estoy. Aria My eyes speak in silent passion, pity without complaint, words without voice. As only my heart sought love, only in love am I well compensated. �Händel: Cantata Pensieri notturni di Filli Recitativo Nel dolce dell’oblio benché riposi la mia Filli adorata veglia coi pensier suoi e in quella quiete Amor non cessa mai con varie forme la sua pace turbar mentr’ella dorme. Recitative In sweet oblivion, although resting, my beloved Phyllis’ vigil thoughts are waking and in the quietude Cupid never ceases with various means disturbing her peace while she sleeps. Aria Giacché il sonno a lei dipinge la sembianza del suo bene, nella quiete ne pur finge d’abbracciar le sue catene. Aria Since her sleep depicts the semblance of his goodness, she envisions, in the stillness, the embrace of his chains. Recitativo Così fida ella vive al cuor che adora e nell’ombre respira la luce di quel sol per cui sospira. Recitative Thus she remains faithful to the beloved heart and in the shade breathes the sunlight that she loves so dearly. Aria Ha l’inganno il suo diletto se i pensier mossi d’affetto stiman ver ciò che non sanno. Ma se poi si risveglia un tal errore il pensier ridice a noi ha l’inganno il suo dolore. Aria Deception delights when affections are overwhelmed and believe the dream true. But when thoughts, on waking, reveals the error and deception knows its dolor. �Marizápalos (Anonymous Spanish song, 17th century)   Marizápalos era muchacha,  enamoradita de Pedro Martín,  por sobrina del cura estimada,   la gala del pueblo, la flor del abril.   Marizápalos was a girl, enamored with Pedro Martín, the niece of the esteemed priest,  the toast of the village, the flower of Madrid.   Marizápalos salió una tarde  al verde sotillo que va hacia Madrid a coger con sus manos las flores, teniendo más ella que mayo y abril.   Marizápalos went out one afternoon   to the green grove that borders Madrid  to collect flowers by hand,  possessing more than May and April.  Estampando la breve chinela, que tiene ventaja de mayor chapín, por bordarle sus plantas de flores, el lazo del campo se volvió tabí. Stamping with dainty slipper, far finer than an old clog,  to embroider flower plants, the meadow turned to watered silk. Merendaron los dos a la mesa que puso Marieta de su faldellín   y Perico, mirando a lo verde,   comió con la salsa de su perejil. The two socialized on a table made from Marieta’s petticoat and Parakeet, gazing upon the green,  devoured with his own parsley sauce.   Pretendiendo de su garabato   quitarle la carne con garfio sutil, Marizápalos le dijo: ¡zape!   quedando en su aliento cariño de miz.   Pretending to dawdle he scooped flesh with a crooked finger, Marizápalos said ‘Shoo!’   in an affectionate breath. Cuando oyeron allá entre la ramas las herradurillas de un fuerte rocín,   el Adonis se puso en huida  temiendo los dientes de algún jabalí. Hearing sounds among the branches, Hoofs stirring fallen leaves, the Adonis took flight,  fearing the tusks of some boar. Y era el cura, que al soto venía, que si un poco antes acierta a venir,   como sabe gramática el cura,   podía cogerlos en un mal latín. And it was the priest making way, and if he had arrived earlier, knowing grammar as he did,  would have caught them out using bad Latin. ��UPCOMING EVENTS Saturday, March 14, 8:00 p.m. ($15 & $10) UVIC JAZZ ENSEMBLE Dr. Patrick Boyle, Director An eclectic evening of contemporary works for jazz ensemble, including a rare performance of the Ebony Concerto by Igor Stravinsky. Phillip T. Young Recital Hall Sunday, March 15, 7:00 p.m. ($15) CRAIGDARROCH CASTLE IN SONG A concert in celebration of the story of Craigdarroch Castle and Victoria’s heritage. With music by Noel Coward, Richard Strauss, Samuel Barber, Benjamin Britten and Elinor Dunsmuir, as well as traditional Chinese and Persian songs. A portion of the proceeds will benefit scholarships for VISI student summer music programs. Craigdarroch Castle (1050 Joan Cresc.) Thursday, March 19, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall Friday, March 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music string students. Phillip T. Young Recital Hall Friday, March 20, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA WIND SYMPHONY Lights, Action: Student Spectacular! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Performing the Canadian Premiere of Jeff Tyzik’s New York Cityscape: Concerto for Brass Quintet and Wind Ensemble with guest ensemble, Brasstastic, Eric Whitacre’s Godzilla Eats Las Vegas and more. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031315-FacultyRecital/031715-DunnBaroque-06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Guitar Works Creator An entity primarily responsible for making the resource Brennan MacKay Date A point or period of time associated with an event in the lifecycle of the resource March 13, 2015 Contributor An entity responsible for making contributions to the resource Alexander Dunn, Baroque guitar; Anne Grimm, soprano; Soile Stratkauskas, Baroque flute; Ann Fraser, Baroque violin; Douglas Hensley, theorbo; Martin Bonham, Baroque cello https://finearts.uvic.ca/music/archive/files/original/c7a1d302b4bafb61dd62a2ddb1d92ee6.pdf 2c052274722c1e9c765a28c3f62fee72 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria March 17, 2015 • 12:30 p.m. Music for Brass 1. Chorale Fantasy 2. Intermezzo 3. Fugue Matthew MacLean, trumpet Ian VanGils, trumpet Sam McNally, horn Liam Caveney, trombone Trevor Hoy, trombone Romantic Pieces for Violin and Piano, Op. 75 I. Allegro moderato II. Allegro maestoso Ingolf Dahl (1912–1970) Antonin Dvorak (1841–1904) Raina Saunders, violin Laura Altenmueller, piano Violin Concerto in D minor, Op. 47 II. Adagio di molto III. Allegro, ma non tanto Aliayta Foon-Dancoes, violin Louise Hung, piano Piano Sonata No. 3 in C Major, Op. 2, No. 3 I. Allegro con brio Jean Sibelius (1865–1957) Ludwig van Beethoven (1770–1827) Michael Lee, piano UPCOMING AT THE SCHOOL OF MUSIC Wednesday, March 18, 8:00 p.m. (Free Admission) GRADUATING RECITAL: Matthew Antal, viola Violist Matthew Antal presents his Masters of Music graduating recital. Phillip T. Young Recital Hall Thursday, March 19, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL: Students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall Friday, March 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC: Featuring School of Music string students. Phillip T. Young Recital Hall Friday, March 20, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA WIND SYMPHONY: Lights, Action: Student Spectacular! Dr. Gerald King, Conductor & David P. Gagnon, Graduate Assistant Conductor Performing Jeff Tyzik’s New York Cityscape: Concerto for Brass Quintet and Wind Ensemble (Canadian Premiere) with guest ensemble, Brasstastics, Eric Whitacre’s Godzilla Eats Las Vegas, and others TBA University Centre Farquhar Auditorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031715-Tuesdaymusic/031715-Tuesdaymusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031715-Tuesdaymusic/031715-Tuesdaymusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031715-Tuesdaymusic/031715-Tuesdaymusic_3.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031715-Tuesdaymusic/031715-Tuesdaymusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 17, 2015 https://finearts.uvic.ca/music/archive/files/original/fc7ce58023ba5e02f1948ac5ca5834e4.pdf 7326a3bf0ce3f6c4aa3b40afac129869 PDF Text Text DEGREE RECITAL Matt Antal, Viola Spencer Davis and Charlotte Hale, Piano Wednesday, March 18, 2015, 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Flute Partita in A minor, BWV 1013 I. Allemande II. Corrente III. Sarabande IV. Bourrée anglaise Johann Sebastian Bach (1685-1750) Arr. Patrick Jordon Arpeggione Sonata, D.821 I. Allegro moderato Franz Schubert (1797-1828) Arr. Jürgen Weber Spencer Davis, Piano 7 Variations on 'Bei Männern' from Die Zauberflöte, Wo0 46 Ludwig van Beethoven (1770-1827) Arr. Milton Katmis Charlotte Hale, Piano - INTERMISSION Vent Nocturne for Solo Viola and Electronics I. Sombres miroirs II. Soupirs de l'obscur Matt Antal, Electronics Sonata for Viola and Piano I. Impetuoso II. Vivace III. Adagio Kaija Saariaho (1952 - ) Rebecca Clarke (1886-1979) Spencer Davis, Piano Matt Antal is from the class of Professor Joanna Hood This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phone, camera, laptop, and audio & video recording devices. Their use is strictly prohibited during events. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-01.mp3">track1</a> **technical fault, missing top of mvmt I** <a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Matt Antal, viola Creator An entity primarily responsible for making the resource Brennan MacKay Date A point or period of time associated with an event in the lifecycle of the resource March 18, 2015 Contributor An entity responsible for making contributions to the resource Matt Antal, viola