24 10 1498 https://finearts.uvic.ca/music/archive/files/original/ca2c503e462866e08e76cac5a3dda816.pdf 098d8cd9c79231f9616c48aefec60ac8 PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_13.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_14.wav">Track 14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_15.wav">Track 15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_16.wav">Track 16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_17.wav">Track 17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/03292024-MinsooSohn/03292024-MinsooSohn_18.wav%20">Track 18</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minsoo Sohn: Liszt’s Transcendental Études Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 29 2024 Contributor An entity responsible for making contributions to the resource Minsoo Sohn https://finearts.uvic.ca/music/archive/files/original/d6c761c0ec71a45d77383c85b9b20598.pdf 129341da6f419595b2ff8bf6d6e8158b PDF Text Text MUS 105 FINAL CONCERT The “Eastern” Bus Line (8P) Quin Lang, piano Hyesung Tae, violin SUNDAY APRIL 7, 2024 Marcus Purwanto This piece is about the Hong Kong eastern bus line “8P” that runs through the eastern corridor during a normal day. Typically with scales and dynamics to symbolize the vehicle engine running on the roads with all different kinds of tonal modes of scales, which each mode symbolizes the gear shift of the engine. In Puddles Leah Cook Leah Cook, voice Trista Monet piano, Kai Aris, drums baram Tark Kim Spencer Leong Cowie bass flute, Sophia Adames, flute Daniel Sandoval, cymbals The concept and the title of this piece is inspired by Korean-German composer, Isang Yun's composition for solo flute, "Sori" (Korean term for sound) and with hints of Asian flute sound accompanied by crash cymbal to create a reminiscing sound effect created by burst of wind blowing into the bamboo forest. Seven Years in Fairyland Mckinley Wood Mckinley Wood, trombone/electronics Austin Goertz, electric guitar Kian Dunn, bass clarinet Baseless (Metal Song 2) Austin Goertz Austin Goertz, guitar Justin Graham, drums McKinley Wood, bass Rylan Laurillard, synth Let Them Hear Hyesung Tae Celeste Lingas, Seoyoon Lee, Gheana Valencia, voice Potion Shop Daniel Romo Sandoval Natasha Castro, voice Lou Beau, drums, Faith Fehr, bass Mataya Dorland-Meagher, piano Nathan Skip, tenor saxophone This composition was my first time writing jazz. I had a lot of fun with it, and I'm sure you will too! I wanna give huge thanks to the performers for making my vision come to life. Light Pollution Maxwell Sorensen Tamsen McKerley, piano Noah Ord, violin Micah Jane Mary Muller, voice String Quintet no.1 Curtis Vetter Anise Buelow, violin 1 Jade Chu, violin 2 Sofie Hillstrom, viola Garron Stuart, Cello 1 Curtis Vetter, Cello 2 I Killed the Captain Cade McBeth Cade McBeth, guitar and voice, Teague Arseneau, percussion McKinley Wood, bass Marco Bernardez-Lai guitar The Relation To One and Time Trista Monet Leah Cook, voice, Carter Martin, voice Kai Aris, piano Trista Monet, guitar A wish, unfocussed Elijah Moon Sam Penner dance, Lily Gaetz voice, Daniel Sandoval, guitar �MUS 105 FINAL CONCERT SUNDAY APRIL 7, 2024 Pharmacy Claudia Bachinski Claudia Bachinski, voice and guitar Mitch Beatch, bass Pharmacy is a soft ballad inspired by those of groups such as Big Star and Suicide. The piece aims to blend a stripped back punk sound with the elaborate emotional expression of a folk song. Fehér tavat Alexander Steinitz Alexander Steinitz, OP-1 Synthesiser, Anise Buelow, violin, Curtis Vetter, violoncello Csendes fehér tavat látok, mozdulatlan fehér tavat I see silent tranquil waters, motionless, mysterious waters This work is directly inspired by a Béla Bartók opera, "Duke Bluebeard's Castle" and indirectly by a lifetime spent in basements. Stagnant water is the main invocation of this piece. On John Mole Faith Fehr Tark Kim, trumpet Nathan Skip, saxophone Alex Matterson, piano Daniel Sandoval, guitar John Mole, poems Drawn Out Lucas Begic, piano Hyesung Tae, violin Mataya Dorland-Meagher Tuesday to Thursday Alisha Rampersad-Maharaj Lucy Greene, Alisha Rampersad-Maharaj, voice Logan Tuttle, synth Jacob Czypull bass, CDJ, Fintan Coyle Unspecified Water Vehicle Lou Beauchesne Isabel Ferris, violin, Nathan Skip, alto sax, Elijah Larmer, toy glockenspiel and spoken word Holding Fintan Coyle Eli Eyding, guitar Rayyan Jamadar, bass Noah Breker, synth Cole Buchinski, drums, Fintan Coyle, sampling and effects Counting Quarters SkipsSupremeBangers (Nathan Skip) Marc Micu, trumpet Matt Stott, guitarr Faith Fehr, bass Zac Arnold, drums Counting Quarters is a randomized journey through various styles of music. The bassist controls the adventure, so the band better listen to them! 4 scattered poems II. Andante Sam Freer, piano Sabrina Blaase, voice Sam Freer Good Enough Aunaleigh MacLucas Tatiana Kostour.violin Aunaleigh MacLucas, piano Orange Rylan Laurillard Kian Dunn, saxophone Mckinley Wood, bass, Bennet Pick, piano, Zeke Dukart, drums Apathy Lucas Begic Lucas Begic, voice and piano Hyesung Tae, violin Noise is Not For Burning Cole Buchinski Cole Buchinski, guitar McKinley Wood trombone, Zeke Dukkart, bowed electric bass � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-006.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-007.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-008.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-009.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-010.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-011.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-012.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-013.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-014.wav">Track 14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-015.wav">Track 15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-016.wav">Track 16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-017.wav">Track 17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-018.wav">Track 18</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-019.wav">Track 19</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-020.wav">Track 20</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-021.wav">Track 21</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-022">Track 22</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-023.wav">Track 23</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-024.wav">Track 24</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072024-MUS105FinalConcert/04072024-MUS105FinalConcert-025.wav">Track 25</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MUS105 Final Concert Date A point or period of time associated with an event in the lifecycle of the resource April 7 2024 https://finearts.uvic.ca/music/archive/files/original/ec954e4f6c891ea4bcedeee6c3e26393.pdf e0ce6c42ed9121a8077fea733a466ed7 PDF Text Text � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03292024-EastonRoyNon-DegreeRecital/03292024-EastonRoyNon-DegreeRecital-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03292024-EastonRoyNon-DegreeRecital/03292024-EastonRoyNon-DegreeRecital-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03292024-EastonRoyNon-DegreeRecital/03292024-EastonRoyNon-DegreeRecital-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03292024-EastonRoyNon-DegreeRecital/03292024-EastonRoyNon-DegreeRecital-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03292024-EastonRoyNon-DegreeRecital/03292024-EastonRoyNon-DegreeRecital-005.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Non-Degree Recital: Easton Roy, piano Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 29 2024 https://finearts.uvic.ca/music/archive/files/original/e9da4578e1c57aa0915f9c0651c56a0f.pdf 33c1923425bb04e09455d5a6f18bd0d2 PDF Text Text DEGREE RECITAL Abby Corpus, soprano Dr. Kinza Tyrrell, piano Nadia Lurie, soprano Caitlin Liu, cello Thursday, March 28th 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Gloria, RV 589 III. Laudamus Te Antonio Vivaldi (1678-1741) Nadia Lurie, soprano Ariettes oubliées, L. 60 V. Green VI. Spleen Claude Debussy (1862-1918) Liederkreis, Op. 39 I. In der Fremde II. Intermezzo III. Waldesgespräch IV. Die Stille V. Mondnacht VI. Schöne Fremde VII. Auf einer Burg VIII. In der Fremde IX. Wehmut X. Zwielicht XI. Im Walde XII. Frühlingsnacht Robert Schumann (1810-1856) — INTERMISSION — The Tender Land Laurie’s Song Aaron Copland (1900-1990) 2 Lieder, Op. 28 I. Traumbild II. Herz, mein Herz, so schweig auch du! Josephine Lang (1815-1880) Caitlin Liu, cello Idomeneo Zeffiretti lusinghieri Wolfgang Amadeus Mozart (1756-1791) Little Women Have peace, Jo Mark Adamo (b. 1962) Goodnight Moon Eric Whitacre (b. 1970) Abby Corpus is from the class of Professor Anne Grimm. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_08.wav">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Abby Corpus, voice (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 28 2024 Contributor An entity responsible for making contributions to the resource Abby Corpus, soprano Dr. Kinza Tyrrell, piano Nadia Lurie, soprano Caitlin Liu, cello https://finearts.uvic.ca/music/archive/files/original/4f036cd0dac78a78562cf49cfbb6260f.pdf 626cbe2cc3c39a0e1d3b5556b6ba37f4 PDF Text Text AMBIENT LIGHT: 2nd-YEAR GRADUATE RECITAL Tristan Holleufer, Percussion Lachlan Barry, Percussion Claire McMahon, Trumpet Ethan Page, Percussion Wednesday, March 27th, 2024 - 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM To the Earth ……………….…………………………………………………………………………………………………. Frederic Rzewski (1938 - 2021) Tchik ……………………………………………………………………………………………………………………….. Nicolas Martynciow (b.1964) Vignettes for Trumpet and Percussion …………..……………………………………………………. James M. Stephenson 1. Running with Lionel (b. 1969) 2. Chasing Igor 3. Chuck’s March 5. Waltz in Berlin 7. MAX 8. Encore: White on White Claire McMahon, Trumpet INTERMISSION Musique de Table …………………………………………………………………………………………………………… Thierry de Mey (b. 1956) Lachlan Barry and Ethan Page, percussion Apollo’s Touch …………..………………………………………………………………………………………………… Rodney Sharman (b. 1958) Luminosity …………………………………………………………………………………………………………………….. Tomasz Golinski I. Misterioso e cantabile (b. 1986) II. Furioso Tristan Holleufer is from the class of Professor Bill Linwood. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please silence all electronic devices. �Program Notes To the Earth (1985) This opening piece by American-born composer Frederic Rzewski pairs four flowerpots with an ancient Homeric hymn recited by the performer. The text (translated into English here), titled To the Earth, Mother of All, is a simple prayer to Gaia, ancient Greek goddess of the Earth. The light, hollow timbre of the clay pots evokes the fragility of the Earth and the environment that surrounds us. This fragile nature has only become more apparent both with increasing societal focus on climate change and with a surge in the seasonal chaos of hurricanes, tornadoes, and forest fires across North America within the past decade. Tchik (2003) A staple snare drum solo played in competitions worldwide, Tchik’s theme-and-variations structure lends itself to a playful, festive atmosphere. As the variations continue, a clear Latin/Brazilian flavour develops both in terms of rhythmic content, sound profile, and performance technique. Throughout the piece, a wide range of sounds is drawn out of the drum, which further blends with the performer’s voice towards the final variations. Then, as abruptly as it began, the piece fades into the distance in the manner of a lively festival parade passing down the street. Vignettes (2005) Written for trumpeter Eric Berlin and percussionist Eduardo Leandro, most of the 8 total short movements of the Vignettes are based on real-life musical characters. These include jazz vibraphonist Lionel Hampton, composer Igor Stravinsky, and both Berlin and Leandro themselves. As Berlin’s former upstairs neighbour in the New England Conservatory dormitory, Stephenson used the apartment-like living situation as inspiration for both the idea of a group of short character snippets and the musical theory idea of a “lower neighbour” tone, which permeates the harmony and melody throughout most of the movements. Tonight, 6 of the 8 movements will be performed (including a somewhat tongue-incheek “encore” movement). Apollo’s Touch (1992) Penned by the Victoria Symphony’s own Composer-in-Residence, Rodney Sharman, Apollo’s Touch takes the listener on a trancelike journey through slowly shifting tonal planes. The static harmonic content in each section allows the soundwaves emanating from different vibraphone keys to interact and combine to create some uniquely hypnotic tone qualities. The opening measures came suddenly to Sharman as he was working on a larger piece for soprano voice and orchestra, and he was thus drawn to the contrasting intimacy of solo vibraphone. Apollo’s Touch seemed to slowly reveal its own artistic needs to Sharman over the long 2 years of its composition, resulting in a working process that felt like the intent of some extraneous force. This process brought about the titular reference to Apollo, the ancient Greek god of music and dance. Luminosity (2010) Polish marimbist Tomasz Golinski is one of the leading composer/performers of the marimba within the past twenty years, having won multiple composition and performance awards in international competitions worldwide. He has also studied extensively with some of the leading players of previous generations, including Ludwig Albert and Keiko Abe. Luminosity, Golinski’s first-prize winning composition for the Universal Marimba Competition 2010, consists of two contrasting movements. The first creates a dark, pensive atmosphere with subtle, shadowy harmony and a deliberate pace of rhythm. The second movement contains many virtuosic, fiery, and furious sections that will challenge any performer, interspersed with moments of quiet beauty. However, both movements are steeped in harmonic content strongly reminiscent of Ravel, Dukas, and other French composers of the early twentieth century. This blend between the darkness of the first movement and the burning light of the second is from where the name of the piece is drawn: The faint glow of light as it approaches the dark. Musique de Table (1989) Composed by French film director Thierry de Mey, Musique de Table sits three performers in a row, each paired with a wooden board. Contact microphones are attached to each piece of wood, which will amplify the sounds created by scratching, flicking, and hitting the boards in various ways. As a director, de Mey has made the visual elements of the performers’ movements a key feature of this work, lending it a ritualistic atmosphere similar to Rzewski’s To the Earth. Owing to the way that the performers bounce thematic ideas off each other, one can almost imagine the soft glow of a desk lamp illuminating a late-night study session! Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-006.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Tristan Holleufer, percussion (MMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 27 2024 Contributor An entity responsible for making contributions to the resource Tristan Holleufer, Percussion Lachlan Barry, Percussion Claire McMahon, Trumpet Ethan Page, Percussion Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/03262024-BaroqueCollegiumConcert/03262024-BaroqueCollegiumConcert-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/03262024-BaroqueCollegiumConcert/03262024-BaroqueCollegiumConcert-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/03262024-BaroqueCollegiumConcert/03262024-BaroqueCollegiumConcert-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/03262024-BaroqueCollegiumConcert/03262024-BaroqueCollegiumConcert-004.wav">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baroque Collegium Concert https://finearts.uvic.ca/music/archive/files/original/a8c904b9772e795457978f7e2a8b2bf7.pdf b015e555d61b65be32fe3dcf32d70789 PDF Text Text GRADUATION RECITAL Clayton Butler, Voice Dr. Kinza Tyrrell, Collaborative Piano/Harpsichord Simi Luttrell, Collaborative Piano Monday, March 25th, 2024, 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM La Serenata Francesco Paolo Tosti (1846-1916) Aprile Kinza Tyrrell, Piano Winter Words, Op. 52 Benjamin Britten (1913-1976) 1. At day-close in November 2. Midnight on the Great Western 3. Wagtail and Baby (A Satire) 4. The little old table 5. The Choirmaster’s Burial (The Tenor man’s story) 6. Proud Songsters (Thrushes, Finches and Nightingales) 7. At the Railway Station, Upway (The Convict and Boy with the Violin) 8. Before Life and After — INTERMISSION — “Que ce séjour est agréable” From Platée (1745) Jean-Phillipe Rameau (1683-1764) “Ah! faut-il, en un jour” From Hippolyte et Aricie (1733) Kinza Tyrrell, Harpsichord Liederkreis Op. 24 I. II. III. IV. V. VI. VII. VIII. IX. Robert Schumann (1810-1856) Morgens steh’ ich auf und frage Es treibt mich hin Ich wandelte unter den Bäumen Lieb’ Liebchen, leg’s Händchen Schöne Wiege meiner Leiden Warte, warte, wilder Schiffmann Berg’ und Burgen schau’n herunter Anfangs wollt’ ich fast verzagen Mit Myrten und Rosen Simi Luttrell, Piano Clayton Butler is from the class of Professor Benjamin Butterfield. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Reception to follow in the Lounge. Please silence all electronic devices. �Program Notes La Serenata / Aprile Italian composer Paolo Tosti (1846-1916) is known for writing for the voice, with his light and expressive style that lends itself to vocal embellishment. He was an influential figure in music during La Belle Époque, and most notable classical singers have recorded his vocal works. Although the works of Tosti don’t fit into the small box of Italian music most North American people are familiar with, it is the songs of composers such as Tosti that bridge the gap to the Italian culture that is so cherished on that side of the world. Winter Words, Op. 5 Benjamin Britten’s song cycle Winter Words is set to a compilation of poems by Thomas Hardy, famous English poet and author. Britten himself found Hardy’s poetry deeply moving. The cycle was premiered in Leeds, sung by Peter Pears; Britten’s partner in both life and music. Britten was afraid people would find this cycle “difficult or elusive”, as it delves into themes such as the lost innocence of youth, human consciousness, and existence. But just as elusive pieces can breed confusion, I believe the ability to make one’s own interpretation is very important for this cycle, and it is so interesting to see what each person’s Winter Words mean to them. Platée “Que ce séjour est agréable”: Written for the wedding of the Dauphin in 1745, Platée remains a model of French Baroque opera today. The story follows the unattractive and detestable frog-like water-nymph Platée who believes she is the most alluring - and how she’s convinced in an unfortunate ploy that the King of the Gods (Jupiter) is in love with her. In hopes that Jupiter can cure his wife Juno of her jealous reproaches, we are lead through this tragic, yet comedic story of false-love and humiliation. Before Jupiter steps in, we are first introduced to Platée in this scene as she fantasizes about her love for King Kithairon. Hippolyte et Aricie “Ah! faut-il en un jour” Hippolyte et Aricie, Rameau’s first opera, based on the French tragedy of Phèdre, was premiered in 1733. Phèdre, thinking her husband (Theseus) is dead, confesses her love for her stepson, Hippolyte. However, Hippolyte’s declaration of love for the foreign princess Aricie arouses anger in Phèdre. Theseus then returns home alive and believes his son has made advances on Phèdre. Out of anger he banishes his son from the land and all whom he loves, thus setting the scene for this aria. Liederkreis, Op. 24 Written for Clara Wieck in Schumann’s “year of song” (1840) in anticipation of their wedding, this book of song was gifted to her wrapped in flowers and gold tinsel. Op. 24 is the first piece of vocal music Schumann ever composed. Fulfilled by this endeavour, Schumann expressed his excitement in a letter to Wieck; “Ah Clara, what bliss it is to write for the voice, I’ve needed it for a long time.” Though Schumann’s Op. 39 of the same title is often given more recognition and favoured, Op. 24 is an important work that provides us with a glimpse into his deep musical and emotional connection to his beloved Clara. Though the poetry and overall theme of this cycle is unrequited love, it comes with an intense irony that Schumann would use this text as the ultimate love letter. Please silence all electronic devices. �Translations La Serenata The Serenade Vola, o serenata: La mia diletta è sola, e, con la bella testa abbandonata, posa tra le lenzuola: O serenata, vola. O serenata, vola. Fly, o serenade: My beloved is alone, with her beautiful head abandoned lie among the sheets: O serenade, fly. O serenade, fly. Splende Pura la luna, l'ale il silenzio stende, e dietro i veni dell'alcova bruna la lampada s'accende. Pure la luna splende. Pure la luna splende. Shines pure the moon, The-wings of silence extend, and behind the veils of the dark alcove the lamp is-lit. Pure the moon shines. Pure the moon shines. Vola, o serenata, Vola, o serenata, vola. Ah! là. Ah! là. Fly, o serenade, Fly, o serenade, fly. Ah! là. Ah! là. Vola, o serenata: La mia diletta è sola, ma sorridendo ancor mezzo assonnata, torna fra le lenzuola: O serenata, vola. O serenata, vola. Fly, o serenade: My beloved is alone, but smiling and still half asleep, she-returns among the sheets: O serenade, fly. O serenade, fly. L'onda sogna su 'l lido, e 'l vento su la fronda; e a' baci miei ricusa ancore un nido la mia signora bionda. Sogna su 'l lido l'onda. Sogna su 'l lido l'onda. The waves dream on the shore, and the wind [blows] through the branches; and my kisses don’t result in a nest [being offered], by my blonde lady. Dreaming on the shore, [are] the waves. Dreaming on the shore, [are] the waves. Vola, o serenata, Vola, o serenata, vola. Ah! là. Ah! là. Fly, o serenade. Fly, o serenade, fly. Ah! là. Ah! là. Aprile April Non senti tu ne l'aria il profumo che spande Primavera? Non senti tu ne l'anima il suon de nova voce lusinghiera? È l'April! È la stagion d'amore! Deh! vieni, o mia gentil su' prati'n fiore! Do you not smell in the air the perfume that Spring breathes out? Do you not hear in your soul the sound of a new, enticing voice? It's April! It's the season of love! Come, lovely one, to the flowery meadow! Il piè trarrai fra mammole, avrai su'l petto rose e cilestrine, e le farfalle candide t'aleggeranno intorno al nero crine. È l'April! È la stagion d'amore! Deh! vieni, o mia gentil su' prati'n fiore! Your foot will tread among violets, you will wear roses and bluebells, and the white butterflies will flutter around your black hair. It's April! It's the season of love! Please come, my lovely one, to the flowery meadow! “Que ce séjour est agréable” “How agreeable is this place!” Platée: Que ce séjour est agréable ! Qu’il est aimable ! Ah, qu’il est favorable, Pour qui veut bien perdre sa liberté ! How agreeable is this place! How aimable it is! Ah how favourable it is For whomever is ready to forsake his liberty! Dis-moi, mon cœur, t’es-tu bien consulté ? Ah, mon cœur, tu t’agites ! Ah, mon cœur, tu me quittes ! Est-ce pour Cithéron ? T’a-t-il bien mérité ? Tell me, my heart, have you well considered? Ah, my heart, you are fretting! Ah, my heart, you are abandoning me! Is it for the sake of Kithaeron? Is he really worthy of you? Que ce séjour est agréable ! Qu’il est aimable ! Ah, qu’il est favorable, Pour qui veut bien perdre sa liberté ! How delightful is this place! How charming it is! Ah how propitious it is For whomever is ready to forsake his liberty! Please silence all electronic devices. �“Ah! faut-il en un jour” “Ah! Must I, in a single day” Hippolyte: Ah ! faut-il, en un jour, perdre tout ce que j'aime? Mon père pour jamais me bannit de ces lieux Si chéris de Diane même. Je ne verrai plus les beaux yeux Qui faisaient mon bonheur suprême. Ah! Must I, in a single day, lose all that I love? My father banishes me for-ever from this place so cherished by Diana herself. I shall no more see the lovely eyes that made my happiness complete. Ah ! faut-il, en un jour, perdre tout ce que j'aime? Et les maux que je crains, et les biens que je perds, Tout accable mon cœur d'une douleur extrême. Sous le nuage affreux dont mes jours sont couverts, Que deviendrca ma gloire aux yeux de l'univers? Ah! Must I, in a single day, lose all that I love? Both the misfortunes I fear and the benefits I lose, all overwhelm my heart with extreme anguish. Under the dreadful cloud which covers my life, what, in the eyes of the world, will become of my glory? Ah ! faut-il, en un jour, perdre tout ce que j'aime? Ah! Must!, in a single day, lose all that I love? Liederkreis Op. 24 Morgens steh’ ich auf und frage German source: Heinrich Heine Every morning I awake and ask English translation © Richard Stokes Morgens steh’ ich auf und frage: Kommt feins Liebchen heut? Abends sink’ ich hin und klage: Ausblieb sie auch heut. Every morning I awake and ask: Will my sweetheart come today? Every evening I lie down, Complaining that she did not appear. In der Nacht mit meinem Kummer Lieg’ ich schlaflos, lieg’ ich wach; Träumend, wie im halben Schlummer, Wandle ich bei Tag. All night long with my grief I lie sleepless, lie awake; Dreaming, as if half asleep, I wander through the day. Es treibt mich hin German source: Heinrich Heine I’m driven this way English translation © Richard Stokes Es treibt mich hin, es treibt mich her! Noch wenige Stunden, dann soll ich sie schauen, Sie selber, die schönste der schönen Jungfrauen; Du armes Herz, was pochst du so schwer? I’m driven this way, driven that! A few more hours, and I shall see her, She, the fairest of the fair— Faithful heart, why pound so hard? Die Stunden sind aber ein faules Volk! Schleppen sich behaglich träge, Schleichen gähnend ihre Wege;— Tummle dich, du faules Volk! But the Hours are a lazy breed! They dawdle along and take their time, Crawl yawningly on their way— Get a move on, you lazy breed! Tobende Eile mich treibend erfasst! Aber wohl niemals liebten die Horen;— Heimlich im grausamen Bunde verschworen, Spotten sich tückisch der Liebenden Hast. Raging haste drives me onward! But the Horae can never have loved— Cruelly and secretly in league, They spitefully mock a lover’s haste. Ich wandelte unter den Bäumen German source: Heinrich Heine I wandered among the trees English translation © Richard Stokes Ich wandelte unter den Bäumen Mit meinem Gram allein; Da kam das alte Träumen, Und schlich mir ins Herz hinein. I wandered among the trees, Alone with my own grief, But then old dreams returned once more And stole into my heart. Wer hat euch dies Wörtlein gelehret, Ihr Vöglein in luftiger Höh’? Schweigt still! wenn mein Herz es höret, Dann tut es noch einmal so weh. Who taught you this little word, You birds up there in the breeze? Be silent! If my heart hears it, My pain will return once more. „Es kam ein Jungfräulein gegangen, Die sang es immerfort, Da haben wir Vöglein gefangen Das hübsche, goldne Wort.“ ‘A young woman once passed by, Who sang it again and again, And so we birds snatched it up, That lovely golden word.’ Das sollt ihr mir nicht erzählen, Ihr Vöglein wunderschlau; Ihr wollt meinen Kummer mir stehlen, Ich aber niemanden trau’. You should not tell me such things, You little cunning birds, You thought to steal my grief from me, But I trust no one now. Please silence all electronic devices. �Lieb’ Liebchen German source: Heinrich Heine Lay your hand, my love English translation © Richard Stokes Lieb Liebchen, leg’s Händchen aufs Herze mein; Ach, hörst du, wie ‘s pochet im Kämmerlein? Da hauset ein Zimmermann schlimm und arg, Der zimmert mir einen Totensarg. Just lay your hand on my heart, my love; Ah, can you not hear it throbbing in there? A carpenter, wicked and evil, lives there, Fashioning me my coffin. Es hämmert und klopfet bei Tag und bei Nacht; Es hat mich schon längst um den Schlaf gebracht. Ach! sputet Euch, Meister Zimmermann, Damit ich balde schlafen kann. He bangs and hammers day and night, And has long since banished all sleep. Ah, master carpenter, make haste, That I might soon find rest. Schöne Wiege meiner Leiden German source: Heinrich Heine Lovely cradle of my sorrows English translation © Richard Stokes Schöne Wiege meiner Leiden, Schönes Grabmal meiner Ruh’, Schöne Stadt, wir müssen scheiden,— Lebe wohl! ruf’ ich dir zu. Lovely cradle of my sorrows, Lovely tombstone of my peace, Lovely city, we must part— Farewell! I call to you. Lebe wohl, du heil’ge Schwelle, Wo da wandelt Liebchen traut; Lebe wohl! du heil’ge Stelle, Wo ich sie zuerst geschaut. Farewell, O sacred threshold, Where my dear beloved treads, Farewell! O sacred spot, Where I first beheld her. Hätt’ ich dich doch nie gesehen, Schöne Herzenskönigin! Nimmer wär es dann geschehen, Dass ich jetzt so elend bin. Had I never seen you though, Fair queen of my heart! It would never then have come to pass That I am now so wretched. Nie wollt’ ich dein Herze rühren, Liebe hab’ ich nie erfleht; Nur ein stilles Leben führen Wollt’ ich, wo dein Odem weht. I never wished to touch your heart, I never begged for love, To live in peace was all I wished, And to breathe the air you breathed. Doch du drängst mich selbst von hinnen, Bittre Worte spricht dein Mund; Wahnsinn wühlt in meinen Sinnen, Und mein Herz ist krank und wund. But you yourself, you drive me hence, Your lips speak bitter words; Madness rages in my mind, And my heart is sick and sore. Und die Glieder matt und träge Schlepp’ ich fort am Wanderstab, Bis mein müdes Haupt ich lege Ferne in ein kühles Grab. And my limbs, weary and feeble, I drag away, my staff in hand, Until I lay my tired head down In a cool and distant grave. Warte, warte wilder Schiffmann German source: Heinrich Heine Wait, O Wait, Wild Seaman English translation © Richard Stokes Warte, warte, wilder Schiffmann, Gleich folg’ ich zum Hafen dir; Von zwei Jungfraun nehm’ ich Abschied, Von Europa und von Ihr. Wait, O wait, wild seaman, Soon I’ll follow to the harbour; I’m taking leave of two maidens: Of Europe and of her. Blutquell, rinn’ aus meinen Augen, Blutquell, brich aus meinem Leib, Dass ich mit dem heissen Blute Meine Schmerzen niederschreib’. Stream from my eyes, O blood, Gush from my body, O blood, That with my hot blood I may write down my agonies. Ei, mein Lieb, warum just heute Schaudert dich, mein Blut zu sehn? Sahst mich bleich und herzeblutend Lange Jahre vor dir stehn! Why today of all days, my love, Do you shudder to see my blood? You’ve seen me pale and with bleeding heart Stand before you for years on end! Kennst du noch das alte Liedchen Von der Schlang’ im Paradies, Die durch schlimme Apfelgabe Unsern Ahn ins Elend stiess? Remember the old story Of the serpent in Paradise, Who, through the evil gift of an apple, Plunged our forbears into woe? Alles Unheil brachten Äpfel! Eva bracht’ damit den Tod, Eris brachte Trojas Flammen, Du bracht’st beides, Flamm’ und Tod. The apple has caused all our ills! Eve brought death with it, Eris brought flames to Troy, And you—both flames and death. Please silence all electronic devices. �Berg und Burgen schaun herunter German source: Heinrich Heine Mountains and castles gaze down English translation © Richard Stokes Berg’ und Burgen schaun herunter In den spiegelhellen Rhein, Und mein Schiffchen segelt munter, Rings umglänzt von Sonnenschein. Mountains and castles gaze down Into the mirror-bright Rhine, And my little boat sails merrilly, The sunshine glistening around it. Ruhig seh’ ich zu dem Spiele Goldner Wellen, kraus bewegt; Still erwachen die Gefühle, Die ich tief im Busen hegt’. Calmly I watch the play Of golden, ruffled waves surging; Silently feelings awaken in me That I had kept deep in my heart. Freundlich grüssend und verheissend Lockt hinab des Stromes Pracht; Doch ich kenn’ ihn, oben gleissend, Bringt sein Innres Tod und Nacht. With friendly greetings and promises, The river’s splendour beckons; But I know it—gleaming above It conceals within itself Death and Night. Oben Lust, in Busen Tücken, Strom, du bist der Liebsten Bild! Die kann auch so freundlich nicken, Lächelt auch so fromm und mild. Above, pleasure; at heart, malice; River, you are the image of my beloved! She can nod with just as much friendliness, And smile so devotedly and gently. Anfangs wollt’ ich fast verzagen German source: Heinrich Heine At first I almost despaired English translation © Richard Stokes Anfangs wollt’ ich fast verzagen, Und ich glaubt’, ich trüg’ es nie; Und ich hab’ es doch getragen— Aber fragt mich nur nicht, wie? At first I almost despaired, And I thought I could never be able to bear it; Yet even so, I have borne it— But do not ask me how. Mit Myrten und Rosen German source: Heinrich Heine With myrtles and roses English translation © Richard Stokes Mit Myrthen und Rosen, lieblich und hold, Mit duft’gen Zypressen und Flittergold, Möcht’ ich zieren dies Buch wie ’nen Totenschrein, Und sargen meine Lieder hinein. With myrtles and roses, sweet and fair, With fragrant cypress and golden tinsel, I should like to adorn this book like a coffin And bury my songs inside. O könnt’ ich die Liebe sargen hinzu! Auf dem Grabe der Liebe wächst Blümlein der Ruh’, Da blüht es hervor, da pflückt man es ab,— Doch mir blüht’s nur, wenn ich selber im Grab. Could I but bury my love here too! On Love’s grave grows the flower of peace, There it blossoms, there is plucked, But only when I’m buried will it bloom for me. Hier sind nun die Lieder, die einst so wild, Wie ein Lavastrom, der dem Ätna entquillt, Hervorgestürzt aus dem tiefsten Gemüt, Und rings viel blitzende Funken versprüht! Here now are the songs which once cascaded, Like a stream of lava pouring from Etna, So wildly from the depths of my soul, And scattered glittering sparks all around! Nun liegen sie stumm und totengleich, Nun starren sie kalt und nebelbleich, Doch aufs neu’ die alte Glut sie belebt, Wenn der Liebe Geist einst über sie schwebt. Now they lie mute, as though they were dead, Now they stare coldly, as pale as mist, But the old glow shall kindle them once more, When the spirit of Love floats over them. Und es wird mir im Herzen viel Ahnung laut: Der Liebe Geist einst über sie taut; Einst kommt dies Buch in deine Hand, Du süsses Lieb im fernen Land. And a thought speaks loud within my heart, That the spirit of Love will one day thaw them; One day this book will fall into your hands, My dearest love, in a distant land. Dann löst sich des Liedes Zauberbann, Die blassen Buchstaben schaun dich an, Sie schauen dir flehend ins schöne Aug’, Und flüstern mit Wehmut und Liebeshauch. Then shall song’s magic spell break free, And the pallid letters shall gaze at you, Gaze imploringly into your beautiful eyes, And whisper with sadness and the breath of love. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-006.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-007.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Clayton Butler, voice (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 25 2024 Contributor An entity responsible for making contributions to the resource Clayton Butler, Voice Dr. Kinza Tyrrell, Collaborative Piano/Harpsichord Simi Luttrell, Collaborative Piano https://finearts.uvic.ca/music/archive/files/original/1dc1c5fbcf7c217c2dd596752f3e7434.pdf b7b69e5bb94e995ac720f42e8cdc3e81 PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria MARCH 22, 2024 | 12:30 PM Featuring School of Music Voice students We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on whose territory the university stands and the Lək̓ʷəŋən and WSÁNEĆ Peoples whose historical relationships with the land continue to this day. Alessandro Scarlatti (1660–1725) Poetry by Felice Parnasso Già il sole dal Gange James Meyer, tenor Bailey Lehmann, piano Wolfgang Amadeus Mozart (1756–1791) Zeffiretti lusinghieri, from Idomeneo Abby Corpus, soprano Kinza Tyrrell, piano Ach, ich fühl’s, from Die Zauberflöte W. A. Mozart Nadia Lurie, soprano Seoyoon Lee, piano Clara Schumann (1819–1896) Das Veilchen Lauren Steinmann, soprano Kinza Tyrrell, piano Ich folge dir gleichfalls, from St. John Passion Johann Sebastian Bach (1685–1750) Julianna Reid, soprano Kinza Tyrrell, piano Vier Lieder, Op. 2 Arnold Schoenberg IV. Waldsonne (1874–1951) Olivia Pryce-Digby, soprano Kinza Tyrrell, piano Oriental Melody Mykola Lysenko (1842–1912) Yanina Kosivanova, soprano Kay Kuang, piano Quando te vi pela primeira vez M. Camargo Guarnieri (1907–1993) Leah Cook, soprano Quin Lang, piano �The Monk and his Cat, from Hermit Songs Samuel Barber (1910–1981) Paige McKay, soprano Kinza Tyrrell, piano Must the Winter Come So Soon?, from Vanessa Kalia Kryvenchuk, soprano Cindy Xu, piano Samuel Barber Elizabeth Vercoe (b. 1941) Irreveries from Sappho III. Boogie for Leda Isolde Roberts-Welby, soprano Kinza Tyrrell, piano Night Florence Price (1887-1953) Akina Kishiyama, soprano Kinza Tyrrell, piano Six Elizabethan Songs Dominick Argento V. Diaphenia (1927–2019) Kiyomi Asano, soprano Kinza Tyrrell, piano Twelve Poems of Emily Dickinson Aaron Copland IV. The World Feels Dusty (1900–1990) Savannah Read, mezzo-soprano Kinza Tyrrell, piano The Oh Hellos Arr. Bree Anne Bartle-Clar (b. 2004) Boreas La Serenata Bree Anne Bartle-Clar Celeste Lingas Sadie Karlsson Clayton Butler, tenor Kinza Tyrrell, piano UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, MARCH 22 | 8 PM ($15-$28) UVic Wind Symphony: Tapestry The UVic Wind Symphony presents an exciting and vibrant finale to the 2023/24 concert season with Tapestry. Exploring music from different cultures, styles, genres, and time periods, the program creates a rich and diverse tapestry of people, sounds, and colours. The Farquhar at UVic SATURDAY, MARCH 25 | 8 PM (By donation) UVic Jazz and Creative Music Ensemble: Big City Pulse Phillip T. Young Recital Hall TUESDAY, MARCH 26 | 12:30 PM (By donation) Baroque Collegium Concert Hear School of Music students in UVic’s Baroque Collegium (BOMP) perform on period instruments including the harpsichord, viola de gamba, and Baroque cello. Francesco Paolo Tosti (1846–1916) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-006.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-007.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-008.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-009.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-010.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-011.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-012.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-013.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-014.wav">Track 14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-015.wav">Track 15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-016.wav">Track 16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03222024-FridayMusic-Voice/03222024-FridayMusic-Voice-017.wav">Track 17</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic: Voice Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 22 2024 Contributor An entity responsible for making contributions to the resource James Meyer, tenor; Bailey Lehmann, piano. Abby Corpus, soprano; Kinza Tyrrell, piano. Nadia Lurie, soprano; Seoyoon Lee, piano. Lauren Steinmann, soprano; Kinza Tyrrell, piano. Julianna Reid, soprano; Kinza Tyrrell, piano Olivia Pryce-Digby, soprano; Kinza Tyrrell, piano. Yanina Kosivanova, soprano; Kay Kuang, piano. Leah Cook, soprano; Quin Lang, piano. Paige McKay, soprano; Kinza Tyrrell, piano. Kalia Kryvenchuk, soprano; Cindy Xu, piano. Isolde Roberts-Welby, soprano; Kinza Tyrrell, piano. Akina Kishiyama, soprano; Kinza Tyrrell, piano. Kiyomi Asano, soprano; Kinza Tyrrell, piano. Savannah Read, mezzo-soprano; Kinza Tyrrell, piano. Bree Anne Bartle-Clar; Celeste Lingas; Sadie Karlsson. Clayton Butler, tenor; Kinza Tyrrell, piano. https://finearts.uvic.ca/music/archive/files/original/5efa8d13467f9181215e7cc2adb402d8.pdf e2daf68dfb347c8f7907b124c8ce4b74 PDF Text Text DEGREE RECITAL Megan Bibby, violin Jany Lu, piano Theo Kim, piano Bennett Chiu, violin Thursday, March 21, 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata No. 1 in G Minor I. Adagio II. Fuga: Allegro III. Siciliano IV. Presto J. S. Bach (1685–1750) Baal Shem II. Ernest Bloch (1880-1959) Nigun Jany Lu, piano — INTERMISSION — Caprice in A minor for 2 violins, Op. 18 Tempo di saltarella, ma non troppo Henryk Wieniawski (1835-1880) Bennett Chiu, violin Sonata No. 2 in A Major I. Allegro amabile II. Andante tranquillo III. Allegretto grazioso (quasi Andante) Johannes Brahms (1833–1897) Theo Kim, piano Megan Bibby is from the class of Professor Ann Elliott-Goldschmid. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance degree. We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on whose territory the university stands, and the Lək̓ʷəŋən and W̱SÁNEĆ Peoples whose historical relationships with the land continue to this day. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Megan Bibby, violin (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 21 2024 Contributor An entity responsible for making contributions to the resource Megan Bibby, violin Jany Lu, piano Theo Kim, piano Bennett Chiu, violin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_13.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_14.wav">Track 14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03232024-JCMEBigCityPulse/03232024-JCMEBigCityPulse_15.wav">Track 15</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Jazz and Creative Music Ensemble: Big City Pulse Description An account of the resource Scott MacInnes, director Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 23 2024