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                    <text>SONIC LAB

UVIC

Direction: Ajtony Csaba
SATURDAY, APRIL 6, 2024 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on
whose territory the university stands and the Lək̓ʷəŋən and WSÁNEĆ Peoples
whose historical relationships with the land continue to this day.

PROGRAM
Ian Clarke
(b. 1964)

Maya (paraphrased)		

After performing the composition in its original form—emulating a Baroque double, that is, an ornamented repetition—it will be played again in a paraphrased and spatially expanded manner, transforming it into a sound-theatre
experience.
Composition No 1. “Dona nobis pacem” – movement III.	
Galina Ustvolskaya
	(1919-2006)
Galina Ustvolskaya “died in 2006 having created one of the 20th century’s most brutally, brilliantly uncompromising
corpuses of work. Ustvolskaya said she agreed with Schumann that “the best method of talking about music is to
be silent about it”. In her case, there’s a truth to that dictum because of her music’s sheer, brutalising power: it has a
terrifying and transcendent physicality; the inescapability of an asteroid firing into earth; an elementality that’s both
horrifying and thrilling […] Dona Nobis Pacem, is written for piccolo, tuba, and piano, a combination that opens up
abyssal gaps between the ranges of the instruments, sounding out a musical void into which the instruments seem
to shriek and cry, hopelessly, for comfort.” (Service, Tom. “A Guide to Galina Ustvolskaya’s Music.” The Guardian. Last
modified April 8, 2013. https://www.theguardian.com/music/musicblog/2013/apr/08/contemporary-music-guide-galina-ustvolskaya)
Ian Wilson
(b. 1964)

Red over Black				

“The potential of this unusual instrumentation […] came into focus for me when I saw the Mark Rothko painting
Light Red over Black (1957,Tate Modern, London). The dark lower part of the painting, off­set by the light and bright
upper part, gave me the struc­tural inspiration for the music, which consists of three dif­ferent ways of travelling from
dark to light, and from low to high.
Red over Black was jointly commissioned by the BBC and the Royal Philharmonic Society and premiered by Martin
Frost, Pierre Lenert and Cedric Tiberghien on August 14th 2006 at the Cadogan Hall London as part of the
BBC Proms Chamber Music series.”(Ian Wilson, 2007)
Screams and Whispers
	
In the course WRIT 420, students collaboratively produce a short film. Its soundtrack comprises sounds and soundscapes produced and recorded by the Sonic Lab. Although the official screening is scheduled at the PTY on
April 12, a pre-cut version of the film will be shown in a unique setting. Alongside the recorded soundtrack, the Sonic
Lab will perform a live “overdub” of the film with sounds and soundscapes that intensify the narrative.
Movie credits on the screen.
Real-time paraphrase to the soundtrack of the short film made by WRIT 420 students.
Official full screening on April 12th, 6pm.

SONIC LAB PERSONNEL
Sarah Carey - Clarinet
Maxwell Sorensen - Piano
Michelle Wolfenden - Flute, Piccolo, Alto Flute
Ainsley Mercer - Flute
Aaron Kruger - Tuba
Stella Drinkwater - Sound liaison
Direction, piano, cello - Ajtony Csaba

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                <text>Megan Harton</text>
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                <text>Sarah Carey - Clarinet&#13;
Maxwell Sorensen - Piano&#13;
Michelle Wolfenden - Flute, Piccolo, Alto Flute &#13;
Ainsley Mercer - Flute&#13;
Aaron Kruger - Tuba&#13;
Stella Drinkwater - Sound liaison &#13;
Direction, piano, cello - Ajtony Csaba</text>
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                    <text>fridaymusic

School of
Music

Phillip T. Young Recital Hall, University of Victoria
APRIL 5, 2024 | 12:30 PM
Featuring School of Music Percussion students
We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on
whose territory the university stands and the Lək̓ʷəŋən and WSÁNEĆ Peoples
whose historical relationships with the land continue to this day.

Les Moutons de Panurge 		
Frederic Rzewski
	(1938-2021)
Andrew Canil, Calvin Ransom, Ethan Page,
Lachlan Barry, Liv Carlson, Thomas Evoy, Tristan Holleufer
Non-musicians: Levi Viinikka, Harbour Nolan, Terra Bernabeu
March	
Ethan Page
Yellow After the Rain	
	

Andrew Canil

Drum Corps on Parade	
	

Feeling Better	
	

	

March Cadenza	
	

	

Undertale Variations	

	

	
Lachlan Barry

Terra Bernabeu

Harbour Nolan
	
Thomas Evoy

Sharpened Stick 	
	

Joe Thompkin
(b.1970)

Mitchell Peters
(1935-2017)

John S. Pratt
(1931-2020)

Ivan Trevino
(b. 1983)

Gert Mortensen
(b. 1958)

Toby Fox
(b. 1991)
Arr. Doug Perry

Brett Williams Dietz

	
Ethan Page, Nolan Harbour

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-001.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-002.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-003.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-004.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-005.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-006.wav"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-007.wav"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-008.wav"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/04052024-FridayMusic-Percussion/04052024-FridayMusic-Percussion-009.wav"&gt;Track 9&lt;/a&gt;</text>
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                <text>Andrew Canil, Calvin Ransom, Ethan Page,&#13;
Lachlan Barry, Liv Carlson,Thomas Evoy,Tristan Holleufer, Levi Viinikka, Harbour Nolan,Terra Bernabeu</text>
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                    <text>DEGREE RECITAL
Zum Beschluss
Simi Luttrell, piano
Thursday, April 4th 2024  8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Prelude and Fugue in E major, BWV 878
from Book II of the Well-Tempered Clavier

Piano Sonata No. 7 in D major, Op. 10 No. 3
i.
Presto
ii.
Largo e mesto
iii.
Menuetto. Allegro
iv.
Rondo. Allegro

Johann Sebastian Bach
(1685-1750)

Ludwig van Beethoven
(1770-1827)

Piano Variations

Aaron Copland
(1900-1990)

— INTERMISSION —

Humoreske, Op. 20
i.
Einfach
ii.
Hastig
iii.
Einfach und zart
iv.
Innig
v.
Sehr lebhaft
vi.
Zum Beschluss

Robert Schumann
(1810-1856)

Simi Luttrell is from the classes of Professor May Ling Kwok and Professor Bruce Vogt
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Please silence all electronic devices.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry04.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry05.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry06.wav"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20240322-WindSymphTapestry/20240322-WindSymphTapestry07.wav"&gt;Track 7&lt;/a&gt;</text>
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                <text>March 22 2024</text>
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                <text>PICCOLO&#13;
Cleary Manning &#13;
SOPRANO SAXOPHONE&#13;
Sylvan Wilkinson &#13;
EUPHONIUM&#13;
Muskan Guglani* Senora Dunford &#13;
TUBA &#13;
Aaron Kruger* Spencer Robinson &#13;
FLUTE &#13;
Lauren Debeljak* Sophia Adames Cleary Manning Spencer Leong Cowie Adam Rabski &#13;
OBOE &#13;
Andrew Montgomery &#13;
ALTO SAXOPHONE &#13;
Xavier Marican* Sylvan Wilkinson MadisonWang &#13;
TENOR SAXOPHONE&#13;
BethanieTran &#13;
TIMPANI	&#13;
Liven Carlson &#13;
BASSOON &#13;
Holly Edquist* Devin Hawthorne &#13;
BARITONE SAXOPHONE&#13;
Caiden Meyer &#13;
PERCUSSION&#13;
Ethan Page* Harbour Nolan Calvin Ransom Levi Viinikka Andrew Canil Aurora Wai &#13;
TRUMPET&#13;
Kyle Bates* Koshi Thompson Tark Kim&#13;
Heidi Goetz Marc Micu Arshia Radaei &#13;
CONTRABASSOON &#13;
Holly Edquist &#13;
FRENCH HORN &#13;
Natalie Ciurysek* Karlee Messer-Todd Max Niiranen Hannah Tas &#13;
TROMBONE &#13;
Eleanor Knight Cadence Pickering Jules Dawkins &#13;
PIANO &#13;
Harbour Nolan &#13;
CLARINET &#13;
Luke Ongman* Maeve Calhoun Sarah Carey Chris Ollinger Nishant Amatya Danica Smith Shawn Brescia &#13;
GUITAR &#13;
Matthew Stott &#13;
BASS CLARINET &#13;
Kate Kibble &#13;
CONTRABASS CLARINET Meghan Pimm &#13;
BASS TROMBONE &#13;
Amaya Sydor* &#13;
STAGE MANAGERS&#13;
Aaron Kruger Senora Dunford &#13;
MUSIC LIBRARIAN &amp; TEACHING ASSISTANT &#13;
Jamie Davis &#13;
&#13;
Conductor &#13;
Dr. Steven J. Capaldo &#13;
&#13;
Special Guest Soloist: Faustino Diaz - Trumpet, Trombone, Tuba&#13;
&#13;
* Principal &amp; section leader &#13;
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Jany Lu, piano</text>
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                    <text>Wind Patterns – Trumpet Trio Recital
Heidi Goetz, Koshi Thompson, Kyle Bates
Yousef Shadian, Piano.
Monday, April 1st, 2024, 5:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Fanfare for St. Edmundsbury

Benjamin Britten
(1913-1976)
Heidi Goetz, Trumpet
Koshi Thompson, Trumpet
Kyle Bates, Trumpet

Prelude No. 2

George Gershwin
(1898-1937)
Arr. Ridenour
Kyle Bates, Trumpet
Yousef Shadian, Piano

Sonatina for Solo Trumpet
Movement I
Movement II
Movement III

Peter Maxwell Davies
(1934-2016)

Koshi Thompson, Trumpet

Golden Hour

Cait Nishimura
(b. 1991)
Heidi Goetz, Trumpet
Yousef Shadian, Piano

- Intermission -

Please silence all electronic devices.

�Rustiques

Eugène Bozza
(1905-1991)
Arr. Marlatt
Kyle Bates, Trumpet
Yousef Shadian, Piano

Aria con Variazioni

George Fredrich Handel
(1685-1759)
Trans. Fitzgerald
Heidi Goetz, Trumpet
Yousef Shadian, Piano

Légénde

George Enescu
(1881-1955)
Koshi Thompson, Trumpet
Yousef Shadian, Piano

Victoria Waltz - Trio

Leonard B. Smith
(1915-2002)
Kyle Bates, Trumpet
Koshi Thompson, Trumpet
Heidi Goetz, Trumpet
Yousef Shadian, Piano

Heidi Goetz, Koshi Thompson, and Kyle Bates are from the class of Professor Merrie Klazek.

Please join us for a reception to follow in the Lounge.

Please silence all electronic devices.

�</text>
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                    <text>Celebrating Her Harmonies: A Classical Era
Recital for International Women’s Month
Yvonne Usseni, Soprano
Heather Byford, Piano
Grace Vermette, Soprano
March 30th 2024, 7pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Liebst du um Schönheit
(1819 – 1896)

Clara Schumann
(1819 – 1896)

Spesso per entro al petto

Barbara Strozzi
(1619 - 1677)

Abendbild

Fanny Mendelssohn-Hensel
(1805 – 1847)

L’heure Exquise

Regine Poldowski
(1879 – 1932)

Three Heine Duets
I. Wenn ich in deine Augen sehe

Fanny Mendelssohn-Hensel
(1805 - 1847)

Grace Vermette, Soprano
— INTERMISSION —
Per la più vaga e bella
(1587 – ca. 1641)

Francesca Caccini
(1587 – ca. 1641)

Bergeslust
(1805 - 1847)

Fanny Mendelssohn-Hensel
(1805 - 1847)

The Glory of the Day Was in Her Face
(1887 - 1953)
Romance a la Nuit
(1789 - 1831)

Florence Price
(1887 - 1953)
Maria Szymanowska
(1789 - 1831)

Lorelei

Clara Schumann
(1819 - 1896)

(1819 - 1896)

Yvonne Usseni is from the class of Professor Anne Grimm
Please turn off all cell phones.

�Liebst du um Schönheit
If you love for beauty,
O love not me!
Love the sun,
She has golden hair!
If you love for youth,
O love not me!
Love the spring
Who is young each year

If you love for riches
O love not me!
Love the mermaid,
Who has many shining pearls!
If you love for love,
Oh yes, love me!
Love me always;
I shall love you forever!

Spesso per entró al petto
Sometimes within my heart
something goes on, I don’t know what,
and I can’t say if it's
torture or delight.
Then I feel that I'm dying
of an unknown affliction.
It would sure be funny
if it turns out to be lovesickness.

Whenever I’m near
fairest Clori,
a fire is lit in my breast
that pleases and torments at the same time.
I feel my heart divided
between ice and flame.
It would sure be funny
if it turns out to be lovesickness.

Abendbild
A peaceful evening descends on the fields;
Nature gently falls asleep, around her features
Floats the soft veil of twilight, and she,
The gracious one, smiles;

Smiles, a slumbering child in the arms of her father,
Who bends lovingly over her; his divine
Eye dwells on her, and his breath passes
Over her countenance.

L’Heure Exquise
The white moon
Gleams in the woods;
From every branch
There comes a voice
Beneath the boughs…

A vast and tender
Consolation
Seems to fall
From the sky
The moon illuminates

O my beloved.

Let us dream, it is the hour.

The pool reflects,
Deep mirror,
The silhouette
Of the black willow
Where the wind is sleeping
Let us dream, it is the hour

Wenn ich in deine Augen sehe
When I gaze into your eyes,
All my pain and woe vanishes;
Yet when I kiss your lips,
I am made wholly and entirely healthy.
When I lay against your breast
It comes over me like longing for heaven;
Yet when you say, "I love you!"
I must cry so bitterly.

�Per la piu vaga e bella
For the most charming and beautiful Earthly star,
That today hides Phoebus’ golden rays,
My heart once burned;
Love laughed,
Longing to tell of my anguish.
But having been scoffed at,
Deeply repentant,
Your devotion healed my heart.
Therefore I keep the faith,
With whoever does not believe,
That love is the only God of all delights.

Bergeslust
Ah, the joy of gazing from the mountain
Far over wood and stream,
With the blue, pellucid vault of heaven
Arching overhead!

The clouds drift down,
The little bird plummets,
Thoughts and songs go winging on
Till they reach the kingdom of heaven
Till they reach the kingdom of heaven

Little birds and clouds
Fly swiftly from the mountain,
Thoughts skim past
The birds and the wind.

Romance a la Nuit
Ah! If you can bring back my Amante,
Veil your steps on this high tower,
Deep night will be bright for me
Much more than a beautiful ray of the day.

Can’t you, stream in this plain,
Less murmuring afraid of disturbing pleasure.
Ah! See it myself in my pain,
Keep half of my sign in my bosom.

No more singing plaintive turtle dove,
Sweet songs can awaken the jealous.
Must cherish and protect my beautiful
Is sweet, tender and simple like you.

Lorelei
I do not know what it means
That I should feel so sad;
There is a tale from olden times
I cannot get out of my mind.

She combs it with a golden comb
And sings a song the while;
It has an awe-inspiring,
Powerful melody

The air is cool, and twilight falls,
And the Rhine flows quietly by;
The summit of the mountains glitters
In the evening sun.

It seizes the boatman in his skiff
With wildly aching pain;
He does not see the rocky reefs,
He only looks up to the heights.

The fairest maiden is sitting
In wondrous beauty up there,
Her golden jewels are sparkling,
She combs her golden hair.

I think at last the waves swallow
The boatman and his boat;
And that, with her singing,
The Loreley has done

*These translations have been acquired with permission from the Oxford International Song Festival ©️ and the LiederNet Archive ©

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Heather Byford, Piano &#13;
Grace Vermette, Soprano</text>
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