22 10 1498 https://finearts.uvic.ca/music/archive/files/original/15311139b91a0d6f82c1286a27828b75.pdf 271a954a73505bf8f37c03e6476e2486 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA Faculty Concert Series The Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Saturday, February 7, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission: $25 �PROGRAM String Quartet in B-flat Major, KV 458 Allegro vivace assai Menuetto : Moderato Adagio Allegro assai W.A. Mozart (1756–1791) Threnody for String Quartet Poco mosso Adagio molto Lento Passionata—Allegro con brio Jean Coulthard (1908–2000) I nt e r m i s s i o n (Beverages and snacks available at the concession located in the lounge) String Quartet in A minor, Op. 132 Assai sostenuto—Allegro Allegro, ma non tanto Molto adagio Alla Marcia, assai vivace Piu allegro—Allegro appassionato Ludwig van Beethoven (1770–1827) �Lafayette String Quartet Described as “Splendid… powerful and riveting in every way” (New York Times), the Lafayette String Quartet, comprised of its four founding members, has established itself among the world’s leading chamber ensembles. Artists-in-Residence at the University of Victoria’s School of Music in British Columbia since 1991, their dedication and skill have played a major role in building one of the finest music schools in Canada. In addition to quartet performances and collaborating with colleagues in the School of Music, members of the quartet teach individual lessons, coach chamber music groups, and give studio masterclasses on a weekly basis. They have been principal players of the Galiano Ensemble of Victoria since its inception and continue to serve the community promoting strings in the public schools through outreach programs and the strings mentoring course at UVic. In June, they offer Quartet Fest West, an intensive quartet seminar that brings together young musicians from all over world. Their annual Health Awareness Forum offers timely insights from top health experts on a wide range of topics. Formed in 1986 in Detroit, Michigan, the Lafayette String Quartet began their teaching and performing careers as the resident quartet at the Center for Creative Studies - Institute of Music and Dance, (Detroit) and Oakland University in Rochester, MI. Early in their career, they garnered major competition prizes, including the Portsmouth International String Quartet Competition, the Cleveland Quartet Competition, and the Grand Prize at the Fischoff National Chamber Music Competition. They embarked on extensive study with chamber musicians of international stature, including the Cleveland Quartet at the Eastman School, members of the Amadeus and Alban Berg Quartets, and long-term coaching from their mentor, the late Rostislav Dubinsky, former Primarius of the Borodin Quartet. The Quartet enjoys an international concert career, performing in the major concert halls of the world including London at Wigmore Hall, Amsterdam at the Concertgebouw, and the Mozarteum in Salzburg. The Lafayette Quartet performs music from all eras of the quartet literature. Celebrating landmark years they have performed the complete Beethoven String Quartets and commissioned and premiered works by major North American composers, among them R. Murray Shafer’s 11th String Quartet, David Jaffe’s Fox Hollow, and Eugene Weigel’s Search. They have recently recorded the piano quintet by Shostakovich and Kelly Marie-Murphy’s quintet Distance and Motion, written for the Lafayette Quartet and pianist Alexander Tselyakov in celebration of the Pender Harbour Chamber Music Festival’s 10th anniversary. Look for the CD release this June during Quartet Fest West ‘15. For their 30th anniversary the Quartet is preparing to perform the complete quartets of Shostakovich. Their recordings on the Dorian label (including the piano quintets by Dvorak, and quartets by Shostakovich, Tchaikovsky, Borodin and Stravinsky), and the AdLar label (featuring the music of Murray Adaskin), have received universal critical acclaim. Their CD “Death and the Maiden” on the CBC label was awarded a Western Canadian Music Award for Outstanding Classical Recording. The members of the Lafayette Quartet have been awarded honorary degrees from University Canada West and UVic’s Craigdarroch Award for Excellence in Research. They are the subject of the book The Four and the One, by David Rounds. ��Upcoming Events Monday, February 16, 4:00 p.m. to 5:30 p.m. (Free admission) Orion Series in Fine Arts presents GUEST LECTURE: DAVID BEHRMAN, COMPOSER (New York) How We Got Here: some notes on six decades of sound art exploration In this informal lecture-demo, Behrman discusses changes in the nature and sensibility of works by him and some of his colleagues as one explosive decade succeeded another and as the 20th Century gave way to the 21st. Rm. A169, MacLaurin Building, A-Wing Monday, February 16, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Michelle Mares. Phillip T. Young Recital Hall Tuesday, February 17, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, February 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music piano students. Phillip T. Young Recital Hall Saturday, February 21, 8:00 p.m. ($18 & $14) FACULTY CONCERT SERIES 19th-century Women Composers of Song A recital of songs by 19th-century women composers, featuring the UVic Chamber Singers, faculty and alumni of the School of Music, and faculty of the Victoria Conservatory of Music. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020715-FacultyRecital/020715-Lafayette_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020715-FacultyRecital/020715-Lafayette_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020715-FacultyRecital/020715-Lafayette_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - The Lafayette String Quartet Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 7, 2015 Contributor An entity responsible for making contributions to the resource Ann Elliott-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello https://finearts.uvic.ca/music/archive/files/original/cd7a7b4e62020b4ca263654389caccd9.pdf 41d95ebe0485725090dc835b1562d6e0 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA One Ring to Rule Them All Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Friday, February 6, 2015 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults $15 / Students & Seniors $10 �Program Symphony No. 1: The Lord of the Rings I. Gandalf [The Wizard] II. Lothlórien [The Elvenwood] III. Gollum [Sméagol] IV. Journey in the Dark a. The Mines of Moria b. The Bridge of Khazad-Dum V. Hobbits Johan de Meij Intermission Jason and the Golden Fleece I. Jason and the Argonauts Elizabeth Raum UVic Trombone Choir Scott MacInnes, Conductor Sheltering Sky John Mackey Salvation is Created Pavel Tschesnokoff David P. Gagnon, Conductor Prairie, Ride, and Sunset John Estacio David P. Gagnon, Conductor �UVIC WIND SYMPHONY PERSONNEL PICCOLO Cooper Reed CONTRA BASS Adam Jasieniuk FLUTE I Sierra Phosy* Jillian Broughton II Bailey Finley Monica Mun BASSOON Lee Whitehorne OBOE Theresa Mothersill Allison Phillips ALTO SAXOPHONE I Sean Maynard* II Austin Nicholl ENGLISH HORN Allison Phillips Eb CLARINET Erin Onyschtschuk TENOR SAXOPHONE Julian Malinowski CLARINET I Marcella Barz* Samuel He II James Yi Sunny Chu William Constable III Mark Kim Jynelle Grigg Alina Liang ‡ CORNET/ TRUMPET Matthew Maclean* Justin Bury Alex White Emily McDermid John Hamblett Jordan Smale BASS CLARINET Kylie Flower SOPRANO SAXOPHONE Austin Nicholl BARITONE SAXOPHONE Matthew Bell FRENCH HORN I Samuel McNally* II Drake Lovett III Simon Dawkins IV John Millsip TROMBONE I Eric Showers* II Owen Worby III Zachary Power ‡ BASS TROMBONE Zoe McLaren EUPHONIUM Jaclyn Kreke* Kevin Gavaghan TUBA Dayna Waller* DOUBLE BASS Blake Palm PERCUSSION Erika Buerfeind* Allyssa Haigh* Julia Albano-Crockford David Lochead Tamara Nemeth William Exner TIMPANI Tristan Holleufer* PIANO James Yi * Principal ‡ Lord of the Rings TROMBONE CHOIR Scott MacInnes, Conductor Trombones: Brandon Chaplin, Liam Caveney, Owen Worby, Zachary Power, Josh Yates, Eric Showers, Trevor Hoy, Zoe McLaren Percussion: Allyssa Haigh, Julian Albano-Crockford Timpani: Tristan Holleufer www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WindSymphony/020615-WindSymph_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WindSymphony/020615-WindSymph_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WindSymphony/020615-WindSymph_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WindSymphony/020615-WindSymph_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WindSymphony/020615-WindSymph_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony - One Ring to Rule Them All Creator An entity primarily responsible for making the resource Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2015 Contributor An entity responsible for making contributions to the resource Dr. Gerald King, Conductor; David P. Gagnon, Graduate Assistant Conductor https://finearts.uvic.ca/music/archive/files/original/7bf00281ebda97f2c34f54baa03f8992.pdf c7883cbdb160c3bce62612bf7c6e002d PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES BRUCE VOGT PIANO Friday, February 27, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �PROGRAM Rondo in A minor, K. 511 (1787) W. A. Mozart (1756–91) Aux Cyprès de la Villa d’Este No. 1: Thrénodie from Années de Pèlerinage,Troisième Année (c. 1877) Variations on a Bach motive: Weinen, Klagen S. 180 (1862) Franz Liszt (1811–86) F. Liszt I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Die Taubenpost (The Courier Pigeon) (poem by Johann Gabriel Seidl, 1804–1875) Franz Schubert (1797–1828) Sonata No. 21 in B flat major, D. 960 (1828) Molto moderato Andante sostenuto Menuetto Rondo F. Schubert �PROGRAM NOTES W. A. Mozart The Rondo in A minor, Kv. 511 was written in 1787 for no known commission. It is certainly one of Mozart’s most original and personal compositions. A powerfully chromatic harmonic language combined with a unique contrapuntal mastery dominate the various statements of the rondo theme as well as the two extensive episodes and the coda. Mozart, along with Chopin, is the greatest master of expressive ornamentation, and the way in which each statement of the main theme is intensified through elaboration is unforgettably poignant. Franz Liszt Liszt’s last years were spent teaching and composing. He did nothing to make his compositions known and even discouraged his students from playing them. “Yet there still remain several things for me to say, irrespective as to whether they may be quickly understood or recognized. Sometime when I am no longer of this earth, the rest will find itself. I can calmly await the event while I go on working, and meanwhile composedly expiate my virtuoso reputation with the disapproval my compositions have excited.” But it was not until the enthusiastic endorsement of Bartók and Busoni that these late works were recognized for what they are—a most astounding anticipation of major new paths which music was to follow. In their radical simplicity, obsessive rhythms and strange harmonies, they take the listener to the very brink of tonality. Liszt spent a good part of each year from 1864 onwards in the Villa d’Este— a 16th-century castle in a park in Tivoli near Rome. It is famous for its ancient cypresses, which became the inspiration for Aux Cyprès de la Villa d’Este (To the Cypresses of the Villa d’Este). This work is the first of two threnodies, two ruminations on the ephemeral nature of existence. “For three whole days, in September 1877, Liszt spent every hour of sunlight and as much of night as was made visible by the moon, in admiration of the cypresses. They obsessed his thoughts to the exclusion of all else.” (Sacheverell Sitwell) Liszt’s Variations on a Motive from Bach’s Cantata “Weinen, Klagen, Sorgen, Zagen” were written in 1862 after the death of Liszt’s eldest child Blandine. Its atmosphere reflects the darkening repetitions of the chromatic falling bass line from Bach’s Cantata No. 12: Weinen, Klagen, Sorgen, Zagen…sind der Christen Tränenbrot (Weeping, plaints, sorrows, fears are the Christian’s lot). These variations might better be termed “Passacaglia” like the first chorus of Bach’s Cantata. In fact, after the introduction, Liszt begins by quoting Bach’s �opening chorus, using it as a point of departure for the expression of unrelentingly grief, rage, despair, dark resignation. The final section of Bach’s Cantata is the chorale Was Gott tut, das is wohlgetan (What God does is for the best). In Liszt’s work, this same chorale comes as a miraculous consolation after a dramatic build-up of almost unbearable chaos. Franz Schubert “Schubert’s tonality is as wonderful as star clusters, and a verbal description of it is as dull as a volume of astronomical tables.” [D. F. Tovey] “The art of Music has here entombed a rich treasure but yet much fairer hopes.” Those are the words inscribed on Schubert’s tombstone. Certainly we can think with regret of the many works that he surely would have created had he been given something of a normal life span, and yet his achievement in his brief span of active composing years is remarkable and needs no disclaimer. Schubert, at the time of his death, was well known only to his circle of friends and even they knew him mostly as a song composer. His achievement as a composer of instrumental music was not at all understood. How could it be, when most of his instrumental works were not yet published? Many of them would not be heard for decades. His nine symphonies (seven complete), fifteen string quartets, many other chamber works, twenty-one piano sonatas (thirteen complete), masses, other choral works and much, much more—these were almost all unknown. When these works were finally being heard and pondered over, they were too often patronized as formally flawed. Even fifty years ago it was not uncommon to hear many of Schubert’s instrumental works characterized as undisciplined. There were a few champions of note. Liszt and Brahms both recognized the greatness of Schubert as an instrumental composer, and in 1894, Antonín Dvořák wrote these words: “[He] is never at fault in his means of expression, while mastery of form came to him spontaneously…Schubert’s musical individuality is unmistakable. . .” The stature of Schubert’s piano sonatas took a particularly long time to be recognized. It was long thought that it was only in shorter works—such as his Impromptus and Moments Musicaux—that his genius for instrumental writing could thrive. His sonatas were typically seen as diffuse and overly repetitive. It was not until the 1920s, especially with the advocacy of the Austrian pianist Artur Schnabel, that some of the sonatas began to be established in the repertoire, and it is only in the last few decades that competent editions of his sonatas have appeared. In his lifetime only three sonatas were published and yet at least ten of the twenty-one sonatas are major works. �The last year of Schubert’s life was marked by growing public acclaim for the composer’s works, but also by the gradual deterioration of his health. On March 26, 1828, a concert of his music in Vienna was a great success. There was also renewed interest in publishing his works. Schubert’s health had been precarious since 1822–23 when he contracted syphilis. In spite of this he led a relatively normal life until September 1828 when his health began to decline more precipitously. A move to his brother Ferdinand’s house, at the advice of his doctor, may have worsened his condition. The poor sanitary conditions in that part of the city may have led to the typhoid fever which took his life on November 19 of that year. Yet, until the very last weeks of his life he composed steadily and in the last few months wrote some of his greatest works including the song cycle Winterreise, the song collection Schwanengesang, the Mass in E flat major, D. 950, the String Quintet in C, D. 956 and the Piano Trio in E flat, D. 929. In September of that year he completed his last three piano sonatas. Certainly Schubert recognized the importance of these last works. One can hear both impatience and a certain pride and confidence in the letter he wrote to a prospective publisher less than seven weeks before his death: October 2nd, 1828 To Schott and Probst: (to Probst) Sir! I have been asking myself when the trio [Piano Trio in E flat, not published in full until 1886] will finally appear? Have you not yet decided the opus number? It is No. 100. I await its appearance with longing. Among other things I have composed three sonatas for pianoforte which I should like to dedicate to Hummel. I have also set several songs by Heine from Hamburg which were extraordinarily well-liked here [the six Heine Lieder subsequently published as part of Schwanengesang] and finally a quintet for two violins, one viola and two violoncellos [String Quintet in C, D. 956, opus 163, which was not published until 1853]. I have played the sonatas in several places to great applause, but the quintet is to be rehearsed shortly. If any of these compositions seem to be suitable for you, please let me know. Respectfully yours Frz. Schubert. It is tempting to hear in the last Sonata in B flat major, D. 950, a kind of valediction, a farewell to life, a profound acceptance of the mystery of death, of oblivion. Yet clearly Schubert did not realize he was so soon to die: while on his sick-bed, he wrote to his friend Schober, asking for more novels of James Fenimore Cooper. This is the equivalent of a modern convalescent requesting more novels of Dan Brown—an unlikely request indeed to be made from one’s death-bed! However Schubert certainly knew that he had not long to live—there was no cure for syphilis at that time. �The three last sonatas were not published in his lifetime. Instead his brother Ferdinand sold the autographs to the publisher Anton Diabelli, who published them in 1839 with a dedication to Robert Schumann, who had been one of the first to recognize the genius of Schubert’s instrumental works. The range of mood in this last sonata is extraordinary. The meditative mood of the first movement sinks into one of despair in the second movement, and thence to lighter celebration in the last two movements. It was a matter of confusion to the later romantics how Schubert could follow music of profound depths and sorrow with joyous, playful music. But this is partly, perhaps, the Viennese spirit—a kind of illustration of the Austrian attitude—that “The situation is desperate, but not serious”. And yet, more profoundly, Schubert did not see the fact of death as tragic. For Schubert, death was a friend, the great consoler. In a letter to his father, written in 1825, he made this clear in teasing reference to one of his brothers: My best greetings to [brother] Ferdinand…I am certain that he has been ill 77 times again, and fancied himself 9 times at least on the point of death—as though dying were the worst evil we mortals had to face. If only he could see these marvellous mountains and lakes, whose aspect threatens to crush us or swallow us up, he would become less enamoured of the tiny span of human life, and would be ready joyfully to give his body to the earth, to be quickened by its incomprehensible forces into new life. It is probable that Die Taubenpost was Schubert’s last song and perhaps his last composition. It was written in October of 1828 shortly before his death and was published in 1829 as the last of a set of fourteen songs which the publisher attempted to pass off as a song cycle called Schwanengesang (Swan Song). Most of the other songs in this collection are intense, in a new style. Die Taubenpost in a sense reverts to a lighter, unpretentious style yet its mastery is undeniable (Fischer-Dieskau calls it “first-class Schubert.”) The poet speaks of a carrier-pigeon in his service who delivers message after message to the beloved. Only at the end of the song do we learn that the carrier pigeon is a symbol of “longing… the messenger of faithfulness.” Bruce Vogt �UPCOMING EVENTS Saturday, February 28, 2:30 p.m. (Free admission) THANK-YOU CONCERT The School of Music says Thank-You to our concert-goers, the community, and supporters with a wonderful afternoon of music. Phillip T. Young Recital Hall Saturday, February 28, 8:00 p.m. (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall Sunday, March 1 (Admission by donation) GUEST MASTERCLASS & CONCERT: Kate Prestia-Schaub, piccolo With Martin Kennedy, piano Flute Masterclass: 3:15–5:30 p.m. | Concert: 5:30–6:30 p.m. Performing music by Antonio Vivaldi, Francois Couperin, Mike Mower, Alessandro Cavicci, Martin Kennedy, and others. Phillip T. Young Recital Hall Wednesday, March 4, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Thursday, March 5, 4:00 p.m. to 5:30 p.m. (Free admission) GUEST LECTURE: The Speculative Experience of Composing Music Toronto-based composer and School of Music alumna, Linda C. Smith, presents: The Speculative Experience of Composing Music Thursday, March 5, 8:00 p.m. (Admission by donation) SONIC LAB: Current Exchange Rate of Sixpenny-concepts UVic’s contemporary music ensemble performs works by Gerald Barry, Anton Webern and Karlheinz Stockhausen. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_01.mp3">track1</a> **technical fault, missing start of track 1**<br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022715-FacultyRecital/022715-Faculty_06.mp3">track6</a> encore Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Bruce Vogt, piano Creator An entity primarily responsible for making the resource Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource February 27, 2015 Contributor An entity responsible for making contributions to the resource Bruce Vogt, piano; Benjamin Butterfield, tenor https://finearts.uvic.ca/music/archive/files/original/12a63da5cf2977090602c7f625695fef.pdf ad63f2f7346c19f6f7bf04f098d4c075 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Violin SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Class Recital Students from the studio of Sharon Stanis Sunday, February 22, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Partita No. 3 in E major, BWV 1006 Giga J.S. Bach (1685–1750) Caprice No. 7 in A major Moderato Pierre Rode (1774–1830) Emily MacCallum, violin Sonatine Baroque Adagio Andante Murray Adaskin (1906–2002) Chloe Kim, violin Sonata for Violin and Piano in B flat major, K. 454 Andante Violin Concerto, Op. 14 Allegro W. A. Mozart (1756–1791) Samuel Barber (1910–1981) Raina Saunders, violin Laura Altenmueller, piano Marche Miniature Viennoise Jasmine Mather, violin Iris Hung, piano Intermission Fritz Kreisler (1875–1962) �Violin Sonata in D major, Op. 12, No. 1 Allegro con brio L. van Beethoven (1770–1827) Nanau Loewen, violin Jany Lu, piano Concerto No. 1 in G minor, Op. 26 Adagio Linda Donn, violin Alison Saunders, piano Violin Concerto in C major, Op. 48 Allegro molto e con brio Max Bruch (1838–1920) Dmitry Kabalevsky (1904–1987) Jessica d’Oliveira, violin Yuko Imai, piano Tambourin Chinois Natalie Dzbik, violin Thomas Nicholson, piano Sonata for Violin and Piano in G minor Allegro vivo Chloe Kim, violin Frances Armstrong-Douglas, piano www.finearts.uvic.ca/music/events Fritz Kreisler (1875–1962) Claude Debussy (1862–1918) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022215-ViolinClassRecital/022215-ViolinClass_11.mp3">track11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Class Recital - students from the studio of Sharon Stanis Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource February 22, 2015 https://finearts.uvic.ca/music/archive/files/original/d50a84c9d0d5b4185c085d6794dc02b6.pdf c8bc13f2cf87bfccd302a9ad0917c1eb PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Piano Class SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Recital Students from the class of Arthur Rowe Thursday, February 26, 2015 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM French Suite No. 5 in G major, BWV 816 Allemande Courante Sarabande Gavotte Michelle Hoskin J. S. Bach (1685–1750) Sonata in A minor D. 845 Moderato James Yi F. Schubert (1797–1828) Polonaise Fantasie Op. 61 Zinna Kwon F. Chopin (1810–1849) Rivers 2 Menuet sur le nom d’Haydn Joey Liao A. Southam (1937–2010) M. Ravel (1875–1937) Concerto in G minor, BWV 1058 Allegro Chris Hsu J. S. Bach Two Romanian Dances, Op. 8a 1. Allegro vivace Emmett Robinson Smith B. Bartók (1881–1945) The Serpent’s Kiss (a rag fantasy) Sarah Tao W. Bolcom (b. 1938) I NT E R M I S S I O N �Holiday Diary Early morning bathe Sailing Fun-fair Night Elizabeth Clarke B. Britten (1913–1976) Etude de Concert No. 3 (Un Sospiro) Faye Blackburn F. Liszt (1811–1886) Desperate measures (Paganini Variations) Susan Winmill R. Muczynski (1929–2010) Hungarian Rhapsody No. 13 in A minor Solomon Cheung F. Liszt Nocturne in E minor, Op. 72 Jihyun Park F. Chopin Impromptu No. 4, Op. 66 (Fantasy Impromptu) Seira Hayakashi F. Chopin Sonata No. 3 in B minor Op. 58 F. Chopin Presto, Allegro non tanto Thomas Nicholson www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022615-PianoClassRecital/022615-Pianoclassrecitalrowe_15.mp3">track15</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Class Recital - students from the studio of Arthur Rowe Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource February 26, 2015 https://finearts.uvic.ca/music/archive/files/original/7bade4d10560b4b4b81dfa643bbcecb5.pdf 75d2c6db7f9b6601c8ba2326265f3fad PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria February 24, 2015 • 12:30 p.m. Violin Concerto in D Minor III. Allegro ma non troppo Aliayta Foon-Dancoes, violin Louise Hung, piano Jean Sibelius (1865–1957) Music 347B Improvisation Demonstration, from the class of Alexandra Pohran Dawkins Kelsey Dupuis, flute Dominic Thibault, clarinet Sean Maynard, saxophone Lucas Fultz-Zentner, saxophone Matt Logan, violin Mitch Anderson, piano Harry Han, piano Yuko Imai, piano Kelsey Wheatley, soprano Eight Russian Folksongs Anatoly Lyadov Religious Chant (1855–1914) Christmas Carol Plaintive Song Cradle Song Legend of the Birds Bailey Finley, flute Theresa Mothersill, oboe Mark Kim, clarinet Drake Lovett, horn Phillip Derochie, bassoon The Spirit of Ink Alan Hovhaness I. Apparition of the eternal one (1911-2000) II. Sunrise birds III. Salutation of dawn Jillian Broughton, flute Monica Mun, flute Kelsey Dupuis, flute Marche Miniature Viennoise Jasmine Mather, violin Iris Hung, piano UPCOMING AT THE SCHOOL OF MUSIC Wednesday, February 25, 8:00 p.m. - 9:30 pm (Admission by donation) PIANO CLASS RECITAL Featuring students from the studio of Eva Solar-Kinderman. Phillip T. Young Recital Hall Thursday, February 26, 8:00 p.m. - 10:00 pm (Admission by donation) PIANO CLASS RECITAL Featuring students from the studio of Arthur Rowe Phillip T. Young Recital Hall Friday, February 27, 8:00 p.m. - 10:00 pm ($18 regular / $14 students, seniors & alumni) FACULTY CONCERT SERIES Bruce Vogt, piano Piano virtuoso, Bruce Vogt, performs works by Mozart, Liszt and Schubert. With special guest, Benjamin Butterfield (tenor). Phillip T. Young Recital Hall Fritz Kreisler (1875–1962) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022415-Tuesdaymusic/022415-TuesdayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022415-Tuesdaymusic/022415-TuesdayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022415-Tuesdaymusic/022415-TuesdayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022415-Tuesdaymusic/022415-TuesdayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022415-Tuesdaymusic/022415-TuesdayMusic_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 24, 2015 https://finearts.uvic.ca/music/archive/files/original/0df4d0c3a2d8f8afa179bb792af3a76f.pdf 6359460122522b6574108c51a457c4de PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Piano Class SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Recital Students from the class of Eva Solar-Kinderman Wednesday, February 25, 2015 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Faschingsschwank aus Wien (1839) I. Allegro Sophia Stoney Robert Schumann (1810–1856) Sonata in F sharp major, op. 78 (1807) Ludwig van Beethoven Adagio cantabile, Allegro ma non troppo (1770–1829) Vanessa Lee Sonata in F major Hob. XVI/23 (1773) III. Presto Hehley Park Franz Josef Haydn (1732–1809) Waltz in A flat major, op. 45, no. 5 (1840) Frederick Chopin (1810–1849) Harry Han Sonetto 104 del Petrarca (1846) Michael Lee Bagatelle op.59, no. 5 (1991) Antonia Whelan Franz Liszt (1811–1886) Nikolai Kapustin (b.1937) Prelude and Fugue in D major, op. 78, no. 5 (1950-51) Dimitri Shostakovich (1906–1975) Peter Weinkam I NT E R M I S S I O N �Sonata in c sharp minor, op. 27, no. 2 “ Moonlight” (1801) Finale: Presto Ludwig van Beethoven Angie Lo Les Collines d’Anacapri from the Preludes, Book I (1909) Claude Debussy (1862–1918) Alison Saunders Memories In An Ancient Garden from Scenes of a Jade Terrace (1966) Alexina Louie (b.1949) Kimberley Farris-Manning Kreisleriana op. 16 (1838) I. Molto agitato II. Molto affettuoso e non presto Robert Schumann Yuko Imai Ballade in A flat major, op. 47 (1841) Frederick Chopin Erik Leisinger www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022515-PianoClassRecital/022515-PianoClass_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Class Recital - students from the studio of Eva Solar-Kinderman Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource February 25, 2015 https://finearts.uvic.ca/music/archive/files/original/5ea9adb9d3e5b18f3f4fd54529defa08.pdf 42f4c6f3ee40fa13e77eb6f6323c7a34 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria February 27, 2015 • 12:30 p.m. Featuring School of Music voice students Messiah Come unto him, all ye that labour Dawn Yuan, soprano Vanessa Lee, piano George Frederic Handel (1685 - 1759) Bachianas Brasileiras No. 5 Heitor Villa-Lobos (1887 - 1959) Bahar M. Harandi, soprano Paul Joo, cello Joshua Amendt-Moylan, guitar La farfalletta Emily Stewart, soprano Iris Hung, piano Per pietà bell’ idol mio Tristan Chalcraft, tenor Ava Hoegl, piano Vincenzo Bellini (1801 - 1835) Immer leiser wird mein Schlummer Heather MacLeod, soprano Charlotte Hale, piano L’Heure Exquise Brittney Jette, soprano Matthew Sabo, piano Vincenzo Bellini (1801 - 1835) Johannes Brahms (1833 - 1897) Reynaldo Hahn (1874 - 1947) Don Quichotte à Dulcinée Maurice Ravel Chanson Romanesque (1875 - 1937) Xuguang Zhang, baritone Frances Armstrong, piano C’est ainsi que tu es Francis Poulenc (1899 - 1963) Natasha Penfield, soprano Season Wang, piano La Perichole Jacques Offenbach Ah! Quel diner (1819 - 1880) O mon cher amant Fu-Hsien Shen, mezzo-soprano Emily Armour, piano Samson et Dalila Camille Saint-Saëns Mon coer s’ouvre a ta voix (1835 - 1921) Marlena Kurek, mezzo soprano Frances Armstrong, piano Romeo et Juliette Que fait tu blanche tarterelle Kassandra Schantz, mezzo-soprano Louise Hung, piano Charles Gounod (1818 - 1893) Le nozze di figaro Wolfgang Amadeus Mozart Porgi amor (1756 - 1791) Laura Giffen, soprano Charlotte Hale, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022715-Fridaymusic/022715-FridayMusic_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 27, 2015 https://finearts.uvic.ca/music/archive/files/original/affdacba8a973c66a15979e0a3052b6f.pdf eb44eedab7645439c1bfa87e6c1edf40 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA Composers Concert Featuring works by School of Music Composition students Saturday, February 28, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Matrix Variations for String Quartet 1. Allegro molto progressivo 2. Adagio Varioso Natalie Dzbik, violin Emily MacCallum, violin Sarah de Niverville, viola Paul Joo, cello The Radiance of Wavelets in Changing Light... Alex Klassen Brandon Chow Adam Jasieniuk, soprano saxophone Dominic Thibault, clarinet William Constable, clarinet (untitled)/for Karin Alexander Simon Recorded sounds played by: Matt Antal, viola Calvin Yang, viola Dave Riedstra, double bass Alexander Simon, singing bowl, piano, Wurlitzer Breach Jilaine Orton, violin Sarah de Niverville, viola I NT E R M I S S I O N Dave Riedstra �Shuffle Percussion: Tristan Holleufer Tamara Nemeth Julia Albano-Crockford DJ Lochead Séan Maynard Asthma Brandon Chow Gillian Newburn, flute Chansons pour l’hiver: I, II Natalie Dzbik Elizabeth Gerow, soprano Thomas Nicholson, piano number three Thomas Nicholson Jilaine Orton, violin
 Sarah de Niverville, viola
 Christopher Reiche, piano
 Thomas Nicholson, Cage clock www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_01.mp3">track1</a> (Chow)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_02.mp3">track2</a> (Klassen)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022815-ComposersConcert/022815-Composers_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers Concert - featuring works by School of Music Composition Students Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource February 28, 2015 https://finearts.uvic.ca/music/archive/files/original/fef8e7928cacacffc77bc99f25310a48.pdf a62a6c0f93951ad97f85f38da46e40d0 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Thank-you SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Concert This concert is presented in appreciation of our concert-goers, the community and those who support School of Music scholarships and bursaries. v Please join us for a reception in the lobby following the concert v Saturday, February 28, 2015 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission �Program Brass Quartet Arthur Frackenpohl II. Moderately (b.1924) (Based on the Swedish Chorale: På dig jag hoppas, Herre Kär) III. Fast Matthew MacLean, Ian VanGils, trumpets Samuel McNally, horn Liam Caveney, trombone Maya for two flutes and piano Ian Clarke (b.1964) Cooper Reed, Gillian Newburn, flutes Frances Armstrong-Douglas, piano Beau Soir Claude Debussy (1862–1918) Kelsey Wheatley, mezzo-soprano Matthew Sabo, piano Suite No. 2 in D minor, BWV 1008 Prelude J.S. Bach (1685–1750) Joshua Amendt-Moylan, guitar String Quartet No. 10 in E flat major, “Harp”, op. 74 Ludwig van Beethoven Poco Adagio: Allegro (1770–1827) Raina Saunders, violin Aliayta Foon-Dancoes, violin Matt Antal, viola Ella Hopwood, cello �Suite in D Major Overture Gigue Aire (Menuetto) March (Bourée) March G.F. Handel (1685–1759) Matthew MacLean, piccolo trumpet Elizabeth Clarke, piano Quintet for winds op. 79 Allegro non troppo August Klughardt (1847–1902) Thomas Bauer, flute Teigan Cosgrove, oboe Dominic Thibault, clarinet Justin Malchow, horn, Matt Robertson, bassoon Batti, batti, o bel Masetto from Don Giovanni W.A. Mozart (1756–1791) Bahar Harandi, soprano Elizabeth Clarke, piano Piano Trio No. 1 in D minor, op. 49 Molto allegro ed agitato Felix Mendelssohn (1809–1847) Chloe Kim, violin Shiun Kim, cello Frances Armstrong-Douglas, piano www.finearts.uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/022815-ThankyouConcert/022815-ThankyouConcert_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thank-you Concert Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 28, 2015