21 10 1498 https://finearts.uvic.ca/music/archive/files/original/ea57ea858f01e8935235a1d204ae939c.pdf e36c552f807f21b82f49bf5f3f5208c6 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Orchestra UNIVERSITY OF VICTORIA Dancy Academics With Keenan Mittag-Degala, marimba soloist UVic Concerto Competition Winner Studio of Bill Linwood Ajtony Csaba, conductor Evan Hesketh, graduate conductor Friday, January 30, 2015 • 8:00 p.m. University Centre Farquhar Auditorium MacLaurin Building, University of Victoria Adults: $15 / Students & seniors: $10 �Program Johannes Brahms Academic Festival Overture Op. 80 Ney Rosauro Concerto for Marimba and Orchestra Saudação (Greetings) Lamento (Lament) Dança (Dance) Despedida (Farewell) Keenan Mittag-Degala, marimba Jean Sibelius Finlandia, Op. 26 Evan Hesketh, graduate conductor I n t e r m i s s i o n Ludwig van Beethoven Symphony No. 2 in D major, Op. 36 Allegro con brio Larghetto Scherzo, Allegro Allegro molto �BIOGRAPHIES Keenan Mittag-Degala Keenan Mittag-Degala, born in Seattle, Washington, began his studies on the drums under Jim Smith in Danville, California. He is trained in a large variety of musical styles on multiple instruments, from jazz drums, to folk guitar, and classical piano and percussion. He plays in multiple bands, jazz combos, and experimental projects all based in Victoria, B.C. When not performing, he composes, paints, song-writes, and records/produces an array of musical styles. He is currently studying percussion under Bill Linwood at the School of Music, University of Victoria in Victoria, B.C. Evan Hesketh Evan Hesketh began studying violin at age seven with Yasuko Eastman, who also introduced him to the viola a few years later. He holds a Bachelor of Music degree from the University of Victoria, where he studied violin with Ann Elliott-Goldschmid and viola with Joanna Hood and Yariv Aloni. Further studies led to a Master of Music degree at the Cleveland Institute of Music under the tutelage of Robert Vernon, Jeffrey Irvine, and Kirsten Docter. Evan has played in masterclasses for Pinchas Zukerman, James Dunham, Roger Tapping, Atar Arad, and Steven Dann. An award-winning chamber musician, Evan was a member of the Ariadne String Quartet, prizewinners at the 2012 Fischoff Competition, and the 2012 Coleman Competition. Quartet studies have been with members of the Lafayette, Cleveland, Cavani, Miro, Juilliard, Brentano, and Schoenberg quartets. Currently, Evan studies conducting at the University of Victoria on a full scholarship with Ajtony Csaba. He has conducted the UVic Orchestra, Victoria Civic Orchestra, and festival orchestras in Maine and New Hampshire. �Ajtony Csaba Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later piano and composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest simultaneously with Tamás Gál, András Ligeti, Uroš Lajovic, Peter Eötvös, Istvan Dénes and Zoltán Pesko. He was awarded many prizes as a conductor and composer, and was a semi-finalist in the first competition for opera in Cluj, Romania. He has had numerous concerts in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden, Webern Sinfonietta, Savaria Symphonic Orchestra, and Danube Symphonic Orchestra. In the 2003/04 season he was the assistant conductor and tutor of the Academy Orchestra Budapest and in 2005 was invited to be the assistant conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein with the RSO (Radio-Symphonieorchester, Wien) in 2007. Since 2006 he has served as the chief conductor of the Central European Chamber Orchestra, and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant to Peter Eötvös at the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus, Syria. In 2010 he was appointed as Assistant Professor at the University of Victoria, British Columbia where he conducts the UVic Orchestra and teaches conducting. �PROGRAM NOTES Johannes Brahms: Academic Festival Overture Op. 80 Brahms gave folk tunes considerable attention during his life. Besides countless vocal and choral arrangements, the Academic Festival Overture is one of the very few instrumental arrangements he wrote. In 1879, Brahms accepted the honorary doctorate offered by the University of Breslau (today Wrocław, Poland). He wrote this overture as a sign of his appreciation in 1880 and conducted the first performance in the presence of dignitaries from Breslau in 1881. A musical joke is hiding behind the supercilious title, a medley of four folk tune-like student songs, popular among students at explicitly nonacademic occasions such as parties or rituals. The overture quotes the melodies with minor adjustments, as main themes of a skilfully crafted sonata form. The song Wir hatten gebauet ein stattliches Haus (“We have built a stately house”) delivers the thematic material for the introduction. Themes of the main sonata form quote two further songs originally used in student rituals: Landesvater (student bonding rite song) and the Was kommt dort von der Höh? (freshman hazing ritual song). Festive ceremonies often conclude with the joyous hymn Gaudeamus igitur, which was originally sung in student taverns celebrating rather profane pleasures. In the Coda, Brahms counterpoints the traditionally festive melody with an elaborate baseline, ornamented by the obligato line of the violins that reminds us of occasional hiccups and the staggering of the over-joyous gathering. The Academic Overture has the largest instrumentation Brahms ever used, and possibly his only piece based on the idea of provocation, sly intellectual humour and unrestrained merriment. Ajtony Csaba �Ney Rosauro: Concerto for Marimba and Orchestra The Concerto for Marimba and Orchestra was written in June and July of 1986 in Brasília and is dedicated to the composer’s son Marcelo. The work was originally written for marimba and string orchestra and was premiered in the USA the same year with the Manitowoc Symphony Orchestra in Wisconsin under the direction of Manuel Prestamo. The Wind Ensemble version is arranged by Dr. Thomas McCutchen. With the commercial success of a 1990 CD and video by Scottish percussionist Evelyn Glennie and the London Symphony Orchestra, the Concerto rapidly came to be regarded as part of the standard literature for percussion. It is considered to be the most popular marimba concerto today, and has been performed by more than eight hundred orchestras worldwide. The concerto contains four movements—unusual for the concerto form—which follow the fast-slow-fast pattern, with the medium tempo third movement inserted before the vigorous finale. Some Brazilian motifs and jazz elements are used throughout the piece, which contains strong rhythmic patterns and catchy melodies. The marimba leads the thematic material throughout much the piece, and as a result, the marimba part of certain movements can be performed solo, without orchestral accompaniment. The solo part explores the many possibilities of modern four-mallet technique, and according to reviews from Percussive Notes magazine “the concerto is superbly written for the unique timbre and virtuoso technical qualities of the marimba.” www.neyrosauro.com Jean Sibelius: Finlandia, Op. 26 Throughout its history, Finland has suffered as a result of its geographic location between what is now Sweden and Russia. Whether ruled by the Swedish Empire or Russian Empire, the Nordic country didn’t become an independent nation until 1917. In 1899, the year that Finlandia was composed, Finland was under Russia’s control and had been for 90 years. �At the time, 34-year-old Sibelius was regarded as Finland’s leading composer but was relatively unknown internationally. He was asked to write music for a series of patriotic scenes that would be presented during a protest against censorship of the press. The finale of the suite was entitled Finland Awakes and the movement resonated deeply with its audience. One year later in 1900, Sibelius reworked the movement into a self-contained symphonic poem and changed the title to Finlandia. When the Helsinki Philharmonic played the work on its debut European tour in 1900, it was immensely popular and Sibelius became an international household name. The work opens with ominous chords in the brass that are in turn taken up by the winds and strings. After culminating in a statement of defiance, the music launches into a faster tempo, with crisp brass outbursts and churning lower strings. This turbulent section suddenly dissipates and is replaced by a jubilant march. Before the work’s exciting and triumphant conclusion, a hymn-like melody emerges, first played by the winds with a shimmering string accompaniment and then echoed more strongly by the strings. This stirring melody was reworked into a stand-alone piece by Sibelius and given lyrics in 1941 – it is one of the most important Finnish national songs. Evan Hesketh Beethoven: Symphony No. 2 in D major, Op. 36 Symphony No. 2 in D major, Op.36 was elaborated in the summer of 1802 in Heilligenstadt when Beethoven was fighting to get control over his life. In this period he will write his famous letter to his brothers known under the name of The Heilligenstadt Testament expressing the two attitudes so often found in the composer’s work: resignation in the face of death which he feels is so close and the revolt of a man who loved people in general, who was passionate about art and who was ambitious and eager to succeed. But even so, few instances betray the composer’s horrible turmoil. The themes of Part I are of an incredible vigor simulating a “joyful fanfare aria” , and the mirthfulness of the finale stand as proof of the vigor he had despite everything. It was performed in first audition with the composer himself as the conductor in Vienna on April 5th 1803, and can be justly considered “a touching addition to the Heilligenstadt Testament.” �The symphony starts with a slow introduction—Adagio molto—made up of three sections which representing the junction of thematic elements, dramatic and lyrical ones. Part I – Allegro con brio: is constructed in the shape of a sonata with a thematic material of great simplicity “leaving the impression of dignity, mature and serious vision of life, of destiny.” Part II – Larghetto: can be considered one of the high points of Beethoven ‘s creation. The themes are of great beauty and serenity expressing noble ideas sprung from a great deal of sorrow. Through a short Coda of just 16 bars this sonata-like segment ends under the auspices of joy and bliss. Part III – Scherzo, Allegro: is a very dynamic segment irrigated by life. For the first time in the structure of the symphony, a new movement appears, different from the minuet in expression and at the same time allowing the composer to fully express his vision and his feelings. Part IV – Allegro molto: is of great depth, musical and harmonic complexity. Prod’Homme was quoting a critic who saw this segment of the symphony as “a dragon ran through by a spear, not wanting to die and drained of blood wagging his tail around him.” www.all-about-beethoven.com Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker @uvic.ca. �ORCHESTRA PERSONNEL VIOLIN 1 Aliayta Foon-Dancoes* Chloe Kim* Raina Saunders Gabriel Cayer Peter Weinkam Jessica d’Oliveira Shijin Kim Jasmine Mather Ceilidh Briscoe ‡ VIOLIN 2 Nathalie Dzbik* Emily MacCallum Linda Donn Lena Ruiz Nanau Loewen Matthew Logan Brittany Tsui Andrew Montgomery ‡ VIOLA Matt Antal* Sarah de Niverville Joshua Gomberoff* Calvin Yang Fahlon Smith Evan Hesketh CELLO Ella Hopwood* Shiun Kim* Steven Jeon Alex Klassen Olivia Brotzell Paul Joo Nathalia Stoney Tara Rajah Liangyuan Zhao DOUBLE BASS Brock Foerster* Blake Palm Carroll Mackenzie FLUTE/PICCOLO Gillian Newburn* Thomas Bauer* Kelsey Dupuis OBOE Teigan Cosgrove* Patrick Conley CLARINET Erin Onyschtschuk* Dominic Thibault BASSOON Matthew Robertson* Eric Boulter CONTRABASSOON Lee Whitehorn HORN Colin Lloyd* Gina Davis Justin Malchow Duane Kirkpatrick James Waddell TRUMPET Ian Cohen* Ian VanGils Justin Bury TROMBONE Liam Caveney* Megan White Trevor Hoy TUBA Dayna Waller TIMPANI Brandon Chow PERCUSSION Camden McAllister* Will Exner Alyssa Haigh LIBRARIAN Sarah de Niverville Matt Antal STAGE MANAGERS Liam Caveney Paul Joo ASSISTANT Evan Hesketh * Principal ‡ Student of the Victoria Conservatory of Music ��UPCOMING EVENTS Sunday, February 1, 2:30 p.m. (Admission by donation) FLUTE CLASS RECITAL Students from the studio of Dr. Suzanne Snizek. Phillip T. Young Recital Hall Monday, February 2, 8:00 p.m. (Free admission) Orion Series in Fine Arts presents GUEST CONCERT: MILTON SCHLOSSER, PIANO (U of A) Noted pianist and award-winning music professor, Milton Schlosser, performs works by Beethoven, Debussy, Rzewski, Schlosser, and Skryabin. Phillip T. Young Recital Hall Tuesday, February 3, 8:00 p.m. (Admission by donation) LECTURE-RECITAL Red Cross Nell and Khaki Jim:The WWI Songs of Gordon V.Thompson Gordon V. Thompson was one of Canada’s most successful music publishers, but he was also a songwriter whose hit WWI songs bring to life how everyday Canadians at home experienced the progress of the war. Join Dr. Laurel Parsons, UVic music theory instructor and Thompson’s granddaughter, soprano Anna Shill, and friends for this lively lecture-recital. Phillip T. Young Recital Hall Wednesday, February 4, 7:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Friday, February 6, 12:00 to 4:00 p.m. (Free admission) WEST COAST STUDENT COMPOSERS SYMPOSIUM An annual meeting of student composers from UBC, SFU, and UVic. Three concerts showcase composers and performers from each institution. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra Description An account of the resource Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/013015-Orchestra/013015-Orchestraconcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013015-Orchestra/013015-Orchestraconcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013015-Orchestra/013015-Orchestraconcert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013015-Orchestra/013015-Orchestraconcert_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra - Dancy Academics with UVic Concerto Competition Winner Keenan Mittag-Degala, marimba Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource January 30, 2015 Contributor An entity responsible for making contributions to the resource Ajtony Csaba, conductor; Evan Hesketh, graduate conductor; Keenan Mittag-Degala, marimba https://finearts.uvic.ca/music/archive/files/original/2f5a139daa13e5cc8c5a3821ef90d46c.pdf 3c2df0df98506d4e6fd485ea615e7d83 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Flute SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Class Recital Students from the studio of Dr. Suzanne Snizek Please join us at a post-concert reception in Room B037 (downstairs). Sunday, February 1, 2015 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Cindy from Mountain Songs Jillian Broughton, flute Joshua Amendt-Moylan, guitar Danse de la Chèvre for solo flute Kelsey Dupuis, flute Sonatine for flute and piano Thomas Bauer, flute Josh Herrett, piano Paçoca (Choro) Sierra Phosy, flute Tim Zacharias, guitar Duo for flute and piano Fanfare Lullaby Gillian Newburn, flute Charlotte Hale, piano Finale–Moderato Henri Dutilleux (1916–2013) Celso Machado (b. 1953) Bailey Finley, flute Brian Kim, piano Andantino con moto Monica Mun, flute Aimi Howden, piano Scherzo–Vivace Adagio Arthur Honegger (1892–1955) John Harbison (b. 1938) Sonata for flute and piano Robert Beaser (b. 1954) Cooper Read, flute Zinna Kwon, piano Mel Bonis (1858–1937) �UPCOMING EVENTS Monday, February 2, 8:00 p.m. (Free admission) Orion Series in Fine Arts presents GUEST CONCERT: MILTON SCHLOSSER, PIANO (U of A) Noted pianist and award-winning music professor, Milton Schlosser, performs works by Beethoven, Debussy, Rzewski, Schlosser, and Skryabin. Phillip T. Young Recital Hall Tuesday, February 3, 8:00 p.m. (Admission by donation) LECTURE-RECITAL Red Cross Nell and Khaki Jim:The WWI Songs of Gordon V.Thompson Gordon V. Thompson was one of Canada’s most successful music publishers, but he was also a songwriter whose hit WWI songs bring to life how everyday Canadians at home experienced the progress of the war. Join Dr. Laurel Parsons, UVic music theory instructor and Thompson’s granddaughter, soprano Anna Shill, and friends for this lively lecture-recital. Phillip T. Young Recital Hall Wednesday, February 4, 10:30 a.m. to 1:30 p.m. (Free admission) WELLNESS DAY A day for YOU! Release some mid-term stress with an afternoon of puppy cuddles, yoga, and meditation. Talk with campus Food & Health Service experts and find out about fitness programs offered by Vikes Rec at the Resource Fair in the lower lobby. MacLaurin Builidng, B-Wing lobbies and various rooms Wednesday, February 4, 7:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Friday, February 6, 12:00 to 4:00 p.m. (Free admission) WEST COAST STUDENT COMPOSERS SYMPOSIUM An annual meeting of student composers from UBC, SFU, and UVic. Three concerts showcase composers and performers from each institution. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020115-FluteClassRecital/020115-FluteClassRecital_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute Class Recital - students from the studio of Dr. Suzanne Snizek Creator An entity primarily responsible for making the resource Brennan MacKay Date A point or period of time associated with an event in the lifecycle of the resource February 1, 2015 https://finearts.uvic.ca/music/archive/files/original/7aff463166756162036878f23e7fd427.pdf 684a8bf9c4531b997bc3e8b1d2bd5d72 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA ORION SERIES IN FINE ARTS presents MILTON SCHLOSSER PIANO Monday, February 2, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Blue Virgin/Vierge Bleue (2000) Sonata in E-Flat Major, Opus 7 (1796) Allegro molto e con brio Largo, con gran espressione Allegro-Minore Rondo—poco allegretto e grazioso Milton Schlosser (b. 1961) Ludwig van Beethoven (1770–1827) Intermission Which Side Are You On? from North American Ballads (1979) Études (1887-1894) C-sharp minor, Opus 2, No.1 D-sharp minor, Opus 8, No. 12 Estampes (1903) Pagodes La soirée dans Grenade Jardins sous la pluie Frederic Rzewski (b. 1938) Alexander Skryabin (1872–1915) Claude Debussy (1862–1918) �BIOGRAPHY Canadian pianist Milton Schlosser is an award-winning music professor at the University of Alberta. The Toronto Star’s review of Milton’s latest CD exemplifies the type of artistry he is known for, acclaiming his playing for its “emotionally expressive, powerfully intimate journeys through beautiful harmonies and counterpoint.” He has been the recipient of numerous awards, including a prestigious McCalla Professorship for his significant contributions to research, teaching, and learning at the university. Milton performs in live and broadcast performances as solo recitalist, collaborative pianist, and soloist with orchestra. In 2014, solo recital engagements took him to China, Ireland, and France, with other recent performances having occurred in Canada, Germany, the US, and Japan. He has released five recordings that feature him as a soloist and collaborative pianist performing pieces drawn from the nineteenth to twenty-first centuries. Two of the recordings highlight works by renowned American composer Frederic Rzewski, including one piece commissioned by Milton. He holds a Doctor of Music degree in piano performance from the University of Alberta, where his primary mentors were Robert Stangeland and Stéphane Lemelin. Alongside his activities as a performer, Milton is a published researcher and composer. Two recent publications serve to illustrate his diverse interests. “Music, the Liberal Arts, and Rural Identity: The Not-So-Straight-Road” appears in the book Roads Taken: The Professorial life, Scholarship in Place, and the Public Good (2014). The chapter traces Milton’s career and the distinctive, quality teaching that can occur on a smaller-sized liberal arts campus in a rural location. “Minding the music: Neuroscience, video recording, and the pianist” is found in the International Journal of Music Education (2011). The article offers best practices in the use of digital video equipment by pianists through the examination of intersections between neuroscience, contemplative studies, and sport psychology. � www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/020215-MiltonSchlosser/020215-MiltonSchlosser_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/020215-MiltonSchlosser/020215-MiltonSchlosser_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/020215-MiltonSchlosser/020215-MiltonSchlosser_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/020215-MiltonSchlosser/020215-MiltonSchlosser_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/020215-MiltonSchlosser/020215-MiltonSchlosser_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - Milton Schlosser, piano Creator An entity primarily responsible for making the resource Brennan MacKay, Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource February 2, 2015 Contributor An entity responsible for making contributions to the resource Milton Schlosser, piano https://finearts.uvic.ca/music/archive/files/original/b95709af7fad7060ec5bda38680b910e.pdf 06d65e3fb8b239a08beb0a5c6594b0f9 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Faculty Concert series Dr. Laurel Parsons presents “Red Cross Nell and Khaki Jim”: The WWI Songs of Gordon V.Thompson With Anna Shill (M.Mus ‘13), soprano and members of Dr. Parsons’s first-year musicianship class: Matthew Connelly Alexander Felton Zachary Power Nicholas Renaud Austin Warren Laurel Parsons, piano Tuesday, February 3, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Music and lyrics by Gordon V. Thompson (1888–1965) unless otherwise noted. Marching Off to War That Old Tipperary Tune Fly the Flag* lyrics by M. Gillmor Davis music by Gordon V. Thompson Imagining the Battlefield Red Cross Nell and Khaki Jim (with Nicholas Renaud as Khaki Jim) Dreaming of Home lyrics by Gordon V. Thompson music by Jules Brazil (?-1955) Remember Nurse Cavell lyrics by Gordon V. Thompson music by Jules Brazil Women and Children Waiting at Home When Your Boy Comes Back to You I Want to Kiss Daddy Good-Night Return of the Veterans You Are Welcome Back at Home Sweet Home* *Please feel free to join in the chorus! �LYRICS THAT OLD TIPPERARY TUNE I’ve a dear Irish boy, He’s my pride and my joy; And I love him as I never loved before, But he left me one day And he marched to the fray While the bands were bravely playing songs of war. Chorus: My boy marched away On a bright summer day To that old “Tipperary” tune And the strains of “The Red, White and Blue;” While the bugle call sounded “To Arms,” And the band played “Rule Britannia” That parting day in June When he marched away to the “Maple Leaf” And that old “Tipperary” tune. Though my eyes filled with tears, As I thought of the years That would pass before I saw his face again, Still I felt mighty proud As I followed the crowd And we sang those good old songs with might and main! [Chorus] FLY THE FLAG (lyrics by M. Gillmor Davis) Oh! proudly they march, yet each soldier knows He may tread in his country no more; Yet bravely they hurry their steps to the field Where the deadly cannon roar. To the time of martial music grand, With its minor chord of pain, They follow their chief to that distant land, Freedom’s rights there to maintain. � Chorus (sing along): Then fly the flag of Britain! Fly the flag of Britain! Wave it in the wind! Flag of truth and honor, Flag of peace and freedom, Best old flag you’ll find! Flag our soldiers die for; Flag our pris’ners sigh for; Silk, or tattered rag, Keep its colors waving, While your home it’s saving, Fly, oh fly the flag! They know that for ages the loyal brave To their colors have always been true. And so one and all of that staunch, noble band As was done they vowed to do. For our British soldiers never stoop With a flag of truce to yield! For freedom and country they fight or die On the far off battlefield! [Chorus] So may God protect them the gallant band Who have enter’d the struggle for right! Be with them on sea and be with them on land When engaged in battle fight! In the distant ages yet unroll’d, Of their deeds in France we’ll sing; And time and again will the tale be told How they fought to serve their King! [Chorus] RED CROSS NELL AND KHAKI JIM A lad in Khaki, a lass in white; He was wounded, she nursed him right: Now he loves her; she wears a ring; And together they sweetly sing: � Chorus: When at last the war is over And the boys march home, You and I will be in clover, Never more to roam From home sweet home but Where the sun is always shining On our cottage trim, There the folks will say, “What sweethearts!” Red Cross Nell and Khaki Jim! Now Nell is lonely; they’re miles apart; Reads a letter that cheers her heart: “Sure I’m homesick—‘tis all that’s wrong; Come and nurse me and sing this song: [Chorus] DREAMING OF HOME We’re fighting for our country and we’re battling for the flag, Struggling in the cause of freedom, steps will never lag; Still there comes a vision shining bright where’er we roam, Of a dear old mother waiting with the folks at home. Chorus Thinking of friends left behind us, Dreaming of girls that we know, Thinking of boys who are missing, Died for the flag we love so. Longing for days when dear mother Greets us again o’er the foam, Mem’ries returning, How our hearts are yearning When dreaming of home. We’re not a bit downhearted, we are far from feeling blue; We are bent on victory and mean to see it through! But when we are singing of the days that used to be, Dreams of my own loving sweetheart often come to me. [Chorus] �REMEMBER NURSE CAVELL We have praised Joan of Arc, the soldier lass of France, How she stirred defeated troops to make a fresh advance, But our British hearts are moved By a tale we long will tell, Of how she faced the foemen’s guns, Our martyred Nurse Cavell! Chorus: Remember how she gladly nursed your pals, boys! Remember how she striv’d to make them well; Don’t forget how patiently she suffered, And remember how she bore the prison cell! Remember how she bravely gave her life, boys; Remember when you’re facing shot and shell, She was made of British stuff – So are you! and that’s enough; The Bull-Dog’s loose! Remember Nurse Cavell. Oh! Our brave heroic girls who nurse our wounded men, Let their praises ring afar, the tale repeat again, Hostile prisons could not break, German threats could never quell, The stalwart heart that knew no fear, Our martyred Nurse Cavell! [Chorus] WHEN YOUR BOY COMES BACK TO YOU Keep the lamp of hope still brightly burning, Till your boy comes back to you; And although your heart may oft be yearning For one whose love is true, Bear in mind the day he’ll be returning; So then, cheer up! don’t be blue! Ev’ry day you’re far apart You grow dearer to his heart, Till your boy comes back to you! � Chorus: When your boy comes back to you, You will keep your promise true; You will watch, you will wait By the old garden gate, Till the regiment appears in view. When your boy comes back to you And the bands are playing too, Won’t your heart be beating fast, Just to welcome him at last? When your boy comes back to you! Don’t forget to heed this word of warning, It will mean so much to you; Though it’s dark tonight the sun at morning Will shine with brighter hue On the boys with glory all adorning; You will share that glory too! Wear a bright and sunny smile, Tho’ you wait a long long while, Till your boy comes back to you! [Chorus] I WANT TO KISS DADDY GOOD-NIGHT I am so very lonely now, Since daddy went away To be a great big soldier man, I long for him each day. But, oh! the time I miss him most Is when to bed I go, For then he’d always play with me, That’s why I miss him so! Chorus: I want to kiss daddy “Good-night!” I want him to tuck me in right! My pray’rs have been said, But I can’t go to bed Till daddy has turn’d out the light! I want to kiss daddy “Good-night;” I want him to hug me up tight; And, oh! how I miss My own daddy’s sweet kiss! I want to kiss daddy “Good-night!” �Last night I had an awful dream, I saw my daddy there, Some naughty men were hurting him, They never seemed to care. But, oh! I’m glad it was not true, For somewhere far away, He wrote my mamma he’ll be back, And when he comes he’ll stay! [Chorus] YOU ARE WELCOME BACK AT HOME SWEET HOME ‘Twas a dark, dark day When you marched away With your gun upon your shoulder And your head held high; But a bright, bright day Bro’t you back our way To your mother, home and sweetheart ‘Neath a sunny sky. Chorus: You are welcome back at home sweet home, Laddie boy who sailed away across the foam, By your sweetheart true and your mother too, And ev’ry pal that wish’d the best of luck to you! You are welcome back at home sweet home And you’ll never have to wander or to roam, You’re the boys who saved the nation, Won our love and admiration! You are welcome back at home sweet home! You have played the game; You have made your name And we never can forget you We’ll look after you. You have fought our fight, We must treat you right; So we’ll try to make you happy – Help you start anew! [Chorus] �BIOGRAPHIES Laurel Parsons, Ph.D. Laurel Parsons is a Canadian music theorist known for her research on the music of Elisabeth Lutyens, one of the pioneers of British serial music, and on the music of female composers. Her groundbreaking four-volume project Analytical Studies of Music by Women Composers, co-edited with Brenda Ravenscroft, will be published by Oxford University Press beginning in 2015. Dr. Parsons is also an award-winning music theory and musicianship instructor with an interest in developing teaching and learning strategies to facilitate music-reading for music students with dyslexia. With Dr. Marion Porath of the UBC Faculty of Education and UBC Opera Director Nancy Hermiston, Dr. Parsons held a SSHRC Insight Grant for their project Libretti of Learning: Portraits of Journeys to Operatic Accomplishment, a qualitative study of opera students with dyslexia and other learning differences. In recent years, circumstance and curiosity have led her into research on music and Canadian history, first through a paper on the links between representations of Inuit poetry in Canadian postwar music and nationalist politics at the University of Tromsø. The research journey Dr. Parsons will present tonight began while she was sorting through old sheet music in her father’s piano bench following his death in 2010. Her father Frederic G. Thompson, Gordon V. Thompson’s middle son, was four days old when the shot that killed Archduke Franz Ferdinand set the world on the path to war. Anna Shill, soprano “[Possessing] a lovely voice, artistry in spades and a delightful stage presence” (Music in Victoria), soprano Anna Shill has been recognized for her work in concert and opera, performing repertoire from Bach to Boechler. Anna is a graduate of the UBC Opera Bachelors of Music Program, completing her Masters at UVic in Voice Performance. She is also an alumni of Opera Nuova. �Her recent oratorio work includes Handel’s Messiah and Haydn’s Creation (Via Choralis), Mozart’s Vesperae solennes de confessore (Victoria Mendelssohn Choir; UVic Chorus and Orchestra), Mendelssohn’s Second Symphony and Gounod’s St. Cecilia Mass (Victoria Summer Choir), and Vivaldi’s Gloria (West Coast Consort). Anna has performed a number of opera roles, including Despina (Così fan tutte), Noémie (Cendrillon), Cis (Albert Herring), Papagena (The Magic Flute) and Second Woman (Dido and Aeneas). She also premiered to great acclaim the principal role of The Young Night in Ithaca, a new opera by Justin Boechler. Coming up, Anna will be performing in a recital with repertoire by Josephine Lang with Dr. Harald Krebs, followed by Schubert’s Shepherd on the Rock and Mendelssohn’s Hear My Prayer with the Victoria Mendelssohn Choir. Acknowledgements Many thanks to my wonderful singers for making this music come alive so beautifully! Kristy Farkas, UVic School of Music Concert & Publicity Manager, was terrifically helpful with arrangements and advertising. Thanks also to Tim Lowan for the loan of the Canadian Red Ensign, the Canadian War Museum, Bernie Spring at Antiquarius Books in Falkland, BC, and Denise Choppin of Turtle Creek Books in Mississauga. �Upcoming Events Wednesday, February 4, 10:30 a.m. to 1:30 p.m. (Free admission) WELLNESS DAY A day for YOU! Release some mid-term stress with an afternoon of puppy cuddles, yoga, and meditation. Talk with campus Food & Health Service experts and find out about fitness programs offered by Vikes Rec at the Resource Fair in the lower lobby. MacLaurin Builidng, B-Wing lobbies and various rooms Wednesday, February 4, 7:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Friday, February 6, 12:00 to 4:00 p.m. (Free admission) WEST COAST STUDENT COMPOSERS SYMPOSIUM An annual meeting of student composers from UBC, SFU, and UVic. Three concerts showcase composers and performers from each institution. Phillip T. Young Recital Hall Friday, February 6, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA WIND SYMPHONY: One Ring to Rule Them All! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Johan de Meij – Symphony No. 1: The Lord of the Rings John Estacio – Prairie Ride and Sunset And more! University Centre Farquhar Auditorium Saturday, February 7, 8:00 p.m. ($25) FACULTY CONCERT SERIES: Lafayette String Quartet W. A. Mozart – String Quartet in B-flat major, Kv. 458 Jean Coulthard – String Quartet No. 2: Threnody Ludwig van Beethoven – String Quartet in A minor, Op. 132 Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/020315-FacultyRecital/020315-FacultyLecture_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dr. Laurel Parsons presents "Red Cross Nell and Khaki Jim" The WWI songs of Gordon V. Thompson Creator An entity primarily responsible for making the resource Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource February 3, 2015 Contributor An entity responsible for making contributions to the resource Dr. Laurel Parsons, piano; Anna Shill, soprano https://finearts.uvic.ca/music/archive/files/original/f8855657436ca2c2ef29e32ed1afe582.pdf 92ae493e784703b9d84a630eaf1a3b6a PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria February 3, 2015 • 12:30 p.m. Sonata in C Major I. Allegro con spirito II. Andante in poco adagio III. Allegro grazioso Erik Leisinger, piano Partita No. 3 in E Major BWV 1006 IV. Giga Emily MacCallum, violin Duos for Flutes, Op. 34 I. Andante sostenuto II. Allegro risoluto III. Moderato IV. Allegro ma non troppo V. Andante molto VI. Allegro Sierra Phosy, flute Cooper Reed, flute Quintet, Op. 79 I. Allegro non troppo II. Allegro vivace W.A. Mozart (1756 - 1791) J. S. Bach (1685 - 1750) Robert Muczynski (1929 - 2010) August Klughardt (1847 - 1902) Thomas Bauer, flute Teigan Cosgrove, oboe Dominic Thibault, clarinet Justin Malchow, horn Matthew Roberston, Bassoon UPCOMING AT THE SCHOOL OF MUSIC Tuesday, February 3, 8:00 p.m. - 10:00 pm (Admission by donation) LECTURE RECITAL Red Cross Nell and Khaki Jim: The WWI Songs of Gordon V. Thompson A lecture-recital with Dr. Laurel Parsons Featuring soprano Anna Shill (M.Mus ‘13) & friends. Gordon V. Thompson was one of Canada’s most successful music publishers, but he was also a songwriter whose hit WWI songs bring to life how everyday Canadians at home experienced the progress of the war. Join Laurel Parsons, UVic music theory instructor and Thompson’s granddaughter, soprano Anna Shill, and friends for this lively lecture-recital. Phillip T. Young Recital Hall Wednesday, February 4, 7:00 p.m. - 9:30 pm (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Friday, February 6, 12:00 p.m. - 4:00 pm (Admission by donation) WEST COAST STUDENT COMPOSERS SYMPOSIUM An annual meeting of student composers from the University of British Columbia, Simon Fraser University, and the University of Victoria. Three concerts showcase composers and performers from each institution. Schedule: UBC, 12:00 – 1:00 p.m.; SFU, 1:15 – 2:10 p.m.; UVic, 2:30 – 3:25 p.m.; Group discussion to follow in MAC B037, 3:40 – 5:00 p.m. Phillip T. Young Recital Hall Friday, February 6, 8:00 p.m. - 10:00 pm ($15 regular / $10 seniors & alumni / $5 students) THE UNIVERSITY OF VICTORIA WIND SYMPHONY One Ring to Rule Them All! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Featuring Johan de Meij – Symphony No. 1: The Lord of the Rings and John Estacio – Prairie Ride and Sunset. University Centre Farquhar Auditiorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020315-Tuesdaymusic/020315-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020315-Tuesdaymusic/020315-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020315-Tuesdaymusic/020315-Tuesdaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020315-Tuesdaymusic/020315-Tuesdaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020315-Tuesdaymusic/020315-Tuesdaymusic_05.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource February 3, 2015 https://finearts.uvic.ca/music/archive/files/original/0f15f3630c77d76aad28b678834a1ab2.pdf d95178e4f2c7fbbf5ef2ce3c9ca2658c PDF Text Text Annual Solo Bach Competition & Concert Featuring School of Music students performing works by Johann Sebastian Bach Judges: Kay Cochran, Paula Kiffner, and Norman Nelson Competitors Cello Suite No. 4 in E-flat major, BWV 1010 Prelude Allemande Courante Sarabande Bourrée I - Bourrée II Gigue Cello Suite No. 2 in D minor, BWV 1008 Prelude Allemande Courante Sarabande Minuet I & II Gigue Ella Hopwood, cello Alex Klassen, cello Cello Suite No. 1 in G major, BWV 1007 Prelude Allemande Courante Sarabande Minuet I & II Gigue Cello Suite No. 3 in C major, BWV 1009 Prelude Allemande Courante Sarabande Bourres Gigue Shiun Kim, cello Fahlon Smith, viola Cast Your Votes! Following this evening’s program, please step into the foyer for 5-10 minutes to cast your ballot and allow judges to confer. Ballots will be counted and results given to the judges. Audience will be invited back into the recital hall for the Presentation of Awards. The winner will receive an honorarium in the amount collected from this evening’s donations. Wednesday, February 4, 2015 • 7:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by Donation � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020415-BachCompetition/020415-SoloBach_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020415-BachCompetition/020415-SoloBach_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020415-BachCompetition/020415-SoloBach_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020415-BachCompetition/020415-SoloBach_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020415-BachCompetition/020415-SoloBach_05.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solo Bach Competition Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource February 4, 2015 https://finearts.uvic.ca/music/archive/files/original/5a335414dbe9b2cbe16ef10a4a8fccd7.pdf fd88e5f0dbcb204a56badc2dfb92b97f PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria February 17, 2015 • 12:30 p.m. Allegro de Concert Jean Baptiste Singelée (1812 – 1875) Zach Smith, soprano saxophone Connor Stairs, alto saxophone Skye Eriksen, tenor saxophone Lucas Fultz-Zentner, baritone saxophone Music from Chaucer III. A Fanfare for the Huntsmen IV. The Sorrowful Knight V. The Wakeful Poet Emily McDermid, trumpet John Hamblett, trumpet Collin Lloyd, horn Megan Rees, trombone Zoe McLaren, bass trombone Michael Berkeley (b. 1948) Choros No. 2 per flauto e clarinetto Bailey Finley, flute Mark Kim, clarinet Heitor Villa-Lobos (1887 – 1959) Partita in A Minor for Solo Flute, BWV. 1013 Cooper Reed, flute Sonata for Flute and Piano J. S. Bach (1685 – 1750) Sergei Prokofiev (1891 – 1953) Thomas Bauer, flute Josh Herrett, piano UPCOMING AT THE SCHOOL OF MUSIC Friday, February 20, 9:30 a.m. - 10:20 a.m. (Free admission) ORION SERIES IN FINE ARTS PRESENTS Yonatan Malin, University of Colorado Boulder An exploration of phrase rhythm, harmony, and text setting in Fanny Hensel’s haunting song “Warum sind denn die Rosen so blass?” (Why then are the roses so pale?). MacLaurin B120 Friday, February 20, 12:30 p.m. - 1:20 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music piano students. Phillip T. Young Recital Hall Saturday, February 21, 9:00a.m. - 5:30 p.m. (Free admission) WORKSHOP: 19th CENTURY WOMEN COMPOSERS OF SONG A Workshop in Celebration of the 200th Birthday of Josephine Lang (1885 - 1880) February 21-22 Presentations by Canadian and American experts on songs by women composers, including a keynote speech by Dr. Laurel Parsons, University of Victoria. Also featuring a presentation by Orion guest Dr. Yonatan Malin, University of Colorado Boulder. All presentations are open to the public. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021715-Tuesdaymusic/021715-TuesdayMusic_06.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 17, 2015 https://finearts.uvic.ca/music/archive/files/original/6b03a8672a36dce9f2dc51f17e715d64.pdf 1e9f846cc9bfd13cd5eb5abb3338691d PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria February 20, 2015 • 12:30 p.m. Featuring School of Music piano students Two Romanian Dances, Op. 8a Allegro Vivace Béla Bartok (1881 - 1945) Emmett Robinson-Smith, piano Rivers Second Set I. Ann Southam (1937 - 2010) Joey Liao, piano Holiday Diary I. Early Morning Bathe II. Sailing III. Fun-Fair IV. Night Benjamin Britten (1913 - 1976) Elizabeth Clarke, piano Five Bagatelles I. Darkly II. Leggiero e legato III. Untitled IV. Untitled V. Threnody (for all the innocent victims) Carl Vine (b. 1954) Laura Altenmueller, piano UPCOMING AT THE SCHOOL OF MUSIC Saturday, February 21, 8:00pm - 10:00pm ($18 regular / $14 students, seniors & alumni) FACULTY CONCERT SERIES 19th-century Women Composers of Song A recital of songs by 19th-century women composers, featuring the UVic Chamber SIngers, faculty and alumni of the School of Music, and faculty of the Victoria Conservatory of Music. Part of the workshop, 19th Century Women Composers of Song, February 21, 9:00 a.m. to 5:30 p.m.; February 22, 9:30 a.m. to 12:00 p.m. Phillip T. Young Recital Hall Sunday, February 22, 9:30am - 12:00pm (Free admission) WORKSHOP: 19th-century Women Composers of Song A Workshop in Celebration of the 200th Birthday of Josephine Lang (1815–1880) Presentations by Canadian and American experts on songs by women composers, including a keynote speech by Dr. Laurel Parsons, University of Victoria. Also featuring a presentation by Orion guest Dr. Yonatan Malin, University of Colorado Boulder. All presentations are open to the public. Sunday, February 22, 8:00pm - 9:30pm (Admission by donation) VIOLIN CLASS RECITAL Featuring students from the studio of Sharon Stanis. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022015-Fridaymusic/022015-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022015-Fridaymusic/022015-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022015-Fridaymusic/022015-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022015-Fridaymusic/022015-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022015-Fridaymusic/022015-Fridaymusic_08.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource February 20, 2015 https://finearts.uvic.ca/music/archive/files/original/06b5083d2f6786ad572a978dbc28cf09.pdf f54e5dbaebde18f7a9b154e35285b1c2 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Piano Class SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Recital Students from the class of Michelle Mares Monday, February 16, 2015 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �Program Partita No.1 in B flat major Praeludium—Allemande J.S.Bach Alexander Cheung 2 Sonatas K208 in A Major – Andante cantabile K209 in A Major – Allegro D. Scarlatti Myles Anderson Sonata Hob XVI: 34 in e minor i Presto ii Adagio iii Finale—Molto vivace J. Haydn Crystal-Anne Howell 5 Bagatelles No.1 Darkly No.2 Leggiero e legato No.3 No.4 No.5 Threnody Carl Vine Laura Altenmueller Après une Lecture du Dante: Fantasia quasi Sonata from Années de pèlerinage II Josh Herrett F. Liszt �Upcoming Events Tuesday, February 17, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, February 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music piano students. Phillip T. Young Recital Hall Saturday, February 21, 8:00 p.m. ($18 & $14) FACULTY CONCERT SERIES:19th-century Women Composers of Song A recital of songs by 19th-century women composers, featuring the UVic Chamber Singers, faculty and alumni of the School of Music, and faculty of the Victoria Conservatory of Music. Phillip T. Young Recital Hall Sunday, February 22, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Sharon Stanis. Phillip T. Young Recital Hall Wednesday, February 25, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Eva Solar-Kinderman. Phillip T. Young Recital Hall Thursday, February 26, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Arthur Rowe. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL **note: technical fault, first two performers were not recorded**<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021615-PianoClassRecital/021615-Pianorecital_01.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021615-PianoClassRecital/021615-Pianorecital_02.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021615-PianoClassRecital/021615-Pianorecital_03.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Class Recital - students from the studio of Michelle Mares Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource February 16, 2015 Hyperlink A link, or reference, to another resource on the Internet. URL Works by UBC Composers<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_06.mp3">track6</a><br />Works by SFU Composers<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_13.mp3">track13</a><br />Works by UVic Composers<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_16.mp3">track16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_17.mp3">track17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_18.mp3">track18</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020615-WCSCS/020615-ComposerSymposium_19.mp3">track19</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 14th Annual West Coast Student Composers Symposium Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2015