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                    <text>fridaymusic
Phillip T. Young Recital Hall • University of Victoria
October 31, 2014 • 12:30 p.m.
Featuring School of Music students
String Quartet in G minor, Op. 27	 	
				
I. Un poco andante - allegro molto agitato
	
Matthew Logan, violin
Nanau Loewen, violin
Joshua Gomberoff, viola
Steven Jeon, cello

Chaconne in G minor							
	
	
Chloe Kim, violin
Frances Armstrong, piano

	
			

Edvard Grieg		
(1843 -1907)

			

Tomaso Antonio Vitali		
(1663 - 1745)

Piano Concerto No. I in D minor, Op. 15							
								
Elizabeth Clarke, piano
Arthur Rowe, piano
					

Johannes Brahms		
(1833 - 1897)

UPCOMING AT THE SCHOOL OF MUSIC
Friday, October 31, 8:00pm - 10:00pm ($15 regular / $10 seniors &amp; alumni / $5 students)
UNIVERSITY OF VICTORIA ORCHESTRA
500 miles
Ajtony Csaba, conductor
with Ella Hopwood, cello (UVic Concerto Competition winner)
Performing W.A. Mozart – Symphony No. 31 in D major (“Paris”) K. 297 (K. 300a); Saint-Saëns – Cello Concerto No. 1 in A minor,
Op. 33; Brahms – Symphony No. 1 in C minor, Op. 68
University of Victoria Farquhar Auditorium
Saturday, November 1, 8:00pm - 10:00pm ($18 regular / $14 students, seniors, &amp; alumni)
FACULTY CHAMBER MUSIC SERIES
School of Music faculty performers come together in a concert for winds, voice, piano, harpsichord and strings. Performing
works by Schumann, Legrand, Bach, Ginastera, and others.
Phillip T. Young Recital Hall
Sunday, November 2, 2:30pm - 4:30pm ($15 regular / $8 students, seniors, &amp; alumni)
UNIVERSITY OF VICTORIA CHOIRS
United in Song
Adam Con, Garry Froese, &amp; Susan Young, conductors
A joint concert featuring the UVic Chorus, Chamber Singers, and Philomela Women’s Choir. Tickets available at the door.
St. Mary the Virgin Anglican Church (1701 Elgin Road, Oak Bay)

Friday, November 7, 8:00pm - 10:00pm ($25)
UVic’s esteemed quartet-in-residence performs string quartets by Haydn, Shostakovich and Ravel.
Phillip T. Young Recital Hall
										

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                <text>Allyssa Haigh</text>
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                    <text>School of Music

University
of Victoria
School of
Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA

FACULTY
CHAMBER MUSIC
SERIES
Featuring Performance Faculty
from the School of Music

Saturday, November 1, 2014 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students &amp; seniors: $14

�With
SUZANNE SNIZEK

FLUTE

ALEXANDRA POHRAN DAWKINS
REBECCA HISSEN
JENNY GUNTER
PATRICK BOYLE

CLARINET
BASSOON

FLUGELHORN

LOUIS RANGER

TRUMPET

SCOTT MACINNES

TROMBONE

ANN ELLIOTT-GOLDSCHMID
SHARON STANIS

VIOLIN

JOANNA HOOD

VIOLA

PAMELA HIGHBAUGH ALONI
BRUCE VOGT

PIANO

BRENT JARVIS

PIANO

COLIN TILNEY

OBOE

VIOLIN

CELLO

HARPSICHORD

SUSAN YOUNG

SOPRANO

�P R O G RA M
A Night Piece and Scherzo for flute and string quartet
	
Andantino languido
	Vivace

Arthur Foote
(1853–1937)

Suzanne Snizek, flute
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
Stirb, Lieb und Freud, Op. 35, No. 2
Meine Rose, Op. 90, No. 2
Es leuchtet meine Liebe, Op. 127, No. 3
Widmung, Op. 25, No. 1

Robert Schumann
(1810–1856)

Susan Young, soprano
Bruce Vogt, piano
Divertimento for trumpet, trombone, and piano (1946)
	
Allegro
	Andantino
	Presto
	Moderato
	Allegretto
	Quarter=56
	Presto

Boris Blacher
(1905–1975)

Louis Ranger, trumpet
Scott MacInnes, trombone
Bruce Vogt, piano
You Must Believe in Spring
Patrick Boyle, flugelhorn
Brent Jarvis, piano

Michel Legrand
(b. 1932)

�I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Sonata No. 1 in G major for viola da gamba and harpsichord
	
Adagio
Johann Sebastian Bach
Allegro, ma non tanto
(1685–1750)
	Andante
	
Allegro moderato
Pamela Highbaugh Aloni, cello
Colin Tilney, harpsichord
Petite Suite Bucolique (en forme de Trio)
	
Humoresque
	Lamento
	Jeux

Stan Golestan
(1875–1956)

Alexandra Pohran Dawkins, oboe
Rebecca Hissen, clarinet
Jenny Gunter, bassoon
Impresiones de la Puna
	
Quena – Lento
	
Canción – Moderato
	
Danza – Animando
Suzanne Snizek, flute
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello

Alberto Ginastera
(1916–1983)

�TRANSLATIONS
Stirb’, Lieb’ und Licht! (Perish Love and Light!)
At Augsburg stands a tall house near the old cathedral;
On a bright morning a pious girl walks out of it.
Song resounds; the lovely girl makes her way to the cathedral.
There before the sacred image of the Virgin, she kneels in prayer:
Heaven has filled her heart and all earthly pleasures flee.
O spotless Virgin, let me alone be thine alone!
Thereupon the hollow bell tone awakens those who pray;
The girl walks down the nave unaware that she is wearing
A wreath of lilies on her hair all made of Heaven’s light.
But she doesn’t walk far, she steps up to the high altar:
“Though I am but a poor maiden, consecrate me as a nun,
Perish love and joy!”
God grant the this maiden wear her wreath in peace;
She is the love of my whole heart, and will be so until Judgment Day.
She is unaware of that. My heart is breaking.
Perish Love and Light!
Meine Rose (My Rose)
To the fair jewel of spring,
To the rose of my delight,
Though now bend down and paled
By the sun’s burning ray,
I offer the cup of water
From the deep dark well.
You rose of my heart!
By sorrow’s silent ray
You are now bent and paled;
Could I but at your feet,
Like water for this flower,
Silently pour my soul!
Though I might never see you
Be joyously revived!

�Es leuchtet meine Liebe (My Love Shines)
My love shines in its dark glory
Like a fairy tale, sad and dim,
Told in a summer night.
In the enchanted garden wander
Two lovers sad and alone,
The nightingales are singing,
There shimmers the light of the moon.
The maiden stands still like a statue,
The knight kneels at her feet.
There comes the giant of the wilderness.
The frightened maiden flees.
The knight sinks bleeding to the ground,
The giant stumbles home.
And when I shall be buried,
Then the fairy tale will come to an end.
Widmung (Dedication)
Thou, my soul, thou, my heart,
Thou my delight, my sorrow,
Thou, my world where I live,
My heaven into which I soar,
My grave, wherein deep down
Forever I have laid my sorrow!
Thou art rest, thou art peace;
Heaven has destined you for me.
That you love me makes me deem myself worthy,
Your gaze has transfigured me to myself,
Your love lifts me above myself,
My good spirit, my better self!

Upcoming Concert

Faculty Chamber Music Series
Saturday, January 10, 8:00 p.m.

Favourites from a Life in Music: A program selected by Louis Ranger, celebrating
his 36 years of teaching at the School of Music
Join School of Music performance faculty, students, and the UVic Chamber
Singers, in a concert commemorating Louis Ranger’s upcoming retirement.
Featuring works by Barber, Casella and Stravinsky.
Admission: $18 &amp; $14
Phillip T. Young Recital Hall

�UPCOMING EVENTS
Sunday, November 2, 2:30 p.m. ($15/$8)
UNIVERSITY OF VICTORIA CHOIRS: United in Song
A joint concert featuring the UVic Chorus, Chamber Singers,
and Philomela Women’s Choir.
Tickets available at the door. To make a reservation, email: findsyoung@gmail.com
St. Mary the Virgin Anglican Church (1701 Elgin Road, Oak Bay)
Tuesday, November 4, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of
varied repertoire and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, November 7, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music woodwind students
Phillip T. Young Recital Hall
Friday, November 7, 8:00 p.m. ($25)
FACULTY CONCERT SERIES: LAFAYETTE STRING QUARTET
UVic’s esteemed quartet-in-residence performs
string quartets by Haydn, Shostakovich and Ravel.
Phillip T. Young Recital Hall
Friday, November 14, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music voice students.
Phillip T. Young Recital Hall
Saturday, November 15, 8:00 p.m. ($15/$10)
UVIC JAZZ ENSEMBLE
Patrick Boyle, director
A concert of hard-bop and South Indian inspired jazz featuring
special guests, School of Music alumus Bruce Hurn (trumpet)
and Newfoundland percussionist Curtis Andrews.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

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                <text>Suzanne Snizek, flute; Alexandra Pohran Dawkins, oboe; Rebecca Hissen, clarinet; Jenny Gunter, bassoon; Patrick Boyle, flugelhorn; Louis Ranger, trumpet; Scott MacInnes, trombone; Ann Elliot-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh-Aloni, cello; Bruce Vogt, piano; Brent Jarvis, piano; Colin Tilney, harpsichord; Susan Young, soprano</text>
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                    <text>School of Music

University
of Victoria
School of
Music

MUS C

Faculty of Fine Arts
University of Victoria

�Orchestra

UNIVERSITY OF VICTORIA

500 Miles
With

Ella Hopwood, cello soloist
UVic Concerto Competition Winner
Class of Pamela Highbaugh Aloni

Ajtony Csaba, conductor
Evan Hesketh, graduate conductor

Friday, October 31, 2014 • 8:00 p.m.
University Centre Farquhar Auditorium
MacLaurin Building, University of Victoria
Adults: $15 / Students &amp; seniors: $10

�Program
Wolfgang Amadeus Mozart

Symphony No. 31 in D Major (Paris), K.297/300a
Camille Saint-Saëns

Cello Concerto No. 1 in A minor, Op. 33
Ella Hopwood, cello
*****
Edward Elgar

Pomp and Circumstance March No. 1 in D Major
Johann Strauss II

Tritsch-Tratsch Polka
Evan Hesketh, conductor
I n t e r m i s s i o n

Johannes Brahms

Symphony No. 1 in C minor, Op. 68

�P R O G RA M N OT E S
Introduction
500 miles—a short journey today, but a much longer one 135 years ago.
It happens to be the distance between the two cities that play a role in
tonight’s program: Paris, where our Mozart and Saint-Saëns works had their
premieres, and Karlsruhe, where Brahms’ first symphony was premiered.
Finished within three years of each other, Brahms’ symphony (influenced by
the tradition of Beethoven) and Saint-Saëns’ cello concerto (influenced by
the concertos of Liszt) are stylistically miles apart.

Symphony No. 31 in D Major (Paris), K.297/300a
Wolfgang Amadeus Mozart
In 1777, after being dismissed from his post as a court composer in Salzburg,
Mozart travelled with his mother to Munich and then Mannheim with the
hope of finding a patron. Failing to secure employment, the pair continued to
Paris, arriving in 1778. Mozart was engaged to compose a symphony for the
Concert Spirituel, one of the earliest public concert series that was founded
in 1725. The Parisian orchestra was the largest group for which Mozart had
composed a symphonic work up to this point. The ‘Paris’ symphony was premiered on June 18, 1778, and by Mozart’s own account, the work was well
received by the audience.
The three-movement symphony begins with the premier coup d’archet,
where every instrument begins loudly together. This type of opening was
very popular with the Parisian audience and Mozart chose to begin this way
simply to please the French “donkeys,” as he wrote in a letter to his father.
Mozart however, couldn’t see what all the fuss was about with the premier
coup d’archet: “I don’t see any difference – they begin together – as they do
in other places. It’s ridiculous.”
The slow movement presented in tonight’s concert is the original one that
was performed at the premiere. However, the director of the Concert
Spirituel disliked this movement and asked Mozart to write a different slow
movement for performance at a future concert. Although the music for both
movements is available, performances of this symphony generally feature the
original slow movement, as the evidence suggests that Mozart preferred his
first version.

�The final movement begins with a sneaky passage for the first and second
violins alone, something that Mozart felt would shock the audience and
cause a stir when they realized that the finale had started without a rousing
beginning, as was customary. A particularly clever moment in this movement
occurs in the middle, where Mozart showcases his skill at counterpoint by
including a short fugato section.
Cello Concerto No. 1 in A minor, Op. 33
Camille Saint-Saëns
Saint-Saëns composed his A minor cello concerto for Auguste Tolbecque, a
cello professor at the Marseilles Conservatoire, who performed the concerto at its premiere with the Conservatoire orchestra in Paris in 1873. This
was an important break-through for contemporary French composers, as
the Conservatoire orchestra was generally conservative in its programming
– it presented comparatively little French music, and very rarely premiered a
contemporary work by a French composer.
The concerto illustrates the desire of composers in the late 19th century to
find innovative ways of re-imagining established forms. Traditionally, an instrumental concerto was comprised of three distinct movements. Saint-Saëns’
A minor cello concerto however, is through-composed – there is no formal
division of movements, and the music is continuous from start to finish.
Despite the lack of distinct movements, the work is clearly divided into three
sections that roughly correspond to a traditional three-movement concerto
form. Framed by two outer fast and turbulent sections, the calm middle
section is a charming minuet (that opens with muted strings) instead of the
more traditional slow movement one would expect in a concerto. SaintSaëns creates a sense of continuity and connection in what could become
an unwieldy work by bringing back material from the opening section in the
final section of the concerto.

�Symphony No. 1 in C minor, Op. 68
Johannes Brahms
In 1853, Robert Schumann wrote an article that propelled a 20-year-old
Brahms into the spotlight by placing on him the lofty expectation that he
would be “the one…chosen to express the most exalted spirit of the times
in an ideal manner.” To live up to this proclamation, Brahms would have to
master the most highly regarded large-scale form, the symphony, but it took
him over 20 years to do so. Brahms had incredibly high standards for himself
and felt burdened by the legacy of Beethoven, reportedly remarking, “you
have no idea what it’s like to hear the footsteps of a giant like that behind
you.”
We know that Brahms had started composing his C minor symphony at
least by 1862, the year he shared an early version of the first movement
with close friends, including Clara Schumann. What Brahms finally produced
was lauded by the conductor Hans von Bülow as “Beethoven’s Tenth.” Indeed, Brahms seeming pays homage to Beethoven through prominent use of
the rhythm of fate motive from Beethoven’s fifth symphony. Additionally, the
main theme in the last movement of the Brahms resembles the ode to joy
melody in Beethoven’s ninth symphony.
The first movement opens with a slow introduction that features a continuous, churning, eighth note pedal in the timpani, double basses, and contrabassoon. The intensity and relentlessness of the introduction pervades the
entire movement, which eventually winds its way to a calm close. The second
movement is a beautiful slow movement that begins serenely but includes
outbursts of passion and intensity. Later in the movement, solo violin and
horn share a sublime duet. The third movement has a dance-like feel that
combines charm, grace, and stateliness. Like the first movement, the finale
begins with an ominous slow introduction, but after some violent outbursts,
progresses to a section that recalls the calm ending of the first movement,
and paves the way for the main, joyous theme of the finale. Despite the
struggles that crop up throughout the last movement, the symphony ends
with a jubilant coda full of verve.
~ Evan Hesketh

�B I O G RA P H I E S
Ella Hopwood
Ella Hopwood was born in Ottawa, Ontario, into a musical family. By four
years old, she had decided she needed a cello, and asked her parents insistently for months before they realized she was serious. For Ella’s fifth birthday,
she was given a quarter-sized cello, and so began her love of music.
While Ella enjoyed her musical studies throughout her school years, she
didn’t see herself pursuing them in her future. However, at the encouragement of her cello teacher, she auditioned for the program at the University
of Victoria, and it was in her first year of study that she realized the depth of
the joy it brought her.
Ella is currently in the third year of her Performance degree at UVic, studying
under Pamela Highbaugh Aloni. She is so grateful for this incredible environment in which she gets to learn, and is enthusiastically looking forward to the
future.
Evan Hesketh
Evan Hesketh began studying violin at age seven with Yasuko Eastman, who
also introduced him to the viola a few years later. He holds a Bachelor of
Music degree from the University of Victoria, where he studied violin with
Ann Elliott-Goldschmid and viola with Joanna Hood and Yariv Aloni. Further
studies led to a Master of Music degree at the Cleveland Institute of Music
under the tutelage of Robert Vernon, Jeffrey Irvine, and Kirsten Docter. Evan
has played in masterclasses for Pinchas Zukerman, James Dunham, Roger
Tapping, Atar Arad, and Steven Dann.
An award-winning chamber musician, Evan was a member of the Ariadne
String Quartet, prizewinners at the 2012 Fischoff Competition, and the 2012
Coleman Competition. Quartet studies have been with members of the Lafayette, Cleveland, Cavani, Miro, Juilliard, Brentano, and Schoenberg quartets.
Currently, Evan studies conducting at the University of Victoria on a full
scholarship with Ajtony Csaba. He has conducted the UVic Orchestra,
Victoria Civic Orchestra, and festival orchestras in Maine and New
Hampshire.

�Ajtony Csaba
Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later
piano and composition in Budapest at the Academy of Music. He began
studying conducting in Vienna and Budapest simultaneously with Tamás Gál,
András Ligeti, Uroš Lajovic, Peter Eötvös, Istvan Dénes and Zoltán Pesko.
He was awarded many prizes as a conductor and composer, and was a
semi-finalist in the first competition for opera in Cluj, Romania. He has had
numerous concerts in Hungary and Austria with orchestras including UMZE,
Sinfonietta Baden, Webern Sinfonietta, Savaria Symphonic Orchestra, and
Danube Symphonic Orchestra. In the 2003/04 season he was the assistant
conductor and tutor of the Academy Orchestra Budapest and in 2005 was
invited to be the assistant conductor of the Hungarian National Philharmonic
Orchestra with their contemporary program. He made his conducting debut
in the Viennese Musikverein with the RSO (Radio-Symphonieorchester,
Wien) in 2007.
Since 2006 he has served as the chief conductor of the Central European
Chamber Orchestra, and led the orchestra on a tour in China (performances
including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with
return engagements in 2007 and 2009. Ajtony Csaba has been the leader of
the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant to Peter Eötvös at
the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra
in Damaskus, Syria.
In 2010 he was appointed as Assistant Professor at the University of Victoria, British Columbia where he conducts the UVic Orchestra and teaches
conducting.

�O R C H E ST RA P E R S O N N E L
VIOLIN 1
Aliayta Foon-Dancoes*
Chloe Kim
Raina Saunders
Gabriel Cayer
Peter Weinkam
Jessica d’Oliveira
Shijin Kim
Jasmine Mather
Lina Pamart
VIOLIN 2
Nathalie Dzbik*
Jilaine Orten
Emily MacCallum
Linda Donn
Lena Ruiz
Nanau Loewen
Matthew Logan
Brittany Tsui
VIOLA
Matt Antal*
Sarah de Niverville
Joshua Gomberoff
Calvin Yang
Fahlon Smith
Evan Hesketh
CELLO
Shiun Kim*
Steven Jeon
Alex Klassen
Olivia Brotzell
Paul Joo
Nathalia Stoney
Tara Rajah
Ella Hopwood
DOUBLE BASS
Brock Foerster*
Hudson Thorpe-Doubble
Blake Palm
Mackenzie Carroll

FLUTE
Thomas Bauer*
Gillian Newburn*
Kelsey Dupuis
OBOE
Alexandra Pohran Dawkins ‡
Patrick Conley
CLARINET
Erin Onyschtschuk*
Dominic Thibault

TIMPANI
Kennan Mittag-Degala
Brandon Chow
PERCUSSION
Camden McAllister
William Exner
PIANO
Louise Hung

BASSOON
Matthew Robertson*
Eric Boulter

STAGE MANAGERS
Liam Caveney
Paul Joo

CONTRABASSOON
Lee Whitehorn

ASSISTANT
Evan Hesketh

HORN
Colin Lloyd*
Justin Malchow
Duane Kirkpatrick
James Waddell

* Principal
‡ Faculty member

TRUMPET
Ian Cohen*
Ian VanGils
TROMBONE
Liam Caveney*
Megan White
Trevor Hoy

�UNIVERSITY OF VICTORIA ORCHESTRA
UPCOMING PERFORMANCES
University Centre Farquhar Auditorium
Tickets: $5-$15

Saturday, November 29, 8:00 p.m.
UNIVERSITY OF VICTORIA ORCHESTRA
Ways of Passion
Ajtony Csaba, conductor
With Elizabeth Clarke, piano (UVic Concerto Competition winner)
Brahms – Piano Concerto No. 1 in D minor, Op. 15
Strauss – Don Juan Op. 20
Prokofiev – selections from Romeo and Juliet
Friday, January 30, 8:00 p.m.
UNIVERSITY OF VICTORIA ORCHESTRA
Ajtony Csaba, conductor
With Keenan Mittag-Degala, marimba (UVic Concerto Competition winner)
Friday, March 6, 8:00 p.m.
UNIVERSITY OF VICTORIA ORCHESTRA
A Symphonic Ornithology
Ajtony Csaba, conductor
A celebration of spring including Firebird from Stravinsky, The Bat from
J. Strauss and many more imaginary and singing birds.
Saturday, March 28, 8:00 p.m.
UNIVERSITY OF VICTORIA CHORUS &amp; ORCHESTRA
Ajtony Csaba, conductor
Adam Con, chorus director
An American in Paris and J. Haydn Nelson Mass

�Card
A discount &amp; bonus card
for frequent School of Music concert goers.

Purchase a Crescendo Card for our 2014-15 concert season and you will receive:
• Admission to any five School of Music concerts in the Phillip T. Young Recital
Hall or University Centre Farquhar Auditorium* (up to $90 value)
• One Bring a Friend voucher for a School of Music concert in the Farquhar
Auditorium listed in our On the Pulse brochure or online calendar (up to $15 value)
• Complimentary coffee or tea at The Lounge concession for concerts in the
Phillip T. Young Recital Hall.
*Excludes admission to Lafayette String Quartet concerts on November 7, 2014 and February 7, 2015.

Cost:
$65: Regular | $45: Seniors, students &amp; UVic alumni (with valid ID)
For more information:
250-721-8480 • http://finearts.uvic.ca/music/events/tickets/

Your contribution makes a difference!
The arts have always been dependent on the generosity of its
patrons, and a donation to the School of Music can make all the
difference to the future of our students. A scholarship of just
$500 a year can change a life forever.
For more information about our giving initiatives, please
contact Fine Arts Development Officer Karen Walker at
250-721-6305 or via email at kmwalker @uvic.ca.

�UPCOMING EVENTS
Saturday, November 1, 8:00 p.m. ($18/$14)
FACULTY CHAMBER MUSIC SERIES
School of Music faculty performers come together in a concert for winds, voice,
piano, and strings. Performing works by Schumann, Bach, Ginastera, and others.
Phillip T. Young Recital Hall
Sunday, November 2, 2:30 p.m. ($15/$8)
UNIVERSITY OF VICTORIA CHOIRS: United in Song
Adam Con, Garry Froese, &amp; Susan Young, conductors
A joint concert featuring the UVic Chorus, Chamber Singers,
and Philomela Women’s Choir.
Tickets available at the door. To make a reservation, email: findsyoung@gmail.com
St. Mary the Virgin Anglican Church (1701 Elgin Road, Oak Bay)
Tuesday, November 4, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
A concert of varied repertoire and instruments
featuring School of Music students.
Phillip T. Young Recital Hall
Friday, November 7, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music woodwind students
Phillip T. Young Recital Hall
Friday, November 7, 8:00 p.m. ($25)
FACULTY CONCERT SERIES: Lafayette String Quartet
UVic’s esteemed quartet-in-residence performs string quartets by
Haydn, Shostakovich and Ravel.
Phillip T. Young Recital Hall
Friday, November 14, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music voice students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.

�

To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

�</text>
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                  <text>Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition.</text>
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              <text>**note: concert order differs from program**&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103114-Orchestra/103114-Orchestra_01.mp3"&gt;track1&lt;/a&gt; &lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103114-Orchestra/103114-Orchestra_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103114-Orchestra/103114-Orchestra_03.mp3"&gt;track3&lt;/a&gt; (Strauss - Tritsch Tratsch Polka)&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103114-Orchestra/103114-Orchestra_04.mp3"&gt;track4&lt;/a&gt; (Brahms - Symphony No.1)&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/103114-Orchestra/103114-Orchestra_05.mp3"&gt;track5&lt;/a&gt; (Elgar - Pomp and Circumstance March No.1)</text>
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Phillip T. Young Recital Hall • University of Victoria
November 4, 2014 • 12:30 p.m.
Featuring School of Music students
Piano Sonata in E flat major, Hob. XVI/49	
	I. Allegro - Moderato
	

	

			
			

Franz Joseph Haydn		
(1732 -1809)

			

Aimi Howden, piano
Sonata No. 27 in E minor, Op. 90							
	I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck	

	 Ludwig van Beethoven		
(1770 - 1827)

Jany Lu, piano
Klavierquartett							
	I. Nicht zu schnell					
Natalie Dzbik, violin
Sarah de Niverville, viola
Alex Klassen, cello
Thomas Nicholson, piano
					

				

Gustav Mahler		
(1860 - 1911)

Requiem for Three Cellos and Piano, Op. 66							
					
Alex Klassen, cello
Steven Jeon, cello
Paul Joo, cello
Matthew Sabo, piano
Five Bagatelles							
				
				
Matt MacLean, trumpet
Jordan Smale, trumpet
Owen Worby, trombone
Zachary Power, trombone

David Popper		
(1843 - 1913)

	

Gordon Jacob		
(1895 - 1984)

UPCOMING AT THE SCHOOL OF MUSIC
Friday, November 7, 8:00pm - 10:00pm ($25)
FACULTY CONCERT SERIES
Lafayette String Quartet
UVic’s esteemed quartet-in-residence performs string quartets by Haydn, Shostakovich and Ravel.
Phillip T. Young Recital Hall
										
Sunday, November 9, 2:30 - 4:30pm ($10 - $20, Available at Ivy’s Bookshop, Munro’s Books, and at the door)
FEAR NO OPERA
Nothing But the Music
Nothing But The Music will be just that - an afternoon concert of opera arias, duets, and trios. With hummable tunes and
explanations for the new opera goer and a few surprises for the more experienced, the programme includes “Cara Non Dubitar”, which was recorded by Victoria’s very own Pierrette Alarie and Léopold Simoneau. Other favourites include highlights
from La Fille Du Régiment, The Marriage of Figaro, The Pearl Fishers and La Bohème. With UVic School of Music alumni Anna
Shill, Inge Illman, Olivia Selig, Adam Dyjach and Neil Reimer). Additional information at www.FearNoOpera.com
Phillip T. Young Recital Hall

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Phillip T. Young Recital Hall • University of Victoria
November 7, 2014 • 12:30 p.m.
Featuring School of Music woodwind students
Sonata in A minor					
	I. Poco Adagio

		
Carl Philipp Emmanuel Bach		
					
(1714 - 1788)
Bailey Finley, flute

Appasionata 	 							
Siegfried Karg-Elert		
		 											 (1877 - 1933)
Kelsey Dupuis, flute
Choros No. 2						
				
Hector Villa-Lobos		
								
(1887 - 1959)
Erin Onyschtschuk, clarinet
Gillian Newburn, flute
	
Sonata in C minor
	
Johann Joachim Quantz
	I. Andante moderato 										 (1697 - 1773)
	
II. Allegro
Sierra Phosy, flute
Cooper Reed, flute
Matthew Robertson, bassoon
Yuko Imai, piano
Sonata in B minor
	
J.S. Bach
	I. Andante											 (1685 - 1750)
Gillian Newburn, flute
Charlotte Hale, piano
	
La Cheminé du roi René
	
	
	I. Cortège 										
	
II. Aubade
	
III. Jongleurs
	
IV. La Maousinglade
	
VI. Chasse à Valabre
Thomas Bauer, flute
Alexandra Pohran Dawkins, oboe
Dominic Thibault, clarinet
Justin Malchow, horn
Matthew Robertson, bassoon

Darius Milhaud		
(1892 - 1974)

UPCOMING AT THE SCHOOL OF MUSIC
Friday, November 7, 8:00pm - 10:00pm ($25)
FACULTY CONCERT SERIES: Lafayette String Quartet
UVic’s esteemed quartet-in-residence performs string quartets by Haydn, Shostakovich, and Ravel
Phillip T. Young Recital Hall
Saturday, November 15, 8:00pm - 10:00pm ($15 regular / $10 students, seniors &amp; alumni)
UVIC JAZZ ENSEMBLE
Patrick Boyle directs a concert of hard-bop and South Indian inspired jazz featuring special guests, School of Music alumnus Bruce Hurn
(trumpet) and Newfoundland percussionist Curtis Andrews.
Phillip T. Young Recital Hall

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                    <text>UNIVERSITY OF VICTORIA

Faculty
Concert Series
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello

		

Friday, November 7, 2014 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission: $25

�PROGRAM

String Quartet in G Major, Op. 77, No. 1
	
Allegro moderato
	Adagio
	
Menuet: Presto
	
Finale: Presto

String Quartet in C Major, Op. 49
	Moderato
	Moderato
	
Allegro molto
	Allegro

Franz Joseph Haydn
(1732–1809)

Dmitri Shostakovich
(1906–1975)

I nt e r m i s s i o n
(Beverages and snacks available at the
concession located in the lounge)

String Quartet in F Major
	
	
	
	

Allegro moderato. Très doux
Assez vif. Très rythmé
Très lent
Vif et agité

Maurice Ravel
(1875–1937)

�Upcoming Events
Friday, November 14, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music voice students.
Phillip T. Young Recital Hall
Saturday, November 15, 8:00 p.m. ($15/$10)

UVIC JAZZ ENSEMBLE

Patrick Boyle, director
A concert of hard-bop and South Indian inspired jazz featuring
special guests, School of Music alumus Bruce Hurn (trumpet)
and Newfoundland percussionist Curtis Andrews.
Phillip T. Young Recital Hall
Sunday, November 16, 2:00 p.m. (Admission by donation)

PIANO CLASS RECITAL

Students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
Sunday, November 16, 8:00 p.m. (Admission by donation)

STRING CHAMBER CONCERT

Students from the studio of the Lafayette String Quartet.
Phillip T. Young Recital Hall
Tuesday, November 18, 12:30 p.m. (Admission by donation)

TUESDAYMUSIC

A concert of varied repertoire and instruments
featuring School of Music students.
Phillip T. Young Recital Hall
Friday, November 21, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music percussion students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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Phillip T. Young Recital Hall • University of Victoria
November 14, 2014 • 12:30 p.m.
Featuring School of Music voice students
Et exultavit spiritus meus					
	
					

	

J.S. Bach		
(1685 - 1750)

Dawn Yuan, soprano
Susan Young, piano

Whither Must I Wander 						
					

Ralph Vaughan Williams		
(1872 - 1958)

Zander Felton, tenor
Susan Young, piano

Beau Soir						
						

				

Claude Debussy		
(1862 - 1918)

Bahar Harandi, soprano
Susan Young, piano

	
La Gita in Gondola
					

	
				

		

		

Gioachino Rossini		
(1792 - 1868)

Jasmine Lo, mezzo-soprano
Sarah Tao, piano

Mondnacht
	
												

Robert Schumann
(1810 - 1856)

Marlena Kurek, mezzo-soprano
Erik Leisinger, piano

Romance
	
								

	

	Claude Debussy		
(1862 - 1918)

Elizabeth Gerow, soprano
Harry Han, piano

Das Verlassene Mägdlein
	
									

	

Hugo Wolf		
(1860 - 1903)

	

Wilhelm Stenhammar		
(1871 - 1927)

Rebecca Thackray, soprano
Emmett Robinson Smith, piano

Vid Förnstret
	
									
Cody Froese, tenor
Eric Ng, piano

Malinconia ninfa gentile
							

	

	

Vincenzo Bellini		
(1871 - 1927)

	

	

	 Vincenzo Bellini		
(1871 - 1927)

	

Gustav Mahler		
(1860 - 1911)

Tristan Chalcraft, tenor
Charlotte Hale, piano

Ma rendi par contento
							

Kelsey Wheatley, mezzo-soprano
Charlotte Hale, piano

Ich atmet einen Linden duft
Liebst du um Schöenheit				

	
Fu-Hsien Shen, soprano
Charlotte Hale, piano

Quando m’en vo (La Bohème)
						
						

		

	

	

Giacomo Puccini		
(1858 - 1924)

Heather Macleod, soprano
Charlotte Hale, piano	 							

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                    <text>UNIVERSITY OF VICTORIA

Jazz Ensemble
Dr. Patrick Boyle
director
with special guest

Curtis Andrews

Saturday, NOvember 15 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults $15 / Students &amp; Seniors $10

�program
Bernie’s Tune
Boplicity
Solar

Bernie Miller
arr. Neil Buckley
Miles Davis and Gil Evans
arr. Larry Dunlap
Miles Davis or Chuck Wayne

Walkin’ Shoes

Gerry Mulligan
arr. Larry Dunlap

Big R

Patrick Boyle

Camel Ride

Curtis Andrews

I nt e r m i s s i o n
(Beverages &amp; snacks available at the
concession located in the lounge)

You’re My Everything
Donna Lee
Ellingtonesque
My Little Suede Shoes

Harry Warren
arr. Marty Paich
Charlie Parker
Lennie Niehaus
Charlie Parker

Genghis

Curtis Andrews

End Game

Curtis Andrews

�BIOGRAPHIES
Patrick Boyle
Newfoundland trumpeter Dr. Patrick Boyle embodies the jazz spirit by synthesizing a
range of influences into a compelling original voice. He has been aptly referred to as
a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians” by CBC Radio. At the University of Victoria, Patrick teaches courses in Jazz
Theory, Jazz Pedagogy, Jazz History, Music Business, Improvisation, and Arranging, in
addition to directing the Jazz Orchestra and Vikes Band.
An in-demand session player not bound by genre, Patrick can be heard on more
than 50 recordings and two critically acclaimed solo albums: Still No Word (2008) and
Hold Out (2005). Patrick recently performed at Carnegie Hall with tabla virtuoso
Zakir Hussain and drummer Steve Smith. He has also performed with Great Big Sea,
Mickey Dolenz (The Monkees), Fred Penner, Plants and Animals, Mike Murley, Phil
Dwyer, Uri Caine, and many others. His new record Heart of Stone will be released
in 2015 and features Bill Brennan (piano), Mike Downes (bass) and Mike Billard
(drums).
Patrick holds a Doctorate of Musical Arts in Performance at the University of Toronto, an M.A. in Ethnomusicology from York University and a B.Mus from Memorial
University. Patrick is a regular contributor to Canadian Musician magazine and an
active clinician throughout North America.
Follow him on twitter @paddyjoeboyle
Curtis Andrews
Curtis Andrews is a Canadian-based musician with global persuasions. A percussionist/composer/teacher who creates music that is informed by his many years of
experience with West African, South Indian and jazz traditions yet transcends most
categories. Curtis is a graduate of York University and is currently in the graduate
program in Ethnomusicology at the University of British Columbia.
His personal musical journeys over the years have extended to villages and metropolises of Ghana, India, South Africa and Zimbabwe, and he has developed a deep
knowledge of the history and performance of music from these areas. His personal
mentors have included (the late) Don Wherry, Trichy Sankaran and Frederick Kwasi
Dunyo. He continues to study and perform with these masters whenever possible.
He leads his own ensemble, The Offering of Curtis Andrews, to play his award-winning original music, collaborates with the VICO (Vancouver Inter-Cutural Orchestra),
explores Carnatic music with singer Vidyasagar Vankayala, plays Zimbabwean mbira,
marimba and drums with Zhambai Trio and Zimbamoto and composes, records and
tours internationall with modern taiko trailblazers Uzume Taiko.
curtisandrews.ca

�UVic Jazz ENSEMBLE
Saxophone

Matt Bell
Andrew Calich
Adam Jasieniuk
Lee Whitehorne
Trumpet

Noah Faust-Robinson
John Hamblett
Tony Shackell
Trombone

Trevor Hoy
Megan Rees
BASS

Brian Anderson
DRUMS

Myim Bakan-Kline
Keenan Mittag-Degala
PIANO

William Lynch
GUITAR

Nick Miskey

�NEXT UVIC JAZZ ENSEMBLE CONCERT:

Saturday, March 14, 2015 • 8:00 p.m.
UVic Big Jazz Machine with special guest Oliver Swain
Dr. Patrick Boyle, director
An eclectic evening of contemporary works for jazz ensemble, including a special appearance by Victoria folk hero Oliver Swain. Director
Dr. Patrick Boyle has arranged pieces from Swain’s album Big Machine.
With his pure, finely tuned vocals that have an astonishing range, and
his undeniable skill behind a banjo or upright bass, Swain grabs the attention of all who hear him, and holds it with his enormous sound and
stature. http://www.oliverswainmusic.com
Phillip T. Young Recital Hall
Tickets go on sale December 2014.

Your contribution makes a difference!
The arts have always been dependent on the generosity of its
patrons, and a donation to the School of Music can make all the
difference to the future of our students. A scholarship of just
$500 a year can change a life forever.
For more information about our giving initiatives, please
contact Fine Arts Development Officer Karen Walker at
250-721-6305 or via email at kmwalker @uvic.ca.

�School of MuSic • univerSity of victoria

Large ensembLe
series
SPRING 2014

FaLL 2014
Wind Symphony

UVic choirS

Dr. Gerald King, conductor

University Centre Farquhar Auditorium | $15/$10/$5

Featuring the UVic Chorus, Philomela Women’s Choir,
Chamber Singers, and Vocal Jazz (Dec. 5 only).

October 17, 8pm
Fanfare for a New Era

november 2, 2:30pm
United in Song

november 21, 8pm

St. Mary the Virgin Anglican Church | $15/$8 at the door

A joint concert with the Naden Band of the Royal Canadian Navy

December 5, 8pm
Heralding the Season!

orcheStra

Christ Church Cathedral | By donation

Ajtony Csaba, conductor

University Centre Farquhar Auditorium | $15/$10/$5

Jazz enSemble

October 31, 8pm
500 Miles

Dr. Patrick Boyle, director

Phillip T. Young Recital Hall | By donation

With Ella Hopwood, cello (UVic Concerto Competition winner)

november 15, 8pm

november 29, 8pm
Ways of Passion

Vocal Jazz

With Elizabeth Clarke, piano (UVic Concerto Competition winner)

don Wright Symphonic
WindS
Dr. Michael Keddy, conductor

Wendell Clanton, director

Phillip T. Young Recital Hall | By donation

november 23, 8pm
Fall Showcase

University Centre Farquhar Auditorium | $15/$10/$5

Sonic lab

December 4, 8pm
Colours!

Ajtony Csaba, conductor

Phillip T. Young Recital Hall | By donation

november 22, 8pm
Stories Told with Sounds

For concerts in the Farquhar Auditorium:
FREE tickets are available for UVic students if reserved in advance, or $5 at the door.
Tickets may be purchased at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door.

More information at: 250-721-8634 | finearts.uvic.ca/music/events

�Upcoming Events
Sunday, November 16, 2:00 p.m. (Admission by donation)

PIANO CLASS RECITAL

Students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
Sunday, November 16, 8:00 p.m. (Admission by donation)

STRING CHAMBER CONCERT

Students from the studio of the Lafayette String Quartet.
Phillip T. Young Recital Hall
Tuesday, November 18, 12:30 p.m. (Admission by donation)

TUESDAYMUSIC

Cconcert of varied repertoire and instruments
featuring School of Music students.
Phillip T. Young Recital Hall
Friday, November 21, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music percussion students.
Phillip T. Young Recital Hall
Friday, November 21, 8:00 p.m. ($15/$10/$5)

UNIVERSITY OF VICTORIA WIND SYMPHONY

Dr. Gerald King, conductor
A joint concert with the Naden Band of the Royal Canadian Navy
University Centre Farquhar Auditorium
Saturday, November 22, 8:00 p.m. (Admission by donation)

SONIC LAB: Stories Told with Sounds

Ajtony Csaba, conductor
UVic’s contemporary music ensemble performs works by Jonathan Harvey,
Gérard Pesson, and Salvatore Sciarrino.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                    <text>Piano Class
UNIVERSITY OF VICTORIA

Recital

Students from the studio of
May Ling Kwok

		

Sunday, November 16, 2014 • 2:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
www.finearts.uvic.ca/music/events

�Program
Sonata in A-flat major, Op. 26 			
	
III. Marcia Funebre: sulla morte d’un Eroe
	
IV. Allegro
Nicole Lavallee*

Ludwig van Beethoven
(1770–1827)

Sonata in E-flat major, Hob. XVI:49				
	
I. Allegro

Franz Joseph Haydn
(1732–1809)

Aimi Howden
Sonata in A minor, K. 310 					
	
I. Allegro maestoso
						
Kailey Cann*

W. A. Mozart
(1756–1791)

Sonata in F major, Op. 10, No. 2			
	
I. Allegro
Joy Keeler

L. van Beethoven

Suite Bergamasque			
	
I. Prelude
	
Claire Huang *

Claude Debussy
(1862–1918)

Nocturne 						

Claude Debussy

Eric Ng
			
			
Three Preludes						 George Gershwin
(1898–1937)
Carmyn Slater*
Sonata in E minor, Op. 90				
L. van Beethoven
	
I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
	
(With liveliness, expression and feeling)
Etude Op.40, No.1				
Jany Lu

Nikolai Kapustin
(b. 1937)

�I nt e r m i s s i o n
Piano Concerto in G major, Op. 58 			
	
I. Allegro moderato

L. van Beethoven

Louise Hung
Partita in B-flat, BVW 825				
	
Praeludium
	
Allemande
	Corrente
Ava Hoegl

Johann Sebastian Bach
(1685–1750)

Rondo capriccioso, Op.14				

Felix Mendelssohn
(1809–1847)

Tiffany Cheung
Pour le Piano 						
	
I. Prelude
Iris Hung
In Memoriam to the Victims of Chernobyl 			
Etude in C-sharp minor, Op. 10, No. 4

Claude Debussy
	

Larysa Kuzmenko
(b. 1956)
Frédéric Chopin
(1810–1849)

Keaton Ollech*
Sonata in B-flat, Op. 83	 	
	
I. Allegro inquieto

	

	

	

   Sergei Prokofiev
(1891–1953)

Concerto in E-flat major, Op. 73			
	
II. Adagio un poco mosso
	
III. Rondo, Allegro ma non troppo
						
Masahiro Miyauchi*

L. van Beethoven
	

Ya Ping Huang*

*Students of the Victoria Conservatory of Music

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                    <text>String Chamber
UNIVERSITY OF VICTORIA

Concert

Students from the studios of the
Lafayette String Quartet

		

Sunday, November 16, 2014 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
www.finearts.uvic.ca/music/events

�PROGRAM
String Quartet No. 1 in G minor
	
I. Un poco andante—Allegro molto ed agitato
	
Matthew Logan, violin
Nanau Loewen, violin
Josh Gomberoff, viola
Steven Jeon, cello
String Quartet No. 1 in C major, Op. 49
	
I. Moderato
24 Preludes and Fugues, in C major, Op. 87
	
Prelude No.1
	
Fugue No.1

Edvard Grieg
(1843–1907)

Dmitri Shostakovich
(1906–1975)
Dmitri Shostakovich
arr. Rostislav Dubinsky

Jessica d’Oliveira, violin
Emily MacCallum, violin
Peter Weinkam, viola
Paul Joo, cello
String Quartet in E-flat major, Op. 125, No. 1 
	
I. Allegro Moderato

Franz Schubert
(1797–1828) 

Lena Ruiz, violin  
Linda Donn, violin 
Fahlon Smith, viola 
Tara Rajah, cello
Klavierquartett

Gustav Mahler
(1860–1911)
Natalie Dzibik, violin
Sarah deNiverville, viola
Alex Klassen, cello
Thomas Nicholson, piano
I NT E R M I S S I O N

�Piano Trio in G major K. 496
	
I. Allegro

Wolfgang Amadeus Mozart 	
(1756–1791)

Brittany Tsui, violin
Natalia Stoney, cello
Sophia Stoney, piano
String Quartet No. 3 in F major, Op. 73
	
I. Allegretto
	
II. Moderato con moto

Dmirti Shostakovich

Aliayta Foon-Dancoes, violin
Raina Saunders, violin
Matt Antal, viola
Ella Hopwood, cello
Children’s Album for String Quartet
	
I. Morning Prayer
	
II. Winter Morning
	
III. Playing Hobbyhorse
	
VI. The Sick Doll
	
VII. Funeral of the Doll
	
VIII. The New Doll

Peter Ilych Tchaikovsky 	
(1840–1893)
arr. Rostislav Dubinsky

Shijin Kim, violin
Jasmine Mather, violin
Calvin Yang, viola
Olivia Brotzell, cello
String Quartet No. 4, Op. 44, No. 2
	
I. Allegro assai appassionato
Chloe Kim, violin
Jilaine Orton, violin
Evan Hesketh, viola
Shiun Kim, cello
�

Felix Mendelssohn
(1809–1847)

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