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                    <text>m u s i c 1 0 5
s p r i n g
c o n c e r t
a p r i l 1 5 , 2 0 1 4
	&#13;  
	&#13;  
Fable	&#13;   	&#13;  

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	&#13;  

Hart	&#13;  Parnell	&#13;  

Gillian	&#13;  Newburn,	&#13;  flute	&#13;  
Kelsey	&#13;  Dupuis,	&#13;  flute	&#13;  
Joshua	&#13;  Moylan,	&#13;  guitar	&#13;  
Byron	&#13;  McIntosh,	&#13;  guitar	&#13;  
	&#13;  
	&#13;  
8	&#13;  Notes	&#13;  for	&#13;  4	&#13;  Guitars	&#13;  	&#13;  
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	&#13;  
	&#13;  
	&#13;  
Marshall	&#13;  Wildman	&#13;  
	&#13;  
Sam	&#13;  Weber,	&#13;  guitar	&#13;   	&#13;  
	&#13;  
Evan	&#13;  Hillier,	&#13;  guitar	&#13;  
Esme	&#13;  John,	&#13;  guitar	&#13;  
Peter	&#13;  Gardner,	&#13;  guitar	&#13;  
	&#13;  
	&#13;  
Constant	&#13;  Incredulity	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Elena	&#13;  Bokova	&#13;  
	&#13;  
Diana	&#13;  Doublet,	&#13;  oboe	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  	&#13;  
Thomas	&#13;  Nicholson,	&#13;  viola	&#13;  
Alex	&#13;  Klassen,	&#13;  'cello	&#13;  
	&#13;  
	&#13;  
Forest	&#13;  for	&#13;  the	&#13;  Trees	&#13;  	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Jordie	&#13;  Shier	&#13;  
	&#13;  
Thomas	&#13;  Law,	&#13;  flute	&#13;  
Adam	&#13;  Jasieniuk,	&#13;  contrabass	&#13;  clarinet	&#13;  
Megan	&#13;  Rees,	&#13;  trombone	&#13;  
Elena	&#13;  Bokova,	&#13;  violin	&#13;  
Sky	&#13;  Kim,	&#13;  percussion	&#13;  
Allyssa	&#13;  Haigh,	&#13;  percussion	&#13;  
Maria	&#13;  Eduarda	&#13;  Mendes	&#13;  Martins,	&#13;  conductor	&#13;  
	&#13;  
	&#13;  
Suite	&#13;  No.	&#13;  1,	&#13;  "Pressure"	&#13;  
	&#13;  
	&#13;  
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	&#13;  
Nick	&#13;  Miskey	&#13;  
	&#13;  
Elena	&#13;  Bokova,	&#13;  violin	&#13;  
Thomas	&#13;  Nicholson,	&#13;  viola	&#13;  
Alex	&#13;  Klassen,	&#13;  cello	&#13;  
Brock	&#13;  Foerster,	&#13;  double	&#13;  bass	&#13;  
Nick	&#13;  Miskey,	&#13;  guitar	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  drums	&#13;  
	&#13;  

	&#13;  
	&#13;  

�	&#13;  
Reflections:	&#13;  movement	&#13;  1	&#13;  	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
Natalie	&#13;  Dzbik	&#13;  
	&#13;  
Gillian	&#13;  Newburn,	&#13;  flute,	&#13;  	&#13;  
Kylie	&#13;  Flower,	&#13;  bass	&#13;  clarinet	&#13;  
Elena	&#13;  Bokova,	&#13;  violin	&#13;  
Alex	&#13;  Klassen,	&#13;  ‘cello	&#13;  
Hart	&#13;  Parnell,	&#13;  guitar	&#13;  
Alex	&#13;  Jang,	&#13;  conductor	&#13;  
	&#13;  
	&#13;  
	&#13;  
Opae	&#13;  Ula	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Eric	&#13;  Ng	&#13;  
	&#13;  
Alex	&#13;  Klassen,	&#13;  cello	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  
Joshua	&#13;  Amendt	&#13;  Moylan,	&#13;  guitar	&#13;  
Faith	&#13;  Blackburn,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
A	&#13;  Current	&#13;  to	&#13;  the	&#13;  Past	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Kimberley	&#13;  Farris-­‐Manning	&#13;  
	&#13;  
“The	&#13;  sea	&#13;  knows	&#13;  more	&#13;  about	&#13;  them	&#13;  than	&#13;  they	&#13;  know	&#13;  themselves.	&#13;  They	&#13;  only	&#13;  
know	&#13;  how	&#13;  the	&#13;  sea	&#13;  hugs	&#13;  and	&#13;  will	&#13;  not	&#13;  let	&#13;  go.	&#13;  The	&#13;  sea	&#13;  is	&#13;  large.	&#13;  The	&#13;  sea	&#13;  must	&#13;  
know	&#13;  more	&#13;  than	&#13;  any	&#13;  of	&#13;  us.”	&#13;  
—	&#13;  Carl	&#13;  Sandburg:	&#13;  The	&#13;  Sea	&#13;  Hold	&#13;  
	&#13;  
Bottles:	&#13;  
Gillian	&#13;  Newburn,	&#13;  Mátyás	&#13;  Szabó,	&#13;  Tristan	&#13;  Holleufer	&#13;  	&#13;  
	&#13;  
Natasha	&#13;  Wendla	&#13;  Penfield,	&#13;  Micha	&#13;  Fortin,	&#13;  Aaron	&#13;  Pang,	&#13;  	&#13;  
Amanda	&#13;  Cawley,	&#13;  Sean	&#13;  Quicke,	&#13;  Margaret	&#13;  Lingas,	&#13;  	&#13;  
Emily	&#13;  MacCallum,	&#13;  Adam	&#13;  Jasieniuk,	&#13;  Jordie	&#13;  Shier,	&#13;  	&#13;  
Nick	&#13;  Miskey,	&#13;  Thomas	&#13;  Nicholson	&#13;  
	&#13;  
Alex	&#13;  Klassen,	&#13;  ‘cello	&#13;  
Blake	&#13;  Palm,	&#13;  double	&#13;  bass	&#13;  
Tristan	&#13;  Holleufer,	&#13;  gong	&#13;  &amp;	&#13;  suspended	&#13;  cymbal	&#13;  
Brandon	&#13;  Chow,	&#13;  timpani	&#13;  &amp;	&#13;  cymbal	&#13;  
	&#13;  
	&#13;  
	&#13;  
Rumination	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Eric	&#13;  Boulter	&#13;  
	&#13;  
Thomas	&#13;  Law,	&#13;  piccolo	&#13;  
Matthew	&#13;  Robertson,	&#13;  bassoon	&#13;  
Thomas	&#13;  Nicholson,	&#13;  viola	&#13;  
Brock	&#13;  Foerster,	&#13;  bass	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  marimba	&#13;  
	&#13;  
	&#13;  
	&#13;  
It’s	&#13;  Relaxing	&#13;  Time	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Sky	&#13;  Mundell	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  
	&#13;  
	&#13;  
	&#13;  
Nolan	&#13;  Krell,	&#13;  guitar	&#13;  
	&#13;  
	&#13;  
	&#13;  
Dylan	&#13;  Powell,	&#13;  double	&#13;  bass	&#13;  
	&#13;  
	&#13;  
	&#13;  
Eric	&#13;  Ng,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

�	&#13;  
	&#13;  
I	&#13;  Can't	&#13;  	&#13;  
	&#13;  

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	&#13;  

	&#13;  

	&#13;  

Vanessa	&#13;  Lee	&#13;  

Julian	&#13;  Malinowski,	&#13;  alto	&#13;  saxophone	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  
Eric	&#13;  Ng,	&#13;  piano	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  drums	&#13;  
	&#13;  

	&#13;  
	&#13;  
Behind	&#13;  the	&#13;  Mirror	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Thomas	&#13;  Nicholson	&#13;  
	&#13;  
I.	&#13;  Prologue	&#13;  	&#13;  
II.	&#13;  Emily	&#13;  	&#13;  
III.	&#13;  Sprung-­‐Fiel	&#13;  
	&#13;  
	&#13;  
Margaret	&#13;  Lingas,	&#13;  soprano	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  
Adan	&#13;  Jasieniuk,	&#13;  alto	&#13;  saxophone	&#13;  
Eric	&#13;  Boulter,	&#13;  bassoon	&#13;  
Liam	&#13;  Gibson,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
Justice	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Amanda	&#13;  Cawley	&#13;  
	&#13;  
Margaret	&#13;  Lingas,	&#13;  soprano	&#13;  
Micha	&#13;  Fortin,	&#13;  alto	&#13;  
Natasha	&#13;  Wendla	&#13;  Penfield,	&#13;  alto	&#13;  
Sam	&#13;  McNally,	&#13;  french	&#13;  horn	&#13;  
Alex	&#13;  Klassen,	&#13;  ‘cello	&#13;  
	&#13;  
	&#13;  
	&#13;  
In	&#13;  D	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Michael	&#13;  Lee	&#13;  
	&#13;  
Sean	&#13;  Maynard,	&#13;  alto	&#13;  saxophone	&#13;  	&#13;  
Zach	&#13;  Smith,	&#13;  baritone	&#13;  saxophone	&#13;  	&#13;  
Jackie	&#13;  Kreke,	&#13;  euphonium	&#13;  
Brandon	&#13;  Chow,	&#13;  glockenspiel	&#13;  	&#13;  
Liam	&#13;  Gibson,	&#13;  piano	&#13;  	&#13;  
Kimberley	&#13;  Farris-­‐Manning,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
Vogon	&#13;  Poetry	&#13;  Circle	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Adam	&#13;  Jasieniuk	&#13;  
	&#13;  
Ode	&#13;  to	&#13;  the	&#13;  sea	&#13;  
A	&#13;  Formal	&#13;  Complaint	&#13;  
Throttlebumph	&#13;  
Her.	&#13;  
It’s	&#13;  a	&#13;  Puppy	&#13;  Eat	&#13;  Puppy	&#13;  World	&#13;  
	&#13;  
Matthew	&#13;  Kaufhold	&#13;  –	&#13;  Clarinet	&#13;  
Matthew	&#13;  Bell	&#13;  -­‐	&#13;  Saxophone	&#13;  
Matthew	&#13;  Robertson	&#13;  -­‐	&#13;  Bassoon	&#13;  
Matthew	&#13;  Richard	&#13;  -­‐	&#13;  Trumpet	&#13;  
Matthew	&#13;  Blockberger	&#13;  -­‐	&#13;  Euphonium	&#13;  
Matthew	&#13;  Kelly	&#13;  -­‐	&#13;  Trombone	&#13;  
Matthew	&#13;  Szabo	&#13;  -­‐	&#13;  Piano	&#13;  	&#13;  
	&#13;  

�	&#13;  
	&#13;  
Indeterminacy	&#13;  through	&#13;  Imitation	&#13;   	&#13;  
	&#13;  
	&#13;  
Tonya	&#13;  Hall	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Nonda	&#13;  Petropolous,	&#13;  drum	&#13;  pad	&#13;  
Carl	&#13;  Keys,	&#13;  MIDI	&#13;  Piano	&#13;  
Max	&#13;  Rosenthal,	&#13;  voice	&#13;  
Steeve	&#13;  Bjornson,	&#13;  hacked	&#13;  keyboard	&#13;  
	&#13;  
	&#13;  
Waffle	&#13;  vs.	&#13;  Pancake	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Eliot	&#13;  Teng	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Miranda	&#13;  Bob,	&#13;  alto	&#13;  	&#13;  
	&#13;  
Josh	&#13;  Poon,	&#13;  baritone	&#13;  
	&#13;  
	&#13;  
Margo	&#13;  Milton,	&#13;  ‘cello	&#13;  
	&#13;  
	&#13;  
	&#13;  
Chris	&#13;  Green,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
Black,	&#13;  White	&#13;  &amp;	&#13;  Re*d	&#13;  All	&#13;  Over:	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
Alex	&#13;  Klassen	&#13;  
an	&#13;  Ordinary	&#13;  and	&#13;  Proper	&#13;  Mass	&#13;  
	&#13;  
Introit	&#13;  and	&#13;  Gloria	&#13;  Patri	&#13;  
	&#13;  
Word	&#13;  Man:	&#13;  Nolan	&#13;  Krell	&#13;  
Hype	&#13;  Man:	&#13;  Keenan	&#13;  Mittag-­‐Degala	&#13;  
Wind	&#13;  Man:Nick	&#13;  Miskey	&#13;  	&#13;  
Metal	&#13;  Man:	&#13;  Alex	&#13;  Jang	&#13;  	&#13;  	&#13;  
Shaker	&#13;  Man:	&#13;  Dave	&#13;  Riedstra	&#13;  	&#13;  
Bell	&#13;  Man:	&#13;  Matt	&#13;  Bell	&#13;  	&#13;  
	&#13;  
Featuring:	&#13;  
The	&#13;  All	&#13;  Girl	&#13;  Harmonica	&#13;  Band	&#13;  
	&#13;  
	&#13;  
said	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Keenan	&#13;  Mittag-­‐Degala	&#13;  
words	&#13;  	&#13;  
letters	&#13;  
	&#13;  
Whitney	&#13;  Williams,	&#13;  soprano	&#13;  	&#13;  
Sean	&#13;  Maynard,	&#13;  tenor	&#13;  saxophone	&#13;  	&#13;  
Adam	&#13;  Jasieniuk,	&#13;  contrabass	&#13;  clarinet	&#13;  	&#13;  
Eric	&#13;  Boulter.	&#13;  bassoon	&#13;  
Elena	&#13;  Bokova,	&#13;  violin	&#13;  	&#13;  
Natalie	&#13;  Dzbik,	&#13;  violin	&#13;  	&#13;  
Alex	&#13;  Klassen,	&#13;  cello	&#13;  	&#13;  	&#13;  
Thomas	&#13;  Nicholson,	&#13;  piano	&#13;  	&#13;  
Alex	&#13;  Jang,	&#13;  conductor	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

�Sonata	&#13;  	&#13;  
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Music	&#13;  105	&#13;  

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Hart	&#13;  Parnell,	&#13;  hartsichord	&#13;   	&#13;  
	&#13;  
	&#13;  
Thomas	&#13;  Nicholson,	&#13;  manjo	&#13;  
Vanessa	&#13;  Lee,	&#13;  carton	&#13;  
Eric	&#13;  Ng,	&#13;  lauren	&#13;  
Adam	&#13;  Jasieniuk,	&#13;  canadian	&#13;  horn	&#13;  
Jordi	&#13;  Shier,	&#13;  airschmooglehorn	&#13;  
Marshall	&#13;  Wildman,	&#13;  bierfon	&#13;  
Eric	&#13;  Boulter,	&#13;  jug	&#13;  
Nick	&#13;  Miskey,	&#13;  ABSphone	&#13;  
Sky	&#13;  Mundell,	&#13;  sfzpig	&#13;  
Eliot	&#13;  Teng,	&#13;  ricebox	&#13;  
Amanda	&#13;  Cawley,	&#13;  cookie	&#13;  
Kimberley	&#13;  Farris-­‐Manning,	&#13;  farris-­‐manning	&#13;  
Natalie	&#13;  Dzbik,	&#13;  yobongo	&#13;  
Michael	&#13;  Lee,	&#13;  jah’ruler	&#13;  
Elena	&#13;  Bokova,	&#13;  kindersqueak	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  robobowl	&#13;  
Alex	&#13;  Klassen,	&#13;  grande	&#13;  
Alex	&#13;  Jang,	&#13;  conductor	&#13;  

	&#13;  

	&#13;  

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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

Faculty Concert series

Re-Birth of the Cool
patrick boyle
trumpet &amp; electric guitar

	
	
	
	
	
	
	
	
	

With
Monik Nordine alto saxophone
Wendell Clanton baritone saxophone
Scott MacInnes trombone
Marc Patsula horn
Eugene Dowling tuba
Tom Vickery piano
Ross MacDonald double bass
Kelby MacNayr drums
&amp;
Ian McDougall trombone

Saturday, September 20, 2014 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students, seniors, alumni: $14

�P R O G RA M
The Touch Of Your Lips

Ray Noble

Don’t Get Around Much Anymore

Duke Ellington

Polka Dots and Moonbeams

Jimmy Van Heusen

Just Squeeze Me

Duke Ellington

Centerpiece

Harry “Sweets” Edison
Patrick Boyle, electric guitar
Ian McDougall, trombone
Intermission

Fictional Brett
Boplicity
Israel
Jeru
Moon Dreams

Budo (Hallucinations)

Patrick Boyle
Miles Davis and Gil Evans
John Carisi
Gerry Mulligan
Chummy MacGregor
and Johnny Mercer
Miles Davis and Bud Powell

�BIOGRAPHIES
Patrick Boyle
Newfoundland trumpeter Dr. Patrick Boyle embodies the jazz spirit by synthesizing a
range of influences into a compelling original voice. He has been aptly referred to as
a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians” by CBC Radio. At the University of Victoria, Patrick teaches courses in Jazz
Theory, Jazz Pedagogy, Jazz History, Music Business, Improvisation, and Arranging, in
addition to directing the Jazz Orchestra and Vikes Band.
An in-demand session player not bound by genre, Patrick can be heard on more
than 50 recordings and two critically acclaimed solo albums: Still No Word (2008) and
Hold Out (2005). Patrick recently performed at Carnegie Hall with tabla virtuoso
Zakir Hussain and drummer Steve Smith. He has also performed with Great Big Sea,
Mickey Dolenz (The Monkees), Fred Penner, Plants and Animals, Mike Murley, Phil
Dwyer, Uri Caine, and many others. His new record Heart of Stone will be released
in 2015 and features Bill Brennan (piano), Mike Downes (bass) and Mike Billard
(drums).
Patrick balances life as a performer with a strong dedication to academics. He
holds a Doctorate of Musical Arts in Performance at the University of Toronto. His
primary research interest is how improvisation, particularly collective improvisation in organizations, can help students negotiate situations of tension and anxiety,
inside and outside of music. Patrick also holds an M.A. in Ethnomusicology from York
University and a B.Mus from Memorial University. He has taught undergraduate and
graduate courses at Memorial. Patrick is a regular contributor to Canadian Musician
magazine and an active clinician throughout North America. On a recent sabbatical,
he was a Visiting Scholar at Massey College at the University of Toronto where he
began work on a history of jazz music in Newfoundland.
Patrick has composed music for film, television, radio, and theatre. In 2010, he was
commissioned by the CBC to compose and record ‘Well Enough Alone’, a multimovement jazz suite which acknowledges the 60th anniversary of Newfoundland’s
confederation with Canada. Patrick regularly creates original live soundtracks for
silent films and video games.
Outside of music, Patrick is an up-and-coming stand up comedy talent. He’ll be
appearing at Playtime Gaming in Campbell River on September 24 and Courtenay
on September 25. The veal is NOT recommended.
Follow him on twitter @paddyjoeboyle

�Ian McDougall
Ian McDougall was born in Calgary, Canada, and grew up in Victoria, leaving there
in 1960 to tour in Great Britain with the John Dankworth Band. He returned to
Canada in 1962 and began a lengthy career as a freelance player, composer and arranger in Vancouver and in Toronto where, until 1991, he was also the lead and solo
trombonist with Rob McConnell’s Juno and Grammy award-winning Boss Brass.
Two suites composed by Ian have been recorded by that group – The Pellet Suite
(The Boss Brass Again, UMB GEN1-12), and The Blue Serge Suit(e) (Brassy and Sassy,
Concord Jazz, CCD 4508). Ian also was lead trombone and composer/arranger for
The Brass Connection, who won the Juno award for best Jazz album in 1982. Since
the early 1980’s McDougall has become even more involved in composition, and his
works have been performed by the CBC Vancouver Orchestra, the Lafayette String
Quartet, the Toronto Symphony Orchestra, the Rob McConnell Tentet, and the
Toronto Cantata Chorus,among others.
Ian now resides in Victoria, where he continues to play, compose, and teach. He
taught trombone, composition, and jazz studies at the University of Victoria, leaving
there in 2003 as Professor Emeritus. Ian was awarded the University of Victoria’s
“Distinguished Alumni” award in 2004. The past decade has included tours in Canada
and abroad, both as a soloist and with his groups, to Ireland, Scotland, Australia,
Denmark, Holland, the USA, Germany, and England, where Ian was music director
for two BBC Big Band broadcasts.
Over the years, Ian has been invited to be a performer and clinician at three
International Trombone Association conventions, in Nashville, Rochester, and in Las
Vegas. Also, in the past decade, Ian has been featured as leader on six CDs. His latest
double CD is entitled In a Sentimental Mood, and features the music of Billy Strayhorn and Duke Ellington with Ian joined by his quartet.
www.ianmcdougall.com

�Wendell Clanton
Wendell Clanton is the resident saxophone teacher and Vocal Jazz Ensemble Director at the University of Victoria. Clanton studied under Dr. Frederick L. Hemke and
has been a guest performer with the National Conservatory at Bordeaux Saxophone Ensemble, The Supremes, and others. He has performed concerts across
North America and the UK and is a member of Three Piece Suit jazz trio, The
Midnights, Vis à Vis Saxophone Quartet and The Kingmixers.
Eugene Dowling
For twenty-five years, Eugene Dowling was Principal Tubist with the Victoria Symphony and has been a faculty member of the School of Music, University of Victoria
for over thirty years. His recording The English Tuba on the Fanfare/Pro Arte label
was nominated for a Juno Award and received a number of favourable reviews
and North America-wide radio play. Under Dowling’s direction, the Victoria TUBACHRISTMAS ensemble has raised thousands of dollars for local charities and has
been featured in such diverse venues as CBC TV’s The Journal and with the Victoria
Symphony Christmas Pops program. Eugene Dowling is a Yamaha Artist.
Ross Macdonald
Ross Macdonald is a bassist based in Victoria, British Columbia. His musical skills have
taken him around the world, playing music in Dubai at the 7 star Burj al Arab, the
tallest hotel in the world, and cruising on the world’s only residence ship, The World.
He currently plays the bass full-time with the Naden Band of the Royal Canadian
Navy in Victoria. www.rossmacdonald.com
Scott MacInnes
Scott MacInnes is the trombone instructor at the University of Victoria, and Principal
Bass Trombone with the Vancouver Island Symphony Orchestra. Upon finishing his
Undergraduate Degree in Classical Music Performance on the bass trombone at the
University of Toronto, Scott free-lanced in the Greater Toronto Area and throughout
Ontario, playing with a great number of ensembles, including: the Toronto Symphony,
Orchestra London, the Thunder Bay Symphony, and the Niagara Symphony, as well
as Hannaford Street Silver Band. www.mactrombone.com

�Kelby MacNayr
Kelby MacNayr is a featured performer on national radio and television in the U.S.
and Canada (NPR, CBC Radio, CBC Television) and has performed on over 50
recordings and at major festivals across Canada and the U.S. Maintaining an
active regional and international performing career, MacNayr has performed and or
recorded with many of North American’s finest musicians including: Phil Dwyer, Ian
McDougall, Neil Swainson, Tony Genge, Tony Wilson, Joel Miller, Brad Turner, Christine
Jenson, Don Thompson, Hugh Fraser and George McFetridge. The Kelby MacNayr
Quintet released The Measure of Light in 2013. www.kelbymacnayr.com
Monik Nordine
Monik Nordine is a freelance saxophonist and composer in the jazz genre and
has been working as a musician for 20 years. Monik completed a Master of Music
Degree in Jazz Performance and Composition at McGill University in 1997. She has
been teaching privately since 1985 and has given clinics at numerous public and
private secondary schools including: the University of Victoria, the University of British Columbia and Vancouver Island University. She has studied privately in London,
England and New York City.
Marc Patsula
Marc Patsula is a horn player who exists on a higher spiritual plane than most mortals. He is also a jewelry designer, cornetist, gourmet chef, empathy, and dear friend
to anyone he meets. Along with Patrick Boyle and Joanna Hood, he ensures that
Constance Avenue is the most artistically diverse street in all of Esquimalt.
www.jewelry-by-marc.com
Tom Vickery
Tom Vickery remains a leading figure on the West Coast jazz scene. Equally talented
on both trumpet and piano, in 1993 he participated in a national tour of Canada
with the Canadian Forces Jazz Quintet for the Department of National Defense.
For the past 10 years, he has played with the award-winning Dixieland Express Jazz
Band, host band for the annual ‘TerrifVic Jazz Party’. The Tom Vickery Trio has been
the house band at Hermann’s Jazz Club in Victoria for more than 14 years. He
played in Hugh Fraser’s (international) Jazz Workshop Orchestra for two years, and
has been the featured pianist with vocalist Barbara Blair’s “Jazz Affair” group for the
past 10 years. He is also a member of the Chris Millington Jazz Quartet, the resident
band in the Bengal Lounge of the renowned Empress Hotel in Victoria.

�Upcoming Events
At the School of Music

Sunday, September 21, 7:30 p.m. (Admission by donation)

EMERGING ARTISTS ALUMNI SERIES

Bringing together Classical and folk traditions, with violist Sarah Tradewell (B.Mus ‘14)
and chamber-folk band West My Friend.
Phillip T. Young Recital Hall
Friday, September 26, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

A concert of varied repertoire &amp; instruments featuring School of Music students.
Phillip T. Young Recital Hall
Sunday, September 28, 2:30 p.m. ($18/$14)

FACULTY CONCERT SERIES: Suzanne Snizek, flute

With Bruce Vogt, piano and Anne Grimm, soprano
Featuring music by Mel Bonis, Charles Koechlin, Kaija Saariaho and J.S. Bach
as well as Yuko Uebayashi’s Sonata for flute and piano.
Phillip T. Young Recital Hall
Friday, October 3, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music keyboard students
Phillip T. Young Recital Hall
Wednesday, October 8, 11:00 a.m. – 1:00 p.m. (Admission by donation)

GUEST RECITAL &amp; MASTERCLASS: Aaron Wilson, trombone

Trombonist Aaron Wilson, Assistant Professor of Low Brass at the
Brandon University School of Music, performs Fantasy for Trombone by
Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and
Basta by Folke Rabe. A masterclass with School of Music trombone students will follow.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

Emerging Artists Alumni Series
Sarah Tradewell

VIOLA

(B.Mus ‘14)

&amp;

Eden Oliver (B.Mus ‘08)
Alex Rempel (B.Mus ‘12)
Jeff Poynter (B.Mus ‘11)
Nick Mintenko

Sunday, September 21, 2014 • 7:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM

Sarah Tradewell, viola
Suite No. 1 in G Major

J. S. Bach
(1685–1750)

Sonata No. 3 for solo viola
	
I. Adagio espressivo
	
II. Fuga

Enrico Polo
(1869–1953)

Sonata Op. 25 No. 1
	
I. Breit
	
II. Sehr frisch und straff
Elegie

Paul Hindemith
(1895–1963)

Igor Stravinsky
(1882–1971)

The 3 G’s

Kenji Bunch
(b.1973)

Intermission

West My Friend
Eden Oliver, guitar, vocals, flute
Alex Rempel, mandolin, vocals
Jeff Poynter, accordion, vocals
Nick Mintenko, double bass, vocals

This concert is made possible with generous support
from the University of Victoria Alumni Association.

�BIOGRAPHIES
Sarah Tradewell (BMus ’14) studied with Joanna Hood of the Lafayette String
Quartet at the University of Victoria. She has performed with the Victoria Symphony,
the Galiano Ensemble of Victoria, the Vancouver Island Symphony, and the YouTube
Symphony Orchestra 2011 at the Sydney Opera House in Australia.
In June 2014, Sarah received the Victoria Medal in Fine Arts for top student in the
UVic Faculty of Fine Arts. She was the winner of the 2013 University of Victoria
Bach Competition with the Sixth Cello Suite, and was a finalist in the 2013 UVic
Concerto Competition with Hindemith’s Der Schwanendreher. Sarah is an advocate
of new music and has performed in the premiere of many new works, including a
performance with the Lafayette String Quartet of The Space Between Us by American composer David Jaffe. In July, as part of the Pacific String Quartet, she performed
a concert of new music by students and recent graduates of the UVic Composition program. In addition to her love of classical music, Sarah performs regularly as
a fiddler and folk singer. Sarah will be playing in several concerts with the Victoria
Symphony, teaching at the Victoria Conservatory of Music, and performing as often
as possible.
Since West My Friend was conceived in a Victoria café in 2009, they’ve emerged as
a unique voice in the city’s music scene. Described as everything from indie-roots to
chamber-folk, their acoustic blend of instruments and four-part harmonies challenges
the conventions of popular music to create a performance that is both engaging
and innovative. Songs are created through a collaborative process: well-crafted and
clever lyrics, acrobatic mandolin riffs, flawless bass lines, and richly textured accordion
combine as every member brings forward their own ideas and experiences.
The wealth of musical experience and classical training in the group creates an
interesting backdrop for their songwriting, allowing for levels of detail, intricacy, and
counterpoint balanced with moments of simplicity. This sonically adventurous
approach to music defines West My Friend as a key part of a growing movement of
the new generation of grass-roots folk music taking place in Victoria, Vancouver and
across British Columbia.
West My Friend released their first full-length album Place in 2012, and it soon
garnered multiple award nominations (including “Roots Album of the Year” and
“Song of the Year” at the Vancouver Island Music Awards). Their second album, When
The Ink Dries, was released in March 2014. It ranges in scope from intimate moments,
featuring the four core musicians of the group, to rich orchestral arrangements that
showcase the maturity, musicianship, and multi-instrumental abilities of each member.
This is combined with guest musicians drawn from everywhere from the Victoria
Symphony to Buena Vista Social Club. The record is a significant step forward for
West My Friend; the group’s collaboration with Grammy award-winning producer
Joby Baker (Alex Cuba, Cowboy Junkies) and Juno award-winner David TraversSmith (The Wailin’ Jennys, Oh Susannah) provides a strong underpinning of experience in folk-roots music for this promising young band.

�Emerging Artists Alumni Series
Calling all UVic School of Music alumni!
(solo artists, bands, chamber groups, composers)

We are now accepting proposals from School of Music alumni for our Emerging
Artists Alumni Series. We know how hard it can be to finance a gig and are opening
the Phillip T. Young Recital Hall doors for 1–2 concerts each semester dedicated to
showcasing the talents of alumni in the early stages of their careers.
Successful applicants will be provided with:
• Access to the Phillip T. Young Recital Hall for a concert and rehearsal.
• Event staff (ushers, stage manager, recording technician)
• Recording of the concert
• Event promotion in the School of Music brochure &amp; on our website.
Admission to concerts will be by donation and proceeds will be divided 50/50
between performer(s) and the School of Music.
Apply to concert@uvic.ca with the following:
• Proposed program and list of performers (minimum 60 minute program)
• Bio of each alumni performer (250 words or less each)
• High resolution photo(s)
• Links to website, audio, video, social media pages (if available)
• Willingness to appear in a short profile video for use on the School of Music
website.

Deadline for applications:
For Spring 2015 (performance in Jan-Feb): October 15
For Fall 2015 (performance in Sept-Nov): June 1

���Upcoming Events
At the School of Music

Friday, September 26, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

A concert of varied repertoire &amp; instruments featuring School of Music students.
Phillip T. Young Recital Hall
Sunday, September 28, 2:30 p.m. ($18/$14)

FACULTY CONCERT SERIES: Suzanne Snizek, flute

With Bruce Vogt, piano and Anne Grimm, soprano
Featuring music by Mel Bonis, Charles Koechlin, Kaija Saariaho and J.S. Bach
as well as Yuko Uebayashi’s Sonata for flute and piano.
Phillip T. Young Recital Hall
Friday, October 3, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music keyboard students
Phillip T. Young Recital Hall
Wednesday, October 8, 11:00 a.m. – 1:00 p.m. (Admission by donation)

GUEST RECITAL &amp; MASTERCLASS: Aaron Wilson, trombone

Trombonist Aaron Wilson, Assistant Professor of Low Brass at the
Brandon University School of Music, performs Fantasy for Trombone by
Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and
Basta by Folke Rabe. A masterclass with School of Music trombone students will follow.
Phillip T. Young Recital Hall
Friday, October 10, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music string students
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca
�

finearts.uvic.ca/music/events

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Phillip T. Young Recital Hall • University of Victoria
September 26, 2014 • 12:30 p.m.
Sonata IV							
Wenzel Matiegka		
	I. Allegro Moderato	(1773–1830)
	
Nataliya Paschenko, guitar

My lover is a farmer lad	
								
						
Kassandra Schantz, mezzo-soprano
Louise Hung, piano

John Jacob Niles		
(1892–1980)

Polonaise Op. 53 in A-flat “Heroic”	
											

Frèdèric Chopin	
(1810–1849)

Frances Armstrong, piano

Rhapsodie Op. 79 No. 1 in B-minor	
							
		
Carol Zhang, piano

Johannes Brahms		
(1833–1897)

Sonata for Flute and Piano	
	II. Sehr langsam					
		
Cooper Reed, flute
Zinna Kwon, piano

Paul Hindemith		
(1895–1963)

Quatuor de Saxophones	
						
		
Austin Nicholl, soprano saxophone
Seàn Maynard, alto saxophone
Lee Whitehorn, tenor saxophone
Zach Smith, baritone saxophone

Claude Pascal		
(b.1921)

Upcoming at the School of Music
Sunday, September 28, 2:30pm - 4:30pm ($18 regular admission &amp; $14 students, seniors, &amp; alumni)
Phillip T. Young Recital Hall
FACULTY CONCERT SERIES: Suzanne Snizek, flute
With Bruce Vogt, piano and Anne Grimm, soprano
Featuring music by Mel Bonis, Charles Koechlin, Kaija Saariaho, and J.S. Bach as well as Yuko Uebayashi’s Sonata for flute and
piano.
Thursday, October 2, 7:00pm - 9:00pm (Free admission)
David Lam Auditorium (MacLaurin Building, Room A144)
9th Annual Lafayette Health Awareness Forum: Building Happier, Healthier Lives
Featuring guest speaker, Dr. John Helliwell, Co-Director of the Canadian Institute for Advanced Research (CIFAR) program on
‘Social Interactions, Identity, and Well-Being.’
To reserve a seat, contact lafayettehealth@shaw.ca

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Phillip T. Young Recital Hall • University of Victoria
September 26, 2014 • 12:30 p.m.
Sonata IV							
Wenzel Matiegka		
	I. Allegro Moderato	(1773–1830)
	
Nataliya Paschenko, guitar

My lover is a farmer lad	
								
						
Kassandra Schantz, mezzo-soprano
Louise Hung, piano

John Jacob Niles		
(1892–1980)

Polonaise Op. 53 in A-flat “Heroic”	
											

Frèdèric Chopin	
(1810–1849)

Frances Armstrong, piano

Rhapsodie Op. 79 No. 1 in B-minor	
							
		
Carol Zhang, piano

Johannes Brahms		
(1833–1897)

Sonata for Flute and Piano	
	II. Sehr langsam					
		
Cooper Reed, flute
Zinna Kwon, piano

Paul Hindemith		
(1895–1963)

Quatuor de Saxophones	
						
		
Austin Nicholl, soprano saxophone
Seàn Maynard, alto saxophone
Lee Whitehorn, tenor saxophone
Zach Smith, baritone saxophone

Claude Pascal		
(b.1921)

Upcoming at the School of Music
Sunday, September 28, 2:30pm - 4:30pm ($18 regular admission &amp; $14 students, seniors, &amp; alumni)
Phillip T. Young Recital Hall
FACULTY CONCERT SERIES: Suzanne Snizek, flute
With Bruce Vogt, piano and Anne Grimm, soprano
Featuring music by Mel Bonis, Charles Koechlin, Kaija Saariaho, and J.S. Bach as well as Yuko Uebayashi’s Sonata for flute and
piano.
Thursday, October 2, 7:00pm - 9:00pm (Free admission)
David Lam Auditorium (MacLaurin Building, Room A144)
9th Annual Lafayette Health Awareness Forum: Building Happier, Healthier Lives
Featuring guest speaker, Dr. John Helliwell, Co-Director of the Canadian Institute for Advanced Research (CIFAR) program on
‘Social Interactions, Identity, and Well-Being.’
To reserve a seat, contact lafayettehealth@shaw.ca

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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

Faculty Concert series
suzanne snizek
flute

With
	

Bruce Vogt

	

AnNe Grimm
Wendell Clanton

piano
Soprano
saxophone

&amp;
	
	

kirk McNally

electronics

Sunday, September 28, 2014 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students, seniors, alumni: $14

�P R O G RA M
Sonata for flute and piano
	
1. Andantino con moto
	
2. Scherzo—Vivace
	3. Adagio
	
4. Finale—Moderato

Mel Bonis
(1858–1937)

Bruce Vogt, piano
Seele deine Specereien from Easter Oratorio

J. S. Bach
(1685–1750)

Anne Grimm, soprano
Epitaph for Jean Harlow

Charles Koechlin
(1867–1950)

Wendell Clanton, saxophone
Laconisme de l’aile

Kaija Saariaho
(b. 1952)
Kirk McNally, electronics
Intermission

Sonata for flute and piano
	
1. Lento
	
2. Presto
	
3. Calmato
	
4. Allegro
Bruce Vogt, piano

Yuko Uebayashi

�text &amp; translations

Seele deine Specereien from Easter Oratorio
J. S. Bach
4. Arie S
Seele, deine Spezereien
Sollen nicht mehr Myrrhen sein.
Denn allein
Mit Lorbeerkranze prangen,
Stillt dein ängstliches Verlangen.

O soul, your spices need no longer
be myrrh.
For only crowning with the laurel wreath
will quiet your anxious longing.

Laconisme de l’aile (The ‘fleeting-ness’ , or brevity, of wings)
Kaija Saariaho
Ignorants de leur ombre, et ne sachant de mort que ce qui s’en consume d’immortel au
bruit lointain des grandes eaux, ils passent, nous laissant, et nous ne sommes plus les
mêmes. Ils sont l’espace traversé d’une seule pensée.
“Ignorant of their shadow, knowing of death only that immortal part which is consumed in the distant clamor of great waters, they pass and leave us, and we are no
longer the same. They are the space traversed by a single thought.”
from Saint-John Perse // Oiseaux (“Birds”) // 1962 (translation by Robert Fitzgerald)

�BIOGRAPHIES
Suzanne snizek
Suzanne Snizek is an internationally recognised flutist, teacher, scholar and clinician.
She holds a B.Mus degree from Indiana University-Bloomington, and Masters in
Music from University of the Arts (Philadelphia) where she was a student of Julius
Baker. Snizek received her Doctorate of Musical Arts in April 2011 from UBCVancouver, and has served as the flute professor at the University of Victoria since
September 2011.
She has performed with a vast range of ensembles in the United States, England,
Canada, France, the UK and Taiwan, including the Moody Blues and Roger Daltrey.
Dr. Snizek won first prize in the Mid South Flute Competition (USA) and the
University of the Arts concerto competition. She was also a second prize winner
in the New York Flute Club competition and a winner in the ‘Flute Talk’ magazine
competition. A sought after clinician and adjudicator, she has given master classes in
the United States, Canada and Taiwan, and has recorded for HBO, ESPN’s “NFL Presents,” and Kindermusic international.

BRuce vogt
Among the elite of Canadian pianists, Bruce Vogt is a unique and dynamic performer.
He appears regularly in concert within Canada, but has also inspired audiences in
England, the USA, Germany, France, Italy, Norway, Czechoslovakia, Bulgaria, China, and
Japan.
Born in Southern Ontario, Bruce completed his initial musical studies with Damjana
Bratuz and Anton Kuerti. Later he studied in the United States, England, Switzerland,
and Italy, working with a number of celebrated musicians including Gyorgy Sebok,
Louis Kentner, Fou Ts’Ong, and Dario de Rosa.
Bruce Vogt’s repertoire is extremely diverse, encompassing music from the sixteenth
century to the present. He has consistently championed the music of contemporary
composers, and has commissioned and premiered a number of new works by such
Canadian luminaries as Murray Adaskin and Alfred Fisher. He is also an enthusiastic
and dedicated performer on period instruments; one of his recordings, released
in the fall of 2003, features music of Robert Schumann performed on a restored
1864 Erard. His other recordings include two volumes of the music of Franz Liszt,
which have established for him an enviable reputation as a Liszt interpreter. Two new
recordings of the music of Liszt were released in 2011 in honour of the bicentenary
of this great composer.

�Anne Grimm
Dutch soprano Anne Grimm has been recognized internationally for her “captivating
voice” (Globe and Mail) and “expressive technique” (ClassicsToday).
On the concert stage she has toured Europe and recorded regularly with Ton Koopman and the Amsterdam Baroque Orchestra (Ambronay, Salzburg) as well as with
the Nederlandse Bachvereniging, the Amsterdamse Bachsolisten under Roy Goodman (Concertgebouw), the Rotterdams Philharmonic under Rozhdestvensky and
the Netherlands Chamber Orchestra under Christian Zacharias.
She has been a soloist with multiple orchestra’s and groups in North America such
as Tanglewood, the National Arts Center under Pinchas Zuckerman, Toronto’s Tafelmusik and the Victoria Symphony, and has recorded for Erato, Harmonia Mundi, NM
Classics, Vanguard Classics, Troubadisc and Sony.
In opera she has performed with the Netherlands Opera (Orfeo), European
Baroque Orchestra (Samson &amp; Dalila), National Reisopera (Die Zauberflote), at
the Holland Festival and Toronto Masque Theater (King Arthur) and Pacific Opera
Victoria (Semele).
Wendell Clanton
Wendell Clanton is the resident saxophone instructor and Vocal Jazz Ensemble
Director at the University of Victoria. Clanton studied under Dr. Frederick L. Hemke
and has been a guest performer with the National Conservatory at Bordeaux
Saxophone Ensemble, The Supremes, and others. He has performed concerts across
North America and the UK and is a member of Three Piece Suit jazz trio, The Midnights, Vis à Vis Saxophone Quartet and The Kingmixers.
Kirk McNally
Kirk McNally, Audio-Specialist/Recording Engineer at the University of Victoria,
was born in Burlington, Ontario and studied music and sound recording at McGill
University (B.Mus 1998, M.Mus 2000). His teachers included Gerald Danovitch,
Wieslaw Woszczyk, George Massenburg and Steven Epstein. As a recording engineer
he has worked with national and international artists including: R.E.M, Bryan Adams,
Sloan, Matthew Good, the Boston Symphony Orchestra and the Aventa Ensemble.
His research has been presented at the Art of Record Production Conference and
supported by the Deutscher Akademischer Austausch Dienst (DAAD). Kirk McNally
regularly collaborates with composers and artists in experimental and new music
and is a member of the live electronics trio, The Krells.

��Upcoming Events
At the School of Music

Thursday, October 2, 7:00 – 9:00 p.m. (Free admission)

9TH ANNUAL LAFAYETTE HEALTH AWARENESS FORUM

Building Happier, Healthier Lives
Featuring guest speaker, Dr. John Helliwell, Co-Director of the Canadian Institute for
Advanced Research (CIFAR) program on Social Interactions, Identity, and Well-Being.
To reserve a seat, contact lafayettehealth@shaw.ca
David Lam Auditorium, Rm. A144, MacLaurin Building
Friday, October 3, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music keyboard students
Phillip T. Young Recital Hall
Wednesday, October 8, 11:00 a.m. – 1:00 p.m. (Admission by donation)

GUEST RECITAL &amp; MASTERCLASS: Aaron Wilson, trombone

Trombonist Aaron Wilson, Assistant Professor of Low Brass at the
Brandon University School of Music, performs Fantasy for Trombone by
Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and
Basta by Folke Rabe. A masterclass with School of Music trombone students will follow.
Phillip T. Young Recital Hall
Friday, October 10, 12:30 p.m. (Admission by donation)

FRIDAYMUSIC

Featuring School of Music string students
Phillip T. Young Recital Hall
Saturday, October 11, 10:00 a.m. – 1:00 p.m. (Free admission)

GUEST MASTERCLASS: Roland Dyens, guitar

Roland Dyens is recognized both as one of the most prominent classical guitarists
of his generation and an important composer and arranger. Dyens teaches at the
Conservatoire National Supérieur de Musique de Paris.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and
newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

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Phillip T. Young Recital Hall • University of Victoria
October 3, 2014 • 12:30 p.m.
Featuring School of Music keyboard students

Concerto in D minor, Op. 15							
Johannes Brahms		
	II. Adagio	(1833-1897)
	
Elizabeth Clarke, piano
Arthur Rowe, piano

Etude No. 7, Pour les degrés chromatiques							
								
						
Louise Hung, piano

Les jeux d’eaux à la Villa d’Este	
												

Claude Debussy		
(1862-1918)

Franz Liszt
(1811–1886)

Frances Armstrong, piano

To be announced	
	
							
	
	
Upcoming at the School of Music
Wednesday, October 8, 11:00am - 1:00 p.m. (Admission by donation)
GUEST RECITAL &amp; MASTERCLASS
Aaron Wilson, trombone
Trombonist Aaron Wilson is Assistant Professor of Low Brass at the Brandon University School of Music. He will perform
Fantasy for Trombone by Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and Basta by Folke
Rabe, followed by a masterclass with School of Music trombone students. t
Phillip T. Young Recital Hall
Saturday, October 11, 10:00am - 1:00 p.m. (Admission by donation)
GUEST MASTERCLASS
Roland Dyens, guitar
Roland Dyens is recognized both as one of the most prominent classical guitarists of his generation and an important composer and arranger. Known for his extraordinary capacity for improvisation, Dyens teaches at the Conservatoire National
Supérieur de Musique de Paris.
Phillip T. Young Recital Hall
Friday, October 17, 8:00pm - 10:00pm ($15 regular / $10 seniors &amp; alumni / $5 students)
UNIVERSITY OF VICTORIA WIND SYMPHONY
Fanfare for a New Era
Dr. Gerald King, conductor
Performing:
Jack Stamp – Fanfare for a New Era
Luigi Zaninelli – The Castle of Saint Angelo
John Philip Sousa/ed. Bourgeois – Looking Upward Suite
Charles Duble – Bravura
University of Victoria Farquhar Auditorium

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Phillip T. Young Recital Hall • University of Victoria

October 10, 2014 • 12:30 p.m.
Featuring School of Music string students

Cypriše (Cypresses)	 					
		
	IX. O, Duše Drahá, Jedínkà (Thou only dear one, but for thee)
	XI. Nad Krajem Vévodí Lehký (Nature lies peaceful in slumber and dreaming)
		
Shijin Kim, violin
Jasmine Mather, violin
Calvin Yang, viola
Olivia Brotzell, cello

Antonin Dvorák 	
(1841-1904)

Cello suite No. 3							
	
I. Prelude			
						
Fahlon Smith, viola

J.S. Bach		
(1685-1750)

Sonata in B flat major, K. 454									
										

W.A. Mozart		
(1756-1791)

Raina Saunders, violin
Laura Altenmueller, piano
	
						
	
Cello concerto No. 1 in A minor, Op. 33

Camille Saint-Saëns
(1835-1921)

Ella Hopwood, cello
Charlotte Hale, piano
	
Upcoming at the School of Music
Saturday, October 11, 10:00am - 1:00 p.m. (Admission by donation)
GUEST MASTERCLASS
Roland Dyens, guitar
Roland Dyens is recognized both as one of the most prominent classical guitarists of his generation and an important composer and arranger. Known for his extraordinary capacity for improvisation, Dyens teaches at the Conservatoire National
Supérieur de Musique de Paris.
Phillip T. Young Recital Hall
Friday, October 17, 8:00pm - 10:00pm ($15 regular / $10 seniors &amp; alumni / $5 students)
UNIVERSITY OF VICTORIA WIND SYMPHONY
Fanfare for a New Era
Dr. Gerald King, conductor
Performing:
Jack Stamp – Fanfare for a New Era
Luigi Zaninelli – The Castle of Saint Angelo
John Philip Sousa/ed. Bourgeois – Looking Upward Suite
Charles Duble – Bravura
University of Victoria Farquhar Auditorium

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Phillip T. Young Recital Hall • University of Victoria

October 17, 2014 • 12:30 p.m.
Featuring School of Music guitar students
Passacaglia	
	
	

	

				
		
								

Ferdinand Rebay 	
(1880-1953)

Natasha Pashchenko, guitar
Joshua Amendt-Moylan, guitar
Sonata IV							
	
I. Allegro Moderato	 		
	II. Alegro: Scherzo - Trio - Scherzo
	III. Capricio: Adagio Cantabile - Presto - Adagio - Presto - Adagio
					
Natasha Pashchenko, guitar
Sonata III									
		
	
I. Allegro Moderato									
	
II. Chanson

Wenzel Matiegka		
(1773-1830)

Manuel Ponce		
(1882-1948)

Joshua Amendt-Moylan, guitar
					
	
Cinquième Fantaisie sur l’air Des Foiles d’Espagne, Op. 12

Francois de Fossa
(1775-1849)

Simon Farintosh, guitar
	
Austin Tango

							

Roland Dyens
(b. 1955)

Natasha Pashchenko, guitar
Joshua Amendt-Moylan, guitar
Isaiah Brabazon, guitar
Corey Spetifore, guitar

UPCOMING AT THE SCHOOL OF MUSIC
Friday, October 17, 8:00pm - 10:00pm ($15 regular / $10 seniors &amp; alumni / $5 students)
UNIVERSITY OF VICTORIA WIND SYMPHONY
Fanfare for a New Era
Dr. Gerald King, conductor
Performing: Jack Stamp – Fanfare for a New Era, Luigi Zaninelli – The Castle of Saint Angelo, John Philip Sousa/ed. Bourgeois –
Looking Upward Suite, Charles Duble – Bravura
University of Victoria Farquhar Auditorium
Saturday, October 18, 8:00pm - 10:00pm (Admission by donation)
FACULTY CONCERT SERIES
Alexander Dunn, guitar
Virtuoso guitarist Alexander Dunn plays a solo recital of music from England and Mexico, including works by Elizabethan
composer John Dowland, the magnificent Variations and Fugue on La Folia by Manuel Ponce, and the 12-movement cycle of
Concert Studies by English impressionist Allan Willcocks – heard for the first time in Canada in its entirety.
Phillip T. Young Recital Hall

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              <name>Title</name>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/101714-Fridaymusic/101714-Fridaymusic_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/101714-Fridaymusic/101714-Fridaymusic_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/101714-Fridaymusic/101714-Fridaymusic_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/101714-Fridaymusic/101714-Fridaymusic_04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/101714-Fridaymusic/101714-Fridaymusic_05.mp3"&gt;track5&lt;/a&gt;</text>
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                <text>Fridaymusic</text>
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            <name>Creator</name>
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                <text>Iain Emslie</text>
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            <name>Date</name>
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                <text>October 10, 2014</text>
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