143 10 1498 https://finearts.uvic.ca/music/archive/files/original/515a57964ef45f0858c885a8c2f3b2c8.pdf 3c8093356e466f2365e01ae592db052f PDF Text Text fridaymusic Phillip T. Young Recital Hall • University of Victoria Featuring School of Music guitar students February 7, 2014 - 12:30 pm Prelude & Fugue No. 7 Graeme Cruickshank & Brian Desjarlais Maria Castelnuovo-Tedesco (1895-1968) Sonata BWV 1002 Fugue Graeme Cruickshank J. S. Bach (1685-1750) Cello Suite III J. S. Bach Sarabande Bourees Gigue Natasha Pashchenko Cello Suite II Prelude Allemande Courante Gigue Joshua Amendt-Moylan En los Trigales Corey Spetifore J. S. Bach Joaquin Rodrigo (1901-1999) Rito de los Orishas Leo Brouwer (b. 1939) Brian Desjarlais Upcoming at the School of Music Friday, February 7, 8:00 p.m. ($14 & $12) UNIVERSITY OF VICTORIA WIND SYMPHONY A joint concert with The Naden Band of the Royal Canadian Navy Eugene Dowling, conductor The Naden Band, under the direction of Lieutenant (Navy) Matthew Clark joins the UVic Wind Symphony in a concert supporting the Naden Band Scholarship in Music Performance. Featured works include Symphony No. 8 by David Maslanka and Eric Ewazen Concerto for Bassoon with UVic alumna Petty Officer Second Class Robyn Jutras. University Centre Farquhar Auditorium Monday, February 17, 8:00 p.m. (Free Admission) GRADUATING RECITAL: Adam Dyjach, tenor Vocalist Adam Dyjach presents his Masters of Music graduating recital. Phillip T. Young Recital Hall Tuesday, February 18, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020714-Fridaymusic/020714-FridayMusic_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 7, 2014 https://finearts.uvic.ca/music/archive/files/original/e79189682eeb7781754aac7137bba7d2.pdf a0dcab95c34620f4bc9a8a940486d0e1 PDF Text Text String Class Recital Students from the studio of Ann Elliott-Goldschmid Program Concerto in G Major I. Allegro Moderato Joseph Haydn Jilaine Orton, violin Romaine Gehring, piano Concerto No. 5 in A Major “Turkish,” K. 219 II. Adagio Jasper Meiklejohn, violin Armand Saberi, piano Partita No. 3 in E Major BWV 1006 Gavotte en Rondeau Menuet I, Menuet II Bourrée Giga Elena Bokova, violin W. A. Mozart Johann Sebastian Bach Concerto No. 1 in G minor, Op. 26 II. Adagio Max Bruch Peter Weinkam, violin Armand Saberi, piano Sonata in G Major K. 301 II. Allegro Brittany Tsui, violin Sophia Stoney, piano Thursday, February 6, 2014, 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation www.finearts.uvic.ca/music/events String Quartet in F Major I. Allegro moderato Raina Saunders, violin Aliayta Foon-Dancoes, violin Matt Antal, viola Ella Hopwood, cello Intermission W. A. Mozart Maurice Ravel �Zigeunerweisen P. Sarasate Margaret Dzbik, violin Sydney Bulman-Fleming, piano Violin Concerto in D Major Op. 35 II. Andante P. I. Tchaikovsky Brittany Tsui, violin Sophia Stoney, piano Sonata No. 3 III. Largo IV. Allegro assai J. S. Bach Aliayta Foon-Dancoes, violin Sonata No. 5 in F Major “Spring,” Op. 24 I. Allegro L. van Beethoven Jasper Meiklejohn, violin Jany Lu, piano Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker@uvic.ca. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020614-ViolinClassRecital/020614-ViolinRecital_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Class Recital - <em>Students from the studio of Ann Elliott-Goldschmid</em> Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource February 6, 2014 https://finearts.uvic.ca/music/archive/files/original/c601dd6269484771d3b021ad790bbc4f.pdf 0d7cbcbaa9a1b38e6b35eb9f88a0f75f PDF Text Text Annual Solo Bach Competition & Concert Featuring School of Music students performing works by Johann Sebastian Bach Judges: Michael Van der Sloot, Paula Kiffner, and Christi Meyers Competitors Sonata No. 3 in C Major, for violin Adagio Fuga Largo Allegro assai Aliyata Foon-Dancoes, violin Cello Suite No. 2 in D minor, BWV 1008 Prelude Allemande Courante Sarabande Menuets I & II Gigue Paul Joo, cello Cello Suite No. 4 in E-flat Major, BWV 1010 (Arranged for viola) Prelude Allemande Courante Sarabande Bourrée I - Bourrée II Gigue Cello Suite No. 1 in G Major Prelude Allemande Courante Sarabande MinuettI-II Gigue Matt Antel, viola Fahlon Smith, viola Suite No. 2 in D minor Prelude Allemande Courante Sarabande Minuet I Minuet II Gigue Partita No. 3 in E Major, BWV 1006 Preludio Loure Gavotte en Rondeau Menuets (I and II) Bourrée Giga Calvin Yang, viola Elena Bokova, violin Cast Your Votes! Following this evening’s program, please step into the foyer for 5-10 minutes to cast your ballot and allow judges to confer. Ballots will be counted and results given to the judges. Audience will be invited back into the recital hall for the Presentation of Awards. Winner will receive an honorarium in the amount collected from this evening’s donations. Wednesday, February 5, 2014, 6:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by Donation � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020514-BachCompetition/020514-BachComp_06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solo Bach Competition & Concert Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 5, 2014 https://finearts.uvic.ca/music/archive/files/original/9c9d08ddebfeabb93f2bd6050200d4bc.pdf 4018d8a4e7d850a53e79a0200095a427 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall • University of Victoria February 4, 2014 - 12:30 pm Four Walt Whitman Songs Beat! Beat! Drums! Oh Captain! My Captain! Come up from the Fields, Father Dirge for Two Veterans Adam Dyjach, tenor Mitchell Anderson, piano Kurt Weill (1900-1950) Années de pèlerinage : deuxième année: Italie Sposalizio Claire Huang, piano Franz Liszt (1811-1886) Sonata No. 2 in B- flat minor, Op. 35 “Funeral March” Grave - Doppio movimento Scherzo Marche funèbre: Lento Finale: Presto Barry Tan, piano Frederic Chopin (1810-1849) Upcoming at the School of Music Wednesday, February 5, 6:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Thursday, February 6, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Friday, February 7, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music guitar students. Phillip T. Young Recital Hall Friday, February 7, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Michelle Mares. Phillip T. Young Recital Hall Friday, February 7, 8:00 p.m. ($14 & $12) UNIVERSITY OF VICTORIA WIND SYMPHONY A joint concert with The Naden Band of the Royal Canadian Navy Eugene Dowling, conductor The Naden Band, under the direction of Lieutenant (Navy) Matthew Clark joins the UVic Wind Symphony in a concert supporting the Naden Band Scholarship in Music Performance. Featured works include Symphony No. 8 by David Maslanka and Eric Ewazen Concerto for Bassoon with UVic alumna Petty Officer Second Class Robyn Jutras. University Centre Farquhar Auditorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020414-Tuesdaymusic/020414-TuesdayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020414-Tuesdaymusic/020414-TuesdayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020414-Tuesdaymusic/020414-TuesdayMusic_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource February 04, 2014 https://finearts.uvic.ca/music/archive/files/original/7d0f097bcef4d6ef345b24fcfc4f076e.pdf e410201163c254d3325f0132a2c124bf PDF Text Text Orchestra UNIVERSITY OF VICTORIA Don Joy With Barry Tan, piano soloist UVic Concerto Competition Winner Ajtony Csaba, conductor Friday, January 31, 2014, 8:00 p.m. University Centre Farquhar Auditorium MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 �Program Wolfgang Amadeus Mozart Overture to Don Giovanni Richard Strauss Death and Transfiguration I: Largo II: Allegro molto agitato III: Meno mosso IV: Moderato I n t e r m i s s i o n Maurice Ravel Piano Concerto in G Major I: Allegramente II: Adagio assai III: Presto The University of Victoria Orchestra appreciates the support of the Learning Without Borders Curricular Fund. �p r o g ra m n ot e s Introduction We know from our own experiences that joy is never felt in a pure form; it is always influenced by other factors. The works on this program reflect the various directions in which joy may be tainted. Tonight we pit the material pleasures of a great Casanova and the gleefully rebellious sounds of Ravel’s piano writing against the purifying joy only felt by Strauss’ protagonist after enduring a struggle with death. Through this comparison we find a duality of physical, naïve joy versus spiritual pessimism—that the most fulfilling joy cannot be found in this life. With this in mind it becomes clear that we must remember to consider the profound while not hesitating to enjoy the profane. Overture to Don Giovanni (1787) Wolfgang Amadeus Mozart, 27 Jan 1756 – 5 Dec 1791 Mozart is known for his compositional process, driven by impulses seemingly inspired by otherworldly creative muses. The overture to Don Giovanni is no exception: legend has it that the piece was composed the night before the premiere of the opera—or the morning of, depending on who tells the story. Given the opera’s subject matter, it fits in with the composer’s preference for tales of material pleasures and dealings. The overture to this seminal tale of philandery and retribution outlines the two choices before its rakish title character: retribution or reconciliation. Scalar themes in the winds outline the steps he might take to heaven or hell, and the ever changing tonal quality reflects this duality. Yet for all this, it is almost a comedic work. Like Le nozze di Figaro, the success of which it followed, Don Giovanni concerns itself with baser topics than contemporary opera-goers were accustomed to. Its plot follows the escapades of a happygo-lucky aristocrat while his peers try haplessly to rein him in until finally an animated statue delivers Giovanni his just deserts. This playfulness is reflected in the overture’s energetic character, which can be taken as a musical portrait of the seducer. �Death and Transfiguration (1889) Richard Strauss, 11 June 1864 – 8 Sept 1949 In contrast to the earthly joy of our other works, Strauss’ Tod und Verklärung is profoundly pessimistic. This tone poem depicts the deathbed visions of an ailing being, culminating in a shimmering transfiguration of the spirit. This music was considered quite modern at the time of its composition, with its extravagant harmonies, occasionally jagged rhythms, and brusque energy. As with Strauss’ other tone poems though, Death and Transfiguration was well received. Unlike Strauss’ previous tone poems, the present work has no direct literary inspiration; however, elucidatory poetry by Alexander Ritter accompanies the published score. The dying man reminisces of tranquil childhood, Ritter’s text tells us, but waking, he finds himself in a struggle with death. His drive to live stalls the inevitable, but the battle exhausts him and he falls into a tense silence. With images of his life playing out before him, the subject recognises that his last honourable challenge is before him. Death’s hammer falls but crushes only the body, as the spirit is transformed. Piano Concerto in G Major (1932) Maurice Ravel, 7 March 1875 – 28 Dec 1937 Ravel’s Piano Concerto in G Major continues in the concern with dialogue found in his post-war pastiche-like works. Elements of jazz and classical music (the work is inspired by Mozart and Saint-Saëns) are the most prominent features of the first movement, but aspects of the music of Basque and Spain are also present. These flashbacks from Ravel’s youth give the work a worldly, metropolitan quality. This dialectical synthesis is reflected in the bitonal portions of the work, which simultaneously present contrasting key centres. While these features would seem to resonate with postmodern values, the Concerto was delivered in the aesthetic mode of late romanticism. For that reason, Ravel’s work was not well received by his colleagues such as Darius Milhaud and Francis Poulenc, who preferred classical clarity and simplicity. However, the Concerto was well received by European audiences. The work was composed over three years with the intention of being a vehicle to showcase Ravel’s own skills at the keyboard. However, his declining health made it impossible for him to perform, and well-known pianist Marguerite Long, to whom the piece is dedicated, gave the premiere with the composer at the podium. Despite the technical challenges of the first movement, Long described the listless, slow melody that begins the second as even more difficult. “That flowing phrase,” Ravel reportedly replied, “How I worked over it bar by bar! It nearly killed me!” �b i o g ra p h i e s Barry Tan Barry Tan began his piano studies at the age of five, and is in his final year at the University of Victoria, studying under Professor May Ling Kwok. Barry has been awarded the University of Victoria President’s Scholarship, Fine Arts Achievement Award, the Johann Strauss Study & Travel Scholarship, and more. He was the 2013 winner of the Mary Adamson Young Artist Piano Competition, the Madeline Till Competition, as well as the University of Victoria Concerto Competition. He has won numerous awards from the Greater Victoria Festival, including the Dr. Robin Wood Memorial Cup, the Concerto Plaque, and the Victoria Silver Medallion Tray. Barry has also won top prize at the Coquitlam BCRMTA (Teachers Association) Festival, for most outstanding performer. He has competed at the BC Performing Arts Competition National Class in 2011 and 2013, as well as the BC Young Artists Provincial Piano Competition in 2012. For the 2013 season, Barry was the Orchestral Pianist with the Greater Victoria Youth Orchestra, and he is currently the Rehearsal Pianist for the University Chamber Singers. Winner of the 2013 Johann Strauss Scholarship Competition, Barry attended summer studies at the Mozarteum Summer Academy in Salzburg, Austria and studied with Professor Andrzej Jasiński. Ajtony Csaba Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later piano and composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest simultaneously with Tamás Gál, András Ligeti, Uroš Lajovic, Peter Eötvös, Istvan Dénes and Zoltán Pesko. He was awarded many prizes as a conductor and composer, and was a semi-finalist in the first competition for opera in Cluj, Romania. He has had numerous concerts in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden, Webern Sinfonietta, Savaria Symphonic Orchestra, and Danube Symphonic Orchestra. In the 2003/04 season he was the assistant conductor and tutor of the Academy Orchestra Budapest and in 2005 was invited to be the assistant conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein with the RSO (Radio-Symphonieorchester, Wien) in 2007. Since 2006 he has served as the chief conductor of the Central European Chamber Orchestra, and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant to Peter Eötvös at the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus, Syria. In 2010 he was appointed as Assistant Professor at the University of Victoria, British Columbia where he conducts the UVic Symphony and teaches conducting. �O R C H E ST RA P E R S O N N E L VIOLIN 1 Aliayta Foon-Dancoes* Lindsey Herle Derrick Lee Natalie Dzbik Elena Bokova Jasper Meiklejohn Cecilia Li Gabriel Cayer VIOLIN 2 Jiten Beairsto* Raina Saunders Peter Weinkam Jilaine Orton Brittany Tsui Emily MacCallum Jessica d‘Oliveira VIOLA Sarah Tradewell* Matt Antal Fahlon Smith Josh Gomberoff Calvin Yang CELLO Maria Wang* Ella Hopwood Shiun Kim Alex Klassen Steven Jeon Paul Joo Natalia Stoney DOUBLE BASS Hudson Thorpe-Doubble* Brock Foerster Mackenzie Carroll Dylan Powell Blake Palm FLUTE Aleksandra Tremblay* Thomas Bauer Kelsey Dupuis TROMBONE Liam Caveney* Megan White Trevor Hoy PICCOLO Cooper Reed TUBA Alicia Sayell OBOE Allison Phillips* Diana Doublet Alexandra Pohran Dawkins ‡ Pierre Cayer § Timpani Brandon Chow CLARINET Paul Gilchrist* James Yi Kate Frobeen § Bass Clarinet Kylie Flower BASSOON Matthew Robertson* Eric Boulter Anne Power § HORN Samuel McNally* Georgina Davis Justin Malchow Collin Lloyd TRUMPET Matt Richard* Ian Cohen Ian VanGils PERCUSSION Aaron Mattock* William Exner Keenan Mittag-Degala Allyssa Haigh Harp Annabelle Stanley § Julia Cunningham § STAGE MANAGERS Alex Klassen Fahlon Smith LIBRARIAN David Foley assistant Dave Riedstra * Principal ‡ Faculty member § Community member �Upcoming Events Monday, February 3, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Sharon Stanis. Phillip T. Young Recital Hall Wednesday, February 5, 6:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Thursday, February 6, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Friday, February 7, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Michelle Mares. Phillip T. Young Recital Hall Friday, February 7, 8:00 p.m. ($14 & $12) UNIVERSITY OF VICTORIA WIND SYMPHONY Eugene Dowling, conductor The Naden Band, under the direction of Lieutenant (Navy) Matthew Clark joins the UVic Wind Symphony in a concert supporting the Naden Band Scholarship in Music Performance. Works include Symphony No. 8 by David Maslanka and Eric Ewazen Concerto for Bassoon with UVic alumna Petty Officer Second Class Robyn Jutras. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra Description An account of the resource Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Orchestra/013114-OrchestraConcert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Orchestra/013114-OrchestraConcert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Orchestra/013114-OrchestraConcert_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra <em>- Don Joy</em> Creator An entity primarily responsible for making the resource Will MacLellan Date A point or period of time associated with an event in the lifecycle of the resource January 31, 2014 https://finearts.uvic.ca/music/archive/files/original/2b984f4cf567eeb70048cfd937864458.pdf 72acda0272a9c9aa050cbc04ca4d3935 PDF Text Text fridaymusic Phillip T. Young Recital Hall • University of Victoria Featuring School of Music keyboard students January 31, 2014 - 12:30 pm Sonata in C minor, D. 958 Franz Schubert Allegro (1797-1828) Elizabeth Clarke, piano Prelude & Fugue No. 24 in D minor, Op. 87 Josh Herrett, piano Dmitri Shostakovich (1906-1975) Nocturne No. 1 in E-flat minor, Op. 33 Gabriel Fauré (1845-1924) Laura Altenmueller, piano Goyescas, Op. 11 Quejas, o la maja y el ruisenor Enrique Granados (1867-1916) Barry Tan, piano Upcoming at the School of Music Friday, January 31, 8:00 p.m. ($17.50 & $13.50) UNIVERSITY OF VICTORIA ORCHESTRA Don Joy Ajtony Csaba, conductor Performing: Mozart – Overture to Don Giovanni Maurice Ravel – Piano Concerto in G Major, with soloist Barry Tan, piano, UVic Concerto Competition winner Richard Strauss – Death and Transfiguration, Op. 24 University Centre Farquhar Auditorium Saturday, February 1, 8:00 p.m. ($25) FACULTY CONCERT SERIES Lafayette String Quartet With guests Yariv Aloni, viola and Alexander Tselyakov, piano The School of Music’s beloved string quartet perform the Dvorák String Quintet in Eb, Op. 97 Phillip T. Young Recital Hall Monday, February 3, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Sharon Stanis. Phillip T. Young Recital Hall Tuesday, February 4, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Fridaymusic/013114-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Fridaymusic/013114-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Fridaymusic/013114-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/013114-Fridaymusic/013114-FridayMusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource January 31, 2014 https://finearts.uvic.ca/music/archive/files/original/7a6da94516ab307db8909d7451e60357.pdf 21e57ed064c16490fca97d2a7796780c PDF Text Text Violin Class Recit al Program Sonata in D minor, BWV 1004 Courante J. S. Bach (1685–1750) Raina Saunders, violin Partita in D minor, BWV 1004 Ciaccona J.S. Bach Lindsey Herle, violin Students from the studio of Sharon Stanis Sonata in E minor, KV 304 Allegro Wolfgang Amadeus Mozart (1756–1791) Emily MacCallum, violin Edwina Lin, piano Romance in G Major, Op. 40 Natalie Dzbik, violin Siera Hayakashi, piano Sonata in E minor op. 82 Allegro: Risoluto Monday, February 3, 2014, 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation www.finearts.uvic.ca/music/events 
Ludwig van Beethoven (1770–1827) Edward Elgar (1857–1934) Derrick Lee, violin Jany Lu, piano Intermission �Sonata for Violin Solo Tempo di Ciaccona Béla Bartók (1881–1945) Jiten Beairsto, violin Vocalise Op. 34, No. 14 Sergei Rachmaninoff (1873–1943) Jessica d’Oliveira, violin Soloman Cheung, piano C’est Bon D’aimer R. Denoncin-M. Dabadie/G. Gomez Arr. Martin Norgaard Le Tango Select L. Corchia-R. Grolier Arr. Martin Norgaard Emily MacCallum, violin Edwina Lin, piano Sonata No. 3 in C minor Allegro molto ed appassionato Edvard Grieg (1843–1907) Lindsey Herle, violin Josh Herrett, piano Violin Sonata in D minor, Op. 108 Un poco presto e con sentimento Presto agitato Jiten Beairsto, violin Barry Tan, piano Johannes Brahms (1833–1897) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020314-ViolinClassRecital/020314-ViolinRecital_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Class Recital - <em>Students from the studio of Sharon Stanis</em> Creator An entity primarily responsible for making the resource Dylan Powell Date A point or period of time associated with an event in the lifecycle of the resource February 3, 2014 https://finearts.uvic.ca/music/archive/files/original/61c90978e96d41e0ed357b02d55094de.pdf 173356924502a9832b2a30d786ddd57c PDF Text Text UNIVERSITY OF VICTORIA Faculty Concert Series The Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello With guests: Yariv Aloni, viola & Alexander Tselyakov, piano Saturday, February 1, 2014 at 8:00 p.m. Phillip T. Young Recital Hall MacLa0urin Building, University of Victoria Admission: $25 �PROGRAM Quintet in E flat Major, Opus 97 Antonin Dvorak (1841–1904) Allegro non tanto Allegro vivo Larghetto Finale: Allegro giusto Lafayette String Quartet & Yariv Aloni, viola I nt e r m i s s i o n (Beverages and snacks available at the concession located in the lounge) Piano Quintet in G minor, Opus 57 Prelude: Lento Fugue: Adagio Scherzo: Allegretto Intermezzo: Lento Finale: Allegretto Lafayette String Quartet & Alexander Tselykov, piano Dmitri Shostakovich (1906–1975) �B I O G RA P H I E S The Lafayette String Quartet In July 1986, four young musicians, based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet. As it celebrates its twenty-sixth anniversary this season, the LSQ continues to flourish with its original personnel: violinists Ann Elliott-Goldschmid and Sharon Stanis, violist Joanna Hood, and cellist Pamela Highbaugh Aloni. Such longevity is unprecedented for an all-female quartet—indeed, is rare anywhere in classical music—and is particularly impressive considering that the group’s multifarious activities and international reputation have only expanded with time. The LSQ remained in Detroit for five years, where its members taught at the Center for Creative Studies/Institute of Music and Dance and at nearby Oakland University. Meanwhile, the LSQ itself received coaching from two of the world’s most esteemed quartets—the Amadeus and the Alban Berg—and from the violinist Rostislav Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical father” until his death in 1997. The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it was ranked among Musical America’s “Young Artists to Watch,” and shortly after it won top prizes at the Fischoff National Chamber Music Competition and the Portsmouth International String Quartet Competition. As winners of the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to work closely with the Cleveland Quartet for two years at the Eastman School of Music, in Rochester, New York. In 1991, the four women became artists-in-residence at the University of Victoria’s School of Music, where they have built one of the finest string programs in the country. They hold honorary doctorates from University Canada West and were honored with the inaugural Craigdarroch Award for Excellence in Artistic Expression from the University of Victoria in 2010. The LSQ has made a significant impact on the city of Victoria, through their music, serving as section leaders of the Galiano Ensemble, and outreach activities, including advocating for string education in Victoria’s public schools and administering the annual Lafayette Health Awareness Forum, founded in 2006. The LSQ performs across Canada, the United States, Mexico, and Europe, its concerts often allied with masterclasses. Performing regularly with their esteemed colleagues at the University of Victoria, the quartet has also collaborated with such distinguished colleagues as bassist Gary Karr, clarinetist James Campbell, and pianists including Luba Edlina, Jane Coop, Robert Silverman, and Ronald Turini, as well as with other quartets—the Alcan, New Zealand, Penderecki, and Quarteto Latinoamericano. The four women also maintain separate careers as solo and chamber-music performers, teachers, and adjudicators. �The LSQ carries a large, wide-ranging repertoire, including canonical works but also some offbeat corners of the string-quartet literature, and it has commissioned quartets from (and collaborated closely with) composers including Murray Adaskin, John Burke, Justin Haynes, R. Murray Schafer, and Eugene Weigel. Two upcoming commissions for the LSQ include a new string quartet by David A. Jaffe and a piano quintet by Kelly-Marie Murphy (with pianist Alexander Tselyakov). It has a particular affinity for the quartets of Beethoven, which it has performed as a six-concert cycle in Victoria, Waterloo and Winnipeg. The LSQ has released CDs on the Dorian, Centrediscs, and other labels (including its own). Its discography includes major quartets by Borodin, Debussy, Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek); and four CDs of music by Adaskin, for his AdLar label. Its CBC Records disc Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the CD Jimi Hendrix Uncovered. The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of String Quartets, published in 1999. Yariv Aloni Yariv Aloni is acclaimed by critics for his “impeccable technical accomplishments, exquisite phrasing and superb viola playing”, and as having “a huge, singing tone and a rare depth and nobility of feeling”. He was a finalist at the François Shapira competition in Tel-Aviv. His awards included the Israel Broadcasting Authority award for chamber music performance and numerous awards and annual scholarships from the AmericanIsrael Cultural foundation which led to an initiation to play with Isaac Stern and Pinchas Zuckerman at Carnegie Hall in New York. A former violist of the Penderecki string quartet in Canada and the Aviv Piano Quartet in Israel, he has performed in concert halls around the world including Lincoln Centre in New York, the Louvre in Paris, Tonhalle in Zurich, and numerous concert halls in Canada, the United States, and Europe. Mr. Aloni recorded for the United, Marquise, Tritonus, and CBC labels as well as independent CD labels. He appears regularly with the Vetta Ensemble in Vancouver and performs in numerous chamber music festivals and recitals series. Born on A kibbutz in Israel, He turned from violin to the viola when he was in his teens. He studied viola with David Chen at the Rubin Academy of Music in Jerusalem, Daniel Benyamini, principal violist of the Israel Philharmonic, and Michael Tree of the Guarneri Quartet. With an emphasis on chamber music he also studied at the Jerusalem Music Centre with distinguished visiting faculty from around the world including the Isaac Stern, the Amadeus and the Guarneri String Quartets, and many others. Much in demand as a conductor he is currently the music director of three orchestras; the Galiano Ensemble of Victoria, the Victoria Chamber Orchestra and the Greater Victoria Youth Orchestra, and his guest appearances include the Saskatoon Symphony Orchestra, the West Coast Symphony in Vancouver and the Civic Orchestra of Victoria. �Alexander Tselyakov Recognized as one of Canada’s most outstanding musicians, Tselyakov has been described as all “representing the best aspect of Russian pianism and its attributes... effectively synthesized the emotional balance of Arthur Rubenstein and the more highly strung febrile quality of Horowitz” (New York Concert Review). Tselyakov studied with Lev Naumov (custodian of the legendary Heinrich Neuhaus methods that are credited with producing many extraordinary twentieth century Russian keyboard masters such as Gilels and Richter) at the Tchaikovsky Conservatory in Moscow. He has won major prizes at the prestigious International Tchaikovsky Competition in Moscow, the International Music Competition of Japan in Tokyo, the New Orleans International Competition in USA. Tselyakov has distinguished himself as guest soloist with some of the world’s most renowned orchestras such as the St. Petersburg Philharmonic, the Moscow Philharmonic. He has appeared with the Tokyo Philharmonic, the Toronto Symphony Orchestra, the Warsaw National Philharmonic Orchestra, the Orchestra Symphonique de Québec, the Buffalo Philharmonic, the Virginia Symphony, the Istanbul State Symphony Orchestra to name a few. Tselyakov has appeared as a recitalist at major concerts halls around the world such as the Carnegie Hall in New York, Wigmore Hall in London, the Shostakovich Philharmonic Hall in St. Petersburg, the Great Hall of the Moscow State Conservatory, the Regentenbau Hall in Bad Kissingen (Germany), the Concert & Congress Centre de Doelen in Rotterdam (Netherlands) and many others. A busy concert pianist, teacher and chamber musician, Tselyakov collaborates with many leading Canadian and International musicians. His knowledge of the repertoire and exquisite sense of program balance make him a valuable artistic director of two Chamber Music Festivals; at Clear Lake in Manitoba and Pender Harbour in BC. Currently Professor of Piano at Brandon University, Tselyakov relishes the challenges and rewards of working with the next generation of gifted young musicians. �Upcoming Events Monday, February 3, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Sharon Stanis. Phillip T. Young Recital Hall Tuesday, February 4, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Wednesday, February 5, 6:00 p.m. (Admission by donation) ANNUAL SOLO BACH COMPETITION Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Phillip T. Young Recital Hall Thursday, February 6, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Friday, February 7, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music guitar students. Phillip T. Young Recital Hall Friday, February 7, 8:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of Michelle Mares. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/020114-FacultyRecital/020114-FacultyRecital_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - The Lafayette String Quartet Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource February 1, 2014 Contributor An entity responsible for making contributions to the resource Ann Elliott-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello; Yariv Aloni, viola; Alexander Tselyakov, piano https://finearts.uvic.ca/music/archive/files/original/97313f310a8bf64322bdc10950452c48.pdf cfce712dcf15ed9bc85de16c9e822ebc PDF Text Text Clarinet Class Recital P r o g r a m Solo de Concours (1899) James Yi, clarinet Seira Hayakashi, piano Suite for Solo Clarinet (1965) 1. Adagio–Allegro–Adagio 2. Adagio 3. Moderato, maestoso Students from the studio of Patricia Kostek André Messager (1853–1929) Hugh Aitken (1924–2012) Erin Onyschtschuk, clarinet Romanze Marie Elisabeth von Sachsen-Meiningen (1853–1923) Samuel He, clarinet Sarah Tsao, piano Clarinet Sonata (1939) 1. Mäßig bewegt Paul Hindemith (1895–1963) Marcella Barz, clarinet Eric Manning, piano Hommage à Manuel de Falla Mark Kim, clarinet Sunday, January 26, 2014, 1:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation www.finearts.uvic.ca/music/events Three Pieces for Solo Clarinet I. Sempre e molto tranquillo Kylie Flower, bass clarinet III. Sempre forte Matthew Kaufman, clarinet Béla Kovács (b. 1937) Igor Stravinsky (1882–1971) �Dance Preludes for clarinet and piano I. Allegro molto IV. Andante V. Allego molto Sunny Chu, clarinet Louise Hung, piano Witold Lutoslawski (1913–1994) Sonata Op. 167 for Clarinet and Piano (1921) I. Allegretto Camille Saint-Saëns (1835–1921) William Constable, clarinet Liam Gibson, piano Sarabande et Allegro (1929) Jynelle Grigg, clarinet Gloria Grohovac, piano Sonata for Clarinet and Piano (1962) I. AllegroTristament Gabriel Grovlez (1879–1944) Francis Poulenc (1899–1963) Paul Gilchrist, clarinet Laura Altenmueller, piano Five Bagatelles, Op. 23 for Clarinet and Piano (1945) I. Prelude Dominic Thibault, clarinet James Yi, piano Gerald Finzi (1901–1956) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012614-ClarinetClassRecital/012614-ClarinetClassRecital_11.mp3">track11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet Class Recital <em>- students from the studio of Patricia Kostek</em> Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource January 26, 2014 https://finearts.uvic.ca/music/archive/files/original/3b565b577504a3a54c525a6decb46786.pdf 400ef13de848a4e516d847245e77664f PDF Text Text Voice Showcase Program University of Victoria Voice Department presents Broadway and . . . What? Fugue for Tin Horns, from Guys and Dolls Frank Loesser Josh Lovell, Cody Froese & Tristan Chalcraft Louise Hung, piano Vanilla Ice Cream, from She loves me! Harnick/Bock Sophie Cullen Thomas Nicholson, piano Sull’aria, from Le nozze di Figaro W. A. Mozart Lindsay Suddaby & Elizabeth Gerow Allannah Montgomery, piano Underneath the abject willow Featuring voice students from the studios of Benjamin Butterfield, Anne Grimm & Susan Young Benjamin Britten Margaret Lingas & Natasha Penfield Louise Hung, piano Vary the song, from The rakes progress Igor Stravinsky Adam Dyjach Frances Armstrong, piano Embroidery Aria, from Peter Grimes Benjamin Britten Dominique Ryser Shane Beech, piano Les Roses d’Ispahan Saturday, January 25, 2014, 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by Donation www.finearts.uvic.ca/music/events Chelsey Ternes Do not go my love Dawn Yuan Fleur jetee Marlena Kurek Susan Young, piano Intermission Gabriel Fauré Richard Hageman Gabriel Fauré �Housatonic at Stockbridge Finding peace Charles Ives Nick Allen Josh Herret, piano Zach Smith Zach Smith, Kenji Lee, Kassandra Schantz & Brittney Jette Habe deine Lust an dem Herren from Kleine geistliche Konzerte Heinrich Schütz Andrea Paddock & Eve Richardson Charlotte Hale, piano Oh quante volte from I Capuleti e i Montecchi Vincenzo Bellini Olivia Selig Stephanie Taralson, piano Light in the Piazza, from Light in the Piazza Adam Guettel Rebecca Thackray Frances Armstrong, piano When did I fall in love, from Fiorello! Harnick/Bock Heather MacLeod Braden Young, piano Some things are meant to be from Little Women � Dickstein/Howland Christina Dennehy & Ariel Boughen Frances Armstrong, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012514-VoiceShowcase/012514-VoiceShowcase-16.mp3">track16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice Showcase <em>- Broadway and...What?</em> Creator An entity primarily responsible for making the resource Jamie Bracke Date A point or period of time associated with an event in the lifecycle of the resource January 25, 2014