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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall • University of Victoria
March 11, 2014 - 12:30 pm

Horn Concerto in C minor, Op. 8					
	
ii. Andante	
	
iii. Allegro moderato
Sam McNally, horn
Season Wang, piano
Sonata No. 7 in D Major, Op. 10, No. 3	
	Presto								
	Largo e mesto						

Franz Strauss
(1822–1905)

Ludwig van Beethoven
(1770–1827)

Claire Huang, piano
Intermezzo				
	

Alexander Simon Mackie
Matt Antal, viola
Calvin Yang, viola
Dave Riedstra, bass
Alexander Simon, piano

Piano Trio No. 2 in E minor, Op. 67
	
iv. Allegretto
	

Dmitri Shostakovich		
(1906–1975)
Margaret Dzbik, violin
Steven Jeon, violoncello
Frances Armstrong-Douglas, piano

Upcoming at the School of Music
Wednesday, March 12, 12:30 p.m. (Free Admission)
GRADUATE RECITAL: Elizabeth Clark, piano
Pianist Elizabeth Clarke presents her first year graduate recital.
Phillip T. Young Recital Hall
Friday, March 14, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music woodwind students.
Phillip T. Young Recital Hall
Friday, March 14, 8:00 p.m. (Admission by donation)
GUITAR CLASS RECITAL
Featuring students from the studio of Dr. Alexander Dunn.
Phillip T. Young Recital Hall
Sunday, March 16, 2:00 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of May Ling Kwok.
Phillip T. Young Recital Hall
Sunday, March 16, 8:00 p.m. (Admission by donation)
GRADUATING COMPOSERS CONCERT
Composition majors Alfons Fear, David Foley, and Matthew Kaufhold
present their graduating compositions..
Phillip T. Young Recital Hall

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                    <text>	&#13;  

David	&#13;  Foley,	&#13;  Alfons	&#13;  Fear,	&#13;  &amp;	&#13;  Matt	&#13;  
Kaufhold,	&#13;  composers	&#13;  
	&#13;  

	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  
	&#13;  

‘Cloche	&#13;  sur	&#13;  Table’	&#13;  (2013/14)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  David	&#13;  Foley	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Maria	&#13;  Eduarda	&#13;  Martins,	&#13;  conductor	&#13;  
Aaron	&#13;  Mattock,	&#13;  xylophone/anvil	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  vibraphone/bass	&#13;  drum	&#13;  
Camden	&#13;  McAllister,	&#13;  timpani/table	&#13;  
Eve	&#13;  Richardson,	&#13;  soprano	&#13;  
Andrea	&#13;  Paddock,	&#13;  soprano	&#13;  
Jayne	&#13;  Hammond,	&#13;  soprano	&#13;  
Thomas	&#13;  Nicholson,	&#13;  piano/harpsichord	&#13;  
Connor	&#13;  Ashton,	&#13;  piano/chamber	&#13;  organ	&#13;  
Robert	&#13;  Holliston,	&#13;  piano/celesta	&#13;  

Graduating	&#13;  Composers	&#13;  Recital	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
David	&#13;  Foley	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Christopher	&#13;  Butterfield	&#13;  
Alfons	&#13;  Fear	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Dr.	&#13;  John	&#13;  Celona	&#13;  
Matt	&#13;  Kaufhold	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Dr.	&#13;  Dániel	&#13;  Péter	&#13;  Biró	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  as	&#13;  part	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Master	&#13;  of	&#13;  Music	&#13;  in	&#13;  Composition	&#13;  program	&#13;  and	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  in	&#13;  
Composition	&#13;  program,	&#13;  respectively.	&#13;  
	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Sunday,	&#13;  March	&#13;  16th,	&#13;  2014	&#13;  –	&#13;  8:00PM	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  

	&#13;  

Boundaries	&#13;  (2014)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Alfons	&#13;  Fear	&#13;  
	&#13;  
	&#13;  
	&#13;  
Victoria-­‐Rose	&#13;  Hunter,	&#13;  conductor	&#13;  
Thomas	&#13;  Bauer,	&#13;  flute	&#13;  
Sydney	&#13;  Tetarenko,	&#13;  Bb	&#13;  clarinet	&#13;  
Kylie	&#13;  Flower,	&#13;  bass	&#13;  clarinet	&#13;  
Alex	&#13;  Klassen,	&#13;  ‘cello	&#13;  
Blake	&#13;  Palm,	&#13;  contrabass	&#13;  
Spencer	&#13;  Davis,	&#13;  Korg	&#13;  CX-­‐3	&#13;  
Zoe	&#13;  McLaren,	&#13;  bass	&#13;  trombone	&#13;  
Liam	&#13;  Caveney,	&#13;  trombone	&#13;  

	&#13;  

Pacific	&#13;  Light	&#13;  (2014)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Matt	&#13;  Kaufhold	&#13;  
	&#13;  

Russell	&#13;  Larden,	&#13;  conductor	&#13;  
Nalini	&#13;  Bissoon,	&#13;  soprano	&#13;  
Thomas	&#13;  Bauer,	&#13;  flute	&#13;  
Teigan	&#13;  Cosgrove,	&#13;  oboe	&#13;  
Dominic	&#13;  Thibault,	&#13;  clarinet	&#13;  
Sam	&#13;  McNally,	&#13;  French	&#13;  horn	&#13;  
Lee	&#13;  Whitehorne,	&#13;  bassoon	&#13;  
William	&#13;  Exner,	&#13;  percussion	&#13;  
Nolan	&#13;  Krell,	&#13;  guitar	&#13;  
Peter	&#13;  Weinkam,	&#13;  violin	&#13;  

	&#13;  

	&#13;  

	&#13;  

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                    <text>Piano Class
Recital

P r o g r a m
Partita No. 2 in C minor, BWV 826		
Johann Sebastian Bach
	
I. Sinfonia					
(1685-1750)
Jane Hou*

Sonata No. 25 in G major, Op. 79 		
Ludwig van Beethoven
	
I. Presto alla tedesca				
(1770-1827)
Grant Pan

Students from the studio of May Ling Kwok

Deux arabesques, L. 66		
		
Claude Debussy
	
II. Allegretto scherzando			
(1862-1918)
Carmyn Slater
Scherzo			
						
Ivy Fu

Oskar Morawetz
(1917-2007)

Andante spianato et grande polonaise		
brilliante, Op. 22
	
II. Grande polonaise brilliante	

Frédéric Chopin
(1810-1849)

Mitchell Anderson*
Nocturne in E-flat minor, Op. 33 No. 1		
							
Nicole Lavallee

Gabriel Fauré
(1845-1924)

Widmung (Liebeslied)
Robert Schumann/trans. Franz Liszt
						 (1810-1856)/ 1811-1886)

Sunday, March 16, 2014, 2:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

www.finearts.uvic.ca/music/events

Eric Ng*

Sonata in D major, Op. 10 No. 3	
	
I. Presto

Keaton Ollech

I n t e r m i s s i o n

L. van Beethoven

�Fra Holberg’s Tid, Op. 40				
	
I. Prelude					
	
II. Sarabande
	
III. Gavotte
Stephanie Taralson*

Edvard Grieg
(1843-1907)

Miroirs						
	
IV. Alborada del gracioso			

Maurice Ravel
(1875-1937)

Ya Ping Huang
Nocturne in D-flat major, Op. 27 No. 2	

	

F. Chopin

Jany Lu*
Excursions, Op. 20					
	
I. Un poco allegro				
	
II. In slow blues tempo

Samuel Barber
(1910-1981)

Louise Hung*
Fantaisie in F minor, Op. 49	 			

F. Chopin

Masahiro Miyauchi
Études, L. 136						
	
I. pour les cinq doigts d’après Monsieur Czerny	
	
V. pour les octaves
Barry Tan*
* Students of the School of Music, University of Victoria

LL

C. Debussy
(1891-1953)

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Phillip T. Young Recital Hall • University of Victoria
Friday March 14, 2014 - 12:30 p.m.
Featuring School of Music woodwind students

Sonata for Oboe and Continuo in G minor, H. 549			
	
Adagio										
Diana Doublet, oboe
Liam Gibson, piano

Carl Philipp Emanuel Bach
(1714 - 1788)

Hommage à C. Debussy								
													
Marcella Barz

Béla Kovács
(b. 1937)

Duet for Clarinet and Oboe, Mn. 88						
Lukas Florczak
													
(b. 1994)
Georgia Dowgert, oboe
Sunny Chu, clarinet
Four Duets for Oboe and English Horn						
												
James Yi, clarinet
Teigan Cosgrove, English horn
FluteTrio No. 1 in D major, Op. 13						
	
II) Andante quasi adagio							
Cooper Reed, flute
Jillian Broughton, flute
Gillian Newburn, flute

	

Suite sur des thèmes populaires roumains, Opus 90				
	
I)
	II)
	III)
	IV)
Austin Nicholl, soprano saxophone
Sean Maynard, alto saxophone
Lee Whitehorne, tenor saxophone
Zach Smith, baritone saxophone
Quintet Op. 71 in E flat major							
	
II) Adagio										
	
III) Menuetto, trio
Erin Onyschtschuk, clarinet
Diana Doublet, oboe
Sierra Phosy, flute
Kylie Flower, bass clarinet
Collin Lloyd, French horn

Alec Wilder
(1907 - 1980)

Fiedrich Kuhlau
(1786 - 1832)

Jean Absil
(1893 - 1974)

Ludwig Van Beethoven
(1770 - 1827)

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                    <text>Eve Richardson, Soprano
Charlotte Hale, piano &amp; organ
Elizabeth Clarke, piano
David Stratkauskas, harpsichord
Andrea Paddock, soprano
Martin Bonham, cello

Program
Usurpator tiranno

Giovanni Felice Sances
(ca.1600-1679)

Accenti queruli

David Stratkauskas, harpsichord
Martin Bonham, cello

Erhöre mich
Habe deine Lust an dem Herren
Eve Richardson is from the class of
Professor Benjamin Butterfield

Heinrich Schütz
(1585-1672)

Andrea Paddock, soprano
Charlotte Hale, organ

This recital is presented as part of the requirements
for the Master of Music in Performance program.
Reception to follow in the Lounge.

Fiançailles pour rire
I.
II.
III.
IV.
V.
VI.

Monday, March 10th 2014 – 8pm

Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free Admission

Francis Poulenc
(1899-1963)

La dame d'André
Dans l'herbe
Il vole
Mon cadavre est doux comme un gant
Violon
Fleurs
Charlotte Hale, piano
Intermission

�Stacey

John Beckwith
(b. 1927)
1.
2.
3.
4.
5.
6.

At the day of judgment…
Okay, God, say what you like…
Once it seemed almost violent, this music…
I don’t want anyone else bringing up my kids
Dear Lord and Father of mankind
I used to think there would be a blinding
flash…
Elizabeth Clarke, piano

Canciones Classica Espanolas
1.
2.
3.
4.
5.
6.
7.

Fernando Obradors
(1897-1945)

La mi sola, Laureola
Al Amor
¿Corazón, porqué pasáis…
El majo celoso
Con amores, la mi madre…
Del cabello más sutil
Chiquitita la novia
Charlotte Hale, piano

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                    <text>Cello Class
Recit
al
Students from the studio of
Pamela Highbaugh Aloni

Concerto in D major, Hob.VIIb:2
	
Allegro moderato

Franz Joseph Haydn
(1732–1809)

Shiun Kim, cello
Stephanie Yap, piano
I NT E R M I S S I O N

Suite No. 1 for cello, Op. 72
	
iii. Serenata
	
iv. Marcia
	
vi. Moto Perpetuo e Canto Quarto

Benjamin Britten
(1913–1976)

Maria Wang, cello
Sonata in C major for cello and piano, Op. 102, No. 1
	
Andante–Allegro vivace

Ludwig van Beethoven
(1770–1827)

Alex Klassen, cello
Eric Ng, piano

Program
Sonata in A major for cello and piano, Op. 69
Adagio cantabile
	
Allegro vivace

Concerto No. 1 in A minor, Op. 33
	
Allegro non troppo–Allegretto con moto
Ella Hopwood, cello
Erik Leisinger, piano
Ludwig van Beethoven
(1770–1827)

Natalia Stoney, cello
Kailey Cann, piano
Malinconia for cello and piano, Op. 20
	
Adagio pesante
Steven Jeon, cello
Syd Bulman-Fleming, piano

Camille Saint-Saëns
(1835–1921)

Adagio and Allegro, Op. 70 for cello and piano
	
Langsam, mit innigem Ausdruck
	
Rasch und feurig

Robert Schumann
(1810–1856)

Paul Joo, cello
Kailey Cann, piano
Jean Sibelius
(1865–1957)

Sunday, March 9, 2014, 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
www.finearts.uvic.ca/music/events

�</text>
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Phillip T. Young Recital Hall • University of Victoria

March 7, 2014 - 12:30 p.m.
Featuring School of Music percussion students

Il legno e la parola (2004) 							
Salvatore Sciarrino
													 (b. 1947)
Aaron Mattock, marimba
Rotation II from Four Rotations for Marimba (1995) 				
Eric Sammut
													
(b.1968)
Keenan Mittag-Degala, marimba
Rhythm Song (1984)
Paul Smadbeck
													
(b.1955)
Allyssa Haigh, marimba
Two Mexican Dances, mvt.1 (1974)
Camden McCallister, marimba

Gordon Stout
(b.1952)

Yellow After the Rain 									
Mitchell Peters
													 (b. 1935)
Erika Buerfeind, marimba
Discussion 										
Dale Rauschenberg
													 (b. 1938)
David Lochead, snare drum 1
Tamara Nemeth, snare drum 2
Erika Buerfeind, tom-toms and snare drum
Tristan Holleufer, timpani
Toccata (1942)										
												

Carlos Chavez
(1899 - 1978)

Allyssa Haigh, Indian drum, glockenspiel, small Indian drum
Sky Kim, snare drum, xylophone, Indian drum, tenor drum
Camden McCallister, snare drum, suspended cymbal
Julia Albano-Crockford, tenor drum, chimes, claves, maracas, suspended cymbal
Keenan Mittag-Degala, timpani, small gong
WillIam Exner, bass drum, large gong
conductor - Brandon Chow

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                    <text>	&#13;  

Ian	&#13;  Cohen,	&#13;  Trumpet	&#13;  	&#13;  
	&#13;  
	&#13;  

Gabriel	&#13;  Lagos,	&#13;  piano	&#13;  
	&#13;  
How	&#13;  the	&#13;  West	&#13;  Was	&#13;  Won,	&#13;  Brass	&#13;  Quintet	&#13;  	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  
	&#13;  

Cavatina	&#13;  for	&#13;  Flugelhorn	&#13;  and	&#13;  Piano	&#13;  

	&#13;  
Sonata	&#13;  for	&#13;  Trumpet	&#13;  in	&#13;  Bb	&#13;  and	&#13;  Piano	&#13;  

Ian	&#13;  Cohen	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Louis	&#13;  Ranger	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  as	&#13;  part	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  in	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  

	&#13;  

Gabriel	&#13;  Lagos,	&#13;  piano	&#13;   	&#13;  

	&#13;  

Concerto	&#13;  for	&#13;  Trumpet	&#13;  and	&#13;  Piano	&#13;  	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
I.	&#13;  Andante	&#13;  	&#13;  
II.	&#13;  Allegro	&#13;  energico	&#13;  
III.	&#13;  Meno	&#13;  mosso	&#13;  
IV.	&#13;  Allegro	&#13;  

	&#13;  

	&#13;  	&#13;  Alexander	&#13;  Arutunian
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1920	&#13;  -­‐	&#13;  2012)	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

Gabriel	&#13;  Lagos,	&#13;  piano	&#13;  
	&#13;  
	&#13;  

Moment	&#13;  for	&#13;  Morricone	&#13;  	&#13;  

	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Ennio	&#13;  Morricone	&#13;  (b.	&#13;  1928)	&#13;  
Arr.	&#13;  Gomalan	&#13;  Brass	&#13;  Quintet	&#13;  

I.	&#13;  Largo	&#13;  
II.	&#13;  Alla	&#13;  Marcia	&#13;  
III.	&#13;  Andante	&#13;  
IV.	&#13;  Adagio	&#13;  
V.	&#13;  Maestoso	&#13;  

Wednesday,	&#13;  March	&#13;  5th,	&#13;  2014	&#13;  –	&#13;  8:00	&#13;  p.m.	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  

	&#13;  

I	&#13;  n	&#13;  t	&#13;  e	&#13;  r	&#13;  m	&#13;  i	&#13;  s	&#13;  s	&#13;  i	&#13;  o	&#13;  n	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Paul	&#13;  Hindemith	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1895	&#13;  –	&#13;  1963)	&#13;  

I.	&#13;  Mit	&#13;  kraft	&#13;  
II.	&#13;  	&#13;  Massig	&#13;  bewegt	&#13;  
III.	&#13;  Trauermusik.	&#13;  Sehr	&#13;  langsam	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Ted	&#13;  Hansen	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (b.	&#13;  1935)	&#13;  

Gabriel	&#13;  Lagos,	&#13;  piano	&#13;  
	&#13;  

Ian	&#13;  Cohen,	&#13;  trumpet	&#13;  
Alfons	&#13;  Fear,	&#13;  trumpet	&#13;  
Sam	&#13;  McNally,	&#13;  horn	&#13;  
Liam	&#13;  Caveney,	&#13;  trombone	&#13;  
Alicia	&#13;  Sayell,	&#13;  tuba	&#13;  

	&#13;  
	&#13;  

	&#13;  

	&#13;  
How	&#13;  the	&#13;  West	&#13;  Was	&#13;  Won	&#13;  Brass	&#13;  Quintet	&#13;  

�Program	&#13;  Notes	&#13;  
	&#13;  
Dr.	&#13;  Theodore	&#13;  C.	&#13;  Hansen	&#13;  is	&#13;  an	&#13;  American	&#13;  composer	&#13;  and	&#13;  Professor	&#13;  of	&#13;  Music	&#13;  at	&#13;  
Texas	&#13;  A&amp;M	&#13;  University.	&#13;  Mr.	&#13;  Hansen	&#13;  has	&#13;  premiered	&#13;  performances	&#13;  of	&#13;  his	&#13;  music	&#13;  
at	&#13;  Carnegie	&#13;  Hall,	&#13;  the	&#13;  Kennedy	&#13;  Center,	&#13;  by	&#13;  the	&#13;  Phoenix	&#13;  Symphony,	&#13;  the	&#13;  Tulsa	&#13;  
Philharmonic	&#13;  Orchestra,	&#13;  and	&#13;  on	&#13;  National	&#13;  Educational	&#13;  Television.	&#13;  His	&#13;  Cavatina	&#13;  
for	&#13;  Flugelhorn	&#13;  and	&#13;  Piano	&#13;  was	&#13;  one	&#13;  of	&#13;  his	&#13;  earlier	&#13;  compositions,	&#13;  written	&#13;  in	&#13;  1975.	&#13;  
Its	&#13;  warm	&#13;  and	&#13;  lyrical	&#13;  qualities	&#13;  lend	&#13;  itself	&#13;  freely	&#13;  to	&#13;  the	&#13;  flugelhorn,	&#13;  with	&#13;  modern	&#13;  
jazz	&#13;  influences	&#13;  and	&#13;  harmonic	&#13;  curiosities.	&#13;  
	&#13;  
Paul	&#13;  Hindemith	&#13;  was	&#13;  a	&#13;  German	&#13;  composer,	&#13;  violist,	&#13;  violinist,	&#13;  teacher,	&#13;  and	&#13;  
conductor.	&#13;  The	&#13;  Nazi’s	&#13;  deemed	&#13;  his	&#13;  Sonata	&#13;  for	&#13;  Trumpet	&#13;  and	&#13;  Piano,	&#13;  written	&#13;  
right	&#13;  before	&#13;  he	&#13;  was	&#13;  expelled	&#13;  from	&#13;  Germany	&#13;  in	&#13;  1935,	&#13;  “degenerate”	&#13;  music.	&#13;  
Hindemith	&#13;  wrote	&#13;  Gebrauchsmusik	&#13;  (Music	&#13;  for	&#13;  Use)—compositions	&#13;  intended
to	&#13;  have	&#13;  a	&#13;  social	&#13;  or	&#13;  political	&#13;  purpose.	&#13;  He	&#13;  became	&#13;  an	&#13;  American	&#13;  citizen	&#13;  in 1946,
but	&#13;  returned	&#13;  to	&#13;  Europe	&#13;  in	&#13;  1953,	&#13;  living	&#13;  in	&#13;  Zürich	&#13;  and	&#13;  teaching	&#13;  at	&#13;  the	&#13;  university	&#13;  
there.	&#13;  Towards	&#13;  the	&#13;  end	&#13;  of	&#13;  his	&#13;  life	&#13;  he	&#13;  began	&#13;  to	&#13;  conduct	&#13;  more,	&#13;  and	&#13;  made	&#13;  
numerous	&#13;  recordings,	&#13;  mostly	&#13;  of	&#13;  his	&#13;  own	&#13;  music.	&#13;  
	&#13;  
Alexander	&#13;  Arutunian	&#13;  was	&#13;  an	&#13;  Armenian	&#13;  composer	&#13;  and	&#13;  pianist	&#13;  who	&#13;  was	&#13;  
awarded	&#13;  the	&#13;  State	&#13;  Prize	&#13;  of	&#13;  Armenia	&#13;  in	&#13;  1970.	&#13;  He	&#13;  was	&#13;  born	&#13;  in	&#13;  Yerevan,	&#13;  
Armenia,	&#13;  and	&#13;  graduated	&#13;  from	&#13;  the	&#13;  music	&#13;  conservatory	&#13;  of	&#13;  Yerevan	&#13;  in	&#13;  piano	&#13;  and	&#13;  
composition	&#13;  on	&#13;  the	&#13;  eve	&#13;  of	&#13;  WWII.	&#13;  The	&#13;  Trumpet	&#13;  Concerto,	&#13;  his	&#13;  sixth	&#13;  major	&#13;  
composition,	&#13;  consists	&#13;  of	&#13;  three	&#13;  main	&#13;  movements,	&#13;  finishing	&#13;  with	&#13;  an	&#13;  extended	&#13;  
cadenza	&#13;  made	&#13;  famous	&#13;  by	&#13;  the	&#13;  leading	&#13;  Soviet	&#13;  Russian	&#13;  trumpeter	&#13;  of	&#13;  the	&#13;  time,	&#13;  
Tomofei	&#13;  Dokszhitzer.	&#13;  The	&#13;  concerto’s	&#13;  introduction	&#13;  and	&#13;  first	&#13;  recording	&#13;  in	&#13;  the	&#13;  
United	&#13;  States	&#13;  were	&#13;  solely	&#13;  due	&#13;  to	&#13;  Dokszhitzer.	&#13;  The	&#13;  melodic	&#13;  and	&#13;  rhythmic	&#13;  
characteristics	&#13;  of	&#13;  Armenian	&#13;  folk	&#13;  music	&#13;  are	&#13;  a	&#13;  strong	&#13;  influence	&#13;  in	&#13;  this	&#13;  work.	&#13;  
	&#13;  
Ennio	&#13;  Morricone	&#13;  is	&#13;  an	&#13;  Italian	&#13;  composer,	&#13;  orchestrator,	&#13;  conductor,	&#13;  and	&#13;  former	&#13;  
trumpet	&#13;  player.	&#13;  He	&#13;  has	&#13;  written	&#13;  music	&#13;  for	&#13;  more	&#13;  than	&#13;  500	&#13;  motion	&#13;  pictures	&#13;  and	&#13;  
television	&#13;  series,	&#13;  as	&#13;  well	&#13;  as	&#13;  contemporary	&#13;  classical	&#13;  works.	&#13;  His	&#13;  career	&#13;  includes	&#13;  
a	&#13;  wide	&#13;  range	&#13;  of	&#13;  compositional	&#13;  genres,	&#13;  making	&#13;  him	&#13;  one	&#13;  of	&#13;  the	&#13;  world's	&#13;  most	&#13;  
versatile,	&#13;  prolific,	&#13;  and	&#13;  influential	&#13;  film	&#13;  composers	&#13;  of	&#13;  all	&#13;  time.	&#13;  Morricone's	&#13;  
music	&#13;  has	&#13;  been	&#13;  used	&#13;  in	&#13;  more	&#13;  than	&#13;  60	&#13;  award-­‐winning	&#13;  films.	&#13;  	&#13;  
	&#13;  
A	&#13;  very	&#13;  special	&#13;  thank-­‐you	&#13;  to	&#13;  all	&#13;  involved	&#13;  for	&#13;  their	&#13;  tireless	&#13;  effort	&#13;  and	&#13;  dedication	&#13;  
in	&#13;  helping	&#13;  me	&#13;  put	&#13;  on	&#13;  this	&#13;  recital.	&#13;  Without	&#13;  them	&#13;  it	&#13;  would	&#13;  not	&#13;  have	&#13;  been	&#13;  
possible.	&#13;  I	&#13;  especially	&#13;  would	&#13;  like	&#13;  to	&#13;  thank	&#13;  Gabriel	&#13;  Lagos	&#13;  as	&#13;  my	&#13;  accompanist,	&#13;  
and	&#13;  Alfons	&#13;  Fear	&#13;  for	&#13;  his	&#13;  wonderful	&#13;  transcription	&#13;  of	&#13;  Moment	&#13;  for	&#13;  Morricone.	&#13;  	&#13;  

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