13 10 1498 https://finearts.uvic.ca/music/archive/files/original/96c474e262dfc17783d530745f6ab419.pdf 4bbc3156258d7e5cb1c35faa20c353c5 PDF Text Text Chamber Singers Program UNIVERSITY OF VICTORIA Mésange Ramona Luengen Chanson d’automne Robert Ingari Soleil Couchants (Sunsets) Robert Ingari Agnus Dei Andrew M. Zinck Dryad’s Bells Quilt Completed! Stephen Chatman Distancia Kathleen Allen Intermission Garry Froese, conductor (Beverages and snacks available at the concession located in the lounge) Barry Tan, accompanist To You, Before the Close of Day Benediction Teaming Up the Cariboo Road Sunday, March 30, 2014, 2:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation LL Tarry Gamelan Jeff Enns Kathleen Skinner Brian Tate Mary Knickle R. Murray Schafer �Chamber Singers Personnel, SPRING 2014 Soprano Margaret Lingas Meaghan Miller Natasha Penfield Olivia Selig Lindsay Suddaby Whitney Williams Dawn Ye Yuan Alto Julia Albano-Crockford Claire Butterfield Jenna Grossman Marlena Kurek Kristina Misener Kassandra Schantz Kathleen Stanyer Stephanie Taralson Tenor Tristan Chalcraft Matt Ceaser Cody Froese Adam Schmidt Sam Simons Bass Nick Allen Connor Ashton Richard Bailey Kenji Lee Erik Leisinger Sean Quicke Xuguang Zhang www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber Singers Description An account of the resource This 24-member mixed ensemble performs both standard and lesser-known choral repertoire from a wide spectrum of composers and styles. Performing with the highest level of musicianship, choir members have extensive choral experience, strong sight-reading skills and a thirst for exploring and sharing their musical expertise. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_10.mp3">track10</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_11.mp3">track11</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033014-ChamberSingers/033014-ChamberSingers_12.mp3">encore</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber Singers - Quilt Completed! Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2014 Contributor An entity responsible for making contributions to the resource Garry Froese, conductor; Barry Tan, accompanist https://finearts.uvic.ca/music/archive/files/original/ed87e93061e59962d5dd671093a5355c.pdf 81a4acc14c52ef7256f5da2068ce451a PDF Text Text SPRING FORWARD new love k true love k love lost TITLES COMPOSERS | ARRANGERS 1. Very Early Bill Evans | arranged by The Real Group featuring Andrea & Margaret 2. Silence of Time Caprice Fox | arranged by Darmon Meader featuring Sarah 3. Coffee Calls For A Cigarette Anders Jalkéus VJ3 4. You Can’t Stop Me Now Mia Makaroff VJ6 5. Chili Con Carne Anders Edenroth VJ2 6. I Want You Back Jackson 5 | arranged by Laura Sampson VJ5 featuring Meaghan 7. Me & Julio Down By The Schoolyard Paul Simon | arranged by NYVoices VJ1, Rhythm Section & Dave Flello—trumpet —Fifteen Minute Intermission— ENJOY THE SNACKS & BEVERAGES IN THE FOYER 8. Love Won’t Let You Get Away Van Heusen & Sammy Cahn featuring Brittney & Cody The UVJAZ Pocket Philharmonic & Dave Flello—trumpet 9. You Go To My Head J. Fred Coots | arranged by W. Clanton featuring Monique & Matt with Strings & Sky 10. Run To You Pentatonix VJ4 11. Why Don’t You Write Me? Paul Simon | arranged by NYVoices featuring Natasha & Kenji & Rhythm Section uvicvocaljazz.blogspot.ca audio & video | bios & photos | course-for-credit information current events | vocal jazz education | audition information The Director recognizes the excellent work of current and previous members of the Ensemble whose dedication and artistry has established UVJAZ as an ensemble of note in Canada. Thank you, dear vocalists one and all, for your enthusiasm, vibrant personalities and superb musicianship! Thanks to Kirk McNally and his students for their generous support and technical expertise! A special note of thanks to the UVJAZ Pocket Philharmonic—violins: Lindsay(1st), Jasper (2nd) & Jilaine (3rd)—violas: Sarah (1st) & Fahlon (2nd); violoncello—Shiun; trumpets—Dave (Lead) & Ian;—bass trombone: Trevor;—saxophones: Paul (alto) & Lee (baritone)—and the always musically exciting and talented rhythm section—Gabe, Jordan, Blake & Sky—for their skill, dedication and enthusiasm for the music! �UVJAZ VOCALISTS PART ORGANIZATION UVJAZ POCKET PHILHARMONIC Andrea Paddock S1 SECTION LEADER Meaghan Miller S1 INVENTORY CREW Lindsey Herle VIOLIN 1 Sophie Cullen S2 BACKSTAGE MONITOR Jasper Meiklejohn VIOLIN 2 Brittney Jette S2 MEDIA LIAISON Jilaine Orton VIOLIN 3 FUNDRAISER SECRETARY Sarah Tradewell VIOLA 1 Margaret Lingas SWING STRINGS Micha Fortin A1 INVENTORY CREW Fahlon Smith VIOLA 2 Natasha Penfield A1 HOST Shiun Kim CELLO Monique Du Plessis A2 ENSEMBLE MANAGER Sarah Tradewell A2 AUDITION ASSISTANT Dave Flello TRUMPET 1 Cody Froese T INVENTORY CREW Ian Cohen TRUMPET 2 Tyler Lanigan T FUNDRAISER WEBSITE Paul Spelt ALTO SAXOPHONE WINDS Nick Allen SWING SECTION LEADER Wendell Clanton TENOR SAXOPHONE Kenji Lee B INVENTORY CREW Lee Whitehorne BARITONE SAXOPHONE Taylor Caswell B HOST Trevor Hoy BASS TROMBONE Matt Foster B AUDITION MANAGER RHYTHM SECTION AUDIO CREW Bryan Lilly LIVE SOUND Gabe “MC” Lagos PIANO Will MacLellan RECORDIST Jordan Asch GUITAR Kirk McNally TECHNOLOGIST Blake Palm BASS Sky Kim DRUMS DIRECTOR Wendell Clanton UNIVERSITY OF VICTORIA SCHOOL OF MUSIC VOCAL JAZZ ENSEMBLE Vocal Jazz Spring Showcase 8pm Sunday | March 30, 2014 P.T. Young Recital Hall “SPRING FORWARD” — featuring — Dave Flello trumpet “If people did not love one another, I really don't see what use there would be in having any spring.” ―Victor Hugo, Les Misérables � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Vocal Jazz Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Vocal Jazz - Spring Forward Creator An entity primarily responsible for making the resource Will MacLellan & Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2014 https://finearts.uvic.ca/music/archive/files/original/48af4b76f9b742370bb5b8e810f68033.pdf 8db3f79115f26844ade464db4d2346cf PDF Text Text UNIVERSITY OF VICTORIA Faculty Concert series Alexander Dunn, guitar With Anne Grimm, soprano Saturday, March 29, 2014, 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 �P R O G RA M Études ‘L’indispensable’ Op. 40* Leonard Schulz Allegro maestoso (1814–1860) Andante Moderato Grave Andante Allegro Andante Nocturnal after John Dowland, Op. 70 Benjamin Britten Musingly (1913–1976) Very agitated Restless Uneasy March-like Dreaming Gently rocking Passacaglia Slow and quiet Intermission (Beverages and snacks available at the concession located in the lounge) Under Milkwood Songs* Stephen Goss Polly Garter (b. 1954) Lily Smalls Rosie Probert and Captain Cat Oh what’ll the neighbours say, what’ll the neighbours… Pretty Polly hums and longs Studies for Guitar* Weeping Willows Allan Willcocks (1869–1956) A Summer Breeze Still Waters Le Gibet de Ravel Children playing Frost and Dew Reflections Choral The Bells of Notre Dame A Gale is blowing *Canadian premiere Guitar by Stephen Connor, Boston, USA �P r o g ra m N ot e s Tonight’s program feature landmark works from Great Britain, important in the guitar repertoire from their inception or from recent rediscovery. German-born Leonard Schulz was based in London during the height of the Victorian era, British composer Allan Willcocks imported French impressionistic color from across the channel into his aesthetic, Benjamin Britten applied his exacting technique into a moody reflection on Elizabethan composer John Dowland (1563-1626), and Stephen Goss explores the perennial delight and naughtiness of Welshman Dylan Thomas’ Under Milkwood. Leonard Schulz – Études – two of England’s most prominent 19th century guitar virtuosos were almost exact contemporaries: the extraordinary Jules Regondi has enjoyed a deserved revival from concert artists but Leonard Schulz, whose studies were only published in 2011, is awaiting recognition. Brothers Leonard and pianist Edward were dual child prodigies, taken by their father on interminable concert tours across Europe. Leonard’s performance of a Giuliani concerto at age thirteen, prompted a London reviewer to term him the ‘Ajax of the Guitar’. Indeed, his prowess was such that he played in the company of Moscheles, Maria Malibran, Thalberg, Liszt, Sir George Smart, and many other musical luminaries in England, France, and Germany. In 1850, a Russian noblemen, visiting London for the exact purpose of calling on Schulz, wrote that: ‘He was a tall, well-dressed man… handsome and of excellent manners. He played… to my indescribable delight… His playing embodied all that I could hope for – and extraordinary rapidity, clearness, forcefulness, taste, suavity of touch, brilliance, expression… I noticed, moreover, a decided self-assurance during the performance. It seemed, in fact, that playing the instrument was but a light diversion for him, for he showed himself heedless of the tremendous difficulties in which his own compositions abounded’. Due to the decline of the guitar during the Victorian era, Schulz’s concert music, too difficult for the amateur market, was lost. A number of his surviving works are in a disappointing popular style. Edward Schulz said of his brother that ‘he has the greatest talent, but is the worst drunkard in London’, and a less than reputable lifestyle may have hastened, along with Jules Regondi, a drawn-out and painful illness and premature death. The Studies are intended to develop tonal balance, control and a singing style. They often feature repeated notes, where both a Schubertian lyricism and Schulz’s unique voice are heard. Benjamin Britten – Nocturnal after John Dowland – the magnificent Nocturnal has assumed a place in the guitar lexicon as a watermark of the twentieth century. Commissioned by Julian Bream, the Nocturnal is a broad rumination on John Dowland’s air Come Heavy Sleep (First Booke of Airs, 1597) for voices and lute, quoted at the end. The song text is as follows: Come, heavy Sleep, the image of true Death, And close up these my weary weeping eyes, Whose spring of tears doth stop my vital breath, And tears my heart with Sorrow’s sigh-swoll’n cries. Come and possess my tired through-worn soul, That living dies till thou on me be stole. �Britten manipulates elements of the Dowland air into a fantastical set of variations in reverse order where the theme is presented, in its entirety, at the close. Themes of sleep and death, dream vs. waking reality, and the transmutation of ideas across time form its basis and structure. The splintering of the Dowland melody into independent variations allows Britten to portray varying dream attitudes which range across a nightscape - now irritated, now singing, now marching, toward repose - but not before the Passacaglia, a large and insistent utterance, itself based on a recognizable element of the Dowland, is aggressively asserted. After the Passacaglia subsides, the beautiful Dowland air reassembles itself from the fractured night-dream of the variations, waning into doleful silence. Stephen Goss – Under Milkwood Songs – British composer Stephen Goss, Professor of Music at the University of Surrey, and Visiting Professor at the Royal Academy of Music in London, enjoys worldwide recognition for his orchestral, chamber, and guitar works. Captivated by Dylan Thomas’ 1954 radio play Under Milkwood, Goss produced a song cycle and later a setting for guitar quartet and narration based on the Thomas text. The play, set in the imaginary Welsh fishing village of Llareggub (spell it backwards), explores the seamy underside of rural life with sexual undercurrents, catty wives, pitched gossip, powerful longing, and a recall of intimacy set on the romantic high seas. Polly Garter’s wistful lost-love memory begins and ends the work. Lily Smalls yearns for a fantasy life full of love, but is only bored with her small existence. Rosie Probert is Captain Cat’s deceased lover who only appears in his dreams; the Captain is an old blind sailor who, like Tiresias of Thebes – the blind clairvoyant transformed into a woman - intuits the goings on in the village. Sharp-tongued gossip pervades the neighborhood while Lily Smalls’ melancholic remembrance of Little Willy Wee, her only true love, ends the cycle on a pensive tone. 2014 marks the centenary of Dylan Thomas’ birth. The entire text for Under Milkwood Songs appears at the end of these program notes. Andrew Allan Willcocks – Studies – Willcocks hailed from Canterbury where as a child he was encouraged to study the guitar with Giulia Pelzer, sister to the most important female guitarist of the nineteenth century. He later devoted his attention to piano, organ and composition. Study in Paris under Paul Dukas exposed him to the French style and it was there he formed deep friendships with Manual Ponce, Cyril Scott, and other notable musicians. Indeed these influences and especially Ravel, can be discerned in his blending of Impressionist syntax with expert instrumental writing. 12 Minature Preludes for guitar also date from his Paris years alongside the Studies, which were discovered and published in 2012. The first, Weeping Willows, dedicated to the Mexican composer Ponce, is largely based on the whole-tone scale, moodily ranging across the instrument, and marked ‘dreary’. A Summer Breeze is a fluid arpeggio study, lightly dispelling any mood of gravity. Inspired by Charles J. Pahlmie’s Silent Water – a darkly hued oil on canvas landscape in which the partially obscured moon is reflected in a deep, placid lake – Still Waters is a calm, unruffled meditation on beautiful sonorities, dedicated to the Spanish virtuoso Miguel Llobet. The expressive centerpiece of the cycle, Le Gibet de Ravel, is a stark re-imagining of the second movement of Ravel’s monumental Gaspard de la Nuit. It is a monotonic tableaux on Alois Bertrand’s poem Le gibet (The Gallows), whose translation of the first and last couplet read: Ah! What do I hear, was it the north wind that screeches in the night, or the hanged one who utters a sigh on the fork of the gibbet?   …    It is the bell that tolls from the walls of a city, under the horizon, and the corpse of the hanged one that is reddened by the setting sun. �Willcocks begins with a direct quite of the Ravel, slowly evolving into original music, but somehow combining elegance with utter dread. The frolicsome Children Playing scatters the hex with echoes of Mussorsky’s Pictures at an Exhibition and Debussy; hurried musical motives scamper across its pages. Frost and Dew also draws its inspiration from a painting – Peter Scott Purvil’s Frost and Dew – contrasting a snow-covered lakeside with the slow thaw of early spring. In this study, Willcocks begins with frigid major seconds, slowly expanding into a radiant conclusion. Reflections recalls Debussy’s piano work Images (Vol. 1) with its sumptuous harmonies. It begins with a sense of breathless urgency, soon relaxing into spacious octaves and a drooping, expressive motive. In Choral, we are invited to the fleeting memory of a Ravelian waltz emerging from bell-like harmonics. The clamorous The Bells of Notre Dame’s emerge from and retreat into a fog and in its expanse recalls Frost and Dew, but with the weighty and imperious tolling of cathedral bells. This set of Willcocks Studies ends with A Gale is blowing, its oppressive gusts subside only at its very conclusion. ~ Program notes by Alexander Dunn Under Milkwood Songs Adapted from Under Milkwood by Dylan Thomas (1914-1953) 1. Polly Garter I loved a man whose name was Tom He was strong as a bear and two yards long I loved a man whose name was Dick He was big as a barrel and three feet thick And I loved a man whose name was Harry Six feet tall and sweet as a cherry But the one I loved best awake or asleep Was little Willy Wee and he’s six feet deep. O Tom Dick and Harry were three fine men And I’ll never have such loving again But little Willy Wee who took me on his knee Little Willy Wee was the man for me. 2. Lily Smalls Oh there’s a face! Where you get that hair from? Got it from a old tom cat. Give it back then, love. Oh there’s a perm! Where you get that nose from, Lily? Got it from my father, silly. You’ve got it on upside down! Oh there’s a conk! Look at your complexion! Oh no, you look. Needs a bit of make-up. Needs a veil. Oh there’s glamour! Where you get that smile, Lil? Never you mind, girl. Nobody loves you. That’s what you think. Who is it loves you? Shan’t tell. Come on, Lily. Cross your heart then? Cross my heart. 3. Rosie Probert and Captain Cat ROSIE PROBERT: What seas did you see, Tom Cat, Tom Cat, In your sailoring days Long long ago? What sea beasts were In the wavery green When you were my master? �CAPTAIN CAT: I’ll tell you the truth. Seas barking like seals, Blue seas and green, Seas covered with eels And mermen and whales. ROSIE PROBERT: What seas did you sail Old whaler when On the blubbery waves Between Frisco and Wales You were my bosun? CAPTAIN CAT: As true as I’m here Dear you Tom Cat’s tart You landlubber Rosie You cosy love My easy as easy My true sweetheart, Seas green as a bean Seas gliding with swans In the seal-barking moon. ROSIE PROBERT: What seas were rocking My little deck hand My favourite husband In your seaboots and hunger My duck my whaler My honey my daddy My pretty sugar sailor. With my name on your belly When you were a boy Long long ago? CAPTAIN CAT: I’ll tell you no lies. The only sea I saw Was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs. 4. Oh what’ll the neighbours say, what’ll the neighbours… Poor Mrs Waldo What she puts up with Never should of married If she didn’t had to Same as her mother There’s a husband for you Bad as his father And you know where he ended Up in the asylum Crying for his ma Every Saturday He hasn’t got a leg And carrying on With that Mrs Beattie Morris Up in the quarry And seen her baby It’s got his nose Oh it makes my heart bleed What he’ll do for drink He sold the pianola And her sewing machine Falling in the gutter Talking to the lamp-post Using language Singing in the w Poor Mrs Waldo Black as a chimbley Ringing doorbells Breaking windows Making mudpies Stealing currants Chalking words Saw him in the bushes Playing mwchins Send him to bed without any supper Give him sennapods and lock him in the dark Off to the reformatory Off to the reformatory Learn him with a slipper on his b.t.m. 5. Pretty Polly hums and longs Now when farmers’ boys on the first fair day Come down from the hills to drink and be gay, Before the sun sinks I’ll lie there in their arms For they’re good bad boys from the lonely farms, But I always think as we tumble into bed Of little Willy Wee who is dead, dead, dead... �Upcoming Events Sunday, March 30, 2:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHAMBER SINGERS: Wine,Water & Roses Garry Froese, conductor Phillip T. Young Recital Hall Thursday, April 3, 12:00 p.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. (Free admission) COMPUTER MUSIC CONCERT Featuring original works for digital media by students in Computer Music Seminar. Expect delays: experiments in progress! Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. ($14 & $10) DON WRIGHT SYMPHONIC WINDS: A Trip to the Zoo! Michael Keddy, conductor University Centre Farquhar Auditorium Saturday, April 5, 8:00 p.m. ($17.50 & $13.50) UNIVERSITY OF VICTORIA CHORUS & ORCHESTRA: Bees Ajtony Csaba, conductor Susan Young, chorus director Berlioz – Symphonie Fantastique, Op. 14 Bruckner – Mass No. 3 in F minor, WAB 28 University Centre Farquhar Auditorium Sunday, April 6, 2:30 p.m. ($12 advance / $15 at the door) PHILOMELA WOMEN’S CHOIR: A Potpourri for Spring Mary Kennedy, director Phillip T. Young Recital Hall � Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Alexander Dunn, guitar Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 29, 2014 Contributor An entity responsible for making contributions to the resource Alexander Dunn, guitar; Anne Grimm, soprano https://finearts.uvic.ca/music/archive/files/original/07b824dbf40f3315d4f96cca1d52ba41.pdf 62ef7972eccaeccbc9371e295ee53212 PDF Text Text Barry Tan, piano Program Sonata No. 6 in D Major, K. 284 Wolfgang Amadeus Mozart (1770-1827) I. Allegro II. Rondo et Polonaise – Andante III. Theme and Variations Barry Tan is from the class of Professor May Ling Kwok. This recital is presented as part of the requirements for the Bachelor of Music in Performance program. Reception to follow in the Lounge. Sonata No. 2 in B-flat minor, Op. 35 “Funeral March” Frederic Chopin (1810-1849) I. Grave – doppio movimento II.Scherzo III.Marche funebre (Lento) IV.Finale (Presto) Intermission Études, L. 136 (1915) Claude Debussy (1862-1918) I. pour les cinq doigts d'après Monsieur Czerny V. pour les octaves Goyescas, Op. 11 (Los majos enamorados) Monday, March 31st, 2014, 8PM Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission Enrique Granados (1867-1917) Quejas, o la maja y el ruisenor El Pelele: scena goyesca Sonata No. 3 in A minor, Op. 28 Sergei Prokofiev (1891-1953) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/033114-GradRecital/033114-GradRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033114-GradRecital/033114-GradRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033114-GradRecital/033114-GradRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033114-GradRecital/033114-GradRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/033114-GradRecital/033114-GradRecital_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Barry Tan, piano Creator An entity primarily responsible for making the resource Jamie Bracke Date A point or period of time associated with an event in the lifecycle of the resource March 31, 2014 https://finearts.uvic.ca/music/archive/files/original/063509367c819d49965d2e1e55bdac22.pdf 0ff8bdf4c2f0840b16b9d26bab9ec8c1 PDF Text Text fridaymusic Phillip T. Young Recital Hall • University of Victoria March 28, 2014 - 12:30 p.m. Featuring School of Music composition students four songs of shipwreck and concord: III Nalini Bissoon Stephanie Landucci, speaker Esme Liddicoat, speaker Kylie Flower, B flat clarinet, bass clarinet Baade’s Window Michael Chambers, guitar The Road Michael Chambers Matt Kelly Matt Kelly, trombone This could be you or someone you know Nolan Krell Kylie Flower, bass clarinet Keenan Mittag-Degala, glockenspiel Liam Gibson, harpsichord and clavichord Close and far Aliayta Foon-Dancoes, violin Upcoming Events Friday, March 28, 8:00 p.m. ($14 & $12) UNIVERSITY OF VICTORIA WIND SYMPHONY Mexican Winds Eugene Dowling, conductor Music for Winds by Mexican composers and composers inspired by Mexico. Featuring music by Arturo Márquez, Silvestre Revueltas, and Carlos Chávez. University Centre Farquhar Auditorium Saturday, March 29, 11:00 a.m. (Free admission) THE DIGITAL CONCERT HALL: Berlin Philharmonic Broadcast of a recent performance by the Berlin Philharmonic from their Digital Concert Hall. Sir Simon Rattle, conductor & Peter Sellers, staging J.S. Bach – St. John Passion Rm. B037, MacLaurin Building B-Wing Saturday, March 29, 8:00 p.m. ($17.50 & $13.50) FACULTY CONCERT SERIES Solo Recital: Alexander Dunn, guitar Program will include: Schulz – Studies Bach – Suite BWV 1009 Britten – Nocturnal after John Dowland, Op. 70 Willcocks – Studies Phillip T. Young Recital Hall Liam Gibson � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-Fridaymusic/032814-Fridaymusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-Fridaymusic/032814-Fridaymusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-Fridaymusic/032814-Fridaymusic_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-Fridaymusic/032814-Fridaymusic_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-Fridaymusic/032814-Fridaymusic_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 28, 2014 https://finearts.uvic.ca/music/archive/files/original/97ac441df25f71631324f61f37133aab.pdf 863575a2fb2dc70c7d84c1cd471c3640 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall • University of Victoria April 1, 2014 - 12:30 pm Piano Sonata, Sz. 80 (1926) I. Allegro moderato II. Sostenuto e pesante III. Allegro molto Béla Bartók (1881–1945) Thomas Nicholson, piano Piano Sonata No. 18 in E-flat Major, Op. 31, No. 3 I. Allegro Ludwig van Beethoven (1770–1827) Jany Lu, piano Sonata for Alto Saxophone and Piano III. IV. Alec Wilder (1907–1980) Lee Whitehorne, alto saxophone Solomon Cheung, piano Sonata for Clarinet and Piano, FP 184 I. Allegro tristamente II. Romanza III. Allegro con fuoco Francis Poulenc (1899–1963) Paul Gilchrist, clarinet Laura Altenmueller, piano Upcoming at the School of Music Wednesday, April 2, 12:30 p.m. (Free Admission) GRADUATE RECITAL: Matthew MacLean, trumpet Matthew MacLean presents his first year graduate recital for trumpet. Phillip T. Young Recital Hall Wednesday, April 2, 8:00 p.m. (Free Admission) GRADUATING RECITAL: Brian Desjarlais, guitar Guitarist Brian Desjarlais presents his Masters of Music graduating recital. Phillip T. Young Recital Hall Thursday, April 3, 12:00 p.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. (Free admission) COMPUTER MUSIC RECITAL Featuring original works for digital media by students in Computer Music Seminar. Expect delays: experiments in progress! Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. ($14 & $10) DON WRIGHT SYMPHONIC WINDS: A Trip to the Zoo! Michael Keddy, conductor University Centre Farquhar Auditorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/040114-Tuesdaymusic/040114-TuesdayMusic_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040114-Tuesdaymusic/040114-TuesdayMusic_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040114-Tuesdaymusic/040114-TuesdayMusic_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040114-Tuesdaymusic/040114-TuesdayMusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource April 1, 2014 https://finearts.uvic.ca/music/archive/files/original/7324f26951cae6c39dd28a354447b97e.pdf 0ae4a7e1a838d4e4f0bddf0d0812b76c PDF Text Text Wind Symphony UNIVERSITY OF VICTORIA Fiesta! Eugene Dowling, conductor Friday, March 28, 2014, 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults $14 / Students & Seniors $12 �Program Symphonic Dance No. 3 – “Fiesta” Symphony No. 2 (Sinfonía India) (1935) Clifton Williams (b. 1923) Carlos Chávez (1899–1978) Arr. Frank Erickson Intermission Sensemayá (1937) Silvestre Revueltas (1899–1940) La Fiesta Mexicana (1949) H. Owen Reed Carnival (1910–2014) Danzon No. 2 Arturo Márquez (b. 1950) Arr. Oliver Nickel �p r o g ra m n ot e s Symphonic Dance No. 3 (Fiesta) is one of five Symphonic Dances commissioned by the San Antonio Symphony Orchestra to celebrate its 25th anniversary in 1964. The composer wanted to reflect the excitement and color of the city’s many Mexican celebrations in what he called “the pageantry of Latin American celebration – street bands, bull fights, bright costumes, the colorful legacy of a proud people.” For decades Carlos Chávez (1899–1978) embodied Mexican music and represented it as a composer, conductor and an all-around cultural missionary. But in today’s musical landscape, Chávez’s modernist pedigree – esteemed by Aaron Copland and others in the United States – matters less and Chávez’s mercurial contemporary Silvestre Revueltas (1899-1940) seems at least as dominant a figure in Mexican cultural history. In his Sinfonía India, Carlos Chávez looked to indigenous melodies to create an authentically Mexican work. The symphony is based on three native melodies (hence the title), which supply the ideas for what are in effect three movements, though they are performed without pause. The melodies are from the Huicholes of Nayarit, the Yaquis of Sonora, and the Seris of Tiburón Island in Baja California, supplemented by secondary themes, some of which are also quoted from folklore. The Wind Symphony is proud to present the Canadian premiere of the chamber version of Sensemayá by Silvestre Revueltas. The rhythms are laid out precisely and have considerable visceral impact, very much in a manner that recalls Igor Stravinsky’s The Rite of Spring. Reueltas based the work on a poem by the Cuban poet Nicolás Guillén. Guillén’s poem evokes a magical snake sacrifice by the Cuban Mayombe sect who are of central African Bantu origin. The chamber version that we will perform tonight was written in 1937 for chamber ensemble; one year later, the composer transcribed and expanded it for full orchestra. La Fiesta Mexicana was written by H. Owen Reed in 1949, based on experiences gained during a five-month stay in Mexico on a Guggenheim Fellowship. Carnival is given over to unceasing entertainment and celebration. At the beginning, the listener hears the itinerant circus, then the market, the bullfight, the town band, and finally the cantinas with their band of mariachis. The authentic folk tunes Reed used can be found in Chapala, Jalisco, and Guadalajara. �We will conclude this program of Mexican music and music inspired by Mexico with the Danzón No. 2 of Arturo Márquez. Although Márquez was already an accomplished composer in Mexico, his music started to reach the international stage with the introduction of his series of Danzones in the early 1990s. They are inspired on a dance style called Danzón, which has its origins in Cuba but is a very important part of the folklore of the Mexican state of Veracruz. Márquez got his inspiration while visiting a ballroom in Veracruz. Danzón No. 2 was included on the program of the Simon Bolívar Youth Orchestra conducted by Gustavo Dudamel on their 2007 tour of Europe and the United States. As a result of the strong public response to the orchestra’s performance of the piece, it has appeared in many orchestral programs all over the world and sparked an interest in other works by Márquez. ~ Program notes by Eugene Dowling B I O G R A P HY Eugene Dowling has been a faculty member of the School of Music, University of Victoria for nearly forty years and was Principal tubist with the Victoria Symphony for twenty-five years. Since leaving the symphony he has maintained an active schedule as a conductor, soloist, clinician and chamber musician. His recording The English Tuba on the Fanfare/Pro Arte label was nominated for a Juno Award and received a number of favourable reviews and worldwide radio play. Under Dowling’s direction, the Victoria Tuba Christmas ensemble has raised thousands of dollars for local charities and has been featured in such diverse venues as CBC TV’s The Journal and with the Victoria Symphony Christmas Pops program. Eugene Dowling is a Yamaha Artist. Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker @uvic.ca. �Sensemayá canto para matar una culebra by Nicolás Guillén Sensemayá (Chant to kill a snake) translated by Willis Knapp Jones ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! La culebra tiene los ojos de vidrio; la culebra viene y se enreda en un palo; con sus ojos de vidrio, en un palo; con sus ojos do vidrio. La culebra camina sin patas,; la culebra se esconde en la yerba; caminando se esconde en la yerba, caminando sin patas. The snake has eyes of glass; The snake coils on a stick; With his eyes of glass on a stick, With his eyes of glass. The snake can move without feet; The snake can hide in the grass; Crawling he hides in the grass, Moving without feet. ¡Mayombe-bombe-mayombe! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombé! ¡Mayombe-bombe-mayombe! ¡Mayombe-bombe-mayombe! ¡Mayombe-bombe-mayombe! Tú le das con el hacha, y se muere: ¡dale ya! ¡No le des con el pie, que te muerde, no le des con el pie, que se va! Hit him with an ax and he dies; Hit him! Go on, hit him! Don’t hit him with your foot or he’ll bite; Don’t hit him with your foot, or he’ll get away. Sensemayá, la culebra, sensemayá, Sensemayá, con sus ojos, sensemaya. Sensemayá, con su lengua, sensemayá. Sensemayá, con su boca, sensemayá. Sensemayá, the snake, sensemayá. Sensemayá, with his eyes, sensemayá. Sensemayá, with his tongue, sensemayá. Sensemayá, with his mouth, sensemayá. ¡La culebra muerta no puede comer; la culebra muerta no puede silbar;, no puede caminar, no puede correr! ¡La culebra muerta no puede mirar; la culebra muerta no puede beber; no puede respirar, no puede morder! The dead snake cannot eat; the dead snake cannot hiss; he cannot move, he cannot run! The dead snake cannot look; the dead snake cannot drink; he cannot breathe, he cannot bite. ¡Mayombe-bombe-mayombé! Sensemayá, la culebra . . . ¡Mayombe-bombe-mayombé! Sensemayá, no se mueve . . . ¡Mayombe-bombe-mayombé! Sensemayá, Za culebra . . . ¡Mayombe-bombe-mayombé! Sensemayá, se murio! ¡Mayombe-bombe-mayombé! Sensemayá, the snake . . . ¡Mayombe-bombe-mayombé! Sensemayá, does not move . . . ¡Mayombe-bombe-mayombé! Sensemayá, the snake . . . ¡Mayombe-bombe-mayombé! Sensemayá, he died! �UVic Wind Symphony Personnel Piccolo Gillian Newburn Flute Thomas Bauer* Kelsey Dupuis Sierra Phosy Jillian Broughton Oboe Teigan Cosgrove* Georgia Dowgert Clarinet Marcella Barz* Erin Onyschtschuk Dominic Thibault Sunny Chu William Constable Samuel He Mark Kim Jynelle Grigg Bass Clarinet Kylie Flower Bassoon Lee Whitehorne* Eric Boulter Alto Saxophone Sean Maynard* Austin Nicholl Cornet Matthew MacLean* Justin Bury (assistant principal) John Hamblett Ian VanGils Trumpet Emily McDermid Victoria-Rose Hunt Trombone Matthew Kelly* Eric Showers Zoe McLaren Trevor Hoy Euphonium Jaclyn Kreke* Matthew Blockberger Tuba Russell Larden* Kory Major** VIOLIN Lindsey Herle Emily MacCallum Double Bass Blake Palm PIANO Frances Armstrong-Douglas Tenor Saxophone Adam Jasieniuk HARP Josh Layne ‡ Baritone Saxophone Zach Smith Percussion Sky Kim* Erika Buerfeind Tristan Holleufer David Lochead Julia Albano-Crockford Tamara Nemeth French Horn Simon Dawkins* Drake Lovett Norbert Ziegler** Josh Yates Samuel McNally Timpani Camden McAllister* * Principal ** Alumni ‡ Community member �Upcoming Events Saturday, March 29, 11:00 a.m. (Free admission) THE DIGITAL CONCERT HALL: Berlin Philharmonic Broadcast of a recent performance by the Berlin Philharmonic from their Digital Concert Hall. With Sir Simon Rattle, conductor & Peter Sellers, staging. J.S. Bach – St. John Passion Rm. B037, MacLaurin Building B-Wing Saturday, March 29, 8:00 p.m. ($17.50 & $13.50) FACULTY CONCERT SERIES Alexander Dunn, guitar Program will include: Schulz – Studies Bach – Suite BWV 1009 Britten – Nocturnal after John Dowland, Op. 70 Willcocks – Studies Phillip T. Young Recital Hall Sunday, March 30, 2:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHAMBER SINGERS Wine,Water & Roses Garry Froese, conductor Phillip T. Young Recital Hall Sunday, March 30, 8:00 p.m. (Admission by donation) VOCAL JAZZ SPRING SHOWCASE Spring Forward Wendell Clanton, director Phillip T. Young Recital Hall Saturday, April 5, 8:00 p.m. ($17.50 & $13.50) UNIVERSITY OF VICTORIA CHORUS & ORCHESTRA Ajtony Csaba, conductor Susan Young, chorus director Berlioz – Symphonie Fantastique, Op. 14 Bruckner – Mass No.3 in F minor, WAB 28 University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-WindSymphony/032814-WindSymphony_01.mp3">track1 </a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-WindSymphony/032814-WindSymphony_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-WindSymphony/032814-WindSymphony_03.mp3">track3 </a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-WindSymphony/032814-WindSymphony_04.mp3">track4 </a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032814-WindSymphony/032814-WindSymphony_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony - Fiesta! Creator An entity primarily responsible for making the resource Will MacLellan Date A point or period of time associated with an event in the lifecycle of the resource March 28, 2014 Contributor An entity responsible for making contributions to the resource Eugene Dowling, conductor https://finearts.uvic.ca/music/archive/files/original/8ccec10f315cc6ceba53c825adec9e0d.pdf 2b7620595c9d6c6717c3794caee18164 PDF Text Text Brian Desjarlais, guitar P r o g r a m Graeme Cruickshank, guitar Andrea Paddock, soprano Braden Young, piano Brian Desjarlais is from the class of Dr. Alexander Dunn. This recital is presented as part of the requirements for the Master of Music in Performance program. Brian would like to thank: Dr. Alexander Dunn, for his wonderful teaching and continuing support. Graeme Cruickshank and Andrea Paddock, for their exceptional musicianship and even more exceptional friendship. Braden Young, for his amazing talent and professionalism.. The UVic guitar studio, for always listening. His family, for their love and support Everyone in attendance today and listening by live stream, for making this a truly special night. nd Wednesday, April 2 , 2014 – 8pm Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission Les Guitares Bien Tempérées Mario Castelnuovo-‐Tedesco (1895 -‐ 1968) Prelude and Fugue VII in C# Minor Prelude and Fugue X in Bb Major Graeme Cruickshank, guitar Rito de los Orishas Leo Brouwer (b. 1939) Exordium-‐Conjuro Danza de las diosas negras Letters from Composers Dominick Argento (b. 1927) Frederic Chopin Wolfgang Amadeus Mozart Franz Schubert Johann Sebastian Bach Claude Debussy Robert Schumann Andrea Paddock, soprano Intermission � Prelude, Fugue and Allegro, BWV 998 Concierto de Aranjuez J.S. Bach (1685-‐1750) Allegro con spirito Adagio Allegro gentile Braden Young, piano Joaquín Rodrigo (1901-‐1999) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Desjarlais/040214-BrianDesjarlaisGradRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Desjarlais/040214-BrianDesjarlaisGradRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Desjarlais/040214-BrianDesjarlaisGradRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Desjarlais/040214-BrianDesjarlaisGradRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Desjarlais/040214-BrianDesjarlaisGradRecital_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Brian Desjarlais, guitar Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource April 2, 2014 https://finearts.uvic.ca/music/archive/files/original/eef26982452ded21aff5455a977f7c93.pdf 58402102aca01a71a9d97023b997cf70 PDF Text Text Matt MacLean, Trumpet Braden John Young (piano) Mitch Anderson (piano) Alfons Fear (trumpet) Sam McNally (French horn) Matthew Kelly (trombone) Alicia Sayell (tuba) Matt MacLean is from the class of Professor Louis Ranger This recital is presented as part of the requirements for the Master of Music in Performance program. Wednesday, April 2nd, 2014 – 12:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission P r o g r a m Tryptique pour trompette et piano Henri Tomasi (1901 – 1971) I. Scherzo II. Largo III. Saltarelle Mitch Anderson Accompanist Sonata for Trumpet and Piano George Antheil (1900 – 1959) I. Allegretto II. Dolce -‐ Espressivo III. Scherzo: Vivace IV: Allegretto Braden John Young Accompanist Brass Quintet No. 3 in D-‐Flat Major, Op. 11 Victor Ewald (1860 – 1935) I. Andante Alfons Fear, trumpet Sam Mcnally, French Horn Matthew Kelly, trombone Alicia Sayell, tuba �Rose Variations Robert Russell Bennett (1894 – 1981) Mitch Anderson Accompanist “Hallelujia” from Exsultate, Jubilate K. 165 Wolfgang A. Mozart (1756 – 1791) Mitch Anderson Accompanist � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Maclean/040214-MMacleanRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Maclean/040214-MMacleanRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Maclean/040214-MMacleanRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/040214-GradRecital_Maclean/040214-MMacleanRecital_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Matt MacLean, trumpet Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource April 2, 2014 https://finearts.uvic.ca/music/archive/files/original/3cc4d23fd06f0fa430953d438bcb588f.pdf 681a1f0bb60e89b446aa6db1eb89e54b PDF Text Text UNIVERSITY OF VICTORIA Jazz Ensemble program Song For Bilbao Pat Metheny arr. Terry Promane The Spirit of Vinyl Siding Patrick Boyle PATRICK BOYLE DIRECTOR My Funny Valentine Richard Rodgers Intermission (Beverages and snacks available at the concession located in the lounge) Peaches En Regalia Frank Zappa arr. Patrick Boyle White Roses Painted Red Aaron Pang The Great Train Robbery UVic Jazz Orchestra I Wish Stevie Wonder arr. Adam Jasienuk SATURDAY, MARCH 22, 8:00 P.M. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $15 / Students & Seniors $10 Transit Darcy James Argue Winner of the 2004 BMI Charlie Parker Composition Prize �UVIC JAZZ ORCHESTRA 2013-14 SAXOPHONE Julian Malinowski Adam Jasieniuk Zach Smith Paul Spelt Lee Whitehorne Elisa Hunter (clarinet) TRUMPET Alfons Fear Noah Faust-Robinson Peter van Bodegom Tyler Onyschtschuk John Hamblett Tony Shackell TROMBONE RHYTHM SECTION BASS Blake Palm DRUMS Sky Kim Keenan Mittag-Degala PIANO Aaron Pang Allanah Montgomery William Lynch GUITAR Daniel Favell Nick Miskey James Holtman Zoe McLaren Trevor Hoy To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032214-JazzEnsemble/032214-JazzEnsemble_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble Creator An entity primarily responsible for making the resource Will MacLellan Date A point or period of time associated with an event in the lifecycle of the resource March 22, 2014 Contributor An entity responsible for making contributions to the resource Patrick Boyle, director