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                    <text>D EGREE R ECITAL

	&#13;  

Camden	&#13;  McAllister,	&#13;  Percussion	&#13;  	&#13;  
Sunny	&#13;  Chu,	&#13;  Clarinet	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  Percussion	&#13;  	&#13;  
Cooper	&#13;  Reed,	&#13;  Piccolo	&#13;  

	&#13;  

Monday,	&#13;  April	&#13;  13th,	&#13;  2015,	&#13;  8:00	&#13;  pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
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	&#13;  

PROGRAM
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Suite	&#13;  of	&#13;  Traditional	&#13;  Fife	&#13;  and	&#13;  Drum	&#13;  Duets	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  American	&#13;  Traditional	&#13;  
Wrecker’s	&#13;  Daughter	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Arr.	&#13;  Frederick	&#13;  Fennell	&#13;  	&#13;  
Hell	&#13;  on	&#13;  the	&#13;  Wabash	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1914-­‐2004)	&#13;  
Downfall	&#13;  of	&#13;  Paris	&#13;  
	&#13;  
Cooper	&#13;  Reed,	&#13;  Piccolo	&#13;  
	&#13;  
	&#13;  
Prelude	&#13;  and	&#13;  Blues	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Ney	&#13;  Rosauro	&#13;  
Prelude	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1952-­‐)	&#13;  
Blues	&#13;  
	&#13;  
	&#13;  
Cadenzas	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Alexina	&#13;  Louie	&#13;  
iii.	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1949-­‐)	&#13;  
	&#13;  
Sunny	&#13;  Chu,	&#13;  Clarinet	&#13;  
	&#13;  
	&#13;  
Plagal	&#13;  Alternations	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Marshall	&#13;  Griffith	&#13;  
	&#13;  (1953-­‐)	&#13;  
	&#13;  
Keenan	&#13;  Mittag-­‐Degala,	&#13;  Multiple	&#13;  Percussion	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

-­‐	&#13;  INTERMISSION	&#13;  -­‐	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

�Improvisation	&#13;   	&#13;  

	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  

Memories	&#13;  of	&#13;  the	&#13;  Seashore	&#13;  

	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Elliott	&#13;  Carter	&#13;  
	&#13;  (1908-­‐2012)	&#13;  

	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Keiko	&#13;  Abe	&#13;  
	&#13;  (1937-­‐)	&#13;  

	&#13;  
Land	&#13;  

	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  Takatsugu	&#13;  Muramatsu	&#13;  
(1978-­‐)	&#13;  

	&#13;  
	&#13;  
Inspirations	&#13;  Diabolique	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Rick	&#13;  Tagawa	&#13;  
Introduction	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1965)	&#13;  
Dance	&#13;  
Adagio	&#13;  -­‐	&#13;  Tarantella	&#13;  
Cadenza	&#13;  
Perpetual	&#13;  Motion	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Camden	&#13;  McAllister	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  William	&#13;  Linwood.	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  (Performance)	&#13;  program.	&#13;  
	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_05.mp3"&gt;track5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_06.mp3"&gt;track6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_07.mp3"&gt;track7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_08.mp3"&gt;track8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_09.mp3"&gt;track9&lt;/a&gt;</text>
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              <text>**no program for this concert**&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-05.mp3"&gt;track5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040215-MUS407ClassRecital/040215-407Recital-06.mp3"&gt;track6&lt;/a&gt;</text>
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                    <text>GRADUATE RECITAL
	&#13;  

	&#13;  Fu-­‐Hsien	&#13;  Shen,	&#13;  voice	&#13;  	&#13;  
Emily	&#13;  Armour,	&#13;  piano	&#13;  	&#13;  

	&#13;  

Wed.	&#13;  April,	&#13;  1st	&#13;  ,	&#13;  2015.	&#13;  12:30	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
	&#13;  

	&#13;  

PROGRAM
	&#13;  

Extase	&#13;  
Le	&#13;  manoir	&#13;  de	&#13;  Rosemonde	&#13;  
Testament	&#13;  
Soupir	&#13;  
	&#13;  

	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Henri	&#13;  Duparc	&#13;  
(1848-­‐1933)	&#13;  
	&#13;  

Ó	&#13;  mon	&#13;  cher	&#13;  amant	&#13;  
Ah!	&#13;  Quell	&#13;  diner	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Jacque	&#13;  Offenbach	&#13;  
(1819-­‐1880)	&#13;  
	&#13;  
	&#13;  

Ich	&#13;  atmet'	&#13;  einen	&#13;  linden	&#13;  Duft	&#13;  
Liebst	&#13;  du	&#13;  um	&#13;  Schönheit	&#13;  
Ich	&#13;  bin	&#13;  der	&#13;  Welt	&#13;  abhanden	&#13;  gekommen	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Gustav	&#13;  Mahler	&#13;  
(1860-­‐1911)	&#13;  
	&#13;  

O	&#13;  mio	&#13;  fernado	&#13;  from	&#13;  La	&#13;  favorita	&#13;  
	&#13;  
Thank	&#13;  you!!	&#13;  
	&#13;  
Fu-­‐Hsien	&#13;  Shen	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor,	&#13;  Mr.Benjamin	&#13;  Butterfield	&#13;  	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Master	&#13;  of	&#13;  Music	&#13;  (Performance)	&#13;  program.	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

Gaetano	&#13;  Donizetti	&#13;  	&#13;  
(1797-­‐1848)	&#13;  

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_04.mp3"&gt;track4&lt;/a&gt;</text>
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                <text>Allyssa Haigh</text>
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                    <text>DEGREE	&#13;  RECITAL	&#13;  

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	&#13;  Heather	&#13;  MacLeod,	&#13;  soprano	&#13;  	&#13;  
Charlotte	&#13;  Hale,	&#13;  piano	&#13;  
Joshua	&#13;  Amendt-­‐Moylan,	&#13;  guitar	&#13;  
Paul	&#13;  Joo,	&#13;  cello	&#13;  

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When	&#13;  Daisies	&#13;  Pied	&#13;  
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Blow,	&#13;  Blow,	&#13;  Thou	&#13;  Winter	&#13;  Wind	&#13;  

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Green	&#13;   	&#13;  
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Spleen	&#13;  
Ariettes	&#13;  oubliées	&#13;  	&#13;  	&#13;  
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Immer	&#13;  Leiser	&#13;  wird	&#13;  mein	&#13;  Schlummer	&#13;  
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Op.	&#13;  105,	&#13;  No.	&#13;  2	&#13;   	&#13;  
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Widmung	&#13;  
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Op.	&#13;  25,	&#13;  No.	&#13;  1	&#13;  
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Liebst	&#13;  du	&#13;  um	&#13;  Schönheit	&#13;   	&#13;  
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Op.	&#13;  12,	&#13;  No.	&#13;  4	&#13;  
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Zueignung	&#13;  	&#13;  	&#13;  	&#13;  
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Op.10,	&#13;  No.	&#13;  1	&#13;  
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Allerseelen	&#13;  
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Op.	&#13;  10,	&#13;  No.	&#13;  8	&#13;  
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Quando	&#13;  m’en	&#13;  vo	&#13;  	&#13;  	&#13;  
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From	&#13;  La	&#13;  bohème	&#13;  	&#13;  	&#13;  

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Wednesday,	&#13;  April	&#13;  1st,	&#13;  2015,	&#13;  8:00	&#13;  pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
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Charlotte	&#13;  Hale,	&#13;  piano	&#13;  

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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Thomas	&#13;  Arne
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1710-­‐1778)	&#13;  
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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1845-­‐1924)	&#13;  

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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1862-­‐1918)	&#13;  
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Charlotte	&#13;  Hale,	&#13;  piano	&#13;  

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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1833-­‐1897)	&#13;  

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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1810-­‐1856)	&#13;  

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Clara	&#13;  Schumann	&#13;  
(1819-­‐1896)	&#13;  

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Richard	&#13;  Strauss	&#13;  
(1864-­‐1949)	&#13;  

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Giacomo	&#13;  Puccini	&#13;  
(1858-­‐1924)	&#13;  

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Charlotte	&#13;  Hale,	&#13;  piano	&#13;  
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-­‐	&#13;  INTERMISSION	&#13;  -­‐	&#13;  
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Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

	&#13;  
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�	&#13;  
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Bachianas	&#13;  Brasileiras	&#13;  No.	&#13;  5	&#13;  
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Aria	&#13;  (Cantilena)	&#13;   	&#13;  
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Joshua	&#13;  Amendt-­‐Moylan,	&#13;  guitar	&#13;  
Paul	&#13;  Joo,	&#13;  cello	&#13;  

	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Heitor	&#13;  Villa-­‐Lobos
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1887-­‐1859)	&#13;  

	&#13;  
	&#13;  
Selections	&#13;  from:	&#13;  
Twelve	&#13;  Poems	&#13;  of	&#13;  Emily	&#13;  Dickinson	&#13;  
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Aaron	&#13;  Copland	&#13;  
Nature,	&#13;  the	&#13;  gentlest	&#13;  mother	&#13;  
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(1900-­‐1990)	&#13;  
The	&#13;  world	&#13;  feels	&#13;  dusty	&#13;  
Heart,	&#13;  we	&#13;  will	&#13;  forget	&#13;  him	&#13;  
I’ve	&#13;  heard	&#13;  an	&#13;  organ	&#13;  talk	&#13;  sometimes	&#13;  
Why	&#13;  do	&#13;  they	&#13;  shut	&#13;  me	&#13;  out	&#13;  of	&#13;  Heaven?	&#13;  	&#13;  	&#13;  
	&#13;  
Charlotte	&#13;  Hale,	&#13;  piano	&#13;  
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Sure	&#13;  on	&#13;  this	&#13;  Shining	&#13;  Night	&#13;  
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	&#13;  Samuel	&#13;  Barber	&#13;  
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Charlotte	&#13;  Hale,	&#13;  piano	&#13;  
	&#13;  
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Heather	&#13;  MacLeod	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Benjamin	&#13;  Butterfield	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
Please	&#13;  remember	&#13;  to	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phones	&#13;  for	&#13;  the	&#13;  duration	&#13;  of	&#13;  the	&#13;  performance	&#13;  and	&#13;  please	&#13;  refrain	&#13;  from	&#13;  
applause	&#13;  until	&#13;  the	&#13;  end	&#13;  of	&#13;  each	&#13;  set.	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Thank-you to:
	&#13;  
Ben Butterfield: for your humor, patience, and starting from ground zero with me. The past three years have rebuilt
a once tattered voice into the rich, solid instrument I love and recognize. Thank-you for everything!
Charlotte Hale: twice a week for the past 9 months, you’ve enriched my knowledge on diction, line, breath, and
cohesiveness with ensemble. Thank-you for never letting me get away with anything; Lord knows I’m talented at it.
And THANK-YOU for your brilliance on the piano.
Rebecca, Ingrid, Signi, PON, and Angela: each of you taught me in such a distinct, memorable way that was
essential in leading me to where I am now.
My sweet friends: for joining me in chants, wild antics, and being SO incredibly supportive with my singing;
whether it was sitting quietly with me doing “crafts” (going to Target), or just hushing me, you have all helped this
come together by doing “the little things”. Now it’s time to celebrate, and don’t tell me to be quiet.
My incredible parents: voice lessons, theory, coachings, Tanglewood, Walnut Hill, LSU, UVic, Circle in the
Square, tears, nodules, countless doctors appointments, and everything else I couldn’t fit in this small space:
everything I am now is a direct result of your selflessness to ensure I lead an enriched life. I love you more than
anything.
Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_05.mp3"&gt;track5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_06.mp3"&gt;track6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_07.mp3"&gt;track7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_08.mp3"&gt;track8&lt;/a&gt;</text>
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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 31, 2015 • 12:30 p.m.
Featuring School of Music composition students
Zanadu

						

Adam Jasieniuk

Thomas Nicholson, piano
Dandelions								

				

Ava Hoegl

Natalie Dzbik, violin
Jay Orton, violin
Sarah de Niverville, viola
Alex Klassen, cello
Voices:
Chelsea Ternes, Frances Armstrong-Douglas,
Elizabeth Gerow, Kimberly Farris-Manning

Number Forms							

Seán Maynard

Gillian Newburn, flute
Erin Onyschtschuk, clarinet

The Death of Somnos						

Zach Smith

Jillian Broughton, flute
DJ Lochead, percussion
Tamara Nemeth, percussion
Thomas Nicholson, piano

Metabolismos 2							
Thomas Nicholson, piano/celesta

UPCOMING AT THE SCHOOL OF MUSIC
Tuesday, March 31, 8:00 p.m. (Admission by donation)
STRING CHAMBER CONCERT
Students from the studios of the Lafayette String Quartet.
Lutheran Church of the Cross (3787 Cedar Hill Road)
Wednesday, April 1, 12:30 p.m. (Free Admission)
GRADUATE RECITAL: Shelley Shen, voice
Vocalist Shelley Shen presents her first-year graduate recital.
Phillip T. Young Recital Hall
Wednesday, April 1, 8:00 p.m. (Free Admission)
GRADUATING RECITAL: Heather MacLeod, voice
Vocalist Heather MacLeod presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
Thursday, April 2, 12:00 p.m. (Admission by donation)
AFRICAN PERCUSSION CONCERT
The thirty-member percussion ensemble from MUS 208 African Hand Drumming
perform a repertoire of rhythms on djembe, balafon and dundun.
Phillip T. Young Recital Hall
Thursday, April 2, 8:00 p.m. ($15 &amp; $10)
DON WRIGHT SYMPHONIC WINDS: 10 Years of The Don Wright Symphonic Winds
Dr. Michael Keddy, Conductor
A selection of musical favourites from the first 10 years of the Don Wright Symphonic Winds.
University Centre Farquhar Auditorium

Nolan Krell

�</text>
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                    <text>DEGREE RECITAL
	&#13;  

	&#13;  Josh	&#13;  Herrett,	&#13;  piano	&#13;  	&#13;  

	&#13;  

	&#13;  

Monday,	&#13;  March	&#13;  30th,	&#13;  2015	&#13;  |	&#13;  8PM	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  m	&#13;  e	&#13;  
	&#13;  

	&#13;  

Sonata,	&#13;  op.	&#13;  1	&#13;  	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
	&#13;  
Sonata	&#13;  no.	&#13;  31	&#13;  in	&#13;  A-­‐flat	&#13;  major,	&#13;  op.	&#13;  110	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  
Moderato	&#13;  cantabile	&#13;  molto	&#13;  espressivo	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
Allegro	&#13;  molto	&#13;  
	&#13;  
Adagio	&#13;  ma	&#13;  non	&#13;  troppo	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

	&#13;  

	&#13;  
A.	&#13;  Berg	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1885-­‐1935)	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

L.	&#13;  V.	&#13;  Beethoven	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1770-­‐1827)	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  C.	&#13;  Debussy	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1862-­‐1918)	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

I	&#13;  n	&#13;  t	&#13;  e	&#13;  r	&#13;  m	&#13;  i	&#13;  s	&#13;  s	&#13;  i	&#13;  o	&#13;  n	&#13;  

Images,	&#13;  1ere	&#13;  série	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
Reflets	&#13;  dans	&#13;  l’eau	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
Hommage	&#13;  à	&#13;  Rameau	&#13;  
	&#13;  
Mouvement	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
Années	&#13;  de	&#13;  Pèlerinage	&#13;  II:	&#13;  Italie	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
Après	&#13;  une	&#13;  Lecture	&#13;  du	&#13;  Dante:	&#13;  Fantasia	&#13;  quasi	&#13;  Sonata	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Josh	&#13;  Herrett	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Ms.	&#13;  Michelle	&#13;  Mares	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

	&#13;  
	&#13;  F.	&#13;  Liszt
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1811-­‐1886)	&#13;  

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                    <text>UVJAZZ 2014 - 2015

University of Victoria School of Music

Soprano

Vocal Jazz Ensemble

Sophie Cullen
Emma Grabinksy
Brittney Jette
Allison Kingsley
Margaret Lingas
Andrea Paddock
Adhira (Addie) Vasant
Alto
Micha Fortin
Jilaine Orton
Natasha Penfield
Taliya Seidman-Wright
Tenor

Ensemble Manager
Natasha Penfield

Rhythm Section
Jordan Asch - guitar
Gabe Lagos - piano
Blake Palm - bass
Keenan Mittag-Degala - drums

Aaron Bannister
Joey Cutajar
Cody Froese
Kiaran McMillan
Nicholas Renaud

Kimberlee Graham-Knight

Bass

ONLINE COMMUNITY

Taylor Caswell
William Constable
Liam Darrow
Kenji Lee
Gaelan McMillan
James Waddell
Austin Warren

uvicvocaljazz.blogspot.ca
@UVJazz (Twitter)
facebook

 section leader
 assistant director

Audio Assistant

Directed by Wendell Clanton

SPRING SHOWCASE
Sunday, 8pm, March 29, 2015
P.T. Young Recital Hall
Admission by Donation

Blossoms &amp; Bop
with Gabe Lagos, piano

�UVIC
JAZZ
CHORALE

7. The More I See You (1945)

1. My Funny Valentine (1937)

by Harry Warren &amp; Mack Gordon arr. by Paul Langford

by Rodgers &amp; Hart arranged by Teena Chinn

2. Lean On Me (1972)

8. September Song (1938)
NOON

by Bill Withers arr. by Adam Anders &amp; Tim Davis
featuring Addie &amp; Liam

YYJ

Allison, Margaret, Sophie, Cody, Nicholas, Aaron,
Micha, Jilaine, Natasha, Liam, James &amp; Taylor

3. I Wish (1976)

by Stevie Wonder arr. by Roger Emerson

9. If I Die Young (2010)

Emma, Allison, Addie, Joey, Kiaran, Aaron, Brittney,
Sophie, Taliya, Liam, James, Gaelan, Austin

MQCD

MOTOWN
QUALITY CONTROL
DEPARTMENT

4. Ain’t Too Proud To Beg (1966)
by Whitfield &amp; Holland arranged by Deke Sharon
Addie, Sophie, Micha, Cody, Joey, Austin, James

5. Fantasy (1978)
TAKE
NOTE!

by M. White, E. Delbarrio &amp; V. White arr. by Britt Quentin
Andrea, Margaret, Natasha, Nicholas, Taylor,
William &amp; Kenji (Vocal Percussion)

6. Firework (2010)
LUSH
LIFE

by Katy Perry arr. by Ben Bram
Sophie, Margaret, Micha, Jilaine, Natasha, Cody,
Nicholas, Taylor, William &amp; Kenji (Vocal Percussion)

INTERMISSION

— Snacks available in the Lounge —

by Kurt Weill &amp; Maxwell Anderson arr. by Phil Mattson
featuring Margaret

by Kimberley Perry arr. by Ben Bram featuring Micha

LUSH
LIFE

10. I Can’t Believe You’re In Love with Me (1926)
by Jimmy McHugh &amp; Clarence Gaskill
arr. by Darmon Meader featuring Margaret &amp; Kenji

Sophie, Margaret, Micha, Jilaine, Natasha, Cody,
Nicholas, Taylor, William &amp; Kenji (Vocal Percussion)

UVIC
11. The Tortoise &amp; The Hare (2009)
JAZZ
CHORALE by Darmon Meader

Many thanks...
... to Natasha for her outstanding organization and energy!
... the Executive Team for their guidance and enthusiasm!
... to all Ensemble Captains for their skill and commitment!
... to the Singing Valentine’s Fundraiser Team - wow!
... to audio guru Kirk McNally and his excellent students.
... to Kristy our Concert Manager for gettin’ the word out.

�</text>
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                    <text>Philomela	&#13;  

University	&#13;  of	&#13;  Victoria	&#13;  Women’s	&#13;  Choir	&#13;  
	&#13;  

To	&#13;  Sing	&#13;  in	&#13;  the	&#13;  Spring!	&#13;  
	&#13;  
Susan	&#13;  Young,	&#13;  conductor	&#13;  
	&#13;  Julian	&#13;  Greenwood,	&#13;  pianist	&#13;  
	&#13;  
	&#13;  
PROGRAMME	&#13;  
	&#13;  
Deep	&#13;  in	&#13;  my	&#13;  Heart	&#13;  I	&#13;  bear	&#13;  my	&#13;  Lord	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Pablo	&#13;  Casals	&#13;  
	&#13;  
All	&#13;  Creatures	&#13;  Now	&#13;  are	&#13;  Merry	&#13;  Minded	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  John	&#13;  Bennett	&#13;  
	&#13;  
Balloo,	&#13;  Baleerie	&#13;  	&#13;  (Scottish	&#13;  folk	&#13;  song)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Arr.	&#13;  Kieth	&#13;  Bissell	&#13;  
	&#13;  
Every	&#13;  Time	&#13;  I	&#13;  Feel	&#13;  the	&#13;  Spirit	&#13;  (Spiritual)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Arr.	&#13;  William	&#13;  L.	&#13;  Dawson	&#13;  
	&#13;  
Messe	&#13;  Bass	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Gabriel	&#13;  Fauré	&#13;  
Kyrie	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
Melissa	&#13;  Smith,	&#13;  soprano	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   Sanctus	&#13;  
Benedictus	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   Elissa	&#13;  Fenton,	&#13;  soprano	&#13;  
Agnus	&#13;  Dei	&#13;  
	&#13;  
Barcarolle	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Offenbach	&#13;  
	&#13;  
Solos	&#13;  and	&#13;  small	&#13;  ensembles:	&#13;  
Katherine	&#13;  Rowlands	&#13;  –	&#13;  Mozart	&#13;  Aria	&#13;  
Bahar	&#13;  Harandi	&#13;  –	&#13;  Iranian	&#13;  Folk	&#13;  song	&#13;  
Stasia	&#13;  and	&#13;  Talise	&#13;  Lindenbach	&#13;  	&#13;  
Gina	&#13;  Johnson,	&#13;  Talise	&#13;  Lindenbach,	&#13;  Monique	&#13;  DuPlessis	&#13;  –	&#13;  Loch	&#13;  Lomond	&#13;  
Monika	&#13;  Zaborowski	&#13;  –	&#13;  Chopin	&#13;  Mazurkas	&#13;  
Elissa	&#13;  Fenton	&#13;  and	&#13;  Melissa	&#13;  Smith	&#13;  –	&#13;  Duet	&#13;  from	&#13;  Lakme	&#13;  
	&#13;  
Gruss	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Mendelssohn	&#13;  
	&#13;  
Abentlied	&#13;  
	&#13;  
Ave	&#13;  Verum	&#13;  Corpus	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Imant	&#13;  Raminsh	&#13;  

�	&#13;  
A	&#13;  Rosebud	&#13;  in	&#13;  June	&#13;  
	&#13;  
Liberatango	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Astor	&#13;  Piazzolla	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Arr.	&#13;  Oscar	&#13;  Esclada	&#13;  
	&#13;  
Log	&#13;  Driver’s	&#13;  Waltz	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Arr.	&#13;  Ron	&#13;  Smail	&#13;  
	&#13;  
Blessing	&#13;  
	&#13;  
	&#13;  
	&#13;  
CHOIR	&#13;  MEMBERS	&#13;  
Sienna	&#13;  Blumstengel,	&#13;  Scharah	&#13;  Cooper,	&#13;  Heather	&#13;  Derocher,	&#13;  
Maddie	&#13;  Dohm,	&#13;  Monique	&#13;  DuPlessis,	&#13;  Elissa	&#13;  Fenton,	&#13;  
Octavia	&#13;  Ireta	&#13;  Gordon,	&#13;  Yiwen	&#13;  Hu,	&#13;  Bahar	&#13;  Harandi,	&#13;  
Stephanie	&#13;  Howe,	&#13;  Gina	&#13;  Johnson,	&#13;  Saskia	&#13;  Kowallik,	&#13;  
Belinda	&#13;  Lai,	&#13;  Laura	&#13;  Lavallee,	&#13;  Annie	&#13;  Lepage,	&#13;  
Stasia	&#13;  Lindenbach,	&#13;  Talise	&#13;  Lindenbach,	&#13;  
Beth	&#13;  May,	&#13;  Kate	&#13;  May,	&#13;  Paige	&#13;  Murphy,	&#13;  	&#13;  	&#13;  	&#13;  
Katherine	&#13;  Rowlands,	&#13;  Rebecca	&#13;  Schmidt,	&#13;  Melissa	&#13;  Smith,	&#13;  
Penny	&#13;  Stevenson,	&#13;  Daisy	&#13;  Tupas	&#13;  Singh,	&#13;  
Jennifer	&#13;  Wardle,	&#13;  Monika	&#13;  Zaborowski	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

2:30	&#13;  p.m.	&#13;  	&#13;  Sunday,	&#13;  March	&#13;  29,	&#13;  2015	&#13;  

Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Adults	&#13;  $15	&#13;  /	&#13;  Students	&#13;  &amp;	&#13;  Seniors	&#13;  $10	&#13;  
	&#13;  

�</text>
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Phillip T. Young Recital Hall, University of Victoria
March 27, 2015 • 12:30 p.m.
Featuring School of Music percussion students
Plagal Alternations	 	
	
				

	

                            	 	

	

	

         Marshall Griffith	                                               	
(b. 1953)

Camden McAllister, timpani
Keenan Mittag-Degala, multiple percussion
Ghanaia 	
					
									
Allyssa Haigh, marimba
Six Marimbas	 					
				
					
Keenan Mittag-Degala, marimba i
Allyssa Haigh, marimba ii
Erika Buerfeind, marimba iii
Camden McAllister, marimba iv
Brandon Chow, marimba v
Julia Albano-Crockford, marimba vi
	

	

UPCOMING AT THE SCHOOL OF MUSIC
Saturday, March 28, 8:00pm - 10:00pm ($15 regular / $10 seniors &amp; alumni / $5 students)
UNIVERSITY OF VICTORIA CHORUS &amp; ORCHESTRA
Dear Strangers
Ajtony Csaba, Conductor
Dr. Adam Con, Chorus Director
Featuring George Gershwin’s An American in Paris and Joseph Haydn’s Mass in D Major Hob. II:11 (Nelson-Mass)
University Centre Farquhar Auditiorium
Sunday, March 29, 2:30pm - 4:30pm, ($15 regular / $10 students, seniors &amp; alumni)
UNIVERSITY OF VICTORIA PHILOMELA WOMEN’S CHOIR
To Sing in the Spring!
Susan Young, Director
Singing songs of Spring and the Easter season.
Phillip T. Young Recital Hall
Sunday, March 29, 8:00pm - 9:30pm (Admission by donation)
VOCAL JAZZ SPRING SHOWCASE
Blossoms and Bop
Wendell Clanton, Director
A concert of non-stop show-stoppers that just won’t quit.
Phillip T. Young Recital Hall
Monday, March 30, 8:00pm - 9:30pm (Admission by donation)
GRADUATING RECITAL
Joshua Herrett, piano
Pianist Joshua Herrett presents his Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
										
Tuesday, March 31, 12:30pm - 1:20pm (Admission by donation)
TuesdayMusic
Featuring works by School of Music composition students.
Phillip T. Young Recital Hall
Tuesday, March 31, 8:00pm - 9:30pm (Admission by donation)
STRING CHAMBER CONCERT
Featuring students from the studios of the Lafayette String Quartet.
Lutheran Church of the Cross (3787 Cedar Hill Road)

Matthias Schmidt		
(b. 1958)
	

Steve Reich		
(b. 1936)

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Phillip T. Young Recital Hall, University of Victoria
Wednesday, March 25, 2015 • 12:30 p.m.
Summertime (1975) for solo clarinet	 					
	from Three Études on Themes of George Gershwin 			

Paul Harvey
(b. 1935)

William Constable, clarinet
Canzonetta, Op. 19								
										
Samuel He, clarinet
Sarah Tao, piano

Gabriel Pierné
(1863–1937)

Sonata for clarinet and piano						
	
III. Très animé 						
	
Mark Kim, clarinet
Jihyun Park, piano

Francis Poulenc
(1899–1963)

Eight Pieces, Op. 83 for clarinet, viola and piano 				
	
V. Andante								
	
VI. Andante con moto
	
VI. Allegro vivace, ma non troppo

Max Bruch
(1838–1920)

Marcella Barz, clarinet
Calvin Yang, viola
Charlotte Hale, piano

Sonata in E flat, Op.120, No. 2 for clarinet and piano						
	
II. Allegro Appassionato					

Johannes Brahms
(1833–1897)

Sunny Chu, clarinet
Laura Altenmueller, piano
Oblivion								
									
James Yi, clarinet
Marcella Barz, clarinet
Dominic Thibault, clarinet
Kylie Flower, bass clarinet
Cuban Overture					
									
Austin Nicholl, soprano saxophone
Adam Jasieniuk, soprano saxophone
Seàn Maynard, alto saxophone
Steven Cramaro, alto saxophone
Lee Whitehorne, tenor saxophone
Skye Erikson, tenor saxophone
Zach Smith, baritone saxophone
Matt Bell, baritone saxophone
David P. Gagnon, conductor

Astor Piazzolla
(1921–1992)

George Gershwin/arr. Tomsett
(1898–1937)

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        </elementContainer>
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    </elementSetContainer>
  </item>
</itemContainer>
