121 10 1498 https://finearts.uvic.ca/music/archive/files/original/310dd74694ea16e2f66d129e8e3866a2.pdf b0ddd992843dfb9e70bb76afceb32db4 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 3, 2015 • 12:30 p.m. Concertpiece No. I, Op. 11 Ian VanGils, trumpet Louise Hung, piano Caprice I: Die Kranke und Die Uhr Vassily Brandt (1869 – 1923) Sophie Eckhardt-Gramatté (1899 – 1974) Linda Donn, violin String Quartet No. 8 I. Con Dolore II. Risoluto - Calmo - Risoluto III. Con Dolore IV. Con Precisione V. Con Dolore Natalie Dzbik, violin Emily MacCallum, violin Sarah DeNiverville, viola Alex Klassen, cello Cadenza per viola sola Peter Sculthorpe (1855–1914) Krzystof Penderecki (b. 1933) Joshua Gomberoff, viola Violin Sonata, Op. 30, No. 6 Ludwig van Beethoven I. Adagio molto expressivo (1770 -1827) Raina Saunders, violin Laura Altenmueller, piano UPCOMING AT THE SCHOOL OF MUSIC Thursday, November 5, 8:00 p.m. - 10:00 pm ($18 Regular / $14 Students, Seniors, and Alumni) FACULTY CONCERT SERIES: Music by Czech Composers Featuring Suzanne Snizek, flute & Alexandria Le, piano Performing works by Martinu, Janacèk and Feld. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Friday, November 6 12:30 p.m. - 1:20 pm (Admission by donation) FRIDAYMUSIC Eternal Light: A Requiem Featuring the University of Victoria Chamber Singers. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Friday, November 13 12:30 p.m. - 1:20 pm (Admission by donation) FRIDAYMUSIC Woodwinds Featuring School of Music woodwind students in a concert of varied repertoire. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Saturday, November 14 2:00 p.m. - 3:30 pm (Admission by donation) TROMBONE CLASS RECITAL Featuring trombone students from the studio of Scott MacInnes. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110315-Tuesdaymusic/110315-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110315-Tuesdaymusic/110315-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110315-Tuesdaymusic/110315-Tuesdaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110315-Tuesdaymusic/110315-Tuesdaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110315-Tuesdaymusic/110315-Tuesdaymusic_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource November 3, 2015 https://finearts.uvic.ca/music/archive/files/original/4cd19750bf131fd8a9826ccfcd35c1aa.pdf b01213999018d4941779b1bbc4779c5c PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES The Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Sunday, November 15, 2015 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission: $25 �PROGRAM Two Pieces for String Octet, Op. 11 Prelude Scherzo Dmitri Shostakovich (1906–1975) Lafayette String Quartet with Raina Saunders, violin Aliayta Foon-Dancoes, violin Sarah de Niverville, viola Shiun Kim, cello String Quartet No. 5 in B flat major, Op. 92 Dmitri Shostakovich I. Allegro non troppo II. Andante–Andantino–Andante–Andantino–Andante III. Moderato–Allegretto–Andante I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge The String Quartet in F major, Op. 96 I. Allegro ma non troppo II. Lento III. Molto vivace IV. Finale: Vivace ma non troppo Antonín Dvořák (1841–1904) *Raina Saunders is from the class of Sharon Stanis Aliayta Foon-Dancoes is from the class of Ann Elliott-Goldschmid Sarah de Niverville is from the class of Joanna Hood Shiun Kim is from the class of Pamela Highbaugh Aloni �LAFAYETTE STRING QUARTET In July 1986, four young musicians, based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet. Today the LSQ continues to flourish with its original personnel: violinists Ann Elliott-Goldschmid and Sharon Stanis, violist Joanna Hood, and cellist Pamela Highbaugh Aloni. For five years, the LSQ prospered in Detroit, where its members taught at the Center for Creative Studies/Institute of Music and Dance and Oakland University. The LSQ itself received coaching from some of the world’s most esteemed quartets—the Amadeus and the Alban Berg, and Cleveland—and from the violinist Rostislav Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical mentor” until his death in 1997. The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it was ranked among the magazine Musical America’s “Young Artists to Watch,” and in its first years they won the Grand prize at the Fischoff National Chamber Music Competition and prizes at the Portsmouth (now City of London) International String Quartet Competition, and the Chicago Discovery Competition. As winners of the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to study for two years with the Cleveland Quartet at the Eastman School of Music, in Rochester, New York. Artists-in-Residence at the University of Victoria’s School of Music since 1991, their dedication and skill have played a major role in building
one of the finest music schools in Canada. In addition to quartet performances and collaborating with colleagues in the School of Music, members of the quartet teach individual lessons, coach chamber music groups, and give studio masterclasses on a weekly basis. They have been principal players of the Galiano Ensemble of Victoria since its inception and continue to serve the community promoting strings in the public schools through outreach programs and the strings mentoring course at UVic. In June, they offer Quartet Fest West, an intensive quartet seminar that brings together young musicians from all over the world. Their annual Health Awareness Forum, founded in 2006 offers timely insights from top health experts on a wide range of topics. They recieved honorary doctorates from University Canada West and were honored with the inaugural Craigdarroch Award for Excellence in Artistic Expression in 2010 from the University of Victoria. �The LSQ has performed across Canada, the United States, Mexico and Europe, with concerts often allied with masterclasses and workshops; they had a close and lasting relationship with the University of Saskatchewan, in Saskatoon while playing on the set of Amatis owned by the institution. They have collaborated with distinguished colleagues including bassist Gary Karr; clarinetist James Campbell; flutist Eugenia Zukerman; violinists Andrew Dawes and Gary Levinson; violists James Dunham, Atar Arad, and Yariv Aloni; cellists Paul Katz, and the late Tanya Prochazka; and pianists Luba Edlina Dubinsky, Jane Coop, Robert Silverman, Ronald Turini, Alexander Tselyakov, Baya Kakouberi and Flavio Varani. They often collaborate with other string quartets including the Alcan, the New Zealand, the Penderecki, the Molinari, the Emily Carr, and the Quarteto Latinoamericano. The four women also maintain separate careers as solo and chamber music performers, teachers, and adjudicators. The LSQ carries a large, wide-ranging repertoire, from the classical period to the present, and has commissioned music from (and in some cases collaborated closely with) composers including Murray Adaskin, John Burke, Justin Haynes, David Jaffe, R. Murray Schafer, Eugene Weigel, and Kelly Marie Murphy. They have performed the complete Beethoven cycle, during the 2000-2001 season, the quartets of the Second Viennese school with the Molinari Quartet in 2013, and in celebration of their thirty years together, will perform the string quartets of Dmitri Shostakovich. Since 1990, the LSQ has released CDs on the Dorian, Centrediscs, and other labels (including its own). Its discography includes major quartets by Borodin, Debussy, Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek); and four CDs of music by Adaskin, for his AdLar label. Its 2002 CBC Records disc Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the 2011 CD Jimi Hendrix Uncovered, and has recently released a CD together with Alexander Tselyakov of the quintets of Dmitri Shostakovich and the newly commissioned quintet Motion and Distance, by Canadian composer Kelly-Marie Murphy. The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of String Quartets, published in 1999. �ORION SERIES IN FINE ARTS Each year we invite world-renowned guest artists to perform concerts and present masterclasses at the School of Music with generous support from the Orion Fund in Fine Arts. Events take place in the Phillip T. Young Recital Hall unless otherwise indicated. Admission to all events is free. BENNY SLUCHIN, trombone A member of the Ensemble InterContemporain (dir. Pierre Boulez) since 1976, Benny Sluchin specializes in brass acoustics and extended techniques. CONCERT: Tuesday, November 17, 12 p.m. Performing music for trombone and electronics by Paul Steenhuisen and Keith Hamel. TROMBONE MASTERCLASS: Tuesday, November 17, 2:30 p.m. Rm. B037, MacLaurin Building, B-Wing LAURENCE KAYALEH, violin ELIZABETH DOLIN, cello Laurence Kayaleh (Montreal) is an international concert performer and professor at the University of Montreal. Elizabeth Dolin (Montreal) has earned a solid reputation as one of Canada’s finest cellists, in demand as a recitalist throughout Canada and the United States. STRING MASTERCLASSES: Tuesday, November 17, 12:30–2:30 p.m. Rm. B016, MacLaurin Building, B-Wing CONCERT: Wednesday, November 18, 12:30 p.m. Performing works for violin and cello by Kodaly and Ravel. RACHEL MERCER, cello Rachel Mercer (Ontario) is currently guest principal cellist for the National Arts Centre Orchestra and the Canadian Opera Company. CELLO MASTERCLASS: Monday, November 23, 8 p.m. ��UPCOMING EVENTS Monday, November 16, 8:00 p.m. (Admission by donation) GUEST CONCERT: Daan Vandewalle, piano Belgian pianist Daan Vandewalle plays music of American contemporary composers Gordon Mumma (Victoria/California) and Alvin Curran (Rome). Phillip T. Young Recital Hall Friday, November 20, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music voice students in a concert of varied repertoire. Phillip T. Young Recital Hall Friday, November 20, 8:00 p.m. (Admission by donation) SONIC LAB: Workers Union Ajtony Csaba, conductor UVic’s contemporary music ensemble performs Louis Andriessen’s Workers Union and Hout, as well as Elliott Carter’s Flute Concerto. Phillip T. Young Recital Hall Saturday, November 21, 8:00 p.m. ($18 & $14) FACULTY CONCERT SERIES Alexander Dunn, guitar Performing his adaptations of lute and cello works by Bach, 12 Miniature Preludes by Allan Wilcocks, and Joaquin Turina’s Sonata. Phillip T. Young Recital Hall Sunday, November 22, 1:30 p.m. (Admission by donation) PIANO CLASS RECITAL Featuring students from the studio of May Ling Kwok. Phillip T. Young Recital Hall Sunday, November 22, 8:00 p.m. (Admission by donation) UVIC VOCAL JAZZ ENSEMBLE Fall Showcase:Too Hot To Sleep in Winter The UVic Vocal Jazz Ensemble performs original and inspiring arrangements in a fun-filled audience engaging evening. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/111515-FacultyRecital/111515-FacultyRecital_LSQ_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/111515-FacultyRecital/111515-FacultyRecital_LSQ_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/111515-FacultyRecital/111515-FacultyRecital_LSQ_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - The Lafayette String Quartet Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource November 15, 2015 Contributor An entity responsible for making contributions to the resource Ann Elliot-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello https://finearts.uvic.ca/music/archive/files/original/8e60ab3267d8030dbddd9a4be78d3b6a.pdf e3cbdc446f299fffe9937c4178cd8d7b PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Orchestra UNIVERSITY OF VICTORIA White Heat With Aliayta Foon-Dancoes, violin soloist UVic Concerto Competition Winner Class of Ann Elliott-Goldschmid Ajtony Csaba, Conductor Evan Hesketh, Graduate Conductor Friday, October 30, 2015 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $15 / Students & seniors: $10 �PROGRAM Paul Dukas Fanfare pour précéder “La Péri” Jean Sibelius Valse Triste, Op. 47 Jean Sibelius Violin Concerto, Op. 47 I. Allegro moderato – Largamente – Allegro molto vivace II. Adagio di molto III. Allegro, ma non tanto Aliayta Foon-Dancoes, violin I NT E R M I S S I O N Felix Mendelssohn-Bartholdy The Hebrides Overture (Fingal’s Cave) Evan Hesketh, Graduate Conductor Aaron Copland Four Dance Episodes from Rodeo 1. Buckaroo Holiday 2. Corral Nocturne 3. Saturday Night Waltz 4. Hoe-Down �BIOGRAPHIES Aliayta Foon-Dancoes Aliayta Foon-Dancoes’s violin studies began when she was four with Alison Sloan, continued with Dr. Walter Mony and Andrew Dawes and is now in her third year studying with Ann Elliott-Goldschmid at the University of Victoria. She is a two-time winner of the Vancouver Youth Symphony’s Concerto Competition; won the 2011 Shields Scholarship in the Vancouver Academy of Music’s Senior Secondary Competition and has been awarded scholarships to attend the Orford, Tafelmusik, Astona Music Academies and Morningside Music Bridge. A keen chamber musician, Aliayta was a member of Robert Rozek’s Stradivari Ensemble and played with a quartet that won first prize in the 2010 Friends of Chamber Music Senior Competition. She has played with professional ensembles including the Victoria Symphony, the Sydney Concert Orchestra and the Galliano Ensemble. Aliayta won first prize in UVic’s 2014 Bach Competition. Evan Hesketh Evan Hesketh began studying violin at age seven with Yasuko Eastman, who also introduced him to the viola a few years later. He holds a Bachelor of Music degree from the University of Victoria, where he studied violin with Ann Elliott-Goldschmid and viola with Joanna Hood and Yariv Aloni. Further studies led to a Master of Music degree at the Cleveland Institute of Music under the tutelage of Robert Vernon, Jeffrey Irvine, and Kirsten Docter. Evan has played in masterclasses for Pinchas Zukerman, James Dunham, Roger Tapping, Atar Arad, and Steven Dann. An award-winning chamber musician, Evan was a member of the Ariadne String Quartet, prizewinners at the 2012 Fischoff Competition, and the 2012 Coleman Competition. Quartet studies have been with members of the Lafayette, Cleveland, Cavani, Miro, Juilliard, Brentano, and Schoenberg quartets. Currently, Evan studies conducting at the University of Victoria on a full scholarship with Ajtony Csaba. He has conducted the UVic Orchestra, Victoria Civic Orchestra, and festival orchestras in Maine and New Hampshire. �Ajtony Csaba Ajtony Csaba, born in Cluj, Romania, began his studies on the cello and later piano and composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest with Uroš Lajovic, Peter Eötvös, Zoltán Pesko, Zsolt Nagy, Lucas Vis and Antoni Wit. He was awarded many prizes as a conductor and composer, and was a semi-finalist in the first competition for opera in Cluj, Romania. Csaba has had numerous concerts in Hungary and Austria with orchestras including UMZE, Sinfonietta Baden, Webern Sinfonietta, Savaria Symphony Orchestra, and Danubia Orchestra. In the 2003/04 season he was the assistant conductor and tutor of the Academy Orchestra Budapest and in 2005 was invited to be the assistant conductor of the Hungarian National Philharmonic Orchestra with their contemporary program. He made his conducting debut in the Viennese Musikverein with the RSO (Radio-Symphonieorchester, Wien) in 2007. Since 2006 Csaba has served as the chief conductor of the Central European Chamber Orchestra, and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant at the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus, Syria. In the past season Csaba conducted the Toronto Symphony Orchestra, Ensemble Tsilumos at the Montreal New Music Festival and the Brazilian SiMN Festival in Curitiba. Upcoming concerts include subscription concerts with the Hungarian Symphony Orchestra and Danubia Orchestra. Csaba has served as music director of the University of Victoria Orchestra and Sonic Lab since 2010, where he also teaches conducting and the history of conducting. �ORCHESTRA PERSONNEL VIOLIN 1 Chloe Kim* Aliayta Foon-Dancoes Jilaine Orton Jasmin Mather Ross Ling Linda Donn Nanau Loewen Lena Ruiz Brittany Tsui PICCOLO Jillian Broughton TIMPANI Tristan Holleufer FLUTE Cooper Reed* Bailey Finley PERCUSSION Hans Verhoeven Julia Albano-Crockford Alyssa Haigh VIOLIN 2 Raina Saunders* Amy-Lynne Toth Matthew Logan Jessica d’Oliveira Shijin Kim Michelle Hoskin Emily MacCallum Francine Hsu Serena Jack CLARINET Erin Onyschtschuk* Sunny Chu VIOLA Sarah de Niverville Fahlon Smith Calvin Yang Josh Gomberoff Melissa Toth Eric Mitchell BASSOON Eric Boulter* Wilson Kyne CELLO Ella Hopwood* Clare Dresselhuis Chloe Kersen Olivia Brotzell Shiun Kim Alex Klassen Bryan Lin Tara Rajah DOUBLE BASS Brock Foerster* Blake Palm Carroll Mackenzie OBOE Kathrina Bligh ‡ Patrick Conley BASS CLARINET Dominic Thibault PIANO Thomas Nicholson LIBRARIANS Betty Allison Bahar M. Harandi ASSISTANT Evan Hesketh SAXOPHONE Adam Jaseniuk* Allan Nichols HORN Samuel McNally Sarah Mullane Justin Malchow James Waddell TRUMPET Ian VanGils John Hamblett Justin Bury TROMBONE Megan White Eric Showers Trevor Hoy TUBA Dayna Waller Kory Major * Principal ‡ Community member ��UPCOMING EVENTS Monday, November 2, 8:00 p.m. (Free admission) GRADUATING RECITAL: Elizabeth Clarke, piano Pianist Elizabeth Clarke presents her Masters of Music graduating recital. Phillip T. Young Recital Hall Tuesday, November 3, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, November 5, 8:00 p.m. ($18 & $14) FACULTY CONCERT SERIES Music by Czech Composers Featuring Suzanne Snizek, flute With guest Alexandria Li, piano Performing works by Martinu, Janáček and Feld. Phillip T. Young Recital Hall Friday, November 6, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Eternal Light: A Requiem Featuring the University of Victoria Chamber Singers Phillip T. Young Recital Hall Friday, November 13, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music woodwind students in a concert of varied repertoire. Phillip T. Young Recital Hall Saturday, November 14, 2:00 p.m. (Admission by donation) TROMBONE CLASS RECITAL Featuring students from the studio of Scott MacInnes. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra Description An account of the resource Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Orchestra/103015-Orchestra_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Orchestra/103015-Orchestra_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Orchestra/103015-Orchestra_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Orchestra/103015-Orchestra_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Orchestra/103015-Orchestra_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Orchestra Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 30, 2015 Contributor An entity responsible for making contributions to the resource Ajtony Csaba, conductor; Evan Hesketh, graduate conductor; Aliayta Foon-Dancoes, violin https://finearts.uvic.ca/music/archive/files/original/a6bdfc1c4586431f43e61fc9a8cf9963.pdf 8f624bdd265cccac9bb5e3d94ce116da PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 30, 2015 • 12:30 p.m. Featuring School of Music brass students Quartettino (1971) Quartettino für trompeten I. Allegretto II. Adagio III. Allegretto John Hamblett, trumpet Jordan Smale, trumpet Isabelle Spencer, trumpet Tark Kim, trumpet Gerhard Tittle Brass Quintet No. 3 in Db Major, Op. 7 III. Andante IV. Vivo Ian VanGils, trumpet Alex Rees, trumpet Sam McNally, horn Megan Rees, trombone Kory Major, tuba Victor Ewald (1860 - 1935) In the Country I. Kreutzer-abt-kücken Allie Bertholm, horn Collin Lloyd, horn Drake Lovett, horn Justin Malchow, horn Sam McNally, horn Sarah Mullane, horn James Waddell, horn Brass Quintet No. 1, Op. 5 I. Adagio - Allegro - Adagio II. Moderato Emily McDermid, trumpet John Hamblett, trumpet Justin Malchow, horn Eric Showers, trombone Dayna Waller, tuba arr. Max P. Pottag (1876 - 1970) Victor Ewald (1860 - 1935) Concertino for Brass Choir (1959) Lawrence Widdoes I. Fast (quartet note = 176) II. Slow (half note = 48) III. Very Fast (quarter note = 144) Ian Van Gils, John Hamblett, Alex Rees, Emily McDermid, trumpets Sam McNally, Justin Malchow, horns Megan Rees, Zachary Power, trombones Kory Major, Dayna Waller, tubas Louis Ranger, conductor Upcoming at the School of Music Friday, October 30, 8:00 p.m. - 10:00 pm ($15 Regular / $10 Seniors and Alumni / $5 Students) UNIVERSITY OF VICTORIA ORCHESTRA White Heat Ajtony Csaba, conductor Featuring UVic Concerto Competition Winner, Aliayta Foon-Dancoes (violin) Performing: Mendelssohn’s Die Hebriden, Op. 26 “Fingal’s Cave;” Sibelius’ Violin Concerto; and Copland’s Rodeo Suite. UNIVERSITY CENTRE - Farquhar Auditorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Fridaymusic/103015-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Fridaymusic/103015-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Fridaymusic/103015-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Fridaymusic/103015-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/103015-Fridaymusic/103015-Fridaymusic_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Hector Andres Perez Villatoro Date A point or period of time associated with an event in the lifecycle of the resource October 30, 2015 https://finearts.uvic.ca/music/archive/files/original/cce299d2247115a0fc1fda94a5580620.pdf b0ddd992843dfb9e70bb76afceb32db4 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 3, 2015 • 12:30 p.m. Concertpiece No. I, Op. 11 Ian VanGils, trumpet Louise Hung, piano Caprice I: Die Kranke und Die Uhr Vassily Brandt (1869 – 1923) Sophie Eckhardt-Gramatté (1899 – 1974) Linda Donn, violin String Quartet No. 8 I. Con Dolore II. Risoluto - Calmo - Risoluto III. Con Dolore IV. Con Precisione V. Con Dolore Natalie Dzbik, violin Emily MacCallum, violin Sarah DeNiverville, viola Alex Klassen, cello Cadenza per viola sola Peter Sculthorpe (1855–1914) Krzystof Penderecki (b. 1933) Joshua Gomberoff, viola Violin Sonata, Op. 30, No. 6 Ludwig van Beethoven I. Adagio molto expressivo (1770 -1827) Raina Saunders, violin Laura Altenmueller, piano UPCOMING AT THE SCHOOL OF MUSIC Thursday, November 5, 8:00 p.m. - 10:00 pm ($18 Regular / $14 Students, Seniors, and Alumni) FACULTY CONCERT SERIES: Music by Czech Composers Featuring Suzanne Snizek, flute & Alexandria Le, piano Performing works by Martinu, Janacèk and Feld. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Friday, November 6 12:30 p.m. - 1:20 pm (Admission by donation) FRIDAYMUSIC Eternal Light: A Requiem Featuring the University of Victoria Chamber Singers. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Friday, November 13 12:30 p.m. - 1:20 pm (Admission by donation) FRIDAYMUSIC Woodwinds Featuring School of Music woodwind students in a concert of varied repertoire. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Saturday, November 14 2:00 p.m. - 3:30 pm (Admission by donation) TROMBONE CLASS RECITAL Featuring trombone students from the studio of Scott MacInnes. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102715-Tuesdaymusic/102715-Tuesdaymusic_01.mp3">track1</a><br />track2 **not played, performer cancelled**<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102715-Tuesdaymusic/102715-Tuesdaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102715-Tuesdaymusic/102715-Tuesdaymusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Season Wang Date A point or period of time associated with an event in the lifecycle of the resource October 27, 2015 https://finearts.uvic.ca/music/archive/files/original/e0d4e427cf590d288fde71be582882ae.pdf 166e2602111b4b06c2d9d2a03cec44ac PDF Text Text DEGREE RECITAL Elizabeth Clarke, piano Monday, November 2nd, 2015, 8 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Holiday Diary, Op. 5 Benjamin Britten (1913-76) Early Morning Bathe Sailing Fun-Fair Night Variations on a Theme of Corelli, Op. 42 Sergei Rachmaninoff (1873-1943) - INTERMISSION Gesänge der Frühe, Op. 133 Robert Schumann (1810-56) Im ruhigen Tempo Belebt, nicht zu rasch Lebhaft Bewegt Im Anfange ruhiges, im Verlauf bewegetes Tempo Piano Sonata in A Major, Op. 101 Ludwig van Beethoven (1770-1827) Etwas lebhaft, und mit der innigsten Empfindung Lebhaft. Marschmäßig Langsam und sehnsuchtsvoll Geschwind, doch nicht zu sehr, und mit Entschlossenheit Elizabeth Clarke is from the class of Professor Arthur Rowe. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phone, camera, laptop, and audio & video recording devices. Their use is strictly prohibited during events. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Elizabeth Clarke, piano Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource November 2, 2015 Contributor An entity responsible for making contributions to the resource Elizabeth Clarke, piano https://finearts.uvic.ca/music/archive/files/original/f573b82a6f23d41d3a97c2ef7e015c57.pdf b09334a646261500b9bf20cd52baf79e PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Fall Colours! Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor With Guest Ensemble Spectrum Community School Senior Concert Band Jamie Davis, Conductor Friday, October 16, 2015 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $15 / Students & Seniors: $10 �PROGRAM Spectrum Senior Concert Band His Honor March Henry Fillmore/Frederick Fennell Mt. Everest Rossano Galante They Led My Lord Away Adoniram J. Gordon/ Fred Allen African Dreams Brent Karrick Salute to the Colors March Bert R. Anthony/Karl King/ Andrew Glover University of Victoria Wind Symphony My Jesus! Oh, What Anguish Concertpiece No. 2 J.S. Bach/Alfred Reed Felix Mendelssohn/Harry Gee Soloists: Marcella Barz and Erin Onyschtschuk I NT E R M I S S I O N Also Sprach Zarathustra (Introduction) Richard Strauss/ R. Mark Rogers A Festival Prelude Alfred Reed Conductor: David P. Gagnon October Eric Whitacre Pepita Greus (pasodoble) Pascual Perez Chovi Khan Julie Giroux �NOTES & BIOGRAPHIES SPECTRUM BAND PROGRAM The goal of the Spectrum Band Program is for students to develop a lasting appreciation for the value of music in their lives. Students are challenged to become the most proficient musician and performer that they are personally capable of. Through rehearsal and performance practices, students develop a sense of selfconfidence, self-discipline, motivation, and an inner drive for excellence in everything that they do. The Spectrum Senior Concert Band is comprised of grade 11 and 12 students (plus invited grade 9 and 10 students) and has a busy local performance schedule — in the community, at school events, at music festivals, and at local schools. A major emphasis is placed on building traditions, teamwork, performance practices, and the pursuit of excellence. Recent major performance engagements include appearances at MusicFest Canada, the Klangwelten Musikfestival (Germany), Disney Magic Music Days (California), The Hawaii Band and Orchestra Festival (Honolulu), Whirligig! Music Festival (Seattle), and The Vancouver Island Concert Band Festival (Port Alberni). Built in 1976, Spectrum Community School is a comprehensive Secondary School situated in the western sector of the Greater Victoria School District #61. Serving a diverse student population of approximately 1200 students, Spectrum offers an extensive range of courses, clubs, and programs, including: AVID; a Hockey Skills Academy; honours’ classes; Musical Theatre; 19 athletic teams; and 4 Career Programs including: Culinary Arts, Electrical Trades, Law Careers and Outdoor Leadership. JAMIE DAVIS Jamie Davis is currently the Director of Bands at Spectrum Community High School in Victoria, British Columbia. He has rebuilt a small, two-band program into a multilevel program of band classes, performing concert bands, jazz bands, combos, musical theatre pit orchestra, and a marching band. His ensembles can be heard regularly in performance locally, provincially, nationally, and internationally. Ensembles under his direction consistently receive ratings of Superior or Gold, are in demand for concerts and parade appearances, and receive numerous accolades for their performances. Mr. Davis holds a Bachelor of Music degree and teaching certificate from the University of Victoria. As well, he has undertaken conducting studies with Dr. Steven J. Capaldo and Dr. Gerald N. King. He has been awarded the 2014 Staples/Black Press News Media “Great Teacher Award” (secondary school), a 2012 Commanding Officer’s Commendation from the Vernon Military Camp (for instruction, mentorship, and leadership), the CFAX 1070 Golden Apple Award (for excellence in teaching) and has been nominated for the British Columbia Premier’s Award for Teaching Excellence (young teacher). He currently serves as the second vice-president of the BC Music Educators Association, the provincial specialist association and music advocacy body for the B.C. Teachers’ Federation. He has formerly held positions as the Conductor of the Greater Victoria Intermediate Concert Band and as Director of Bands at the Vernon Military Camp (Vernon, BC). As an undergraduate student he held multiple research assistant positions in �media arts and music education. Mr. Davis became the first Assistant Conductor for the UVic Don Wright Symphonic Winds during their inaugural concert season of 2005-2006. As a trombonist Mr. Davis has performed with the Kamloops Symphony Orchestra, the Thompson Valley Orchestra, and the Sooke Philharmonic Orchestra. His principal teachers include Ian Mcdougall (The Boss Brass), Hugh Fraser (Vancouver Ensemble of Jazz Improv.), Jeremy Berkman (Vancouver Opera Orchestra), and Brad Howland (Victoria Symphony). He has also performed and recorded with The University of Victoria Wind Symphony and the South Island Wind Ensemble. Also active in jazz, Mr. Davis has performed with the University of Victoria Jazz Orchestra, Hugh Fraser’s Bonehenge and the Hermann’s Monday Night Big Band. In teaching jazz, Mr. Davis developed and lead the Jazz In Victoria Ensemble (JIVE) — a jazz band for community adults who have never played jazz music before. Mr. Davis is a member of the following professional organizations: British Columbia Teacher’s Federations (BCTF), British Columbia Music Educators Association (BCMEA), British Columbia Band Association (BCBA), Canadian Music Educators Association (CMEA), National Association for Music Education (NAfME), and The National Band Association (NBA). DR. GERALD KING Dr. Gerald King is Professor of Music at the University of Victoria where he serves as the conductor of the UVic Wind Symphony and is the Head of Music Education. Internationally recognized as one of Canada’s most respected conductors, adjudicators, educators, and keynote speakers, Dr. King is the recipient of numerous awards and honors. In 2003 he was elected into the prestigious American Bandmasters Association, when he served as Guest Conductor of The United States Army Band (Pershing’s Own), in Washington, DC. In 2012 he was appointed as Principal Guest Conductor of the internationally recognized Pacific Symphonic Wind Ensemble in celebration of the ensemble’s 30th anniversary. As well, he received the BC Music Educators’ Association Honorary Life Award and was also inducted into Phi Beta Mu (International Fraternity for Wind Band Conductors). In March 2014 he was chosen to conduct the Ostwald/Sousa award winning composition, Pale Blue on Deep by American composer, Aaron Perrine, with the University of South Carolina Wind Ensemble. Also, in 2014, Dr. King was appointed as the International member of the Western International Band Clinic University Collegiate Advisory Board. In 2015, Dr. King was inducted as an Honorary Member of the Naden Band of the Royal Canadian Navy “for fostering tremendous goodwill towards the band, heightened morale and esprit de corps, and providing an excellent liaison between the military and the public.” A former student of internationally renowned conductor, Maestro Kazuyoshi Akiyama, Dr. King’s professional career has taken him throughout Canada, the United States, Great Britain, Denmark, Sweden, Holland, Germany, Italy, France, Spain, Japan, Mexico, Hong Kong, Australia, and Switzerland. Dr. King’s conducting appearances with regional, national, international honor and professional ensembles have been praised for performance quality, artistry, and creativity. Throughout his career he has been a champion of new music, premiering over 30 compositions. Dr. King is a Yamaha Artist Conductor. �DAVID P. GAGNON Born in Quebec, David studied saxophone and recording at the College de Sherbrooke before graduating from McGill University in Music with Honors in Music Technology. He joined the Canadian Forces Reserve in Sherbrooke in 2003 where he played and eventually conducted until 2012 when he was accepted as a Regular Force member with the Naden Band of the Royal Canadian Navy and moved to Victoria. Since then apart from playing saxophone in the ensemble and as a soloist, you can see him as the Drum Major in front of the Band on parade or in the recording studio when needed. In Quebec, David performed with his saxophone quartet and a variety of big bands and concert bands. He taught saxophone, flute and clarinet and conducted elementary to high school level bands. He also toured Quebec with the well known singer Dan Bigras conducting his big band and performing at the Montreal Jazz Festival. Mr. Gagnon is currently working on a Master of Music Degree in Conducting under the supervision of Dr. Gerald King. MARCELLA BARZ Marcella Barz is currently completing her Bachelor of Music degree, majoring in Clarinet Performance, at the University of Victoria where she studies with Patricia Kostek and Keith MacLeod. Originally from Kamloops, she studied clarinet with Sally Arai and graduated from South Kamloops Secondary School. In 2012, she won a concerto competition and appeared onstage as soloist with the Kamloops Symphony Orchestra, performing Debussy’s Rhapsodie for Clarinet and Orchestra. She has performed with the Symphony Orchestra Academy of the Pacific, the Thompson Valley Orchestra, the Kamloops Symphony Orchestra, the National Youth Band of Canada, and the North American High School Band Honors Performance Series at Carnegie Hall. After attaining her degree, Marcella is looking forward to pursuing further music studies at the graduate level. ERIN ONYSCHTSCHUK Island-born Erin Onyschtschuk is a Performance Major in her final year of studies at the University of Victoria. Jumping at every musical opportunity available, she is currently the principal clarinetist of the UVic Symphony Orchestra and the Greater Victoria Youth Orchestra. Although her love of symphonic repertoire is strong, her greatest love is taming the most lethal weapon of the clarinet arsenal, the E-flat clarinet. Erin has been fortunate enough to have been the acting E-flat player in UVic’s Wind Symphony for three years. Her most memorable moments at UVic have often included being a part of this Wind Symphony. Being able to share the stage with Marcella and this wonderful group of people is truly inspiring. After graduation, Erin will continue to gain as much knowledge and training as possible in order to be able to give her clarinet(s) the love they deserve. She also hopes to bring forward a new emphasis on woodwind chamber music in Victoria and show the beauty of the ideal clarinet quartet involving E-flat and bass clarinet. �UVIC WIND SYMPHONY PICCOLO Sierra Phosy FLUTE I Gillian Newburn* Monica Mun II Kelsey Dupuis Jasmine Riseley OBOE Theresa Mothersill E-FLAT CLARINET Erin Onyschtschuk CLARINET I Marcella Barz* Samuel He II Mark Kim Alyshia Joinson III Dominic Thibault Alina Liang Channing Mar ALTO SAXOPHONE I Zach Smith* II Connor Stairs TUBA Kory Major* Dayna Waller TENOR SAXOPHONE Adam Jasieniuk PERCUSSION DJ Lochead* Tamara Nemeth Arielle Parsons Kyle MacLean Josh Mulingbayan Tristan Holleufer Julia Albano-Crockford Allyssa Haigh BARITONE SAXOPHONE Jessica McLaughlin CORNET/ TRUMPET Alex Rees* Emily McDermid Jordan Smale Tark Kim Isabelle Spencer FRENCH HORN I Collin Lloyd* II Allie Bertholm III Emily Axford IV Drake Lovett BASS CLARINET Austin Nicholl Kylie Flower ‡ TROMBONE I Heidi Worrall* II Owen Worby III Zachary Power BASSOON Lee Whitehorne EUPHONIUM Liam Caveney ‡ TIMPANI Allyssa Haigh* PIANO James Yi ‡ LIBRARIAN Kory Major POSTER DESIGN Emily McDermid * Principal ‡ School of Music Alumni NEXT CONCERT: Friday, November 27, 8:00 p.m. Song and Dance Dr. Gerald King, conductor Featuring School of Music alumni, David Michaux and Matthew McConchie, performing Turrin’s Fandango for trumpet/trombone solo and wind ensemble, plus Scotch Strathspey and Reel by Grainger. University Centre Farquhar Auditorium �SPECTRUM COMMUNITY SECONDARY SENIOR CONCERT BAND PICCOLO Hyein Ji FLUTE Hyein Ji* Amandeep Johal Sarah Osborne Breanna Lowe Aila Sakiyama Brandt Carron Rylie Ferguson Desirae Cataneo ALTO SAXOPHONE Katelyn Smith* Sam Barker Beth Klugie Mary Callander EUPHONIUM Jason Gordon TENOR SAXOPHONE Kyle Hawey BASS Ethan Sawyer* Trent Walker Tavish McDiarmid PERCUSSION Jayda Bryant* Ryan Stewart Kyle Dermann Megan Wong Katelynn Chan Rowan Van Spengen Daniel Mengesha Mannie Sharma BARITONE SAXOPHONE Rhys Harris* Eric Lebreux OBOE Andrew Montgomery E-FLAT CLARINET Meghan Parker CLARINET Katherine Forster* Meghan Parker Ellen Brown Cassidy Nielsen Fynn Bosomworth Tori Schroeder TRUMPET/CORNET Emily Case* Alex Blacksmith Sabrina Heeley Kaitlyn McIlveen Rylee Godo TROMBONE Cam Henderson* Ashveen Singh Josh McIntosh TUBA Scott Gordon * Principal BASS CLARINET Liam Trimble* Jennifer Forster www.finearts.uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-WindSymphony/101615-WindSymphony_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony - Fall Colours with Guest Ensemble, Spectrum Community School Senior Concert Band Creator An entity primarily responsible for making the resource James Gray Date A point or period of time associated with an event in the lifecycle of the resource October 16, 2015 Contributor An entity responsible for making contributions to the resource Dr. Gerald King, Conductor; David P. Gagnon, Graduate Assistant Conductor; Jamie Davis, Conductor https://finearts.uvic.ca/music/archive/files/original/6a46ff48e33aa7ee7e1b6a7c4546714f.pdf ddd683092da4a513b5161324fb8e66e1 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Composers Concert Featuring works by School of Music Composition students Sunday, Ocotber 25, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM SOLEDAD Natalie Dzbik Sarah DeNiverville, viola Chromatones Seán Maynard Bailey Finley, flute Adam Jasieniuk, contrabass clarinet Michael Vielguth, saxophone James Waddell, horn Matt Kelly, trombone ATLAS, 2012 Thomas Nicholson Adam Jasieniuk, alto saxophone Thomas Nicholson, electric guitar I NT E R M I S S I O N Some of them were superstitious Liam Gibson, piano Blanket Nolan Krell Julio Lopezhiler Julio Lopezhiler, violin For Seán Maynard Seán Maynard, tenor saxophone Matt Kelly �UPCOMING EVENTS Tuesday, October 27, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, October 29, 2:30 p.m. to 4:30 p.m. (Free admission) GUEST MASTERCLASS: Colin Tilney, harpsichord Internationally acclaimed harpsichordist, Colin Tilney, teaches from a harpsichord on stage to share his extensive and unparalleled knowledge of early music performance practice with School of Music masterclass participants. All are welcome to attend! Phillip T. Young Recital Hall Friday, October 30, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music brass students in a concert of varied repertoire. Phillip T. Young Recital Hall Friday, October 30, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: White Heat Aliayta Foon-Dancoes, violin (UVic Concerto Competition Winner) Ajtony Csaba, conductor Mendelssohn – Die Hebriden, Op. 26 “Fingal’s Cave” Sibelius – Violin Concerto Copland – Rodeo Suite University Centre Farquhar Auditorium Monday, November 2, 8:00 p.m. (Free admission) GRADUATING RECITAL: Elizabeth Clarke, piano Pianist Elizabeth Clarke presents her Masters of Music graduating recital. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers Concert Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 25, 2015 https://finearts.uvic.ca/music/archive/files/original/4003bdf0b3da4c9520d0225740786585.pdf a6ca8c295ed573c71999f2d63d5bd17f PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CHAMBER MUSIC SERIES A program of music selected by Dr. Michelle Fillion in celebration of her retirement. FEATURING: Benjamin Butterfield, tenor Suzanne Snizek, flute Shawn Earle, clarinet & bass clarinet Alexander Dunn, guitar Michelle Mares, piano & The Lafayette String Quartet: Ann Elliott-Goldschmid & Sharon Stanis, violins Joanna Hood, viola Pamela Highbaugh-Aloni, cello Saturday, October 24, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �PROGRAM Quartettsatz in C minor, D. 703 Allegro assai Franz Schubert (1797–1828) The Lafayette String Quartet Faisandage et galimafrée, divertimento in eight movements (1984) Fanfare Gordon Mumma (b. 1935) Bagatelle Hommage March Waltz Minuetto al Rovescio e Trio Extruduto Notturno Romanza Scherzo Fanfare Suzanne Snizek, flute Shawn Earle, clarinet and bass clarinet Alex Dunn, guitar Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello An die ferne Geliebte (To the distant beloved), op. 98 Auf dem Hügel sitz ich, spähend Wo die Berge so blau Leichte Segler in den Höhen Diese Wolken in den Höhen Es kehret der Maien, es blühet die Au Nimm sie hin denn, diese Lieder Ludwig van Beethoven (1770–1827) Benjamin Butterfield, tenor Michelle Mares, piano I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Piano Trio in B-flat Major, op. 97 (“Archduke”) Allegro moderato Scherzo - Allegro Andante cantabile, ma però con moto Allegro moderato Ann Elliott-Goldschmid, violin Pamela Highbaugh Aloni, cello Michelle Mares, piano Ludwig van Beethoven (1770–1827) �PROGRAM NOTES Franz Schubert Quartettsatz in C minor, D. 703 Schubert’s single quartet movement of December 1820, the first movement of a projected but never completed string quartet in C minor, lies at the gateway to Schubert’s late chamber music. Biographer Brian Newbould justifiably considers it to be the first work of Schubert’s full maturity as a composer of instrumental music and the highpoint of his transition years 1820–21. As boldly original as the “Unfinished” Symphony, it stands alone in performance no less than the “Unfinished” for many of the same reasons, not the least that it conveys both satisfying completion and unfulfilled promise. Why Schubert never added the following movements to this monumental Romantic fragment remains a mystery. Was it his preoccupation with intractable operatic projects around this time? Or its tangible connections to Beethoven’s “Quartetto serioso” in F minor op. 95, which would have required a continuation of equal distinction? That he broke off its slow movement after only forty measures and abandoned several other major instrumental works around this time, including two symphony projects, suggest that Schubert may have been grappling with problems of large-scale instrumental form during these years. Yet the Quartettsatz belies any hint of uncertainty. Here is the Schubert of the “Death and the Maiden” Quartet of 1824, intense, poignant, impassioned, and in full control of the quartet medium. Its spacious sonata form exposition features three thematic areas in the manner of Schubert’s late instrumental music. It opens with a restless theme in C minor outlining a tragic lament figure, followed by a haunting lyrical song planted in a distant key (Schubert “sang” at his sweetest in foreign keys). A destructive modulating interlude interrupts the lyrical dream-state, rife with his characteristic string tremolos and stabbing accents. It yields to a bittersweet closing theme in G major poised over the chromatic lament theme; its bewitching harmonic shifts and multi-layered textures predate by a half-century the string quartet writing of Johannes Brahms. The second half of the movement is ambiguous owing to several new themes added to the development section, and Schubert’s stunning avoidance of the tonic C minor and the first theme throughout the recapitulation. By withholding the double return of the home key and first theme until the very closing measures, Schubert assures that his movement will end as it had begun and with a final dip into the tragic C minor mood. Surely this delayed return to the opening gesture is one of the reasons that this magnificent torso so effectively stands alone. �Gordon Mumma Faisandage et galimafrée, divertimento in eight movements (1984) American composer Gordon Mumma (born 1935) has been a Canadian resident since 2002, having accompanied his wife Michelle Fillion to Victoria. Since then he has provided support for new music in Victoria and casual mentoring to young composers at the University of Victoria. Although known especially for his path-breaking electronic music and his poetic piano works, Mumma has also composed for chamber ensembles in the tradition of Hausmusik. Among these is his suite Faisandage et galimafrée, composed in 1984 for premiere in Santa Cruz, California, by members of the faculty of the University of California, Santa Cruz, where Mumma was for many years Professor of Music. Modeled on the classical divertimento, Faisandage et galimafrée consists of eight short movements with variable scoring. The instruments are determined by the performers from available resources, with the one proviso that high, medium, and low ranges be represented – here strings, woodwinds, and guitar. The performers also select the order of movements. Tonight’s musicians have decided to frame their performance with the “Fanfare,” played by all in call-and-response. At the centerpoint comes the ironic “Minuetto al rovescio e Trio extruduto,” a madcap distortion of Haydn’s famous palindromic minuet and trio from the Symphony no. 47. Allusions to other composers appear as well in the “Hommage” to Luigi Dallapiccola and the “Notturno,” based on a 12-tone row used by Aaron Copland. The fleet “Scherzo” serves as a virtuoso climax to the set. Its ensemble performs together in what Mumma calls “articulation unity,” three independent voices that strictly coincide in rhythm and meter. The tongue-in-cheek title of the work derives from the classic Larousse gastronomique. There “faisandage” is defined as the ancient gastronomic practice of aging pheasants by hanging them by the tail until putrefied: “A pheasant killed on Shrove Tuesday will make perfect eating by Easter.” More appetizing is the Renaissance recipe for a “galimafrée,” a mutton stew with ginger and mustard. By the writer’s time, however, it had taken on the pejorative meaning of “a badly cooked stew made from scraps.” Tonight’s performance of Faisandage et galimafrée celebrates Mumma’s eightieth birthday this year and the release this month of his book Cybersonic Arts: Adventures in American New Music, edited by Michelle Fillion and published by the University of Illinois Press. �Ludwig van Beethoven An die ferne Geliebte, op. 98 – To the distant beloved In May 1816 Beethoven wrote to his friend Ferdinand Ries: “Unfortunately I have no wife. I have found only one whom no doubt I shall never possess.” This was likely in reference to the woman known only as the “Immortal Beloved,” with whom Beethoven’s rupture in late summer 1812 remained a source of bitter regret. It may be that his work on the song cycle An die ferne Geliebte, composed in April 1816 — a month before the letter to Ries — had revived those feelings of loss. Personal experience may likewise have attracted Beethoven to the poetic cycle sent to him by amateur poet Alois Jeitteles, a medical student from Brno then studying in Vienna. Set in a musical landscape of pastoral loveliness, its six songs tell the tale of separated lovers from the vantage point of a rustic poet-composer. His are songs of tender recollection interrupted by flashes of resignation and yearning for his “distant beloved.” By the fifth song he reaches a point of hopelessness when the rebirth of nature proves cold consolation: “Though springtime brings together all lovers, our love alone knows no spring.” In the end music provides a fragile connection between them: “Take my songs and sing them,” he urges her in the concluding song, evoking its power to bridge physical separation. In response to the simplicity of Jeitteles’s verses, which “flow from the heart without artistic pretension,” Beethoven’s songs are rooted in the German folk-song, though transformed by a uniquely sophisticated structure. Beethoven’s use of the subtitle Liederkreis — circle of songs — in the Steiner first edition of An die ferne Geliebte points to its circular design. Performed without breaks and beginning and ending in the key of E flat, the inner songs are connected by related keys and by improvisatory piano transitions, a stunning novelty in the song cycle. Moreover the first song, “Auf dem Hügel,” is a set of variations the opening phrases of which provide a network of thematic material for the rest of the cycle, the fruit of long compositional sketching. The theme of musical “connection” carries through to the sixth song, “Nimm sie hin denn, diese Lieder,” which alludes to fragments of the earlier songs before its climactic recall of Song 1 at the words: “Then what has parted us must yield to these songs.” This insight unlocks a jubilant close for singer and pianist, whose impassioned reiterations of the final verse strive to persuade one another – and us – that music can provide the consolation that life withholds. �Ludwig van Beethoven Piano Trio in B-flat, op. 97 “Archduke” Beethoven’s last piano trio was composed in 1810–11 and dedicated to Archduke Rudolph of Austria, Beethoven’s benefactor, student, and friend. Although Rudolph was an excellent pianist, Beethoven himself played the piano part for the premiere of the “Archduke” trio in Vienna on April 11, 1814 – one of his last major concert appearances as a pianist. By then seriously out of practice and in an advanced stage of deafness, he proved no match for the Trio’s substantial musical and technical challenges. Not even veteran string players Ignaz Schuppanzigh and Joseph Linke were able to save the day. Yet the pianist Ignaz Moscheles, who was in the audience for this historic event, heard through the technical mishaps “many traces of the grand style” in Beethoven’s performance. And grandeur is indeed the prevailing characteristic of the Trio op. 97. From the noble opening gesture of the broad Allegro moderato first movement, the “Archduke” trio unfolds at a pace of unhurried grandeur. The chamber music interaction of all three players is intense, rich, and nearly constant. The Scherzo and Trio second movement is unique in its juxtaposition of contrasting styles. The puckish Scherzo is a rustic German country-dance or deutscher, while the Trio alternates an austere chromatic fugato in the “learned” style with a glittering high-society waltz from the Viennese salons. Beethoven’s indication that the Scherzo-Trio pairing are to be repeated an extra time makes for a long movement indeed, further extended by a Coda in which city and country, fugato and deutscher, collide. In the end the country-dance wins the competition by a hair. The emotional heart of the work is the variation third movement based on an exquisitely harmonized sarabande theme. Four variations progress from slower to faster rhythms until the texture dissolves into shimmering clouds of thirty-second notes. From there, the music returns to the theme as if, to quote T. S. Eliot, “to the well-remembered gate,” now intensified by surprising details. In the fantasialike Coda it is left to the cello to reveal the full implications of the theme, as if at last “we know it for the first time.” This splendid movement marks the beginning of Beethoven’s late variation style. Yet conviviality wins the day in the sparkling sonata-rondo finale, with its quirky off-tonic theme and numerous opportunities for brilliant display by all members of the trio. As a celebration of music-making among friends of the highest ability, the “Archduke” Trio is a fitting close to a concert celebrating warm friendship and collegiality in small ensembles. Notes by Michelle Fillion �NEXT FACULTY CHAMBER MUSIC CONCERT: Saturday, January 9, 2016 • 8:00 p.m. Featuring mixed ensemble works from the Early Twentieth Century, including compositions by Vaughan Williams, Caplet and Martin. Phillip T. Young Recital Hall UPCOMING EVENTS Sunday, October 25, 8:00 p.m. (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall Friday, October 30, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music brass students in a concert of varied repertoire. This concert will be broadcast live at finearts.uvic.ca/music/events/live/ Phillip T. Young Recital Hall Friday, October 30, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: White Heat Aliayta Foon-Dancoes, violin (UVic Concerto Competition Winner) Ajtony Csaba, conductor Mendelssohn – Die Hebriden, Op. 26 “Fingal’s Cave” Sibelius – Violin Concerto Copland – Rodeo Suite University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Music Series Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource October 24, 2015 Contributor An entity responsible for making contributions to the resource Benjamin Butterfield, tenor; Suzanne Snizek, flute; Shawn Earle, clarinet & bass clarinet; Alexander Dunn, guitar; Michelle Mares, piano; Ann Elliott-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh-Aloni, cello https://finearts.uvic.ca/music/archive/files/original/fa7e42cdc172a469ad60d8c8c3b4a101.pdf 7e8f5845aa8e32ab74bdc92c97f0c252 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 23, 2015 • 12:30 p.m. Featuring School of Music guitar students Tiento Antiguo En los Trigales Josh Hu, guitar Sonata BWV. 1001 Adagio Fuga Joaquin Rodrigo (1901 - 1999) J.S. Bach (1685 - 1750) Hart Parnell, guitar Romanze, Op. 13, No.10 Diferencias sobre Guadarme las Vacas J. K. Mertz (1806 - 1856) Luis de Narváez (fl. c. 1526 - 1549) Jackson Tseng, guitar Homenaje, pour le Tombeau de Debussy Manuel de Falla (1876 - 1946) Minstrels Claude Debussy (1862 - 1918) (arr. Castelnuovo-Tedesco)(1895 - 1968) Simon Farintosh, guitar Suite, BWV. 1009 J. S. Bach I. Prelude (1685 - 1750) II. Allemande III. Courante IV. Sarabande V. Bourées 1- II VI. Gigue Natasha Paschenko, guitar Quartet No. 3 ‘Mishima’ I. Award Montage Cuarteto Vidrio Michael Chambers, guitar Iain Emslie, guitar Isaiah Brabazon, guitar Joshua Amendt-Moylan, guitar Upcoming at the School of Music Saturday, October 24, 8:00 pm - 10:00pm ( $18 Regular / $14 Students. Seniors. & Alumni) FACULTY CHAMBER MUSIC SERIES Featuring School of Music Performance Faculty A program chosen by and in celebration of Dr. Michelle Fillion, Head of Musicology, on her retirement. Works to include Beethoven’s Piano Trio in B-flat Major, Op. 97, Archduke, and An die ferne Geliebte, Op. 98, Schubert’s Quartettsatz D. 703 and Faisandage et Galimafrée Suite by Gordon Mumma. Dr. Fillion will share her thoughts and insights on the works selected for the program in a pre-concert talk at 7:15 p.m. in the Recital Hall. Sunday, October 25, 8:00 p.m. - 9:30 pm (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Philip Glass (b. 1937) (arr. Eugene Cormier) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Shaquille Davis Date A point or period of time associated with an event in the lifecycle of the resource October 23, 2015