119 10 1498 https://finearts.uvic.ca/music/archive/files/original/6453acc572e85de1eb4b201ad7bea813.pdf 4f4cfdc46dbd12dd7f4fb789810e8891 PDF Text Text UVIC SUNDAY, OCTOBER 22, 2023 | 3 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria MOONLIGHT MILTON SCHLOSSER PIANO PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Nun komm der Heiden Heiland, BWV 659 Johann Sebastian Bach (1685-1750) Transcribed by Ferruccio Busoni Johann Sebastian Bach Transcribed by Myra Hess/Schlosser Wohl mir, dass ich Jesum habe, BWV 147 *** Sonata in C-sharp Minor, Opus 27, No. 2 Adagio sostenuto Allegretto Presto agitato Ludwig van Beethoven (1770-1827) *** Ballade No. 1 in G Minor, Opus 23 Fryderyk Chopin (1810-1849) I NT E R M I S S I O N Excursion, Opus 20, No. 2—In slow blues tempo Samuel Barber (1910-1981) Nikolai Kapustin (1937-2020) Concert Etude, Opus 40, No. 6—Pastorale *** Claire de lune, from Suite bergamasque Claude Debussy (1862-1918) Fryderyk Chopin Nocturne in D-flat Major, Opus 27, No. 2 *** Three Preludes Allegro ben ritmato e deciso Andante con moto Agitato George Gershwin (1898-1937) *** Widmung, from Myrten, Opus 25 Wedding Day at Troldhaugen, from Lyric Pieces, Opus 65 Robert Schumann (1810-1856) Transcribed by Franz Liszt Edward Grieg (1843-1907) �BIOGRAPHY Milton Schlosser is a noted pianist, teacher, and scholar. He was awarded the title of Professor Emeritus by the University of Alberta in 2018 and is now an Adjunct Professor at the University of Victoria. The Toronto Star’s review of Milton’s CD 1890 exemplifies the type of artistry he is known for, acclaiming his playing for its “emotionally expressive, powerfully intimate journeys through beautiful harmonies and counterpoint.” During his university career, Milton was the recipient of numerous teaching- and research-related awards, including a prestigious McCalla Professorship for his significant contributions to research, teaching, and learning. Based at the University of Alberta’s Augustana Campus in Camrose, he also taught graduate-level piano pedagogy courses in Edmonton. Milton continues to be active as an artist. He has performed in live and broadcast performances as solo recitalist, collaborative pianist, and soloist with orchestra. Solo recital engagements have taken him to China, Ireland, France, Germany, the US, and Japan. He has released five recordings that feature him as a soloist and collaborative pianist performing pieces drawn from the nineteenth to twenty-first centuries. Two of the recordings highlight works by renowned American composer Frederic Rzewski, including one piece commissioned by Milton. He holds a Doctor of Music degree in piano performance from the University of Alberta, where his primary mentors were Robert Stangeland and Stéphane Lemelin. Alongside his activities as a pianist, Milton has published as a researcher and composer, has performed as organ recitalist, and today trains and competes in triathlon events. Two publications serve to illustrate his unique perspectives and diverse interests. “Music, the Liberal Arts, and Rural Identity: The Not-So-Straight-Road” appears in the book Roads Taken: The Professorial life, Scholarship in Place, and the Public Good. The chapter traces Milton’s career and the distinctive, quality teaching that can occur on a smaller-sized liberal arts campus in a rural location. “Minding the music: Neuroscience, video recording, and the pianist” is found in the International Journal of Music Education. The article offers best practices in the use of digital video equipment by pianists through the examination of intersections between neuroscience, contemplative studies, and sport psychology. COMING UP AT THE UVIC SCHOOL OF MUSIC Friday, October 27 | 12:30 PM (By donation) Fridaymusic: Voice Take a break from the daily grind for our weekly lunch hour concert featuring UVic School of Music voice students performing a variety of repertoire, from classical to contemporary. Phillip T. Young Recital Hall Friday, October 27 | 8 PM ($12-$35) Faculty Concert Series: Eloquence, Verve and Fantasy A captivating concert of works for cello and piano featuring UVic School of Music cellist, Pamela Highbaugh Aloni, and guest pianist Jane Hayes. Be among the first to hear the world premiere by Leila Lustig as well as Mendelssohn’s “Variations Concertante, Op. 17,” Schumann’s “Fantasiestücke, Op. 73” and Strauss’s evocative “Sonata, Op. 6.” Phillip T. Young Recital Hall Sunday, October 29 | 3 PM Alumni & Album launch concert: Hopeful Monster Eve Egoyan, acoustic and augmented piano Mauricio Pauly, live instruments, sampling & processing Embark on an auditory journey of reimagined music and sound. Hopeful Monster breathes new life into the piano’s sonic and expressive capabilities, delving into the realm between impromptu performance and imaginative design. Phillip T. Young Recital Hall To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information at uvic.ca/finearts/music Full schedule of concerts & events. www � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_09.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/10222023-MoonlightMiltonSchlosser/10222023-MoonlightMiltonSchlosser_12.wav">Track 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moonlight: Milton Schlosser, piano Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource October 22 2023 Contributor An entity responsible for making contributions to the resource Milton Schlosser https://finearts.uvic.ca/music/archive/files/original/a82f8e0bcb9d235d4fbe5c65080bb0a3.pdf 8cf0ab6ef467a8c607d74a4bda2c4a62 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_7.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_8.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_9.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_10.wav">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_11.wav">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_12.wav">Track 12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_13.wav">Track 13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_14.wav">Track 14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/10272023-FridayMusicVoice/10272023-FridayMusicVoice_15.wav">Track 15</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic: Voice Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource October 27 2023 Contributor An entity responsible for making contributions to the resource Gheana Valencia, soprano Kinza Tyrrell, piano Sabrina Blaase, soprano Abby Corpus, soprano Alex Matterson, piano Graeme Linton, tenor Carter Martin, tenor Savannah Read, alto Noshika Shahrokhi, piano Akina Kishiyama, soprano Nadia Lurie, soprano Seoyoon Lee, piano Madison Blackman, soprano Kayla Nguyen, piano Olivia Pryce-Digby, soprano Sihana Dorfsman, soprano Yvonne Usseni soprano Alie Mathieson, soprano Olivia Charette, soprano Lauren Steinmann, soprano https://finearts.uvic.ca/music/archive/files/original/a800d4f577fa5ef141a54fc9fe185cfb.pdf 4315af1a855510ef983277394dbc340a PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Eloquence, Verve and Fantasy PAMELA HIGHBAUGH ALONI CELLO & JANE HAYES PIANO FRIDAY, OCTOBER 27, 2023 | 8 PM Phillip T. Young Recital Hall MacLaurin Building, University of Victoria �PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Variations Concertantes, Op. 17 for Cello and Piano Felix Mendelssohn Bartholdy (1809-1847) Tree Spirit* for Cello and Piano (July 2022) Leila Lustig Lento (b. 1944) Fantasy Pieces, Op. 73 Zart und mit Ausdruck Lebhaft, leicht Rasch und mit Feuer Robert Schumann (1810-1856) I NT E R M I S S I O N Sonata for Cello and Piano, Op. 6 Allegro con brio Andante ma non troppo Finale: Allegro vivo Richard Strauss (1864-1949) *World premiere, commissioned by Pamela Highbaugh Aloni �PROGRAM NOTES & BIOGRAPHIES A few words about “Tree Spirit” In this song for cello and piano, a tree slowly rises from below the soil and becomes a sapling, steadily growing until its mature crown of leaves rustles in the wind, birds nesting in its branches. A cruel logger fells the tree, which crashes to earth, bouncing in the underbrush to stillness. But the tree slowly rises again from its root, beginning the journey as it did before – an enduring tree spirit. PAMELA HIGHBAUGH ALONI Praised for her “meltingly beautiful solos” (The Detroit News) and performances of “depth and insight” (Times Colonist), cellist Pamela Highbaugh Aloni is a founding member of the prize-winning Lafayette String Quartet. She is an Associate Professor at the University of Victoria where she has been teaching cello, chamber music and string pedagogy since 1991. The Lafayette Quartet celebrated over 37 years of musical life together with the same four members and took their final bow in August 2023. Highlights of their years include a celebration in 2000 performing all sixteen of Beethoven’s string quartets, a 30th anniversary Shostakovich Cycle, a Second Viennese School project, the commissioning of five new quartets by women composers, and the initiation of the Lafayette Health Awareness Forum.Their CBC recording “Death and the Maiden” was awarded “Outstanding Classical Recording of the Year” by the Western Canada Music Awards. An enthusiastic and devoted teacher, Ms. Highbaugh Aloni served for ten years on the faculty at the Courtenay Youth Music School and Festival and has been the coach for the Greater Victoria Youth Orchestra cello section since 2004. She performs both as a soloist and recitalist and has been a guest artist with the Vetta Ensemble of Vancouver, Victoria Chamber Orchestra, Victoria Summer Festival, Sooke Philharmonic, Eine Kleine Summer Music, Chamber Music San Juan, and served as principal cellist with the Galiano Ensemble from 2000-2018. Pamela plays on a George Craske cello made in England, 1850. JANE HAYES Since her debut with the Toronto Symphony, pianist, Jane Hayes’ concerts have taken her across Canada, the United States, Europe, Asia and Mexico. An active recording artist, she has over 30 CDs available on many prestigious labels. Jane moved to BC in 1993 to become a faculty member in the newly opened Music Department �of Kwantlen Polytechnic University. Her passion for teaching was recognized when she received the 2015 Distinguished Teaching Award in the Faculty of Arts. She has established a strong link with Chinese music schools, giving a series of recitals and master classes in 2017 at universities and private music schools to foster professional development among Chinese piano professors. In recent years she has appeared on concert stages in every combination from duo through large ensemble, as soloist with orchestra to chamber collaborator. She has been a partner of such esteemed artists as cellist Harvey Shapiro, violinist Robert Davidovici, and flutists Julius Baker and Bonita Boyd. Jane’s Four Jays performance for Vetta Chamber Music was recognized with a nomination for the 2021 Western Canada Music Awards as was Sassicaia, a CD devoted to Canadian repertoire for clarinet and piano. Her recent performance on a CD commemorating the life and musical legacy of composer Nikolai Korndorf was listed on CBC’s Top 22 of 2022. As an active member of Vancouver’s Turning Point Ensemble,Yarilo Ensemble and the Stellar Jays, recent tours have taken her to Spain and Eastern Europe. Since leaving Kwantlen in 2020, Jane is maintaining an active performing, recording, teaching and adjudicating career. No matter what hat she wears, her focus is always on communication through music, talking a language that doesn’t need words. LEILA LUSTIG Leila Lustig studied music composition at UCLA and the University of WisconsinMadison, earning MA and PhD degrees. She spent 14 years in radio as a music producer and program director, producer of a number of classical music programs for the National Public Radio and American Public Radio networks, and creator/host of the long-running series “Music in Buffalo” for WNED-FM in Buffalo, NY, for which she composed the theme music. She was president of the Composers’ Alliance of Buffalo for two years. Although she did not follow the usual academic path following graduation, she continued writing music, emigrating to Canada and becoming a citizen in 2003. Her output includes music for voice, choral and chamber groups, orchestra and wind ensemble. One of her major works is a cantata in memory of her father, “Angels in My Way,” using as texts the Hebrew Kaddish, the Gloria from the Latin Mass, and excerpts from Ralph Waldo Emerson’s poetry. She has set to music all 26 poems in Barbara Holender’s “Ladies of Genesis,” intimate monologues by women in the Bible, combining the female voice with various combinations of instruments. Leila also co -composed, “Singing Through Generations” with singer/drummer Nicole Mandryk which is one of the five works commissioned by the Lafayette String Quartet for their BK Weigel commissioning project. She is an associate composer of the Canadian Music Centre and a BMI composer. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/10272023FacultyConcertSeriesEloquenceVerveAndFantasy/10272023FacultyConcertSeriesEloquenceVerveAndFantasy_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/10272023FacultyConcertSeriesEloquenceVerveAndFantasy/10272023FacultyConcertSeriesEloquenceVerveAndFantasy_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/10272023FacultyConcertSeriesEloquenceVerveAndFantasy/10272023FacultyConcertSeriesEloquenceVerveAndFantasy_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/10272023FacultyConcertSeriesEloquenceVerveAndFantasy/10272023FacultyConcertSeriesEloquenceVerveAndFantasy_4.wav">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series: Eloquence, Verve and Fantasy Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource October 27 2023 Contributor An entity responsible for making contributions to the resource Pamela Highbaugh Aloni, cello Jane Hayes, piano https://finearts.uvic.ca/music/archive/files/original/b02f396ae5334dbd50cddc6b9ab390f2.pdf bbb92530ea9cf7d3dd48e20927a125a0 PDF Text Text UVIC WEDNESDAY, NOVEMBER 1, 2023 | 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria AMPLIFYING VOICES Presented by the UVic Music Student Association (MSA) as part of UVic’s 5 Days of Action We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Pavel Haas (1899-1944) Wind Quintet, Op. 10 III. Ballo Eccentrico Bella Nguyen, flute Dominic Calderer, oboe Carlos Santos, clarinet Sam McNally, horn Spencer Leong Cowie, bassoon Adoration Florence B. Price (1887-1953) Arr. by Elaine Fine (b. 1959) Bella Nguyen, flute Yousef Shadian, piano Cait Nishimura (b. 1991) she danced in the rain Senora Dunford, euphonium Gabe Lagos, piano Sonata for Viola and Piano II. Vivace Rebecca Clarke (1886-1979) Julian Glover, viola Kinza Tyrrell, piano Isan Yun (1917-1995) Sori Lauren Debeljak, flute Liana Alexandra (1947-2011) Bassoon Quartet Holly Edquist, bassoon Eilish McAree, bassoon Elijah Lyons, bassoon Devin Hawthorne, bassoon Casiopea (カシオペア) Midnight Rendezvous Marc Micu & Friends Marc Micu, melodica Jaymes Curran, guitar Brayden Wright, bass guitar Lachlan Barry, drumkit � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/11012023-5DaysAmplifyingVoices/11012023-5DaysAmplifyingVoices_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Five Days of Action: Amplifying Voices Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 1 2023 Contributor An entity responsible for making contributions to the resource Bella Nguyen, flute Dominic Calderer, oboe Carlos Santos, clarinet Sam McNally, horn Spencer Leong Cowie, bassoon Yousef Shadian, piano Senora Dunford, euphonium Gabe Lagos, piano Julian Glover, viola Kinza Tyrrell, piano Lauren Debeljak, flute Holly Edquist, bassoon Eilish McAree, bassoon Elijah Lyons, bassoon Devin Hawthorne, bassoon Marc Micu, melodica Jaymes Curran, guitar Brayden Wright, bass guitar Lachlan Barry, drumkit Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/11032023-HolocaustAnUnfinishedHistoryDanStone/11032023-HolocaustAnUnfinishedHistoryDanStone.wav">Track 1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert and Lecture: The Holocaust: An Unfinished History Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 3 2023 Contributor An entity responsible for making contributions to the resource Dr. Dan Stone, Director of the Holocaust Research Institute at Royal Holloway, University of London Suzanne Snizek, flute Yoomi Kim, piano https://finearts.uvic.ca/music/archive/files/original/af94bcdd689c4e86f87891b2c9ce9a2e.pdf f248286cbb46bf166db1a1efe9898e55 PDF Text Text VIOLIN STUDIO RECITAL UVIC Students from the class of Ann Elliott-Goldschmid FRIDAY, NOVEMBER 3, 2023 | 7:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Partita No. 2 in D minor Sarabande Johann Sebastian Bach (1685-1750) Theodore Latta, violin Ludwig Van Beethoven (1770-1827) Violin Sonata No. 5 in F major, Op. 24 Allegro Nicholas Fairfield-Carter, violin Syd Bulman-Fleming, piano Concerto No. 5 in A major, K. 219 Wolfgang Amadeus Mozart Adagio - Allegro aperto (1756-1791) Joyce Tsai, violin Shirley Sun, piano César Franck (1822-1890) Sonata in A major Allegretto ben moderato Emily Dowie, violin Syd Bulman-Fleming, piano Wolfgang Amadeus Mozart Concerto No. 3 in G major, K. 216 Allegro Theodore Latta, violin Quin Lang, piano Caprice No. 20 in D major Niccolo Paganini Allegretto-Minore (1782-1840) Megan Bibby, violin Concerto No. 4 in D major, K. 218 Allegro Chaconne Adagio (variations) Wolfgang Amadeus Mozart Bennett Chiu, violin Syd Bulman-Fleming, piano Tomaso Antonio Vitali (1663-1745) Elijah Kim, violin Yoomi Kim, piano Johannes Brahms (1833-1897) Sonata in A major, Op. 100 Allegro amabile Megan Bibby, violin Theo Kim, piano I am grateful to all the pianists for their conscientiousness and partnerships with my students and am especially thankful to Syd Bulman-Fleming for his generosity and time. - Ann Elliott-Goldschmid � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_08.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11032023-ViolinStudioRecital/11032023-ViolinStudioRecital_09.wav">Track 9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Recital Subject The topic of the resource Students from the class of Ann Elliott-Goldschmid Contributor An entity responsible for making contributions to the resource Theodore Latta, violin Nicholas Fairfield-Carter, violin Syd Bulman-Fleming, piano Joyce Tsai, violin Shirley Sun, piano Emily Dowie, violin Quin Lang, piano Megan Bibby, violin Bennett Chiu, violin Elijah Kim, violin Yoomi Kim, piano Theo Kim, piano Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 3 2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/11062023-FullCircleJoyKunjiIkeda/11062023-FullCircleJoyKunjiIkeda.wav">Track 1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Full Circle Joy (A Dramatic Reading) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 6 2023 Contributor An entity responsible for making contributions to the resource Created and Performed by Kunji Ikeda https://finearts.uvic.ca/music/archive/files/original/9102d45987e1e97b0df8998a0fb319a0.pdf c519bbe01a998b2399d8f8b56885dd36 PDF Text Text CLARINET STUDIO RECITAL Clarinet students from the studio of David Boutin-Bourque Wednesday, November 8, 2023 | 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Trio for Flute, Clarinet and Bassoon, Op. 32 Caspar Kummer (1795-1870) Luke Ongman, Clarinet Adam Rabski, Flute Eli Lyons, Bassoon Clarinet Sonata, Op. 167 1. Allegre&o 2. Allegro Animato Camille Saint-Saens (1835-1921) Chensi Liu, Clarinet Moming Zhang, Piano Rhapsody for Clarinet Willson Osborne (1906-1979) Luke Ongman, Clarinet Fantasiestücke, Op. 73 1. Zart und mit Ausdruck (Tender and with expression 2. Lebha>, leicht (Lively, light) Robert Schumann (1810-1856) Maeve Calhoun, Clarinet Jany Lu, Piano Claribel Eugène Bozza (1905-1991) Sarah Carey, Clarinet Jany Lu, Piano Clarinet Sonata No. 2 in Eb, Op. 120 1. Allegro amabile Johannes Brahms (1833-1897) Carlos Santos, Clarinet Jany Lu, Piano �ConcerFno in Eb Major, Op. 26 Carl Maria von Weber (1786-1826) Tenzin Clegg, Clarinet Jany Lu, Piano Solo de Concours Henri Rabaud (1873-1949) Chris Ollinger, Clarinet Jany Lu, Piano � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11082023-ClarinetStudioRecital/11082023-ClarinetStudioRecital_08.wav">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet Studio Recital Description An account of the resource Clarinet students from the studio of David Boutin-Bourque Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 8 2023 Contributor An entity responsible for making contributions to the resource Luke Ongman, Clarinet Adam Rabski, Flute Eli Lyons, Bassoon Chensi Liu, Clarinet Moming Zhang, Piano Maeve Calhoun, Clarinet Jany Lu, Piano Sarah Carey, Clarinet Carlos Santos, Clarinet Tenzin Clegg, Clarinet Chris Ollinger, Clarinet https://finearts.uvic.ca/music/archive/files/original/5240c23d92abdf33976b4cd82a7dd2a5.pdf 3362e2c0fe6741c7fee1cd5f7bc1c93c PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria NOVEMBER 10, 2023 | 12:30 PM Featuring School of Music String students We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Johann Sebastian Bach (1685-1750) Violin Sonata No. 1 in G minor, BWV 1001 II. Fuga Jade Chu, violin Viola Concerto, Op. 37 Moderato assai Miklós Rózsa (1907-1995) Julian Glover, viola Kinza Tyrrell, piano Cello Sonata No. 1 in E minor, Op. 38 Johannes Brahms I. Allegro non troppo (1833-1897) Luke Kim, cello Yoomi Kim, piano Felix Mendelssohn (1809-1847) Trio no.1 in D minor, Op. 49 II. Andante con molto tranquillo Joyce Tsai, violin Caitlyn Liu, cello Kay Kuang, piano Violin Concerto No. 3, Op. 61 Camille Saint-Saens I. Allegro non troppo (1835-1921) Katherine Peter, violin Jennifer Mitchell, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/11102023-FridayMusicStrings/11102023-FridayMusicStrings_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11102023-FridayMusicStrings/11102023-FridayMusicStrings_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11102023-FridayMusicStrings/11102023-FridayMusicStrings_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11102023-FridayMusicStrings/11102023-FridayMusicStrings_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/11102023-FridayMusicStrings/11102023-FridayMusicStrings_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic: Strings Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 10 2023 Contributor An entity responsible for making contributions to the resource Jade Chu, violin Julian Glover, viola Kinza Tyrrell, piano Luke Kim, cello Yoomi Kim, piano Joyce Tsai, violin Caitlyn Liu, cello Kay Kuang, piano Katherine Peter, violin Jennifer Mitchell, piano https://finearts.uvic.ca/music/archive/files/original/32bc4c32caa2f8b704bd5961610d5485.pdf fb518bc8f3662c52bcaa25917436f4b9 PDF Text Text �PROGRAM We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. We respectfully request that you hold all applause for this evening’s concert. Dr. Kinza Tyrrell, piano All Mykola Lysenko (1842-1912) Hymn to Ukraine “A Lyke-Wake Dirge” from Cantata Igor Stravinsky (1882-1971) Sopranos/Altos Versus I. Prelude Sadie Karlsson “…I never saw another butterfly...” Srul Irving Glick (1934-2002) To Olga Yanina Kosivanova Yes, that’s the way things are Sopranos/Altos Versus II. Ist Interlude Nadia Lurie The little mouse Olivia Pryce-Digby On a sunny evening Sopranos/Altos Versus III. 2nd Interlude Dahliea Greeve Narrative Abby Corpus The butterfly Sopranos/Altos Versus IV. Postlude Igor Stravinsky Srul Irving Glick Igor Starvinsky Srul Irving Glick Igor Stravinsky �Tenors Anthem of the Ukrainian Sich riflemen Stepan Charnetskyi (1881-1944) Kalia Kryvenchuk/ Makaila Quigley Buddy on the Nightshift Kurt Weill (1900-1950) Viviana Hersche An den kleinen Radioapparat Hanns Eisler (1898-1962) Mitchell Bauer Hello, Hawaii, How are you? Jean Schwartz (1878-1956) Clayton Butler/ Nobody cares about the railroads anymore Savannah Read (guitar) Harry Nilsson (1941-1994) Carter Martin/ James Meyer Graeme Linton Slow Train Flanders and Swan (1922-1975/1923-1994) The isle of lost dreams W. Denis Browne (1888-1915) Madison Blackman Heart, the seat of soft delight from Acis and Galatea Seoyoon Lee/ Pleurs d’or Sabrina Blaase G.F. Handel (1685-1759) Gabriel Fauré (1845-1924) Savannah Read I think it’s going to rain today Grace Vermette Allerseelen Richard Strauss (1864-1949) All We’ll meet again* Parker and Charles (1914-1974/ 1907-1995) *Sing along Randy Newman (b. 1943) �UVIC VOICE ENSEMBLE SOPRANO 1 Abby Corpus Madison Blackman Rachael Lamothe Isolde Roberts-Welby Seoyoon Lee ALTO 1 Akina Kishiyama Sadie Karlsson Kalia Kryvanchuk Yanina Kosivanova Grace Vermette SOPRANO 2 Leah Cook Julianna Reid Nadia Lurie Sabrina Blaase Dahliea Greeve Naomi Sehn ALTO 2 Makaila Quigley Trista Lang Olivia Pryce-Digby Viviana Hersche Lauren Steinmann TENOR 1 Clayton Butler Benjamin Butterfield TENOR 2 Mitchell Bauer James Meyer TENOR 3 Graeme Linton TENOR 4 Carter Martin Simi Luttrell PIANO Dr. Kinza Tyrrell STAGING Benjamin Butterfield PROGRAM NOTES A Lyke-Wake Dirge is from Stravinsky’s Cantata on Old English Texts. The four verses of the Dirge describe the soul’s progress through purgatory, and are interspersed between other movements of the Cantata — we have spaced them likewise in our program. The title refers to a wake, “Lyke” being an obsolete word meaning ‘corpse.’ The song warns that the fate of the soul is contingent upon the person’s charity during their life — whatever clothing, food, and shelter they gave or did not give will be granted or withheld after death. The repeated chorus may be a prayer for the dead: This ae (one) nighte, every nighte, and alle / fire and fleet (floor) and candlelight / and Christe receive thy soule. Isolde Roberts-Welby �I Never Saw Another Butterfly is a collection of six songs composed by Jewish Canadian composer, Srul Irving Glick. The poetry in these songs was written by Jewish children while imprisoned in the Nazi Concentration camp, Terezin (Theresienstadt), between 1942-44. Terezin was a waystation in between transport to the extermination camps such as Auschwittz-Birkenau and conditions were cruel and inhumane, and yet these poems demonstrate the children’s’ ability to find hope, humour, and beauty in abysmal circumstances. Of the 15,000 children sent to Terezin, only 100 survived. Dahliea Greeve Oi u luzi chervona kalyna was first written in 1914 in honor and memory of the Sich Riflemen of the First World War. Back then Ukraine was a territory divided among neighboring countries including Russia and the Austro-Hungarian Empire. But around World War I, some Ukrainians hoped to establish an independent country.This song is just as relevant today as it was many decades ago. Since the start of Russia’s full-scale invasion of Ukraine in February 2022, it has become an incredibly popular song in Ukraine and worldwide as it symbolizes national resistance and aspirations for freedom. Yanina Kosivanova Kurt Weill’s Buddy on the Nightshift is a Cabaret-style song written for his collection of works Lunchtime Follies. This show tells wartime tales and discusses the lives of workers during the Second World War. Written from Germany in 1942, this song tells the story of two factory workers, one working the day shift, and one working the night shift.These two workers wish so badly to know one another but sadly they may only ever cross paths for a brief moment as they head to and from work. As we reflect on the lives of those who fought for their countries, as well as those who have, and continue to experience war, we can choose to remember and honor them through the lens of sweet stories such as this one. Makaila Quigley Eisler’s composition An den kleinen Radioapparat to Bertold Brecht’s poem composed in 1942 addresses the radio as a cherished tool to stay in touch with both the world and our home, even as current events momentarily disconnect us physically or emotionally. This was relevant during the time of Brecht’s and Eisler’s exile, and it is relevant today, too. The radio (and its modern successors) does not only provide those within conflicts with a way to keep up with the world’s happenings, it also gives those of us who sit in a cozy, �safe home the opportunity — and responsibility — to be witnesses to injustice. The radio in this song can serve as a placeholder for current communication tools, and the piece’s message should remind us to stay informed, even when it feels difficult to do so. Viviana Hersche To my little radio You little box that I carried as I fled, Concerned to save its works from getting broken, Carefully from house to ship, from ship to train, So that my enemies could continue to talk to me. At my bedside and to my pain, The last at night, the first in the morning, Could continue to talk about their victories and my efforts: Promise me, not to suddenly go silent. Translation: Sharon Krebs The English music hall duo Michael Flanders and Donald Swann first met in Westminster School in 1939. After the war they reunited in 1948 to write and perform comic songs later touring and recording them between the years 1956 and 1967. Slow Train tells of the railway stations and rail lines that were being shut down by the Beeching Cuts in 1960’s Britain bringing to a close a particular way of life for so many. The song catalogues the many stops that one would pass through on this rattling “slow train”. The poignancy of the line, “they’ve all passed out of our lives” gives a nod perhaps to the passing of time as we grapple with time and our progressive world. Audience members enjoyed the comedy of Flanders and Swann, however there is no laughter or witty exclamations here. This songs wit is offered as a quiet goodbye to a fading part of life, to familiar people and places. To the Slow Train*. Carter Martin Benjamin Butterfield William Dennis Browne was a composer and musician in early 20th century England. He did his schooling at Cambridge, where he met many influential English musicians and poets, including Ralph Vaughan Williams. It was at Cambridge that he became close friends with the poet Rupert Brooke. At the �outbreak of the First World War, Brooke obtained a commission for both he and Browne to be together. Brooke would die in Browne’s arms eight months later of sepsis on the Greek island of Skyros. Browne died two months after that in battle at Gallipoli at the age of twenty-six. Graeme Linton Handel’s setting of the story of Acis and Galatea is considered a Masque, which had its premiere in Cannons, Middlesex in 1739. This pastoral opera tells the story of the semi-divine nymph, Galatea, who is in love with the shepherd, Acis. After the happiness of Act 1, Act 2 introduces the monster Polyphemus, who declares his love for Galatea. Later, upon seeing the lovers sing of their eternal love for each other, he murders Acis in a jealous rage leaving Galatea to mourn his death. However, the chorus then reminds Galatea of her divine powers, which she then casts upon Acis to immortalize him as a beautiful fountain whose waters will flow with “endless love”. Madison Blackman Benjamin Butterfield I think it’s going to rain today is about the universal experience of pain and struggle. Throughout our lives, we will all come to face adversities and hardship. Written in 1963-64, although this song has a somewhat dark overtone it encourages us to be compassionate, kind, and understanding, and to recognize that we all need support from one another regardless of what we experience. Savannah Read Allerseelen is a piece about All Souls Day, a holiday that takes place on the second of November each year. During this day, people pray for and remember the departed, placing beautiful blooms and candles on their graves. This echoes the subject of our Stravinsky piece, performed earlier. The Lyke Wake Dirge follows a soul’s journey to purgatory from earth, whilst Allerseelen speaks of the warm memories shared with a loved one, whose soul may wait in purgatory to make its final journey. It is a song that gently captures joyful memories once shared with another. Grace Vermette �All Souls Set on the table the fragrant Reseda, Bring here the last red asters, And let us once again of love talk, As once in May. Give me your hand, that I may clasp it in secret; And if someone sees us, I do not mind it. Just give me one of your sweet glances, As once in May. It blooms and sends out its scent today on each grave; One day a year is free for the dead, Come to my heart, that I may have you again, As once in May. *Slow Train James Meyer Translation: Grace Vermette � Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Voice Ensemble: We'll Meet Again Description An account of the resource Benjamin Butterfield and Kinza Tyrrell, directors Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource November 10 2023 Contributor An entity responsible for making contributions to the resource UVic Voice Ensemble: Abby Corpus, Madison Blackman, Rachael Lamothe, Isolde Roberts-Welby, Seoyoon Lee, Leah Cook, Julianna Reid, Nadia Lurie, Sabrina Blaase, Dahliea Greeve, Naomi Sehn, Akina Kishiyama, Sadie Karlsson, Kalia Kryvanchuk, Yanina Kosivanova, Grace Vermette, Makaila Quigley, Trista Lang, Olivia Pryce-Digby, Viviana Hersche, Lauren Steinmann, Clayton Butler, Mitchell Bauer, James Meyer, Graeme Linton, Carter Martin Simi Luttrell