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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 26, 2016 • 12:30 p.m.
Featuring School of Music voice students
“Ich folge dir gleichfals,” from St. John Passion 	
						
			
		
							
Brittney Jette, soprano
Thomas Nicholson, piano

Johann Sebastian Bach		
(1685 - 1750)

	

Xavier Montsalvatge		
(1912 - 2002)

Cinco Canciones Negras	
					
			
	II. Punto de Habanera			
		
					
	III. Chévere							
Fu Hsien Shen, mezzo-soprano
Muzi Xu, piano
“Ständchen,” from Schwanengesang	 					
		
Katherine Rowlands, soprano
Susan Young piano
	
Amarilli, mia bella
	

	

	

Franz Schubert		
(1797 - 1828)

		

Giulio Caccini	
(1546 - 1618)

Jordan Rettich, baritone
Susan Young piano
“Après un rêve,” from Trois mélodies
		
		
												
Ai Horton, soprano
Susan Young, piano
“An die Nacht,” from 6 Lieder (“Brentano Lieder”)

	

Gabriel Fauré		
(1845 - 1924)

			

Richard Strauss		
(1864 - 1949)

		

Francis Poulenc	
(1899 - 1963)

Andrea Rodall, soprano
Josh Herrett, piano
“Violon,” from Fiançailles pour rire								
Nicholas Renaud, tenor
Ethan Hill, piano

“Pierrot,” from Quatre chansons de jeunesse							 		 Claude Debussy
(1862 - 1918)
Allison Kingsley, soprano
Thomas Nicholson, piano
Jeff Enns

To You, Before the Close of Day							
Mandy Wiltshire, Micha Fortin, soprano
Jenna Grossman, Julia Albano-Crockford, alto
Joshua Poon, Nicholas Renaud, tenor
Sean Quicke, Ethan Hill, bass
“Mi chiamano Mimi,” from La Boheme							

	

	

Giacomo Puccini
(1858 - 1924)

	

	

Francis Poulenc	
(1899 - 1963)

Emily Stewart, soprano
Kim Farris-Manning, piano
“C,” from Deux Poemes de Louis Aragon							

Bahar Harandi, soprano
Muzi Xu, piano
“Komm, O Tod,” from Cantata, BWV 56							
	
			
		
							
Xuguang Zhang, baritone
Frances Armstrong, piano
Love Went A-Riding							 	 				
		
	
						
	
Kelsey Wheatley, soprano
Frances Armstrong, piano

	

Johann Sebastian Bach		
(1685 - 1750)

Frank Bridge		
(1879 - 1941)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES

Beautiful Music
by an Unknown Composer
Suzanne Snizek, flute
Harald Krebs, piano
With
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
		

Thursday, February 25, 2016 • 12:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Music by Richard Rößler (1880–1962)
Four Duets
	
Der Vogel
	
Das Leben
	Wiegenlied
	
Wir Drei
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
Harald Krebs, piano

Sonate für Flöte und Klavier, op. 15
	
Allegretto grazioso
	Adagio
	Intermezzo
	
Grave—Allegro Assai
Suzanne Snizek, flute
Harald Krebs, piano

�UPCOMING EVENTS
Friday, February 26, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music voice students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Friday, February 26, 8:00 p.m. (Admission by donation)
STUDENT COMPOSERS CONCERT
Featuring original compositions by students in the
School of Music Composition program.
Phillip T. Young Recital Hall
Saturday, February 27, 8:00 p.m. ($25)
FACULTY CONCERT SERIES
Lafayette String Quartet &amp; Arthur Rowe, piano
Performing Fanfare by Adaskin, Shostakovich’s String Quartet
No. 9, Op. 117, and Dvořák’s Piano Quintet in A Major, Op. 81.
Phillip T. Young Recital Hall
Sunday, February 28, 2:30 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES: May Ling Kwok, piano
Esteemed performer, recording artist and instructor,
May Ling Kwok performs works by Mozart and Schumann.
Phillip T. Young Recital Hall
Sunday, February 28, 5:00 p.m. to 7:00 p.m. (Free admission)
GUEST MASTERCLASS: Torrey Kaminski, flute
A sought-after flute instructor and performing artist, Torrey Kaminski
is also a certified yoga teacher. In this masterclass Kaminski will present
ideas on how to incorporate yoga into daily practice as well as
perform Ferroud’s Trios Pièces pour flûte seule, Fantasy on Syrinx by
Bacchus, and Piazzolla’s Tango Etude No. 3.
Phillip T. Young Recital Hall
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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Viola	Class	Recital	
Wednesday,	February	24,	2016	|	8:00PM	
Phillip	T.	Young	Recital	Hall	
Admission	by	donation	
	
	
Featuring	students	from	the	studio	of	Joanna	Hood.	
	
	
	
Suite	No.	6	in	G	major	
IV. Sarabade	
	
V. Gavotte	I	and	II	
VI. Gigue	
	

	
	

	
	

	
	

	
	

	
	

																							J.	S.	Bach	
																		(1685-1750)	

Melissa	Toth,	viola	

	
	
Sonata	No.	2	in	E-flat	major,	Op.	120		
	
	
																					Johannes	Brahms		
I. Allegro	amabile		
	
	
	
																																													(1833-1897)	
II. Allegro	appassionato	
	
Sarah	de	Niverville,	viola	
Emily	Armour,	piano	
	
	
Suite	No.	3	in	C	major		
	
	
	
	
	
																								J.S.	Bach	
Bourée	I	&amp;	II	
	
	
	
	
	
	
	
	
Eric	Mitchell,	viola	
	
Concerto	for	Viola	and	Orchestra	
I. Moderato	
	
	
	

	
	

	
	

	
	

Calvin	Yang,	viola	
Matty	Poon,	piano	
	

																																Béla	Bartók	
																																(1881-1945)	

�	

	
	

---Intermission---	
	

	
Sonata	for	Viola	and	Piano	in	F,	Op.	11	No.	4	
	
I. 	Fantasie	
	
	
	
	
	
II. Thema	mit	Variationen	
III. Finale	(mit	Variationen)	
	
Joshua	Gomberoff,	viola	
Matty	Poon,	piano	
	
	
Viola	Sonata	in	B-flat	major,	Op.	36	 	
	
	
I.	Maestoso	
	
	
	
	
	
II.	Barcarolla,	Andante	con	moto		
III.	Finale	scherzando,	Allegretto	
	
Fahlon	Smith,	viola	
Frances	Armstrong,	piano	
	
	

																									Paul	Hindemith	
																															(1895-1963)	

	
	

							Henri	Vieuxtemps	
																		(1820-1881)	

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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
February 23, 2016 • 12:30 p.m.
String Quartet No. 5 in D Major, Op. 76 (“Erdödy”)						 Franz Joseph Haydn		
					
				
			
(1732 – 1809)
Matthew Logan, violin
Nanau Loewen, violin
Joshua Gomberoff, viola
Natalia Stoney, cello
Cadenza per viola sola									 Krystof Penderecki 		
												
(b. 1933)
Joshua Gomberoff, viola
	
Les Nuits d’éte									
	
	I. Villanelle										
	IV. Absence			
Fu Hsien Shen, mezzo-soprano
Muzi Xu, piano
Étude pour les quatres									
	
										
Laura Altenmueller, piano
Játékok 											
	
Hommage à Domenico Scarlatti			
					
	
Hommage à Kabalevsky
	Bluebell
	
Devil’s Jump
	
(... bunny rabbit in the grass...)
	
Perpetuum mobile
	
... and once more: Flowers We Are...

Hector Berlioz		
(1803 – 1869)

Claude Debussy		
(1862 – 1918)

György Kurtág
(b. 1926)

Laura Altenmueller, piano
Sonata No. 6 in D Major, K. 284/205B 						 Wolfgang Amadeus Mozart
	I. Allegro 										
(1756 – 1791)
Jany Lu, piano
Concert Étude No. 6, Op. 40 						
		
												

Nikolai Kapustin

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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
February 19, 2016 • 12:30 p.m.
Featuring School of Music woodwind students
Friday Dialogues 	
					
				
		
		
							
		
Keenan Mittag-Degala, percussion
Gillian Newburn, flute

Bence Pinter		
(b. 1991)		

Cello Suite No. 2 in D Minor	 					
Johann Sebastian Bach		
	V. Menuet						 		 		 	(1685 - 1750)
	VI. Gigue								
Matthew Bell, baritone saxophone
Chinese Rag	 					
			

	

		

Jean Matita (arr. Michal Rosiak)		

Taya Haldane, flute
Jamie Pambrun, flute
Jasmine Riseley, flute
Olivia Wheeler, flute

Romanian Dances
	
I. Jocul cu bâtă	
	
II. Brâul
	
III. Pe loc
	
IV. Buciumeana
	
V. Poarga Românească
	
VI. Mărunțel

				

Béla Bartók		
(1881 - 1945)

			

Astor Piazolla		
(1921 - 1992)

Sunny Chu, clarinet
Yuko Imai, piano
L’Histoire du Tango
	
I. Café 1930	

	
Adam Jasieniuk, soprano saxophone
Jessica McLaughlin, alto saxophone
Zach Smith, tenor saxophone
Matthew Bell, baritone saxophone

Kleine Kammermusik Op. 24, No. 2
	
Paul Hindemith		
	I. Lustig. Mäßig schnell Viertel 									 (1895 - 1963)
Cooper Reed, flute
Theresa Mothersill, oboe
Mark Kim, clarinet
Alina Liang, bass clarinet
Drake Lovett, horn
Towards the Sea	
					
	
III. Cape Cod						
		
Jillian Broughton, flute
Joshua Amendt-Moylan, guitar

		
		
	

Upcoming at the School of Music
Friday, February 19, 8:00 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES
Bruce Vogt, piano
Internationally celebrated pianist Bruce Vogt performs the late sonatas of Beethoven.
Phillip T. Young Recital Hall

Toru Takemitsu		
(1930 - 1996)

�</text>
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                    <text>D EGREE R ECITAL
	&#13;  

Kassandra	&#13;  Schantz,	&#13;  mezzo-­‐soprano	&#13;  
with	&#13;  Louise	&#13;  Hung	&#13;  &amp;	&#13;  Elizabeth	&#13;  Clarke,	&#13;  piano	&#13;  
	&#13;  

Monday,	&#13;  February	&#13;  22,	&#13;  2016,	&#13;  8:00	&#13;  pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

Kassandra	&#13;  Schantz	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Benjamin	&#13;  Butterfield.	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  (Performance)	&#13;  program.	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phones,	&#13;  cameras,	&#13;  laptops,	&#13;  and	&#13;  audio	&#13;  or	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  	&#13;  

	&#13;  

	&#13;  

�	&#13;  

	&#13;  

PROGRAMME
	&#13;  
“Frühlingsglaube”	&#13;  (“Faith	&#13;  in	&#13;  Spring”),	&#13;  D.	&#13;  686	&#13;  

	&#13;  
Franz	&#13;  Schubert	&#13;  (1797	&#13;  –	&#13;  1828)	&#13;  
Text	&#13;  by	&#13;  Ludwig	&#13;  Uhland	&#13;  (1787	&#13;  –	&#13;  1862)	&#13;  

	&#13;  

	&#13;  

On	&#13;  This	&#13;  Island,	&#13;  Op.	&#13;  11	&#13;  
1. Let	&#13;  the	&#13;  florid	&#13;  music	&#13;  praise!	&#13;  
2. Now	&#13;  the	&#13;  leaves	&#13;  are	&#13;  falling	&#13;  fast	&#13;  
3. Seascape	&#13;  
4. Nocture	&#13;  
5. As	&#13;  it	&#13;  is,	&#13;  plenty	&#13;  

Benjamin	&#13;  Britten	&#13;  (1913	&#13;  –	&#13;  1976)	&#13;  
Texts	&#13;  by	&#13;  W.H.	&#13;  Auden	&#13;  
(1907	&#13;  –	&#13;  1973)	&#13;  
	&#13;  

	&#13;  

	&#13;  

Banalités,	&#13;  FP	&#13;  107	&#13;  
1. Chanson	&#13;  d’Orkenise	&#13;  (Song	&#13;  of	&#13;  Orkenise)	&#13;  
2. Hôtel	&#13;  (Hotel)	&#13;  
3. Fagnes	&#13;  de	&#13;  Wallonies	&#13;  (Walloon	&#13;  Moorlands)	&#13;  
4. Voyage	&#13;  à	&#13;  Paris	&#13;  (Going	&#13;  To	&#13;  Paris)	&#13;  
5. Sanglots	&#13;  (Sobs)	&#13;  

Francis	&#13;  Poulenc	&#13;  (1899	&#13;  –	&#13;  1963)	&#13;  
Texts	&#13;  by	&#13;  Guillaume	&#13;  Apollinaire	&#13;  
(1880	&#13;  –	&#13;  1918)	&#13;  

	&#13;  

	&#13;  

“As	&#13;  with	&#13;  rosy	&#13;  steps	&#13;  the	&#13;  morn”	&#13;  from	&#13;  Theodora	&#13;  

George	&#13;  Friderick	&#13;  Handel	&#13;  (1685	&#13;  –	&#13;  1759)	&#13;  

	&#13;  

PAUSE	&#13;  
	&#13;  

“Love’s	&#13;  Philosophy”	&#13;  
	&#13;  from	&#13;  Three	&#13;  Songs,	&#13;  Op.	&#13;  3	&#13;  

Roger	&#13;  Quilter	&#13;  (1877	&#13;  –	&#13;  1953)	&#13;  
Text	&#13;  by	&#13;  P.B.	&#13;  Shelley	&#13;  (1792	&#13;  –	&#13;  1822)	&#13;  

	&#13;  

	&#13;  

Frauenliebe	&#13;  und	&#13;  –Leben,	&#13;  Op.	&#13;  42	&#13;  
Robert	&#13;  Schumann	&#13;  (1810	&#13;  –	&#13;  1856)	&#13;  
1. Seit	&#13;  ich	&#13;  ihn	&#13;  gesehen	&#13;  (Since	&#13;  I	&#13;  saw	&#13;  him)	&#13;  
Texts	&#13;  by	&#13;  Adelbert	&#13;  von	&#13;  Chamisso	&#13;  
2. Er,	&#13;  der	&#13;  Herrlichste	&#13;  von	&#13;  Allen	&#13;  (He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1781	&#13;  –	&#13;  1838)	&#13;  
3. Ich	&#13;  kann's	&#13;  nicht	&#13;  fassen,	&#13;  nicht	&#13;  glauben	&#13;  (I	&#13;  can’t	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it)	&#13;  
4. Der	&#13;  Ring	&#13;  (The	&#13;  Ring)	&#13;  
5. Helft	&#13;  mir,	&#13;  ihr	&#13;  Schwestern	&#13;  (Help	&#13;  me,	&#13;  ye	&#13;  sisters)	&#13;  
6. Süßer	&#13;  Freund,	&#13;  du	&#13;  blickest	&#13;  (Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest)	&#13;  
7. An	&#13;  meinem	&#13;  Herzen,	&#13;  an	&#13;  meiner	&#13;  Brust	&#13;  (At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast)	&#13;  
8. Nun	&#13;  hast	&#13;  du	&#13;  mir	&#13;  den	&#13;  ersten	&#13;  Schmerz	&#13;  gethan	&#13;  
	&#13;  	&#13;  	&#13;  (Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain)	&#13;  
	&#13;  

	&#13;  

Agnus	&#13;  Dei	&#13;  from	&#13;  Petite	&#13;  Messe	&#13;  Solennelle	&#13;  

Gioachino	&#13;  Rossini	&#13;  (1792	&#13;  –	&#13;  1868)	&#13;  

Chorus: Chelsey Ternes, Margaret Lingas, Kelsey Wheatley, Shelly Shen,
Zander Felton, Cody Froese, Kenji Lee, Xuguang Zhang. Harmonium: Thomas Nicholson.

	&#13;  

	&#13;  

	&#13;  
	&#13;  

�	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

ARTIST	&#13;  BIOGRAPHY	&#13;  &amp;	&#13;  ACKNOWLEDGEMENTS	&#13;  
Kassandra	&#13;   Schantz	&#13;   is	&#13;   a	&#13;   mezzo-­‐soprano	&#13;   from	&#13;   Westlock,	&#13;   Alberta.	&#13;   	&#13;   She	&#13;   is	&#13;   in	&#13;   her	&#13;   fourth	&#13;   year	&#13;   as	&#13;   a	&#13;  
vocal	&#13;  performance	&#13;  major	&#13;  under	&#13;  the	&#13;  guidance	&#13;  of	&#13;  Professor	&#13;  Benjamin	&#13;  Butterfield.	&#13;  	&#13;  Recently	&#13;  she	&#13;  
sang	&#13;   for	&#13;   the	&#13;   score	&#13;   of	&#13;   the	&#13;   short	&#13;   film,	&#13;   Godhead.	&#13;   	&#13;   She	&#13;   has	&#13;   also	&#13;   been	&#13;   a	&#13;   choral	&#13;   scholar	&#13;   at	&#13;   Christ	&#13;  
Church	&#13;   Cathedral.	&#13;   	&#13;   Kassandra	&#13;   participated	&#13;   in	&#13;   the	&#13;   2014	&#13;   Vancouver	&#13;   International	&#13;   Song	&#13;   Institute,	&#13;  
and	&#13;  will	&#13;  be	&#13;  attending	&#13;  this	&#13;  summer’s	&#13;  intensive	&#13;  training	&#13;  program	&#13;  at	&#13;  Opera	&#13;  NUOVA	&#13;  in	&#13;  Edmonton.	&#13;  	&#13;  	&#13;  

	&#13;  

Special	&#13;  Thanks	&#13;  to:	&#13;  	&#13;  
Louise	&#13;  Hung	&#13;  
Elizabeth	&#13;  Clarke	&#13;  
	&#13;  Agnus	&#13;  Dei	&#13;  Chorus	&#13;  and	&#13;  Thomas	&#13;  Nicholson	&#13;  
Benjamin	&#13;  Butterfield	&#13;  
Marilyn	&#13;  Dalzell	&#13;  
Ian	&#13;  Alexander	&#13;  
Aleksandra	&#13;  Tremblay	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

TRANSLATIONS	&#13;  
“Frühlingsglaube”	&#13;  (“Faith	&#13;  in	&#13;  Spring”)	&#13;  
The	&#13;  gentle	&#13;  winds	&#13;  are	&#13;  awakened,	&#13;  
They	&#13;  murmur	&#13;  and	&#13;  waft	&#13;  day	&#13;  and	&#13;  night,	&#13;  
They	&#13;  create	&#13;  in	&#13;  every	&#13;  corner.	&#13;  
Oh	&#13;  fresh	&#13;  scent,	&#13;  oh	&#13;  new	&#13;  sound!	&#13;  
Now,	&#13;  poor	&#13;  dear	&#13;  [heart],	&#13;  fear	&#13;  not!	&#13;  
Now	&#13;  everything,	&#13;  everything	&#13;  must	&#13;  change.	&#13;  

	&#13;  

	&#13;  

The	&#13;  world	&#13;  becomes	&#13;  more	&#13;  beautiful	&#13;  with	&#13;  each	&#13;  day,	&#13;  
One	&#13;  does	&#13;  not	&#13;  know	&#13;  what	&#13;  may	&#13;  yet	&#13;  happen,	&#13;  
The	&#13;  blooming	&#13;  doesn't	&#13;  want	&#13;  to	&#13;  end.	&#13;  
The	&#13;  farthest,	&#13;  deepest	&#13;  valley	&#13;  blooms:	&#13;  
Now,	&#13;  poor	&#13;  dear,	&#13;  forget	&#13;  the	&#13;  pain!	&#13;  
Now	&#13;  everything,	&#13;  everything	&#13;  must	&#13;  change.	&#13;  
Original	&#13;  Text:	&#13;  	&#13;  Ludwig	&#13;  Uhland	&#13;  
Translation:	&#13;  	&#13;  ©	&#13;  Hyde	&#13;  Flippo	&#13;  

�Banalités	&#13;  	&#13;  (Banalities)	&#13;  
1.	&#13;  	&#13;  Song	&#13;  of	&#13;  Orkenise	&#13;  

3.	&#13;  	&#13;  Walloon	&#13;  Moorlands	&#13;  

Through	&#13;  the	&#13;  gates	&#13;  of	&#13;  Orkenise	&#13;  
a	&#13;  wagon	&#13;  driver	&#13;  wants	&#13;  to	&#13;  enter.	&#13;  
Through	&#13;  the	&#13;  gates	&#13;  of	&#13;  Orkenise	&#13;  
a	&#13;  tramp	&#13;  wants	&#13;  to	&#13;  leave.	&#13;  

So	&#13;  much	&#13;  utter	&#13;  sadness	&#13;  
took	&#13;  hold	&#13;  of	&#13;  my	&#13;  heart	&#13;  in	&#13;  the	&#13;  desolate	&#13;  moorlands	&#13;  
when	&#13;  weary	&#13;  I	&#13;  rested	&#13;  the	&#13;  weight	&#13;  of	&#13;  the	&#13;  kilometres	&#13;  
in	&#13;  the	&#13;  fir-­‐plantations	&#13;  while	&#13;  the	&#13;  west	&#13;  wind	&#13;  raged	&#13;  

And	&#13;  the	&#13;  guards	&#13;  of	&#13;  the	&#13;  town	&#13;  
running	&#13;  up	&#13;  to	&#13;  the	&#13;  tramp:	&#13;  
"What	&#13;  do	&#13;  you	&#13;  carry	&#13;  away	&#13;  from	&#13;  the	&#13;  town?"	&#13;  
"I	&#13;  leave	&#13;  my	&#13;  whole	&#13;  heart	&#13;  behind.”	&#13;  

I	&#13;  had	&#13;  left	&#13;  the	&#13;  pretty	&#13;  wood	&#13;  
the	&#13;  squirrels	&#13;  stayed	&#13;  there	&#13;  
my	&#13;  pipe	&#13;  tried	&#13;  to	&#13;  make	&#13;  clouds	&#13;  in	&#13;  the	&#13;  sky	&#13;  
which	&#13;  remained	&#13;  obstinately	&#13;  pure	&#13;  

And	&#13;  the	&#13;  guards	&#13;  of	&#13;  the	&#13;  town	&#13;  
running	&#13;  up	&#13;  to	&#13;  the	&#13;  wagon	&#13;  driver:	&#13;  
"What	&#13;  do	&#13;  you	&#13;  bring	&#13;  into	&#13;  the	&#13;  town?"	&#13;  
"My	&#13;  heart	&#13;  with	&#13;  which	&#13;  to	&#13;  get	&#13;  married."	&#13;  

I	&#13;  have	&#13;  not	&#13;  confided	&#13;  a	&#13;  single	&#13;  secret	&#13;  
besides	&#13;  an	&#13;  enigmatic	&#13;  song	&#13;  to	&#13;  the	&#13;  damp	&#13;  peat-­‐bogs	&#13;  

So	&#13;  many	&#13;  hearts	&#13;  in	&#13;  Orkenise!	&#13;  
the	&#13;  guards	&#13;  laughed,	&#13;  laughed,	&#13;  
Tramp	&#13;  the	&#13;  road	&#13;  is	&#13;  grey,	&#13;  
love	&#13;  intoxicates,	&#13;  o	&#13;  wagon	&#13;  driver.	&#13;  
The	&#13;  handsome	&#13;  town	&#13;  guards	&#13;  
were	&#13;  knitting	&#13;  superbly;	&#13;  
then	&#13;  the	&#13;  doors	&#13;  of	&#13;  the	&#13;  town	&#13;  
slowly	&#13;  closed.	&#13;  

the	&#13;  heather	&#13;  perfumed	&#13;  with	&#13;  honey	&#13;  
attracted	&#13;  the	&#13;  bees	&#13;  
and	&#13;  my	&#13;  aching	&#13;  feet	&#13;  
trampled	&#13;  the	&#13;  bilberries	&#13;  and	&#13;  the	&#13;  blueberries	&#13;  
tenderly	&#13;  united	&#13;  north	&#13;  north	&#13;  
life	&#13;  twists	&#13;  itself	&#13;  there	&#13;  
into	&#13;  trees	&#13;  strong	&#13;  and	&#13;  twisted	&#13;  
there	&#13;  life	&#13;  bites	&#13;  death	&#13;  hungrily	&#13;  
when	&#13;  the	&#13;  wind	&#13;  howls	&#13;  

	&#13;  

	&#13;  
2.	&#13;  	&#13;  Hotel	&#13;  

4.	&#13;  	&#13;  Trip	&#13;  to	&#13;  Paris	&#13;  

Ah!	&#13;  Such	&#13;  a	&#13;  charming	&#13;  thing	&#13;  
My	&#13;  room	&#13;  is	&#13;  in	&#13;  the	&#13;  shape	&#13;  of	&#13;  a	&#13;  cage	&#13;  
to	&#13;  leave	&#13;  a	&#13;  drab	&#13;  country	&#13;  
the	&#13;  sun	&#13;  stretches	&#13;  its	&#13;  arm	&#13;  through	&#13;  the	&#13;  window	&#13;   for	&#13;  Paris	&#13;  lovely	&#13;  Paris	&#13;  
but	&#13;  I	&#13;  want	&#13;  to	&#13;  smoke	&#13;  to	&#13;  make	&#13;  fleeting	&#13;  patterns	&#13;   that	&#13;  Love	&#13;  must	&#13;  once	&#13;  have	&#13;  created	&#13;  
I	&#13;  light	&#13;  my	&#13;  cigarette	&#13;  at	&#13;  the	&#13;  flame	&#13;  of	&#13;  day	&#13;  
Ah!	&#13;  Such	&#13;  a	&#13;  charming	&#13;  thing	&#13;  
I	&#13;  don't	&#13;  want	&#13;  to	&#13;  work	&#13;  I	&#13;  want	&#13;  to	&#13;  smoke	&#13;  
to	&#13;  leave	&#13;  a	&#13;  drab	&#13;  country	&#13;  for	&#13;  Paris	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  5.	&#13;  	&#13;  Sobs	&#13;  
Our	&#13;  love	&#13;  is	&#13;  governed	&#13;  by	&#13;  the	&#13;  calm	&#13;  stars	&#13;  
now	&#13;  we	&#13;  know	&#13;  that	&#13;  within	&#13;  us	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  many	&#13;  men	&#13;  breathe	&#13;  
who	&#13;  came	&#13;  from	&#13;  very	&#13;  far	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  and	&#13;  are	&#13;  one	&#13;  beneath	&#13;  our	&#13;  brows	&#13;  
This	&#13;  is	&#13;  the	&#13;  song	&#13;  of	&#13;  the	&#13;  dreamers	&#13;  
who	&#13;  had	&#13;  torn	&#13;  out	&#13;  their	&#13;  heart	&#13;  
and	&#13;  carried	&#13;  it	&#13;  in	&#13;  the	&#13;  right	&#13;  hand	&#13;  
remember	&#13;  dear	&#13;  pride	&#13;  all	&#13;  these	&#13;  memories	&#13;  
of	&#13;  the	&#13;  sailors	&#13;  who	&#13;  sang	&#13;  like	&#13;  conquerors	&#13;  
of	&#13;  the	&#13;  chasms	&#13;  of	&#13;  Thule	&#13;  
of	&#13;  the	&#13;  gentle	&#13;  skies	&#13;  of	&#13;  Ophir	&#13;  
of	&#13;  the	&#13;  damned	&#13;  sick	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  of	&#13;  those	&#13;  who	&#13;  flee	&#13;  from	&#13;  their	&#13;  shadow	&#13;  
and	&#13;  of	&#13;  the	&#13;  joyous	&#13;  homecoming	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  of	&#13;  the	&#13;  happy	&#13;  emigrants	&#13;  

from	&#13;  this	&#13;  heart	&#13;  there	&#13;  ran	&#13;  blood	&#13;  
and	&#13;  the	&#13;  dreamer	&#13;  went	&#13;  on	&#13;  thinking	&#13;  
about	&#13;  his	&#13;  wound	&#13;  tender	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  you	&#13;  will	&#13;  never	&#13;  shatter	&#13;  the	&#13;  chain	&#13;  of	&#13;  these	&#13;  events	&#13;  
and	&#13;  painful	&#13;  and	&#13;  said	&#13;  to	&#13;  us	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  which	&#13;  are	&#13;  the	&#13;  results	&#13;  of	&#13;  other	&#13;  causes	&#13;  
my	&#13;  poor	&#13;  heart	&#13;  my	&#13;  shattered	&#13;  heart	&#13;  
identical	&#13;  to	&#13;  the	&#13;  heart	&#13;  of	&#13;  all	&#13;  men	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  here	&#13;  here	&#13;  are	&#13;  our	&#13;  hands	&#13;  that	&#13;  life	&#13;  made	&#13;  slaves	&#13;  
has	&#13;  died	&#13;  of	&#13;  love	&#13;  or	&#13;  so	&#13;  it	&#13;  seems	&#13;  
has	&#13;  died	&#13;  of	&#13;  love	&#13;  and	&#13;  here	&#13;  it	&#13;  is	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  thus	&#13;  is	&#13;  the	&#13;  way	&#13;  of	&#13;  all	&#13;  things	&#13;  
so	&#13;  tear	&#13;  out	&#13;  your	&#13;  own	&#13;  also	&#13;  
and	&#13;  nothing	&#13;  will	&#13;  have	&#13;  its	&#13;  freedom	&#13;  until	&#13;  the	&#13;  end	&#13;  of	&#13;  time	&#13;  
let	&#13;  us	&#13;  leave	&#13;  all	&#13;  to	&#13;  the	&#13;  dead	&#13;  
and	&#13;  hide	&#13;  our	&#13;  sobs	&#13;  

Original	&#13;  Texts:	&#13;  	&#13;  Guillaume	&#13;  Apollinaire	&#13;  
	&#13;  	&#13;  Translations:	&#13;  	&#13;  ©	&#13;  Christopher	&#13;  Goldsack	&#13;  	&#13;  www.melodietreasury.com	&#13;  

	&#13;  

�Frauenliebe	&#13;  und	&#13;  –Leben	&#13;  	&#13;  (A	&#13;  Woman’s	&#13;  Life	&#13;  and	&#13;  Love)	&#13;  
1.	&#13;  	&#13;  Since	&#13;  I	&#13;  saw	&#13;  him	&#13;  

3.	&#13;  	&#13;  I	&#13;  can't	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it	&#13;  

Since	&#13;  I	&#13;  saw	&#13;  him	&#13;  	&#13;  
I	&#13;  believe	&#13;  myself	&#13;  to	&#13;  be	&#13;  blind,	&#13;  	&#13;  
where	&#13;  I	&#13;  but	&#13;  cast	&#13;  my	&#13;  gaze,	&#13;  	&#13;  
I	&#13;  see	&#13;  him	&#13;  alone.	&#13;  	&#13;  
As	&#13;  in	&#13;  waking	&#13;  dreams	&#13;  	&#13;  
his	&#13;  image	&#13;  floats	&#13;  before	&#13;  me,	&#13;  	&#13;  
dipped	&#13;  from	&#13;  deepest	&#13;  darkness,	&#13;  	&#13;  
brighter	&#13;  in	&#13;  ascent.	&#13;  	&#13;  

I	&#13;  can't	&#13;  grasp	&#13;  it,	&#13;  nor	&#13;  believe	&#13;  it,	&#13;  	&#13;  
a	&#13;  dream	&#13;  has	&#13;  bewitched	&#13;  me;	&#13;  	&#13;  
how	&#13;  should	&#13;  he,	&#13;  among	&#13;  all	&#13;  the	&#13;  others,	&#13;  	&#13;  
lift	&#13;  up	&#13;  and	&#13;  make	&#13;  happy	&#13;  poor	&#13;  me?	&#13;  	&#13;  

All	&#13;  else	&#13;  dark	&#13;  and	&#13;  colorless	&#13;  	&#13;  
everywhere	&#13;  around	&#13;  me;	&#13;  	&#13;  
for	&#13;  the	&#13;  games	&#13;  of	&#13;  my	&#13;  sisters	&#13;  	&#13;  
I	&#13;  no	&#13;  longer	&#13;  yearn;	&#13;  	&#13;  
I	&#13;  would	&#13;  rather	&#13;  weep,	&#13;  	&#13;  
silently	&#13;  in	&#13;  my	&#13;  little	&#13;  chamber.	&#13;  	&#13;  
Since	&#13;  I	&#13;  saw	&#13;  him,	&#13;  	&#13;  
I	&#13;  believe	&#13;  myself	&#13;  to	&#13;  be	&#13;  blind.	&#13;  

O	&#13;  let	&#13;  me	&#13;  die	&#13;  in	&#13;  this	&#13;  dream,	&#13;  	&#13;  
cradled	&#13;  on	&#13;  his	&#13;  breast;	&#13;  	&#13;  
let	&#13;  the	&#13;  most	&#13;  blessed	&#13;  death	&#13;  drink	&#13;  me	&#13;  up	&#13;  	&#13;  
in	&#13;  tears	&#13;  of	&#13;  infinite	&#13;  bliss.	&#13;  

	&#13;  
	&#13;  
2.	&#13;  	&#13;  He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all	&#13;  

It	&#13;  seemed	&#13;  to	&#13;  me,	&#13;  as	&#13;  if	&#13;  he	&#13;  spoke,	&#13;  	&#13;  
"I	&#13;  am	&#13;  thine	&#13;  eternally.”	&#13;  
It	&#13;  seemed	&#13;  -­‐	&#13;  I	&#13;  dream	&#13;  on	&#13;  and	&#13;  on,	&#13;  	&#13;  
it	&#13;  could	&#13;  never	&#13;  be	&#13;  so.	&#13;  	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
4.	&#13;  	&#13;  The	&#13;  Ring	&#13;  

He,	&#13;  the	&#13;  most	&#13;  glorious	&#13;  of	&#13;  all,	&#13;  	&#13;  
O	&#13;  how	&#13;  mild,	&#13;  so	&#13;  good!	&#13;  	&#13;  
Lovely	&#13;  lips,	&#13;  clear	&#13;  eyes,	&#13;  	&#13;  
bright	&#13;  mind	&#13;  and	&#13;  steadfast	&#13;  courage.	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
my	&#13;  little	&#13;  golden	&#13;  ring,	&#13;  	&#13;  
I	&#13;  press	&#13;  thee	&#13;  piously	&#13;  upon	&#13;  my	&#13;  lips	&#13;  	&#13;  
piously	&#13;  upon	&#13;  my	&#13;  heart.	&#13;  	&#13;  

Just	&#13;  as	&#13;  yonder	&#13;  in	&#13;  the	&#13;  blue	&#13;  depths,	&#13;  	&#13;  
bright	&#13;  and	&#13;  glorious,	&#13;  that	&#13;  star,	&#13;  	&#13;  
so	&#13;  he	&#13;  is	&#13;  in	&#13;  my	&#13;  heavens,	&#13;  	&#13;  
bright	&#13;  and	&#13;  glorious,	&#13;  lofty	&#13;  and	&#13;  distant.	&#13;  

I	&#13;  had	&#13;  dreamt	&#13;  it,	&#13;  	&#13;  
the	&#13;  tranquil,	&#13;  lovely	&#13;  dream	&#13;  of	&#13;  childhood,	&#13;  	&#13;  
I	&#13;  found	&#13;  myself	&#13;  alone	&#13;  and	&#13;  lost	&#13;  	&#13;  
in	&#13;  barren,	&#13;  infinite	&#13;  space.	&#13;  	&#13;  

Meander,	&#13;  meander	&#13;  thy	&#13;  paths,	&#13;  	&#13;  
but	&#13;  to	&#13;  observe	&#13;  thy	&#13;  gleam,	&#13;  	&#13;  
but	&#13;  to	&#13;  observe	&#13;  in	&#13;  meekness,	&#13;  	&#13;  
but	&#13;  to	&#13;  be	&#13;  blissful	&#13;  and	&#13;  sad!	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
thou	&#13;  hast	&#13;  taught	&#13;  me	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  	&#13;  
hast	&#13;  opened	&#13;  my	&#13;  gaze	&#13;  unto	&#13;  	&#13;  
the	&#13;  endless,	&#13;  deep	&#13;  value	&#13;  of	&#13;  life.	&#13;  	&#13;  

Hear	&#13;  not	&#13;  my	&#13;  silent	&#13;  prayer,	&#13;  	&#13;  
consecrated	&#13;  only	&#13;  to	&#13;  thy	&#13;  happiness;	&#13;  	&#13;  
thou	&#13;  mays't	&#13;  not	&#13;  know	&#13;  me,	&#13;  lowly	&#13;  maid,	&#13;  	&#13;  
lofty	&#13;  star	&#13;  of	&#13;  glory!	&#13;  	&#13;  

I	&#13;  want	&#13;  to	&#13;  serve	&#13;  him,	&#13;  live	&#13;  for	&#13;  him,	&#13;  	&#13;  
belong	&#13;  to	&#13;  him	&#13;  entire,	&#13;  	&#13;  
Give	&#13;  myself	&#13;  and	&#13;  find	&#13;  myself	&#13;  	&#13;  
transfigured	&#13;  in	&#13;  his	&#13;  radiance.	&#13;  	&#13;  

Only	&#13;  the	&#13;  worthiest	&#13;  of	&#13;  all	&#13;  	&#13;  
may	&#13;  make	&#13;  happy	&#13;  thy	&#13;  choice,	&#13;  	&#13;  
and	&#13;  I	&#13;  will	&#13;  bless	&#13;  her,	&#13;  the	&#13;  lofty	&#13;  one,	&#13;  	&#13;  
many	&#13;  thousand	&#13;  times.	&#13;  	&#13;  

Thou	&#13;  ring	&#13;  on	&#13;  my	&#13;  finger,	&#13;  	&#13;  
my	&#13;  little	&#13;  golden	&#13;  ring,	&#13;  	&#13;  
I	&#13;  press	&#13;  thee	&#13;  piously	&#13;  upon	&#13;  lips,	&#13;  	&#13;  
piously	&#13;  upon	&#13;  my	&#13;  heart.	&#13;  

I	&#13;  will	&#13;  rejoice	&#13;  then	&#13;  and	&#13;  weep,	&#13;  	&#13;  
blissful,	&#13;  blissful	&#13;  I'll	&#13;  be	&#13;  then;	&#13;  	&#13;  
if	&#13;  my	&#13;  heart	&#13;  should	&#13;  also	&#13;  break,	&#13;  	&#13;  
break,	&#13;  O	&#13;  heart,	&#13;  what	&#13;  of	&#13;  it?	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  page	&#13;  quietly.	&#13;  

�5.	&#13;  	&#13;  Help	&#13;  me,	&#13;  ye	&#13;  sisters	&#13;  
Help	&#13;  me,	&#13;  ye	&#13;  sisters,	&#13;  	&#13;  
friendly,	&#13;  adorn	&#13;  me.	&#13;  	&#13;  
Serve	&#13;  me,	&#13;  today's	&#13;  fortunate	&#13;  one,	&#13;  	&#13;  
busily	&#13;  wind	&#13;  	&#13;  
about	&#13;  my	&#13;  brow	&#13;  	&#13;  
the	&#13;  adornment	&#13;  of	&#13;  blooming	&#13;  myrtle.	&#13;  	&#13;  
Otherwise,	&#13;  gratified,	&#13;  	&#13;  
of	&#13;  joyful	&#13;  heart,	&#13;  	&#13;  
I	&#13;  would	&#13;  have	&#13;  lain	&#13;  in	&#13;  the	&#13;  arms	&#13;  of	&#13;  the	&#13;  beloved,	&#13;  	&#13;  
so	&#13;  he	&#13;  called	&#13;  ever	&#13;  out,	&#13;  	&#13;  
yearning	&#13;  in	&#13;  his	&#13;  heart,	&#13;  	&#13;  
impatient	&#13;  for	&#13;  the	&#13;  present	&#13;  day.	&#13;  
Help	&#13;  me,	&#13;  ye	&#13;  sisters,	&#13;  	&#13;  
help	&#13;  me	&#13;  to	&#13;  banish	&#13;  	&#13;  
a	&#13;  foolish	&#13;  anxiety,	&#13;  	&#13;  
so	&#13;  that	&#13;  I	&#13;  may	&#13;  with	&#13;  clear	&#13;  	&#13;  
eyes	&#13;  receive	&#13;  him,	&#13;  	&#13;  
him,	&#13;  the	&#13;  source	&#13;  of	&#13;  joyfulness.	&#13;  	&#13;  
Dost,	&#13;  my	&#13;  beloved,	&#13;  	&#13;  
thou	&#13;  appear	&#13;  to	&#13;  me;	&#13;  	&#13;  
givest	&#13;  thou,	&#13;  sun,	&#13;  thy	&#13;  shine	&#13;  to	&#13;  me?	&#13;  	&#13;  
Let	&#13;  me	&#13;  with	&#13;  devotion,	&#13;  	&#13;  
let	&#13;  me	&#13;  in	&#13;  meekness,	&#13;  	&#13;  
let	&#13;  me	&#13;  curtsy	&#13;  before	&#13;  my	&#13;  lord.	&#13;  	&#13;  
Strew	&#13;  him,	&#13;  sisters,	&#13;  	&#13;  
strew	&#13;  him	&#13;  with	&#13;  flowers,	&#13;  	&#13;  
bring	&#13;  him	&#13;  budding	&#13;  roses,	&#13;  	&#13;  
but	&#13;  ye,	&#13;  sisters,	&#13;  	&#13;  
I	&#13;  greet	&#13;  with	&#13;  melancholy,	&#13;  	&#13;  
joyfully	&#13;  departing	&#13;  from	&#13;  your	&#13;  midst.	&#13;  

	&#13;  
	&#13;  
6.	&#13;  	&#13;  Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest	&#13;  	&#13;  
Sweet	&#13;  friend,	&#13;  thou	&#13;  gazest	&#13;  	&#13;  
upon	&#13;  me	&#13;  in	&#13;  wonderment,	&#13;  	&#13;  
thou	&#13;  canst	&#13;  not	&#13;  grasp	&#13;  it,	&#13;  	&#13;  
why	&#13;  I	&#13;  can	&#13;  weep.	&#13;  	&#13;  
Let	&#13;  the	&#13;  moist	&#13;  pearls'	&#13;  	&#13;  
unaccustomed	&#13;  adornment	&#13;  	&#13;  
tremble,	&#13;  joyful-­‐bright,	&#13;  	&#13;  
in	&#13;  my	&#13;  eyes.	&#13;  	&#13;  
How	&#13;  anxious	&#13;  my	&#13;  bosom,	&#13;  	&#13;  
how	&#13;  rapturous!	&#13;  	&#13;  
If	&#13;  I	&#13;  only	&#13;  knew,	&#13;  with	&#13;  words,	&#13;  	&#13;  
how	&#13;  I	&#13;  should	&#13;  say	&#13;  it.	&#13;  
Come	&#13;  and	&#13;  bury	&#13;  thy	&#13;  visage	&#13;  	&#13;  
here	&#13;  in	&#13;  my	&#13;  breast;	&#13;  	&#13;  
I	&#13;  want	&#13;  to	&#13;  whisper	&#13;  in	&#13;  thy	&#13;  ear	&#13;  	&#13;  
all	&#13;  my	&#13;  happiness.	&#13;  	&#13;  

	&#13;  

Knowest	&#13;  thou	&#13;  the	&#13;  tears,	&#13;  	&#13;  
that	&#13;  I	&#13;  can	&#13;  weep?	&#13;  	&#13;  
Shouldst	&#13;  thou	&#13;  not	&#13;  see	&#13;  them,	&#13;  	&#13;  
thou	&#13;  beloved	&#13;  man?	&#13;  	&#13;  
Stay	&#13;  by	&#13;  my	&#13;  heart,	&#13;  	&#13;  
feel	&#13;  its	&#13;  beat,	&#13;  	&#13;  
that	&#13;  I	&#13;  may,	&#13;  fast	&#13;  and	&#13;  faster,	&#13;  	&#13;  
hold	&#13;  thee.	&#13;  	&#13;  
Here,	&#13;  at	&#13;  my	&#13;  bed,	&#13;  	&#13;  
the	&#13;  cradle	&#13;  shall	&#13;  have	&#13;  room,	&#13;  	&#13;  
where	&#13;  it	&#13;  silently	&#13;  conceals	&#13;  	&#13;  
my	&#13;  lovely	&#13;  dream.	&#13;  	&#13;  
The	&#13;  morning	&#13;  will	&#13;  come	&#13;  	&#13;  
where	&#13;  the	&#13;  dream	&#13;  awakes,	&#13;  	&#13;  
and	&#13;  from	&#13;  there	&#13;  thy	&#13;  image	&#13;  	&#13;  
shall	&#13;  smile	&#13;  at	&#13;  me.	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
7.	&#13;  	&#13;  At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast	&#13;  
At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast,	&#13;  	&#13;  
thou	&#13;  my	&#13;  rapture,	&#13;  my	&#13;  happiness!	&#13;  	&#13;  
The	&#13;  joy	&#13;  is	&#13;  the	&#13;  love,	&#13;  the	&#13;  love	&#13;  is	&#13;  the	&#13;  joy,	&#13;  	&#13;  
I	&#13;  have	&#13;  said	&#13;  it,	&#13;  and	&#13;  won't	&#13;  take	&#13;  it	&#13;  back.	&#13;  	&#13;  
I've	&#13;  thought	&#13;  myself	&#13;  rapturous,	&#13;  	&#13;  
but	&#13;  now	&#13;  I'm	&#13;  happy	&#13;  beyond	&#13;  that.	&#13;  	&#13;  
Only	&#13;  she	&#13;  that	&#13;  suckles,	&#13;  only	&#13;  she	&#13;  that	&#13;  loves	&#13;  	&#13;  
the	&#13;  child,	&#13;  to	&#13;  whom	&#13;  she	&#13;  gives	&#13;  nourishment;	&#13;  	&#13;  
Only	&#13;  a	&#13;  mother	&#13;  knows	&#13;  alone	&#13;  	&#13;  
what	&#13;  it	&#13;  is	&#13;  to	&#13;  love	&#13;  and	&#13;  be	&#13;  happy.	&#13;  	&#13;  
O	&#13;  how	&#13;  I	&#13;  pity	&#13;  then	&#13;  the	&#13;  man	&#13;  	&#13;  
who	&#13;  cannot	&#13;  feel	&#13;  a	&#13;  mother's	&#13;  joy!	&#13;  	&#13;  
Thou	&#13;  dear,	&#13;  dear	&#13;  angel	&#13;  thou!	&#13;  
Thou	&#13;  lookst	&#13;  at	&#13;  me	&#13;  and	&#13;  smiles.	&#13;  
At	&#13;  my	&#13;  heart,	&#13;  at	&#13;  my	&#13;  breast,	&#13;  	&#13;  
thou	&#13;  my	&#13;  rapture,	&#13;  my	&#13;  happiness!	&#13;  

�	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

8.	&#13;  	&#13;  Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain	&#13;  
Now	&#13;  thou	&#13;  hast	&#13;  given	&#13;  me,	&#13;  for	&#13;  the	&#13;  first	&#13;  time,	&#13;  pain,	&#13;  	&#13;  
how	&#13;  it	&#13;  struck	&#13;  me.	&#13;  	&#13;  
Thou	&#13;  sleepst,	&#13;  thou	&#13;  hard,	&#13;  merciless	&#13;  man,	&#13;  	&#13;  
the	&#13;  sleep	&#13;  of	&#13;  death.	&#13;  	&#13;  

Agnus	&#13;  Dei	&#13;  (Lamb	&#13;  of	&#13;  God)	&#13;  
Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  have	&#13;  mercy	&#13;  on	&#13;  us.	&#13;  
Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  have	&#13;  mercy	&#13;  on	&#13;  us.	&#13;  

The	&#13;  abandoned	&#13;  one	&#13;  gazes	&#13;  straight	&#13;  ahead,	&#13;  	&#13;  
the	&#13;  world	&#13;  is	&#13;  void.	&#13;  	&#13;  
I	&#13;  have	&#13;  loved	&#13;  and	&#13;  lived,	&#13;  I	&#13;  am	&#13;  	&#13;  
no	&#13;  longer	&#13;  living.	&#13;  	&#13;  
I	&#13;  withdraw	&#13;  silently	&#13;  into	&#13;  myself,	&#13;  	&#13;  
the	&#13;  veil	&#13;  falls,	&#13;  	&#13;  
there	&#13;  I	&#13;  have	&#13;  thee	&#13;  and	&#13;  my	&#13;  lost	&#13;  happiness,	&#13;  	&#13;  
O	&#13;  thou	&#13;  my	&#13;  world!	&#13;  
	&#13;  
Original	&#13;  Texts:	&#13;  	&#13;  Adelbert	&#13;  von	&#13;  Chamisso	&#13;  
Translations:	&#13;  	&#13;  ©	&#13;  Daniel	&#13;  Platt	&#13;  

Lamb	&#13;  of	&#13;  God,	&#13;  who	&#13;  takes	&#13;  away	&#13;  the	&#13;  sins	&#13;  of	&#13;  the	&#13;  
world,	&#13;  grant	&#13;  us	&#13;  peace.	&#13;  
	&#13;  
Text:	&#13;  	&#13;  from	&#13;  the	&#13;  Ordinary	&#13;  of	&#13;  the	&#13;  Mass	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  

	&#13;  

Please	&#13;  join	&#13;  us	&#13;  for	&#13;  a	&#13;  reception	&#13;  in	&#13;  the	&#13;  lounge	&#13;  after	&#13;  the	&#13;  recital!	&#13;  
	&#13;  

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Clarinet Class
Recital
Featuring students from the
studio of Patricia Kostek

		

Sunday, February 21, 2016 • 2:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Grand Duo Concertant, Op. 48	 	
for Clarinet and Piano	 			
	
I. Allegro con fuoco

Carl Maria von Weber
(1786–1826)

Marcella Barz, clarinet
Ina Dykstra, piano
Suite Hebraïque for Clarinet in B flat and Piano	
	
Cantorial Chant			
	
Chasidic Dance
	Hora
Alina Liang, clarinet
Laura Liu, piano

Srul Irving Glick
(1934–2002)

Concertino for clarinet			
Giuseppe Tartini (1692–1770)
	
I. Grave						 arr. Gordon Jacob
	
II. Allegro molto
	
III. Adagio	
Channing Mar, clarinet
Samuel Pan, piano
Adagio and Tarantella for clarinet and piano 		
Ernesto Cavallini
							
(1804–1874)
Mark Kim, clarinet
Alexander Cheung, piano
Sonata for clarinet and piano in E-flat major 	
Felix Mendelssohn
	
I. Adagio–Allegro moderato			
(1809–1847)
	
Sunny Chu, clarinet
Yuko Imai, piano

I NT E R M I S S I O N

�Premiere Rhapsodie

				
		
Erin Onyschtschuk, clarinet
Elizabeth Clarke, piano

Duo Concertant, Op. 351			
for clarinet and piano					

Claude Debussy
(1862–1918)

Darius Milhaud
(1892–1974)

Liam Pistor, clarinet
Josh Herrett, piano
Sonate for clarinet and piano, Op. 107C	 	
Camille Saint-Saëns
	
I. Allegretto					
(1835–1921)
Alyshia Joinson, clarinet
Samuel Pan, piano
32 Etudes for Clarinet, No. 3
	
Andante sostenuto

				
	

Cyrille Rose
(1830–1902)

Jynelle Grigg, clarinet
Concerto pour Clarinette 				
	
Allemande					
	
	
Jynelle Grigg, clarinet
Wendy Feng, piano

Michel Yost
(1754–1786)

Intermezzo 						
Alex Shapiro
								 (b.1962)
Dominic Thibault, clarinet
James Yi, piano
A Klezmer Wedding

			

Mike Curtis

Erin Onyschtschuk, Dominic Thibault, Sunny Chu, clarinets
Marcella Barz, bass clarinet

www.finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�Piano Class
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Recital

Featuring students from the studios of
Michelle Mares and Arthur Rowe

		

Saturday, February 20, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Sonata in C minor, Op. 13 (Pathetique) 		
Ludwig van Beethoven
	
Grave: Allegro molto e con brio	
		
(1770–1827)
Liam Pistor
Adagio in D flat Major, D. 505				
							
Emmett Robinson Smith

Franz Schubert
(1797–1828)

Sonata in C minor, Op. 10, No. 1 	
		
L. v. Beethoven
	
Allegro molto e con brio	 					
Alex Cheung
Image Astrale						
							
Jasper Graham

Jean Coulthard
(1908–2000)

Etude Op. 10, No. 3					 Frédéric Chopin
						
(1810–1849)
Mark Bigauskas
Sonata in E minor, Hob. XVI: 34				
	Presto						
Wendy Feng

Joseph Haydn
(1732–1809)

Impromptu No. 3 in G flat Major, D. 899			
F. Schubert
								
Michelle Hoskin
Sonata in E flat, Op. 81a (Les Adieux)			
	
L’Absence: Andante espressivo			
	
Le Retour: Vivacissimamente
Sarah Tao
I NT E R M I S S I O N

L. v. Beethoven

�Sonata in A Major, D. 664				
F. Schubert
	
Allegro moderato							
Crystal Anne Howell
Variations “Nel cor più non mi sento”			

L. v. Beethoven

Myles Anderson
Consolation No. 3						
								
Seira Hayakashi

F. Liszt

Jardins sous la Pluie					 Claude Debussy
							
(1862–1918)
				Samuel Pan
Etude Op. 25, No. 1						 F. Chopin
Etude Op. 10, No. 10 							
					
Maggie Xu
Variations Op. 27 					
							
	
Thomas Nicholson

Anton Webern
(1883–1945)

Etude pour les quartes	 				
C. Debussy
								
Perpetuum Mobile 					
György Kurtág
						
(b. 1926)
Laura Altenmueller
Goyescas No. 1 (Los Requiebros)			
				
Zinna Kwon

www.finearts.uvic.ca/music/events

Enrique Granados
(1867–1916)

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Piano Class
Recital
Featuring students from the
studio of Eva Solar-Kinderman

		

Saturday, February 20, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Johann Sebastian Bach
(1685–1750)

Prelude and fugue in B minor BWV 893
from The Well Tempered Clavier Book II
Mandy Liu

Wolfgang Amadeus Mozart
(1756–1791)

Sonata in D Major, K. 311
	
I. Allegro con spirito
Laura Liu

W. A. Mozart

Sonata in A minor, K. 310
	
I. Allegro maestoso

Vanessa Lee
Frédéric Chopin
(1810–1849)

Nocturne in C sharp minor, Op. posth.
Emily Liu

Johannes Brahms
(1833–1897)

Intermezzo in A Major, Op.118
Katelyn Lundin

Frédéric Chopin

Fantaisie–Impromptu, Op. 66
Esther Lee
Chaconne from Partita in D minor BWV 1004

J.S. Bach /
Ferruccio Busoni (1866–1924)

Yuko Imai
I NT E R M I S S I O N

�Ava Hoegl
(b. 1990)

Enfolded and apart
Based on the poem Night by Lucy Montgomery
Kim Farris-Manning

Claude Debussy
(1862–1918)

Arabesque No. 1 in E Major
Vincy Ip
Prelude in G minor, Op. 23, No. 5
Angie Lo

Sergei Rachmaninoff
(1873–1943)

Hungarian Rhapsody No. 2 in C sharp minor
Michael Lee

Franz Liszt
(1811–1896)

Frédéric Chopin

Fantasy in F minor, Op. 49
Sophia Stoney

www.finearts.uvic.ca/music/events

�</text>
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                    <text>DEGREE RECITAL
	

	Megan	Rees,	Trombone		

																																																																																																Featuring:			Josh	Herrett,	Piano	
																																																																																																														James	Yi,	Piano	
Alex	Rees,	Trumpet	
	
												UVic	Trombone	choir:	
																																																																																																																																																Heidi	Worrall	
																																																																																																																																												Erin	Marsh	
																																																																																																																																												Will	Quinn	
																																																																																																																																														Zach	Power	
																																																																																																																																																	Owen	Worby	
																																																																																																																																																			Liam	Caveney	
																																																																																																																																															Kory	Major		
	

	

Wednesday,	March	9th	2016,	8pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

	

PROGRAM
	

Sonata	for	Trombone	and	Piano	(“Vox	Gabrieli”)	
		
								 																	Stjepan	Šulek																																														
																																																																																																																			(1914-1986)	
	
Josh	Herrett,	piano	
	
	
	
Fantasie	in	A	minor																																																																																			G.P	Telemann,	trans.	Alan	Raph																																										
																											I.A	tempo	giusto																																																																																														(1681-1767)	
																										II.Presto	
																									III.Moderato																																																																																																																						

	

	
	
Liebst	du	um	Schoenheit																																																																											Gustav	Mahler,	arr.	David	Rahbee	
																																																																																																																													(1860-1911)	
																																																																					Trombone	Choir	

	
	
	
	
	

Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

�-	INTERMISSION	-	

	
	
	
The	Rivals	
																																																																																																																														Richard	Shuebruk			
																																																																																																																																																															(1854-1933)																																					
	Alex	Rees,	trumpet																																																																		
James	Yi,	piano	
	
	
	
NEWF	 								 																																																																																																																															Ryan	Purchase	
									I.	At	the	Time																																																																																																																																(1977-)	
								II.	“Forty-nine”;	“Fourth	of	March”																																																																																																																					
							III.	“Experience	is	Everything”	
							IV.	“Ah,	well,	it’s	goin’	great	now”;	“Why	stop	in	n’	see	you?”			
	
	
	
	
Thoughts	of	Love																																																																																																																															Arthur	Pryor	
																																																																																																																																																								(1870-1942)	
																																																																							Josh	Herrett,	piano	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
	
Megan	Rees	is	from	the	class	of	Professor	Scott	MacInnes	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	
	

Please	turn	off	all	cell	phone,	camera,	laptop,	and	audio	&amp;	video	recording	devices.	
Their	use	is	strictly	prohibited	during	events.	

�</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Graduation Recitals</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_05.mp3"&gt;track5&lt;/a&gt;</text>
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            <name>Title</name>
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                <text>Degree Recital - Megan Rees, trombone</text>
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            <name>Creator</name>
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                <text>Adar Guy</text>
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            <name>Date</name>
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                <text>March 9, 2016</text>
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                <text>Megan Rees, trombone</text>
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