112
10
1498
-
https://finearts.uvic.ca/music/archive/files/original/a953195e80bb6a72c4681b275019a523.pdf
8e7ff48f72fd036dc5fd7a2530ceffad
PDF Text
Text
DEGREE RECITAL
Fahlon Smith, viola
Frances Armstrong, piano
Keenan Mittag-Degala, percussion
Tuesday, April 26, 2016, 8:00PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Cello Suite No. 2 in D minor, BWV 1008
Johann Sebastian Bach
I: Prelude (1685-1750)
II: Allemande
III: Courante
IV: Sarabande
V: Minuet 1, Minuet 2
VI: Gigue
Variations for Four Drums and Viola Michael Colgrass
I: Introduction (b. 1932)
II: Variation I
III: Variation II
IV: Variation III
V: Variation IV
VI: Variation V
VII: Finale
Keenan Mittag-Degala, percussion
— INTERMISSION —
7 Variations on “Bei Mannern” Ludwig van Beethoven
from Die Zauberflote, WoO 46 (1770-1827)
Frances Armstrong, piano
Viola Sonata in Bb major, Op. 36
Henri Vieuxtemps
I: Maestoso (1820-1881)
II: Barcarolla (Andante con moto)
III: Finale Scherzando
Frances Armstrong, piano
Fahlon Smith is from the class of Joanna Hood.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042616-GradRecital_Smith/042616-GradRecital_Smith_04.mp3">Track 4</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Fahlon Smith, Viola
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
April 26, 2016
Contributor
An entity responsible for making contributions to the resource
Fahlon Smith, viola
-
https://finearts.uvic.ca/music/archive/files/original/3d4a2b8b67285c928b26c65b0345c4d7.pdf
0ca55407082ae5b0174efb87878465d1
PDF Text
Text
Degree Recital
Elizabeth Gerow, Voice
With Laura Altenmueller
Saturday July 30th, 2016, 7:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free Admission
�Program
Я не пророк (I am not a Prophet)
Rachmaninoff
Они отвечали (They Replied)
(1873 - 1943)
Applause gratefully accepted after each set (noted in brackets) as opposed to each
Речная лилея (River Lilly)
individual number. Thank you!
У моего окна (Before my Window)
Икалось ли тебе (Were you Hiccoughing)
“Flӧβt, mein Heiland, flӧβt dein Namen”
J. S. Bach
Christmas Oratorio (1685 - 1750)
I would like to dedicate the performance of these next songs to Ms. Arabella
Andrup , Elinor Dunsmuir’s grandniece, who graciously kept and preserved the
Margaret Lingas, soprano
composer’s original manuscripts before donating them to the Craigdarroch Castle
Alex Klassen, cello
Collection. Ms. Andrup sadly passed away this past May, and many condolences
Anna Betuzzi, oboe
to her family and friends during this time.
Laura Altenmueller, piano
A Song
Elinor Dunsmuir
Auf dem Felsen
Josephine Lang
(1887 - 1938)
Erinnerung
(1815 - 1880) Une Lettre
Mine
Ob sie meiner wohl gedenkt!
The Full Sea Rolls
“Es ist noch eine Ruhe vorhanden dem Volk Gottes.”
The Dreamer
Worthy of You
Tre Arriette
Bellini
A Memory
1. Il fervido desiderio
(1801 - 1835)
2. Dolente imagine di Fille mia
3. Vaga luna che inargenti
An die Musik
Schubert
(1797 - 1828)
Serenata
Mascagni
(1863 - 1945)
Elizabeth Gerow is from the class of Professor Susan Young
-INTERMISSION-
This recital is presented in partial fulfillment of the requirements for the
Please turn off all cell phone, camera, laptop, and audio & video recording
devices.
Bachelors of Music Degree in Vocal Performance.
Reception to follow in the Lounge.
�Program Notes for Select Composers
Josephine Lang
I had the privilege of exploring the music of Josephine Lang (1815 -
1880) this past year, during an in-depth study of two of her
unpublished manuscripts as part of the Jamie Cassels Undergraduate
Research Award, under the tutelage of Dr. Harald Krebs. Although
Lang had little formal musical training, she managed to write
hundreds of songs during her lifetime, many of which helped to supply
an income for her and her six children after the death of her husband.
The two unpublished works mentioned above, “Auf dem Felsen” and
“Ob sie meiner wohl gedenkt” will be performed this evening. The
song “Ob sie meiner…” was never fully completed, as the ending of
the song was crossed out by the composer. It is a gorgeous ending,
however, which is why we will still be performing it for you this
evening, (and hopefully Josephine would not have been too upset!)
Sergei Rachmaninoff
Rachmaninoff (1873 - 1943) is one of my favourite composers. He
blends harmony and melody so seamlessly, and the Russian language
just seems to pour out of your lips while singing. I also enjoy singing
Rachmaninoff’s music because it contains so many things in one
package: passion, spirituality, contemplation, sorrow, irony, and a
great piano solo! The last song of tonight’s Rachmaninoff Set, “Were
you Hiccoughing,” is one of a number of songs that were never
published during the composer’s lifetime, and I chose it because it
shows off the composer’s more humorous side. Here is a short
description of the song by Natalia Challis, from her book, The Singer’s
Rachmaninoff:
“In 1899 Rachmaninoff wrote music to a text by Prince Peter
Viazemsky, which he paraphrased in jest and dedicated to his future
wife, Natasha Satina. The song was written at a time when he was
depressed by the failure of his first symphony and ceased composing;
hence the dedication of the song, “No, my muse is not yet dead,
sweet Natasha.” He admonished her to read the music carefully, as
he accompanied the phrase “loving Natasha” with the motif of
Lensky’s words “I love you” from Tchaikovsky’s Eugene Onegin.”
Elinor Dunsmuir
Emily Elinor Dunsmuir (1887 - 1938) was the daughter of the
Honourable James Dunsmuir (former Premier and Lieutenant
Governor of BC, who built Hatley Castle) and the granddaughter of
Robert and Joan Dunsmuir (Scottish Immigrants and founders of
Craigdarroch Castle). Although there are few surviving letters and no
diary, her personality and circumstances can be “heard” through her
surviving music manuscripts, which were kindly donated to the
Craigdarroch Castle Collection by the late Ms. Arabella Andrup, to
whom this performance is dedicated. Although many of the songs
performed this evening are very short, they show a unique and
unpredictable voice. Dunsmuir’s music never took flight in the public
eye during her lifetime, but there is evidence that she provided some
additional songs for the 1928-1929 Broadway Musical “Sunny Days,”
as her name appears on the Broadway Archives Database, and family
ties to the city can also support this fact. Elinor also had many
wealthy and famous connections in France, where she gave the
famous Ballets Russes impresario Sergei Diaghilev one of her ballet
scores, and one of his letters from Dunsmuir, requesting that he return
her ballet manuscript, can be found in the online archives of the New
York City Library. All of Dunsmuir’s songs performed for you this
evening are unpublished, and with the exception of “The Dreamer”
and “A Memory,” this just might be their first exposure to the public
ear. I would like to sincerely thank the curatorial staff at Craigdarroch
Castle for introducing me to Elinor’s life and music, Laura Altenmueller
for her assistance with the interpretation of the music, and to the
many others who helped me with deciphering the lyrics. We hope you
enjoy taking a step back into the early twentieth-century of Elinor
Dunsmuir!
�Song Translations in English
“Flӧβt, mein Heiland, flӧβt dein Namen” (From Christmas Oratorio)
“My Saviour, does your name arouse fear”
My Saviour, does your name arouse fear
Even the smallest seed
of that powerful terror?
No, You Yourself say no. (No!)
Shall I shun death now?
No, Your sweet word is there!
Or shall I rejoice?
Yes, o Savior, You Yourself say yes. (Yes!)
Auf dem Felsen
On the Cliff*
Silently I wander upward through the forest,
The green [forest],colourful with blossoms;
Soon I stand upon the craggy cliff,
And gaze joyfullydownward.
From here I see the cramped valley
Curving down so beautifully;
The little villiages are all reposing
Like children in their cradles.
Ob sie meiner wohl gedenkt! Is she perhaps thinking about me!
Is she perhaps thinking about me
Now that I have torn myself away from her,
Ah, this one thing I would like to know,
Is she perhaps thinking about me!
Is she perhaps gazing at the path,
Which I walked in hot tears,
Is she with a quiet yearning,
Gazing at the desolate path?
Is she still thinking about me,
Now that I have torn myself away from her,
Ah, this one thing I would like to know,
Is she perhaps thinking about me?
Ah, sunken in sorrow,
I move farther away [from her]each day,
On my lips the fearful question!
Is she perhaps thinking about me?
�Erinnerung
Remembrance*
Every dream shows me my end!
The future no longer smiles upon me!
I barely know anymore what happiness is.
Into the springtime of my life fell
The wintry play of the snowflakes of misfortune.
Joy, Hope, Love have passed away;
I wish Remembrance were among [the things that had passed away]!
“Es ist noch eine Ruhe vorhanden dem Volk Gottes.”
"There remaineth therefore a rest to the people of God"*
God, when my heart breaks [in death], press
My eyes shut Yourself,
And show me Your face
There in [that place of] eternal rest!
Lord, I do not want to leave You!
Give me strength to clasp You firmly!
Who holds only You, yes, holds only You,
Must be blessed!
*Translations provided by Sharon Krebs
Tre Ariette (Three Songs)
1. Il fervido desiderio
The fervid desire
When will the day come
when I will be able to see you again
That which my loving heart desires so much?
That I will receive you in my breast,
Ah, Beautiful flame of love, my soul?
2. Dolente imagine di Fille mia Painful image of my Fille
Painful image of my Fille
Why so miserably do you sit near me?
What more do you want?
I have poured my tears on your ashes up till now.
Are you afraid that, forgetting our sacred vows,
I could love another face?
Shadow of Fillide, rest in peace;
Our former ardor is inextinguishable.
3. Vaga luna, che inargenti
Pretty moon, who makes-silvery
Pretty moon,
Who makes these shores and flowers silvery
And inspires the language of love to the elements;
Of my fervid desire, now I tell only you,
And to you that I am falling in love
Count the heart beats and the sighs.
Then tell her that distance cannot assuage my sorrow,
That I feed upon a hope, she is the only one, yes,
She is the only one in my future.
Also tell her that day and night
I count the hours of grief
That the enticing hope
of her love comforts me.
�Serenata
Serenade
Like loving doves sleep with their heads tucked under white wings
You, like a tired person, recline under soft, embroidered blankets.
You enjoy rose-colored dreams as your head rests upon the pillow.
As sweet fairies pass by, one brushes your smiling face
And tells you that my heart is bleeding for you, and my veins run hot
with blood!
Passing by, it tells you that I love you; that you are both sweetness and
torment to me!
White, within a cloud of blond hair, you smile happily at your pleasant
dreams.
Do not awaken, oh flower of paradise! Because I come to kiss you in
your dreams!
Я не пророк I am not a Prophet
I am not a prophet, nor a warrior am I,
I am not a teacher of the world;
By God’s grace I am a singer.
The instrument I bear is a lyre.
I perform the will of the Lord,
I do not keep trust with a lie,
I speak to hearts through a song,
Waking in them the spark of God!
Они отвечали They Replied
They asked: How in fleeting boats
Can we glide like white seagulls on waves,
So watchmen would not overtake us?
Row! They replied.
Asked they: How can one forget, forever,
This sorrowful world’s misfortunes and needs,
Its sadness and storms?
Fall asleep! They replied.
Asked they: How will beautiful girls
Love us, without illusion-and to our passionate words,
They would be drawn into our embrace?
Love! They replied.
Речная лилея River Lily
A water lily, opening her petals, looks at the sky,
The amorous moon sadly touches her with its silvery rays,
And when she turns shyly toward the blue waters
The moon’s pale and languid reflection touches her there . . .
�У моего окна At my window
At my window a bird cherry blossoms,
Blossoms pensively in its silvery raiment . . .
And with its fresh and fragrant branch
It inclines and beckons . . .
Of its quivering, ethereal petals
I joyfully take in the cheerful breath,
Their sweet fragrance obscures my consciousness,
And they sing love songs without words . . .
Икалось ли тебе
Were you hiccoughing
Were you hiccoughing, Natasha,
When I was drinking the champagne
Of different tastes, attributes and classes,
Of different ages and passions.
When in Voronezh cellars
I greedily drank to you,
Loving Natasha, poetess,
Yea and loving champagne too?
Here Kastalsky’s key wells up
Sustaining with an unfabulous stream,
Poetry here is an everyday matter:
Pay five francs, then drink and sing!
Une Lettre
A Letter
When you think of me,
You will always know,
That during the day and the days,
During the night and the nights
During the weeks and the months
During the years
That I am yours alone
I love you
and I adore you.
An die Musik To Music
Oh hallowed Art, how often, when depression
and life's wild circle had ensnared my space,
have you aroused my heart to love's compassion,
have you removed me to a better place!
How often has the sigh your harp created,
a sacred chord of your enchanted mood,
to heaven's better times my soul elated:
Oh hallowed Art, accept my gratitude!
�Special Thanks
I would first like to thank my Heavenly Father for being my Savior,
Mentor, and best friend, and for giving me the gift of song which
brings me so much pleasure, and also encourages others in their walks
of life.
I would like to thank my parents, family and friends for their
encouragement and support throughout these past years of schooling
at UVic, and for always sticking with me through the storms and
challenging times! I would also like to thank my church family who
are always so supportive in my music, and have been in prayer for me
during the rough patches.
Next I would like to thank my voice teacher Susan Young. Susan is
one of the most loving, talented and encouraging people I know.
Thank you for your expertise and many “pep-talks” which always kept
me going! You are always supportive, but always know when to be
strict with me when I need it!
I would also like to thank the other voice faculty at UVic: Ben
Butterfield, Anne Grimm and Charlotte Hale for your encouragement
throughout this journey which is singing. Many thanks to my past
voice teachers Anne Bennett and Rebecca Hass for lighting the flame.
Many thanks to all the faculty and staff at the UVic Music School for
widening my horizons, challenging me and sharing your expertise with
me.
Thank you to my accompanist, Laura Altenmueller, for bringing your
kindness, skill and expertise to this recital. It has really been a great
joy to work with you, and I hope one day we will be able to work
together again!
A very big thanks to Alex Klassen, Margaret Lingas and Anna Betuzzi
for contributing their time and talents to this recital. It is greatly
appreciated!
Last but not least I would like to thank you, the audience, for coming
to my graduation recital. Whether you are a friend or just passing by,
I hope you enjoy tonight’s performance!
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/073016-GradRecital_Gerow/073016-GradRecital_Gerow_07.mp3">track7</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Elizabeth Gerow, Voice
Creator
An entity primarily responsible for making the resource
Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
July 30, 2016
Contributor
An entity responsible for making contributions to the resource
Elizabeth Gerow, voice
-
https://finearts.uvic.ca/music/archive/files/original/fd13bed4227bc656533f2a052d858853.pdf
6335583e7c5b50152279b23dbb87538b
PDF Text
Text
DEGREE RECITAL
Joshua Gomberoff, viola
Elizabeth Clarke, piano
Alexandria Le, piano
Chloe Kim, violin
Thursday April 28th, 2016, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Cello Suite No. 3, in C major
J.S. Bach
I.
Prelude (1685-1750)
II.
Allemande
III.
Courante
IV.
Sarabande
V.
Bourrée I
VI.
Bourrée II
VII.
Gigue
Clarinet Sonata No. 1, in f minor Johannes Brahms
I.
Allegro appassionato (1833-1897)
II.
Andante un poco adagio
III.
Allegretto grazioso
IV.
Vivace
Elizabeth Clarke, piano
— INTERMISSION —
Cadenza per viola solo Krzysztof Penderecki
(b. 1933)
Viola Sonata Op. 11 No. 4 Paul Hindemith
I.
Fantasie (1895-1963)
II.
Thema mit Variationen
III.
Finale (mit Variationen)
Alexandria Le, piano
Joshua Gomberoff is from the class of Joanna Hood
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042816-GradRecital_Gomberoff/042816-GradRecital_Gomberoff_05.mp3">track5</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Joshua Gomberoff, viola
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
April 28, 2016
Contributor
An entity responsible for making contributions to the resource
Joshua Gomberoff, viola
-
https://finearts.uvic.ca/music/archive/files/original/2231caba24aedc4e90ba91ef7e9ad736.pdf
af4fb80dbd4edb148fe32e4cb13297df
PDF Text
Text
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 11, 2016 • 12:30 p.m.
Featuring School of Music string students
Sonata No. 2 in E-flat Major
Johannes Brahms
III. Andante con moto (1833 - 1897)
Sarah de Niverville, viola
Emily Armour, piano
Violin Concerto No. 5 in A major (“The Turkish”)
III. Rondeau- Tempo di Menuetto
Amy-Lynne Toth, violin
Sydney Bulman-Fleming, piano
Cello Sonata in F Major, Op. 5, No. I
I. Adagio sostenuto
II. Allegro
Wolfgang Amadeus Mozart
(1756 - 1791)
Ludwig van Beethoven
(1770 - 1827)
Grazyna Bacewicz
(1909 - 1969)
Claire Dresselhuis, cello
Frances Armstrong, piano
Humoreska
Natalie Dzbik, violin
Thomas Nicholson, piano
Cello Sonata in G Minor, Op. 65
Fredrick Chopin
III. Largo (1810 - 1849)
IV. Finale. Allegro
Shiun Kim, cello
Zinna Kwon, piano
Violin Concerto in E Minor, Op. 64
Felix Mendelssohn
III. Allegretto non troppo-Allegro molto vivace (1809 - 1847)
Jasmine Mather, violin
Iris Hung, piano
Upcoming at the School of Music
Friday, March 11, 8:00 p.m. (Admission by donation)
CELLO CLASS RECITAL
Featuring students from the studio of Pamela Highbaugh Aloni.
Phillip T. Young Recital Hall
Saturday, March 12, 2:30 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of May-Ling Kwok.
Phillip T. Young Recital Hall
Saturday, March 12, 2:30 p.m. (Admission by donation)
UNIVERSITY WOMEN’S CHOIR
Of Spring and of Eastertide
Susan Young, director
Performing Stabat Mater by Giovanni Battista Pergolesi
St. Aidan’s United Church (3703 St. Aidan’s)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031116-Fridaymusic/031116-Fridaymusic_06.mp3">track6</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 11, 2016
-
https://finearts.uvic.ca/music/archive/files/original/f2f44d66c1a1ed8c6a0cec67965237f1.pdf
90d876e1147ec87d9e1b80ec96bfc356
PDF Text
Text
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 4, 2016 • 12:30 p.m.
Featuring School of Music brass students
Country Pictures
Vassaly Brandt
I. Under the Lime Tree (1869 - 1923)
II. At the Feast
Tark Kim, trumpet Jordan Smale, trumpet
Isabelle Spencer, trumpet
John Hamblett, trumpet
Four Pieces for Four Trombones
I. Tango
II. Song
III. Parody
IV. Lament
Owen Worby, trombone
Erin Marsh, trombone
Liam Caveney, trombone
William Quinn, trombone
Megan Rees, trombone
Zachary Power, trombone
Heidi Worral, trombone
Gaeth Wood
(b. 1950)
Six Trios for French Horn, Op. 82
I. Lento Sostenuto - Allegro Spiritoso
II. Allegro Scherzando
Sam Mcnally, horn James Waddell, horn
Sarah Mullane, horn
Collin Lloyd, horn
Allie Bertholm, horn
Justin Malchow, horn
Drake Lovett, horn
Anton Reicha
(1770 - 1836)
Morning Song
John Hamblett, trumpet
Emily McDermid, trumpet
Justin Malchow, horn
Heidi Worrall, trombone
Dayna Waller, tuba
Aphorisms for Brass
I. Short and Pithy
II. Slow and Wistful
III. Fast and Fluent
Canzon duodecimi toni
Malcom Forsyth
(1936 - 2011)
Giovanni Gabrieli
(1557 - 1612)
Ian VanGils, trumpet
Alex Rees, trumpet
Sam McNally, horn
Megan Rees, trombone
Kory Major, tuba
Choir I Choir II
Ian VanGils, trumpet John Hamblett, trumpet
Alex Rees, trumpet Emily McDermid, trumpet
Sam McNally, horn Collin Lloyd, horn
Zachary Power, trombone William Quinn, trombone
Megan Rees, trombone
Kory Major, tuba
J. Scott Irvine
(b. 1953)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030416-Fridaymusic/030416-Fridaymusic_06.mp3">track6</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fridaymusic
Creator
An entity primarily responsible for making the resource
Kirk McNally
Date
A point or period of time associated with an event in the lifecycle of the resource
March 4, 2016
-
https://finearts.uvic.ca/music/archive/files/original/b29db6e9c3fa6dfc55c781fa57f2e194.pdf
c66c463047a00cca06deb46ea3bce179
PDF Text
Text
Hosted by
THE LAFAYETTE STRING QUARTET
Featured guest artists
NORMAN NELSON VIOLIN
GERALD STANICK VIOLA
IAN HAMPTON CELLO
�CONCERT FEATURING
PARTICIPANTS OF QUARTETFEST WEST
THURSDAY, JUNE 16, 8:00 PM
Phillip T. Young Recital Hall
Admission by donation
PROGRAM
String Quartet in A minor, D. 804 (“Rosamunde”)
I. Allegro ma non troppo
II. Andante
III. Menuetto. Allegro - Trio
IV. Allegro moderato
Franz Schubert
(1797–1828)
Jasmine Mather, violin
Talia Sinclair, violin
Sarah deNiverville, viola
Steven Jeon, cello
String Quintet in E-flat Major, Op. 97
I. Allegro non tanto
II. Allegro vivo
III. Larghetto
Antonín Dvořák
(1841–1904)
Faeries in the Midnight Sun*
(written for the McKenna Five)
George Fenwick
Quintetto No. 34, Op. 25, No. 4
I. Allegro
Luigi Boccherini
(1743–1805)
McKenna Family Five
Minja McKenna, viola/violin
Matthew McKenna, viola
Michael McKenna, cello
Markus McKenna, violin/viola
Marja McKenna, violin/cello
*Victoria Premier
�I NT E R M I S S I O N
Piano Quartet in C minor, Op. 15
I. Allegro molto moderato
II. Scherzo: Allegro vivo
III. Adagio
IV. Allegro molto
Gabriel Fauré
(1845–1924)
Eleanor Yu, violin
Calvin Yang, viola
Bryan Lin, cello
Laura Altenmueller, piano
ACKNOWLEDGEMENTS
The Lafayette String Quartet would like to acknowledge the generosity of everyone who has
helped make QuartetFest West 2016 possible:
• University of Victoria
• Arthur Rowe, School of Music Acting Director
• School of Music staff: Alexis Ramsdale, Linda Sheldon, Jill Michalski and
Kristy Farkas
• Annie Weeks, flyer design
• Lee and Eric Adler for their donation to QuartetFest West. Thanks to their
generous support every student was able to receive a scholarship this year.
• Laura Backstrom and Lorraine Min, Eine Kleine Summer Music
• Marilyn Dalzell and Arthur Rowe, Victoria Summer Music Festival
• Peter Ord, Bateman Gallery
We would like to thank our wonderful guest artists for QuartetFest West 2016:
Ian Hampton, cello
Norman Nelson, violin
Gerald Stanick, viola
Diane Lade, Feldenkrais practitioner
�LAFAYETTE STRING QUARTET
UPCOMING EVENTS
Sunday, September 18, 2016 | 2:30 p.m.
Faculty Concert Series
Join UVic’s beloved quartet-in-residence in their 30th season!
Performing Shostakovich’s String Quartet No. 7, Op. 108, Schafer’s Quartet No. 11
and Brahms’s Clarinet Quintet in B minor, Op. 115 with Patricia Kostek, clarinet.
All tickets $25
Phillip T. Young Recital Hall
Thursday, October 6, 2016 | 7:00 p.m.
11th Annual Lafayette Health Awareness Forum
Personalized Medicine: Hype, hope and genuine progress
Join the Lafayette String Quartet and their dynamic speakers for the 11th Annual
Lafayette Health Awareness Forum as they explore the topic of personalized
medicine—what it is and where it might take us.
Free admission / Reserve seats at lafayettestringquartet.ca
David Lam Auditorium, Rm. A144, MacLaurin Building, A-Wing
February 2–9, 2017 | 8:00 p.m.
The Complete String Quartets of Dmitri Shostakovich
The Lafayette Quartet celebrates their 30th anniversary with the complete cycle of
Shostakovich’s 15 String Quartets. The cycle will be presented in 5 concerts along
with pre-concert talks and lectures by visiting scholars.
Journey through Shostakovich’s life as experienced through his string quartets, from
the optimistic innocence of the first to the desolation and hopelessness of his final
quartet. This cycle documents Shostakovich’s creative life and spans his compositional
career from the late 1930s until his death in 1975. The Lafayette String Quartet will
share their special heritage with these works as received from their mentor Rostislav
Dubinsky who knew and worked closely with Shostakovich.
Concert dates: February 3, 4, 6, 8, 9
Tickets $25 / 5 concert festival pass $100
Phillip T. Young Recital Hall
�
For more information, visit:
www.lafayettestringquartet.ca
To receive the School of Music On the Pulse events brochure
and newsletter by email, contact: concert@uvic.ca
finearts.uvic.ca/music/events
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/061616-QuartetFestWest/061616-QFW_06.mp3">track6</a> (encore)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Quartet Fest West 2016 - Participants Concert
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
June 16, 2016
-
https://finearts.uvic.ca/music/archive/files/original/5ae3bb1b2380a8160f7c7a81c504cb4a.pdf
e5795d247305cd9564c66fbcf591f7c6
PDF Text
Text
Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 8, 2016 • 12:30 p.m.
Fantazia
Orlando Gibbons arr. Fred L. Hemke
(1583 - 1625)
(b. 1935)
Julian Malinowski, soprano saxophone
Connor Stairs, alto saxophone
Steven Cramaro, tenor saxophone
Kayla Izon, baritone saxophone
Trois pièces Isaac Albéniz
I. Chant d’amour (1860 - 1909)
II. Berceuse
Skye Eriksen, soprano saxophone
Michelle Melnicky, alto saxophone
Michael Vielguth, tenor saxophone
Matt Fichter, baritone saxophone
Quartettino
Taya Haldane, flute
Jasmine Risely, flute
Olivia Wheeler, flute
Jamie Pambrun, flute
Michael Rosiak
(b. 1977)
Variations sur un thème Espagnol
Pierre-Agricole Génin
(1832 - 1903)
Steven Cramaro, saxophone
Myles Anderson, piano
Sonata in B-flat Major, Op. 22
Ludwig van Beethoven
I. Allegro con brio (1770 - 1827)
Laura Altenmueller, piano
Konzerstück for Viola and Piano
George Enescu
(1881 - 1955)
Sarah de Niverville, viola
Emily Armour, piano
Fantasiestucke, Op. 12
Robert Schumann
I. Des Abends (1810 - 1856)
II. Aufschwung
Iris Hung, piano
Upcoming at the School of Music
Wednesday, March 9, 4:30 p.m. to 5:30 p.m. (Free admission)
CONCERT
Elizabeth Gerow, soprano & Aliayta Foon-Dancoes, violin
Featuring Jamie Cassels Undergraduate Research Award (JCURA) recipients
and School of Music students. Elizabeth presents a performance-lecture of
Josephine Lang’s unpublished songs Auf dem Felsen and Ob sie meiner noch gedenkt!
with Dr. Harald Krebs on piano. Aliayta Foon-Dancoes performs Bach’s
Violin Partita No. 2 in D minor, BWV 1004.
All are welcome to attend!
Phillip T. Young Recital Hall
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_03.mp3">track3</a><br />track4 ***Génin was not performed***<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030816-Tuesdaymusic/030816-Tuesdaymusic_06.mp3">track6</a><br />track7 ***technical fault, Schumann was not recorded***
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 8, 2016
-
https://finearts.uvic.ca/music/archive/files/original/58386ec207c2bc6cec8d66fb6c2b6c88.pdf
04513ce656e2f7417b8d95bdcadb9b09
PDF Text
Text
M U S 1 0 5
A n n u a l C o n c e r t
Phillip
T.
Young
Recital
Hall
6.30
pm,
Saturday
April
16,
2016
No
friction
without
force
Iain
Emslie,
electric
guitar
Tarah
Rajah,
‘cello
Wilson
Kyne,
bass
Josh
Calder,
drum
machine
Excitement
and
Despair
Proseph
Ross
Ling,
violin
Calvin
Yang,
viola
Brian
Lin,
‘cello
Bella
Zeng,
piano
Trevor
Naumann
Samuel
Pan
Cashton
McGillivray
Thomas
Webb,
alto
saxophone
Lee
Whitehorne,
alto
saxophone
Hilary
Wheeler,
marimba
DJ
Lochead,
snare
drum
Nocturne:
a
fatal
showdown
Lexie
Hill
Rose
Meeker,
mezzo-‐soprano
Emily
MacCallum,
violin
Ethan
Hill,
piano
Cashton
McGillivray,
percussion
Ascension
Iain
Emslie
Bailey
Finley,
flute
Emily
MacCallum,
violin
Nolan
Krell,
electric
guitar
Ethan
Hill,
keyboard
tape
Luna
Chant
Tyson
Foster
Chris
Lam,
alto
saxophone
Michael
Vielguth,
alto
saxophone
Steven
Cramaro,
tenor
saxophone
Seán
Maynard,
baritone
saxophone
�
Yo
Ma
Harbour///Wall
Erin
Onyschtschuck,
clarinet
Alina
Lang,
bass
clarinet
Nolan
Krell,
guitar
Kyle
Maclean,
percussion
Portraits
Emily
MacCallum,
violin
Sarah
de
Niverville,
viola
Steven
Jeon,
‘cello
Thomas
Nicholson,
piano
To
the
moon
and
back
Parapraxis
Ethan
Hill,
alto
Jordan
Rettich,
alto
Zach
Power,
tenor
Kenji
Lee,
bass
Amy
Toth,
violin
Michelle
Hoskin,
violin
Melissa
Toth,
viola
Claire
Dresselhuis,
‘cello
Jasmine
Lo,
soprano
Jordan
Rettich,
alto
Adam
Jasieniuk,
saxophone
Wilson
Kyne,
bassoon
Will
Quinn
Michael
Vielguth
Ethan
Hill
Serena
Jack
Hector
Perez
The
Warrior
Left
His
Home
Village
Shayan
Rahimabadi
Linda
Donn,
violin
Tara
Rajah,
‘cello
Erin
Marsh,
trombone
Josh
Mulingbayan,
percussion
Nic
Collins
Garbage
Juice
Claire
Le
Nobel
Adar
Guy,
bent
circuit
Iain
Emslie,
bent
circuit
Keenan
Mittag-‐Degala,
bent
circuit
Hector
Perez,
bent
circuit
Natalie
Dzbik,
violin
Emily
MacCallum,
violin
Sarah
de
Niverville,
viola
Alex
Klassen,
‘cello
Wilson
Kyne
�
Interruptions
performs:
The
Dancer
Adar
Guy
Ethan
Hill,
piano
Ethan
Hill,
Theremin
Thomas
Nicholson,
cell
phone
Claire
Le
Nobel,
synthesized
drop
Understand
Why
oddy
knocky
Big
Willy’s
Mumbo
Emily
Stewart,
soprano
Emlyn
Sheeley,
alto
Micha
Fortin,
alto
Josh
Mulingbayan,
marimba
DJ
Lochead,
percussion
Mackenzie
Carroll,
bass
Kimberley
Manerikar,
piano
DJ
Lochead,
percussion
Iain
Emslie,
electronics
Rose
Meeker
Josh
Calder
MUS105
Serena
Jack,
plute
Ethan
Hill,
floot
Josh
Calder,
boxophone
Trevor
Naumann,
quadjug
Wilson
Kyne,
skylark
Adar
Guy,
ikeamin
Claire
le
Nobel,
UVICB008
Iain
Emslie,
Milton
Babbitt’s
alarm
clock
Hector
Perez,
C3P1
Rose
Meeker,
box
chime
Tyson
Foster,
polyguiro
Lexie
Hill,
forest
echoes
Michael
Vielguth,
pipe
harmonique
Will
Quinn,
Big
Willy’s
wave
Cashton
McGillivray,
mumbo
Shayan
Rahimabadi,
silver
mushroom
�
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_16.mp3">track16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_17.mp3">track17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041616-MUS105/041616-105Concert_18.mp3">track18</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
MUS105 Annual Concert
Creator
An entity primarily responsible for making the resource
Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
April 16, 2016
-
https://finearts.uvic.ca/music/archive/files/original/1cf1596e9805f50996c57aa70bff4ab7.pdf
d50482b8fdc859f6bbd3380235d76a06
PDF Text
Text
Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
March 1, 2016 • 12:30 p.m.
Variations for Four Drums and Viola
I. Introduction
II. Variation I, Adagio
III. Variation II, Allegro
IV. Variation III, Lyrical
Fahlon Smith, viola
Keenan Mittag-Degala, percussion
Michael Colgrass
(b. 1932)
Piano Sonata No. 11 in B-flat Major, Op. 22 Ludwig van Beethoven
I. Menuetto (1770 - 1827)
II. Rondo: Allegretto
Laura Altenmueller, piano
Les nuits d’été Hector Berlioz
I. L’ile inconnue
(1803 - 1869)
Fu Hsien Shen, mezzo soprano
Muzi Xu, piano
Sonata No. 2 in E-flat Major
Johannes Brahms
I. Allegro appasionato (1833 - 1897)
Sarah de Niverville, viola
Emily Armour, piano
Wind Quintet No. 2, Op. 88 Anton Reicha
IV. Finale: Allegretto (1770 - 1836)
Kelsey Dupuis, flute
Hunter Gillis, oboe
Jynelle Grigg, clarinet
Wilson Kyne, bassoon
Allie Bertholm, horn
Upcoming at the School of Music
Wednesday, March 2, 8:00 p.m. (Free Admission)
GRADUATING RECITAL
Marcella Barz, clarinet
Clarinetist Marcella Barz presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
Wednesday, March 2 to Friday, March 4, 9:00 a.m. to 5:00 p.m. (Free admission)
BANDFEST 2016
A non-competitive festival for concert bands featuring thirty ensembles
from the Pacific Northwest. All participating bands will be adjudicated and will
receive an on-stage clinic by an adjudicator after their performance.
University Centre Farquhar Auditorium
Friday, March 4, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music brass students in a concert of varied repertoire.
Phillip T. Young Recital Hall
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030116-Tuesdaymusic/030116-Tuesdaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030116-Tuesdaymusic/030116-Tuesdaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030116-Tuesdaymusic/030116-Tuesdaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030116-Tuesdaymusic/030116-Tuesdaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030116-Tuesdaymusic/030116-Tuesdaymusic_05.mp3">track5</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tuesdaymusic
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
March 1, 2016
-
https://finearts.uvic.ca/music/archive/files/original/3245da2848ae524886b5c5eadd13e4a1.pdf
d63ffea70ab42d985cf2f2741fa1b3ee
PDF Text
Text
DEGREE RECITAL
Bahar M. Harandi, soprano
April 11th 2016, 8:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Der Kuss, Op.18 L. Van Beethoven
Der Liebende, WoO139 (1770–1827)
Zärtlich Liebe, WoO123
Neue Liebe, neues Leben, Op.75
Muzi Xu, piano
Deux poèmes de Louis Aragon
F. Poulenc
C (1899-1963)
Fêtes galantes
Muzi Xu, piano
Deux Mélodies, Op.19 A. Roussel
Light (1869-1937)
Farewell
Flammes, Op.10
Quatre Poèmes, Op.8
i. Adieux
Elizabeth Clarke, piano
— INTERMISSION —
Disseratevi, o porte d’Averno G.F. Handel
From La Resurrezione (1685-1759)
Elizabeth Clarke, piano
Mignon Lieder H. Wolf
Heiß mich nicht reden (1860-1903)
Nur wer die Sehnsucht kennt
So laßt mich scheinnen
Kennst du das Land
Muzi Xu, piano
Once Canciones
D. Luzuriaga
Las cosas (b. 1955)
Niña de mis ojos
El barco se va
Joshua Amendt-Moylan, guitar
Bahar M. Harandi is from the class of Professor Benjamin Butterfield
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
[Reception to follow in the Lounge.
Please turn off all cell phones.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041116-GradRecital_Harandi/041116-BaharHarandiRecital_06.mp3">track6</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Degree Recital - Bahar M. Harandi, soprano
Creator
An entity primarily responsible for making the resource
Alex Klassen
Date
A point or period of time associated with an event in the lifecycle of the resource
April 11, 2016
Contributor
An entity responsible for making contributions to the resource
Bahar M. Harandi, soprano