102 10 1498 https://finearts.uvic.ca/music/archive/files/original/cc90cd8c02068075e6a7f1948f4edf47.pdf 1acd62c72344d7f4140bb932b4da7af1 PDF Text Text SINGING FOR THE STAGE UVIC Students from MUS 335 under the direction of Kinza Tyrrell SATURDAY, APRIL 2, 2022 | 2:30 PM Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria Admission by donation From Opera to Broadway: Theatrical gems of Mozart, Bernstein and Sondheim PROGRAM Emily Schuler & Tamra Wuelfrath, narrators Le Nozze di Figaro Via resta servita Melissa Irvine & Grace Vermette Sull’aria W. A. Mozart (1756-1791) Dahliea Greeve & Sihana Dorfsman Così fan tutte Soave il vento Prenderò quel brunettino Fra gli amplessi Nadia Lurie, Yvonne Usseni & Jordan Rettich Isolde Roberts-Welby & Savannah Read Katherine Allen & Spencer VanDellen Die Zauberflöte Hm, hm, hm, hm Kiyomi Asano, Heather Byford, Sahara Adamitz, Tim Carter & Jordan Rettich Seid uns zum zweiten Mal willkommen Abby Corpus, Naomi Sehn & Olivia Jackson I NT E R M I S S I O N Sunday in the Park with George Stephen Sondheim Sunday (1930-2021) Spencer VanDellen with Tutti Sweeney Todd A little priest Emily Schuler, Ethan Libman & Tamra Wuelfrath Johanna Reprise Clayton Butler, Max Niiranen, Abby Corpus & Annalysa Tylor Into the woods Agony Joseph Garcia & Carter Martin Company You could drive a person crazy Madison Blackman, Akina Kishiyama & Lauren Steinmann The little things you do together Bella Kershaw with Emily Schuler, Grace Vermette, Tamra Wuelfrath, Joseph Garcia, Ethan Libman & Max Niiranen Into the woods Agony Reprise Joseph Garcia & Carter Martin West Side Story Leonard Bernstein Somewhere (1918-1990) Lindsay Kolke, plus sopranos & mezzo-sopranos Gee, Officer Krupke! Tenors, baritones & special guest Into the woods Stephen Sondheim Act 2 Finale Erika Buban with Tutti Sahara Adamitz Katherine Allen Kiyomi Asano Madison Blackman Erika Buban Clayton Butler Heather Byford Tim Carter Abby Corpus Sihana Dorfsman Joseph Garcia Dahliea Greeve Melissa Irvine Olivia Jackson Bella Kershaw Akina Kishiyama Lindsay Kolke Ethan Libman Nadia Lurie Carter Martin Max Niiranen Savannah Read Jordan Rettich Isolde Roberts-Welby Emily Schuler Naomi Sehn Lauren Steinmann Annalysa Tylor Yvonne Usseni Spencer VanDellen Grace Vermette Tamra Wuelfrath � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-Singing-For-The-Stage/20220402-Singing-For-The-Stage_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-Singing-For-The-Stage/20220402-Singing-For-The-Stage_02.wav">Track 2</a><br />Track 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing for the Stage Creator An entity primarily responsible for making the resource Matheus Leite Date A point or period of time associated with an event in the lifecycle of the resource 2022 Sep 07 Contributor An entity responsible for making contributions to the resource Melissa Irvine & Grace Vermette Dahliea Greeve & Sihana Dorfsman Nadia Lurie,Yvonne Usseni & Jordan Rettich Isolde Roberts-Welby & Savannah Read Katherine Allen & Spencer VanDellen https://finearts.uvic.ca/music/archive/files/original/6b26a7fbb8a8c4bad6a4556f38840e78.pdf 3fb28d594d2a92b11ca74f367a19849f PDF Text Text DEGREE RECITAL Sophia Friesen, soprano Jono Devey, piano Emily Markwart, piano Talia Sinclair, violin Olivia Duffin, soprano Olivia Jackson, mezzo-soprano Spencer VanDellen, tenor Wednesday, March 3, 2021 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building PROGRAM Gloria in D Major, RV 589 3. Laudamus Te Antonio Vivaldi (1678 – 1741) Jono Devey, piano Olivia Duffin, soprano Don Quixote, Z.578 9. From rosy bow’rs Henry Purcell (1659 – 1695) Emily Markwart, piano Mädchenblumen, Op. 22 1. Kornblumen 2. Mohnblumen 3. Epheu 4. Wasserrose Richard Strauss (1864 – 1949) Jono Devey, piano Irish Country Songs Dobbin’s Flowery Vale The Bard of Armagh Shule Agra The Leprehaun Herbert Hughes (1882 – 1937) Talia Sinclair, violin — INTERMISSION — Three Songs, Op. 21 1. Chanson d’amour 2. Extase 3. Elle et moi Amy Beach (1867 – 1944) Jono Devey, piano �Nanna’s Lied Kurt Weill (1900 – 1950) Emily Markwart, piano Street Scene What Good Would The Moon Be? Emily Markwart, piano We’ll Go Away Together Emily Markwart, piano Spencer VanDellen, tenor Kurt Weill (1900 – 1950) Flight Craig Carnelia (b. 1949) Emily Markwart, piano Olivia Jackson, mezzo-soprano Wicked Stephen Schwartz (b. 1948) For Good Emily Markwart, piano Olivia Duffin, soprano TRANSLATIONS Gloria in D Major, RV 589 3. Laudamus Te (We Praise You) We praise you, We bless you, We worship you, We glorify you. 1. Mohnblumen (Poppies) They are poppies, those round, Red-blooming, healthy ones That bloom and bake in the summer And are always in a cheery mood, Good and happy as a king, Their souls never tired of dancing; Mädchenblumen (Maiden Flowers) 1. Kornblumen (Cornflowers) Cornflowers I call these figures That gently, with blue eyes, Preside quietly and modestly, Placidly drinking the dew of peace. From their own pure souls, Communicating with everything that is near, unconscious of the precious sensitivity That they have received from the hand of God. You feel so good among them as if you were going through a field of crops Through which the breath of evening blew, Full of pious quietude and full mildness. They weep beneath their smiles And seem born only To tease the cornflowers; Yet nevertheless, The softest, best hearts often hide Among the climbing ivy of jests; God knows one would wish to Suffocate them with kisses Were one not so afraid That, embracing the hoyden, She would spring up into a full blaze And go up in flames. 2. Epheu (Ivy) But ivy is what I call that maiden With soft words, With the simple, bright hair, Gently waving brown about her, �With brown, soulful doe’s eyes, Who so often stands in tears, In her tears simply irresistible; Without strength and self-consciousness, Unadorned with secret blossoms, Yet with an inexhaustible, deep True inner sentience That under her own power she can never yank herself up by the roots; Such are born to twine Lovingly about another life: Upon her first love She rests her entire life’s fate, For she is counted among those rare flowers, Those that only blossom once. 3. Wasserrose (Waterlily) Do you know the flower, the fantastic Waterlily, celebrated in myth? On a slim, ethereal stem bobs Its translucent, colorless head; It blooms by reedy pools on groves, Protected by the swan, who circles it in solitary vigil; It opens only in the moonlight With which it shares its silver glimmer: Thus, does it bloom, the magical sister of the stars, Idolized for its dreamy, dark tendrils Which by the edge of the pool can be seen from afar, Never reaching what it yearns for. Waterlily, so do I call the slim Maiden with night-dark locks and alabaster cheeks, With deep foreboding thoughts showing in her eyes As if they were ghosts imprisoned on Earth. When she speaks, it is like the silvery rushing of water; When she is silent, it is the pregnant silence of the moonlit night. She seems to have exchanged radiant expressions with the stars, Whose language, of the same nature, she has grown accustomed to. Irish Country Songs Shule Agra (Go, My Love) Is go dté tú, mo mhúirnin, slán (And may you go, my love, safely) Three Songs, Op. 21 1. Chanson d’amour (Love Song) Dawn is born, and your door is still closed! Sweet one, why do you sleep on? When the rose awakens Why won’t you rise as well? O my beloved, Listen close To the lover who sings And cries too! All of nature knocks at your blessed door. The dawn says: I am the day! The bird sings: I am the harmony! And my heart says: I am love! O my beloved, Listen close To the lover who sings And cries too! Lady and Angel, I love you, God who for you has made me Has made my love for your soul, And my eyes for your beauty! O my beloved, Listen close To the lover who sings And cries too! French text: Victor Hugo (1802-1885) Translation: S. Friesen 2. Extase (Extasy) You can never grow weary of gazing in those eyes Fringed with silky, long lashes, And you believe, as if blessedly, terrifyingly bewitched, Whatever the Romantics have dreamed about the elves I stood alone, near the seas, under a night of stars, Not a cloud in the heavens, no sails stood upon the seas. My eyes plunged further than the world, further than the real world. And the woods, and the mountains, and all of nature Seemed to question in a confused murmur The waves of the sea, the fires of heaven. German text: Felix Dahn (1834-1912) Translation copyright © by Emily Ezust, from the LiederNet Archive – https://www.lieder.net/ And the golden stars, in their infinite legions, With high voice, with low voice, with a thousand harmonies, �Replied, bowing their crowns of fire; And the blue waves, which nothing could govern or stop, cried, in the curling foam of their crest: It’s the Lord, the Lord God! French text: Victor Hugo (1802-1885) Translation: S. Friesen 3. Elle et moi (Her and I) The spring of a thousand colours, The seductive flame with it’s dancing spark, The privets of the fields with their white flowers, With the sweetest of odours, It’s her ! Ah ! It’s her ! The swallow who flies before Spring, The young fawn who attaches himself to the privets of the fields. Ah! Pulled by her flower, her beautiful flower; The moth who without fear of the flame will burn his wings. Ah! Tis I. French text: Félix Bovet (1824-1903) Translation: S. Friesen Nanna’s Lied (Nanna’s Song) Gentlemen, with 17 years of age under my belt I came up on the Love Market, and I have learned much. Much of it gave evil, yet that was the game, but I have a lot to be blamed for. (When all is said and done, I'm only a human being, too.) Thanks be to God that it all goes by so quickly, the love as well as the grief, too. Where are the tears of yesterday evening? Where are the snows of yesteryear? As one goes through the years it is easier in the Love Market, to be sure, and you embrace the multitudes there. But feelings become astonishingly cool when one doesn't ration them. (When all is said and done, each reserve must come to an end.) Thanks be to God that it all goes by so quickly, the love as well as the grief, too. Where are the tears of yesterday evening? Where are the snows of yesteryear? And even when one learns the trade really well in the Fairground of Love: to change desire into small change is never easy. Now, it is achieved. Yet meanwhile, one grows older, as well. (When all is said and done, one can't stay 17 forever.) Thanks be to God that it all goes by so quickly, the love as well as the grief, too. Where are the tears of yesterday evening? Where are the snows of yesteryear? German text: Bertolt Brecht Translation copyright by © 2004 by Sean Phillip Mabrey, from the LiederNet Archive – https://www.lieder.net/ Sophia would like to take this opportunity to thank all those who have helped her to become the artist she is today. Special thanks of course go out to her family and dearest friends who have been so generous with their support and love. She could not have grown so much without the help from all the wonderful musicians here at UVic; both students and faculty. She would also like to particularly thank Anne Grimm and Susan Young for their guidance and tutelage these last four years. Thank you for watching! I look forward to seeing you at the next performance (whenever that may be…)! This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Sophia Friesen is from the class of Anne Grimm. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_08.mp3">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_09.mp3">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030321-SFreisenVoice/030321-SFreisenVoice_10.mp3">Track 10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Sophia Friesen Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 3 2021 Contributor An entity responsible for making contributions to the resource Sophia Friesen, soprano Jono Devey, piano Emily Markwart, piano Talia Sinclair, violin Olivia Duffin, soprano Olivia Jackson, mezzo-soprano Spencer VanDellen, tenor Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012522-LiederAtLunch/012522-LiederAtLunch_01.wav">Track 1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lieder at Lunch: Daheim (At Home) Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource January 25 2022 Contributor An entity responsible for making contributions to the resource Sharon Krebs, soprano Harald Krebs, piano with guest, Deanna Sills, mezzo-soprano Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/020222-FirstYearRecitalJodyJohnsonMMus/020222-FirstYearRecitalJodyJohnsonMMus_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020222-FirstYearRecitalJodyJohnsonMMus/020222-FirstYearRecitalJodyJohnsonMMus_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020222-FirstYearRecitalJodyJohnsonMMus/020222-FirstYearRecitalJodyJohnsonMMus_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/020222-FirstYearRecitalJodyJohnsonMMus/020222-FirstYearRecitalJodyJohnsonMMus_04.mp3">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First-Year Recital: Jody Johnson, double bass (MMus) Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 2 2022 Contributor An entity responsible for making contributions to the resource Jody Johnson, double bass https://finearts.uvic.ca/music/archive/files/original/9d1a05c007b19ad670368948d20b0f97.pdf 0e3529177a687829961c439d1d1530c6 PDF Text Text VIOLIN STUDIO RECITAL UVIC Students from the studio of Sharon Stanis SUNDAY, FEBRUARY 13, 2022 | 2:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Partita No. 3 in E Major, BWV 1006 Gavotte en Rondeau Claire Sparrow-Clarke, violin J. S. Bach (1685–1750) Ludwig van Beethoven (1770–1827) Romance in F Major, Op. 50 Adagio cantabile Emily Fenske, violin Bailey Lehmann, piano Sonatina in D Major, Op. 137, D.384 Allegro molto Andante Allegro vivace Sonata No. 2 in A Minor, BWV 1003 Grave Andante Franz Schubert (1797–1828) Joyce Tsai, violin Claudia Mok, piano J. S. Bach Noah Mellemstrand, violin Le Carnaval de Venice, Op. 119 for four violins Claire Sparrow-Clarke, violin Noah Mellemstrand, violin Joyce Tsai, violin Emily Fenske, violin Charles Dancla (1817–1907) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021322-ViolinStudioRecital/021322-ViolinStudioRecital_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021322-ViolinStudioRecital/021322-ViolinStudioRecital_2.mp3">Track 2</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021322-ViolinStudioRecital/021322-ViolinStudioRecital_3.mp3">Track 3</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021322-ViolinStudioRecital/021322-ViolinStudioRecital_04.mp3">Track 4</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021322-ViolinStudioRecital/021322-ViolinStudioRecital_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Recital - Students from the studio of Sharon Stanis Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 13 2022 Contributor An entity responsible for making contributions to the resource Claire Sparrow-Clarke, violin Emily Fenske, violin Bailey Lehmann, piano Joyce Tsai, violin Claudia Mok, piano Noah Mellemstrand, violin Joyce Tsai, violin https://finearts.uvic.ca/music/archive/files/original/9ba0de39f9f0d76ac4f085d1bb25f57b.pdf 2db2ae29e03b8e5e97cecaedf50b88fa PDF Text Text UVIC FACULTY CONCERT SERIES WEDNESDAY, FEBRUARY 16, 2022 | 7:30 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria MELISSA GOODCHILD CLARINET WITH GUEST KEVIN GRADY PERCUSSION PROGRAM Binyang for Clarinet and Percussion Binyang Interior Kevin Grady, percussion Ross Edwards (b. 1943) Soliloquies for B-flat and A Clarinet Meditation Caprice Epilogue Violet Archer (1913-2000) Bee Navigation Libby Larsen (b. 1950) Field Music for Solo Clarinet Flowers of St. Francis Five Scenes for Solo Bass Clarinet The Flowers, Celebrated by St. Francis St. Francis Preaching to the Birds St. Francis Pacifying the Wolf St. Francis Preaching to the Fish The Starry Skies, Celebrated by St. Francis We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Emily Doolittle (b. 1972) Daniel Dorff (b. 1956) �PROGRAM NOTES Binyang I was captivated by a persistent and strikingly melodic birdcall and derived from it the scale underlying Binyang, the first of these two short pieces (each of which can be played separately). Binyang means “bird” in the now defunct Sydney Aboriginal language.The identity of the birds remains a mystery, my whistling it over the phone to ornithologists having left them stumped. The second piece, Interior, remote and mysterious, is an oblique comment on Binyang, starkly in contrast with it’s joyful melodic outpouring. Both pieces were commissioned, with assistance from the Australia Council, by the Sydney clarinetist Peter Jenkin, to whom they are dedicated. Peter had requested a solo work, but as I began to compose, a rhythmic accompaniment for Aboriginal clapping sticks asserted itself and quickly became inseparable from the clarinet line. – Ross Edwards Flowers of St. Francis In 2012, bass clarinetist Barbara Haney (recently retired bass clarinetist from “The President’s Own” US Marine Band) asked if I would accept a commission to write her a solo piece to premiere at the 2013 ICA ClarinetFest, to be held in Assisi, Italy. This was a fast “yes”! Barbara and I both played in the Haddonfield Symphony and had back-to-back bass clarinet lessons with the Philadelphia Orchestra’s Ron Reuben in the early 1980s, and while I was a composer keeping up with performance, it was clear that Barbara was a stellar bass clarinetist with a big career ahead. Occasional bass clarinet duets together was an inspiration that still helps my playing 30 years later.The opportunity to compose a solo work to be premiered in Assisi, by a virtuoso with amazing sound, as the first piece I’d ever write for the instrument I knew best, quickly suggested a clear idea for a suite about St. Francis, and within a day I’d drafted the following scenario: I.The Flowers, Celebrated by St. Francis Flowers are introduced through an innocent yet florid song, followed by a chant-like passage from the “voice” of St. Francis.The movement then continues as a duet between St. Francis and the flowers. The flowers represent all the fruits of creation as well as simply being flowers in the garden. II. St. Francis Preaching to the Birds St. Francis’s chant begins the movement as a flowing cantilena, interrupted by a dramatic eruption of bird calls (taking advantage of the bass clarinet’s tremendous range and agility).The movement then continues as a dialog between St. Francis and the birds. III. St. Francis Pacifying the Wolf A ferocious interruption representing an angry wolf who terrorizes the village is perfect for an eager bass clarinetist. St. Francis is heard befriending the wolf, and their duet progresses from heated drama to a peaceful resolve as their themes transform into each other and end gently. IV. St. Francis Preaching to the Fish This sempre pp movement may be imagined as occurring underwater; an opening “glub-glub” motive evokes bubbles rising through water, and the wiggly sixteenths are like gentle fins waving. The dialog is more subtly integrated than in previous movements, and St. Francis’s voice alludes to other musical fish. V.The Starry Skies, Celebrated by St. Francis The inspiring majesty of the infinite sky is salted with twinkling stars; St. Francis’s voice becomes one with the harmony of the Universe. – Daniel Dorff BIOGRAPHY Melissa Goodchild is an active teacher and freelance clarinetist in Victoria, British Columbia. She performs music for solo clarinet, chamber groups, and music for large ensembles. In 2019 she joined the faculty of the Victoria Conservatory of Music and in 2021 joined the faculty at the University of Victoria as clarinet instructor. She enjoys teaching students of all ages in private as well as group settings including chamber music, clinics for schools, and adjudicating for music festivals across Canada. She received her Bachelors of Music from the University of Windsor and also studied at Western University where she earned her Artist Diploma in Clarinet Performance and Master of Music in Performance and Literature. After completing her studies in London, Ontario in 2008 she moved to Edmonton, Alberta where she taught and performed throughout the city. In 2012 she moved to Saskatoon Saskatchewan where she held the position of Second Clarinet with the Saskatoon Symphony Orchestra until May 2018. While in Saskatchewan, Melissa collaborated with percussionist Kevin Grady, and together they continue to perform repertoire including contemporary works. As a duo Kevin and Melissa have been featured artists-in-residence and in July 2018 the Duo performed at ClarinetFest in Ostend, Belgium. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/021622-FacultyConcertGoodchild/021622-FacultyConcertGoodchild_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/021622-FacultyConcertGoodchild/021622-FacultyConcertGoodchild_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/021622-FacultyConcertGoodchild/021622-FacultyConcertGoodchild_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/021622-FacultyConcertGoodchild/021622-FacultyConcertGoodchild_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/021622-FacultyConcertGoodchild/021622-FacultyConcertGoodchild_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Melissa Goodchild and guest Kevin Grady Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 16 2022 Contributor An entity responsible for making contributions to the resource Melissa Goodchild, clarinet Kevin Grady, percussion https://finearts.uvic.ca/music/archive/files/original/204e5d2a5481468af0d7fe55250216b8.pdf cac88cfc882577334127c5cfb9b2818f PDF Text Text Violin & Chamber Music STUDIO RECITAL UVIC Students from the studio of Ann Elliott-Goldschmid THURSDAY, FEBRUARY 17, 2022 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Concerto No. 3 in G Major, K. 216 I. Allegro Bennett Chiu, violin Kinza Tyrrell, piano Wolfgang Amadeus Mozart (1756-1791) Marcia from 40 Etudes Rodolphe Kreutzer (1766-1831) Dana Wenzel Perpetuum Mobile Dana Wenzel, violin Christopher Dlouhy, piano Concerto No. 22 in A minor I. Moderato Ottokar Nováček (1866-1900) Giovanni Battista Viotti (1755-1824) Megan Bibby, violin Cindy Xu, piano Sonata No. 2 in A minor, BWV 1003 I. Grave Libby Wyse Johann Sebastian Bach (1685-1750) Partita No. 3 in E Major, BWV 1006 I. Preludio Jade Chu J. S. Bach Partita No. 1 in B minor, BWV 1002 Corrente Double (Presto) Philip Manning J. S. Bach Violin Concerto in E minor, Op. 64 Felix Mendelssohn Bartholdy II. Andante (1809-1847) III. Allegro molto vivace Iryna Peleshchyshyn, violin Jeannie Kim, piano String Quartet No. 14 in D minor, D. 810 IV. Presto Bennett Chiu, violin Libby Wyse, violin Judith Gaston, viola Aline Gilbert-Thévard, cello Franz Schubert (1797-1828) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_08.mp3">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021722-ViolinStudioRecital/021722-ViolinStudioRecital_09.mp3">Track 9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin & Chamber Music Studio Recital - Students from the studio of Ann Elliott-Goldschmid Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 17 2022 Contributor An entity responsible for making contributions to the resource Bennett Chiu, violin Kinza Tyrrell, piano Dana Wenzel, violin Christopher Dlouhy, piano Megan Bibby, violin Cindy Xu, piano Libby Wyse, violin Jade Chu, violin Philip Manning, violin Iryna Peleshchyshyn, violin Jeannie Kim, piano Bennett Chiu, violin Libby Wyse, violin Judith Gaston, viola Aline Gilbert-Thévard, cello https://finearts.uvic.ca/music/archive/files/original/21087937183e71742b0fa9686070e5d8.pdf a90f0b0a7ff2debabd04e97b961ab651 PDF Text Text fridaymusic School of Music Phillip T. Young Recital Hall, University of Victoria FEBRUARY 18, 2022 | 12:30 PM Featuring School of Music brass students We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Hogwarts Forever Carling Riley, Maia Copley, Rachel Lock, Tyrell Loster Peitzsche, horn Scott Irving (b. 1953) WWQ Morning Song Kyle Bates, Koshi Thompson, trumpet Maia Copley, horn Ariana Hall, trombone Sarah Higginson, euphonium Barebershop Quartet Medley for Brass Quintet For the Longest Time Sh-Boom It’s You Rainbow of Love Marc Micu, Luke Thomas, trumpet Rachel Lock, horn Tyler Schmit, trombone Aaron Kruger, tuba Amparito Roca John Williams (b. 1932) Abha-Marie Parmar, Sydney Hoffman, trumpet Carling Riley, horn Fey Trolitsch, trombone Spencer Robinson, tuba Symphony No. 2 1. Finale Pop Suite 1. Rock 2. Refrain Tyler Schmit, Fey Tolitsch, Ariana Hall, trombone Ryan Qu, Amaya Sydor, bass trombone Scott MacInnes, conductor Billy Joel (b. 1949) The Chords Meredith Wilson (1902-1984) J.D. Sumner and the Stamps Arr. Marc Micu Jaime Texidor (1884-1957) Arr. G. Endsley Gustav Mahler (1860-1911) Arr. Randall Malstrom Arthur Frankenpohl (1924-2019) Senora Dunford, Muscan Gugliani, Sarah Higginson, euphonium Scott Gordon, Aaron Kruger, Spencer Robinson, tuba Milonga del Angel Mark Barr, Ben Parker, and Heidi Goetz, trumpets Amaya Sydor, trombone Liam Catalina, euphonium Scott Gordon, tuba Scott MacInnes, conductor Astor Piazzolla (1921-1992) Arr. Scott MacInnes � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/021822-FridaymusicBrass/021822-FridaymusicBrass_08.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic - February 18 2022 Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 18 2022 Contributor An entity responsible for making contributions to the resource Carling Riley, Maia Copley, Tyrell Loster Peitzsche, horn Kyle Bates, Koshi Thompson, trumpet Ariana Hall, trombone Sarah Higginson, euphonium Marc Micu, Luke Thomas, trumpet Tyler Schmit, trombone Aaron Kruger, tuba Fey Trolitsch, trombone Spencer Robinson, tuba Abha-Marie Parmar, Sydney Hoffman, trumpet Ryan Qu, Amaya Sydor, bass trombone Scott Gordon, Aaron Kruger, Spencer Robinson, tuba Senora Dunford, Muscan Gugliani, euphonium Mark Barr, Ben Parker, and Heidi Goetz, trumpets Amaya Sydor, trombone Liam Catalina, euphonium Scott MacInnes, conductor https://finearts.uvic.ca/music/archive/files/original/9e9cb5127e6afa76ddc077df35e5c3a9.pdf a386495f66320798f7cbcb79a4f383da PDF Text Text DEGREE RECITAL Ada Qian, flute Daniel Jordan, piano Enrico Tuazon, cello Monday, February 28, 2022, 8 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Poem for flute solo Chi-Jen Chang (b. 1945) Poem for dance No. 1 An-lun Huang (b. 1949) Daniel Jordan, piano Sori for flute solo Isang Yun (1917-1995) — INTERMISSION — Suite for flute and cello Yuko Uebayashi (b. 1958) I.Allegro vivace II. Adagio III. Allegro vivace IV. Menuet V. Berceuse VI. Allegro Enrico Tuazon, cello Ada Qian is from the class of Dr. Suzanne Snizek. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022822-QianFluteRecital/022822-QianFluteRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022822-QianFluteRecital/022822-QianFluteRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022822-QianFluteRecital/022822-QianFluteRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022822-QianFluteRecital/022822-QianFluteRecital_04.wav">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DEGREE RECITAL - Ada Qian, flute Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 28 2022 Contributor An entity responsible for making contributions to the resource Ada Qian, flute Daniel Jordan, piano Enrico Tuazon, cello https://finearts.uvic.ca/music/archive/files/original/8e88c63e842a3f73ae50af91c776abe3.pdf a37238ffca40725261aa9b3a65e4760f PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Faculty Composers INSTALLATION & CONCERT We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. SATURDAY, FEBRUARY 12, 2022 7:15pm Installation / 8:30pm Concert Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM PRE-CONCERT 7:15 – 8:15 PM Christopher Butterfield (b. 1952) Sound for Room for Mystics For 15 open-baffle speakers and two sub-woofers RECITAL 8:30 – 9:30 PM Quietly • Intently • Repeating ANTHONY TAN PIANO Improvisation For solo piano With Taylor Brook and the “Scuffed Computer Improvisor” Linda Catlin Smith (b. 1957) A Nocturne For solo piano Christopher Butterfield (b. 1952) For Lisa For solo piano With Christopher Butterfield on sine tone generator Beat Furrer (b. 1954) Voicelessness (the snow has no voice) For solo piano Anthony Tan (b. 1978) Endlessnessnessness For solo piano and electronics �PROGRAM NOTES (select works) Room for Mystics Room for Mystics was a mixed media collaboration by visual artist Sandra Meigs and composer Christopher Butterfield that opened at the Art Gallery of Ontario in late 2017, and ran for three months. It comprised paintings and banners and 17 purpose-built loudspeakers playing a 57-minute recording of instruments throughout each day of the installation. Tonight you will hear the acoustic component of Room for Mystics in a very different kind of space to the one it was originally intended for; the intended impression is one of a rich ambient shifting spectral chord built on a fundamental F-sharp. The Scuffed Computer Improviser The SCI is an audio-corpus-based AI improviser that listens and learns by analyzing the incoming sound and then improvises music based on what it has heard. In other words, our human improviser teaches the computer how to be musical in each performance. The “Scuffed Computer Improviser” is rough around the edges and the imperfection and fuzziness of the AI system is a feature of the software, which is designed to push their improvising partner stylistically. A Nocturne Commissioned by and dedicated to Eve Egoyan. For Lisa For Lisa, for solo piano and sine wave, was written in 2001 for Lisa Anderson, a student at UVic. I am grateful to Anthony Tan for including it on his program tonight. Endlessnessnessness “It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don’t spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness...” — James Joyce, Ulysses �PARTICIPANT BIOGRAPHIES Taylor Brook writes music for the concert stage, electronic music, music for robotic instruments, as well as music for video, theatre, and dance. Described as “gripping” and “engrossing” by the New York Times, Brook’s compositions have been performed around the world by ensembles and soloists including the TAK ensemble, JACK Quartet, Mivos Quartet, Nouvel Ensemble Moderne, Quatuor Bozzini, Talea Ensemble, and others. Brook studied composition with Brian Cherney in Montreal, with Luc Brewaeys in Brussels, and with George Lewis and Georg Haas in New York. In 2008, he studied Hindustani music and performance with Debashish Bhattacharya in Kolkata. His music is often concerned with finely tuned microtonal sonorities. In 2018 Brook completed a Doctor of Musical Arts (DMA) in music composition at Columbia University with Fred Lerdahl and was a 2020 Guggenheim Fellow in music composition. Currently Brook is a Banting Fellow at the University of Victoria and the technical director of TAK ensemble. Christopher Butterfield’s music has been performed across Canada and in Europe, and is recorded on the CBC, Artifact and Collection QB labels. He studied composition with Rudolf Komorous at the University of Victoria and with Bülent Arel at the State University of New York at Stony Brook. While living in Toronto from 1977-1992, he was active as a performance artist, rock guitar player, and composer. In 1979/1980 he taught in the graduate visual arts department at Concordia University in Montreal, and in 1986 and 1989 he taught in the School for the Contemporary Arts at Simon Fraser University in Vancouver. In 1992 he was appointed Assistant Professor of composition at UVic. He has collaborated with choreographers Bill Coleman, Laurence Lemieux and Jennifer Mascall, and visual artist Sandra Meigs. His translations of plays by Georges Ribemont-Dessaignes was published in the USA by Wakefield Press in 2015. Joining the UVic School of Music faculty in 2020, Anthony Tan intersects instrumental practice with signal processing, synthesized models, acousmatics, and field recording, resulting in music that explores the identity of sound, formal perception, and the fluidity of genre. Tan holds a PhD from McGill University, the Meisterklasse from the Hochschule für Musik Carl Maria von Weber (Dresden, Germany), and a BMus from the University of Calgary. He was a fellow of the Radcliffe Institute for Advanced Study, Harvard University (RI’17) and previously served as Assistant Professor at the University of Colorado Colorado Springs (USA). � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/02122022-FacultyComposersConcert/02122022-FacultyComposersConcert_6.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Composers - Installation and Concert - Butterfield and Tan Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource February 12 2022 Contributor An entity responsible for making contributions to the resource Christopher Butterfield, composition Anthony Tan, composition, piano