101 10 1498 https://finearts.uvic.ca/music/archive/files/original/6653d3fd59f87507947f88f51d43a5c1.pdf 40ab9f41877c02f7867d0819fdfac910 PDF Text Text FIRST YEAR GRADUATE RECITAL Heather Byford, mezzo soprano Dr. Kinza Tyrrell, piano Tuesday March 22, 2022, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Verdi prati Sta nell’Ircana (From Alcina) G. F. Handel (1685-1759) Dr. Kinza Tyrrell, piano Folk Songs 1. Black is the colour (USA) 2. I wonder as I wander (USA) 3. Loosin yelav (Armenia) 4. Rossignolet du bois (France) 5. A la Femminisca (Sicily) 6. La donna ideale (Italy) 7. Ballo (Italy) 8. Motettu de Tristura (Sardinia) 9. Malurous qu’o uno fenno (Auvergne, France) 10.Lo fiolaire (Auvergne, France) 11.Azerbaijan love song (Azerbaijan) L. Berio (1925-2003) Dr. Kinza Tyrrell, piano Field of the Dead (From Alexander Nevsky) S. Prokofiev (1891-1953) Der Engel Im Treibhaus Träume (From Wesendonck Lieder) R. Wagner (1813-1883) Dr. Kinza Tyrrell, piano Heather Byford is from the class of Professor Benjamin Butterfield. This recital is presented in partial fulfillment of the requirements for the Master of Music Performance program. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220322-GraduateRecitalHeatherByford/20220322-GraduateRecitalHeatherByford_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220322-GraduateRecitalHeatherByford/20220322-GraduateRecitalHeatherByford_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220322-GraduateRecitalHeatherByford/20220322-GraduateRecitalHeatherByford_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220322-GraduateRecitalHeatherByford/20220322-GraduateRecitalHeatherByford_4.mp3">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First Year Graduate Recital - Heather Byford Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 22 2022 Contributor An entity responsible for making contributions to the resource Heather Byford, mezzo soprano Dr. Kinza Tyrrell, piano https://finearts.uvic.ca/music/archive/files/original/f902091c9ae3f22125c237e473ed8e2f.pdf 84476598c8ead64145edfd4fda473c47 PDF Text Text DEGREE RECITAL Rachel Cooper, clarinet Jany Lu, piano Jeff Agopsowicz, trombone Wayne Finucan, percussion Nikolay Ovchinnikov, accordion Brock Meades, double bass Tenzin Clegg, clarinet Channing Mar, bass clarinet Ayari Kasukawa, soprano saxophone Wednesday, March 23, 2022 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Introduction et Rondo Charle-Marie Widor (1844-1937) Jany Lu, piano Time Pieces for Clarinet and Piano, Op. 43 I. Allegro Risoluto II. Andante Espressivo III. Allegro Moderato IV: Andante Molto Robert Muczynski (1929-2010) Jany Lu, piano Three Etudes on Themes of Gershwin 1. I Got Rhythm 2. Summertime 3. Ain’t Necessarily So — INTERMISSION — Paul Harvey (b. 1935) �The Grandparents Dance Traditional; as played by Giora Feidman (b. 1936) transcr. Rachel Cooper Channing Mar, bass clarinet Ayari Kasukawa, soprano saxophone Jeff Agopsowicz, trombone Wayne Finucan, percussion Concerto for Clarinet Artie Shaw (1910-2004) arr. Jeff Agopsowicz Jeff Agopsowicz, trombone Nikolay Ovchinnikov, accordion Wayne Finucan, percussion Brock Meades, double bass Sirba Traditional arr. Rachel Cooper Tenzin Clegg, clarinet Jeff Agopsowicz, trombone Nikolay Ovchinnikov, accordion Wayne Finucan, percussion Brock Meades, double bass Jany Lu, piano Rachel Cooper is from the class of Professor Connie Gitlin. This recital is presented in partial fulfilment of the requirements for the Master of Music (Performance) program. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220323-Cooper-Clarinet/20220323-Cooper-Clarinet_06.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Rachel Cooper Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 23 2022 Contributor An entity responsible for making contributions to the resource Rachel Cooper, clarinet Jany Lu, piano Jeff Agopsowicz, trombone Wayne Finucan, percussion Nikolay Ovchinnikov, accordion Brock Meades, double bass Tenzin Clegg, clarinet Channing Mar, bass clarinet Ayari Kasukawa, soprano saxophone https://finearts.uvic.ca/music/archive/files/original/60339322574f4f38b08c460e33bcb4ac.pdf e59b51bdc780b89a5450f638cef96a1a PDF Text Text PhD RECITAL Colin Malloy, Steelpan + Electronics Saturday, March 26, 2022, 7:00 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Crushed Atmos (world premiere) Colin Malloy Cycles Colin Malloy Steelpanopticon (world premiere) Colin Malloy Oil Drum (world premiere) (De/Con)struction in Steel and Electricity (solo ver.) Colin Malloy is from the class of Kirk McNally and George Tzanetakis This recital is presented in partial fulfillment of the requirements for the Doctor of Philosophy in Interdisciplinary Studies program. Matthew Burtner Colin Malloy � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220326-PhDRecitalColinMalloy/20220326-PhDRecitalColinMalloy_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220326-PhDRecitalColinMalloy/20220326-PhDRecitalColinMalloy_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220326-PhDRecitalColinMalloy/20220326-PhDRecitalColinMalloy_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220326-PhDRecitalColinMalloy/20220326-PhDRecitalColinMalloy_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220326-PhDRecitalColinMalloy/20220326-PhDRecitalColinMalloy_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PhD Recital - Colin Malloy Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 26 2022 Contributor An entity responsible for making contributions to the resource Colin Malloy, steelpan, electronics https://finearts.uvic.ca/music/archive/files/original/f1d137d6f2d7ec8015c62d7ed3f77093.pdf 536e7e11eb4225cbcd292fe9eda358b4 PDF Text Text Marco Neri, composi on 27, March, 2022, 8 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM ¿Aún escuchas mi voz? Rachel Cooper, Bb Clarinet Kayleigh Francis, Alto Saxophone Julien Haynes, Viola Enrico Tuazon, Cello if (on); update (o ); Deniz Pekmezci, Percussions Automaton-Music Cleo Yong, Violin Dana Wenzel , Ar cial Violin Marco Neri is from the class of Dr. Anthony Tan This recital is presented in par al ful llment of the requirements for the Master of Music Composi on program. ti fi ti ti fi ff ti Please silence all electronic devices. DEGREE RECITAL � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220327-DegreeRecitalMarcoNeri/20220327-DegreeRecitalMarcoNeri_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220327-DegreeRecitalMarcoNeri/20220327-DegreeRecitalMarcoNeri_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220327-DegreeRecitalMarcoNeri/20220327-DegreeRecitalMarcoNeri_3.wav">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Marco Neri Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 27 2022 Contributor An entity responsible for making contributions to the resource Marco Neri, compositon Rachel Cooper, Bb Clarinet Kayleigh Francis, Alto Saxophone Julien Haynes, Viola Enrico Tuazon, Cello Deniz Pekmezci, Percussions Cleo Yong, Violin Dana Wenzel , Artificial Violin https://finearts.uvic.ca/music/archive/files/original/05ede9983ea163df1892c2d35bb78d11.pdf 188d3bdfca36d45e56ca58a8d62b5450 PDF Text Text FIRST YEAR GRADUATE RECITAL Julien Haynes, viola Dr. Kinza Tyrrell, Piano Jono Devey, Piano Wednesday, March 30th, 2022, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Viola Concerto I. Andante comodo II. Scherzo and trio William Walton (1902-1983) Dr. Kinza Tyrrell, piano Sonata in F Minor I. Allegro appassionato II. Andante un poco adagio Johannes Brahms (1833-1897) Dr. Kinza Tyrrell, piano Cello Suite No. 6 in D Major, BWV 1012 I. Prelude II. Allemande J.S. Bach (1685-1750) Elégié Gabriel Fauré (1845-1924) Jono Devey, piano Julien Haynes is from the class of Professor Joanna Hood. This recital is presented in partial fulfillment of the requirements for the Master of Music Performance program. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220330-Haynes_Viola/20220330-Haynes_Viola_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220330-Haynes_Viola/20220330-Haynes_Viola_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220330-Haynes_Viola/20220330-Haynes_Viola_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220330-Haynes_Viola/20220330-Haynes_Viola_04.mp3">Track 4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First Year Graduate Recital - Julian Haynes, Viola Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 30 2022 Contributor An entity responsible for making contributions to the resource Julian Haynes, viola Dr. Kinza Tyrrell, Piano Jono Devey, Piano https://finearts.uvic.ca/music/archive/files/original/2b02f40399e9aba8c17144b4a7e2be7b.pdf f1567c1d773d5ff1f71d00230784f8a5 PDF Text Text VIOLA STUDIO RECITAL UVIC Students from the studio of Joanna Hood THURSDAY, MARCH 31, 2022 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria Admission by donation We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Concerto for Viola and Orchestra, Op. 37 Miklós Rózsa Moderato assai (1907-1995) Julian Glover, viola Eóghan Bostock, piano Viola Concerto in D Major II. Adagio Helen Young, viola Michelle Hoskin, piano Viola Concerto in the Style of Handel II. Andante ma non troppo III. Allegro Molto Franz Anton Hoffmeister (1754-1812) Cadenza by Julian Glover Henri Casadesus (1879-1947) Sophie Hillstrom, viola Michelle Hoskin, piano Viola Sonata in D Minor I. Allegro moderato Mikhail Glinka (1804-1857) Andrew Loe, viola Chapman Wong, piano Sonata for Viola and Piano, Op. 36 Barcarolla Henri Vieuxtemps (1820-1881) Judith Gaston, viola Jerry Xiong, piano Deux Poèmes de Louis Aragon Francis Poulenc I. C. (1899-1963) Maki Yamagata, viola Kinza Tyrrell, piano Viola Concerto I. Andante comodo II. Scherzo and trio Julien Haynes, viola Kinza Tyrrell, piano William Walton (1903-1983) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220331-Viola-studio-Recital/20220331-Viola-Stuio-Recital_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 31 2022 Contributor An entity responsible for making contributions to the resource Julian Glover, viola Eóghan Bostock, piano Helen Young, viola Michelle Hoskin, piano Sophie Hillstrom, viola Andrew Loe, viola Chapman Wong, piano Judith Gaston, viola Jerry Xiong, piano Maki Yamagata, viola Kinza Tyrrell, piano Julien Haynes, viola https://finearts.uvic.ca/music/archive/files/original/c2b343a8173814ae180204697f899f6e.pdf 272fb25138e5e1d07238a016db2f8a1a PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria APRIL 1, 2022 | 12:30 PM Featuring music by School of Music guitar students. We acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Elegy, Op. 13, No. 10 Jay Lee, guitar J.K. Mertz (1806–1856) Leonard Schulz (1814–1860) Francis Poulenc (1899–1963) Leonard Schulz Etude Op. 40, No. 4 Sarabande pour guitare, FP 179 Etude Op. 40, No. 11 Jordyn Hutchings, guitar Intermezzo Op. 117 Johannes Brahms I. Andante moderato (1833–1897) Arr. Ferdinand Rebay (1880–1953) Jordyn Hutchings, guitar Nathaniel Ritter, guitar Manuel Ponce (1882–1948) Variations on a Theme of Cabezón Nathaniel Ritter, guitar La Catedral Agustin Barrios I. Preludio saudade (1885–1944) II. Andante religioso Matthew Graumans, guitar Variations on the Favourite Cavatina from Rossini’s Otello, Op. 101 Mauro Giuliani (1781–1829) Carter Kranjc, guitar Four Macedonian Pieces I. Zajdi Miroslav Tadic (b. 1959) Hao Guo, alto flute Morgan Sheeley, guitar 12 Etudes Heitor Villa-Lobos No. 11: Lent (1887–1959) No. 5: Andantino No. 7: Très animé Morgan Sheeley, guitar � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220401-Fridaymusic_Guitar/20220401-Fridaymusic_Guitar_06.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic - Guitar Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource April 1 2022 Contributor An entity responsible for making contributions to the resource Jay Lee, guitar Jordyn Hutchings, guitar Nathaniel Ritter, guitar Matthew Graumans, guitar Carter Kranjc, guitar Hao Guo, alto flute Morgan Sheeley, guitar https://finearts.uvic.ca/music/archive/files/original/49332e8dd221f30a3b48bf75a8afbdc6.pdf b82a52ed26981cc057015b715e9642f7 PDF Text Text BAROQUE COLLEGIUM UVIC Directed by Joanna Hood SATURDAY, APRIL 2, 2022 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria Admission by donation We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM BOMP Victoria Ensemble Chloe Meyers, Megan Bibby, Claire Sparrow-Clark, Dana Wensel, Maki Yamagata, violins Joanna Hood, Judith Gaston, violas Aline Gillbert-Thévard, cello Jacob Culling, double bass Eóghan Bostock, harpsichord Overtur Allegro Assai Largo Sempre Piano Presto Carlo Tessarini (1690-1766) Konzert G-Dur für Bratche und Streichorchester Largo Allegro George Philipp Telemann (1681-1767) Judith Gaston, viola soloist Antonio Vivaldi (1678-1741) Concerto in Ri minore RV 407 Allegro Largo e siempre piano Allegro Aline Gilbert-Thévard, cello soloist Antonin Vivaldi (1678-1741) Concerto No. 4 for four violins and String Orchestra Andante Allegro assai Chloe Meyers, Megan Bibby, Claire Sparrow-Clarke, Dana Wenzel, violin soloists Quartetto TWV 43:A6 Sinfonia Gratioso Allegro Largo Vivace George Philipp Telemann (1681-1767) Mentors Chloe Meyers and Joanna Hood perform with the group as part of the BOMP Victoria experience. �ABOUT THE COLLEGIUM The UVic Collegium provides undergraduate and graduate students with an opportunity to approach aspects of historical repertory and performance practice in a practical setting. The full-year course includes weekly rehearsals and coaching by specialists in historically informed performance, student performances, as well as tickets to early music concerts in the region. With the generous support of Early Music Vancouver, the Collegium is now a part of BOMP (Baroque Orchestra Mentoring Programme). The ensemble has been working side by side with mentors Chloe Meyers (concert master of the Pacific Baroque Orchestra) and Professor Joanna Hood. Other mentors this year include baroque cellist Christine Mahler, viola da gamba specialist Martin Bonham, baroque flutist Soile Stratkauskas (artistic director of the Victoria Baroque Players) and harpsichordist Aleander Weimann (conductor of the Pacific Baroque Orchestra Vancouver and Artistic Director of the Seattle Baroque Orchestra). The group performs on period instruments—including reproductions or modern instruments with a baroque setup—baroque violins and bows, violas and cellos, harpsichord, baroque flute, and viola da gamba. Some of the instruments are provided on loan from The University of British Columbia through Early Music Vancouver. CHLOE MEYERS VIOLIN Violinist Chloe Meyers is a regular guest leader and orchestra member of baroque ensembles all over North America. She has worked with ensembles including Les Violons du Roy, Tafelmusik, the Montreal Symphony Orchestra, Ensemble Les Boréades, the Theatre of Early Music, Les Idées Heureuses and Les Voix Baroques. She recently joined the Pacific Baroque Orchestra as concertmaster and will continue to play principal second with Arion Baroque Orchestra in Montreal. Most recently she played first violin on a Juno Award winning recording of Handel arias featuring Canadian soprano Karina Gauvin on the Atma Classique label. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-BaroqueCollegium/20220402-BaroqueCollegium_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-BaroqueCollegium/20220402-BaroqueCollegium_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-BaroqueCollegium/20220402-BaroqueCollegium_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-BaroqueCollegium/20220402-BaroqueCollegium_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20220402-BaroqueCollegium/20220402-BaroqueCollegium_5.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baroque Collegium Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource April 2 2022 Contributor An entity responsible for making contributions to the resource BOMP Victoria Ensemble: Chloe Meyers, Megan Bibby, Claire Sparrow-Clark, Dana Wensel, Maki Yamagata, violins Joanna Hood, Judith Gaston, violas Aline Gillbert-Thévard, cello Jacob Culling, double bass Eóghan Bostock, harpsichord Judith Gaston, viola soloist Aline Gilbert-Thévard, cello soloist Chloe Meyers, Megan Bibby, Claire Sparrow-Clarke, Dana Wenzel, violin soloists Chloe Meyers, Megan Bibby, Claire Sparrow-Clarke, Dana Wenzel, violin soloists https://finearts.uvic.ca/music/archive/files/original/f9e95b25d6292f9bb9f2eda9fecca5b6.pdf 6b3bf22f09d3aa229430d3fb628ac660 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA Wind Symphony (RE)WATCH STEVEN J. CAPALDO CONDUCTOR BEN LITZCKE MMUS STUDENT CONDUCTOR We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Special thanks to Thom Carlson from Thom Carlson Photography for recording this event. FRIDAY, APRIL 1, 2022 • 7:30 PM The Farquhar at UVic, University of Victoria Adults: $24 / Seniors: $18 / Students & UVic alumni: $12 �PROGRAM Prayer for Ukraine: Bozhe Velykyi (1885) Setting by Andrea Ciona, adapted by Jay Michalak Oleksandr Konysky (text) Mykola Lysenko (music) Annalysa Tylor, soprano, Savannah Read, alto Carter Martin, tenor, Leif Bradshaw, bass Superman March (1978) John Williams (b. 1932) trans. Paul Lavender Overture to ‘Nabucco’ (1841) Giuseppe Verdi (1813-1901) trans. Lucien Cailliet Ben Litzcke, conductor Hoe Down from ‘Rodeo’ (1942) Aaron Copland (1900-1990) trans. Mark Rogers As You Like It: A Poem for Orchestra (1936) William Walton (1902-1983) 1. Prelude arr. Christopher Palmer 2. Moonlight trans. Steven Capaldo 3. Under the Greenwood Tree; Soprano solo: Dahliea Greeve 4. The Fountain 5. Wedding Dance I NT E R M I S S I O N The Sea Hawk (1940) Erich Wolfgang Korngold (1897-1957) arr. Steven Verhaert Snow (2022, World Premiere) The Lord of the Rings: Suite from the Complete Film Trilogy (2000-04) Noah Mellemstrand, violin Annalysa Tylor, soprano Savannah Read, alto Carter Martin, tenor Leif Bradshaw, bass Luc Faris (b. 2001) UVic Composition student Howard Shore (b. 1946) arr. & trans. Steven Capaldo �PROGRAM NOTES Superman March John Williams Following on the success of his mid-1970s scores for Jaws and Star Wars, John Williams produced yet another iconic movie theme with Superman in 1978. At the initial recording session for the film, the theme made such an impact on director Richard Donner that, unable to contain himself, he exclaimed “Genius! Fantastic!”, promptly ruining the first take. The theme also leaves an indelible mark on the memories of many a filmgoer, particularly in the way it accompanies the film’s main titles, which literally fly on and off screen like the Man of Steel himself. Thus, the Superman theme has become so inextricably linked with its filmic association that it can seem as though it is the only musical representation possible for the character. How does Williams manage to do this? As in so many of his other themes, by carefully coordinating the musical features so that they converge and provide us with a fleshed-out picture of the thing it represents. In this case, and as many have pointed out before, the music even seems to speak the name “Superman”. © Mark Richards Overture to ‘Nabucco’ Giuseppe Verdi Nabucco is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the 1836 play under its original name of Nabucodonosor and was first performed at La Scala in Milan on 9 March 1842. Nabucco is the opera which is considered to have permanently established Verdi’s reputation as a composer. He commented that “this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that Nabucco was born under a lucky star”. The best-known number from the opera is the Chorus of the Hebrew Slaves, Va, pensiero, sull’ali dorate / “Fly, thought, on golden wings”, a chorus which is regularly given an encore in many opera houses when performed today. © windrepertory.org Hoe Down from ‘Rodeo’ Aaron Copland Aaron Copland’s ballet Rodeo is a celebration of the American West.The commission for Rodeo came, surprisingly enough, from the classically-oriented Ballet Russe de Monte Carlo, with the music by Copland and the choreography �and scenario by Agnes de Mille.The ballet was precedent setting – there were said to be 22 curtain calls at its premiere at the Metropolitan Opera House on October 16, 1942 – and the success of this ballet insured that dance would thrive as an integral part of American musical theatre. © Dave Kopplin As You Like It: A Poem for Orchestra after Shakespeare William Walton Sir William Turner Walton was an English composer who wrote music in several classical genres and styles, from film scores to opera. His best-known works include Façade, the cantata Belshazzar’s Feast, the Viola Concerto, the First Symphony, and the British coronation anthems Crown Imperial and Orb and Sceptre. After the 1936 film based on the Shakespeare play was released, it wasn’t until 1989 that some of the music was crafted by Christopher Palmer into the current orchestral suite of five movements. This transcription for wind orchestra intends to maintain the integrity of the original work by honouring as much of the orchestration as possible. © Walton Trust/Steven Capaldo The Sea Hawk Erich Korngold Erich Wolfgang Korngold was an Austrian composer and conductor who, having lost his Austrian nationality, adopted US citizenship. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores winning two Academy Awards for his efforts. The Sea Hawk is a 1940 American adventure film that stars Errol Flynn as an English privateer who defends his nation’s interests on the eve of the launch of the Spanish Armada. © Korngold Society Snow Luc Faris Snow attempts to evoke a vast, winter landscape, at times desolate and still and at times alive with the movement of freshly-falling snowflakes. These various textures are achieved through rhythmic techniques that grant the individual musicians some degree of autonomy, leading to the creation of a more natural soundscape, and the impression of the ensemble being at once many distinct voices and one unified entity. © Luc Faris �The Lord of the Rings Howard Shore Howard Leslie Shore is a Canadian composer and conductor, most noted for his film scores. He has composed the music for over 80 films, including The Fly, The Silence of the Lambs, Gangs of New York, A History of Violence, King Kong, and Spotlight. He won three Academy Awards for his work on The Lord of the Rings, and the scores are often considered to represent one of the greatest achievements in the history of film music in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used. The music for this suite comes from all three movies: The Fellowship of the Ring, The Two Towers, and The Return of the King. The suite also features the songs In Dreams, The Edge of Night, and Into the West, as well as solos from the violin and instruments throughout the wind ensemble. In all, 17 separate musical moments from the film score are used. © Wikipedia.com/Steven Capaldo Your contribution makes a difference! The arts have always benefitted from the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. s Your support can help our students achieve their best while at UVic. A scholarship of just $1000 a year can change a life forever. s Contributing to one of the School of Music’s special projects assists us to reach longterm creative goals and maintain our state-of-the-art facilities and concert spaces. s Planned giving offers the opportunity for you to make a difference and leave a personal legacy for the future of music. 100+ Annual awards available to our students 1 in 2 Music students receive donor support For more information about our giving initiatives, visit uvic.ca/finearts/music/support-us �BIOGRAPHIES Dr. Steven J. Capaldo DMA, MPerf, BEd (Mus), AMusA (Distinction) Dr. Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Currently, he is an Associate Professor of Music Education & Conducting, Wind Symphony Conductor and Co-Head of Music Education at the University of Victoria. Steven has previously held positions in Music Education at the University of Wollongong (Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony. Completing a DMA in Wind Conducting at UNLV, a Master of Performance (Orchestral and Choral Conducting) at the University of Sydney, a Bachelor of Education (Music) at the University of Melbourne, and an AMusA on Saxophone (with Distinction), he has extensive experience working with symphony orchestras, wind orchestras, and chamber ensembles. An active writer, Steven composes, arranges and transcribes music for large ensembles, festivals and concerts. His works have been performed by groups in Australia, Canada, Japan, and the United States, recorded on Klavier records (US), and published with Brolga Music and Murphy Music Press. He has been listed as a composer in the book The Band Down Under and has been a finalist in several international composition competitions. An Assistant Producer and Co-Editor for eight Klavier Records CD, Steven became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 International Eurovision Song Contest. In-demand as a conductor, clinician and adjudicator, Steven has worked at local, state/ provincial, national and international levels (including Canada’s MusicFest), and as Conductor of the British Columbia Honor Wind Ensemble. Committed to providing professional learning opportunities for music educators and conductors, Steven has been a conducting clinician for the Canadian Armed Forces, the 2017 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp, and an Associate Conducting Instructor for the 2016, 2017 & 2018 NSW ABODA Conducting Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and presented at the Australian National Band and Orchestra Conference. Ben Litzcke BMus Ben decided to study music after playing in the BC Honor Wind Ensemble conducted by Dr. Capaldo in 2007. Completing his BMus on clarinet at UVic in 2013, Ben has spent the intervening years playing and conducting in several community bands around Greater Victoria. Ben is thrilled to be working with the Wind Symphony as the first student in the new Master of Music (Conducting) program. �UVIC WIND SYMPHONY Conductor Dr. Steven J. Capaldo FLUTE Connie Goetz* Ainsley Mercer Lauren Djelbak (Picc) Paige Thompson Cleary Manning Michelle Woolfenden OBOE Kiara Hosie* Ethan Slogotski Andrew Montgomery COR ANGLAIS Andrew Montgomery BASSOON Holly Edquist* CLARINET Maeve Calhoun∞ Nishant Amatya§ Meghan Parker Sarah Carey Emileigh Pearson Connor Pickles Danica Smith Shawn Brescia BASS CLARINET Chris Ollinger SAXOPHONES Cole Davis* Alex Tiller Tessa Bell Kayleigh Francis Isaiah Doyle HORN Rachel Lock* Shannon Stewart Maia Copley Tyrell Loster Allie Bertholm TRUMPET Alicia Ellis* Abha-Marie Parmar Marc Micu Heidi Goetz Kyle Bates Lucas Facca TROMBONE Tyler Schmit* Ariana Hall Ryan Qu Amaya Sydor EUPHONIUM Liam Catarina* Sarah Higginson Senora Dunford Muskan Guglani TUBA Aaron Kruger* Scott Gordon Spencer Robinson TIMAPNI Lachlan Barry PERCUSSION Liven Carlson* Harbour Nolan Ethan Page Quinn Wood Thomas Evoy PIANO Liz Huang STRING BASS Dylan Syrnyk* WIND SYMPHONY ASSISTANT Ben Litzcke MUSIC LIBRARIAN Yiwen (Ada) Qian STAGE MANAGERS Aaron Kruger Senora Dunford * Principal and Section Leader ∞ Principal § Section Leader � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRe(Watch)_2.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRe(Watch)_3.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRe(Watch)_4.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRe(Watch)_5.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRe(Watch)_6.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRewatch_p2_1.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRewatch_p2_4.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040122-WindSymphonyRe(Watch)/040122-WindSymphonyRewatch_p2_3.wav">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Wind Symphony - RE(WATCH) Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource April 1 2022 Contributor An entity responsible for making contributions to the resource Steven J. Capaldo, conductor Ben Litzcke, MMus student conductor Annalysa Tylor, soprano Savannah Read, alto Carter Martin, tenor Leif Bradshaw, bass Noah Mellemstrand, violin FLUTE Connie Goetz* Ainsley Mercer Lauren Djelbak (Picc) Paige Thompson Cleary Manning Michelle Woolfenden OBOE Kiara Hosie* Ethan Slogotski Andrew Montgomery COR ANGLAIS Andrew Montgomery BASSOON Holly Edquist* CLARINET Maeve Calhoun∞ Nishant Amatya§ Meghan Parker Sarah Carey Emileigh Pearson Connor Pickles Danica Smith Shawn Brescia BASS CLARINET Chris Ollinger SAXOPHONES Cole Davis* Alex Tiller Tessa Bell Kayleigh Francis Isaiah Doyle HORN Rachel Lock* Shannon Stewart Maia Copley Tyrell Loster Allie Bertholm TRUMPET Alicia Ellis* Abha-Marie Parmar Marc Micu Heidi Goetz Kyle Bates Lucas Facca TROMBONE Tyler Schmit* Ariana Hall Ryan Qu Amaya Sydor EUPHONIUM Liam Catarina* Sarah Higginson Senora Dunford Muskan Guglani TUBA Aaron Kruger* Scott Gordon Spencer Robinson TIMAPNI Lachlan Barry PERCUSSION Liven Carlson* Harbour Nolan Ethan Page Quinn Wood Thomas Evoy PIANO Liz Huang STRING BASS Dylan Syrnyk* WIND SYMPHONY ASSISTANT Ben Litzcke MUSIC LIBRARIAN Yiwen (Ada) Qian STAGE MANAGERS Aaron Kruger Senora Dunford * Principal and Section Leader ∞ Principal § Section Leader https://finearts.uvic.ca/music/archive/files/original/9df6c100cdc152741155d3c0200e4232.pdf d428d9373ae217041870e7a7a8c743e9 PDF Text Text UVIC OBLIQUE SYNCHRONICITY Featuring students from MUS 462/562 Joanna Hood and Dr. Anthony Tan, instructors THURSDAY, APRIL 7, 2022 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria Admission by donation We acknowledge and respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Tidal Echoing Zihan Zhao (House) Julien Haynes Hele Jose Enrico Tuazon Nocturnes I. II. III. IV. V. VI. Luc Faris I NT E R M I S S I O N Dysfunction Dana Wenzel I whether Me/ Breath Deniz Pekmezci The Garden Beyond This Perceptual Veil MUS 462/562 PERSONNEL Kiyomi Asano Heather Byford Rachel Cooper Christopher Dlouhy Sandra Espínola Luc Faris Hao Guo Julien Haynes Sean Kiley Nikolay Ovchinnikov Deniz Pekmezci Ada Qian Jose Enrico Tuazon Dana Wenzel Zihan Zhao For class biographies, visit www.group016.wordpress.com or scan QR code: Sean Kiley �PROGRAM NOTES Tidal Echoing, Zihan Zhao This piece digs into two concepts related to sounds, cycle and decay. The principle behind a sound is the circulation of the sound wave, symbolized by tides in the title. The oscillating dynamics, the arc-shape melodies, the repetitions of the single motive all bring the sense of circulation. Decay, also as a necessary component of a sound, yet can be lengthened and zoomed in. If reversing the fading away of a sound decay, the high partials will grow from the original sound, outweigh the attack and function like a new sound itself. The subtle use of piano sustain pedal also intensifies and spatialises the decay process of both the piano and the clarinet played inside the piano. (House), Julien Haynes (House) is a work based on the painting Untitled by Zdzisław Beksiński Hele, Enrico Tuazon Hele was inspired from a traditional Visayan folk lullaby from Philippines. The original lullaby is traditionally sung by a sister or any other female relative to help the child fall asleep while the mother is working. This piece focuses on the perspective of the son longing for the mother. Dedicated to Dora and Miho. Ang iyong haplos ay aking hele, Ang iyong yakap ay aking tahanan, O nasaan ka minamahal na ina? Ala-alang karga, ako’y iyong isama. Your touch is my lullaby, Your warmth is my home, O where are you my beloved mother? Along with my memories, take me with you. Nocturnes, Luc Faris This is a suite of six short movements exploring the hours of the night from midnight to sunrise, alternating between states of dreamlike contemplation and nightmarish restlessness. Each movement contains a kind of transformation from one state to another: form into formlessness, peace into uneasiness, and finally darkness into light. The piece experiments with a combination of standard notation and freer elements, such as graphic notation, synchronisation through group pulsations rather than metre, interrupting voices, and improvisation with varying levels of constraints. Dysfunction, Dana Wenzel Dysfunction is about a crippling aspect of my everyday life. I was recently diagnosed with ADHD, and executive dysfunction is one of the most intense symptoms. I frequently find myself immobilised by anxieties and deadlines, but no matter how hard I try, I am unable to begin and I become stuck for hours as a time. This piece represents that feeling, and illustrates to the rest of the world how this debilitating daily experience makes me feel. I whether Me/Breath, Deniz Pekmezci This piece focuses on the concept of becoming whole as an individual, through weeding out the unwanted ideas and learned behaviour with a meditation-like process. The first movement is a depiction of the process as it may seem from the outside, and the second is the close-up to the mosaic that is the individual. The Garden Beyond this Perceptual Veil, Sean Kiley Open score for ‘choose your own adventure’ loops. The fall may best be understood not as a moral deviation or as a descent into a carnal state, but as a drama of knowledge, as a dislocation and degradation of our consciousness, a lapse of our perceptive and cognitive powers—a lapse which cuts us off from the presence and awareness of other superior worlds and imprisons us in the fatality of our solitary existence in this world. It is to forget the symbolic function of every form and to see in. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_5.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_6.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04072022-562Concert/04072022-562Concert_7.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oblique Synchronicity Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource April 7 2022 Contributor An entity responsible for making contributions to the resource Zihan Zhao Julien Haynes Jose Enrico Tuazon Luc Faris Dana Wenzel Deniz Pekmezci Sean Kiley