99 10 1498 https://finearts.uvic.ca/music/archive/files/original/98200481fec587ad1cb78c24a486b690.pdf 3cde610f7ef40f72ea7bafb549be91ef PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria March 24, 2017 • 12:30 p.m. Featuring School of Music guitar students Gran Solo Op. 14 Fernando Sor (1778-1839) Josh Hu, guitar Reverie-Nocturne Op. 19 Giulio Regondi (1823-1872) Isaiah Brabazon, guitar Prelude Alexander Ivanov-Kramskoi (1912-1973) Etude Op. 48 #18 Mauro Giuliani (1781-1829) Dante Andre-Kahan, guitar Gran Jota Fraser Gibson, guitar Francisco Tarrega Souvenirs Op. 17 Napoleon Coste I. La Vallée d’Ornans (1805-1883) II. Les Montagnards Derek Valenciano, guitar Invocacion et Danse. hommage a Manuel de Falla Joaquin Rodrigo (1901-1999) Sevilla Op. 47, No.1 Simon Farintosh, guitar Upcoming at the School of Music FRIDAY, MARCH 24 | 8 PM | Admission by donation VIOLIN CLASS RECITAL Featuring UVic School of Music violin students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall FRIDAY, MARCH 24 | 8 PM | Adults $20 / Seniors $15 / Students & UVic alumni $10 UVic WIND SYMPHONY Year End Spectacular—2017! Featuring Dr. Julia Nolan, saxophone soloist, the UVic Chorus, and Dr. Gerald King, conductor Internationally renowned saxophonist, Dr. Julia Nolan is guest soloist for Robert Buckley’s Prestidigitation: Concerto for Alto Saxophone and Wind Ensemble. University Centre Farquhar Auditorium SATURDAY, MARCH 25 | 8 PM | Adults $20 / Seniors $15 / Students & UVic alumni $10 FACULTY CHAMBER MUSIC SERIES Join the School of Music performance faculty in celebrating Alexandra Pohran Dawkins’ 30th year of teaching at UVic and her upcoming retirement. Professor Pohran Dawkins is joined by the Lafayette String Quartet, the UVic Chamber Singers under the direction of Susan Young, and many others including faculty and former students. Phillip T. Young Recital Hall SUNDAY, MARCH 26 | 2:30 PM | Admission by donation STRING CHAMBER MUSIC CONCERT Featuring UVic School of Music string students from the studios of the Lafayette String Quartet. Phillip T. Young Recital Hall Isaac Albeniz (1860-1909) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032417-Fridaymusic/032417-FridayMusicGuitar_08.mp3">Track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource March 24, 2017 https://finearts.uvic.ca/music/archive/files/original/602d0f4acd1b54775f39fb3c49da5f3d.pdf 1827c86f9b0253119c58a106af48a6fd PDF Text Text Rebecca Thackray Soprano Degree Recital March 22, 2017 8pm Phillip T. Young Recital Hall, MacLaurin Building Free Admission �PROGRAM With Braden Young, Piano Rebecca wishes to give a special thanks to: Laurie’s Song Aaron Copland From The Tender land (1900 – 1990) Anne, for her guidance and never-failing patience, her family for always supporting her dreams, Gloria Deo David Ouchterlony (1914 – 1987) her friends for bringing light and laughter to her life, to each and every person in the hall, or listening, for being a part of this journey in every way you have and will continue to be... Das verlassene Mägdlein (Mörike) Gleich und Gleich (Goethe) Die Bekehrte (Goethe) (1860 – 1903) Durch Zärtlichkeit und Schmeicheln W.A. Mozart From Die Entführung aus dem Serail (1756 – 1791) Hugo Wolf Rebecca Thackray is from the class of Anne Grimm. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. �Let the Bright Seraphim Chanson Triste Henri Duparc From Samson Claude Debussy (1862-1918) Soupir Henri Duparc (1685-1759) Ian VanGils, Trumpet (1848-1933) Nuit d’étoiles G.F. Händel My dearest, my fairest Henry Purcell Why, my Daphne, why complaining. (1685-1759) Zander Felton, Baritone Braden Young, Harpsichord Willow Song From The Ballad of Baby Doe Douglas Moore (1893-1969) Sous le dôme épais From Lakmé Léo Delibes (1836-1891) Natasha Penfield, Soprano ~ INTERMISSION ~ Come Ready and See Me Richard Hundley Del cabello más sutil Con amores, la mi madre Chiquitita la novia F.J. Obradors (b. 1931 ) (1863-1891) From Canciones clásicas españolas Thank you, thank you all From The Tender land Glitter and Be Gay From Candide Aaron Copland (1900 – 1990) Leonard Bernstein (1918 – 1990) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_13.mp3">Track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_14.mp3">Track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_15.mp3">Track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_16.mp3">Track16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Rebecca Thackray Creator An entity primarily responsible for making the resource Irina Kim and Pearse Liblong Date A point or period of time associated with an event in the lifecycle of the resource March 22, 2017 Contributor An entity responsible for making contributions to the resource Rebecca Thackray, soprano https://finearts.uvic.ca/music/archive/files/original/b6b354de73298e329aad92a65b8c936c.pdf 2b76788e1b235cc8fd433c5e71440947 PDF Text Text GRADUATE RECITAL Alanna Kazdan, flute Yoomi Kim, piano Jessica Wagner, soprano Wednesday, March 22, 2017, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Fantasie in E Minor, op. 14 Niels Peter Jensen (1802–1846) Tři tiché písně Petr Eben Pro lásku (1929-2007) Odpověď Útěcha Yoomi Kim, piano Jessica Wagner, soprano All’aure in una lontananza Salvatore Sciarrino (b. 1947) Sonata for Flute and Piano Leo Smit I (1927-1943) II III Yoomi Kim, piano Alanna Kazdan is from the class of Professor Suzanne Snizek This recital is presented in partial fulfillment of the requirements for the Master of Arts (with Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Kazdan/032217-KazdanRecital-01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Kazdan/032217-KazdanRecital-02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Kazdan/032217-KazdanRecital-03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Kazdan/032217-KazdanRecital-04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Alanna Kazdan Creator An entity primarily responsible for making the resource Colin Malloy Date A point or period of time associated with an event in the lifecycle of the resource March 22, 2017 Contributor An entity responsible for making contributions to the resource Alanna Kazdan, flute Yoomi Kim, piano Jessica Wagner, soprano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032117-Tuesdaymusic/032117_TuesdayMusic-06.mp3">Track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Colin Malloy Date A point or period of time associated with an event in the lifecycle of the resource March 21, 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032017-GradRecital_Jette/032017-BJetteRecital_08.mp3">Track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Brittney Jette Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2017 Contributor An entity responsible for making contributions to the resource Brittney Jette, soprano https://finearts.uvic.ca/music/archive/files/original/2e23fbeaa076e13ca771822769fe6bce.pdf 4ce908510c3d8f35dca4ecaaa27efae8 PDF Text Text Natasha Penfield Soprano Degree Recital March 6th, 2017 8PM Phillip T. Young Recital Hall, MacLaurin Building Free Admission �Program ! ! ! Strider!faceva!le!zampogne!a!l’aura! Luca%Marenzio! (1553 – 1599) Micha Fortin, Soprano Laura Kaario, Alto Joshua Poon, Tenor Zander Felton, Bass Natasha wishes to give a special thanks to: Anne, for her guidance, Her family, for their love and support, Tecum!Principium! G.F.%Handel! (1685 – 1759) Dixit Dominus Her friends, for laughing with her, Ryan, for always being there. Braden Young, Piano In!Uomini,!in!soldati! W.A.%Mozart! (1756 – 1791) Così fan tutte A!Serpina!Penserete! Giovanni%Pergolesi! (1710 – 1736) La serva padrona Braden Young, Piano Natasha Penfield is from the class of Anne Grimm This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please turn off all cell phones. �! ! ! ! Italienisches!Liederbuch!(Excerpts)! Hugo%Wolf! ! ! ! ! Italienisches!Liederbuch!(Excerpts)! (1860 – 1903) Hugo%Wolf! (1860 – 1903) Ich hab’ in Penna einen Liebsten wohnen Du denkst mit einem Fädchen Mein Liebster ist so klein Mein Liebster hat zu Tische mich geladen Schweig’ einmal still Nicht länger kann ich singen Was für ein Lied Ich hab’ in Penna einen Liebsten wohnen Du denkst mit einem Fädchen Mein Liebster ist so klein Mein Liebster hat zu Tische mich geladen Schweig’ einmal still Nicht länger kann ich singen Was für ein Lied Abigail Takenaka, Piano Abigail Takenaka, Piano ! ! Miroir!de!Peine!(Excerpts)! Hendrik%Andriessen! Miroir!de!Peine!(Excerpts)! Hendrik%Andriessen! (1892 – 1981) I. II. (1892 – 1981) Agonie au Jardin Flagellation III. IV. Agonie au Jardin Flagellation Thomas Nicholson I!Hate!Music!(Excerpts)! Thomas Nicholson Leonard%Bernstein! I!Hate!Music!(Excerpts)! Leonard%Bernstein! (1918 – 1990) (1918 – 1990) 1. My Name is Barbara 5. I’m A Person Too ! Piccola!Serenata! 2. My Name is Barbara 5. I’m A Person Too ! ! Piccola!Serenata! ! Thomas Nicholson, Piano Thomas Nicholson, Piano ~Intermission~! ~Intermission~! �! ! ! ! Sous!le!dôme!épais! Léo%Delibes! (1836 – 1891) Lakmé ! ! ! ! Sous!le!dôme!épais! (1836 – 1891) Rebecca Thackray, Soprano Braden Young, Piano Ach,!ich!fühl’s…! Rebecca Thackray, Soprano Braden Young, Piano W.A.%Mozart! (1756 – 1791) Die Zauberflöte Ach,!ich!fühl’s…! I. II. III. IV. V. VI. VII. (1867 – 1950) “M’a dit Amour…” “Tu croyais le tenir…” Prise au piège La Naïade Le Cyclone La Colombe Fatum Sept!Chansons!Pour!Gladys! (1867 – 1950) “M’a dit Amour…” “Tu croyais le tenir…” Prise au piège La Naïade Le Cyclone La Colombe Fatum Braden Young, Piano Braden Young, Piano Douglas%Moore! (1893 – 1969) The Ballad of Baby Doe The!Silver!Aria! Douglas%Moore! (1893 – 1969) The Ballad of Baby Doe Abigail Takenaka, Piano Tango!Notturno! Charles%Koechlin! Op. 151 I. II. III. IV. V. VI. VII. The!Silver!Aria! (1756 – 1791) Abigail Takenaka, Piano Charles%Koechlin! Op. 151 W.A.%Mozart! Die Zauberflöte Abigail Takenaka, Piano Sept!Chansons!Pour!Gladys! Léo%Delibes! Lakmé Abigail Takenaka, Piano HansHOtto%Borgmann! Tango!Notturno! HansHOtto%Borgmann! (1901 – 1977) Braden Young, Piano (1901 – 1977) Braden Young, Piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL Due to a disk error, the first four pieces and part of the fifth were lost.<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_05.mp3">Track05</a> (partial)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_13.mp3">Track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030617-GradRecital_Penfield/030617-NatashaPenfield_14.mp3">Track14</a> (encore) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Natasha Penfield Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource March 6, 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-GradRecital_KlassenJasieniuk/031917-GradRecital_KlassenJasieniuk_01.mp3">Track1</a> (by Alex)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-GradRecital_KlassenJasieniuk/031917-GradRecital_KlassenJasieniuk_02.mp3">Track2</a> (by Adam)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-GradRecital_KlassenJasieniuk/031917-GradRecital_KlassenJasieniuk_03.mp3">Track3</a> (by Alex) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recital - Alex Klassen and Adam Jasieniuk Creator An entity primarily responsible for making the resource Irina Kim and Pearse Liblong Date A point or period of time associated with an event in the lifecycle of the resource March 19, 2017 Contributor An entity responsible for making contributions to the resource Alex Klassen, composer and cello Adam Jasieniuk, composer https://finearts.uvic.ca/music/archive/files/original/88bfd5b0d5618bd14d7926b39eea9c33.pdf 1387b6226ae33e1fa9e8ecb2211316fb PDF Text Text PIANO CLASS RECITAL Piano students from the studio of May Ling Kwok SUNDAY, MARCH 19, 2017 | 2 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Suite Bergamasque Prelude Impromptu in B-flat Op. 142, No.3 Sonata in G Major, Op. 14, No.2 I. Allegro Claude Debussy (1862–1918) Franz Schubert (1797–1828) L. van Beethoven (1770–1827) Franz Schubert Claude Debussy George Gershwin (1898–1937) Sergei Rachmaninoff (1873–1943) Carey Wang* Sebastian Britneff Impromptu in A-flat, Op. 90, No.4 Ryan Qu* Reflets dans l’eau Carmyn Slater* Rhapsody in Blue Concerto in C Minor, Op. 18 I. Moderato Tiffany Cheung Ya Ping Huang* — INTERMISSION — �Variations Symphoniques Scherzo in B-flat minor, Op. 31 Concerto in G major II. Adagio assai III. Presto Fantasiestücke, Op. 12 3. Warum? 4. Grillen 5. In der nacht Frédéric Chopin (1810–1849) Maurice Ravel (1875–1937) Robert Schumann (1810–1856) Maurice Ravel Joy Keeler Aimi Howden César Franck (1822–1890) Iris Hung Sonatine I.Modéré II.Mouvement de Menuet III. Animé Barry Tan* Jany Lu * Students from the Victoria Conservatory of Music UPCOMING EVENTS SUNDAY, MARCH 19 | 8PM (Free admission) Graduating Recital: Adam Jasieniuk & Alex Klassen, composers Composition students Adam Jasieniuk and Alex Klassen present their Bachelor of Music graduating compositions. Phillip T. Young Recital Hall MONDAY, MARCH 20 | 8 PM (Free admission) Graduating Recital: Brittney Jette, voice Vocalist Brittney Jette presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031917-PianoClassRecital_Kwok/031917-PianoClassRecital_12.mp3">Track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Class Recital - studio of May Ling Kwok Creator An entity primarily responsible for making the resource Kyle Newman Date A point or period of time associated with an event in the lifecycle of the resource March 19, 2017 https://finearts.uvic.ca/music/archive/files/original/4c77e80fd5b0d95939c9953d8f2d550d.pdf 513f4b2ec032963f7e9a978738c455b9 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Jazz Ensemble Tribute to the Bluenote Era FEATURING: WOODWINDS Bailey Finley Jay Beaton Karsten Brewka Evan Chorney Michael Vielguth Adam Jasieniuk Jesse Reid BRASS Emily McDermid Tony Shackell Will Quinn RHYTHM Myim Bakan-Kline Chris Calvin Arkady Futerman Fraser Gibson Adam Jasieniuk Hart Parnell DIRECTOR Dr. Patrick Boyle Saturday, March 18, 2017 • 8:00 pm Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $20 / Seniors $15 / Students & UVic alumni $10 �program Cottontail Duke Ellington Scrapple From the Apple I’ll Remember April My Ideal Charlie Parker Gene de Paul Richard Whiting Nostalgia in Times Square Charles Mingus I NT E R M I S S I O N Concession open in the Lounge Groovin’ High In a Mellow Tone Chill Mr. P.C. Work Song Dizzy Gillespie Duke Ellington Joshua Redman John Coltrane Nat Adderley The UVic Jazz Ensemble wishes to thank the faculty and staff of the UVic School of Music for their deep commitment to making live music vital. Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �UPCOMING EVENTS SUNDAY, MARCH 19 | 2 PM (By donation) Piano Class Recital Featuring piano students from the studio of May Ling Kwok. Phillip T. Young Recital Hall SUNDAY, MARCH 19 | 8PM (Free admission) Graduating Recital: Adam Jasieniuk & Alex Klassen, composers Composition students Adam Jasieniuk and Alex Klassen present their Bachelor of Music graduating compositions. Phillip T. Young Recital Hall MONDAY, MARCH 20 | 8 PM (Free admission) Graduating Recital: Brittney Jette, voice Vocalist Brittney Jette presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall TUESDAY, MARCH 21 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY, MARCH 22 | 12:30 PM (Free admission) First-Year Graduate Recital: Alanna Kazdan, flute Flutist Alanna Kazdan presents her first year Masters of Music graduate recital. Phillip T. Young Recital Hall WEDNESDAY, MARCH 22 | 8 PM (Free admission) Graduating Recital: Rebecca Thackray, voice Vocalist Rebecca Thackray presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall FRIDAY, MARCH 24 | 12:30 PM (By donation) Fridaymusic Featuring guitar students in a concert of varied repertoire. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door. � To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031817-JazzEnsemble/031817-JazzEnsembleConcert_10.mp3">Track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble - Tribute to the Bluenote Era Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource March 18, 2017 https://finearts.uvic.ca/music/archive/files/original/cfc1a1956d403debfe7425cec333c674.pdf 9e1014516993b377319c6c65d5084b10 PDF Text Text SONIC LAB March 17, 2017, 8pm Phillip T. Young Recital Hall, MacLaurin Building Admission by donation This concert is presented on the traditional territories of the WS'ANEC' (Saanich), Lkwungen (Songhees), and Wyomilth (Esquimalt) peoples of the Coast Salish Nation �* PROGRAM Advaya Jonathan Harvey (1939–2012) Emily MacCallum, Violin Edgard Varèse (1883–1965) Toccatina Helmut Lachenmann (b. 1935) Emily MacCallum, Violin Lucian Berio (1925–2003) Bombarde Ethan Hill (b. 1997) Ethan Hill, Piano Alex Klassen, Cello Philadelphia Christopher Butterfield (b. 1952) Dániel Péter Biró, Guitar Thomas Nicholson, Harmonium from József Attila Fragments Jessica Wagner, Soprano Julio Lopezhiler, Reciter * Dániel Péter Biró (b. 1969) Jillian Broughton, Flute Les mots sont allés ... * Adam Jasieniuk, Ethan Hill, Voices Alanna Kazdan, Flute Alina Liang, Clarinet Thomas Nicholson, Piano Natalie Dzibik, Violin Alex Klassen, Cello Keenan Mittag-Degala, Spoken Percussion Dániel Péter Biró, Conductor Suzanne Farrin (b. 1976) Density 21.5 Intermission Mishaptim, Part 1 Alex Klassen, Cello Alex C, Sampler Colin Malloy, Jordie Shier, Robert Pond, Electronics Time is a Cage * György Kurtág (b. 1926) While Liquid Amber Chaya Czernowin (b. 1957) Alanna Kazdan, Jillian Broughton, Bailey Finley, Piccolo Flutes 6 Melodies John Cage (1912–1992) Natalie Dzbik, Violin Kimberley Manerikar, Piano O King Luciano Berio (1925–2003) Jessica Wagner, Soprano Jillian Broughton, Flute Alina Liang, Clarinet Ethan Hill, Piano Emily MacCallum, Violin Alex Klassen, Cello Dániel Péter Biró, Conductor �Jonathan Harvey: Advaya (1994) “About the first century (AC) Buddhist teaching coined the word ‘advaya’. It means ‘not two’, and it points at transcending duality. We may be under the spell of a certain illusion, but we realise that our illusion and its objects come from the same root. In other words we transcend the duality of the division into subject and object in the sense that we intuitively sense and realise that both emerge from the same cosmic ground”. (Lama Govinda) All sounds used in this piece derive from the cello; some are processed live, others were recorded and then processed in depth in order to be played back on compact disks or by a sampler keyboard. Many of the sounds were made by analysing passages of music played by the cello and then resynthesising the music from this analysis, altering the inner structure of the sound (the spectrum) in the process. A hierarchy of “compressed spectra” from consonant (the natural harmonic series) to unstable was built up: the consonant centre is A (220hz), the first string of the cello. Cello and electronics are usually concerned with the same musical material at any one time, though sometimes at different speeds. One cello motif, for instance, which lasts 4 seconds, is stretched by a technique, which cuts the motif into tiny granules and then scatters them in large quantities to a duration of two and a half minutes. Suzanne Farrin: Time is a Cage (2008) The work of the New York based composer Suzanne Farrin is a meditation and gradual exploration of gestures and timbres on each of the four strings of the violin and deals with the unsteady perception of time passing. Edgard Varèse; Density 21.5 (1936) System was anathema to Varèse. He was suspicious of tonality as he was of serialism, considering them a composer's abdication of his responsibility to create something new. He viewed music a organized sound. Sound's properties of pitch, timbre and intensity were elements to be used in constructing a piece. Pitches existed for him independent of their pholyphonic or harmonic possibilities. This is evident in Denisty 21.5 in various ways. Many of them melodies consist of pitches whose lengths are determined by a specific ration. The piece as a whole seems to explore the gradual expansion of the opening three-note pattern to include an increasing part of the flute's range. Varèse wrote Density 21.5 for the inauguration of Georges Barrere's platinum flute. 21.5 is the density of platinum. Luciano Berio: Les mots sont allés ... (1978) The small solo cello work Les mots sont allés provides an eloquent musical epigraph for this side of Berio's temperament. Its title literally means "The words are gone...," and with his tongue perhaps tucked in his cheek, Berio instructs the performer to make up for this mysteriously missing text by playing "as if speaking." That absent verse might be tied up with the work's dedication: it was one of a number of solo cello pieces written in 1979 for new music conductor and patron, Paul Sacher, and like many other works from the set, actually takes the letters of Sacher's name and maps them to the pitches they denote in German (E flat, A, C, B, E natural). Interestingly, this technique reached its height before the twentieth century in the works of Robert Schumann a kindred spirit of Berio's in his indefatigable effort to make instruments speak. Christopher Butterfield: Philadelphia (1996) Philadelphia is one of three pieces with the same title, all written shortly after a visit to the Philadelphia Museum of Art in 1996. Among other things, the Museum houses the major collection of the work of artist Marcel Duchamp, including his last piece, Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage. György Kurtág: From József Attila Töredékek (Fragments) (1981) The Hungarian composer György Kurtág finds a form of musical expression in miniature and a way to synthesize traditional European art music with new forms and techniques of composing such as the serial technique. The musical fragments on the poetry of the Hungarian poet Attila József stands in the tradition of song cycles giving a fragmented impression of Webernian brevity, melodic forms formed of huge intervals or tightly bound phrases and heightened expressivity. �1. The water thickens, swelling into ice, and my sins gather into death. 2. Many came and pressed around me in my dreams they laughed and mocked me: "Ha-ha-ha, he-he-he, so he is the one with the treasure that's none!" 8. The sweet breeze purls along among the poplars, silver -foamed, and the gigantic summer just bathes in it, golden-limbed. 9. Girls' knees stalk our predatory eyes and in my fury I could kill a fairy, though for this leaky, foundling life it isn't - I admit- worth killing. 3. For seven - I ask myself will you give six, pray? I'm playing. The merit is his who was able to play. 10. For fifteen years I've been writing verse and now, when I might at last become a poet, I just stand here by the ironworks, and have no words for the moonlit sky. 4. Time sprouts on the run, like beans. Dániel Péter Biró: Mishpatim Part I (2003) In 2001, Dániel Péter Biró began to employ Hebrew number symbolism (gematria) for compositional means. As each letter in the Hebrew alphabet possesses a numerical value, gematria is the calculation of the numerical equivalence of letters, words, or phrases and, on that basis, the exploration of the interrelationship between words, ideas and, in this case, musical sounds. In this composition cycle he employed the Hebrew Bible text Mishpatim (or “Laws”) Exodus Chapter 23, a set of laws that do not seem to be organized in any logical pattern. Writing first a piece for percussion, BeMitzraim (In Egypt), he created a system in which all of the sounds, rhythms, spoken words and numbers are determined by the Hebrew text and accompanying cantillation signs of the corresponding Hebrew Bible text. Out of this composition grew a larger work for solo percussion, voices and ensemble, the first movement of Mishpatim (Laws) Part 1. While the percussionist repeats the phrase “Do not oppress the Stranger: for you were strangers in the land of Egypt” the rest of the ensemble iterates the laws of the Biblical portion. 5. The poet's love is blazing straw, hence its greed and devouring speed. 6. Amazed am I that I shall die. 7. Tell me, what should I do to make you love me, if I should weep, don't laugh or mock me. Like a car with engine racing but there' no road, no way of starting, - that's me, and were I bolder my words would lack all sense or order... �Text: Mishpatim Part 1 from Book of Exodus 23:1 - 9: Do not accept a false report. Do not join hands with the wicked to be a false witness. Do not follow the majority to do evil. Do not respond with your opinion in a dispute and to lean toward one side. It must be decided by the majority. Do not show favor to the poor in his dispute. If you come across your enemy's ox or his donkey going astray, bring it back to him. If you see the donkey of your enemy lying under its burden, and you might not want to help him, but you should make every effort to help him. Do not bend justice for the needy in his dispute. Keep far away from anything false. Do not kill an innocent righteous man, for I will not acquit a wicked person. Do not accept bribery, for bribery blinds the clear-sighted, and perverts the words of justice. Do not oppress the stranger. You know the soul of the stranger, for you were strangers in the land of Egypt. Helmut Lachenmann: Toccatina (1986) The diminutive title suits the scale of this piece, which plays for under five minutes, and also its sound, which is generally at a low level, drawing us into its fineness. A toccata is, etymologically, music of touch, and Lachenmann, ever the traditionalist, alludes to the term appropriately, while redefining how this touch takes place. Most of the sounds, high and featherlight, are produced by tapping on the strings with the screw at one end of the bow. To begin with, the left hand stays in one position, holding a chord whose notes subtly resonate after each tap; there are also occasional pizzicatos. Then the extremely delicate background harmony starts to change. Later still, the musician moves on to explore other parts of the instrument: the strings at the bridge and beyond, one of the tuning pegs, and the scroll. The end, however, makes a gentle return. Composed in 1986, Toccatina comes from a time when Lachenmann had moved on from the revolution of temA and Pression to retrieve aspects of older music, within the perspective he had gained, while the cherishing of small sounds, highly defined, can be found in his work from any period. Chaya Czernowin: While Liquid Amber (2000) In While Liquid Amber the flute is treated as an air pipe, capable of producing very raw and uncultured sounds: not lovely and divine sounding lines, but rather the breath as a direct forceful and primitive impulse leading to the utterance of sound. This piece is structured as a set of six sections, each contains a subsection of longer breathing and a subsection of shorter breathing (beside the last section where there is only shorter breathing). As the piece progresses each section suggests a different avenue in the search from the pure breathing towards sound and further towards musical expression. The musical expression that comes to being through this search, however, is still a direct manifest of the power of the breath itself in its rawness. The mechanics of the sound production of the flute are in this way not only a necessary part of the mechanics of music-making, but become the major force in motivating and inspiring the music. John Cage: Six Melodies (1950) Six Melodies is a collection of six pieces for violin and keyboard instrument. The work uses the gamut technique and the nested rhythmic proportions. First, a fixed number of sonorities (single tones, intervals and aggregates) is prepared, each created independently of the other. These sonorities are called gamuts. Sequences of gamuts are then used to create melodies with harmonic backgrounds that are in no way connected to functional harmony, which Cage sought to avoid. The music is very simple and its atmosphere similar to that of Cage’s String Quartet in four parts. The structure of each piece, and that of each phrase, is defined by the same rhythmic pattern: 3 1/2, 3 1/2, 4, 4, 3, 4. The violinist is instructed in the score to play without vibrato and with minimum weight on the bow. Luciano Berio: O King (1968) Martin Luther King, the American pastor and civil-rights activist, was murdered in 1968. His death moved Berio the same year to write a short piece in memorium, its text consisting of the name King only. (That same year, O King became a movement of [Berio’s] Sinfonia). The voice is treated as part of the ensemble (flute, B-flat clarinet, violin, cello, piano) until the very end. It floats above the sound which is only as it were “punctured” by piano sforzati until, at the close, the mezzo-soprano emerges from the ensemble with a brief lament. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031717-SonicLab/031717-SonicLab_12.mp3">Track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonic Lab Creator An entity primarily responsible for making the resource Tyson Foster Date A point or period of time associated with an event in the lifecycle of the resource March 17, 2017